RR Auction: March 2019 Marvels of Modern Music

WE ARE

TUNING UP OUR NEXT MarVELS OF MODERN

MUSIC AUCTION Will Be THIS NOVEMBER Be a part of our future record-breaking sales Now accepting consignments for our next music auction.

Please contact the auction's director, Jon Siefken, at (603) 732-4280, or via email at Jon.Siefken@RRAuction.com

CONTENTS Beatles..........................................................2

Jazz/Blues/Standards..................................57

Elvis.............................................................20

Posters and Handbills.................................69

Bob Dylan ...................................................22

50s ..............................................................79

Jimi Hendrix ................................................25

60s...............................................................81

Rolling Stones.............................................30

70s...............................................................90

The Doors....................................................36

Punk Rock.................................................110

Grateful Dead..............................................39

80s.............................................................113

Led Zeppelin................................................41

Prince........................................................119

Pink Floyd....................................................48

Nirvana......................................................130

Michael Jackson..........................................50

90s.............................................................133

Country & Folk.............................................52

2000s.........................................................137

Bob Eaton CEO, Acquisitions bob.eaton@rrauction.com

Joseph DelGrippo Director of Sports Auctions joseph.delgrippo@RRAauction.com

Carla Eaton Owner, Auctioneer carla.eaton@rrauction.com

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Bobby Livingston Executive Vice President, Public Relations bobby.livingston@rrauction.com Bobby Eaton VP, Business Development Auctioneer, MA/Lic. #3214 bobby.eaton@rrauction.com Tricia Eaton Chief Marketing Officer tricia.eaton@rrauction.com Mandy Eaton-Casey Finance Manager amanda.casey@rrauction.com Elizebeth Otto Consignment Director elizebeth.otto@rrauction.com Jon Siefken Consignment Director jon.siefken@RRAuction.com Louis Bollman Director of Sports Auctions louis.bollman@RRAuction.com

Evan Mugford Writer evan.mugford@rrauction.com Matt Klein Filemaker Developer and IT Administrator matt.klein@rrauction.com

Sean Coleman Customer Experience Specialist & Assistant to the CMO sean.coleman@rrauction.com

Sue Recks Director of Customer Service, Accounts Receivable sue.recks@rrauction.com

Linda Hernandez Quality Control, Consignor Services Manager linda.hernandez@rrauction.com

Sylvia Nassy Accounts Payable sylvia.nassy@rrauction.com

Kevin Lessard Shipping Executive kevin.lessard@rrauction.com Peter Parenti Lead Inventory Executive peter.parenti@rrauction.com Bill White Lead Autograph Appraiser bill.white@rrauction.com Dan McCarthy Writer, Researcher dan.mccarthy@rrauction.com Robert S. Eaton Sr. 1940–2001

Amey Fuller Accounting Manager amy.fuller@rrauction.com Sarina Carlo Creative Director sarina.carlo@rrauction.com Nikki Brickett Photographer nikki.brickett@rrauction.com Leanne Baratier Production Assistant leanne.baratier@rrauction.com

Beatles Fully signed, first pressing of With the Beatles 4001. Beatles Signed Album. Exceptionally rare 1963 Parlophone mono first pressing of the With the Beatles album (with misspelled ‘You Really Gotta Hold On Me’), signed on the front in the white upper border in black ballpoint, “John Lennon,” “Paul McCartney,” “George Harrison,” and “Love, Ringo Starr, xxx.” In very good to fine condition, with light scuffing and creasing, and some ink adhesion troubles due to ballpoint interacting with the slick surface.

The record is included. Accompanied by a letter of provenance from the original recipient and a letter of authenticity from noted Beatles expert Frank Caiazzo, who notes that the “album was autographed

by The Beatles on November 24th, 1963, just two days following its release, when the band performed in concert at the ABC Cinema in Hull, England. This is a desirable and rare front signed Beatles album cover, and one of only a handful of ‘With the Beatles’ covers signed on the front which have surfaced to date.” Starting Bid $2500

4003. Beatles ‘Third State’ Stereo Butcher Album. The Beatles Yesterday and Today stereo ‘third state’ butcher cover (Capitol, 1966). This ‘third state’ version features the ‘butcher’ cover, the previously affixed ‘trunk’ cover pasteover having been carefully removed from the album jacket to reveal the butcher cover underneath. In very good to fine condition, with some light edge wear and chipping, and a very light layer of adhesive residue evident. The record and original Capitol inner sleeve are both included as is a copy of Capitol’s recall letter. Within days of releasing this miscellany of previous hits, Capitol recalled all copies in response to retailers’ negative reactions to the original macabre cover image. The recalled copies were ‘retrofitted’ with a new pictorial flat, pasted over the first, featuring an innocuous image of the boys posed around a steamer trunk; these have frequently been peeled away by collectors to reveal the infamous butcher image below. Stereo covers are much rarer than the mono versions as they were produced in far fewer quantities. Starting Bid $200

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An early pre-Beatlemania appearance by The Beatles 4004. Beatles 1963 New Musical Express Program. Original vintage program for the

1962–63 Annual Poll-Winners’All-Star Concert presented by New Musical Express (NME) at Wembley’s Empire Pool on April 21, 1963, 14 pages, 5.75 x 8.75, which lists the Beatles as one of the “Guest Attractions” alongside Mark Wynter, Mike Berry, David Jacobs, and Gerry and the Pacemakers. The lineup schedule lists the Beatles as playing third from last, behind Billy Fury and Cliff Richard. In very good condition, with creasing, soiling, and light toning to all pages. The Beatles were second on the bill for the New Musical Express 1962-63 Annual Poll-Winners’ All-Star Concert, held at the Empire Pool in Wembley, London. Topping the 14-act bill were Cliff Richard and The Shadow. The venue was filled with 10,000 people. The Beatles won no awards on this day, as the polling had taken place towards the end of 1962 and they were insufficiently known nationwide, but the NME made them the penultimate act of the day due to the success of their recent singles. Starting Bid $200

4006. Beatles 1965 New York Arrival Instructions. Origi-

4005. Beatles 1963 Newcastle Signatures. Bold vintage

ballpoint signatures of Ringo Starr, John Lennon, Paul McCartney, and George Harrison on an off-white lightly lined sheet affixed to a 6.75 x 7 cardstock mount. In fine condition.

Accompanied by a certificate of authenticity from Tracks and by a letter of provenance from the original owner: “In the latter part of 1963 I was dating a journalist working for the Blyth Standard. One of his assignments for the newspaper was to interview The Beatles who had a concert in Newcastle Upon Tyne City Hall on 23 November 1963. During this he got their autographs which he then gave to me.” An exceptional set of Beatles autographs heightened by its lack of inscription, crispness, and attractive spacing. Starting Bid $1000

nal 8.5 x 11 instructional sheet headed “RE.: BEATTLES’ARRIVAL,” dated July 20, 1965, directed to Mike Hutner and Buddy Young in regard to the Beatles’ arrival in New York City on August 13, 1965, and the start of their second American tour. The sheet lists the band’s flight number (“TWA, Flight #703”), the airport, landing time, and receiving party (“Kennedy Airport at 2:35 P.M…Walter Hofer and representatives from Capitol Records and General Artists Corporation”), and the remainder of their obligations and plans, with additional contact information. In very good to fine condition, with a fold across the bottom, and creasing to the edges. Accompanied by a certificate of authenticity from Tracks. The Beatles’ fifth studio album, Help!, was released in America on the same day the Beatles landed stateside for their highly anticipated 16-date US tour. Upon landing at JFK—their plane parked two miles from the main terminal to avoid fan frenzy—the Beatles were driven to the Warwick Hotel on 6th Avenue and 54th Street, their main residence until August 17th. The following day the group recorded their fourth and final performance for the Ed Sullivan Show, and a day later on August 15th delivered an historic performance before 55,600 at Shea Stadium. Starting Bid $200

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Motorized ‘jack-in-the-box’ display for the Beatles’ Help! soundtrack 4007. Beatles 1965 Help! In-Store Display. Awesome original in-store motorized ‘jack-in-the-box’ display for the Capitol Records release of the Beatles’ fifth studio album, Help!, the soundtrack to their hugely successful second feature film. The bright orange cardboard promotional display measures 18 x 17 x 17.75 and features bold matching advertising text to sides and cover, “Original Motion Picture Soundtrack, The Beatles, Capitol Records, Help!,” with the display’s front and back bearing affixed glossy color promo sheets between bold text: “Help Is Here! Get It!” A lengthy replacement cord extends from the display’s lower backside and when plugged in activates an internal motor that raises the cover to reveal a set of four hands with cuffs spelling out “HELP”—Ringo Starr’s hand is made evident by the rare presence of the film’s sacrificial ring—and the underside of the cover bears an affixed image of the Beatles as they’re pictured on the cover of their ‘Help!’ single. In very good to fine condition, with some faint creasing to fingers and a tear and creasing to front promo image. Accompanied by the original assembly sheet and shipping box.Manufactured in 1965 by Capitol Records, this magnificent fully functional Help! display was distributed exclusively to select record stores across America to coincide with the album’s highly anticipated release date of August 6, 1965. Due to the fragility of this promotional display, as is the case with other similar oversized and multipart displays of the era, these Beatles displays were usually discarded by record outlets because of their size, with the few that survived generally the result of being rescued by fans. Elevated by its bright colors and excellent condition, this is a fantastically rare original display that would make any serious Beatles collection stand out from the crowd. Starting Bid $500

Rare and imposing Apple Records display for Abbey Road 4008. Beatles 1969 Abbey Road In-Store Display. Hugely appealing original in-store

promotional display for the Apple Records release of the Beatles’ eleventh studio album, Abbey Road. This elaborate cardboard display stands approximately 5.5´ feet in height and consists of three main sections: an upwardly curving black base with ‘cracked’ street arrows pointing to a middle compartment with front and side panels featuring “The Beatles” and adjacent Apple Records logos in bright green. The uppermost section shows Iain Macmillan’s iconic image of the Beatles strolling across Abbey Road, with each member die-cut to present a very appealing 3-D effect. The top section also has the original fold-out cardboard backing, which is supported by a replacement plastic pole. In very good to fine condition, with light scattered wear to lower sections, with uppermost section bearing some creases and small edge tears.

This wholly impressive Abbey Road display, complete with the rare original base section and designed to hold up to two dozen albums, was distributed exclusively to select record stores across America to coincide with the album’s highly anticipated release date of October 1, 1969. Due to the fragility of this promotional display, as is the case with other similar oversized and multipart displays of the era, these Beatles displays were usually discarded by record outlets because of their size, with the few that survived generally the result of being rescued by fans. The likelihood of recovering examples, especially one in such attractive condition and featuring all three main display sections, is incredibly rare—a hugely visual and highly collectible Abbey Road centerpiece. Starting Bid $300

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Remarkably rare intact Yellow Submarine display with working motor 4009. Beatles 1968 Yellow Submarine In-Store Display. Vibrantly colored original motorized display for the promotion of the Beatles’ tenth studio album, Yellow Submarine. The in-store cardboard display stands approximately 4.5´ feet in height and features fantastic psychedelic Fab Four-related imagery in bright DayGlo colors to each of the three main sections: the unique spiral base features images of all four Beatles along with Old Fred, Jeremy the Boob, Chief Blue Meanie, and the Flying Glove; the middle portion, intended to hold album copies of Yellow Submarine, bears either “The Beatles” or “Yellow Submarine” to each side; and the uppermost fixture, a three-dimensional Yellow Submarine with additional Beatles images to periscope windows, rests atop a sturdy cardboard tube with battery-operated motor mechanism designed to rotate the submarine.

In very good to fine condition, with some scattered wear and creasing, and dampstaining to back fin of submarine; the motor is in working condition.

Accompanied by the original assembly sheet and two D size batteries.

These stunning, black light-ready Yellow Submarine displays were made in America in late 1968 and distributed exclusively to select record stores across the country to coincide with the album’s release date of January 17, 1969. Due to the fragility of this promotional display, as is the case with other similar oversized and multipart displays of the era, these Beatles promo displays were usually discarded by record outlets because of their size, with the few that survived generally the result of being rescued by fans. Finding them today, intact and in working condition, is incredibly rare, with this impressive Yellow Submarine example at the very apex of eye-catching, long-lost Beatles display pieces. Starting Bid $500

4010. Beatles A Hard Day’s Night Press Show Invitation. Extremely rare United Artists color invitation to the press showing of the Beatles’ motion picture debut, ‘A Hard Day’s Night,’ at the Leicester Square Theatre on July 6, 1964, measures 4.6 x 6 (7.5 x 6 open), with film credits and screening information printed next to images of the Beatles’ upper heads. In fine condition, with light handling wear. Accompanied by a certificate of authenticity from Tracks. Later the same day A Hard Day’s Night officially premiered at London’s Pavilion Theatre. The Beatles feature length debut quickly proved to be a huge commercial success, serving to further catapult the band’s popularity and stardom—the world premiere also served as an early birthday present for Starr, who turned twenty-four the following day. Starting Bid $200

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Rare ‘Trade Show’ invitation for A Hard Day’s Night 4011. Beatles A Hard Day’s Night Trade Show Invitation. Exceptionally rare

United Artists color invitation to the “Trade Show of ‘A Hard Day’s Night,’” the Beatles’ feature film debut, which took place at the London Pavilion in Piccadilly Circus on the morning of July 10, 1964, measures 4.6 x 6 (7.5 x 6 open), with film credits and screening information printed next to images of the Beatles’ upper heads. In fine condition, with light handling wear and an unknown hand changing the admittance number. Accompanied by a certificate of authenticity from Tracks. The trade show gave an opportunity for people in the music and cinema business, distributors, exhibitors, and journalists to watch the film at the same venue where ‘A Hard Day’s Night’ had premiered four days earlier on July 6, 1964. The first ever ‘Trade Show’ invitation that we have seen. Starting Bid $200

The Beatles and Rolling Stones on the same bill!

4012. Beatles and Rolling Stones 1964 New Musical Express Program. Uncommon

original vintage program for the 1963–64 New Musical Express (NME) Annual Poll-Winners AllStar Concert presented

by Maurice Kinn at Wembley’s Empire Pool on April 26, 1964, 19 pages, 5.75 x 8.75, which lists the Beatles and Rolling Stones as bands performing in the star-studded musical showcase. Other acts include: the Dave Clark Five, Freddie and the Dreamers, Gerry and the Pacemakers, the Hollies, Billy J. Kramer and the Dakotas, Manfred Mann, the Merseybeats, Cliff Richard, the Searchers, and the Swinging Blue Jeans. In very good to fine condition, with a couple of light stains to the cover, and moderate overall handling wear. The Beatles topped the bill at the New Musical Express’ 1963-64 Annual Poll-Winners’ All-Star Concert, playing before an audience of 10,000 at the Empire Pool in Wembley, London. This was the group’s first live performance for 15 weeks, and they performed five songs: ‘She Loves You,’ ‘You Can’t Do That,’ ‘Twist And Shout,’ ‘Long Tall Sally,’ and ‘Can’t Buy Me Love.’ Starting Bid $200

4013. Beatles Bobblehead Dolls. Sought-after complete set of

Beatles bobblehead dolls manufactured in Japan by Car Mascots, Inc., in 1964. Represented are John Lennon, Paul McCartney, George Harrison, and Ringo Starr with their instruments (Ringo has his drumsticks) and wearing matching attire, each measuring approximately 8˝ tall and bearing a facsimile signature on the front of the gold base. All four retain their original gold seals on the bottom. No surface cracks or wear on the bodies. Also no paint chipping on the bodies or gold paint on the bases. Includes the original red box (original cellophane windows intact) and Car Mascots original green instruction sheet.

In fine condition, with some limited wear to the original box. A highly appealing, well-preserved set of these classic Beatles collectibles.

Starting Bid $200

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The Beatles album that never was—the super rare ‘Live at the Hollywood Bowl’ acetate 4014. Beatles Live at the Hollywood Bowl Acetate.

Exceedingly rare double-sided mono Capitol Records 33 1/3 RPM acetate of the complete Beatles ‘Live at the Hollywood Bowl’ concert. Both labels are marked “Title, Beatles & The Hollywood Bowl,” “Artist, The Beatles,” and “Project No. 314877,” with respective running times of “Time, 13:41, Side 1” and “Time, 15:58, Side 2.”

The section marked “Rough 8-26-64 Don,” indicates that the acetate was cut directly from the reel-to-reel tape on August 26, 1964, just three days after the concert was recorded.

The acetate features the full 29-minute concert with a total of 12 tracks and all on -stage comments from the Beatles. The contents of the record: ‘Twist and Shout,’ ‘You Can’t Do That,’ ‘All My Loving,’ ‘She Loves You,’ ‘Things We Said Today,’ ‘Roll Over Beethoven,’ ‘Can’t Buy Me Love,’ ‘If I Fell,’ ‘I Want to Hold Your Hand,’ ‘Boys,’ ‘A Hard Day’s Night,’ and ‘Long Tall Sally.’

Capitol gave the live recording a project number (“4877”) and the recording was mixed by Capitol producer Voyle Gilmore and balance engineer Hugh Davies. However, Brian Epstein, George Martin, and the Beatles were not fully satisfied with the results and the project was scrapped. In very good condition, with some scratching to both sides of the vinyl; a light scratch running through the song ‘A Hard Day’s Night’ causes a popping noise on the track.

When Capitol Records were unable to procure permission from the American Federation of Musicians to record a Beatles concert at Carnegie Hall, the choice was made to have the live album done at the famed Hollywood Bowl. On August 23, 1964, the Beatles took to the stage in front of a sold-out crowd and played, according to John Lennon, what was a very satisfying show: ‘The Hollywood Bowl was marvelous. It was the one we all enjoyed most…We got on, and it was a big stage, and it was great. We could be heard in a place like the Hollywood Bowl, even though the crowds was wild: good acoustics.’ In spite of the band’s enjoyment, the subsequent recording was deemed unworthy, with Martin explaining that ‘guitars and voices [were] mixed on the same track’ and that ‘the recording seemed to concentrate more on the wild screaming of 18,700 kids than on the Beatles on stage.’ Only three copies of the acetate are known to exist, with this example being the earliest known acetate to be cut from the tapes. Accompanied by a certificate of authenticity from Tracks. Starting Bid $1000

4015. Beatles Pair of 1966 Unused Candlestick Park Tickets. Sought-after pair of complete unused 5.75 x 2.5 tickets for the Beatles at Candlestick Park in San Francisco on August 29, 1966, for the “Lower Stand Admission, Gate E, Sec. 32,” and seats “365” and “366.” The vivid tickets read, “KYA Radio 1260 Welcomes The Beatles,” and features ‘floating head’ images of Ringo, John, Paul, and George.

In overall very fine condition. Accompanied by a certificate of authenticity from Tracks. This was the band’s very last scheduled live concert, though they would appear unannounced for their famed ‘rooftop’ show in 1969. Starting Bid $200

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Original Dezo Hoffmann contact sheets of the Fab Four 4016. Beatles Pair of Dezo Hoffman Contact Sheets. Ex-

tremely rare pairing of original vintage glossy 10 x 8 contact sheets of the Beatles during a photo session held at Dezo Hoffmann’s studio on Wardour Street in late April 1963. The photos contain a total of 24 uncommon images of the Beatles posing in their trademark collarless suits. The photos are marked in colored felt tip and wax pencil, with the reverse of both featuring a “Dezo Hoffmann Ltd.” copyright stamp. In overall very good to fine condition, with scattered light creasing, and one short edge tear.

Accompanied by a certificate of authenticity from Tracks.

Eager to distance the band from their leather-clad past, manager Brian Epstein commissioned Beatles tailor Dougie Millings to create a more refined and modish style for his young Beatles upstarts. Topped with their trademark collarless jackets, the resulting slim-fitting suits were first worn by the Beatles on stage and for television appearances in early 1963. By the time the Beatles played the Ed Sullivan Show on February 9, 1964, and their subsequent first concert on American soil at the Washington Coliseum two days later, the Fab Four and their clean-cut image had sparked an international phenomenon soon to be deemed the British Invasion. Starting Bid $300

4017.

Beatles Promotional 1968 White Album Flyer. Rare EMI/Apple

Records promotional flyer for The Beatles’ self-titled ninth studio album, also known as the ‘White Album,’ 5.5 x 8.5, which features artistic images of the Fab Four, the album’s 30 song titles, and reads: “Beatles NEW double album!…Two great LPs with full colour insert showing pictures of the Beatles & words to songs. Released 22nd Nov. Order now & ensure your copy.”

In fine condition. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

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4018. Beatles ‘Something New’ Poster. Original 38 x 20

poster promoting the Capitol Records release of Something New, the 1964 Beatles album that included several songs from the British release of A Hard Day’s Night, with song titles and image of the band performing on the Ed Sullivan show to right side, and large bold text to left side: “Here Now! The Beatles, Newest and Greatest!” Rolled and in very good condition, with overall creasing, tack holes to the corners, and the upper left corner detached but present. Starting Bid $200

Excessively rare quintet of 1962 Beatles autographs—including both drummers, Pete Best and Ringo Starr 4019.

Beatles Signatures.

Excessively rare vintage early-tomid 1962 Beatles signatures and inscriptions in ballpoint, “Love to Erika from John Lennon, xxx,” “To Erika, love Paul McCartney, xxx,” “To Erika, George Harrison, xxxx,” and “Love to Erika, from Pete Best, xxx,” on a pink 5.5 x 4 album page; the reverse is signed and inscribed

by Ringo Starr, then playing drums for Rory Storm and the Hurricanes, “To Rikki, Love Ringo Starr, xxxx.” It was also signed and inscribed later by John Lennon’s sons, “To Erika, with love, Julian Lennon, ‘91” and “Hello Erika! Love, Sean Lennon, 1998.” In very good condition, with an old tape stain to one edge, and light staining to the other three edges.

Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “The purpose of this letter is to serve as authentication of the signatures of the four members of the British Rock and Roll quartet known as The Beatles, with drummer Pete Best, who preceded Ringo Starr…These 5 autographs were obtained at The Cavern Club in Liverpool in early to mid-1962. Ringo, who was playing drums for Rory Storm and the Hurricanes, signed on the same night as The Beatles when both were on the bill…It is extremely rare to have a set of Beatles autographs with both drummers, Pete Best and Ringo Starr, on the same item. To date, only 2 or 3 such sets are known to exist.” A marvelous and decidedly unique assemblage of Beatles autographs. Starting Bid $1000

4020. Beatles Signatures. Vintage ballpoint signatures of John Lennon, Paul McCartney, George Harrison, and Ringo Starr on an offwhite 7.75 x 9 ‘Master Reel Control File’ sheet from Capitol Records.

The edges of the sheet are taped to a same-size Capitol Records recording document. In very good to fine condition, with scattered light creasing, intersecting folds, a light ‘kiss’ mark touching McCartney’s signature, and a single tack hole to the top edge.

Accompanied by a letter of authenticity from Beatles expert Perry Cox, who notes that the signatures were obtained “during the time of the Beatles Hollywood Bowl concert of August 1965.” The letter also features a provenance story from the daughter of the original recipient, which reads, in part: “My old neighbor Bill Clark, who hung out with my dad in those days…said he was 17 when he helped my dad set up for a concert at the Hollywood Bowl at the end of August, 1965. Dad was a recording engineer for Capitol Records and as he often did, he brought Bill along to help him that day…Bill said every job Capitol did required a worksheet which came on a gummed tablet. He said he wasn’t there when the autographs were written but my dad showed him the worksheet a few days later—all four Beatles had signed their names on one of those worksheets. That’s when he told Bill all the Capitol guys there that night got one.” In regard to the ‘kiss’ mark, Cox confirms that the ‘kiss’ is from the recipient’s daughter.

Starting Bid $1000

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The Beatles play Winter Gardens in 1963 4021. Beatles Signed 1963 Promotional Card. Circa 1963 Parlophone Records promo card for the Beatles, 7.5 x 5, showing an Angus McBean image of the group smiling in matching formal suits, signed and inscribed on the reverse in black ink or ballpoint, “Love to Eva, from Paul McCartney, xxx,” “John Lennon, xxx,” “George Harrison,” and “Love, Ringo Starr, xxx.”

In very good to fine condition, with a crease to the upper right corner, old tape stains to all four corners, and some faint overall spotting. Consignor notes that the autographs were obtained in Margate, Kent, England when the Beatles were performing a residency at the Winter Gardens between July 8 and 13, 1963.

Accompanied by a letter from the original recipient explaining the circumstances in which the signatures were obtained, and a certificate of authenticity from Tracks. Starting Bid $1000

Fully signed backstage artist’s pass for the controversial 1963 Royal Variety Performance 4022. Beatles Signed 1963 Royal Command Backstage Pass. Rare

and immensely desirable “Artistes and Staff” backstage pass, 4.5 x 3.5, for the infamous appearance of the Beatles at the Prince of Wales Theatre in London on November 4, 1963, for a royal variety performance before Queen Elizabeth and the Queen Mother, issued to Philip Rose as a courtesy of Pinky and Perky, marionette pigs who also performed that night; Philip Rose was one of the puppeteers. Signed on the reverse in black ballpoint, “Beatles, Paul McCartney,” “John Lennon,” “George Harrison,” and “Ringo Starr.” In very good to fine condition, with light overall soiling, and a small area of surface loss to the top center of the signed side.

Accompanied by five letters of authenticity from noted Beatles expert Frank Caiazzo, one reading, in part: “The Beatles performed before the Queen Mother, and the fact that they were invited to this event was proof positive that The Beatles had ‘made it’ in Great Britain. All four have signed the pass beautifully in black ballpoint…This was a very important night in the history of The Beatles, and this signed pass is a highly coveted memento from that special evening. This is a rare and extremely desirable item, with very few being signed on the night of the event, and one of only 3 which have surfaced, these actually being much rarer than signed programs from the event.”

The band’s selection as part of the Royal Variety Performance did much to propel Beatlemania across the whole of England.

The group performed four songs—’From Me To You,’ ‘She Loves You,’ ‘Till There Was You,’ and ‘Twist and Shout’—and when ITV broadcasted the show a week later on November 10, an estimated 21 million people tuned in. This was also the event where John Lennon took a jab at the Crown with his famous bit of stage banter: ‘For our last number I’d like to ask your help.

The people in the cheaper seats clap your hands. And the rest of you, if you’d just rattle your jewelry.’ A magnificent, fully signed piece from one of the earliest Beatles controversies. Starting Bid $1000

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Bahama-bound with the Beatles 4023. Beatles Signed Airplane Menu. Original vintage

“Beatles Bahamas Special” menu for a B.O.A.C.-Cunard flight from London to New York on February 22, 1965, four pages, 7.5 x 10.75, signed upside down on the back cover in black ballpoint

by Paul McCartney, John Lennon, and George Harrison, and in black felt tip by Ringo Starr. The cover is also signed Eleanor Bron, Roy Kinnear, and Billy Wyatt, cast and crew members from the Beatles second feature film, Help! In very good to fine condition, with some faint spotty staining. Accompanied by a certificate of authenticity from Tracks. Consignor notes that the autographs were signed for Wing Commander E. E. Rodley, who served as the pilot for the flight. On February 22, 1965, the band flew from London to the Bahamas, with a stop in New York, to commence filming on their second movie, Help!

Although the Bahamas sequences would be the last to appear in the completed film, it was the first location on the shooting schedule. Authentic examples of Beatles signatures from this period are scarce as they were virtually inaccessible to their fans. Starting Bid $2500

4024. Beatles ‘Second State’ Mono Butcher Album. The Beatles Yesterday and Today mono ‘second state’ butcher

cover (Capitol, 1966). This ‘second state’ example features the revised ‘trunk cover’ pasteover that Capitol Records used to fix the already printed album sleeves in response to public backlash. Ringo’s tell-tale black v-neck from the original image can be seen through the pasteover on the right side. In fine condition. The record and original Capitol inner sleeve are both included.

Record is in excellent condition. Accompanied by a copy of Capitol’s recall letter. Within days of releasing this miscellany of previous hits, Capitol recalled all copies in response to retailers’ negative reactions to the original macabre cover image: a photo of the four mop-tops dressed in butchers’ coats and draped with raw meat and doll parts. The recalled copies were ‘retrofitted’ with a new pictorial flat, pasted over the first, featuring an innocuous image of the boys posed around a steamer trunk. An unusually nice ‘unpeeled’ example of this sought-after album, with the front and back both exceptionally clean. Starting Bid $200

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Two Beatles and their famed producer

4025. Beatles Signed Album. Yesterday and

Today album signed on the front cover in blue felt tip

by Paul McCartney, Ringo Starr, and George Martin.

In very good to fine condition, with light scuffing and soiling. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4027. Beatles Signed Promo Card. Wonderful

vintage circa 1963 official Beatles Fan Club promo card depicting Dezo Hoffmann’s image of the group seated in their collarless suits, 5.5 x 4.25, signed and inscribed in bold blue ballpoint, “To Becky love from the Beatles, John Lennon, xxx,” “George Harrison,” “Love, Paul McCartney, xxx,” and “Ringo Starr, xx.” The card is affixed to a slightly larger pink album page, signed on the reverse in blue ballpoint by the five founding members of Freddie and the Dreamers: Freddie Garrity, Roy Crewdson, Derek Quinn, Peter Birrell, and Bernie Dwyer. In fine condition.

A highly desirable example boasting excellent signature contrast.

Accompanied by a letter of authenticity from noted Beatles expert Frank Caiazzo, in part: “This card was signed by The Beatles in the Fall of 1963, shortly after the card was issued. This classic shot is one of the most desirable images to have autographed by The Beatles.

These highly coveted Fan Club cards have become quite scarce over the past decade, and this is one of the better examples to appear anywhere in recent years.” Starting Bid $1000

Rare Hoffmann photo signed by the Fab Four with Nicol on drums 4026. Beatles Signed Photograph. Brilliant vintage glossy

6.5 x 5 photo of the Beatles in their matching gray collarless suits, signed and inscribed in black ballpoint, “To Nick, best wishes from the Beatles, John Lennon,” “Paul McCartney,” “George Harrison,” and “Jimmie Nicol.” The top corners of the photo are affixed to a beige 10 x 8 sheet. In very good to fine condition, with adhesion troubles to McCartney’s last name, and surface impressions of two other Nicol signatures, apparently from items signed on top of this photo.

The Beatles stormed Australia early into their first world tour, playing eight shows in Adelaide, Melbourne, and Sydney between June 12 and 20, 1964, a span made notable by the presence of drummer Jimmie Nicol, who replaced Ringo Starr from June 3-15 while the latter was recovering from tonsillitis and pharyngitis. A decidedly very rare item given that Nicol was with the Beatles for less than two weeks. Starting Bid $1000

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4028. Brian Epstein’s Personally-Owned Oversized Photograph.

Large vintage semiglossy 15.75 x 19.75 photo of Beatles manager Brian Epstein, which is affixed to a same-size mount and once belonged to Epstein himself. In very good to fine condition, with scattered light scratches and small gouges, edge wear, and surface loss to the upper right corner. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from Epstein’s nephew, confirming that “the original 1960s photo...was formerly the property of my uncle, Brian Epstein. It was bequeathed to me.” Starting Bid $200

4031. Al Hirschfeld Signed John Lennon Print. Color

limited edition 16 x 22.5 lithograph entitled ‘Lennon and Liberty,’ numbered 96/300, signed in the lower right in pencil by artist Al Hirschfeld, “Hirschfeld.” Produced in 2002, the print is a tribute to John’s fight with the immigration department when the government tried adamantly to deport him. Although John eventually won his battle to stay in the United States, this image has grown increasingly relevant as the debate on immigration continues. In very fine condition.

Starting Bid $200

4029. George Harrison Signed Photo Postcard. Glossy 3.5 x 5.5 close-up postcard photo of

Harrison, boldly signed on the reverse in black ballpoint, “George Harrison.” In very good condition, with tape stains and tape-related surface loss (all easily matted out), and heavy creasing and surface cracking to the photo side, which is far less evident on the signed side.

Starting Bid $200

Harrison promotes his Thirty Three & 1/3 record 4030. George Harrison Signed Promotional Album. Rare promotional

record of ‘A Dark Horse Records presents A Personal Music Dialogue with George Harrison at 33 1/3,’ signed on the ‘side two’ label in black ballpoint by Harrison. Includes the original sleeve with attractive color 23 x 35 promo poster. Produced to promote George’s 1976 studio album Thirty Three & 1/3, this spoken word LP was played on radio stations across America. In fine condition. Consignor notes that the autograph was obtained at Harrison’s suite at the Plaza Athenee Hotel in Paris on February 5, 1977. Accompanied by a certificate of authenticity from Tracks, a copy of a provenance letter from the original recipient, and a glossy photo of Harrison at the time of signing, showing him with the album on his lap and pen in hand. Starting Bid $200

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Lennon studies at the Liverpool College of Art in February 1960 4032. John Lennon 1960 Art College Results Sheet. Examination results sheet

for the 1959/1960 Intermediate Drawing School at the Liverpool College of Art, one page, 8 x 10.25, issued for “Second Year—Group 5,” with the assessment for “Half Term. Feb. 15th. 1960.” Listed in the left border among the nine other students is a 19-year-old John Lennon, who receives a grade of “55” in the categories “Life” and “Compn.” The lone name crossed off the list, Thelma Pickles, was an early girlfriend of Lennon, who he began dating in the autumn of 1958. Pickles was one of the handful of lucky spectators that observed Lennon, Paul McCartney, and George Harrison play guitars in the kitchen of Lennon’s aunt and uncle at 251 Menlove Avenue. In very good to fine condition, with creasing, small staple holes, and a tear to the top edge.

Consignor notes that the sheet was formerly the property of one of John’s teachers listed, Mr. Bollard. While studying at the Liverpool College of Art, Lennon was introduced to a talented painter by the name of Stuart Sutcliffe. The two became fast friends and in May 1960 the latter was asked to join Lennon’s band as the new bass-player for ‘the Silver Beatles.’ A unique and fascinating piece of Beatles history. Accompanied by a certificate of authenticity from Tracks.

Starting Bid $500

4033. John Lennon and Paul McCartney Signatures.

Vintage ballpoint signatures, “To Pat, love from John Lennon, xx,” and “Love, Paul McCartney,” on individual off-white 2.5 x 2.75 slips, affixed to a larger black 6.75 x 4 card. In very good to fine condition, with some light toning, and tape stains to the upper corners. Starting Bid $200

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John and Yoko order the transfer of gold bars 4034. John Lennon and Yoko Ono Document Signed.

Uncommon manuscript DS, signed “John Lennon” and “Yoko Ono Lennon,” one page, 8 x 10, May 12, 1980. Official letter directed to Gertrude Rullo at Chase Manhattan Bank in New York, in part: “Kindly accept this letter as authorized instructions to release, upon presentation of properly endorsed depository receipts, to Brinks, Inc., the gold bars identified by the following: Register No…Receipt No…Tray Org…Please notify Richard DePalma… as to the charges applicable to this transfer, and inform him of the earliest date on which the bullion will be available for pickup.” Signed at the conclusion by both Lennon and Ono. In very good to fine condition, with overall faint mottled toning, and light staining to the bottom edge. Starting Bid $300

Superior portrait of John and Yoko, signed in ‘76 4035. John Lennon and Yoko Ono Signed Photograph. Exceptional vintage 8 x 10 paperstock

photo of John and Yoko behind two empty flowerpots, removed from a publication, signed and inscribed vertically in black ink, “To William, love, John Lennon, 76” and “Yoko Ono,” with John adding his usual doodles of himself and Yoko below his signature. In fine condition. A marvelous portrait of the legendary husband and wife, boasting ideally bold signatures of both—easily one of the finest Lennon–Ono portraits that we have ever encountered. Starting Bid $1000

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Extremely rare handwritten letter from Lennon to Beatles producer Sir George Martin— “they fucked us about till November!”

4036. John Lennon Autograph Letter Signed. Tremendous ALS signed “J & Y,” one page, 8.5 x 11, [September 12, 1971]. Letter to Beatles producer George Martin, who Lennon playfully refers to as “Martin George of Rock Ink,” in full: “Yoko and I got Two Virgins out in spite of being past owners of Apple. We made it in May and they fucked us about till November! Then E. M. I. (who have the real control) wrote warning letters to all their puppets around the world telling them not handle it in any way (this after Sir Joe had told us face to face that he would do ‘everything he could’ to help us with it—and asking us for autographed copies!!). In the States it came out on Tetragrammaton which vanished leaving a few thousand spares (it was sold discretely wrapped in a brown paper bags). Retailers here & there were too scared to handle it and it sold very few—it’s very well known but not many people could actually get it. In most other major markets, e.g. Japan, it has never been released. On my last album in U. K., E. M. I. allowed me to sing ‘fuck’ wouldn’t allow the lyrics to be printed! Yoko’s ‘Open Your Box’ was banned (again by an E. M. I. letter) everywhere. It only came out in Britain in a censored form. Just thought you’d like to know.” Lennon makes a few handwritten emendations in red felt tip. In fine condition, with a light paperclip impression to the top edge. Includes an original typed transcript dated September 12, 1971. Accompanied by a full letter of authenticity from noted Beatles expert Perry Cox, in part: “Very historic and incredible handwritten letter by John Lennon written to Beatles producer Sir George Martin in 1971. This is the most significant letter I’ve examined by Lennon to date…Within the text of this document is clear evidence of the mood and times for Mr. Lennon.

Herein Mr. Lennon expresses his extreme dissatisfaction, lending the reader clear insight into John’s mindset at the time.”

Recorded on May 19, 1968, Unfinished Music No. 1: Two Virgins was the first of three experimental albums released by John Lennon and Yoko Ono on Apple Records and his first release after the breakup of the Beatles. In addition to its avant-garde content, the record’s front and back covers, featuring fully nude images of Lennon and Ono, resulted in parent label EMI refusing distribution. After a span of six months, the record was finally picked up by Track Records in the United Kingdom, and by Tetragrammaton Records in the United States, both of which released the album in discretely covered brown paper bag packaging. Despite their marketing troubles, the pair continued to push censorship boundaries, most notably with Lennon’s use of the word ‘fuck’ in the classic song ‘Working Class Hero,’ and then again with Ono’s ‘Open Your Box,’ a risque and universally banned track on the B-side of Lennon’s 1971 single ‘Power to the People.’ This historic letter dates to just three days after the release of Imagine, and Lennon clearly hopes that the frustrating struggles he had in the past would not apply this time—they didn’t, of course, and Imagine became an instant classic. Starting Bid $2500

4037. John Lennon Signature. Vintage ballpoint

signature, “John Lennon,” on an off-white 4.75 x 3 card, with collector’s ink notations to lower portion dating the signature to June 17, 1969. In fine condition. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the original recipient, who notes that the autograph was obtained at the “Beatles Apple Offices on Savile Row, London in June 1969.” Starting Bid $200

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Sgt. Pepper’s album signed and gifted by Lennon to his security advisor

4039. John Lennon Signed Album. Sgt. Pepper’s Lonely Hearts Club Band album signed and inscribed on the front cover

in black felt tip, “To Inspector Symonds & family thanks for everything, love from John Lennon.” A strip of Scotch tape has been applied over the signature. In fine condition, with light yellow aging to the edges of the clear tape. The record is included.

Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the daughter of the original recipient: “In the mid-60s, when John was living at St. George’s Hill, Weybridge, my father was the senior CID officer based in the town. One day my father received a call from John asking if he could advise him on security as so many fans were arriving at the house to try to see him. My father went to see John and they got on well. From then on they kept in regular touch and my father visited the house on numerous occasions. John signed the LP and gave it to my father the last time they met, as my father had been promoted and we were moving to another police division. The tape was put over the message and signature by my mother, who was worried that, as it was written in felt tip pen, it might wear off.” Deriving from Lennon’s own personal collection, this Sgt. Peppers album exists as just the second example we have ever offered to be signed on the front cover by the late Beatles icon. A magnificent rarity backed by rock solid provenance. Starting Bid $500

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4040. Paul McCartney and Ringo Starr Signed Album. Sought-after Abbey

Road album signed on the front cover in blue felt tip, “Paul” and “Ringo, 06.” In fine condition, with light scuffing.

The record is included. A highly desirable title autographed by the two remaining Beatles.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

4041. Paul McCartney Signed Album. Very

desirable self-titled ‘White Album’ signed on the front cover in black ballpoint, “Cheers! Paul McCartney.”

In fine condition. The record is not included.

Accompanied by a letter of provenance from the original recipient: “I got the autograph personally from him in September 1992 at a Mexican restaurant in the west end of London. It was at the album launch for ‘Buddy’s Buddys’ compilation CD. I said to Paul ‘ I don’t wanna bug you’ he said ‘But you’re gonna.’ ‘Please sign this record’ which he did so and said ‘Good album that one.’” Includes three photos of McCartney playing the bass at the referenced launch party of the Buddy’s Buddys album, a compendium of Buddy Holly cover songs. Starting Bid $200

4044.

Paul McCartney Signed Book. Signed book:

Blackbird Singing. First edition. NY: W. W. Norton and Co., 2001.

Hardcover with dust jacket, 6.5 x 9.5, 185 pages. Signed on the title page in blue felt tip by McCartney. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4045. Paul McCartney Signed CD. Pipes of Peace

CD as part of The Paul McCartney Collection, signed on the front of the booklet in black ink, “Good luck! Paul McCartney.” In fine condition. The CD is included. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

4046. Ringo Starr Signed Drumhead.

White Remo 14.5˝ drumhead featuring a colorful, psychedelic Ringo Starr emblem in the center, signed in black felt tip, “Ringo.” In very fine condition. Starting Bid $200

4042. Paul McCartney Signed Album. McCartney II album signed vertically on the front cover in black felt tip by Paul McCartney. In fine condition. The record is included.

Starting Bid $200

4047. Ringo Starr Signed Print. Limited

4043. Paul McCartney Signed Album. Flaming

Pie album signed on the front cover in black felt tip

by Paul McCartney. In very fine condition. The record is included. Starting Bid $200

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edition 27.5 x 16 giclee print entitled ‘4 Ringos,’ numbered 6/60, signed in the lower right in black felt tip, “Ringo.” Ringo’s artwork has often been compared to Andy Warhol and this does nothing to dispel that comparison. Using a stencil Ringo himself cutout, he shows his ‘Beatle 65’ self that changed the world and helped start the pop movement. This is a classic pop artwork produced by a Beatle. In fine condition. Starting Bid $200

4048. Beatles 1964 Central Park Photograph Starting Bid $200

4049. Beatles 1965 Shea Stadium Contact Sheet Starting Bid $200

4050. Beatles A Hard Day’s Night Poster Starting Bid $200

4051. Beatles Apple Records Letterhead Starting Bid $200

4052. Beatles Promotional Poster Starting Bid $200

4053. Cavern Club 1962 Performance Contract Starting Bid $200

4054. Cavern Club Group of (3) Prints Starting Bid $200

4055. George Harrison Photograph by Robert Freeman Starting Bid $200

4056. John Lennon ‘Bag One’ Lithograph Set Starting Bid $200

4057. John Lennon 1965 Photograph by Robert Whitaker Starting Bid $200

4058. John Lennon and George Harrison Photograph

by Astrid Kirchherr Starting Bid $200

4059. John Lennon and Paul McCartney 1970 Royalty Statements Starting Bid $200

4060. John Lennon Photograph by Jurgen Vollmer Starting Bid $200

4061. John Lennon Rock and Roll Hall of Fame Poster Starting Bid $200

4062. Yoko Ono Signed Album Starting Bid $200

4063. Ringo Starr’s Vivienne Westwood T-shirt Starting Bid $200

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Elvis Presley 4064. Elvis Presley 1977 Indiana State University Ticket Sheet.

Uncut sheet of eight blue upper-level tickets for Elvis Presley’s concert at Indiana State University’s Human Civic University Center on September 26, 1977. The full sheet measures 5.5 x 13.5. In fine condition. Starting Bid $200

4065. Elvis Presley 1977 Savannah Civic Center Ticket Sheet. Uncut sheet of eight gold floor tickets for Elvis Presley’s concert at the Savannah Civic Center in Savannah, Georgia, on September 28, 1977. The full sheet measures 5.5 x 13.5. In fine condition. Starting Bid $200

Presley plays pool in Sioux City, 1956 4068.

Elvis Presley Signature and Candid Photograph.

Fantastic vintage fountain pen signature, “Yours, Elvis Presley,” on a 7 x 10.5 sheet of letterhead from The Warrior Hotel in Sioux City, Iowa. Affixed above is an original glossy 3.5 x 5 candid snapshot photograph of Elvis posing with a pool cue in front of a juke box, with a typed caption below: “Elvis Presley - Famed ‘Rock & Roll’ singer - Autographed and posed for our camera at the Warrior Hotel, Sioux City, Iowa, May 23, 1956.” In very good to fine condition, with wrinkling to the photo and surrounding page from the adhesive used to affix it; the signature area is clean.

Accompanied by a 1956 press service photo of the same juke box image, and two later photo reproductions, and a publicity photo bearing a facsimile signature. Starting Bid $200

The King’s 1972 Kenpo Karate card 4066. Elvis Presley Kenpo Karate ID Card. Elvis Presley’s gold metal

International Kenpo Karate Association membership card, 3.5 x 2.25, issued to Presley on February 23, 1972, with rank of 5th degree black belt. In fine condition.

Accompanied by a full letter of authenticity from Graceland Authenticated and a letter of authenticity from Chris Davidson of the EP Archives, which reads: “This 5th degree IKKA Kenpo Karate card was issued to Elvis Presley by Ed Parker, Founder and Senior Grand Master of Kenpo Karate. This gold metal identification card was the first one issued to Elvis in the gold medal style. Earlier ones were made of paper and when Elvis carried them in his wallet the ink would often smear. This ID card was created by Sang Kim of Apollo Designs in Los Angeles.” Starting Bid $200

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G. I. Blues signed by Sergeant Presley 4069. Elvis Presley Signed Album. Very desir-

able G. I. Blues album signed on the front cover in blue ballpoint by Elvis Presley. In very good to fine condition, with light scuffing, corner creasing, and partial edge separation. The record is not included.

Accompanied by a full letter of authenticity from REAL. Starting Bid $300

Large color portrait of ‘The King’ 4070. Elvis Presley Signed Photograph.

Superb color 10.75 x 10.75 program photo of Elvis dressed in a white outfit against a bright red background, boldly signed and inscribed in blue ballpoint, “To Mr. and Mrs. Wallace, Thank you for the gift, Elvis Presley.” The print also bears a facsimile signature inherent to the image.

Matted and framed to an overall size of 15.75 x 15.75. In fine condition, with a crease to the upper right corner. Starting Bid $300

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4071. Elvis Presley Signed Print. Scarce vintage color 16 x 20 print of Elvis in a red jacket, originally done by June Kelly, signed and inscribed in black felt tip to Emmy Award-winning producer Bob Finkel, “Bob, Thanks for everything, ‘about the budget.’ Elvis Presley.” In fine condition. These prints were given away at record stores to buyers of the Girl Happy album in the spring of 1965. Accompanied by a full letter of authenticity from JSA and a notarized letter of authenticity from Finkel’s daughter, who notes that “the June Kelly print…was signed by and given to my father by Elvis Presley after they had worked together on the 1968 Comeback Special.” Longtime television producer and director Bob Finkel collaborated with Presley on the latter’s memorable 1968 Comeback Special. The show became an attempt to reestablish the Presley brand with a myriad of large musical numbers and elaborate set designs, plans that ultimately pushed the program’s budgetary limits. During an on-set birthday party for Colonel Tom Parker, the King sang a parody of ‘It Hurts Me’ that began: ‘It hurts me to see the budget climb up to the sky. It hurts me when Finkel gives me trouble, when I see all my money go just for one god-damned ol’ TV show. It hurts me the way that Finkel spends my dough.’

Starting Bid $200

Bob Dylan 4072. Bob Dylan 1961 Carnegie Chapter Hall Program.

Original program for Bob Dylan’s first major concert at Carnegie Chapter Hall in New York on November 4, 1961, four pages, 5.5 x 8.5, depicting the 20-year-old folk singer playing his harmonica on the front cover. In very good to fine condition, with scattered light stains. Promoted and financed by Izzy Young, proprietor of the Folklore Center music store, the show was a financial failure—the audience comprised only 53 people. These programs are thus very rare. Starting Bid $200

4073. Bob Dylan 1969 Isle of Wight Poster. Original 34 x 22.5 poster for Bob Dylan at the Isle of Wight Festival of Music in August 1969, featuring two large portraits of the legendary singer-songwriter in dark sunglasses. On the left side, the poster lists other acts including the Who, Moody Blues, Joe Cocker, Free, King Crimson, The Band, and Richie Havens. In fine condition. After spending much of the previous three years in semi-retirement following his motorcycle accident, this festival marked Dylan’s great return to the spotlight. Backed by The Band, he performed 17 of his hits, including ‘Maggie’s Farm,’ ‘It Ain’t Me, Babe,’ ‘Mr. Tambourine Man,’ ‘Highway 61 Revisited,’ and ‘Like a Rolling Stone.’ Starting Bid $200

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4074. Bob Dylan and Joan Baez Handbill. Desirable

original color 5.5 x 9.5 handbill for Bob Dylan and Joan Baez’s US tour held between February and March 1965, featuring the now iconic folk rock artwork of Eric Von Schmidt.

In fine condition. Starting Bid $200

4075. Bob Dylan and Joan Baez Signatures. Rare

vintage pencil signature and inscription, “To Pat, Bob Dylan,” and blue ballpoint signature, “Joan Baez,” on an off-white 3.25 x 4.5 lined slip, affixed to a slightly larger album page. In very good to fine condition, with intersecting folds, tape stains to the corners, and the irregular trimming impinging on, but not touching, Dylan’s last name. A rarely seen combination of signatures from these iconic folk artists, whose relationship in the early 1960s is the stuff of legend. Starting Bid $200

4077. Bob Dylan Signed Album. Nashville Skyline album signed and inscribed on the front cover in black felt tip, “Best wishes to the ‘Sorcerer,’ NYC, Bob Dylan, 6/2/90.” In very good to fine condition, with light scuffing and a few light creases. The record is included. Accompanied by a full letter of authenticity from JSA and a letter of provenance from the original recipient: “I met Bob Dylan when he was recording the album ‘Under a Red Sky’ at Sorcerer Sound Studios on Mercer St. in New York City in June of 1990. I was working in the smaller of the 2 recording studios at the time. I brought in 2 albums for him to sign for me which he obliged. On the ‘Nashville Skyline’ album he referred to me as the Sorcerer.

I don’t know why.” Starting Bid $300

4076. Bob Dylan and Patti Smith Posters. Two posters: a color 24 x 36 poster commemorating Milton Glaser’s 1967 poster of Bob Dylan in silhouette profile with kaleidoscope hair, issued by the Potlatch American Design Century in 1999; and a color 16 x 20 poster for an event entitled “From Dream to Dream: An Evening of Poetry,” held at the Smith Baker Auditorium in Lowell, Massachusetts, on October 6, 1995, which depicts images of Patti Smith and Herbert Huncke, both of whom have signed the poster in black felt tip. In overall very good to fine condition, with creasing to the wide borders of the Dylan poster. Starting Bid $200

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Dylan’s iconic third studio album, The Times They Are a-Changin’ 4078. Bob Dylan Signed Album. Modern German pressing of The Times They Are A-Changin’ album, signed and inscribed on the front cover in black felt tip, “To Dino, Bob Dylan, ‘17.” In fine condition. The record is included. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the original recipient, in part: “Since I was 25, I work in the world of music and for work reasons I met many operators and managers of large musical spaces…On April 26, 2017, I was at the Swiss Life Hall in Hannover…to see Dylan’s concert and meet some European tour managers…I had an ‘all areas’ pass which allowed me to access the external but reserved area of the concert hall. Dylan and his band had just got off the buses heading for catering/dressing room area…At that moment I presented him the LP ‘The times they are a-changin’ and a black marker. Bob did not say a word.” A highly desirable title with great visual appeal, this is the first signed ‘Times’ album we have offered in over nine years. Starting Bid $200

4079. Bob Dylan Signed Photograph. Very desir-

able glossy 8 x 10 publicity photo of Dylan for the 1967 documentary Dont Look Back, signed and inscribed in red felt tip, “To Vera, Best wishes, Bob Dylan.” In fine condition, with scattered light creasing. Accompanied by a full letter of authenticity from JSA. Directed and written by D. A. Pennebaker, Dont Look Back covers Bob Dylan’s whirlwind concert tour in England between April 30 and May 10, 1965.

The film follows Dylan over the course of eight performances, and features several of his friends and contemporaries, such as Joan Baez, Donovan, Alan Price, Marianne Faithfull, John Mayall, Ginger Baker, and Allen Ginsberg. Although Dylan played folk music exclusively on the tour, he would become alienated by many of his fans when he went electric two months later at the 1965 Newport Folk Festival. An exceptional offering with a fantastic pose of the brash young musician.

Starting Bid $300

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4080. Bob Dylan Signed Print.

Vibrant color limited edition 22 x 27.5 print entitled ‘Bicycle,’ numbered 32/295, signed in the lower right corner in pencil, “Bob Dylan.” Published as part of The Drawn Blank Series, Washington Green/Halcyon Gallery, 2013. In very fine condition. Starting Bid $200

Dylan signs as a senior at Hibbing High— “Sincerely, Bob Zimmerman” 4081. Bob Dylan Signed Yearbook. Rare softcover 1959 Hematite yearbook from Bob Dylan’s senior year at Hibbing High School in Hibbing, Minnesota, 180 pages, 8 x 11, signed and inscribed on the first free end page in blue ballpoint, “I’ll write under Echo’s name. Good luck in your acting career. Everyone knows you’ll make a good one. Sincerely, Bob Zimmerman.” Dylan’s senior portrait appears on page 76, with his caption noting that he hopes “to join ‘Little Richard.’” In very good to fine condition, with soiling and creasing to the signed page, and paper loss to the lower right corners of most pages, heaviest to the signed page, but not affecting Dylan’s signature or sentiment.

Accompanied by a letter of provenance from the yearbook’s original owner, which reads, in part: “I went to Hibbing High School with Robert Zimmerman aka Bob Dylan in 1957, 1958 and 1959…His girl friend Echo Helstrom was a good friend of mine and they were ‘dating’ for a period of time…We all wore black leather jackets.

Sometimes Bob wore a shiny vest and a cowboy hat...In our senior year, 1959, Bob and I and some others had Dramatics Class together and were in a play called Sob Story…The problem was that we had unsupervised practice, and when the ‘cat’s away the mice will play.’ We used the time to climb up to the high school tower and talk and smoke Lucky Strike cigarettes instead of practicing. When it came time to perform the play, we were disorganized and hardly knew any of our lines…It must have been okay because the audience roared with laughter and applause. Hence, [what] Bob wrote in my yearbook.” An extraordinary example that stands as the only full “Bob Zimmerman” autograph we have ever offered. Starting Bid $200

Jimi Hendrix 4082. Jimi Hendrix Experience 1969 Albert Hall Contact Sheets. Pair of vintage

glossy 10 x 8 contact sheets containing images of the Jimi Hendrix Experience rehearsing for their appearance at the Royal Albert Hall on February 18, 1969, with one featuring 12 images and the other featuring 10; each image offers a unique and compelling shot of Hendrix playing his guitar. Reverse of both photos bear a S.K.R. Photos of London copyright stamp. In overall very good to fine condition, with corner creases, surface impressions from notations on the backs, and two of the images circles in ballpoint. Accompanied by a certificate of authenticity from Tracks. The Jimi Hendrix Experience’s two gigs at the Royal Albert Hall, on February 18 and 24, 1969, were their first and final headline performances at the iconic venue. Tensions had been growing between band members and management for several months, but these were put aside for these two concerts, which would be remembered as some of the band’s best and most successful late performances. Throwing out their usual set list, Hendrix and the band instead chose to play several of his blues songs, including ‘Hear My Train a Comin’,’ ‘Red House,’ and ‘Bleeding Heart.’ These two shows, the final European performances by the Jimi Hendrix Experience, would go on to immortalize Jimi’s legacy. Starting Bid $200

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4085. Jimi Hendrix 1968 San Francisco Print.

4083.

Jimi Hendrix 1967 Track Records Promotional Poster. Extremely

rare original 19.25 x 29.75 promotional poster of Jimi Hendrix printed in 1967

by TSR England for Track Records, Hendrix’s UK record label. This is the first printing, as distinguished by the Track Records logo in the lower right corner (a number of later, more common reprints omit this logo). The photograph was taken in London

by American photographer Donald Silverstein, during a session that also produced the image used inside the gatefold of the UK issue of Axis: Bold As Love. Part of the highly collectible Osiris poster series, this has the catalog number OA 502 along with the printing and photo credit on the bottom left edge. This stunning poster has been archivally linen backed, with four pinholes and a few creases expertly restored. In fine condition. Starting Bid $200

Deluxe limited edition color 28 x 41 silkscreen print of Rick Griffin’s classic ‘flying eyeball’ poster for concerts by the Jimi Hendrix Experience, John Mayall and the Bluesbreakers, and Albert King at San Francisco’s Fillmore Auditorium and Winterland Ballroom between February 1–4, 1968, numbered 8/500, printed by ArtRock and signed in the lower right corner in pencil

by Griffin. Rolled and in fine condition, with a few creases in the left border. The vivid artwork found on this ‘Bill Graham Presents’ poster (BG-105) remains one of rock’s most iconic and immediately recognizable. Starting Bid $200

4084. Jimi Hendrix 1967 Wolverhampton Handbill.

Original vintage vibrantly colored 5.5 x 11.5 handbill for a Walker Brothers concert at the Gaumont Theatre in Wolverhampton, England, on April 13, 1967, which lists Jimi Hendrix, Cat Stevens, The Californians, and The Quotations as scheduled performers, with Engelbert Humperdinck as the special guest and Nicky Jones as the compere. In very good to fine condition, with light overall creasing, and three horizontal folds. Accompanied by a certificate of authenticity from Tracks. Alongside other emerging acts like Humperdinck and Stevens, the Jimi Hendrix Experience embarked on their first UK tour in support of the Walker Brothers in April 1967. This tour took place only months after Hendrix had formed the group, and coincided with the release of the trio’s second single, ‘Purple Haze.’ Starting Bid $200

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4086. Jimi Hendrix and Noel Redding Signatures.

Vintage ballpoint signatures, “Jimi Hendrix,” with added heart and inscription, “Love to you, Eilleen,” and “Noel Redding,” on the reverse of a Family Dog postcard promoting a series of three Grateful Dead concerts at San Francisco’s Avalon Ballroom on October 11-13, 1968. In very good condition, with moderately heavy creasing, a tiny chip to the bottom edge, and a pencil notation to the left side. Accompanied by a full letter of authenticity from Beckett Authentication Services.

Consignor notes that these signatures were obtained at the Avalon on the night of October 13, 1968, the evening of the concert where the Grateful Dead, displeased that Hendrix blew them off for an agreed upon jam session the night before, let the Experience frontman wait at the side of the Avalon stage for a ‘make-up’ jam that would never occur. Starting Bid $500

Jimi Hendrix and Keith Moon signed from their fabled January 29th, 1967 Saville concerts

4087. Jimi Hendrix and The Who Signatures. Outstanding circa 1967 autograph book, 4.75 x 4.25, signed inside in blue ballpoint, “ Love always, Jimi Hendrix,” who adds a heart below, and in red ballpoint, “ Noel Redding, XX,” each signing on the same page; and “ Keith Moon” and “ John Entwistle,” each signing on separate, adjacent pages in blue ballpoint. These Saville shows on January 29th were the Jimi Hendrix Experience’s first major concerts. Other notable signatures in the book include The Artwoods (featuring Ronnie Wood’s brother Art, Keef Hartley, and Jon Lord of Deep Purple), The Alan Bown Set, The Quotations, Distortion, The Trend, and The MooDoos amongst others. Edge of spine peeled from front cover (covers remain firmly attached), otherwise in fine condition; the signed pages remain crisp and clean.

Produced by Beatles manager Brian Epstein, this historic show featured two future legendary rock and roll bands, with two members of each group signing this autograph book on that late January night, an evening that marked the first and last time Jimi Hendrix and his newly formed Experience would open for The Who. In attendance that night were John Lennon, Paul McCartney, Spencer Davis, Lulu, Eric Clapton, and Jack Bruce (who later that night would go home and come up with the riff for ‘Sunshine of Your Love,’ which Bruce described as a dedication to Jimi from that night). Months later at the Monterey Pop Festival, the two groups would share the stage for the second and final time, with Hendrix losing a coin toss to perform as the follow-up act. Unfortunately for The Who, Hendrix purportedly warned Pete Townshend that he was going pull out all the stops if he played second. Hendrix went on to play one of the most, if not the most, memorable performances of his short career, stabbing his guitar into his amps and playing it behind his back and with his teeth. In a fiery finale, he then sacrificed it by dousing his guitar with lighter fluid and setting it aflame before smashing it to bits onstage and then hurling its remnants into the audience. An uncommon union of members from two of the most influential groups in rock music history. Accompanied by a photo on Hendrix posing with The Who backstage that night at the Saville theatre and a full letter of authenticity from PSA/ DNA. Starting Bid $300

4088. 1992 Jimi Hendrix and Yardbirds Rock and Roll Hall of Fame Induction Dinner Program and CD. Uncommon

original official 1992 Rock and Roll Hall of Fame induction dinner program with rare original limited edition CD, made in quantities sufficient only for distribution to the attendees of the induction ceremony, held at New York’s Waldorf-Astoria Hotel. The high-quality program is 44 pages, 8.5 x 12.25, and features images and biographies of the inductees, including the Jimi Hendrix Experience, Yardbirds, Johnny Cash, Bill Graham, and others. The 26-track compilation CD features tracks by those honored, including Hendrix’s classics ‘Purple Haze’ and ‘All Along The Watchtower,’ along with tracks

by The Drifters, The Isley Brothers, The Yardbirds, Booker T. & the MG’s, and more. In fine condition. These programs and CDs were not available to the general public and only given out at the induction ceremony, making them very hard to come by.

The CDs are sought-after by collectors not only for their scarcity, but also due to how fantastic they sound. Starting Bid $200

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Hendrix, Redding, and Mitchell from the fall of 1967 4089. Jimi Hendrix Experience 1967 Signatures. Circa autumn

1967 red ballpoint signature, “Jimi Hendrix,” and black ballpoint signatures, “Cheers, Noel Redding” and “Mitch,” on an off-white 5 x 4 autograph book page. In fine condition, with light edge toning, and some fading to Hendrix’s signature.

Consignor notes that the signatures were obtained at England’s Brighton Dome on December 2, 1967, during the tail-end of their 16-date UK fall tour. Hendrix and the Experience headed back to Europe after a brief if not wildly successful series of stateside summer concerts that included their legendary appearance at the Monterey Pop Festival in June 1967.

Hendrix and company would cap off the year with further touring in both the UK and Scandinavia, riding high on the success of their two 1967 albums, Are You Experienced and Axis: Bold as Love. An ideal, uninscribed set of the full Experience lineup, a trio which is becoming increasingly more difficult to find.

Includes a modern photo of the band posing with members of The Move, The Nice, and Pink Floyd, showing Syd Barrett in a fragile state of mind. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $300

4090. Jimi Hendrix Experience 1969 Newport Pop Festival Poster.

Original color 24 x 36 poster for the Newport Pop Festival at Devonshire Downs in Northridge, California, from June 20–22, 1969, featuring a large image of Hendrix as the headlining act.

Other performers are listed along the left side, including Albert Collins, Albert King, Booker T. & the MG’s, Creedence Clearwater Revival, Eric Burdon, Ike and Tina Turner, Joe Cocker, Johnny Winter, Marvin Gaye, Poco, Steppenwolf, Taj Mahal, and Three Dog Night. In fine condition, with paper loss to the lower right corner tip. Starting Bid $200

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4091. Jimi Hendrix Experience 1969 Va n c o u ve r Handbill.

Original first printing handbill for a Jimi Hendrix Experience concert at the Pacific Coliseum in Va n c o u v e r , British Columbia, on May 22, 1969, measures 4.5 x 6.5, with artistic images and background

by David Byrd and ticket information printed below. In fine condition. Starting Bid $200

4092. Jimi Hendrix Experience 1970 Open Air Love & Peace Festival Poster. Original color 11.25 x 32 poster

for the Open Air Love & Peace Festival at Insel Fehmarn, Germany, from September 4–6, 1970, featuring an all-star lineup including the Jimi Hendrix Experience (in Hendrix’s last-ever performance); Ginger Baker’s Airforce; Sly and the Family Stone; Emerson, Lake and Palmer; Rod Stewart & Faces; Joan Baez; Canned Heat; Peter Green; and many more. In fine condition.

On September 6, 1970, Hendrix played his last show at Germany’s Open Air Love and Peace Festival, amidst pouring rain after a day’s delay. The legendary guitarist would pass away in London less than two weeks later.

Starting Bid $200

4094.

Jimi Hendrix T- Shirt Pelon. Original psy-

chedelic color t-shirt artwork pelon, 15.75 x 21.75, featuring a groovy image of Hendrix happily smoking a joint. In very fine condition.

Starting Bid $200

Historic 1967 Walker Brothers tour handbill signed by the little-known opening act—Jimi Hendrix 4093. Jimi Hendrix Signed 1967 Handbill From His First Tour.

Rare signed handbill for a Jimi Hendrix concert held at the Capitol Theatre in Cardiff, Wales, on April 26, 1967, 5.5 x 9, signed and inscribed on the reverse in blue ballpoint, “to Susan, Love & Happiness forever, Jimi Hendrix,” who has added “to” below. Includes an amusing e-mail from the original recipient, which reads, in part: “I was on my way home from school and happened to look towards a lake near where I lived and Jimi Hendrix was in a rowing boat. His roadey was actually doing the rowing. He rowed over towards the bank where I was standing and Jimi signed the flyer. I asked him to dedicate Hey Joe to me (as I was going to the concert that evening) and after he sang it, he said it was for Sue who I met this afternoon.”

Buried behind the chart-topping Walker Brothers, Cat Stevens, and Engelbert Humperdinck, the Jimi Hendrix Experience received modest billing on their stop at Cardiff’s Capitol Theatre on April 26th. By the time they returned for their second show there in November of the same year, they were one of the most sought-after tickets in live music, soaring high off the successful debut of Are You Experienced and their now-legendary performance at the 1967 Monterey Pop Festival. A remarkable early handbill—uncommon and sought-after in its own right—from just months before Hendrix’s rise to rock stardom.

Top edge bears a collector’s date notation. In very good condition, with trimmed bottom edge, scattered light creasing, multiple horizontal folds, and a thin strip of old tape residue to the top edge. Comes with a modern photo of Hendrix sitting backstage on the opening night of the Walker Brothers with Cat Stevens, Gary Leeds, and Engelbert Humperdinck; and accompanied by a certificate of authenticity from Tracks. Starting Bid $300

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Rolling Stones Super early Stones setlist penned by Mick Jagger 4095. Mick Jagger Handwritten 1965 Set List. Extremely

desirable setlist written by Mick Jagger for a Rolling Stones concert from 1965, penned in blue ballpoint on a light pink 3.75 x 4.5 sheet, with a list of seven songs below: “Talking Bout You,” “Walking the Dog,” “Just Wanna Make Love to You,” “You Better Move On,” “Little By Little,” “I’m Alright,” and “Not Fade Away.”

In very good to fine condition, with intersecting folds and light creasing. This remarkable setlist features some of the Stones’ earliest hits, and with the exception of ‘Little by Little,’ all of the songs on Jagger’s list are covers—‘I’m Talkin About You’ by Chuck Berry, ‘I Just Want to Make Love to You’ by Willie Dixon, ‘Walking the Dog’ by Rufus Thomas, ‘You Better Move On’ by Arthur Alexander, ‘I’m Alright’ by Bo Diddley, and ‘Not Fade Away’

by Buddy Holly. The latter served as the A-side for the band’s first US single and was a major success in Britain; with ‘Little

by Little’ as the B-side, the single marked the Rolling Stones’ first top ten hit in the United Kingdom, reaching number three.

An exceptionally early setlist written out by the band’s iconic frontman during a most formative Stones period. Accompanied by a certificate of authenticity from Tracks. Starting Bid $1000

Stones setlist penned by Jagger for their 1976 Euro Tour 4096. Mick Jagger Handwritten Set List. Extremely desirable setlist written by Mick Jagger for a Rolling Stones concert during their 1976 European Tour, penned in green felt tip on a white 8.25 x 11.75 sheet headed in type, “Running Order,” with a list of 19 songs below: “Honky Tonk Woman,” “If You Cant Rock Me,” “Get Off My Cloud,” “Hand of Fate,” “Hey Negrita,” “Aint Too Proud,” “Fool to Cry,” “Hot Stuff,” “Starfucker,” “You Gotta Move,” “You Cant Always Get,” “Happy,” “Tumbling Dice,” “Billys Tunes,” “Midnight Rambler,” “Its Only Rock N Roll,” “Brown Sugar,” “Jumping Jack Flash,” and “ St. F Man [Street Fighting Man].” In very good to fine condition, with scattered light creasing, and a couple of rust stains to the upper left. Accompanied by a full letter of authenticity from REAL. The Stones promoted their Black and Blue album by performing 41 shows across Europe between April 28 and June 23, 1976, with this setlist serving as the standard nightly ‘running order’—Jagger’s mention of “Billy Tunes” is a reference to ‘Nothing from Nothing’ and ‘Outa-Space,’ which featured acclaimed keyboardist Billy Preston. Starting Bid $500

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Brian Jones receives a conciliatory letter from his father—“Even your grandfather listens to & watches you, even though he hates your type of music” 4097. Brian Jones Letter from Father. Rare ALS by

Lewis Blount Jones, four pages on two adjoining sheets, 4 x 8, April 1, 1964. A poignant letter from Lewis Blount Jones to his 22-year-old son, Rolling Stones guitarist Brian Jones, which reads, in part: “My dear Brian...I had a sudden fear of passing out one day with many things unsaid, which for some reason or other, I can never seem to say when I see you. We have had unhappy times and I have been a very poor & intolerant father in so many ways.

But never for one minute have I ceased to have the same love and affection for you that I had when you were very young...I am delighted that your courage and guts have brought you success, but all I ask is for just a little of the affection I think you once had for me...Believe me, blood is thicker than water. Even your grandfather listens to & watches you, even though he hates your type of music. For my own part I have studied it hard, & I have grown to like it very much, & deeply regret my intolerance. Your mum, who is narrower in outlook than I am, likes your music too + that speaks a lot. I think you have done more to educate me than I have done for you. I enjoyed reading ‘BEAT’ and ‘RAVE’ this month. I would have loved when I was your age, to have run away to study & work with the organ but everything was so different then & I had not your guts, so perhaps we are not so dissimilar after all...Bye for now, love Dad.” In fine condition. Accompanied by a certificate of authenticity from Tracks and by the original mailing envelope, which has been addressed to “Mr. Brian Jones (Rolling Stones).” Starting Bid $200

4099. Keith Richards Signed Guitar. Desirable cream-bod-

ied Affinity series Fender Squier Telecaster electric guitar, signed on the white pickguard in blue felt tip by Keith Richards. In fine condition. Originally obtained by in-person specialist Mike Wehrmann. Starting Bid $200

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4101. Keith Richards Signed Photograph.

Glossy 11 x 14 half-length photo of Keith Richards leaning on a water fountain under an anti-drug sign, signed in blue felt tip by the Rolling Stones guitarist. In very fine condition.

From The John Brennan In-person Autograph Collection. Starting Bid $200

4103. Rolling Stones 1981 American Tour Poster. Colorful original

4100. Keith Richards Signed Photograph. Color glossy 8 x 10 half-length

photo of Keith Richards smoking a joint and holding his Telecaster, signed in blue felt tip. In fine condition, with a small scuff to the emulsion at top center. From The John Brennan In-person Autograph Collection.

Starting Bid $200

33 x 22 official tour poster for the Rolling Stones’ 1981 American Tour, showing an American flag with red sports car design by Japanese artist Kazuhide Yamazaki.

Yamazaki also designed the touring stage set used by the band. In fine condition, with scattered light creasing. Starting Bid $200

The legendary ‘Apple Acetate’ of ‘Get Yer Ya-Ya’s Out!’ 4102. Rolling Stones ‘Get Yer Ya Ya’s Out’ Apple Acetate.

Extremely rare double-sided 12-inch acetate for the Rolling Stones’ 1970 live album ‘Get Yer Ya-Ya’s Out!’ The Rolling Stones in Concert,’ with both sides featuring “Apple Corps Ltd. 3 Savile Row London W1., Custom Recording” labels respectively marked “Side One” and “Side Two,” and both reading: “’Get Your Yah Yah’s Out,’ The Rolling Stones, Stereo.” In very good to fine condition, with damp-staining to the labels. Acetate test pressings are made of a material much more fragile than the vinyl used for production records, and they are made in extremely limited qualities. Accompanied by a certificate of authenticity from Tracks. Differing from the final version released on Decca Records in early September 1970, this incredibly early test pressing represents the original mix of what was later to become the first live album to reach No. 1 in the UK charts. Apple only pressed these test records for a short duration between 1968–1970, making each and every ‘Apple Acetate’ a scarce and highly sought-after piece of Rolling Stones history. Starting Bid $300

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4104. Rolling Stones 1981 American Tour Poster. Original 22.75 x

36 poster for the Rolling Stones’ 1981 American Tour issued by Jovan Fragrances, showing several floating ‘hot lips’ logos against a Statue of Liberty backdrop. The Rolling Stones introduced corporate sponsorship to the touring business when they announced their partnership with Jovan.

This poster was distributed at shows on the tour and used at retail. In fine condition, with scattered light creasing.

Starting Bid $200

4105. Rolling Stones 1981 Candlestick Park Ticket Sheet. Uncut sheet of five red tickets for the Rolling Stones concert at San Francisco’s Candlestick Park on October 17, 1981, presented by Bill Graham.

The full sheet measures 7.5 x 11, and the center of each ticket features a red foil-embossed ‘tongue and lips’ logo. In fine condition. Starting Bid $200

4107. Rolling Stones Bridges to Babylon Print.

Uncommon color 18 x 12 print of the Rolling Stones issued to promote the release of the Bridges to Babylon album, which depicts the band against a dramatic backdrop of desert and sky similar to the background of the album sleeve artwork. In fine condition. Starting Bid $200

4108. Rolling Stones Early Set of (3) Signed Business Cards. Crisp vintage set of three ballpoint signatures and

inscriptions, “To Sheila, love, Brian Jones, xxx,” “Best wishes, Keith Richard, Rolling Stones,” and “Mick Jagger, xxx,” on the reverse of individual off-white 3.75 x 2 Jaeger House business cards. Each card bears collector’s ink notations.

In overall very good to fine condition, with light soiling and edge toning. Accompanied by an unsigned photo of the Rolling Stones early into their career. A unique and very early set of Brian, Keith, and Mick autographs obtained when they roomed together at 102 Edith Grove in the Chelsea section of London. Starting Bid $200

4109. Rolling Stones Group of (4) Signed Albums. Four albums by the

4106. Rolling Stones 1989 Steel Wheels Tour Poster.

Highly appealing original 34.5 x 22.25 tour poster promoting the North American leg of the Rolling Stones’ 1989 Steel Wheels Tour, which shows a patriotic spaceship with ‘hot lips’ logos zooming towards North America. In fine condition, with some light creasing. Starting Bid $200

Rolling Stones, each signed on the front cover by a member of the band, including: Big Hits (High Tide and Green Grass), signed in blue felt tip record producer Andrew Loog Oldham; ‘Get Yer Ya-Ya’s Out!,’ signed in blue felt tip by Charlie Watts; More Hot Rocks, signed and inscribed in silver ink, “Love to The Rock House, Bill Wyman”; and Sticky Fingers, signed in blue felt tip by Mick Taylor. In overall very good to fine condition, with heavy edge wear to the Big Hits cover. The records are included.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

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Ideal vintage Stones from late 1963 4110. Rolling Stones Signed 1963 Concert Ticket. Beau-

tiful set of vintage ballpoint signatures, “Bill Wyman,” “Mick Jagger,” “Keith Richard,” “Brian Jones,” and “Charlie Boy, xxx,” on the reverse of a beige 3.5 x 4.75 concert ticket for a Jeff Ellroy and the Whispers concert on December 1, 1963. In fine condition. Consignor notes that the autographs were obtained by Brian Bradbury, the treasurer at the Kayser Bonder Club in Baldock, Hertfordshire, England, when the Stones performed there on December 21, 1963. Accompanied by a letter of provenance from Bradbury and a certificate of authenticity from Tracks.

Starting Bid $200

4112. Rolling Stones Signed Album. Made in

the Shade album signed on the front cover in blue felt tip

by Mick Jagger, Mick Taylor, Charlie Watts, Bill Wyman (upside down), and Keith Richards. Also signed on the back cover by acclaimed keyboardist Billy Preston. In very good condition, with scuffing, creasing, and a stain to the upper right edge. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

Fully signed Stones drumhead 4113. Rolling Stones Signed Drumhead.

Unused white Remo 14˝ drumhead, signed in blue felt tip by Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood, and Bill Wyman. Nicely suedematted and framed to an overall size of 18.25 x 18.25. In fine condition. An eminently displayable, prominently signed piece.

Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

Black Fender Strat signed by the Stones

4111. Rolling Stones Signed Album. Very desirable self-titled debut album by the Rolling Stones, signed on the back cover in crisp black ballpoint, “Brian Jones, xx,” “Mick Jagger,” “Charlie Boy, xx,” and “Keith Richard.” In very good condition, with creasing and an emulsion tear to the front, and moderate overall soiling to the signed reverse. The record is not included. Accompanied by a full letter of authenticity from JSA. Starting Bid $300

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4114. Rolling Stones Signed Guitar. Beautiful blackbodied Fender Stratocaster electric guitar, signed on the white pickguard in black felt tip by Mick Jagger, Keith Richards, Ronnie Wood, and Charlie Watts. In fine condition. Includes a hardshell carrying case by Road Runner. An exceptional offering of the entire current Rolling Stones lineup—guitars signed by these English rock legends are among the most in-demand formats. Starting Bid $300

4115. Rolling Stones Signed Jacket. Very cool leather biker jacket

made for the Rolling Stones’ 1989 Steel Wheels Tour by Rockwave by Brockum, size extra-large, signed on the left sleeve in silver ink by Mick Jagger, Ronnie Wood, and Charlie Watts, who adds “2003.” The right sleeve features a secretarial Keith Richards signature. The jacket features Steel Wheels snap closures, ‘tongue-and-lips’ logo zippers, and an American flag and Steel Wheels embroidered patch to left shoulder. In fine condition. Starting Bid $200

Shimmering limited edition ‘It’s Only Rock ‘n Roll’ litho, fully signed by the Taylor-era Stones

4117. Rolling Stones Signed Photograph.

4116. Rolling Stones Signed Lithograph. Limited edition 26 x 26

lithograph of Guy Peellaert’s iconic album cover entitled ‘It’s Only Rock ‘n Roll,’ numbered 6/75, signed in the lower border in pencil by Mick Jagger, Keith Richards, Bill Wyman, Charlie Watts, and Mick Taylor, who left the band in 1974. This gorgeous lithograph was beautifully printed in a metallic silver ink. Most of the edition was printed in full color, but a small number were printed in either silver or gold metallic ink. In fine to very fine condition. Starting Bid $500

Vintage 6.25 x 7 paperstock photo of the Rolling Stones trimmed from a souvenir program for a concert held at Queens Hall in Leeds, England, on July 12, 1964, signed in black ballpoint by Brian Jones, Mick Jagger, Keith Richards, Charlie Watts, and Bill Wyman. In very good to fine condition, with trimmed edges, tack holes to top corners, and tape stains to bottom corners. Starting Bid $200

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4118. Rolling Stones Signed Photograph.

4119.

Bill Wyman Signed Print. Limited

Glossy 10 x 8 photo of the Rolling Stones posing together in an elaborately t i l e d l o b b y, signed in blue ballpoint by Keith Richards and Bill Wyman, with Richards signing for Watts, and Wyman signing for Jagger and Jones.

In fine condition. Starting Bid $200

edition color 15 x 15 print issued by Velvet Records for the release of Struttin’ Our Stuff, the debut album from Bill Wyman’s Rhythm Kings, numbered 58/100, signed in black felt tip

by Wyman. In fine condition.

Starting Bid $200

The Doors Gorgeous original poster for The Doors and The Yardbirds at the Fillmore in ‘67 4120. The Doors and the Yardbirds 1967 Fillmore Poster. Outstanding original color 14 x 21.25 first printing

poster for The Doors, The Yardbirds (with Jeff Beck and Jimmy Page), James Cotton Blues Band, and Richie Havens at the iconic Fillmore Auditorium from July 25–30, 1967, presented

by Bill Graham (BG-75), featuring a psychedelic design

by Bonnie MacLean, showing peacock feathers framing a female face. This iconic poster can be distinguished as the first printing based on the matte stock and printer’s credit, “Neal, Stratford & Kerr,” to the lower right. In fine to very fine condition. A superior example of this highly sought-after Fillmore poster. Starting Bid $300

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4121. 1993 The Doors and Cream Rock and Roll Hall of Fame Induction Dinner Program.

Uncommon original official 1993 Rock and Roll Hall of Fame induction dinner program made in quantities sufficient only for distribution to the attendees of the induction ceremony, held in Los Angeles. The high-quality program is 52 pages, 8.5 x 12.25, and features images and biographies of the inductees, including The Doors, Cream, Creedence Clearwater Revival, Etta James, Sly and the Family Stone, and others. In fine condition. These programs were not available to the general public and only given out at the induction ceremony, making them very hard to come by. Starting Bid $200

4124. The Doors 1967 Denver Dog Poster by Bob Schnepf.

Original color 14 x 20 second printing poster for The Doors, Lothar and the Hand People, and Captain Beefheart at the Denver Dog on September 29, 1967 (catalog no. FD-84), signed in the lower right in silver ink by artist Bob Schnepf, “Schnepf.” In fine condition. Starting Bid $200

4122. The Doors 1967 Jim Brodsky Contact Sheet. Original vintage semi-

glossy 10 x 8 contact sheet featuring 29 different images of Doors frontman Jim Morrison posing in photographer Jowl Brodsky’s New York studio in 1967, including several humorous close-up portraits. In fine condition, with some tiny creases along the edges. Accompanied by a certificate of authenticity from Tracks.

Starting Bid $200

4123. The Doors 1968 Program.

Original program for the Doors’ 1968 ‘Waiting for the Sun’ tour program, 24 pages, 8.75 x 11.5, with contents including printed lyrics and a wide variety of uncommon images of the band, many of which were rare and unseen at that time. There’s also poetry and ads for The Doors’ first two records in it, as well as a really cool Acoustic Amplifiers ad. In very good to fine condition, with light overall creasing and handling wear; all pages are intact and the binding is tight—this is a very hard program to find in this condition as most have been folded and have tears, major creasing issues, and or loose pages. This is the only official concert tour program that was ever made for a Doors concert tour and has now become extremely rare. Starting Bid $200

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4126. The Doors Original Photograph.

Original semiglossy 11 x 14 silver gelatin photo of Jim Morrison at London’s Roundhouse in 1968, printed from the original negative circa 2002.

Reverse bears an Ethan Russell credit label. In fine condition. Russell is the only rock photographer to have shot album covers for The Beatles (Let It Be), The Rolling Stones (Get Yer Ya-Ya’s Out!), and The Who (Who’s Next). Starting Bid $200

4125. The Doors 1969 Cow Palace Poster by Randy Tuten. Original color 14 x 21.75 second printing poster for

The Doors, Lonnie Mack, and Elvin Bishop at San Francisco’s Cow Palace on July 25, 1969, presented by Bill Graham (BG-186), signed in the lower right corner in silver ink by the artist, Randy Tuten. In fine condition. Starting Bid $200

4 1 2 7. Ji m Morrison a n d Va n Morrison Original Photograph.

Original color glossy 14 x 11 photograph of Doors frontman Jim Morrison jamming with Van Morrison at the Whiskey a Go Go nightclub in Hollywood in 1966, taken by the Whiskey in-house photographer George Rodriguez. This print was made from the original negative. In fine condition. Starting Bid $200

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4128. Jim Morrison Original Photograph by Edmund Teske. Original glossy 14 x 11 silver gelatin photo of a

thickly bearded Jim Morrison singing in Los Angeles in 1969, printed from the original negative circa 1997. Reverse bears an Edmund Teske copyright stamp. In fine condition. Edmund Teske was a highly regarded fine art photographer who photographed The Doors and Jim Morrison in 1969 and 1970. His work was exhibited at major galleries and museums including the Museum of Modern Art in New York, The Art Institute of Chicago, The Pasadena Art Museum, The San Francisco Museum of Modern Art, and a one-man exhibition at Los Angeles’ J. Paul Getty Museum. His images appear on The Doors’ ‘American Prayer’ and ‘13’ albums. Starting Bid $200

Grateful Dead 4133. Grateful Dead 1967 Fresno Handbill. Desir-

4130. Jerry Garcia Signed Check. Jerry Garcia Band

business check, 8.25 x 3, filled out in another hand and signed by Jerry Garcia, payable to his former wife Carolyn Adams–Garcia for $1750, May 17, 1985. In fine condition.

Also known as Mountain Girl, Adams was a member of the Merry Pranksters group led by author Ken Kesey, with whom she bore a daughter, Sunshine. For several years Adams stayed with Garcia at his home in San Rafael, California, raising their three daughters and eventually marrying in late 1981. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

able original yellow 8.5 x 11 handbill for two Grateful Dead shows presented by Rocky’s Mag at the Marigold Ballroom in Fresno, California, on May 12, 1967, with an image of the band, Egyptian theme borders, and interior text reading: “In the land of the dark, the ship of the sun is driven by the Grateful Dead,” script which was originally prepared for the top of the band’s debut album cover and later stylized by artist Stanley Mouse to appear illegible. In fine condition. Starting Bid $200

4134. Grateful Dead Signed 1989 Tour Pelon. Fantas-

4132. Jerry Garcia Signed Photograph. Ideal glossy 8 x

9.75 Arista Records promotional photo of the Grateful Dead singer in a peaceful seated pose, signed in blue felt tip by Jerry Garcia. In fine condition. From The John Brennan Inperson Autograph Collection. Starting Bid $200

tic color t-shirt artwork pelon showing a goldand-red lightning bolt encircled with the names of five cities included on the Grateful Dead’s east coast “Fall Tour, 1989,” 14.5 x 17.5, signed in gold ink by Jerry Garcia, Mickey Hart, Phil Lesh, Bill Kreutzmann, Bob Weir, and Vince Welnick. Nicely double-matted and framed to an overall size of 20.25 x 23.25. In fine condition, with the signatures quite faint but mostly legible. Accompanied by a full letter of authenticity from REAL. These pelons were printed in very low quantities making this a very scarce piece. Starting Bid $200

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4135. Grateful Dead Signed Album. Very appealing In the Dark album signed on the inner gatefold in black ink or felt tip by Jerry Garcia, Bob Weir, Phil Lesh, and Mickey Hart. Framed with a Grateful Dead bracelet to an overall size of 27.25 x 14.75; the glass front bears an affixed Dead logo sticker and the backing has a window for viewing the front side of the album. In fine condition, with some light edge creasing. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

Incredible ‘test-run’ poster for the final Acid Test, with the Grateful Dead as headliners 4136. Grateful Dead Test Run Poster for Halloween ‘Acid Test’ Concert. Extremely rare test-run poster for

an “Acid Test Graduation” party held at San Francisco’s Winterland Ballroom on October 31, 1966. Printed on an offwhite 12.5 x 20 Esalen Institute seminar flyer and designed

by Allan “Gut” Terka, a Hells Angel, Merry Prankster, and former Blue Cheer manager, the poster shows a superhero figure with mortarboard above bold lower text promoting the scheduled acts and speakers: Grateful Dead, Merry Pranksters, Neal Cassady, Caliope Co., Ken Kesey, and A.A.A (Anonymous Artists of America). The poster notes the appearance of “Many Guest Stars” and asks the prospective attendee: “Have you passed?” In very good to fine condition, with overall wrinkling and creasing.

The Acid Tests were a series of parties organized by author Ken Kesey to promote the use of, and advocacy of, the psychedelic drug LSD. The final event, scheduled for Halloween at the Winterland Ballroom, was canceled when promoter Bill Graham caught wind of a plan to put LSD in the venue’s water supply. Kesey quickly relocated the graduation ceremony to a dance company’s warehouse on Harriet Street in San Francisco, where Neal Cassady handed out the diplomas to those in attendance. Although the Grateful Dead were initially listed on the poster, the band later committed to play that same evening at the Dance of Death Costume Ball held at California Hall along with Quicksilver Messenger Service and Mimi Farina. With the final versions of these posters among the most desirable of all Kesey-Grateful Dead memorabilia, this preliminary ‘experiment’ example looms as a true psych rock rarity.

Starting Bid $200

40 Marvels of Modern Music | 603) 732-4280

Led Zeppelin Jimmy Page and Jeff Beck’s short-lived, legendary union in The Yardbirds 4137. 1960s British Rock Autograph Book. Circa 1965–1966 vintage autograph book, 6 x 4.25, containing numerous signatures featuring a who’s who of popular rock artists from the 1960s British music scene, with highlights including: an ultra-rare set of Yardbirds signatures from July 20, 1966 featuring their historic and short-lived (mere months) line up with guitar extraordinaires Jimmy Page and Jeff Beck, along with Keith Relf, Jim McCarty, and Chris Dreja—an unbelievably hard set of signatures to come by.

Other bands who signed this highly desirable autograph book include: The Zombies (Colin Blunstone, Rod Argent, Chris White, Paul Atkinson and Hugh Grundy), The Small Faces (Steve Marriott, Ronnie Lane, Ian McLagan and Kenney Jones), The Moody Blues (Denny Laine, Mike Pinder, Ray Thomas, Clint Warwick and Graeme Edge), The Troggs (Reg Presley, Ronnie Bond, Pete Staples and Chris Britton), The Artwoods (Art Wood, Derek Griffiths, Jon Lord of Deep Purple, Keef Hartley and Malcom Pool) as well as The Merseybeats, The Berries, Dave Dee, Dozy, Beaky, Mick & Tich, Downliners Sect, The Puppets, The Pretty Things, The Mindbenders, The Brumbeats, The Uglys, The Huskies, The Fairies, The Nashville Teens, Pinkerton’s Assorted Colours, The Riot Squad amongst others. Several promo cards and newspaper clippings are affixed inside. In overall fine condition. Autograph books like this 60s British rock music time capsule rarely surface and this one is especially unique as the signatures were obtained by someone who had worked at the venue where these legendary artists performed. Accompanied by a provenance letter from the original recipient: “I worked at Stourbridge Town Hall from 1964 to 1967 helping out backstage and sometimes front of house. If the caretaker was not back from his meal break, I would let the groups into the building and help them set up. Fred Bannister promotions booked the top groups of the day to appear on Wednesday nights, with smaller local groups playing on Saturday nights. I met all the groups and obtained their autographs. When The Small Faces played I got them to sign my autograph book in which I had autographs of a lot of the groups (Yardbirds, Zombies, etc.).” Comes with a modern photograph of The Yardbirds from this Jimmy Page / Jeff Beck period in 1966. Starting Bid $200

4138. John Paul Jones Signed Guitar. Attractive sunburstfinish Laurel right-handed bass guitar, featuring Jones’s Led Zeppelin IV symbol, prominently signed on the marbled pickguard in silver ink. In fine condition. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services.

Starting Bid $200

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4139. John Paul Jones Signed Photograph.

Color glossy 10 x 8 photo of John Paul Jones bathed in blue light and playing the keyboard, signed in blue felt tip. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4140. John Bonham Signed Album. Led

Zeppelin III album signed on the back cover in black ballpoint, “Best wishes, John Bonham.” In fine condition.

The record is not included.

Accompanied by a letter of provenance stating that the album was signed “40 years ago at a hotel in Tewkesbury, Glos.” Starting Bid $200

4141. Led Zeppelin ‘In Through the Out Door’ Promo Poster. Uncommon

circa 1979 color 20 x 30 poster promoting the Swan Song Records release of Led Zeppelin’s eighth and final studio album, In Through the Out Door, showing a large, bright image of the band posing together in a field.

Rolled and in fine condition. Starting Bid $200

42 Marvels of Modern Music | 603) 732-4280

4142. Led Z e p p e lin 1970 Fort Worth Handbill.

Hugely appealing color 11.75 x 8.5 ‘Union Jack’ handbill for a Led Zeppelin concert at the Tarrant County Convention Center in Fort Worth, Texas, on August 22, 1970. In fine condition, with creasing to the corners. Led Zeppelin set a new rock music attendance record in Fort Worth when they packed nearly 14,000 excited fans into the auditorium of the Tarrant County Convention Center. Starting Bid $200

4143. Led Zeppelin 1970 Salt Palace Poster.

Extremely desirable original color 18 x 23 poster for a Led Zeppelin concert presented by Feyline at the Salt Palace Convention Center in Salt Lake City, Utah, on March 26, 1970. Printed by Rainbow Jam, the poster features tremendous Kevin Lyman artwork of an early airship with rainbow borders and three Earth images. In very good to fine condition, with dampstaining to the upper right corner area. Starting Bid $200

4144. Led Zeppelin 1995 Waldorf Astoria Poster.

Limited edition 16.5 x 23.5 poster for a Led Zeppelin concert at the Waldorf Astoria Hotel in New York City on January 12, 1995, numbered 3500/9500, showing a sepiatone image of a Zeppelin blimp soaring high over Manhattan.

In fine condition. The last Rock and Roll Hall of Fame Induction ceremony at the Waldorf Astoria took place on January 12, 1995. Inducted alongside other legendary acts like Al Green, Janis Joplin, Martha and the Vandellas, The Allman Brothers Band, Neil Young, and Frank Zappa, Led Zeppelin performed a five-song set with special guests Neil Young and Aerosmith’s Steven Tyler and Joe Perry. Starting Bid $200

4145. Led Zeppelin 1975 Earl’s Court T-shirt. Uncommon vintage yellow Led Zeppelin t-shirt sold at their five-show showcase at Earls Court Arena in London in May 1975. The short-sleeve 100% cotton shirt, size small, features a design of the poster used for the concert series: the band logo in bold red-and-yellow lettering above four men riding a small rail service reading “Physical Rocket.” In very good to fine condition, with some light mottled staining to the left shoulder and collar, and some peeling to lower right corner of design. Accompanied by a certificate of authenticity from Tracks.In celebration of the release of their sixth album, Physical Graffiti, Led Zeppelin arranged a five-night residency at Earls Court from May 17–25, 1975, with the first two shows added due to unprecedented public demand. These were the only Led Zeppelin concerts in the country in this year, and so the events sold out their entire run of 85,000 tickets. To help promote the concerts, promoter Mel Bush and manager Peter Grant used advertisements which displayed a train, dubbed the ‘Zeppelin Express,’ linked to Earls Court via the Inter City train services of British Rail. Starting Bid $200

4146. Led Zeppelin Artist’s Proof Lithograph. Limited

edition 25.75 x 32.75 artist proof print of George Hardie’s artwork for Led Zeppelin’s eponymous debut album, numbered 1/30, signed in the lower right corner by Hardie.

Framed in a shadow box to a slightly larger size. In fine condition. Starting Bid $200

4147. Led Zeppelin Grouping of 1979 Knebworth Concert Memorabilia. Uncommon group lot of Led Zeppelin

memorabilia sold at the Knebworth Festival in Hertfordshire, England, in August 1979. The five items include: an off-white short-sleeve concert t-shirt, size large, with Led Zeppelin ‘Icarus’ logo promoting the Knebworth Festival encircled by the names of the band members; an attractive blue-yellowand-black scarf, 52˝ in length, with central “Led Zeppelin” logo between emblems for the Knebworth Festival; a sparkling green 4 x 2 patch with text, “Led Zeppelin, Knebworth 79”; and two 1.75˝ pins promoting Zeppelin’s appearance at the festival. In overall fine condition. Accompanied by a certificate of authenticity from Tracks. Led Zeppelin’s two shows at the Knebworth Festival on August 4th and 11th marked their first performances in the United Kingdom in four years—after Knebworth the band wouldn’t perform in Great Britain until 2007. Starting Bid $200

4148. Led Zeppelin IV 1971 Atlantic Records Promotional Poster. Original

14 x 22 Atlantic Records promo poster for Led Zeppelin’s fourth studio album, released in 1971, featuring the classic track listing: “Black Dog,” “Rock and Roll,” “The Battle of Evermore,” “Stairway to Heaven,” “Misty Mountain Hop,” “Four Sticks,” “Going to California,” and “When the Levee Breaks.” In fine condition.

Starting Bid $200

4149. Led Zeppelin Signed Album.

Presence album signed on the front cover in black felt tip by Jimmy Page, Robert Plant, and John Paul Jones. In fine condition, with a JSA authenticity label affixed to lower right corner. The record is not included.

Accompanied by full letters of authenticity from REAL and JSA. Starting Bid $200

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Amazing Union Jack flag signed by England’s native sons—Led Zeppelin

4150. Led Zeppelin Signed ‘Union Jack’ Flag. Sought-

after fabric 34.5 x 17 Union Jack flag signed and inscribed on the white saltire in black felt tip, “To Mark, Best wishes, Robert Plant,” “To Mark, John Bonham,” “To Mark, from, John Paul Jones,” and “Jimmy Page.” In fine condition, with some light staining and an authenticity label affixed to lower right corner. Symbolizing the strong patriotic bond between band and homeland, this hugely appealing Union Jack flag features well-spaced signatures from all four original members of Led Zeppelin. A rare, highly displayable format that celebrates the group’s 50th anniversary as rock and roll royalty. Starting Bid $1000

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Zeppelin rocks Birmingham’s Town Hall in early 1970 4151. Led Zeppelin Signed Greeting Card. Vintage ballpoint signatures, “Love,

Robert Plant,” “John Bonham,” “Jimmy Page,” and “John Paul Jones,” on the inside of an off-white 4 x 5 greeting card. In fine condition. Accompanied by a ticket stub for a Led Zeppelin concert at Town Hall in Birmingham on January 7, 1970, and a full letter of authenticity from REAL. Led Zeppelin opened their eight-show 1970 United Kingdom Tour with a stop at Birmingham’s Town Hall. For two-and-a-half hours the band performed crowd-pleasers like ‘Heartbreaker,’ ‘Whole Lotta Love,’ and ‘Moby Dick,’ the latter featuring a 10-minute drum solo by Bonham that concluded with him discarding his sticks and playing bare-handed. Starting Bid $500

Uninscribed Zeppelin promo photo for their last album 4152. Led Zeppelin Signed Photograph.

Extremely desirable glossy 8 x 10 Swan Song Records promotional photo of Led Zeppelin posing together in a field, signed in blue ink by Jimmy Page, Robert Plant, John Paul Jones, and John Bonham. In fine condition. This Zeppelin image was used to promote the Swan Song Records release of Led Zeppelin’s eighth and final studio album, In Through the Out Door. Accompanied by a full letter of authenticity from Beckett Authentication Services. An immensely desirable Zeppelin photograph given that uninscribed examples of this sought-after size are virtually unobtainable. An exceptionally rare rock n’ roll offering. Starting Bid $2500

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4153. Led Zeppelin Signed CD Booklet. Very de-

4156. Jimmy Page Signed Photograph. Color glossy

sirable Houses of the Holy CD booklet signed on the front in black ballpoint by Jimmy Page, and in black felt tip by Robert Plant and John Paul Jones. In fine condition. The CD is not included.

Starting Bid $200

8 x 10 photo of a younger and pensive-looking Page, signed in blue felt tip. In fine condition.

Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

4154. Jimmy Page Oversized Photograph

by R o b e r t Knight. Huge

and impressive satin-finish 40 x 21.5 artist’s proof photograph featuring a trio of great images of the Led Zeppelin guitarist playing on stage at the height of his band’s popularity, signed in the lower border in black felt tip by famed rock photographer Robert M. Knight.

In fine condition. Starting Bid $200

4157. Robert Plant and John Paul Jones Signed Album. Led Zeppelin

IV album signed and inscribed on the front cover in blue felt tip, “To John, Robert Plant” and “John Paul Jones.” In fine condition, with some edgewear. The record is included.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

Sought-after Page-signed Les Paul

4155. Jimmy Page Signed Guitar. Brilliant red-bodied sunburst Epiphone Les Paul model right-handed electric guitar, signed

on the pearloid pickguard in blue felt tip by Page. In fine condition, with plastic rhythm/treble switch detached but present. Guitars signed by Page, widely considered one of rock’s most influential guitarists, are seldom encountered and thus extremely desirable among collectors. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

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Scarce handwritten letter from the Zeppelin frontman 4158. Robert Plant Autograph Letter Signed. ALS from Robert Plant, signed “Good

vibes, Robert, Maureen, Carmen, & Logan,” one page, 8.25 x 11.75, gorgeous ‘swan with sirens’ letterhead, no date, between 1979 and 1982. Written from Plant’s Jennings Farm home in Blakeshall, a letter to Stan Urban, a resident musician at a club called La Reja in Ibiza, Spain. In full: “Trusting you’re all fine etc. Well I’ve done it; transferred some reggae from tape to tape. Unfortunately the quality is not very good but the original has travelled miles & miles with me on tour and is more or less knackered. There is some nice stuff on it & some more conventional ‘pop’ by Toots & the Maytells which I like a lot. Originally I had two tapes, the one you have here, and another. The other was far more ‘DUB’ than this one. It looks as if I left in America—you know ‘Gotta to be out of the hotel in 3 minutes’—Anyway I’m hunting for some other stuff & will record it in time! Alas we can’t make Ibiza as we hoped Maureen has to go back in hospital to have some of her metal removed from her leg in a weeks time—and will be in hospital for a couple of weeks, so we shall have to see what happens afterwards. Keep in touch.” In very good to fine condition, with splitting along two of the three horizontal mailing folds.

Accompanied by a certificate of authenticity from Tracks and by a letter of provenance from the original recipient: “Robert and I became friends in Ibiza during the late 70s– early 80s. We jammed together several times. Both of us loved reggae and he used to record tracks which he thought would interest me.” Plant’s mention of Maureen (Wilson) having “metal removed from her leg” is undoubtedly related to the couple’s nearly fatal accident on the Greek island of Rhodes on August 4, 1975, when their car skidded off the road and collided with a tree in a ravine. Wilson suffered life-threatening injuries in the crash, including a broken leg and a fractured skull and pelvis. While Wilson remained in London to continue recovery, Plant wrote the song ‘Tea for One,’ expressing his feelings for her while they were apart. Starting Bid $200

4159. Robert Plant Signed Album. Led Zeppelin II album signed on the front cover in black ballpoint, “Best wishes, Robert Plant.” In very good condition, with scuffing, soiling, edge wear, and partial separation along the spine. The record is not included. Starting Bid $200

4160. Robert Plant Signed Album. ‘In the Mood / Pledge

Pin / Horizontal Departure’ single album signed on the front cover in blue felt tip by Robert Plant. In fine condition. The record is included.

From The John Brennan In-person Autograph Collection. Starting Bid $200

4161. Robert Plant Signed Photograph. Color glossy 8

x 10 half-length photo of the Led Zeppelin frontman posing with an open shirt on stage, signed in blue felt tip by Robert Plant. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4162. Robert Plant Signed Photograph a n d To u r Program.

Two items: a color glossy 8 x 10 photo of Plant with an open shirt on stage, signed in blue felt tip; and a program from Plant’s Non Stop Go tour in 1988 in support of his Now and Zen album, 11 x 14, signed on the front cover in blue felt tip. Program is also signed and inscribed inside by guitarist Doug Boyle. In overall fine condition. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

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Pink Floyd On the road with Pink Floyd 4163. Pink Floyd 1977/1981 Tour Expenses Book. One-of-a-kind Pink

Floyd tour expenses book annotated and assembled by the group’s tour manager Warwick McCredie for Pink Floyd’s tours between 1977 and 1981. The ledger measures 7 x 9 and consists of 46 pages relating to the tour’s myriad expenses for the group and roadies, with names, dates, and locations, between January 1977 and February 1981, which coincide with the band’s In the Flesh Tour/Animals Tour and The Wall Tour. The ledger has been signed inside 17 times by Rick Wright, seven times by Dave Gilmour, twice by Ginger Gilmour, eight times by Carolyne Waters, 10 times by Warwick McCredie, and six times by Steve O’Rourke (Pink Floyd’s manager). Some entries include ‘Bob Hope,’ which is the euphemism the band used for the purchase of drugs. In fine condition, with expected light wear from use.

Consignor notes that the book originates from the estate of Warwick McCredie. Accompanied by a certificate of authenticity from Tracks. Starting Bid $300

4164. 1996 Pink Floyd and David Bowie Rock and Roll Hall of Fame Induction Dinner Program. Uncommon original

4166. Pink Floyd Houston Handbill.

official 1996 Rock and Roll Hall of Fame induction dinner program made in quantities sufficient only for distribution to the attendees of the induction ceremony, held at New York’s Waldorf-Astoria Hotel.

The high-quality program is 72 pages, 8.25 x 12.25, and features images and biographies of the inductees, including Pink Floyd, David Bowie, The Velvet Underground, Pete Seeger, Jefferson Airplane, and others. In fine condition.

These programs were not available to the general public and only given out at the induction ceremony, making them very hard to come by. Starting Bid $200

4165. David Gilmour Signed CD. On an Island

CD signed on the front cover in blue felt tip by David Gilmour. In fine condition. The CD is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

48 Marvels of Modern Music | 603) 732-4280

Original red-and-white 8.5 x 11 handbill for a Pink Floyd concert at Jeppesen Stadium in Houston, Texas, on April 30, 1977, as part of the In The Flesh Tour, which shows a large inflatable pig flying over a power station stack, with area ticket information printed below. In fine condition.

Starting Bid $200

4167. Pink Floyd Signed Album.

The Final Cut album signed on the front cover in silver ink by Roger Waters, Nick Mason, and David Gilmour. In fine condition. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

Sought-after fully signed Animals record 4168 . Pink Floyd Signed Album. Scarce Animals album signed

on the front cover in silver ink by David Gilmour and Roger Waters, and in blue felt tip by Nick Mason and Richard Wright. In fine condition, with a failed first attempt by Gilmour in ballpoint beneath his successful silver signature. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $500

4169. Pink Floyd Signed Drumhead.

Desirable unused 15˝ Remo clear drumhead, signed in blue and black felt tip by Roger Waters, David Gilmour, Nick Mason, and Rick Wright.

In fine condition. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

4171. Roger Waters Signed Album. The

Wall album signed prominently on the front cover in blue felt tip by Roger Waters. In fine condition, with clear tape to the bottom of the spine. The records are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

Les Paul model fully signed by Pink Floyd 4170. Pink Floyd Signed Guitar. Gorgeous ebony-bodied

Epiphone Les Paul model righthanded electric guitar, signed on the body in blue paint pen, “Roger Waters” and “Speak to me…Nick Mason,” and in pink paint pen, “Richard Wright,” and on the pearloid pickguard in blue felt tip, “David Gilmour.” In fine condition. Guitars signed by all four band members are rather uncommon and remain highly desired by collectors, with this example augmented furthermore by its cast of bright, bold signatures. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $300

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4172. Roger Waters Signed Album. The Dark

Side of the Moon album with two affixed Pink Floyd stickers, signed on the front cover in blue felt tip

by Roger Waters.

In very good to fine condition, with light overall scuffing. The record is included.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

4173. Roger Waters Signed Photographs. Two color satin-finish photos signed prominently in blue felt tip by Roger Waters, including: a 15 x 12 photo of Waters singing passionately into a microphone against a dark background, and a 12 x 15 photo of the Pink Floyd bassist playing his Fender Precision during a video or photo shoot, with Waters adding an inscription “To John.” In overall fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4 1 74 . R o g e r Waters Signed Poster. Very de-

sirable color 20 x 30 poster of Pink Floyd originally packaged with The Dark Side of the Moon album, signed over his image in blue felt tip

by Roger Waters.

In very good to fine folded condition, with scattered light creasing, and tape along the edges.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

50 Marvels of Modern Music | 603) 732-4280

Michael Jackson 4175. Michael Jackson 1984 Thriller Tour Original Vintage Photograph.

Original vintage glossy 6 x 8 silver gelatin photo of Michael Jackson in his militarystyle jacket and bejeweled glove during the 1984 Victory Tour (generally considered his Thriller tour). Reverse bears an Ebet Roberts/London Features International credit stamp on the reverse. In fine condition. Starting Bid $200

4176. Jackson 5 Signed Sheet Music.

Sheet music for ‘The Love You Save’ as recorded by The Jackson 5, 8.25 x 11, signed on the front cover in black felt tip, “Michael Jackson, ‘The L o v e Yo u Save,’” “Jermaine Jackson,” “Jackie Jackson,” “Tito Jackson,” and “Marlon Jackson.” Attractively matted and framed to an overall size of 14.5 x 17.75. In fine condition.

Recorded in 1970 for Motown Records, ‘The Love You Save’ topped the charts for two weeks, becoming the third of the four-in-a-row Jackson 5 number-ones released (the others were ‘I Want You Back,’ ‘ABC,’ and ‘I’ll Be There’). Starting Bid $200

Revealing letter from “M. J.” to his father figure: “Joseph never ever had time for me, he only saw me as a way for him to make money...my childhood was on stage away from mother” 4 1 7 7. M i c h a e l Ja c k s o n Autograph Letter Signed.

ALS signed “M. J.,” one page, 8 x 12.25, no date but likely circa 1992. A moving, intimately personal letter to his longtime security guard Bill Bray, in full: “It’s been a long long road, we have traveled throughout the years, concerts tours, meeting dignitaries, kings and queens of countries, touring around the world twice, making people happy through the gift of and love of music. I’m coming of age now and really realize the importance of true love. Joseph never ever had time for me, he only saw me as a way for him to make money.

And as you know, mother was a perfect mother but I never was with her, my childhood was on stage away from mother. What I’m simply trying to say is thank you for being a father. I don’t know what would have happened to me if you were not around. I love you.” The reverse is addressed in Jackson’s hand to “Bill the Joker.” In fine condition, with light handling wear. Accompanied by an MJJ Productions sticker pass and a color glossy 10 x 8 photo of Jackson fondly cradling Bray’s head in his hand. Bill Bray had begun working on the security team for the Jackson 5 in the 1970s, and remained as Michael Jackson’s bodyguard and close confidant until his retirement in the mid-1990s. A remarkable personal letter by the ‘King of Pop’ to an important figure, commenting on the traumatic childhood that impacted him for the rest of his life. Starting Bid $2500

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4182. Michael Jackson Signed Photograph.

4178. Michael Jackson Original Vintage Photograph. Original

Color glossy 8 x 10 photo of Michael Jackson wearing a red sports coat with crest, signed in blue felt tip. In fine condition, with a few light creases, and some toning to the right border. From The John Brennan In-person Autograph Collection. Starting Bid $200

vintage glossy 6 x 8 silver gelatin photo of Michael Jackson in his military-style jacket. Reverse bears a CPS/London Features International credit stamp on the reverse. In fine condition. Starting Bid $200

4183. The Jacksons Signed Album. The

Jacksons Live promotional album signed on the front cover in blue felt tip by Michael, Jackie, Tito, Randy, and Marlon Jackson.

In fine condition. The record is not included.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

4181. Michael Jackson Signed Album. Forever, Mi-

chael album signed on the front cover in blue felt tip by Michael Jackson. In fine condition, with light scuffing. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

Country and Folk 4184. Carter Family Signatures. Red felt tip signatures, “Carter Family—June Carter Cash,” “Anita Carter,” “Maybelle Carter,” and “Helen Carter,” on an off-white 5.5 x 6.75 sheet. Removably cornermounted to a display sheet with an image of the band.

In fine condition.

Starting Bid $200

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4185. Johnny Cash ‘The Masters’ Poster Signed

by Marty Stuart. Color

17 x 23 poster advertising Marty Stuart’s book Country Music: The Masters, featuring the last known photograph of Cash (taken four days before he died in September 2003), signed in silver ink by the author of the volume’s text, “Marty Stuart.” Framed and in fine condition. Stuart is a Grammy-winning country music singer-songwriter known for his large collection of memorabilia, much of which was featured in the book. Starting Bid $200

4189. Johnny Cash Limited Edition Print Signed by Wayne Brezinka.

Color limited edition 16 x 20 print of Wayne Brezinka’s 2016 mixed-media work entitled ‘Johnny Cash: Sacred and Profane, 2016,’ numbered 12/1500, signed in the lower border in black felt tip by the artist, “Wayne Brezinka.” In fine condition. Starting Bid $200

4186. Johnny Cash Collection of (21) Sun 45 RPM Records. Collection of 21 Sun Records 45 RPM singles of

Johnny Cash’s classic country tunes, including the “Johnnie Cash” misprint on #302 ‘The Ways of a Woman in Love / You’re the Nearest Thing to Heaven.’ Additional highlights are ‘Hey Porter / Cry, Cry, Cry,’ ‘Folsom Prison Blues / So Doggone Lonesome,’ and two copies of ‘I Walk the Line / Get Rhythm.’

In overall very good to fine condition. Starting Bid $200

4187. Johnny Cash Collection of (7) Columbia 45 RPM Records. Collection of seven Columbia Records 45 RPM

records of Johnny Cash’s classic country tunes, all in their original sleeves. Highlights include red wax DJ promos of ‘It Ain’t Me, Babe’ and ‘Understand Your Man,’ and a DJ promo of ‘Ring of Fire / I’d Still Be There.’ In overall very good to fine condition. Starting Bid $200

4190. Johnny Cash Photo Signed by George Kalinsky.

Outstanding original color semi-glossy 11.75 x 17.75 photograph of Cash performing at Madison Square Garden in 1969, signed in the lower right corner in silver ink by the photographer, “George Kalinsky.”

Attractively doublematted and framed with a plaque to an overall size of 19 x 28. In fine condition. Kalinsky has been the MSG’s official photographer since 1966, capturing numerous historic events, concerts, and games through his camera lens. Starting Bid $200

4188. Johnny Cash Group of (4) Signed Sun Albums. Group of

four signed Sun Records albums, including: With His Hot And Blue Guitar, signed and inscribed on the front cover in felt tip, “To Betty, With Love, Johnny Cash”; Greatest!, signed on the reverse in red ballpoint, “Johnny Cash”; Now Here’s Johnny, signed on the reverse in red ballpoint, “Johnny Cash”; and Johnny Cash Sings Hank Williams, signed on the reverse in red ballpoint, “Johnny Cash.” In overall very good to fine condition. Starting Bid $200

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4193. Johnny Cash Signed Album Sleeve.

Blank inner album sleeve signed in blue ballpoint, “Hope you enjoy, Johnny Cash.” The sleeve has been paired with the posthumously released record Out Among the Stars. In very good condition, with overall toning and creasing. Starting Bid $200

4192. Johnny Cash Signed ‘Ragged Old Flag’ Lyrics Print. Souvenir print of Cash’s handwritten lyrics for “Ragged

Old Flag,” one page, 8 x 11, signed at the top in black felt tip, “Johnny Cash.” Double-matted and framed to an overall size of 16 x 20. In fine condition. Written in 1974 during a time of political turmoil in the United States, “Ragged Old Flag” originally served as a spoken word tribute to patriotism amid the Watergate scandal. It garnered renewed attention in February 2017, when Fox Sports used Cash’s vocals for a patriotic spot that aired before the Super Bowl. Starting Bid $200

Huge limited edition of Cash’s only published artwork, ‘Flight’ 4191. Johnny Cash Signed ‘Flight’ Serigraph. Huge limited

edition color 28 x 40 serigraph entitled ‘Flight,’ signed in the lower right corner in pencil by Johnny Cash. The consignor notes that this is the only unnumbered example of the print, which was created in a limited edition of 350 in association with Cash’s friend Bill Miller. Impressively double-matted and framed to an overall size of 42.5 x 54.5. In fine condition, with light horizontal rippling. This was the only print of Cash’s visual art ever released during his lifetime. Starting Bid $200

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4194. Johnny Cash Signed American Recordings CD.

American Recordings CD signed on the front of the booklet in silver ink by Johnny Cash. In fine condition, with a few mild scuffs to the case.

The CD is included. This great album marked the beginning of a resurgence in Cash’s career, and won the 1995 Grammy Award for Best Contemporary Folk Album. Starting Bid $200

4199. Johnny Cash Signed Rockabilly Blues Album.

4195. Johnny Cash Signed Autograph Collector Magazine. Complete is-

Rockabilly Blues album signed on the front cover in blue ballpoint by Johnny Cash. In very good to fine condition, with edge creasing, and poor signature contrast against the dark background. The record is included. Starting Bid $200

sue of Autograph Collector magazine from October 1993, 98 pages, 8.25 x 11, signed on the front cover in black felt tip by Johnny Cash.

In fine condition, with general handling wear. Starting Bid $200

4200. Johnny Cash Signed SOS Children’s Record.

Johnny Cash at S.O.S. Children’s Village 45 RPM record, signed on the back of the sleeve in blue ballpoint by Johnny Cash. In fine condition, with a few small stains to the left of the signature. The record is included. Starting Bid $200

4196. Johnny Cash Signed Flag Photo. Pa-

triotic color satin-finish 8 x 8 photo of the ‘Man in Black’ superimposed over the American flag, signed in black felt tip by Johnny Cash. In fine condition.

Starting Bid $200

4197. Johnny Cash Signed Now, There Was a Song!

Album. Now,

There Was a Song! album signed on the reverse in blue ballpoint by Johnny Cash. In very good to fine condition, with light scuffing, some creasing, and an ownership notation above Cash’s signature. The record is included. Starting Bid $200

4198. Johnny Cash Signed Receipt. Partly-printed DS, signed “John R. Cash,” one page, 8 x 3, February 11, 1992.

Uncommon credit card receipt for the $450 purchase of “1 guitar, 1 set phones,” signed at the conclusion in blue ballpoint by Cash. In fine condition, with trimming to the top edge. Starting Bid $200

4201. Johnny Cash Signed The Baron Album. The

Baron album signed and inscribed on the front cover in black felt tip, “To Marla, much love, Johnny Cash.” In very good to fine condition, with edge creasing, light surface gouging, and an old sticker to the upper left corner. The record is included. Starting Bid $200

4202. Johnny Cash’s 1978 CBS TV Cufflinks. Johnny

Cash’s personally-owned and -worn pair of silver-tone square cufflinks with swivel backs, each featuring a textured grid surface with four inset blue stones. In fine condition. Consignor notes that these originate from his “1978 CBS Television City Wardrobe.” Starting Bid $200

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4203. Johnny Cash’s Personally-Owned Print.

Johnny Cash’s personally-owned color 19.75 x 19.75 print of a portrait painting of the songwriter in close profile against an American flag background, removed from Cash’s home in Hendersonville, Tennessee, signed in the lower left corner in pencil by the artist, Nate Giorgio. Matted and framed to an overall size of 26.5 x 26.5. In fine condition. Accompanied by a certificate of authenticity, a watercolor portrait of Cash, and a handwritten letter of provenance from Giorgio, with the latter reading: “This print of Johnny Cash is from an original painting Johnny commissioned from me circa 1986. It’s from a 2 piece series, 1 featured an American flag (which I own) and the other Johnny owned, which this print was reproduced from. It was during the time when Johnny was creating his theater in Branson, and he also used this art for promotional use.” The print is also accompanied by a photo of Cash’s nephew, Jeff Ingle, holding the print; he has also provided a letter of provenance that notes that it came “from Johnny & June Cash’s house in Hendersonville, TN.” Starting Bid $200

4204.

Johnny Cash’s PersonallyOwnedSigned Lithograph by Paul Milosevich. Johnny

Cash’s personally-owned limited edition 16.75 x 21.75 lithograph of a charcoal portrait of himself by artist Paul Milosevich, numbered 15/1000, signed in at the bottom in ballpoint by Cash, “Johnny Cash,” and in pencil by the artist, “Paul Milosevich.” Double-matted and framed to an overall size of 24.5 x 29.5. In fine condition.

Provenance: Lot #518, Property from the Estate of Johnny Cash & June Carter Cash, Sotheby’s, September 14–16, 2001; the glass retains the original Sotheby’s auction tag.

The consignor notes that Cash’s niece Kelly reported that this image either hung at either Cash’s parents home or in Cash’s office. Starting Bid $200

56 Marvels of Modern Music | 603) 732-4280

4205. Patsy Cline Signed Photograph. Popular and

distinctive country music ‘crossover’ star (1932–1963) who achieved iconic status upon her death in a plane crash at the age of thirty. Superb vintage 8 x 10 cardstock photo of a seated Cline in countrysinger garb by Lamps Photography of Winchester, Virginia, boldly signed in blue ink, “Thanks, Patsy Cline.” In very good to fine condition, with scattered light creasing. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

4206. Country Legends Signed Albums. Three albums signed on the front cover in blue felt tip by a country music legend: Merle Haggard (Out Among the Stars), Kris Kristofferson (demo album of Songs of Kristofferson), and Willie Nelson (Always on My Mind). In overall fine condition, with some old price sticker residue to the Haggard album. The records are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4207. Hank Williams Signed Photograph. Very desir-

able vintage glossy 7 x 5 candid photo of the country music pioneer in a handsome half-length pose, signed in fountain pen, “Best wishes, Hank Williams.” In very good to fine condition, with scattered creasing and poor signature contrast.

Starting Bid $200

At the Opry with Williams, Copas, and Little Jimmy Dickens 4208. Hank Williams, Cowboy Copas, and Jimmy Dickens Signed Photograph. Tremendous vintage glossy 8.25 x 10 photo of Hank Williams

and Cowboy Copas holding beer bottles next to Little Jimmy Dickens, signed by each country music legend in fountain pen, “Best wishes, Hank Williams,” “It’s a pleasure, Jimmy Dickens, Grand Ole Opry,” and “Sincerely, Cowboy Copas, W. S. M.” In very good to fine condition, with scattered creasing. Starting Bid $200

Jazz, Blues, and Standards Armstrong and company play upstate NY in the summer of ‘64 4209. Louis Armstrong Collection. Collection

of items signed by Louis Armstrong and various members from his band, dating to a performance in upstate New York in 1964.

The small archive is highlighted by a pair of vintage glossy 8 x 10 promotional photos of Louis Armstrong, one in a jubilant close-up pose and the other of him smiling and holding his trumpet, both signed in green fountain pen, with one inscribed to “Jess Jr.,” and the other to “Jess Sr.” Also featured are two vintage glossy 8 x 10 promotional photos individually signed and inscribed by noted members of Armstrong’s touring ensemble, Jewel Brown and Danny Barcelona, with the latter also signing the reverse of the Brown photo. Additionally, the collection also includes six clipped sheets bearing vintage ink and ballpoint signatures of Armstrong, Barcelona (3), Brown, Russell Moore, Arvell Shaw, Eddie Shu, and Pierre Tallerie (two, Armstrong’s manager), with the six slips affixed to a white 8.5 x 11 sheet.

Items relating to the referenced New York concert include: a handful of vintage candid photos of Armstrong and his band during their stay at Studebaker’s Motel near Plattsburgh, New York; a Studebaker’s Motel business card; a newspaper clipping from the Press-Republican noting Armstrong’s performance at Airborne Park, dated June 30, 1964; and a handwritten note from ‘Big Chief’ Russell Moore. In overall very good to fine condition. Starting Bid $200

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4210. American Folk Blues Festival 1963–1964 Signatures (Signed by 15). Fantastic

pair of vintage offwhite 7 x 8 album pages signed in ballpoint by 15 legendary performers from the American Folk Blues Festivals of 1963 and 1964. The first page is signed by Howling Wolf, Lightnin’ Hopkins, Sunnyland Slim, Sonny Boy Williamson, John Henry Barbee, Hubert Sumlin, Hammie Nixon, Clifton James, Big Joe Williams, and Sugar Pie DeSanto. The second page is signed by Willie Dixon, Lonnie Johnson, Matt Murphy, Billie Stepney, and Memphis Slim. In fine condition.

Starting Bid $200

4211. Blues Legends Signed Guitar. Fantastic cream-

bodied Westone X125 electric guitar, signed on the body in black felt tip by B. B. King, Bo Diddley, Buddy Guy, Clarence ‘Gatemouth’ Brown, Johnny Winter, Robert Cray, Leon Russell, Dr. John, and Johnny Lang. In fine condition, with one string broken and wear to the tremolo arm grip. A wonderful guitar signed by nine blues legends. Starting Bid $200

4212.

John C ol t r a n e S i g nature. Vintage

ballpoint signature, “John Coltrane,” on an off-white 2.25 x 1.25 slip affixed to a slightly larger sheet.

Removably cornermounted to a display sheet with an image of ‘Trane.’ In fine condition. Starting Bid $200

58 Marvels of Modern Music | 603) 732-4280

4213. John Coltrane Signed Album. Someday My Prince

Will Come album signed neatly on the back cover in black ballpoint by John Coltrane. In very good to fine condition, with light scuffing and soiling, and an ownership notation to upper left corner. The record is not included. Coltrane departed the Miles Davis Quintet to form his own quartet in the summer of 1960, but not before making two cameo appearances on Someday My Prince Will Come, adding solos on the title track and on ‘Teo,’ a song likely inspired by producer and saxophonist Teo Macero. Starting Bid $200

4214. Miles Davis and Birdland All-Stars Signatures. Vintage ballpoint

signatures of Miles Davis, Lester Young, Bud Powell, Milt Jackson, Percy Heath, and Rene Urtreger on the reverse an off-white 5.25 x 3.5 Swedish card dated 1956, also signed on the front by Powell and Jackson.

Removably corner-mounted to a display sheet with a copy of the front side. In very good to fine condition, with corner tack holes and light staining.

Starting Bid $200

4215. Miles Davis Signature. Vintage ballpoint

signature, “Miles Davis,” on an off-white 4.75 x 3 card bearing an affixed image of the virtuoso trumpeter. In fine condition. Accompanied by an unsigned glossy photo of Davis playing with bassist Ron Carter. Starting Bid $200

4216. Billie Holiday Signature.

Vintage ink signature, “Sincerely, Billie Holiday,” on a beige 4 x 2.25 sheet.

Matted with a glossy photo of ‘Lady Day’ to an overall size of 11.75 x 15.75. In fine condition, with silvering and staining to the unsigned photo.

Starting Bid $200

Beautiful Holiday portrait from her famed ‘Strange Fruit’ photo session 4217. Billie Holiday Signed Photograph. Vintage glossy 8 x 10.25 publicity portrait of Holiday by Robin Carson, signed and inscribed in white ink, “For Andy, Sincerely, Billie Holiday.” In very good to fine condition, with a few small creases and light surface impressions, and emulsion loss to two corners which could easily be matted out if so desired.

This famous portrait was one of several taken of Lady Day in a 1944 publicity shoot. The photographer, Robin Carson, after expressing to Holiday that he hadn’t quite captured her ‘essence,’ suggested that she sing Strange Fruit. Holiday protested a bit, drank a glass of gin, and then sang the song a cappella. Greer Johnson, a friend of Holiday present at the shoot recalled it as ‘one of the most fantastic performances I have ever heard in my life, and the camera never stopped.’ Starting Bid $300

The personally-owned parlor acoustic of blues pioneer John Lee Hooker 4218. John Lee Hooker’s Personally-Owned and Played ‘Parlor’ Guitar. Amazing black-

bodied 1969 Nola acoustic guitar with a sunburst finish, formerly owned and used by blues legend John Lee Hooker as his personal home or ‘parlor’ guitar, signed prominently on the body in black felt tip, “John Lee Hooker, JLH.” Includes the original carrying case. In fine condition, with the guitar bearing expected signs of use; the carrying case is in very good condition and features a range of wear and scuffing. Accompanied by letters of provenance from Hooker’s daughter, Zakiya Hooker Bell, and by Rich Kirch, a guitarist who played in Hooker’s Coast to Coast Blues Band for 13 years. The Kirch letter reads: “I knew John Lee Hooker since 1976 and played guitar in his band from 1988 until he passed away in 2001. I had John sign the Nola Guitar back around 25 years ago.” The letter from Hooker’s daughter, in part: “The 1969 Nola Acoustic Guitar…was owned and signed by my father, Mr. John Lee Hooker. This guitar was used by my father as a home guitar. This guitar was also used in the studio occasionally.” Backed by rock solid provenance, this handsome acoustic guitar was well-used by one of music’s foremost pioneers in the art of blues-making—an exceptional offering deriving from the house of John Lee Hooker. Starting Bid $300

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4219. Howlin’ Wolf Signature. Very

desirable ballpoint signature, “Howling Wolf, Chester Burnett,” on an off-white lightly lined 3.5 x 1.5 sheet. Matted and framed with three images to overall size of 21 x 13. In fine condition. A sought-after birth/stage name example. Starting Bid $200

4220. B. B. King Signed Guitar. Cream-bodied Affinity

series Fender Squier Stratocaster electric guitar, nicely signed on the body in blue felt tip by B. B. King. In fine condition. A beautiful instrument signed by one of the best bluesmen to ever play. Starting Bid $200

4221. Litt le Wa l ter Signed Photograph.

Famous for his blues harmonica playing (1930-1968), he was the first and only musician to ever be inducted into the Rock and Roll Hall of Fame for harmonica. While taking a break during a performance in the South Side of Chicago, he was involved in a fight and would eventually succumb to his injuries the next day. Sought-after 10 x 9.5 book photo of Little Walter in an excellent seated pose, signed in blue ballpoint, “Little Walter, USA.” Matted with another image of the harp player to an overall size of 15.75 x 19.75. In fine condition. Starting Bid $200

60 Marvels of Modern Music | 603) 732-4280

4 2 2 2 . C h a rl i e Parker Signature. Vintage ink

signature, “Charlie Parker,” on an offwhite 4 x 2.75 album page. Matted with a glossy photo of ‘Bird’ to an overall size of 11.75 x 15.75. In fine condition. Starting Bid $200

4223. Django Reinhardt and Band Signatures. Un-

common set of five ink signatures of the Quintette du Hot Club de France on individual off-white 3.75 x 2.25 sheets, including: Django Reinhardt (“D. Reinhardt”), Joseph Reinhardt (“J. Reinhardt”), Stéphane Grappelli (“St. Grappelli”), Joseph Ferre (“Ferre”), and Eugene d’Hellemmes (“E. d’Hellemmes”). The signatures are removably corner-mounted to a display sheet with an image of the band. In overall fine condition. Accompanied by an original Swedish program for a Quintette du Hot Club de France concert on February 7, 1939. Starting Bid $200

4224. Frank Sinatra Signature. Vintage ballpoint sig-

nature, “Frank Sinatra,” on an off-white 3 x 2 card. Removably corner-mounted to a display sheet with an image of the famous crooner. In very good to fine condition, with overall creasing. Starting Bid $200

Piaz portrait signed at La Roulotte 4225. Django Reinhardt Signed Photograph. Striking

vintage pearl-finish 7 x 9.25 portrait of the legendary jazz guitarist smoking a cigarette by Paris photographer Teddy Piaz, neatly signed and inscribed in fountain pen, “Pour Bob, Django Reinhardt.” In very good condition, with scattered light creasing, two light diagonal bends to the lower left, and silvering to the darker areas of the image.

Accompanied by a small original 2.25 x 3 candid snapshot of the doorway of Reinhardt’s club La Roulotte (marked on the reverse “Paris France, 1943, Bob Klaiss”) and a letter of provenance from the current owner, noting that the signed photograph was “given to my father in Paris, France where he met Django at his club, La Roulotte, during WWII in 1943.

My father, Bob Klaiss, was a professional bass player from Philadelphia, PA, playing in Army bands during the war. He has since passed, but told me what a memorable experience it was to meet and hear the famous jazz guitarist perform at his club in Paris. The additional photo shows the front entrance of La Roulotte, taken by my father, showing Django’s name around the arch. My father made a note at that time on the back of this photo, ‘Paris, France 1943.’” Starting Bid $300

4227. Muddy Waters Signed Menu. Wine list from the

famous Speakeasy Club in London featuring a classic design on the cover, 5 x 7, signed on the back page and inside the back cover in pencil by Muddy Waters, Pinetop Perkins, Willie Smith, Calvin ‘Fuzz’ Jones, Louis Myers, James ‘Pee Wee’ Madison, and Mo-Jo Buford. In very good to fine condition, with some light staining and handling wear, and a hole to the bottom of the multi-signed panel. Starting Bid $200

4228. Mudd y Wa t e r s Signed Photograph.

Glossy 10 x 8 Blue Sky publicity photo of the blues songwriter smiling near a microphone, signed and inscribed in black ink, “To Mel, Muddy Waters.” In fine condition. Accompanied by the original mailing envelope, postmarked February 25, 1981. Starting Bid $200

Never-before-seen photos from the Nina Simone estate

4226. Nina Simone Collection of (29) Candid Photographs. Collection of 29 unpublished glossy candid photos from

the estate of singer-songwriter and Civil Rights activist Nina Simone, dating between 1967 and 1996, ranging in size from 3.5 x 4.25 to 7 x 5, and several annotated on the front or reverse in Simone’s own hand. The majority of the images consist of Simone posing with friends, touring musicians, and various members of her family, with other photos showing Simone on holiday and playing the piano. Includes a few seemingly unrelated photos. In overall fine condition. Starting Bid $200

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4229. Louis Armstrong and Band Signatures Starting Bid $200

4230. Louis Armstrong and Band Signed Album Starting Bid $200

4232. Count Basie Signed Photograph Starting Bid $200

4233. Tony Bennett Signed Albums Starting Bid $200

4234. Tony Bennett Signed Photograph Starting Bid $200

4235. Tony Bennett Signed Photograph Starting Bid $200

4236. Tony Bennett Signed Print Starting Bid $200

4237. Blues Legends Signed Photograph (39 Signatures) Starting Bid $200

4238. Blues Legends Signed Photograph (39 Signatures) Starting Bid $200

4239. Blues Musicians Signed Album Starting Bid $200

4240. Blues Musicians Signed Menu Starting Bid $200

4241. Juke Boy Bonner Signature Starting Bid $200

4242. Big Bill Broonzy Signature Starting Bid $200

4243. Clifford Brown Signature Starting Bid $200

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4231. Count Basie and His Orchestra Signatures Starting Bid $200

4244. Dave Brubeck German Concert Posters Starting Bid $200

4245. Paul Butterfield Signed Document Starting Bid $200

4246. Clarence Carter Victory Club Poster Starting Bid $200

4247. Big Sid Catlett Signed Photograph Starting Bid $200

4248. Paul Chambers Signature Starting Bid $200

4249. Clifton Chenier Signature Starting Bid $200

4250. Clef Recording Signed Photograph Starting Bid $200

4251. Nat King Cole Document Signed Starting Bid $200

4252. Albert Collins Signed Album Starting Bid $200

4253. Willie Dixon Signature Starting Bid $200

4254. Eric Dolphy Signature Starting Bid $200

4255. Harry ‘Sweets’ Edison Signed Photograph Starting Bid $200

4256. Honeyboy Edwards Signed Photograph Starting Bid $200

4257. Roy Eldridge Signed Photograph Starting Bid $200

4258. Duke Ellington Orchestra Signatures Starting Bid $200

4259. Duke Ellington’s Orchestra Signatures Starting Bid $200

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4260. Duke Ellington’s Orchestra Signatures Starting Bid $200

4261. Duke Ellington’s Orchestra Signed Program (Signed by 10) Starting Bid $200

4262. Duke Ellington’s Sidemen Signatures Starting Bid $200

4263. Sleepy John Estes Signature Starting Bid $200

4266

4266. Dizzy Gillespie and Band Signatures Starting Bid $200

4264. Bill Evans Signature Starting Bid $200

4265. Rory Gallagher Signature Starting Bid $200

4267. Dizzy Gillespie Signed Album Starting Bid $200

4268. Buddy Guy and Junior Wells 1983 Detroit Concert Poster Starting Bid $200

4269. Buddy Guy and Junior Wells Signatures Starting Bid $200

4270. Lionel Hampton Orchestra Signed Photograph Starting Bid $200

4271. W. C. Handy Signed Book Starting Bid $200

4272. W. C. Handy Signed Photograph Starting Bid $200

4273. Hampton Hawes Signed Photograph Starting Bid $200

4274. Erskine Hawkins Signed Photograph Starting Bid $200

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4275. Edgar Hayes Orchestra Signatures Starting Bid $200

4276. Earl Hooker Signature Starting Bid $200

4277. John Lee Hooker Signature Starting Bid $200

4278. John Lee Hooker Signed Photograph Starting Bid $200

4279. Lightnin’ Hopkins Signature Starting Bid $200

4280. Big Walter Horton and Eddie Taylor Signatures Starting Bid $200

4281. Mississippi John Hurt Signature Starting Bid $200

4282. J. B. Hutto Signature Starting Bid $200

4283. Skip James Signed Photograph Starting Bid $200

4284. Jazz at the Philharmonic Signatures Starting Bid $200

4285. Jazz at the Philharmonic Signatures Starting Bid $200

4286. Jazz at the Philharmonic Signed Program Starting Bid $200

4288. Jazz Musicians Signed Program (Signed by 9) Starting Bid $200

4289. Willie ‘Bunk’ Johnson and Band Signed Record Starting Bid $200

4287. Jazz Musicians Signed Albums Starting Bid $200

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4290. Stan Kenton’s Orchestra Signatures Starting Bid $200

4291. B. B. King Signed Album Starting Bid $200

4292. The Three Kings Group of (3) Signatures Starting Bid $200

4293. Rahsaan Roland Kirk Signature Starting Bid $200

4294. Alexis Korner Blues Band Signatures Starting Bid $200

4295. Gene Krupa Signed Photograph Starting Bid $200

4296. J. B. Lenoir Signed Photograph Starting Bid $200

4297. Jimmie Lunceford’s Orchestra Signatures Starting Bid $200

4298. Magic Sam and Mac Thompson Signatures Starting Bid $200

4299. Percy Mayfield Signed Check Starting Bid $200

4300. Mississippi Fred McDowell Signed Photograph Starting Bid $200

4302. Charles Mingus Document Signed Starting Bid $200

4303. Charles Mingus Signature Starting Bid $200

4304. The Modern Jazz Quartet Signatures Starting Bid $200

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4301. Glenn Miller Signature Starting Bid $200

4305. Wes Montgomery Signature Starting Bid $200

4306. Lee Morgan Signature Starting Bid $200

4307. Kid Ory’s Creoles Signatures Starting Bid $200

4310. Otis Redding Signature Starting Bid $200

4311. Don Redman Orchestra Signatures Starting Bid $200

4312. Horace Silver Quintet Signatures Starting Bid $200

4313. Horace Silver Signed Photograph Starting Bid $200

4314. Nina Simone Signature Starting Bid $200

4315. Nina Simone Signed Photograph Starting Bid $200

4316. Stuff Smith Signed Photograph Starting Bid $200

4317. Otis Spann Signature Starting Bid $200

4318. Barbra Streisand Signed Photograph Starting Bid $200

4308. Arthur Osterwall’s Orchestra Signatures Starting Bid $200

4319. Sun Rhythm Section Signed Photograph Starting Bid $200

4309. Professor Longhair Signature Starting Bid $200

4320. Little Johnny Taylor Signed Document Starting Bid $200

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4321. Hound Dog Taylor Signed Photo Starting Bid $200

4322. Jack Teagarden Signed Photograph Starting Bid $200

4323. Sister Rosetta Tharpe Signature Starting Bid $200

4324. James ‘Son’ Thomas Signature Starting Bid $200

4325. Big Mama Thornton Signature Starting Bid $200

4326. Sarah Vaughan Signed Photograph Starting Bid $200

4327. T-Bone Walker Signature Starting Bid $200

4328. Fats Waller Signature Starting Bid $200

4329. Muddy Waters Signature Starting Bid $200

4330. Johnny ‘Guitar’ Watson Signed Document Starting Bid $200

4331. Ben Webster Signature Starting Bid $200

4332. Junior Wells Signatures Starting Bid $200

4333. Bukka White Signature Starting Bid $200

4334. Robert Pete Williams Signature Starting Bid $200

4335. Spencer Williams Signature Starting Bid $200

4336. Sonny Boy Williamson II Signature Starting Bid $200

68 Marvels of Modern Music | 603) 732-4280

Posters and Handbills 4337. 30 Years of Music Photography Signed Poster. Excellent

12 x 18 poster for the 30 Years of Music Photography exhibition held at the ArtRock Gallery in San Francisco from June 20 to August 9, 1998, with main image of Tom Waits seated at a Jaymar piano, signed in black or silver ink by 14 photographers and filmmakers, including: Robert Altman, Clayton Call, Tommy Scott, Michael Zagaris, Jay Blakesberg, and more. In fine condition. Starting Bid $200

4339. The Association 1968 Charleston Poster. Original 14 x 22

window card poster for The Association at the Charleston Civic Center on November 22, 1968, featuring a large image of the group at the height of their popularity. Printed by the Colby Poster Printing Co. of Los Angeles. In very good to fine condition, with soiling, corner staple holes, and a central vertical bend.

Starting Bid $200

4340. The Association Jordan ‘Boss’ Amp Poster. Original green 14 x 21 endorsement poster showing The Association playing on stage as “Valiant Recording Artists,” with the poster promoting the use of Jordan ‘Boss’ amplifiers. In fine condition.

Starting Bid $200

4338. The Animals 1966 Winchester Poster. Vibrant color 22 x 28 jumbo window card for The Animals, Sam the Sham and The Pharaohs, and Brutus and The Roamin’s at the Winchester Roller Rink on April 28, 1966. The bright poster bills The Animals as “From England and Ed Sullivan’s TV Show! England’s No. 1 Authentic Rhythm & Blues Group,” and lists their hit songs “House of Rising Sun,” “Don’t Let Me Be Misunderstood,” “We Gotta Get Out of This Place,” and “Inside Looking Out.” Printed by Globe Poster of Baltimore.

In fine condition, with light edge toning. Starting Bid $200

4341. Joan Baez Berkeley Campus Handbill.

Original 11 x 7.25 handbill for a Joan Baez performance at the Hearst Greek Theatre at the University of California Berkeley campus on March 22, 1963, with large image and text noting that it was Baez’s “Only Bay Area Appearance.” In fine condition, with minor corner paper loss. Starting Bid $200

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4342. The Beach Boys 1963 Sacramento Handbill.

4345. Big Brother and the Holding Company 1968 San Diego Handbill.

Original 8.5 x 11 handbill for a pair of shows by the Beach Boys at the Sacramento Memorial Auditorium on September 14, 1963, with band image, ticket and concert information, and advertisement for the Capitol Records release of Surfer Girl. In fine condition.

Starting Bid $200

4343. Big Brother and the Holding Company 1967 Sausalito Poster. Gorgeous color

15.75 x 22 poster for a Big Brother and the Holding Company concert at the Ark in Sausalito, California, on October 6, 1967, showing beautiful Art Nouveau-inspired artwork and listing the supporting act as Jack the Ripper. The poster is affixed to a samesize canvas mount. In fine condition, with small tack holes to the upper corners.

Starting Bid $200

4344. Big Brother and the Holding Company 1968 Fresno Handbill.

Scarce original color glossy 7.5 x 10.75 handbill for a Big Brother and the Holding Company concert at Selland Arena in Fresno, California, on April 19, 1968, with the supporting act listed as The Mint Tattoo and white ‘smoke’ text noting that the show is “Free to everyone over 35.” The psychedelic design incorporates stylized photographic images of the band and Janis Joplin, whose head has also been added to a sparrow body in the upper right corner. In fine condition. Starting Bid $200

70 Marvels of Modern Music | 603) 732-4280

Original light green 5.5 x 8.5 handbill for “Happening #5,” a concert headlined by Big Brother and the Holding Company at the Community Concourse Dance in San Diego on February 10, 1968, with supporting act listed as The Genetic Dryft and the lights handled by Mirkwood.

Designed by the artist Kay, the handbill features three repeated psychedelic images of Janis Joplin and band. The “Happening” concert series was produced by the James C. Pagni Company, with Pagni serving as the preeminent San Diego concert promoter at the time. In fine condition, with a small area of surface loss to the center. Starting Bid $200

4346. Birdland Stars of 1957 Handbill. Original color

6 x 9 handbill for the “Birdland Stars of ‘57” musical showcase at Carnegie Hall on February 15 and 16, 1957, which lists the following performers: Count Basie, Billy Eckstine, Sarah Vaughan, Joe Williams, Jeri Southern, the Bud Powell Trio, Chet Baker, Lester Young, Seldon Powell, the Terry Gibbs Quartet, Terry Pollard, ‘Zoot’ Sims, Richard Davis, Phineas Newborn, Rolf Kuhn, and Roy Haynes. Ticket and concert information printed above. In fine condition. Starting Bid $200

4347. Bobby Bland Revue Handbill. Original

early 1960s light yellow 8.5 x 11 handbill for “The Bobby Bland Revue,” which features images of Bland, Vi Campbell, and the Malibus, and mentions the support of emcee Emmett Davis and Bland’s orchestra.

Lower border notes that all concerts to be booked by the Buffalo Booking Agency of Houston, Texas.

In fine condition. Starting Bid $200

4348. The Blues Project 1966 San Francisco Poster.

4351. The Carter Sisters 1952 Armory Building Poster. Original color

Original color 17 x 22 poster for The Blues Project at The Matrix in San Francisco between August 30–September 8, 1966, billing them as “From New York.” In very good to fine condition, with old tape stains to the upper corners, and paper loss to the lower left corner. Starting Bid $200

4349.

Al Braggs Show Handbill.

Original vintage color 8.5 x 11 handbill for “The Al T.N.T. Braggs Show,” which shows images of Braggs, his brothers James and Floyd, and supporting act Eloise Hester, with song titles including: ‘I’m Doin’ the T.N.T.,’ ‘Joy to My Soul,’ and ‘Miss Soul.’ The handbill also mentions the appearance of Charles Dean and the Al Braggs Orchestra. In fine condition. Starting Bid $200

4350. James Brown 1974Apollo Theatre Handbill.

Fantastic original 8.25 x 10.5 handbill for a series of James Brown concerts at Harlem’s Apollo Theatre between October 25–31, 1974, with a large image of a mustached Brown and bold white text: “The man who never left always comes back! Where are the other greats that won’t play the Apollo Theatre? Stick with James Brown, the man who is proud of being what he is!” In fine condition. Starting Bid $200

13.75 x 21.75 window card for the Carter Sisters featuring Mother Maybelle at the Armory Building in Glasgow, Kentucky on November 20, 1952, featuring an image of the group—including the future June Carter Cash—along with advertising illustrations for the show’s sponsor, Martha White Flour and Coffee. Red text at the bottom bills the country quartet as “Direct from WSM Grand Ole Opry.” In very good to fine condition, with intersecting folds. Starting Bid $200

4352. CBGB 1980 Big Weekend Poster. Vibrantly

colored 22.25 x 34.5 screen print for the three CBGB ‘Big Weekend’ concerts held between January 24-26, 1980, with the scheduled performers as follows: Dots, Bullets, Decks, Fast Food, Thin Ice, Sonny Skies and the Guys, Method, The Lords, The Go, and The Foreskins. In fine condition. Starting Bid $200

4353. Ray Charles 1960 Wichita Poster. Original white-

and-green 14.25 x 22.5 window card for a Ray Charles concert at the Mambo Club in Wichita, Kansas, on July 16, 1960, featuring a fantastic large image of Charles at the piano and listing The Raelets as the supporting act, with song and album titles to right and lower portion. The original date of “15” covered with an affixed “16” label.

Printed by E. J. Warner Poster Corp. of New York. In fine condition. Starting Bid $200

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4354. Chubby Checker 1962 Odeon Theatre Handbill.

Original color 10 x 6.75 handbill for a Chubby Checker concert presented by Arthur Howes at the Odeon Theatre in Leeds, England, on September 12, 1962, with bold text reading: “’Let’s Twist Again,’ Don’t miss this big twist extravaganza!

With America’s Twist King…Chubby Checker In Person!” The other acts listed on the handbill include: The Brook Brothers, The Kestrels, Susan Singer, Red Price and His Orchestra, Charles McDevitt and Shirley Douglas, The Garry Edwards Combo, and Bob Bain. In very good to fine condition, with scattered light creasing, a vertical fold, and staining to the upper left corner. Starting Bid $200

4356. Sam Cooke 1 9 6 1 R o c kl a n d Palace Handbill.

Rare original 8.5 x 11 handbill for a “Breakfast Dance” showcase headlined

by Sam Cooke at the Rockland Palace in New York City on September 9, 1961, which features images and song titles of the schedules performers, including: Maxine Brown, Chuck Jackson, the Jive Five, the Olympics, Little Anthony of the Imperials, Bernard Byars, Ted Taylor, the Savoy Big Blast Band, and Wild Jimmy Sprull & Orch. In fine condition.

Starting Bid $200

4357. Sam Cooke and the Soul Stirrers Print. Color-

ized 15 x 19 photographic print of Sam Cooke and the Soul Stirrers by the Maurice Seymour Studio of Chicago, matted to an overall size of 21 x 25. In very good to fine condition, with some light scratches to the image. Starting Bid $200

4358. Elvis Costello and the Attractions 1983 Irvine Meadows Poster.

4355. Patsy Cline 1962 KRNT Des Moines Grand Ole Opry Poster. Original color 14 x 22 poster for a “Grand

Ole Opry In Person” concert at the KRNT Theater in Des Moines, Iowa, on September 23, 1962, featuring Hank Snow, Patsy Cline, Bobby Lord, Carl Belew, and the Willis Brothers. Printed by Central Show Printing of Mason City, Iowa, in yellow, black, and red on a lightweight white sheet, which is affixed to same-size cardstock. In fine condition, with light chipping to the top edge. A scarce poster from less than six months before Cline’s tragic plane crash. Starting Bid $200

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Original color 14 x 22 window card for Elvis Costello and the Attractions at the Irvine Meadows Amphitheatre in Irvine, California, on September 22, 1983, during their “Clocking in Across America” concert tour. Printed in pink and blue on white cardstock by the Colby Poster Printing Co. of Los Angeles.

In very good condition, with several holes from staple removals. Starting Bid $200

4359. Bo Diddley and Etta James Rhythm & Blues 1955 Chattanooga Poster. Original color 22 x 28.25 poster

for a “Concert & Dance” billed as “1955 Fall Edition: Top 10 Rhythm & Blues Review,” featuring Bo Diddley, Etta James, Faye Adams, The Clovers, Big Joe Turner, Bill Doggett, The Charms, Paul Williams, Al Jackson, and others at the Memorial Auditorium in Chattanooga on September 27, 1955.

The impressive poster is printed in green, black, and red on heavy white cardstock, with images of the headlining acts and the titles of their hits. In fine condition, with light edge toning. Starting Bid $200

4361. Emerson, Lake & Palmer 1974 Portland Concert Poster. Original color 15 x 22.25 window card for Emerson,

Lake and Palmer, with special guest Back Door, at the Memorial Coliseum in Portland, Oregon, on February 13, 1974.

Printed in neon pink and black on white cardstock. In fine condition. Starting Bid $200

4360. Duke Ellington 1953 Apollo Theatre Handbill. Original

8.5 x 5.75 doublesided handbill for a one-week concert series performed by “Duke Ellington and His Famous Band and Revue” at Harlem’s Apollo Theatre beginning on February 20, 1953, which shows images of Ellington and supporting musicians Pearl Bailey, Bill Bailey, and Louis Belson. The left side of the handbill promotes a “Musical Comedy Revue, Harlem Nocturne” starring Timmie Rogers and Big Maybelle that starts on March 6th, with the reverse also advertising performances

by Wynonie Harris, Larry Darnell, and Red Saunders beginning on February 27th. In fine condition. Starting Bid $200

4362. Fillmore West Final Concerts Poster by David Singer (BG-287). Classic original color 27.75 x 21.75 first printing poster for the final concerts at the Fillmore West on June 30–July 4, 1971, featuring Grateful Dead, Santana, Creedence Clearwater Revival, Boz Scaggs, Elvin Bishop, Quicksilver Messenger Service, and more, signed in the lower right corner in silver ink by the artist, David Singer.

Designated as BG-287, this is one of the true prizes in the BG poster series, designed by David Singer as a gift to Bill Graham to commemorate the closing of the Fillmore. In fine condition. Starting Bid $200

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4363. Ella Fitzgerald and Louis Armstrong Carter Barron Amphitheatre Poster. Vibrant original color 14 x

22 window card for a variety of acts at the Carter Barron Amphitheatre in Washington, DC, throughout a summer season, including: Mitzi Gaynor, Kingston Trio, Harry Belafonte, Ella Fitzgerald, Oscar Peterson, Johnny Mathis and Henry Mancini, Louis Armstrong, Dave Brubeck, and Peter, Paul & Mary, along with ballet and opera events. In very good condition, with a few edge tears, and some loss to the lower left corner area. Starting Bid $200

4366. Isle of Wight Festival 1969 Poster. Scarce original 16

x 30 poster for the 1969 Isle of Wight Festival of Music featuring a winged King Kong designed

by Dave Roe, listing the acts including Bob Dylan & The Band, The Who, Moody Blues, Joe Cocker, Free, King Crimson, and Richie Havens. Printed in black on lightweight hot pink paper. In fine condition. Starting Bid $200

4367. Ben E. King Apollo Theater Print. Colorized 16

4364. Erroll Garner 1965 Village Gate Handbill. Scarce

original color 6 x 9 handbill for a series of Erroll Garner performances at the Village Gate in Greenwich Village, New York City, beginning on May 20, 1965, which features a wonderful large image of Garner playing the piano and a Newsweek quote to lower right reading: “’The man for whom the piano was invented.’” The handbill also notes the appearance of singer Leon Bibb. In fine condition. Starting Bid $200

x 20 portrait print of soul and R&B singer Ben E. King by Maurice Seymour, originally displayed at Harlem’s famed Apollo Theater. Print is affixed to a dense cardstock mount.

In very good to fine condition, with edge wear, light scratches to the image, and multiple small tack holes to the perimeter. Starting Bid $200

4365. Grand Funk Railroad 1970 Chicago Poster.

Original color 16.75 x 22.75 poster for Grand Funk Railroad, Litter, Brian Auger & the Trinity, and Four Days and a Night at The Aragon Ballroom in Chicago on July 10, 1970, featuring artwork by Al Shamie depicting a crosssection of a human head. In very good to fine condition, with some light stains, and a short tear and creasing to the top edge. Starting Bid $200

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4368. Nat King Cole Apollo Theatre Handbill. Original

8.5 x 5.5 dual-sided handbill for a concert by “Nat King Cole and His Trio” at Harlem’s Apollo Theatre beginning on March 14th [no year, circa 1940s], with an image of the group to right and handbill listing Louis Jordan and James Moody as the upcoming acts. Reverse side promotes performances

by The Ravens, Sonny Thompson, and Howell & Bowser.

In fine condition. Starting Bid $200

4372. The Monkees 1968 Sacramento Poster.

4369.TimothyLearySigned 1995 Exhibition Poster.

Original color 13 x 19 exhibition poster for “Timothy Leary in Wonderland, An Exhibition of Blotter Acid Art” at the Artrock Gallery in San Francisco from August 10–October 10, 1995, signed at the bottom in silver ink by Leary. In fine condition.

Starting Bid $200

4370. Ri ch ard Lloyd Quartet 1979 CBGB Poster. Original color 23

x 35 poster for the Richard Lloyd Quartet at famed New York City punk rock club CBGB from October 18–20, 1979, designed by “S. Ray” and featuring a twotone portrait of the guitarist against a striped background.

In fine condition, with scattered light creasing. Starting Bid $200

4371. Paul McCartney and Ringo Starr Posters by Richard Avedon. Two original psychedelic color 22.5 x 31 posters of Paul McCartney and Ringo Starr as photographed

by Richard Avedon for Look Magazine, published in 1967 by NEMS Enterprises. In very good to fine condition, with multiple light horizontal bends to the Starr poster. Starting Bid $200

Original color 17 x 22 poster for a Monkees concert at the California State Fair in Sacramento, California, on September 4, 1968, with Alan F. Kikuchi artwork showing a cartoon image of Davy Jones, a rising sun, and plane soaring under a large, bright logo. The poster also lists Queen Lily Soap as “Special Guest Stars from the United States of Israel.” In very good to fine condition, with creasing to the corners, and a few staple holes. Starting Bid $200

4373. Motown Artists 1965 Chattanooga Poster. Original color 22 x 28 poster for a concert featuring The Impressions, Gene Chandler, Jerry Butler, Major Lance, The Three Ikettes, Barbara Mason, G. L. Crockett, and Gladys Knight and The Fabulous Pips at the Memorial Auditorium in Chattanooga on November 2, 1965. The desirable poster has images of the headlining acts along with the titles of their hit songs.

Printed by Posters, Inc. of Philadelphia. In fine condition.

Starting Bid $200

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4374. Bill Monroe 1955 Grand Ole Opry Poster. Original color

13.75 x 21.75 window card poster for Bill Monroe and His Blue Grass Boys, presented by WSM Grand Ole Opry at Atwood Stadium in Flint, Michigan on August 19, 1955.

Printed in blue and red on white cardstock, the appealing poster features a portrait of Monroe at a WSM microphone. In very good condition, with intersecting folds (reinforced with tape to reverse), and light edge toning.

Starting Bid $200

4377. The Sex Pistols ‘God Save the Queen’ Poster.

Color 39 x 27.25 poster showing Jamie Reid’s cover art for the Sex Pistols’ 1977 single ‘God Save the Queen’ against a background of the United Kingdom national flag. In very good condition, with overall creasing, light staining, and a tear to the flag background to the left of the queen’s head. Starting Bid $200

4375. River City Blues Festival Poster. Original

circa 1970s window card poster, 14 x 22, for The River City Blues Festival at the Ellis Auditorium in Memphis, featuring acts including Thomas Pinkston and his Handymen, Furry Lewis, Memphis Piano Red, Phineas Newborn, Jr., Lum Guffin, Joe Willie Wilkins and His King Biscuit Boys featuring Houston Stackhouse, Charlie Banks and the Beale Street Originals featuring Little Laura Dukes and Sam Chatmon, and ‘The Mississippi Sheiks.’ In very good condition, with overall creasing, heavier at the bottom. Starting Bid $200

4376. Rock and Roll Hall of Fame Exhibit Posters. Attractive trio of exhibition

posters from the Rock and Roll Hall of Fame and Museum in Cleveland, Ohio, measuring 18 x 24 and 19.75 x 27.5, with exhibitions including: Mike McCartney’s Liverpool Life: Sixties Black & White, held in 2003, signed in black felt tip by McCartney; Annie Leibovitz: American Music, held from May 27 to September 6, 2004; and U2: 1978–1981, Photographs by Patrick Brocklebank, held from April 21 to September 2, 2013. In overall fine condition. Starting Bid $200

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4378. The Sex Pistols 1976 ‘Anarchy in the U.K.’ Electric Circus Poster. Original color 38.25 x 26.5 poster for the

Sex Pistols at Electric Circus in Manchester, England, on December 19, 1976, featuring the iconic Jamie Reid artwork used for their first single, “Anarchy in the U.K.,” which had been released by EMI earlier in the year. In very good condition, with overall creasing and a few short edge tears. These posters were hastily produced by EMI shortly before the show, after most of the Sex Pistols tour had been canceled due to their use of obscenities on daytime television in an infamous interview with Bill Grundy. Starting Bid $200

4379. Sopwith Camel 1967 San Francisco Handbill. Original gold-

4382. The Tams Charlotte Handbill. Original

tone 8.5 x 11 handbill for a Sopwith Camel concert presented

by Rocky’s Mag at the Marigold Ballroom in Fresno, California, on April 28, 1967, with the Lavender Hill Mob listed as the supporting act and the handbill featuring a psychedelic negative group image of Sopwith Camel. In fine condition. Starting Bid $200

mid-1960s light green 8.25 x 12.5 handbill for a “Dance & Show” musical showcase headlined by The Tams at Charlotte’s Park Center on April 11th, which lists Billy Stewart, Gene Barbour and the Cavaliers, The Showmen, and The Soul Kings Orchestra as the supporting acts. In fine condition, with staple holes to the top left, and scattered light creasing. Starting Bid $200

4383. U2 1984 G e r m a n To u r Poster. Large redwhite-and-blue 23.5 x 33 poster for a series of four U2 concerts in Germany between October 8 and 12, 1984, listing venue cities like Hamburg, Düsseldorf, Offenbach, and Munich. In fine condition, with two staple-related tears to the background.

Starting Bid $200

4380. The Supremes and Stevie Wonder 1965 Odeon Handbill. Original color

5.25 x 11.25 handbill for The Supremes, Stevie Wonder, Martha and the Vandellas, Smokey Robinson and the Miracles, the Earl Van Dyke Six, and Georgie Fame at the Odeon in Leeds on March 31, 1965, with a ticket order form printed at the bottom. In fine condition.

Starting Bid $200

4384. Dionne Warwick Charlotte Handbill. Original 4381. Talking Heads 1982 We m b l e y Arena Poster. Brightly

colored 20 x 15 poster for a pair of Talking Heads concerts at Wembley Arena in London, England, on July 12 and 13, 1982, showing a variety of pictograms and listing Tom Tom Club as the supporting act. Affixed to a same-size cardstock mount. In fine condition.

Starting Bid $200

light blue 8.25 x 12.5 handbill for a “Dance & Show” headlined

by Dionne Warwick at Park Center in Charlotte, North Carolina, on March 23rd [no year], which features a lovely image of Warwick and lists the supporting acts as The Tams, The Catalinas, and The Cavaliers. In very good to fine condition, with light creasing to the top, and old tape stains to the side edges. Starting Bid $200

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4385. Mary Wells 1965 Oakland Poster. Original

color 14 x 22 window card for a Mary Wells concert at Esther’s Orbit Room in Oakland, California, on March 13, 1965, showing an image of Wells with titles of her hit singles: ‘My Guy,’ ‘Beat Me to the Punch,’ ‘Two Lovers,’ and ‘The One Who Really Loves You.’ Printed by Tilghman Press of Oakland.

In very good to fine condition, with light rippling and a central vertical crease.

Starting Bid $200

4388. Jimmy Witherspoon and Joe Liggins Group of (3) Oakland and Richmond Handbills. Trio of original

4386. Jackie Wilson Sweets Ballroom Poster.

Original color 14 x 22 poster for Jackie Wilson, Little Joseph, and J. C. Davis at the Sweets Ballroom in Oakland on Thursday, October 17, [no year]. Printed by the Tilghman Press in Oakland. In very good condition, with some light staining and areas of surface loss. Starting Bid $200

4387. Edgar Winter Group 1973 Memphis Poster. Original 15.5 x

20.5 poster for the Edgar Winter Group and Dr. John at the Mid-South Coliseum in Memphis, Tennessee, on September 1, 1973. In fine condition. Winter’s album, They Only Come Out At Night, advertised at the top of the poster, had been released the prior year, and stayed on the charts for an impressive 80 weeks, peaking at number 3. Starting Bid $200

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8.75 x 11.75 handbills promoting a pair of Jimmy Witherspoon and Joe Liggins concerts at the Oakland Auditorium and Richmond Auditorium on December 31st and January 1st [no year, but circa early 1950s], with artist images and bold text reading: “Happy New Year, Your E. & F. Sunday Swing Session presents 2 Big Dances, 2 Great Bands, featuring Joe Liggins and Jimmy Witherspoon.” In overall very good to fine condition. Starting Bid $200

4389. The Yardbirds 1960s Jordan ‘Boss’ Amplifiers Poster. Original circa late

1960s color 14 x 20.5 advertising poster for Jordan ‘Boss’ Amplifiers featuring imagery of the Yardbirds and the Union Jack. In fine condition. Starting Bid $200

4390. Neil Young, Booker T. and Blind Melon 1996 Fiddler’s Green Poster.

Original color 11 x 17 poster for Neil Young, Booker T. & the MG’s, and Blind Melon at the Fiddler’s Green Amphitheatre in Denver, Colorado, on September 9, 1996, as part of the KBCO “Summer of Stars” concert series. In fine condition, with light creasing to the right edge. Starting Bid $200

1950s 4391. Chuck Berry and Johnnie Johnson Signed Album. Chuck Berry: The

4395. Johnny Burnette and the Rock ‘n Roll Trio Signatures. Influential

Legends of Rock album signed on the front cover in blue felt tip by Chuck Berry and Johnnie Johnson. In fine condition. The record is not included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4392. Chuck Berry Signed Album. The

London Chuck Berry Sessions album signed on the front cover in blue felt tip

by Berry. In fine condition.

The record is included.

From The John Brennan In-person Autograph Collection. Starting Bid $200

American rockabilly group that formed in Memphis, Tennessee, during the 1950s.

Vintage ballpoint signatures, “Sincerely, Johnny Burnette,” “Dorsey Burnette,” and “Paul Burlison,” on an off-white 5.25 x 3 sheet. Removably corner-mounted to a display sheet with an image of the band. In fine condition, with trimmed edges. Starting Bid $200

4396. Sam Cooke Signature. Desirable

vintage ballpoint signature, “Sam Cooke,” on an off-white 3.25 x 1.75 slip. Matted with two images of Cooke to an overall size of 15.75 x 19.75. In very good condition, with irregular toning. Starting Bid $200

4393. Chuck Berry, Jerry Lee Lewis, and Little Richard Signatures. Ballpoint sig-

natures, “C. Berry,” “God bless, Little Richard,” and “Sincerely yours, Jerry Lee Lewis,” on individual off-white sheets, matted with images of the performers to an overall size of 15.75 x 11.75. In overall fine condition.

Starting Bid $200

4394. The Everly Brothers Signed Album. EB 84 album

signed on the front cover in blue felt tip by Don Everly and Phil Everly. In fine condition, with light scuffing, and a small area of price sticker residue.

The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4397. The Everly Brothers Signed Photograph. Satin-finish 8 x 10 photo of the Everly brothers posing with a Gibson guitar, signed in blue felt tip by Phil and Don Everly. In very fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

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4401. Jerry Lee Lewis Signed Photograph. Color

4398. Alan Freed 1958 Big Beat Program. Original

1958 program for “The Big Beat” concert tour presented by Alan Freed, 24 pages, 9 x 12, which features portraits and biographies of a number of great rock and roll performers and groups, including: Buddy Holly and the Crickets, Jerry Lee Lewis, Chuck Berry, Frankie Lymon, Danny and the Juniors, and Screamin’ Jay Hawkins. In fine condition. Starting Bid $200

glossy 8 x 10 photo of ‘The Killer’ leaning over a piano, signed in black felt tip, “Thanks, Jerry Lee Lewis.” In fine condition, with a JSA label affixed to lower right corner. Accompanied by a certificate of authenticity from JSA. From The John Brennan In-person Autograph Collection. Starting Bid $200

4399. Buddy Holly and the Crickets Signed Photograph. Scarce

vintage circa 1958 Coral Records promo card featuring “The Crickets,” 3.5 x 5.75, signed in black ballpoint by Buddy Holly, Joe Mauldin, and Jerry Allison. The reverse lists the group’s lone LP (The Chirping Crickets) and their singles, including the classics ‘Not Fade Away,’ ‘That’ll Be the Day,’ and ‘Peggy Sue.’ In very good condition, with moderately heavy creasing, a fold above Mauldin’s signature, mounting remnants on the reverse, and Allison and Mauldin’s signatures quite faded.

Accompanied by a certificate of authenticity from Tracks and a letter of provenance: “The autographs…were obtained from the Hull ABC Regal Theatre, when they appeared there 19.

3. 1958.” Starting Bid $200

4400. Etta James Signed Album. Etta

James Sings album signed on the front cover in blue felt tip. In very good to fine condition, with light scuffing, and partial spine separation. The record is included. From The John Brennan In-person Autograph Collection.

Starting Bid $200

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4402. Clyde McPhatter Signature. Popular

American singer (1932–1972) of the 1950s and early 1960s who was a key figure in the shaping of doo-wop and R&B and is remembered for hits like ‘Have Mercy Baby’ and ‘I Never Knew.’ Vintage fountain pen signature and inscription, “To ‘Stan,’ Lots of Luck, Clyde McPhatter,” on an off-white 4.75 x 4.5 sheet. Removably corner-mounted to a display sheet with an image of the singer. In fine condition. Starting Bid $200

4403. Gene Vincent and His Blue Caps Signatures. Two

items: an ink signature, “Gene Vincent,” on a pink 3 x 2.25 sheet matted with an image of Vincent to an overall size of 9.5 x 11.75; and a color glossy 7.75 x 10.25 photo promoting Gene Vincent’s Blue Caps, signed in the lower border in blue ballpoint, “Johnny Meeks,” and in black felt tip, “Tommy Facenda” and “Dickie Harrell,” matted to a slightly larger size. In overall fine condition. Starting Bid $200

1960s Featuring a very early appearance by David Bowie and the Buzz 4404. David Bowie Marquee Club March 1966 Program. Origi-

nal March 1966 program for London’s famed Marquee Club music venue, one page, both sides, 8.5 x 11, with front featuring an article headed “The Yardbirds Are Back!,” showing an image of the band with caption: “’The Shapes of Things’—The Yardbirds.” Lower portion lists membership and admission fees with the reverse featuring a full schedule for the month of March, with notable acts including: Manfred Mann, Spencer Davis Group, The Yardbirds, David Bowie, and a very early appearance by The Small Faces. In very good to fine condition, with intersecting folds and light overall creasing. Starting Bid $200

4405. Buffalo Springfield Signed Guitar. Natural-finish

Laurel stratocaster-style right-handed electric guitar, signed on the body in blue felt tip, “Expecting to fly, Dewey Martin, B–S,” in blue paint pen, “Jim Messina,” and in black felt tip, “Stephen Stills,” and on the white pickguard in black felt tip, “Neil Young” and “’Sad Memory,’ Richie Furay.” In fine condition. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

4406. The Byrds: Michael Clarke’s Stage-Used Drum Stick. Michael Clarke’s personally-owned and stage-used

single wooden Regal Tip 3A drumstick, measuring 15.5˝ long.

In fine condition, with expected signs of use. Accompanied by a signed letter of provenance from Jimmi Seiter, a longtime road manager, associate producer, and touring percussionist with The Byrds, in part: “Based upon my long-term association with and knowledge of The Byrds, I hereby certify that this pair [sic] Regal-tip 3A drumstick was owned and used on stage

by Michael Clarke.” Michael Clarke (1946–1993) was the drummer for The Byrds from 1964 to 1967. Starting Bid $200

Vintage-signed Cream album 4407. Cream Signed ‘Wheels of Fire’ Album. Wheels of Fire album signed on the gatefold by the full band, including vintage ballpoint signatures of Eric Clapton and Jack Bruce and a felt tip signature of Ginger Baker.

Also bears a very faint signature of producer Felix Pappalardi. In very good to fine condition, with moderate contrast to Clapton and Bruce’s signatures, a light ring of wear to covers, small promotional label affixed to front cover, and substantial chipping to edges. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

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4408.

C re a m Signed Album.

Best of Cream album signed on the front cover in blue felt tip

by Eric Clapton, in red felt tip Ginger Baker, and in purple paint pen by Jack Bruce.

In very good to fine condition, with light scuffing and edge wear. The record is not included. Accompanied by a full letter of authenticity from REAL. A highly displayable album with bright, bold signatures.

Starting Bid $200

4409. Janis Joplin Original Photograph by Francesco Scavullo.

Original semiglossy 8.25 x 10.5 portrait of Janis Joplin in 1969, showing her dressed in a flowing top and adorned with necklaces and bangle bracelets as she holds a cigarette in a raised hand, taken by legendary fashion photographer Francesco Scavullo. Reverse bears a Francesco Scavullo copyright stamp. In fine condition, with light creasing to the upper right corner. This print was made in the mid-1970’s, and has Scavullo’s copyright stamp on the back, along with a title, date and negative number. Scavullo was best known for his magazine covers for Rolling Stone, Harper’s Bizarre, Seventeen, and Cosmopolitan (for whom he famously shot actor Burt Reynolds for a nude centerfold.) His photographs graced album covers for Barbara Streisand, Judy Collins, Donna Summer and others. Scavullo recalled: ‘I had one fabulous afternoon with Janis Joplin. She stayed the whole afternoon. I loved photographing Janis. I loved meeting her, and she was so different from what I thought she was going to be. She died a year later I think…She walked into the studio and I said, ‘Oh, hi Janis, I’m Scavullo.’ She looked at me and she said, ‘I’d love to f— you, only I got the clap.’’

Starting Bid $200

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4410. Ralph Gleason’s First Issue of Rolling Stone Magazine. Original

complete premiere issue of Rolling Stone, Vol. I, No. I, issued on November 9, 1967, 24 pages, 11.5 x 17, featuring a cover image of John Lennon as Private Gripweed in Richard Lester’s film How I Won the War. In very good to fine condition, with some chipping and minor paper loss to the brittle edges. Originates from the estate of Rolling Stone co-founder Ralph J. Gleason, and accompanied by a letter of provenance from Recordmecca’s Jeff Gold, in part: “We acquired this directly from Gleason’s family, and it was part of his extensive archive. Ralph J. Gleason (1917–1975) was one of the most influential jazz and pop music critics of all time. He was a central figure in the San Francisco rock scene, helped organize the Monterey Pop Festival, and co-founded Rolling Stone magazine with his protegee, Jann Wenner.

Bill Graham himself credited Gleason with suggesting the Fillmore Auditorium to him as a site for concerts, while the Family Dog met with Gleason at his home to discuss their idea to stage dance concerts, prior to their first show at the Longshoreman’s Hall.” Starting Bid $200

4411.

Santana Signed Handbill.

Neon orange 12 x 17 poster for a Santana concert at the Wiener Stadthalle in Vienna on November 30, 1973, signed in black felt tip

by Carlos Santana, Neal Schon, Gregg Rolie, Chepito Areas, Michael Shrieve, Armando Peraza, Tom Coster, David Brown, and Doug Rauch. In very good to fine condition, with light overall wear and a tiny hole near the center. Accompanied by an original first printing handbill for a Santana and Tower of Power concert at the Milwaukee Auditorium Arena on June 11, 1971, and a copy of a publicity photo of Santana during their Welcome album period, with the photo bearing facsimile signatures inherent to the original photo—the accompaniments would make for ideal complements to a potential matted display piece. Consignor notes that these vintage signatures were obtained in person in Vienna during the early to mid-1970s. Starting Bid $200

4412.Van Morrison Signed Album. Moon-

dance album signed on the front cover in blue felt tip by Van Morrison.

In fine condition, with light scuffing. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4413. Carlos Santana Signed Las Vegas Concert Print. Excellent limited edition 16 x 30 print promoting Carlos Santana as the 2010 resident headliner at The Joint at Las Vegas’ Hard Rock Hotel and Casino, numbered 1/200, signed in silver ink by Santana.

In fine condition. Starting Bid $200

4414. Rory Storm and the Hurricanes Business Card. Original circa 1959-1960 business card for Rory Storm and the Hurricanes, 3.75 x 2.5, with reverse side featuring a list of the group’s achievements up to the close of 1959. The card lists them as the 1959 winners of the Villa Marina on the Isle of Man, as well as the group winners of the “Carol Levis Final” at the Liverpool Empire. The latter event also featured another local group called Johnny and the Moondogs, a name soon changed back to the Quarry Men, and then, eventually, to the Beatles. In fine condition. Accompanied by a certificate of authenticity from Tracks. Consignor notes that the business card comes from the collection of Ty O’Brien, lead guitarist in Rory Storm and the Hurricanes. Starting Bid $200

Early set of Who autographs with original concert handbill 4415. The Who 1965 Signatures. Vintage circa 1965

ballpoint signatures of Keith Moon, John Entwistle, Pete Townshend, and Roger Daltrey on an off-white 7 x 5 thick cardstock sheet. In very good condition, with light soiling, and moderately heavy creasing. Includes an original 5 x 7.5 handbill promoting Big Beat Sessions at Kidderminster Town Hall in May 1965, which notes a May 20th performance by The Who, which is when these signatures were acquired. A true early pair of Who relics for fans from their mod infancy.

Accompanied by a provenance letter from the original recipient: “I worked at Stourbridge Town Hall from 1964 to 1967 helping out backstage and sometimes front of house. If the caretaker was not back from his meal break, I would let the groups into the building and help them set up. Fred Bannister promotions booked the top groups of the day to appear on Wednesday nights, with smaller local groups playing on Saturday nights. I met all the groups and obtained their autographs.” Comes with a black and white photograph of The Who from around the time of this concert and these signatures were obtained. Starting Bid $200

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Program from The Who’s infamous ‘Tuesdays at the Marquee’ run 4416. The Who Marquee Club July 1965 Program.

Rare original July 1965 program for London’s famed Marquee Club music venue, one page, both sides, 8.5 x 11, with front featuring an article headed “SummerSets at the Marquee… in come the Animals & Bond,” showing an image of Dick Morrissey playing the saxophone. Lower portion advertises the “5th National Jazz & Blues Festival” in early August with the reverse featuring a full schedule for the month of July, with notable acts including: The Who (doing their now-infamous ‘Tuesdays at the Marquee’ run), The Yardbirds, The Animals, Manfred Mann, the Spencer Davis Group, The Moody Blues, and Steam Packet with Rod Stewart. In very good to fine condition, with intersecting folds and light overall creasing. Starting Bid $200

4418. The Who Signed Album Booklet. Booklet

included with the album box set for Tommy, the 1972 album by the London Symphony Orchestra, signed on the first page in brown felt tip by Keith Moon, and in black felt tip by Pete Townshend, Roger Daltrey, John Entwistle, Steve Winwood, Ronnie Wood (who also adds a Rod Stewart signature), Ian McLagan, and Richie Havens, who adds “A friend forever & ever, health peace.” In fine condition. The records, album sleeve, and slipcase are all included. Starting Bid $200

4417. The Who Signatures. Vintage ballpoint signatures of Keith Moon, John Entwistle, Pete Townshend, and Roger Daltrey on individual off-white slips ranging in size from 4.5 x 3 to 3.25 x 4.25; when fit together, the signed slips form the reverse of a German ‘Tune the World’ concert schedule for September and October 1972. In fine condition, with light soiling and edge wear. Accompanied by a ticket for a Who concert at the Deutsches Museum in Munich on September 4, 1972, and a letter of provenance from the original recipient: “When I was at the concert…a good friend of mine worked there as a kind of security guy…The band before the Who was ‘Golden Earring’ and I asked my friend…if he can get me autographs from them…He just walked round the corner for about 5 minutes and then gave me the autographs from ‘The Who.’ He said they had not any [promo photographs] backstage and then ‘the guy with the long blond hair took a flyer which was lying around, divided it into 4 pieces and everyone signed one sheet.’” Starting Bid $200

84 Marvels of Modern Music | 603) 732-4280

The personal contacts of Keith Moon, filled with names like Bowie, Jagger, and his Who bandmates

4420. The Who: Keith Moon’s Address and Telephone Organizer. Keith Moon’s personally-

owned and -used address and telephone organizer from the 1960s, consisting of well over 100 multicolored 5 x 3 cards, with a large number annotated in pencil or ink by the Who’s legendary drummer, which list contact information for a host of famous names, including: Neil Aspinall, David Bowie, Roger Daltrey, Donovan, Graeme Edge, John Entwistle, Billy Fury, Maurice Gibb, Peter Grant, George Harrison, Mick Jagger, Elton John, Glyn Johns, Tony Kaye, Denny Laine, Ronnie Lane, George Lazenby, Harry Nilsson, Ken Russell, John Sebastian, members of Ten Years After, Pete Townshend, and Ronnie Wood. The balance includes a wide variety of contact cards for venues, hotels, music studios, magazines, banks, car rentals, newspapers, and friends and family. Housed in its original red organizer case. In very good condition. A unique rock ‘n’ roll keepsake deriving from the collection of Keith Moon, loaded with a diverse checklist of some of the most notable names of the 1960s. Starting Bid $500

4421. Woodstock Press Pass. Original unused backstage press pass from the 1969 Woodstock Festival (short for the Woodstock Music & Art Fair—An Aquarian Exposition: 3 Days of Peace and Music), 3.5 x 2.25, featuring black text, “An Aquarian Exposition, Press Pass,” with a blank space to be filled in for the recipient’s name. In fine condition. The consignor notes that this pass was acquired from a music business executive who explained that ‘on the final day of the Woodstock Festival…I was given this unused PRESS PASS that had not been picked up by someone in the press office.’ The story of the Woodstock Festival and the artists who performed is familiar to any fan of 60s rock—the rain, the mud, and the crowd of 500,000 watching Jimi Hendrix, The Who, Grateful Dead, Janis Joplin, Sly & The Family Stone, Jefferson Airplane, The Band, and so many more. Starting Bid $200

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4422. The Beach Boys Signed Album Starting Bid $200

4423. The Beach Boys Signed Album Starting Bid $200

4424. The Beach Boys Signed Photograph Starting Bid $200

4425. The Beach Boys: Brian Wilson Signed Piano Music Book Starting Bid $200

4426. Jeff Beck Signed Album Starting Bid $200

4427. Blind Faith Signatures Starting Bid $200

4428. The Box Tops Signed Album Starting Bid $200

4429. James Brown Signed Album Starting Bid $200

4430. James Brown Signed Folio Starting Bid $200

4431. Eric Burdon Signed 1967 Fillmore Poster (BG-89) Starting Bid $200

4432. The Byrds Signed Albums Starting Bid $200

4433. Canned Heat Signatures Starting Bid $200

4434. Canned Heat Signed Album Starting Bid $200

4435. Chambers Brothers and Richie Havens 1968 Signed Poster (BG-122) Starting Bid $200

4436. Dave Dee, Dozy, Beaky, Mick & Tich Signed Promotional Card Starting Bid $200

4437. Donovan Signed Program Starting Bid $200

86 Marvels of Modern Music | 603) 732-4280

4438. Faces Signed Album Starting Bid $200

4439. Aretha Franklin Signed Album Starting Bid $200

4440. Aretha Franklin Signed Photograph Starting Bid $200

4441. Aretha Franklin Signed Photograph Starting Bid $200

4442. Aretha Franklin Signed Photograph Starting Bid $200

4443. Chris Hillman Signed 1967 Doors and Byrds Handbill Starting Bid $200

4444. Jefferson Airplane Oversized Signed Photograph Starting Bid $200

4445. Jefferson Airplane Signed Album Starting Bid $200

4447. The Kinks Signed Albums Starting Bid $200

4448. Gordon Lightfoot Signed Guitar and Album Starting Bid $200

4446. The Kinks Signed Album and Pickguard Starting Bid $200

4449. The Lovin’ Spoonful Signed Album Starting Bid $200

4450. The Mamas and the Papas Signed Album Starting Bid $200

4451. Joni Mitchell Signed Album Starting Bid $200

4452. Joni Mitchell Signed Photograph Starting Bid $200

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4453. The Monkees Signed Album Starting Bid $200

4454. The Moody Blues Pair of Signed Albums Starting Bid $200

4455. The Moody Blues Signed Album Starting Bid $200

4456. Roy Orbison Signed Sheet Music Starting Bid $200

4457. Peter, Paul, and Mary Signed Promotional Photograph Starting Bid $200

4458. The Ronettes Signed Album Starting Bid $200

4459. Simon and Garfunkel Signed Album Starting Bid $200

4460. Simon and Garfunkel Signed Album Starting Bid $200

4461. Grace Slick Signed 1960s San Francisco Poster Starting Bid $200

4462. Smothers Brothers Signed Guitar Starting Bid $200

4463. Sonny and Cher Signed Photograph Starting Bid $200

4464. Phil Spector Signed Photograph Starting Bid $200

4465. Sly Stone Signed Albums Starting Bid $200

4466. The Stooges Signed Album Starting Bid $200

4467. The Supremes Oversized Signed Photograph Starting Bid $200

4468. The Supremes Signed Album Starting Bid $200

88 Marvels of Modern Music | 603) 732-4280

4469. The Supremes: Diana Ross and Mary Wilson Signed Albums Starting Bid $200

4470. The Supremes: Diana Ross and Mary Wilson Signed Photograph Starting Bid $200

4471. Taste Signatures Starting Bid $200

4472. Ten Years After Signatures Starting Bid $200

4473. Traffic Signed Album Starting Bid $200

4474. Vanilla Fudge Signed Guitar Starting Bid $200

4475. The Who 2012 Signed Quadrophenia Tour Poster Starting Bid $200

4476. The Who Signed Album Starting Bid $200

4477. The Who Signed Silver Anniversary Poster Starting Bid $200

4478. The Who: Daltrey and Townshend Signed 1973 Tour Poster Starting Bid $200

4479. The Who: Daltrey and Townshend Signed Album Starting Bid $200

4480. The Who: Daltrey and Townshend Signed Album Starting Bid $200

4481. The Who: Pete Townshend Signed Albums Starting Bid $200

4482. The Who: Pete Townshend Typed Letter Signed to Paul McCartney Starting Bid $200

4483. The Yardbirds Signed Album Starting Bid $200

4484. The Young Rascals Signed Album Starting Bid $200

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1970s 4485. ABBA Signed Album. Voulez-Vous album

signed on the front cover in black felt tip by Benny Andersson, Agnetha Faltskog, Frida Lyngstad, and Bjorn Ulvaeus, all signing first names only. In very good to fine condition, with creasing to the edges and corners, and separation along the bottom edge. The record is not included. Starting Bid $200

4488. Black Sabbath Signed Photograph. Fan-

tastic color glossy 8 x 10 photo of Black Sabbath posing together, signed in blue felt tip by Ozzy Osbourne, Tony Iommi, and Bill Ward, and in black felt tip by Geezer Butler. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4486. AC/DC Signed Album. Sought-after High Voltage

album signed on the front cover in black ballpoint, “Bon, AC/ DC” and “Malcolm Young,” and in black felt tip, “Angus Young, AC/DC,” and on the back cover in blue ballpoint, “Phil Rudd, AC/DC.” In very good to fine condition, with moderate scuffing and edge wear. The record is not included. Accompanied by a certificate of authenticity from Beckett Authentication Services and a full letter of authenticity from REAL. Starting Bid $200

Duane writes from LA jail— “Little pun-ishment for you, there!”

4487. Duane Allman Handwritten Prison Note. Hand-

written note in ballpoint by Duane Allman from the late 1960s, signed in the third person on a beige 3.5 x 3 Los Angeles Police Department prisoner tag, which reads: “Duane’s second run-in (little pun-ishment for you, there!) with LAPD.” The reverse side annotated in black felt tip: “567 ALLMAN 179.” In very good condition, with creasing and soiling. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

90 Marvels of Modern Music | 603) 732-4280

4489. Black Sabbath Signed Program. Origi-

nal souvenir pamphlet for Black Sabbath’s 1972 UK tour, six pages, 8.5 x 10.75, signed inside on their band image in blue ballpoint by Tony Iommi, Ozzy Osbourne, Geezer Butler, who adds “Peace,” and Bill Ward, who adds a cross. The pamphlet is signed on the adjacent page by five members of Wild Turkey: Glenn Cornick, Alan ‘Tweke’ Lewis, Jon Blackmore, Jeff Jones, and Gary Pickford-Hopkins. In very good to fine condition, with general handling wear. Starting Bid $200

4490. Boston Signed Album. Don’t Look Back

album signed and inscribed on the front cover in black ballpoint, “Boston ‘78,’ Brad Delp,” “Tom Scholz,” “Barry Goudreau,” “Fran Sheehan,” and “To Bill Hogan, Sib Hashian.” In fine condition. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

4494. David Bowie Signed Photograph.

4491. David Bowie 1990 Dodger Stadium Poster.

Bright pink 13.25 x 17.5 poster for a David Bowie concert at Dodger Stadium on May 26, 1990, as part of the Sound + Vision Tour. In fine condition.

Starting Bid $200

4492. David Bowie Signed Album. ‘Let’s Dance / Cat

People’ single album signed on the front cover in blue felt tip by David Bowie. In fine condition. The record is included.

From The John Brennan Inperson Autograph Collection.

Starting Bid $200

Glossy 8 x 10 half-length photo of David Bowie for Bernard Pomerance’s play The Elephant Man, signed in black ink, “Bowie, 80.” In very good to fine condition, with scattered light surface impressions. Accompanied by a letter of authenticity stating the photograph was obtained outside New York’s Booth Theatre on September 25, 1980, during Bowie’s tenure as Joseph Merrick in the Tony Award–winning play. Starting Bid $200

Bowie and The Spiders from Mars

4493. David Bowie and the Spiders from Mars Signed Petty Cash Receipts. Impossibly rare set

of five petty cash vouchers and receipts signed by David Bowie and members of his band, The Spiders from Mars, along with later Bowie drummer Aynsley Dunbar, ranging in size from 5.5 x 3 to 5 x 4.25, circa 1972–1973. David Bowie’s petty cash voucher, signed in purple ink, “Bowie,” is dated July 27, 1973, for 3,070 francs while he was recording his album Pin Ups at the Chateau d’Herouville, in Pontoise, France, for “money given to David from float for personal expenses.” Also includes a petty cash voucher signed by Aynsley Dunbar, dated July 26, 1973, for 700 francs during the recording of Pin Ups. The receipts signed by The Spiders from Mars are: Mick Ronson, dated August 12, 1973, for a 30.50 advance in lire during the band’s trip to Italy; Mick ‘Woody’ Woodmansey, dated October 30, [1972], for $10 during their trip to Seattle; and Trevor Bolder, dated October 15, [1972], for $20 during their trip to Seattle. In overall fine condition. Accompanied by an original vintage circa 1972 glossy 10 x 8 RCA promo photo of Bowie on stage. Starting Bid $300

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A letter of reconciliation from Clapton to his manager—“As to our nonexistent feud, I hope that you have treated it with as much seriousness as I have…none!”

4495. Eric Clapton Autograph Letter Signed. ALS

penned in green ink by Eric Clapton, signed “Eric and Alice,” one page, 8.5 x 12.5, no date but early 1970s. Written from Clapton’s home at Hurtwood Edge in Ewhurst, Surrey, a letter to his manager Robert Stigwood, in full: “I can’t tell you how grateful I am for your wonderful Christmas gift, I really, really, don’t think I deserve anything as nice as you have given me…As to our nonexistent feud, I hope that you have treated it with as much seriousness as I have… none!…Although you know me to be a wallflower and a stop at home, I hope that in the near distant future we can come together as friends, and forget all bullshit and just be old buddies that we really are…As to the Allen Klein affair, I still think it might be a good idea if you two got together and sorted something out…but that is entirely up to you… although I must admit that I think it could be a good idea…

Hope you had as good a Christmas as we did down here in ye olde Hurtwood. Please, please, if you ever need someone to talk to, or anything for that matter…You know where I am.”

Clapton draws a small sketch of himself playing guitar next to his then girlfriend Alice Ormsby-Gore, and then adds two postscripts: “P.S. you know how many letters I write a year, so please forgive the varying size of the writing, P.P.S. Don’t worry!! Everything is cooling out.” In very good to fine condition, with intersecting folds, some light creasing, and rippling (heaviest to the right edge). Accompanied by a certificate of authenticity from Tracks and by the original mailing envelope, hand-addressed by Clapton, who adds “Personal” to the top left corner of the front and, on the reverse, writes: “from the wandering troubadour?…” Starting Bid $200

4497. Eric Clapton Signed ‘Slowhand’ Album. Slowhand album signed on the front cover in blue felt tip by Clapton. In fine condition. The record is included. Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $200

92 Marvels of Modern Music | 603) 732-4280

Clapton jams with John Mayall 4498. Eric Clapton Signed Album. Blues Breakers with Eric

Clapton album signed on the back cover in black felt tip by Clapton.

In very good to fine condition, with light overall wear, and an ownership notation to the left of Clapton’s very legible signature.

The record is included. A very rare contemporary autograph on this seminal blues rock album.

Starting Bid $200

Band-signed program from Clapton’s 25th Anniversary Tour

4501. The Eagles Signed Album.

Hotel California album signed on the front cover in blue felt tip by Glenn Frey, Don Henley, Randy Meisner, and Don Felder, and in gold ink by Joe Walsh. In fine condition, with a few minor corner tip dings and a PSA/ DNA label affixed to the lower left. The record is not included.

Accompanied by full letters of authenticity from PSA/DNA, REAL, and Beckett Authentication Services. Starting Bid $200

4499. Eric Clapton Signed Program. De-

sirable program from Eric Clapton’s 25th Anniversary Tour in 1988, 36 pages, 11 x 10.75, signed on the first page in black felt tip

by Clapton (signing with an unusually legible full name), as well as by band members Mark Knopfler, Alan Clark, Steve Ferronne, Nathan East, and more, with many adding inscriptions to “Harold”; also signed on the last page by legendary accordionist and zydeco musician Buckwheat Zydeco, along with others. In fine condition, with some mild scuffing, light creasing to the cover, and a light stain to the signed page. Starting Bid $200

4502. The Eagles Signed Guitar. Handsome sunburst

Fender Squier Bullet right-handed electric guitar, signed on the body in black felt tip by Don Henley and Glenn Frey, in silver ink by Bernie Leadon, and on the white pickguard in blue felt tip by Randy Meisner and Don Felder. In fine condition.

Accompanied by full letters of authenticity from REAL and Beckett Authentication Services. Starting Bid $300

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4503. Earth, Wind & Fire: Maurice White Handwritten Notes. Handwritten affirmations by Earth, Wind

& Fire founder Maurice White, three pages, 3 x 5, April 6, 1983, two months after the band released their Top 10 album Powerlight. In full: “I Maurice White demand the best for myself—objectives for 83 and further more—1.

Eliminate Limitations, 2. Make Firm Choices, 3. Learn To Trust Will, 4. Eliminate False Truths—, 5. See Your Self In The Best Light, 6. Eliminate Fear, 7. Choose Your Life, Picture It! Claim It, Like It, 8. Surround Yourself With Positive People & Thoughts, 9. See The God In People, 10. Feel The God In Yourself.” In fine condition.

Accompanied by a letter of provenance from an entertainment business manager who purchased White’s home, in part: “In 2018 I purchased Maurice White’s longtime residence on Baywood Court in the Bel Air neighborhood of Los Angeles from his estate. White’s home recording studio and its contents were included in the purchase, and these affirmations were found in the studio.” A unique look into the mind of a soul music legend and member of the Rock and Roll Hall of Fame. Starting Bid $200

4504. Emerson, Lake & Palmer Signed Lithograph

by H. R. Giger. Lim-

ited edition color 22 x 26.25 print of the cover art for English progressive rock band Emerson, Lake & Palmer’s fourth studio album, Brain Salad Surgery, signed in the lower border in black felt tip by Keith Emerson, Greg Lake, and Carl Palmer. Also signed in pencil by the artist H. R. Giger. Framed to a slightly larger size, with frame backing bearing an affixed authenticity letter from the band.

In fine condition Starting Bid $200

4505. Free Signatures.

Ballpoint signatures of Paul Rodgers, Paul Kossoff, Andy Fraser, and Simon Kirke on an offwhite 6.25 x 4.25 trimmed cardstock sheet. In very good condition, with creasing and intersecting folds. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

94 Marvels of Modern Music | 603) 732-4280

The full Fleetwood Mac lineup

4506. Fleetwood Mac Signed Photograph. Soughtafter glossy 10 x 8 group photo of Fleetwood Mac, signed in blue felt tip by Stevie Nicks, Mick Fleetwood, John McVie, Christine McVie, and Lindsey Buckingham. In fine condition.

Brennan maintains that bands that broke up and fought were particularly challenging to obtain, and this was especially true for Fleetwood Mac icon Stevie Nicks. John remembers, “She was tough! I only have one photo with her. Super hard to get. Extreme hours, extreme torture!” Brennan recalls Stevie “always had to have helpers. Every dollar made from a Fleetwood Mac complete-sign with Stevie has been earned! When she stepped off the stage, you ceased to exist.

A real rock star super-diva, in her own world.” John does, however, have several warm candid photos of himself with Lindsey Buckingham in particular and also Mick Fleetwood.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

4510. KISS Signed Poster.

4507. Elton John and Bernie Taupin Signed Book.

Color 22 x 34 poster of KISS as they’re pictured on the front cover of their 1977 album Love Gun, signed in white ink by Gene Simmons and Paul Stanley, in green felt tip by Peter Criss, and in silver ink by Ace Frehley, who adds a playing card. Rolled and in very good to fine condition, with scattered light creasing and edge wear. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

Signed book that once belonged to Elton John’s bassist Dee Murray: Elton John: Five Years of Fun. First edition, limited issue, numbered 488/2000. Woodland Hills, CA: Boutwell Enterprises, 1975. Hardcover, 8.75 x 11.25. Signed on the colophon in blue felt tip by Elton John and in blue ballpoint by Bernie Taupin. In fine condition. The consignor notes that this originates from the estate of Dee Murray, who was the bass guitarist in Elton John’s band. A very desirable book boasting excellent provenance. Starting Bid $200

4508. KISS Signed Album.

Dressed to Kill album signed on the front cover in white ink

by Paul Stanley and Gene Simmons, and in silver ink

by Ace Frehley, who adds a playing card with universe, and Peter Criss, who adds “2016.”

In fine condition. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

4509. KISS Signed Poster.

Appealing color 22 x 34 poster of KISS as they’re pictured on the front cover of their 1976 album Destroyer, signed in black felt tip by Gene Simmons, Peter Criss, who adds “2012,” Paul Stanley, and Ace Frehley, who adds a playing card. Rolled and in fine condition. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

4511. Lynyrd Skynyrd Signed Album. Amazing Street Survivors album signed on the inner gatefold in black or blue ballpoint by all seven members pictured: “Ronnie Van Zant, “Thanks, Steve Gaines,” “Allen Collins,” “Gary Rossington,” “Bill Powell,” “Leon Wilkeson, Let there be rock,” and “Artimus.”

In very fine condition. The record and original inserts (tour schedule and ‘survival kit’ order form) are included. Accompanied by a full letter of authenticity from REAL. Consignor notes that the album was autographed in Altamonte Springs, Florida, on October 17, 1977, the release day of the band’s fifth album, Street Survivors, and just three days before Lynyrd Skynyrd’s ill-fated flight bound for Baton Rouge, Louisiana; the resulting crash took the lives of Ronnie Van Zant, Steve and Cassie Gaines, assistant road manager Dean Kilpatrick, and pilots Walter McCreary and William Gray. An altogether incredible and highly displayable album signed by the entire band just days before their tragic, career-altering flight—a true rock and roll rarity. Starting Bid $300

4512. KISS Signed Poster. Lydia Criss Collection color 34 x 22 poster entitled ‘Backstage at the Bleecker Street Loft, New York City, June 1, 1973,’ showing the four members of KISS wearing makeup sans costume while backstage, signed in the lower border in green felt tip by Peter Criss, who adds “2016,” and in blue felt tip by Gene Simmons, Paul Stanley, and Ace Frehley, who adds a playing card and a small universe.

Rolled and in very good to fine condition, with scattered light creasing. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

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Extremely rare handwritten ‘top ten’ list from Ronnie Van Zant—“They represent the ten most influential songs in my music career” 4513. Lynyrd Skynyrd: Ronnie Van Zant Handwritten ‘Top Ten’ Song List. One-of-a-kind

handwritten “Lynyrd Skynyrd All Time Top Ten” list by Ronnie Van Zant, written in bold pencil on an off-white 8.5 x 14 sheet of Lynyrd Skynyrd stationery during an interview with acclaimed rock journalist Michael Gray on November 15, 1974. Van Zant adds the header, signs below, “Ronnie Van-Zant,” and then runs down a list of his 10 favorite songs, which reads as follows:

“1. Dock of the Bay—Otis Redding / 2. Satisfaction—Rolling Stones / 3. Yesterday—The Beatles / 4. What’d I Say—Ray Charles / 5. If We Make It Through December—Merle Haggard / 6. Can’t Explain—The Who / 7. Big Boss Man—Jimmy Reed / 8. Respect—Aretha Franklin / 9. Will the Circle Be Unbroken—Traditional / 10. Light My Fire—Doors.”

Van Zant adds a brief handwritten note to the lower right, signing with his initials: “Please note: These are not in any order of preference. The[y] represent the ten most influential songs in my music career. RVZ.” This ‘top ten’ list, as well as Van Zant’s handwritten comments, were later published in the February 1975 issue of Let It Rock magazine. In fine condition, with light overall toning, a central horizontal fold, and a strip of masking tape along the top back edge. Accompanied by the original February 1975 issue of Let It Rock magazine, as well as a program from Lynyrd Skynyrd’s 1974 European Tour.

In November 1974, Lynyrd Skynyrd arrived in Scotland for their first European tour, supporting Dutch rockers Golden Earring. A UK-based music magazine, ‘Let it Rock,’ wanted to write a feature about the band and dispatched Gray to report on their first two concert dates—Glasgow and Edinburgh. As part of his article, Gray asked each band member to write down their ‘top ten’ songs, hoping to gather a sense of the music and artists that influenced them and informed their musical style. Gray assembled lists from all seven members of Lynyrd Skynyrd on November 15, 1974, prior to the band’s show at Edinburgh’s Odeon Theatre as part of their Nuthin’ Fancy Tour. Van Zant remains rare and highly sought-after across all signed formats, with this handwritten ‘top ten’ list far and away the most substantial and significant example of Van Zant’s handwriting that we have offered for auction. A remarkable rock and roll keepsake detailing the songs that shaped the short musical career of a rock legend. Starting Bid $1000

96 Marvels of Modern Music | 603) 732-4280

Unusual ‘Live’ preview with two incarnations of Lynyrd Skynyrd, highlighted by RVZ and Cassie Gaines 4514. Lynyrd Skynyrd Signed Album. Special

Advance Preview From Lynyrd Skynyrd’s ‘Live’ Album EP, signed on the front of the sleeve in blue ballpoint in 1976 by eight members of the classic lineup: Ronnie Van Zant, Billy Powell, Allen Collins, Gary Rossington, Leslie Hawkins, Cassie Gaines, Leon Wilkeson, and Artimus Pyle. The reverse was then signed in black felt tip by the band in 1992, including: Johnny Van Zandt, Gary Rossington, Ed King, Randall Hall, Leon Wilkeson, Billy Powell, and Artimus Pyle. In very good to fine condition, with light edge toning, and rippling to the right edge from onetime moisture exposure. The record is included. The consignor notes that it was originally signed for a concert promoter in ‘76, before being signed again by a later incarnation of the band in ‘92. Ronnie Van Zandt and Cassie Gaines were both killed in Lynyrd Skynyrd’s tragic 1977 plane crash, making their autographs especially scarce and sought-after. Starting Bid $300

“Rasta Love, Kaya, Bob Marley” 4515. Bob Marley Signed Album. Highly displayable Kaya album signed on the front cover in black ballpoint, “Rasta Love, Kaya, Bob Marley.” In very good condition, with moderately heavy overall creasing, old tape to the partially detached left edge, and a small area of minor surface loss to the upper left corner; none of which truly detract from the overall grand presentation. The record is included. Accompanied by a certificate of authenticity from Tracks.

In contrast to earlier, more politically charged Wailers albums, the sound on Kaya—a Jamaican word for cannabis, hemp, or marijuana—was considerably more serene and laid back, and its release coincided with the One Love Peace Concert, which heralded Marley’s return to Jamaica from exodus in London. Albums signed by Marley remain exceptionally scarce, with this particular title all the more desirable given its neat signature, lack of inscription, and essential role in roots-reggae history. Starting Bid $1000

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Scarce German pressing of Marley’s Uprising 4516. Bob Marley Signed Album. German pressing of

Uprising by Bob Marley, signed and inscribed on the front cover in blue ballpoint, “To Stephnie, all the Best Wishes, Happy Christmas, Love, Bob Marley.” Marley has traced over his signature a couple of times to make it bolder. In fine condition, with aforementioned tracing over of signature. The record is included. Accompanied by a letter of provenance from the original recipient which reads, in part: “We have a house in Rottach-Egern on Lake Tegern (Bavaria)…that we used to rent out as a vacation house. At one point an English doctor came to us and rented the house for a cancer patient and several other people…my parents learned that it was dealing with Bob Marley, who was undergoing cancer treatment with the former ‘miracle doctor’ Dr. Issels. The doctor had rented the house for several weeks…Bob Marley probably left the house in the dark early in the morning to go to Dr. Issel’s clinic and returned in the dark late in the evening…My mother explains that the house had been totally overheated to the point that the balconies were warped! Bob Marley…moved to somewhere else. At that time, we had only seen his mother and his entourage, since other opportunities still had to be regulated. My mother asked for an autograph for her children and then we got these albums (Kaya for my sister and Uprising for me, Stephanie).” Issels, known for his controversial alternative cancer therapy regimen, treated Marley for several months in late 1980 until a few days prior to Marley’s untimely death at age 36. Ex. Christie’s, 2006. Starting Bid $500

4518. Tom Petty and the Heartbreakers Signed Window Display. Uncommon color

39.5 x 32.25 store window display poster of Tom Petty and the Heartbreakers originally released to promote their second album, “You’re Gonna Get It!,” signed in silver ink by Tom Petty, Mike Campbell, Ron Blair, Stan Lynch, and Benmont Tench, with one member adding an inscription and date below, “To Steve, 6/1/78.” Rolled and in very good condition, with damage to the left side and to the lower right corner, and a trimmed top edge, all of which could mostly be matted out if so desired. Starting Bid $200

4517. Bob Marley Signed 45 RPM Record Sleeve. Highly appealing

Island Records 45 RPM record sleeve signed in black felt tip, “All the best, Bob Marley.” In very good condition, with overall creasing, and wear to the top edge. Accompanied by a full letter of authenticity from REAL. A fantastic uninscribed offering with a bold signature and wonderful display value. Starting Bid $200

4519. Tom Petty Signed Album. Long

After Dark album signed on the front cover in blue felt tip by Tom Petty. In very good to fine condition, with light scuffing, scratching, and edge wear. The record is included. From The John Brennan In-person Autograph Collection.

Starting Bid $200

98 Marvels of Modern Music | 603) 732-4280

4520. Iggy Pop Limited Edition Book and Signed Certificate. Signed book: Total Chaos: The Story of the Stooges.

Deluxe limited edition, numbered 292/400. Nashville: Third Man Books, 2016. Hardcover with dust jacket, 9.5 x 13, 351 pages.

Signed on a laid-in letterpress certificate in black ballpoint, “Iggy Pop.” Includes an exclusive picture-sleeve vinyl single of Iggy’s first band The Prime Movers, featuring Iggy singing “I’m a Man” (never issued on vinyl, on the highly collectible Third Man label); and exclusive reproductions of a rare Stooges poster and two handbills. In fine condition. Starting Bid $300

4521. Queen 1973 Marquee Club Opening Act Handbill. Ex-

tremely rare handbill for the Marquee club in London listing upcoming shows scheduled between July 1 and August 1, 1973, two pages, 6 x 8.25, highlighted by a performance on “Mon. 23rd. July (7.15–11.00),” which notes “Mahatma plus Queen” as their opening act! Other featured acts include: UFO, the Robin Trower Band, and the Spencer Davis Band. In fine condition. Accompanied by a modern satin-finish photo of the group. This early show dates to just ten days after the release of their self-titled debut album, Queen, on July 13th.

An amazing piece of Queen history! Starting Bid $200

4522.

Queen Signed Album.

Rare and very desirable Live Killers album signed on the front cover in red ballpoint by Freddie Mercury, and in black ballpoint by Brian May, John Deacon, and Roger Taylor. In fine condition, with some edgewear.

The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

4523. Queen Signed 1974 First Headline Tour Handbill.

Phenomenal double-sided UK handbill promoting Queen’s spring tour of 1974, which was their first as a headliner and in support of their newly released Queen II record. The handbill measures 8.25 x 11.75, listing March tour dates and showing the band as pictured on the gatefold of their 1974 album Queen II, beautifully signed in blue ballpoint by Freddie Mercury and Brian May, in black ballpoint by Roger Taylor, and in black felt tip by John Deacon. The reverse side of the handbill features the now infamous album cover photograph.

In very good condition, with light creasing. Queen’s landmark second album, Queen II, was released on March 8, 1974. The consignor notes that this was signed at the County Ballroom in Taunton, England, on March 30, 1974. Signed very early in Queen’s remarkable career and at a pivotal time for the band, this is an exceedingly desirable piece. Accompanied by a full letter of authenticity from PSA/DNA. Starting Bid $200

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Ultra-rare fully signed Queen II album 4524. Queen Signed Album. Queen II album boldly signed on the inner gate-

fold in blue ballpoint, “Best wishes, Freddie Mercury,” “Brian May,” “John Deacon,” and “Roger Taylor.” These signatures were obtained in April of 1975 while Queen were traveling to Japan for their first of many concert tours of Japan. The signature placement by the band is perfect with Freddie, Brian, John and Roger signing beautifully by their respective images and the signatures are pristine. In very good to fine condition, with light scuffing and wear to the front and back covers; the interior is clean and fine. The record is included. Accompanied by a certificate of authenticity from Tracks and a letter of provenance from the original recipient, in part: “During the 1970s and 1980s my brother, Martin, and I used to regularly visit my father who lived in Singapore. When visiting him we used to take some of our favourite music with us to listen to while there. On one particular Singapore Airlines flight in 1974 or 1975 we spotted Queen going into the first class cabin, which excited my brother enormously. He was carrying the Queen II album with him and was an avid Queen fan. We therefore explained the position to the air stewardess and she took my brother up to first class to ask for Queen’s autographs. He was on ‘Cloud 9’ for the rest of the trip.” This is one of if not the nicest Queen signed albums that we have ever offered. Starting Bid $200

Extremely rare Innuendo album signed by the Queen leadman 4525. Queen: Freddie Mercury Signed Innuendo Album.

Innuendo album

by Queen, beautifully signed and inscribed on the front cover in black felt tip, “To Sue, Best wishes, Freddie Mercury.” In fine condition, with light creasing to the lower right corner, and old price sticker residue to the upper right corner. The record is included. The consignor notes that this Innuendo cover was signed by Freddie for a female relative (Sue) of a craftsman who was employed to work at Freddie’s home (Garden Lodge) in Kensington, London. A brilliant record, Innuendo was released on February 5, 1991, and and was Queen’s last record released during Freddie Mercury’s lifetime—he sadly passed away on November 24, 1991, some nine months after the album’s release. Starting Bid $200

100 Marvels of Modern Music | 603) 732-4280

4526. Rush Signed Album. Permanent

Waves album signed on the front cover in silver ink by Geddy Lee, and in black felt tip by Alex Lifeson and Neil Peart. In fine condition, with tape to edges of back cover. The record is not included. Accompanied by full letters of authenticity from REAL and PSA/DNA. Starting Bid $200

4527. Rush Signed Album. Mov-

ing Pictures album signed on the front cover in black felt tip

by Geddy Lee, Alex Lifeson, and Neil Peart.

In very good condition, with light scuffing, creasing, and edge wear. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

4528. Rush Signed Lithograph. Lim-

ited edition color 22 x 28 lithographic print showing the front cover to Rush’s 1985 album Power Windows, numbered 355/500, signed in black felt tip by Geddy Lee, Alex Lifeson, and Neil Peart. Rolled and in fine condition.

Accompanied by a photo showing images of the band at the time of signing and a certificate of authenticity from The Rush Collection. Starting Bid $200

4529. Bruce Springsteen Born to Run Promo Poster. Very

desirable original 22 x 33 CBS Records poster promoting Bruce Springsteen’s third studio album Born to Run on record and tape, showing Springsteen on an innercity stoop with guitar in an appealing full-length pose. In very good to fine condition, with scattered light creasing, and a couple of slightly heavier horizontal bends. Starting Bid $200

4530. Bruce Springsteen Signed Photograph. Glossy

14 x 11 photo of Bruce Springsteen leaning into Clarence Clemons during the cover shoot for the 1975 album Born to Run, prominently signed in blue felt tip by Springsteen. In very good to fine condition, with scattered creasing.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

Springsteen on Broadway 4531. Bruce Springsteen Signed Poster.

Very desirable limited edition 18 x 24 poster for the immensely popular Springsteen on Broadway concerts at the Walter Kerr Theatre in New York City, numbered 2133/4000, signed in black felt tip. In fine to very fine condition.

Consignor notes that the signature was obtained outside of the Walter Kerr Theater on January 22, 2018. Starting Bid $200

4532. Bruce Springsteen Signed Record.

Born in the USA picture disc record, signed on the A-side in black felt tip by Bruce Springsteen.

In fine condition. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

4533. Van Halen Signed Album.

Fair Warning album signed on the front cover in blue felt tip David Lee Roth, Alex Van Halen, and Michael Anthony, and in silver ink by Eddie Van Halen. In fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

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4534. Van Halen Signed Album. Sought-

after self-titled debut album from Van Halen, signed on the front cover in silver ink by Eddie Van Halen, David Lee Roth, Alex Van Halen, and Michael Anthony. In fine condition, with a JSA authenticity label affixed to lower right corner. The record is not included. Accompanied by a full letter of authenticity from JSA. Starting Bid $200

4535. Johnny and Edgar Winter Signed Guitar. Whitebodied Stratocaster-style electric guitar, signed on the body in blue felt tip by Johnny Winter, and on the pickguard by Edgar Winter. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4537. Van Halen Signed Photograph. Color

glossy 8 x 10 band photo of Van Halen wearing sunglasses and posing against a checkered background, signed in blue felt tip by Eddie Van Halen, Alex Van Halen, Sammy Hagar, and Michael Anthony. In fine condition.Beginning in 1984, Brennan followed and saw Van Halen 15 times in different cities. The passionate autograph collector recalled, “Van Halen opened for Black Sabbath in 1977 and from then on, until David Lee Roth left, I saw every tour.” One time, at the Meadowlands in 1984, he was hanging out with Julian Lennon. “We were in a bathroom, and Eddie was walking around carrying a bottle of Jack Daniels and saying how he was a better piano player than guitar player. The whole band was fawning all over Julian because they were huge fans of his dad. All I cared about was autographs. I was there for Van Halen.” From The John Brennan In-person Autograph Collection. Starting Bid $200

‘Frankenstrat’ Art Series guitar played

by EVH at the Honda Center in 2007

4536. Eddie Van Halen’s Stage-Used Charvel Guitar. Stage-used Charvel EVH Art Series electric guitar with red, white, and black stripe pattern, played during a Van Halen concert at the Honda Center by Eddie Van Halen, who has signed the body in silver ink, “Anaheim, CA, 12. 20. ‘07, Eddie Van Halen, 2007.” EVH Art Series back plate features an edition number of “231.”

Includes a handsome custom hardshell carrying case with large “EVH” logo to inner lining. In fine condition. Designed by the master himself, the Charvel EVH Art Series guitar is based on Eddie Van Halen’s original Frankenstein guitar, which was the musician’s attempt to merge the sound of a classic Gibson guitar with the physical attributes and tremolo bar functionality of a Fender Stratocaster. The striped finish was the result of Van Halen painting the guitar differing colors, applying strips of masking tape after each coat, and then peeling to reveal his Shelleyan monstrosity. Accompanied by a photo of EVH playing the guitar on stage, as well as a certificate of authenticity signed by Van Halen, who affirms that he played guitar “231” on “December 20, 2007; Anaheim, CA.” Starting Bid $1000

102 Marvels of Modern Music | 603) 732-4280

4538. ABBA Signed Album Starting Bid $200

4539. AC/DC Signed Album Starting Bid $200

4540. AC/DC: Angus and Malcolm Young Signed Albums Starting Bid $200

4541. Aerosmith Signed Album Starting Bid $200

4542. Aerosmith Signed Album Starting Bid $200

4543. Aerosmith: Steven Tyler Signed Photograph Starting Bid $200

4544. Alice Cooper Signed Album Starting Bid $200

4545. Allman Brothers Signed Album Starting Bid $200

4546. Allman Brothers Signed Album Starting Bid $200

4547. America Signed Guitar and Album Starting Bid $200

4548. Bad Company Signed Album Starting Bid $200

4549. The Band Signed Album Insert Starting Bid $200

4550. The Band: Robbie Robertson Signed Albums Starting Bid $200

4551. The Bee Gees Signed Album Starting Bid $200

4552. Black Sabbath Signed Album Starting Bid $200

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4553. Blondie Signed Album Starting Bid $200

4554. Blue Oyster Cult Signed Album Starting Bid $200

4555. Blue Oyster Cult Signed Photograph Starting Bid $200

4556. Jackson Browne Signed Album Starting Bid $200

4557. J. J. Cale Signed Album Starting Bid $200

4558. The Cars Signed Album Starting Bid $200

4559. David Cassidy Signed Album Starting Bid $200

4560. Cheap Trick Signed Album Starting Bid $200

4561. Eric Clapton Signed Album Starting Bid $200

4562. Eric Clapton Signed Album Starting Bid $200

4563. Eric Clapton Signed Blu-ray Starting Bid $200

4564. Eric Clapton Signed Photograph Starting Bid $200

4565. Eric Clapton Signed Photograph Starting Bid $200

4566. Eric Clapton Signed Photograph Starting Bid $200

4567. Leonard Cohen Signed Album Starting Bid $200

4568. Phil Collins 1983 Ann Arbor Concert Poster Starting Bid $200

104 Marvels of Modern Music | 603) 732-4280

4569. Alice Cooper Signed Album Starting Bid $200

4570. Elvis Costello and the Attractions 1979 Standee Starting Bid $200

4571. Elvis Costello Signed Album Starting Bid $200

4572. Creedence Clearwater Revival Signed Album Starting Bid $200

4573. Deep Purple Signed Album Starting Bid $200

4574. Deep Purple Signed Album Starting Bid $200

4575. Deep Purple Signed Album Starting Bid $200

4576. Doobie Brothers Signed Album and Oversized Photo Starting Bid $200

4577. The Eagles Signed Album Starting Bid $200

4580. Fleetwood Mac Signatures Starting Bid $200

4578. The Eagles: Randy Meisner and J. D. Souther Signed Albums Starting Bid $200

4581. Peter Frampton Signed Albums Starting Bid $200

4582. Gasolin’ Signed Photograph Starting Bid $200

4579. Brian Eno Signed Album Starting Bid $200

4583. Genesis Signed Album Starting Bid $200

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4584. Genesis Signed Album Starting Bid $200

4585. Grand Funk Railroad Signed Album and Disc Starting Bid $200

4586. Debbie Harry Signed Photograph Starting Bid $200

4587. Heart Signed Album Starting Bid $200

4588. Heart Signed Poster Starting Bid $200

4589. Humble Pie Signatures Starting Bid $200

4590. James Gang Signed Album Starting Bid $200

4591. Jethro Tull : Ian Anderson Signed 1969 Fillmore West Poster Starting Bid $200

4592. Jethro Tull: Ian Anderson Signed Album Starting Bid $200

4595. Elton John Signed Album Starting Bid $200

4593. Billy Joel Group of (3) Signed Albums Starting Bid $200

4596. Elton John Signed Record Sleeves Starting Bid $200

106 Marvels of Modern Music | 603) 732-4280

4597. Journey Signed Album Starting Bid $200

4594. Elton John Signed 45 RPM Record Starting Bid $200

4598. KISS Signed 45 RPM Record Starting Bid $200

4599. KISS Signed Album Starting Bid $200

4600. Love Signed Album Starting Bid $200

4601. Lynyrd Skynyrd Signed Album Starting Bid $200

4602. Manchester Free Trade Hall Late 1970s Ticket Collection Starting Bid $200

4603. The Meters Signed Album Starting Bid $200

4604. Steve Miller Signed Album Starting Bid $200

4605. Mott the Hoople Signed Flyer Starting Bid $200

4606. Ozzy Osbourne Signed Photograph Starting Bid $200

4607. Ozzy Osbourne Signed Photograph Starting Bid $200

4608. Parliament Signed Album Starting Bid $200

4609. Tom Petty Signature Starting Bid $200

4610. The Police Signed 45 RPM Record Starting Bid $200

4611. The Police Signed 45 RPM Record Starting Bid $200

4612. The Police Signed Album Starting Bid $200

4613. The Police: Sting Signed Albums Starting Bid $200

4614. Iggy Pop Signed 1988 ArtRock Poster Starting Bid $200

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4615. Queen: May and Taylor Signed Album Starting Bid $200

4616. Rainbow Signed CD Starting Bid $200

4617. Roxy Music Signed Album Starting Bid $200

4618. RSO Red Bull Cookie Jar Starting Bid $200

4619. Carlos Santana Signed Poster Starting Bid $200

4620. Scorpions Signed Album Starting Bid $200

4621. Gil Scott-Heron Signed Album Starting Bid $200

4622. Paul Simon Graceland Promo Poster Starting Bid $200

4625. Bruce Springsteen Signed Album Starting Bid $200

4626. Bruce Springsteen Tunnel of Love Promo Poster Starting Bid $200

4629. Supertramp Signed Album Starting Bid $200

4630. Talking Heads Signed Album Starting Bid $200

4623. Bruce Springsteen and Peter Frampton Posters Starting Bid $200

4627. Status Quo Signed Album Starting Bid $200

4628. Cat Stevens Signed Album Starting Bid $200

108 Marvels of Modern Music | 603) 732-4280

4631. Talking Heads Signed Album Insert Starting Bid $200

4632. James Taylor Signed Albums Starting Bid $200

4633. Ike and Tina Turner Signed Album Starting Bid $200

4634. Eddie Van Halen Signed 45 RPM Record Starting Bid $200

4635. Eddie and Alex Van Halen Signed Album Starting Bid $200

4636. Eddie Van Halen Signed Albums Starting Bid $200

4637. Eddie Van Halen Signed Photograph Starting Bid $200

4638. The Velvet Underground Signed Album Starting Bid $200

4639. Link Wray 1997 San Francisco Print Starting Bid $200

4640. Neil Young Signed Album Starting Bid $200

4641. Neil Young Signed Album Starting Bid $200

4642. Frank Zappa Signature Starting Bid $200

4643. Warren Zevon Signed Album Starting Bid $200

4644. Warren Zevon Signed Photograph Starting Bid $200

4645. ZZ Top Signed Album Starting Bid $200

4646. ZZ Top Signed Album Starting Bid $200

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Punk Rock 4650. The Clash Signed Album. San-

4 6 47. Th e C l a s h Signed 45 RPM Record. Uncommon CBS

Records 45 RPM double A-side single for ‘Straight to Hell / Should I Stay or Should I Go,’ signed on the front of the sleeve in black felt tip by Joe Strummer, Mick Jones, Topper Headon, and Paul Simonon. In fine condition. The record is not included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

dinista! album signed on the front cover in blue felt tip by Joe Strummer, Paul Simonon, Mick Jones, and Topper Headon.

In overall fine condition. The records are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4651. The Clash Signed Magazine.

Uncommon The Armagideon Times fanzine, 19 pages, 8.5 x 11.75, signed on the front cover in blue ballpoint, “Mick Jones, GTR” and “Joe Strummer,” in black ink, “Paul Simonon,” and in black ballpoint, “Topper Headon.” In very good to fine condition, with moderate handling wear, and a central vertical bend.

Starting Bid $200

4648. The Clash Signed Album. London Calling

album signed on the front cover in black felt tip by Joe Strummer, Mick Jones, Topper Headon, and Paul Simonon, who adds “The Clash.” In very good to fine condition, with light scuffing and edge creasing.

The record is not included.

Fully signed examples of this iconic album remain scarce, with this particular album all the more desirable given its lack of an inscription. Starting Bid $200

4649. The Clash Signed Album.

Combat Rock album signed on the front cover in blue felt tip

by Joe Strummer, Mick Jones, Topper Headon, and Paul Simonon. In fine condition, with light scuffing. The record is not included. The last album to feature the classic Clash lineup, Combat Rock is the band’s bestselling album and contains two of The Clash’s most popular singles: ‘Rock the Casbah’ and ‘Should I Stay or Should I Go.’ Starting Bid $200

110 Marvels of Modern Music | 603) 732-4280

4652. The Jam Signed Album.

Sound Affects album signed on the front cover in blue felt tip by Paul Weller, Bruce Foxton, and Rick Buckler. In fine condition, with an area of surface loss from a removed sticker. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4654. The Sex Pistols 1978 Concert Production Sheet.

4653. The Sex Pistols 100 Club Handbill. Original 7 x 9.5 handbill for a Sex Pistols concert at the 100 Club on Oxford Street in London on August 31, 1976, showing images of Johnny Rotten and Steve Jones with titles of songs to left border: “Sub-Mission,” “Anarchy in the U.K.,” “I Wanna Be Me,” “No Feelings,” “Seventeen,” “Problems,” “Satellite,” and “Pretty Vacant.” In very good to fine condition, with intersecting folds and light handling wear. Accompanied by a certificate of authenticity from Tracks. Starting Bid $200

Original 8.5 x 11 dual-sided production sheet for a Sex Pistols concert at Randy’s Rodeo in San Antonio, Texas, on January 4, 1978.

The production sheet, which consists of various venue and concert information, has been annotated in blue ballpoint with notes relating to local radio stations and contacts for stage companies. The reverse of the typed production sheet is on a photocopied Sex Pistols itinerary concerning transportation, accommodation, rehearsal times, and a driver equipment schedule. In fine condition. Accompanied by a certificate of authenticity from Tracks. Consignor notes that the pass comes from the collection of former Sex Pistols USA tour manager Noel Monk. The Sex Pistols embarked on a brief yet furious US tour in January 1978. Originally scheduled to start a few days before New Year’s, the band’s criminal records made American authorities reluctant to issue visas, resulting in the cancellation of the tour’s first four shows; the show at Randy’s Rodeo was their third successful stop of the tour. The drugaddled and violent events of the band’s notorious US outing led to the disbanding of the Sex Pistols. Starting Bid $200

4655. The Sex Pistols 1978 Concert Production Sheet. Original 8.5 x 11 production sheet for a Sex Pistols concert at Taliesyn Ballroom in Memphis, Tennessee, on January 6, 1978. The production sheet consists of various venue and concert information, such as location, contacts, gear set-up, lighting, stage dimensions, and times for soundcheck and shows. Additionally, the sheet has been copiously annotated in blue ballpoint with notes relating to the venue, local radio stations, and company contacts, with opening band, “The Scruffs,” named twice. Reverse bears a handwritten address. In fine condition. Accompanied by a certificate of authenticity from Tracks. Consignor notes that the pass comes from the collection of former Sex Pistols USA tour manager Noel Monk.

The Sex Pistols embarked on a brief yet furious US tour in January 1978. Originally scheduled to start a few days before New Year’s, the band’s criminal records made American authorities reluctant to issue visas, resulting in the cancellation of the tour’s first four shows; the show at Taliesyn was their second successful stop of the tour. The stop was made all the more notorious for Sid Vicious’s repeated failed attempts to acquire heroin while in town. Intent on making his gnawing addiction known to the Taliesyn audience, a pallid Vicious scraped the words ‘I need a fix’ across his chest. The drug-addled and violent events of the band’s notorious US outing led to the disbanding of the Sex Pistols. Starting Bid $200

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4656. The Sex Pistols 1978 Unused Backstage Pass. Original unused

backstage guest pass from the Sex Pistols’ 1978 American tour, 3.25 x 4, with lower date and authorization fields left blank. In fine condition. Accompanied by a certificate of authenticity from Tracks. Consignor notes that the pass comes from the collection of former Sex Pistols USA tour manager Noel Monk. The Sex Pistols embarked on a brief yet furious US tour in January 1978. Originally scheduled to start a few days before New Year’s, the band’s criminal records made American authorities reluctant to issue visas, resulting in the cancellation of the tour’s first four shows. The drugaddled and violent events of the band’s notorious US outing led to the disbanding of the Sex Pistols. Starting Bid $200

Vicious and the Sex Pistols wreak havoc in Sweden

4659. The Sex Pistols Signed Album. Never Mind

the Bollocks, Here’s the Sex Pistols album signed on the front cover in blue felt tip by Johnny Rotten, Steve Jones, Glen Matlock, and Paul Cook.

In fine condition. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

Sid Vicious’s self-made reggae tape from his 1978 US tour

4657. The Sex Pistols Signatures. Sought-

after ballpoint signatures, “Steve Jones,” “J. Rotten,” “Sid Vicious,” and “Paul Cook,” on an off-white 9 x 7.25 sheet with affixed captions indicating date of the signatures, “Sex Pistols, Beach Club, Halmstad, July 15th.” In very good to fine condition, with creasing and tape to the edges, all of which could be matted out if so desired. The Sex Pistols embarked on a fast and furious 13-show tour of Scandinavia in July of 1977.

On July 15th, the band played at the Beach Disco, Diskotekstra Stranden in Halmstad, Sweden, with their performance recorded and later released as the album Anarchy In Sweden ‘77. Vicious, the notorious and short-lived bass player for the Sex Pistols, remains exceedingly rare due to his untimely death at the age of 21. Starting Bid $200

4658. The Sex Pistols Signed 45 RPM Record.

‘Holidays in the Sun / Satellite’ 45 RPM single record by the Sex Pistols, signed on the front cover in blue felt tip by Steve Jones, Johnny Rotten, Glen Matlock, and Paul Cook. In fine condition.

The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

112 Marvels of Modern Music | 603) 732-4280

4660. The Sex Pistols: Sid Vicious Reggae Cassette Tape. TDK SA-C60 cassette tape

belonging to Sex Pistols bassist Sid Vicious, who writes on the A-side label in blue ballpoint, “Sid’s Reggea.” In fine condition, with the handwriting quite light, but legible. During the band’s infamous tour of the southern United States in 1978, Vicious relied heavily on his cassette player and self-made reggae mix-tape, this 60-minute TDK containing music by an assortment of reggae legends from the mid-1970s. The consignor notes that when the tour was finished, Vicious gave the tape to his tour manager and friend, Noel Monk, from whose personal collection this cassette derives. Monk was the Sex Pistols tour manager in January of 1978, and was the author of the highly acclaimed book 12 Days on the Road. Additionally, Monk also served as the manager for Van Halen, and as a tour manager for many notable bands, including the Rolling Stones.

Starting Bid $200

4661. The Sex Pistols: Sid Vicious Signed Photograph.

Scarce glossy 8 x 10 Virgin Records publicity photo of Sid Vicious performing ‘My Way’ for the 1980 British mockumentary The Great Rock ‘n’ Roll Swindle, signed and inscribed on the reverse in black ballpoint, “To Eddie from Sid Vicious” and “To Dearest Eddie, I luv ya, Nancy Vicious, xx,” with annotations in an unknown hand below. In very good condition, with overall creasing, and scotch tape along the edges of the image side.

Accompanied by a full letter of authenticity from REAL and a letter of provenance from the owner of KPA Records, in part: “The photograph of Sid Vicious’ ‘My Way’ autographed by Sid and Nancy was acquired by me at the same time as the release of the 12˝ version of ‘My Way.’ The photograph was acquired by me from Ed Hollis, erstwhile manager of Eddie and the Hot Rods and is autographed to him.” Starting Bid $200

1980s 4662. Depeche Mode Signed Album. ‘A Question

of Lust’ single album signed on the front cover in ink or felt tip

by Alan Wilder, Dave Gahan, Martin Gore, and Vince Clarke. In fine condition. The record is included.

From The John Brennan In-person Autograph Collection. Starting Bid $200

4663. Guns N’ Roses Signed Photograph.

Satin-finish 8 x 10 G e ff e n R e c o r d s publicity photo of Guns N’ Roses following the release of Appetite for Destruction, signed and inscribed in blue felt tip, “To John, Duff, GR 92,” “W. Axl Rose,” “Slash,” “Izzy,” and “Steven Adler.” In fine condition, with smudging to Duff’s signature and inscription. From The John Brennan In-person Autograph Collection. Starting Bid $200

Madonna prepares to record for the Who’s That Girl soundtrack

4664. Madonna Signed Document. DS, signed “Madonna Ciccone,” nine pages, 8.5 x 11, March 18, 1987. A co-producer agreement between Boy Toy, Inc., and Sixth Planet, Inc., in which the former agrees “to furnish the exclusive personal services of Steve Bray…to co-produce master recordings embodying the performances of Madonna C. Penn, professionally known as ‘Madonna,’” which is to include the songs ‘Can’t Stop’ and ‘Causing a Commotion.’ Signed at the conclusion in black ballpoint by Madonna. In fine condition, with staple holes and file holes to the top. The collaboration of Madonna and Bray resulted in some of the most popular songs of the 1980s, including many of Madonna’s biggest hits. The two songs featured in this contract were recorded for the Who’s That Girl movie soundtrack. Although the film proved to be a box-office bomb, the soundtrack went on to sell six million copies worldwide. Starting Bid $200 www.RRAuction.com | March 14, 2019 113

4665. Metallica Signed Album. Sought-

after Kill ‘Em All album signed and inscribed on the front cover in blue felt tip, “To John, Lars Ulrich,” “Cliff Burton,” “James Hetfield,” and “Kirk Hammett.” In fine condition, with a small bit of price sticker residue. The record is not included.

Starting Bid $200

4666.

R.E.M. Signed 1986 Memphis Poster. Original

color 22 x 30 poster for R.E.M. at the Mudd Island Amphitheatre in Memphis on September 13, 1986, signed in felt tip by Michael Stipe, Bill Berry, Mike Mills, and Peter Buck.

In very good to fine condition, with rippling and creasing to the upper half of the poster.

Starting Bid $200

Debut album proof signed by four of the Traveling Wilburys using their Wilbury names

4667. Traveling Wilburys Signed Album Cover Proof. Fantastic color 12.5 x 25 cover proof for The Traveling Wilburys

Vol. 1, the debut studio album from the country-folk rock supergroup Traveling Wilburys, signed on the front cover in black felt tip by George Harrison as “Nelson Wilbury,” Jeff Lynne as “Otis Wilbury,” Tom Petty as “Charlie T. Wilbury, Jr.,” and Roy Orbison as “Lefty.” Cloth-matted and framed to an overall size of 30.5 x 18.5. In fine condition. Consignor notes that this proof was acquired directly from a senior label executive at Warner Bros. Records, who had the proof signed when four of the five Traveling Wilburys visited the Warner Bros. offices in 1988 (unfortunately, Bob Dylan never went to the WB offices). A considerably rare and aesthetically pleasing multi-signed album proof—Orbison’s signature as a member of the Traveling Wilburys remains quite rare, given that he passed away the year this proof was signed. Starting Bid $1000

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4668.

U2 Signed 45 RPM Record. Island

4671.

U2 Signed Album. Achtung

Records 45 RPM EP for ‘New Year ’s Day / Treasure (Whatever Happened to Pete the Chop) / Fire / I Threw a Brick Through a Window / A Day Without Me,’ signed on the front cover in black ballpoint, “Edge,” in blue ballpoint, “Bono” and “Larry,” and in red ballpoint, “Adam.”

In fine condition, with light edge creasing. The record is not included. Starting Bid $200

4669.

U2 Signed Album. Very

desirable October album signed on the front cover in black ink, “Bono, 81,” and in black ballpoint, “Larry,” “Edge,” and “Adam.” In fine condition.

The record is not included. Accompanied by a full letter of authenticity from REAL. A perfect set of late 1981 signatures. Starting Bid $200

Baby album signed on the front cover in black felt tip, “Edge,” “Bono, 91,” and “Larry,” and in green felt tip, “Adam.”

Bono also signs the back cover in blue felt tip, “B.,” and adds a hat to his image. In fine condition. The record is not included.

Accompanied by a full letter of authenticity from REAL. This is the rare original first issue album sleeve from 1991, featuring an uncensored nude image of Adam on the back of the sleeve: it is the first fully signed example we have encountered. The consignor notes that it was signed in 1991 for a radio prize linked to the launch of the album. Starting Bid $200

4672. U2 Signed Album. The Joshua Tree album signed

on the inner gatefold in black ballpoint, “Larry,” “Edge,” and “Adam,” and in black felt tip, “Bono, 87.” In very good to fine condition, with surface loss along the right edge of the front cover. The record is not included. Accompanied by a letter of provenance from the original recipient. A tremendous display piece signed early in their careers. Starting Bid $200

4673. U2 Signed Album. No Line on

4670. U2 Signed Album. Rattle and Hum album signed on the inner gatefold in black felt tip, “Bono, 91,” “Larry,” “Adam,” and “Edge.” In fine condition, with tape along edges of front and back covers. The record is not included. Accompanied by full letters of authenticity from REAL and PSA/DNA. An excellent display piece from these Irish rock legends. Starting Bid $200

the Horizon album signed nicely on the front cover in felt tip, “Edge,” “Bono,” “Adam Clayton,” and “Larry Mullen, Jr., 2011.” In fine condition, with a strip of Scotch tape to edge and back cover. The records are included. Accompanied by full letters of authenticity from REAL and JSA. Starting Bid $200

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4676.

U2 Signed Poster. Color 22

4674. U2 Signed Album. Boy album signed and inscribed

on the front cover in black ink, “To Rob, Adam,” “Edge,” “Larry,” and “Bono, that’s me!” In very good to fine condition, with light scuffing, creasing to two corners, and discount punch hole to the upper right corner. The record is included. Accompanied by a full letter of authenticity from REAL. Starting Bid $200

x 28 poster for a U2 concert at Radio City Music Hall in New York City on December 3 [1984], as part of The Unforgettable Fire Tour, listing the special guests as Clannad, signed in black felt tip by Bono and Edge.

Rolled and in very good condition, with scattered light creasing and three horizontal folds. From The John Brennan In-person Autograph Collection. Starting Bid $200

Fully signed October postcard with note from Edge—“That’s bass players for you” 4675.

U2 Signed Postcard. Original

‘Sister Sister’ color U2 ‘October’ fanmail postcard, 6.5 x 4.25, showing the group as they’re pictured on the front cover of their second studio album, signed in blue ballpoint, “Bono, 82” and “Edge,” in black ink, “Adam,” and in black ballpoint, “Larry.” The reverse of the postcard, signed again by Adam Clayton, features an amusing ANS from “Edge,” which reads: “Why he has signed both sides I don’t know. But that’s bass players for you. Anyway there is port on the way, scouts honor.” Postmarked London, May 17, 1982. In very good to fine condition, with creasing to the corners.

Accompanied by a certificate of authenticity from Tracks and by a letter of provenance from the original recipient: “Back in 1982 if you wanted to know more about a band you had things called fan clubs. Not sure if they exist these days—probably not—given the internet. As a 15 year old I wrote to U2 to join their fan club and was sent this postcard. Whether they sent me anything else I can’t remember. As the years have gone by my musical tastes have changed. I came across this recently. No longer a fan I thought it might like to go to someone who might appreciate it!” Starting Bid $200

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4677. Bon Jovi Signed Album Starting Bid $200

4678. The Cure Signed 45 RPM Record Starting Bid $200

4679. The Cure: Robert Smith Set of (6) Signed 45 RPM Records Starting Bid $200

4680. The Cure: Robert Smith Signed CDs Starting Bid $200

4681. Dead or Alive Signed Album Starting Bid $200

4682. Depeche Mode Signed Album Starting Bid $200

4683. Eurythmics Signed Album Starting Bid $200

4684. Donald Fagen Signed Album Starting Bid $200

4685. The Fixx Signed Album Starting Bid $200

4686. Flaming Lips and Howard Finster Prints Starting Bid $200

4687. Guns N’ Roses: Slash Signed Photograph Starting Bid $200

4688. INXS Signed Album Starting Bid $200

4689. Iron Maiden Signed Album Starting Bid $200

4690. Iron Maiden Signed Album Starting Bid $200

4691. Judas Priest Signed Album Starting Bid $200

4692. Megadeth: Dave Mustaine Signed Albums Starting Bid $200

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4693. John Mellencamp Signed Album Starting Bid $200

4694. Metallica Signed 45 RPM Record Starting Bid $200

4695. Metallica Signed CD Starting Bid $200

4696. Morrissey Signed CD Starting Bid $200

4698. Motorhead: Lemmy Kilmister Signed Album Starting Bid $200

4699. New Order Signed Album Starting Bid $200

4700. Pixies Signed Album Starting Bid $200

4701. The Pretenders Signed Album Starting Bid $200

4702. Queensryche Signed Album Starting Bid $200

4703. Simple Minds Signed Album Starting Bid $200

4704. Slayer Signed Album Starting Bid $200

4705. U2 2005 Vertigo Tour Poster Starting Bid $200

4706. U2: Bono and Brian Eno Signed Album Starting Bid $200

4707. U2: Bono Signed Album Starting Bid $200

4708. U2: Bono Signed Albums Starting Bid $200

4709. Wham! Signed Album Starting Bid $200

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Prince 4712. Prince 1987 Under the Cherry Moon Original Vintage Photograph. Origi-

4710. Prince ‘Jack the Rapper’ T-shirt. Rare black short-sleeve t-shirt from a music industry party at the Jack the Rapper ‘Family Affair’ convention on August 23, 1991, “one size fits all” but likely size XL, featuring a blue Prince symbol on the front with yellow text, “Prince & The New Power Generation,” and a similar design on the back, reading, “I Gott Off at Jack the Rapper, August 23, 1991.” In fine condition.

Made available at the ‘Jack the Rapper’ event where Prince and the New Power Generation gave a rousing one-off performance, this scarce promotional t-shirt originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

4711. Prince LoveSexy ‘Mozart’ Outfit Fabric. Large

fabric sample prototype developed during the creation of Prince’s one-of-a-kind ‘Mozart’ outfit worn during the 1988 Lovesexy Tour, measuring 20.5˝ x 13˝, featuring white ribbon appliqued on black fabric. A more elaborate version of this wildly styled fabric,—the final pattern incorporating floral blooms,—was used to create the jacket and pants of the famous costume, which Prince wore during the Lovesexy Tour and which can be seen in the 1988 BBC ‘Behind the Beat’ special video filmed at Paisley Park Wardrobe at 4 min.

08 sec. In fine condition. Originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. She remembers the ‘Mozart’ outfit as one of her favorite projects. Starting Bid $200

nal vintage circa 1987 glossy 7 x 10.25 silver gelatin photo of Prince and Kristin Scott Thomas as they appeared in the 1986 film Under the Cherry Moon. Reverse bears a Svenskt Pressfoto stamp, typed captions in English and French (erroneously identifying the actress as Francesca Annis), and “This paper manufactured

by Kodak” watermarks. In fine condition. Starting Bid $200

4713. Prince 1988 European Tour Poster. Color 23.25˝ x

33.25˝ promotional poster for the European leg of Prince’s 1988 Lovesexy Tour, showing Prince in a half-length seated pose wearing an orange outfit, black hat, cross necklace, and large hoop earring, with his name running vertically at upper right with lower portion reading: “Europe ‘88.” Rolled and in fine condition, with scattered light creasing.

This scarce promo poster originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

4714. Prince 1999 Tour Poster. Scarce 24.75˝ x 34.5˝

promotional black-and-white poster from Prince’s 1999 Tour, showing the artist in dramatic close-up as he’s pictured on the cover for his ‘1999’ single.

Rolled and in fine condition, with scattered light creasing. This uncommon promotional poster originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

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4715. Prince 1991 MTV Awards T-shirt. Black short-sleeve Prince t-shirt

made for the 1991 MTV Video Music Awards, “one size fits all” but likely size XL, with front showing the Prince and the New Power Generation logo, and the back featuring logo and reading: “I Gott Off at the 10th Annual MTV Awards, September 5, 1991.” In fine condition. This uncommon promo t-shirt—celebrating Prince and The New Power Generation’s notorious rendition of ‘Gett Off’ at the MTV VMA Awards, where Prince wore his famous ‘butt-out’ pants—originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. The consignor notes that she worked on the famed ‘butt-out’ pants and other articles of clothing for the MTV production. Starting Bid $200

Answering machine tape with two Prince messages— “Can you make sure that Madonna gets a copy” 4716. Prince: Answering Machine Cassette Tape. TDK SA-X cas-

sette tape from an answering machine containing two voice messages from Prince from the fall of 1988, with label to A side of tape annotated in ballpoint: “Message 22, 6:10 pm, 9/25/88, B” and “#1 side A, Tape to Madonna.” The contents of the tape have been transferred to a digital audio disc containing six tracks that feature several messages from a variety of Paisley Park staff. The first Prince message can be found on the second track at marker 3:42, message 22, dated September 25, 1988, in full: “Karen, this is Prince.

Please call me at home.”

The second Prince message, found on track four at marker 4:19, recorded at 8:33 a.m. on October 9, 1988, relates to Prince and Madonna for a potential collaboration, in full: “Can you make sure that Madonna gets a copy of this, um, today, and um, see if you can talk to her and tell her that she can reach me at home or at Paisley Park after she hears it. Um, stress that I’d like to hear from her today so, um, that we can, um, put something together before I go back on the road. Um, actually just tell her I’d just like to hear from her today because I have to go back on the road. Thanks.”

Other highlights include messages from: Bruno Speight, lead guitarist for The SOS Band; Cat Glover, a backing vocalist, dancer, and choreographer for Prince; Omar Baker, Prince’s half-brother; tour manager Alan Leeds; singer and songwriter Tony LeMans; actress Saundra Santiago; valet Robbie Paster; publicist Robyn Riggs; and business manager Fred Moultrie. In fine condition. From the collection of Prince’s former assistant and accompanied by a letter of provenance. Starting Bid $300

4717. Prince Batman Mirror Wristband. Promotional mirrored Batman wristband created during the time of Prince’s eleventh studio album, the soundtrack to the 1989 film Batman. The mirrored bat symbol measures approximately 7.75˝ x 3.25˝, and features a black elastic bracelet secured by a grommet, which has come apart but been delicately pushed back together. The face of this Batman mirror has a slit with wristband elastic through it, which is different than the one Prince wore in the official ‘Batdance’ video. In fine condition, with aforementioned loose grommet. Originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

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The Black Album—a tremendously rare still-sealed example 4718. Prince The Black Album.

Incredibly rare original 1987 U.S. first pressing of The Black Album (Warner Bros. 1-25677) factory sealed in its original shrinkwrap, complete with affixed peach-and-black sticker on the front, “Explicit Lyrics, Parental Advisory, (1-25677),” and barcode/ copyright information sticker on the back. This is one of five sealed copies of The Black Album recently discovered in the collection of former Warner Bros. Records executive Richard Wietsma. Prior to that discovery, only three copies of the original 1987 U.S. pressing had surfaced. The discovery of these albums became an international news story, covered by Rolling Stone, Spin, Vibe, and news outlets around the world.

In mint condition.

The Black Album, also known as The Funk Bible, was originally intended to be released on December 8, 1987, with an entirely black sleeve and no printed title or song credits. A week before its release date, Prince had the album withdrawn after having a spiritual experience that convinced him the album was ‘evil.’ Warner Bros. worked extremely hard to destroy all of the 500,000 copies that had been pressed—very few survived, making extant examples among the rarest records in the world. The Black Album was later released as a limited edition CD and cassette by Warner Bros. in 1994, and then digitally via Tidal in 2016—however, no U.S. vinyl version of the album was ever commercially released.

Includes detailed letters of authenticity from Richard Wietsma and Jeff Gold, the owner of Recordmecca and a former executive vice president/general manager of Warner Bros. Records, who worked closely with Prince during the 1990s, and art directed numerous album covers for him, including ‘Diamonds & Pearls,’ ’Love Symbol,’ and ‘The Hits/The B-Sides.’ He writes, in part: “This example is one of five sealed copies discovered in December 2017, in the collection of a former Warner Bros. Records executive who worked on The Black Album. The executive’s daughter had purchased her first turntable and asked her parents to send her some albums. Their record collection had been boxed up in a closet for more than 25 years, and while searching for records that might interest their daughter, they stumbled upon two never-opened Warner Bros. Records mailers. Expecting to find some promo albums inside, they opened these for the first time and discovered five perfect, sealed copies of The Black Album. These had been sent to the executive in December 1987 when the albums were ordered destroyed, and for 30 years, the two mailers had sat unopened among their other boxed up vinyl. After opening one copy and confirming it was a genuine 1987 first pressing, they contacted me, a friend and former Warner Bros. colleague. The family decided to keep the open copy, but sell the remaining copies through Recordmecca. After Rolling Stone magazine wrote an article about the discovery, the story went viral, and the three sealed copies for sale were sold within 24 hours.” Starting Bid $2500

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4719. Prince Batman Motion Picture Score Poster. Very

attractive and uncommon color 19˝ x 35˝ promotional poster for the release of Batman: Original Motion Picture Score, the score album for the 1989 film Batman by Danny Elfman, which shows the Batwing high above the clouds and resting over a full moon, with text above: “Batman, Original Motion Picture Score Composed

by Danny Elfman.” Rolled and in fine condition, with light creasing and minuscule tears to edges.

This promotional poster originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

4720.

Prince Batman Poster.

Scarce color 23˝ x 34˝ promotional poster promoting the 11th studio album by Prince and the soundtrack album to the 1989 film Batman, featuring Prince partially obscured by shadow next to a large Batman logo running along opposite side.

Rolled and in fine condition, with scattered light creasing.

This considerably rare promotional poster, relating to the wildly popular Batman film and showing Prince in a mysterious pose, originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

4722. Prince Custom-Made Cross Pendant.

Costume jewelry cross pendant custom-made for Prince with a black stone at center to match his style of cufflinks worn during the Purple Rain era, measuring approximately 2˝ x 2.75˝, suspended from a short length of gold-tone chain. The large black jewel is surrounded by plastic purple gems, with black and green stones at the top and bottom. In very good to fine condition, with several missing jewels, and two of the tiny purple gems loose but present. Originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

4721. Prince Group of (4) Heart Mirror Charms. Group of four custom-made clear plastic heart-shaped charms used in Prince’s wardrobe during the Sign o’ the Times era, each measuring approximately 1.75˝ x 1.75˝, featuring a silver mirrored finish displayed on one side and a solid blue color on the other. In fine condition, with significant wear and rubbing to blue paint. These mirrors were sewn to the side of his pants during the Sign o’ the Times era, and were replaced periodically due to performance wear and tear. Mirrors are visible in Sign o’ the Times movie at 1 hr. 6 min. (Beautiful Night) and 1 hr. 14 min. (The Cross). These originate from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

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Prince’s VOX guitar with custom graphics, played in a Swiss studio in 2013 4723. Prince’s Personally-Owned and -Played VOX Electric Guitar. PPrince’s personally-owned

and -played VOX HDC-77 semi-hollow body electric guitar from the 3RDEYEGIRL era, featuring a colorful custom-made psychedelic graphic overlay sticker on the front, an image which features two sets of plump glowing lips. Prince used this particular guitar during his recording session at Powerplay Studios in Maur, Switzerland, in July 2013; after the session, Prince left his guitar behind in lieu of payment for the session. Andreas Kuhn, a noted analog audio technician, then received the guitar for his services in repairing the studio’s tape machine. Prince had spontaneously decided to record at Powerplay Studios after a concert in Montreux, only to find that its Studer A-800 multichannel tape machine was broken. He said he would return to record the next day, and Kuhn was summoned to the studio for an emergency repair.

Kuhn managed to successfully fix the machine after a twelve-hour ‘firefighting’ campaign, and it was ready by the time Prince returned. This episode was covered by the Berner Zeitung (a Swiss German-language newspaper), and in the Memoriav Bulletin of November 2013. Accompanied by a letter of provenance from the present owner, a friend of Andreas Kuhn who acquired the guitar from him. Starting Bid $10,000

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Amazing early draft for Graffiti Bridge, heavily annotated by Prince—“Camille, darling if u say there is a Graffiti Bridge, then I believe u” 4724. Prince Hand-Annotated Draft for Graffiti Bridge. Original hand-edited copy

of an early draft script for the 1990 film Graffiti Bridge, 56 pages, 8.5 x 11, no date but circa early October 1987. The script features two pages of Prince’s handwritten revisions and numerous handwritten notations and emendations made

by Prince in pencil and ballpoint. The reverse of pages 7 and 18 feature lengthy sections of revised dialogue in Prince’s hand. The reverse of page 7, in part: “SAX / ‘They’ve been together since they were kid. Both of them homeless. Orphans.’

Joshua—‘Inseparable they was.’ SAX—Yeah but complete opposites. Man, when those 2 fight, it’s like brother and sister. / VIENNA (grabbing SAX by the suit) ‘What do they fight about?’ SAX— ‘Not the suit baby, it’s rented. Well, Camille hates 2 be told he’s a nobody. Their last fight Ruthie called him that and then some. ‘Joshua’—Yeah she said somewhere there had 2 be a better land than real and she left him. / SAX, ‘Now Camille’s talking about this bridge, the boy’s gone nuts, I tell ya’…VIENNA—‘Camille, darling if u say there is a Graffiti Bridge, then I believe u. I’ll help u find it. U don’t need Ruthie. U don’t need anyone.’”

The reverse of page 18 reads, in part: “Camille (slowly circling them) Dead weight. Yeah, that’s what u 2 are. Dead weight traitors. So what, I haven’t gotten us a gig in a minute. U can’t say my heart wasn’t in it. So what u haven’t eaten 4 week. I haven’t 4 2. Times are bleak. So what else is new? What’s up on the sob story I gave the oinks 2 get u 2 knuckleheads out of jail. U so hungry, u forget that? (getting louder). I should a left you there! Yeah, maybe I shoulda left u there with all the other side-talkin, dead weight, good-4-zilch bums. (turning 2 walk away). Don’t show up 2 none of our gigs no more!” In fine condition. From the collection of Prince’s former assistant and accompanied by a letter of provenance.

In mid-September of 1987, Prince finished his first script for a musical film project entitled Graffiti Bridge, which featured himself in the lead role as Camille, and costarred Madonna as his former flame, Ruthie Washington. In keeping with his vision of “a musical fantasy shot on theatrical sets,” Prince planned to cast several of his own band members in the film, with these notes mentioning several of their character names—Atlanta Bliss as Joshua, Eric Leeds as Sax, Cat Glover as Vienna, Greg Brooks as Gruff, and Wally Safford as Puff. In mid-October, a brief three-day script conference with Madonna proved disastrous, with the singer-actress publicly ridiculing the script and dismissing any potential collaboration. As a result, the original Graffiti Bridge script was abandoned and the project placed on hiatus until 1989. Graffiti Bridge continued to have script problems and underwent several revisions before a screenplay was finalized on February 7, 1990; the script alterations effectively made the film a quasi-sequel to Purple Rain. Although the film earned negative reviews and poor box-office totals, the Graffiti Bridge soundtrack was regarded highly and reached gold sales figures in both the UK and America. Starting Bid $300

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4725. Prince Dual-sided Graffiti Bridge Poster. Huge

and uncommon color 52.5˝ x 25.5˝ dual-sided promotional poster for Prince’s 1990 studio album Graffiti Bridge, with the horizontal side showing the front and back cover artwork, and the vertical side featuring a large close-up image of Prince wearing leather above yellowand-purple text, “Graffiti Bridge.”

Rolled and in fine condition, with scattered light creasing and a few small edge tears. This large and uncommon promotional poster originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. According to the consignor: “Helen Hiatt designed, Jim Shearon patterned and cut, and I constructed the casual white top and black jumpsuit under the motorcycle jacket Prince is wearing. Also featured prominently in the film is a custom-made black and white checkered cape. Helen designed this cape, which was pieced together from black and white fabric that Jim masterfully cut, I constructed, and Prince wore and brought to life in the film. The cape is currently on display at the Paisley Park Museum.” Starting Bid $200

4727. Prince Lovesexy ‘Glam Slam Suit’ Fabric. Huge

swatch of excess fabric used in the creation of Prince’s ‘Glam Slam’ suit, measuring 52˝ x 20˝, featuring “Lovesexy” repetitively custom-embroidered in black against an off-white silky fabric backed with interfacing. This elaborately patterned fabric was used to create the trim on Prince’s splashy aqua ‘Glam Slam’ suit during its meticulous construction. In fine condition.

Originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

4726. Prince Guitar Picks and Pin. Collection of five Prince items: a red heart-shaped “Miko” guitar pick; three of Prince’s off-white “Love God” guitar picks, two with black text and one with purple text; and a “Prince and the Revolution, Purple Rain Tour, ‘84–‘85” pin. In overall fine condition, with some wear to purple ‘Love God’ pick. These picks are from various band rehearsals at Paisley Park Studios and were used by Prince and Miko. From the collection of Prince’s former assistant and accompanied by a letter of provenance.

Starting Bid $200

4728. Prince Sign o’ the Times and Lovesexy Outfit Fringe. Excess strands of black-and-white fringe used in the creation of Prince’s outfits worn during the Sign o’ the Times and Lovesexy eras. The short white strand measures approximately 25˝ long by 5 ˝ wide, and the long black strand measures approximately 130˝ long by 5˝ wide. In overall fine condition, with some slight fraying and a few loose threads on the long black strand. Originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

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4729. Prince Lovesexy Poster.

Uncommon color 23.25˝ x 33˝ promotional poster for Prince’s 1988 Lovesexy Tour, which shows the album’s iconic front cover of a nude Prince by photographer Jean Baptiste Mondino.

Rolled and in fine condition, with a central horizontal bend.

This uncommon promotional poster originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. The consignor notes: “LoveSexy was my second tour working at Paisley Park constructing amazing wardrobe for Prince. Some examples of the clothing I worked on include the polka dot vest featured in the LoveSexy tour book, Prince’s LoveSexy ‘Mozart jacket’ seen in the 1988 BBC ‘Behind the Beat’ special video filmed at Paisley Park Wardrobe, and some of the pants he wore during the LoveSexy era.” Starting Bid $200

4730. Prince Mi ni Maraca S h a ke r f ro m ‘One Night A l o n e’ To u r.

Miniature blackand-purple maraca shaker from the 2002 One Nite Alone Tour, measuring 5? long, with white text reading, “Prince.” In fine condition. Starting Bid $200

4731. Prince Minnesota Police T-shirt. Scarce black promotional short-sleeve t-shirt, size XL, featuring an impressive golden raised Minneapolis Police badge emblem with “Prince” and “NPG” at the bottom, and a large golden Prince symbol on the back; the same design as the shirt Prince wore in the video ‘My Name Is Prince.’ In fine, never worn condition. This uncommon promo t-shirt originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993.

Starting Bid $200 126 Marvels of Modern Music | 603) 732-4280

4732. Prince Purple Rain Glove Jewelry.

Rhinestone jewelry as used by Prince’s wardrobe department as bracelet-style embellishments for the lace gloves worn during his 1984–85 Purple Rain Tour, featuring two circular multistone clusters with three studded strands attached. In fine condition, with a single stone missing from one of the studded strands. This type of glamorous jeweled embellishment was sewn to lace gloves Prince wore during the tour, and can be seen in numerous images from his legendary performances.

Originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

4733. Prince Sign o’ the Times Heart Mirror Wristband. A promo-

tional mirrored heartshaped wristband from the 1987 Sign o’ the Times tour, measuring approximately 5˝ x 4.5˝, with black elastic through slit on the front of the heart. In fine condition. Prince can be seen in numerous images wearing this type of wristband (not this exact one), including on the cover of the Sign o’ the Times tour book and in concert footage. Originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993.

Starting Bid $200

4735. Prince’s Family Cassette Tapes. Uncommon

grouping of a handwritten letter from Prince’s half-sister Sharon Blakley and four cassette tapes relating to Prince and his family. The ALS, signed “Sharon & Eleanor & John L.,” one page, 5.5 x 8.25, June 30, 1994, addressed to “Karen,” in part: “We miss you, Dad thanks you for remembering his Birthday. Best wishes to your mom from Dad. Hope you enjoy our new music.” Included is a cassette of the EP Father’s Song by John L., Prince’s father John L. Nelson, which the consignor notes was mailed with the letter. The other tapes are as follows: a Sony cassette tape with A side label marked “‘The Family’ & ‘The Purple Party Mix!,’” and the B side label marked, “Madhouse 26,” with insert marked “Prince” and listing contents to both sides; a TDK cassette tape with inner sleeve marked “John L. Nelson” and “Sounds of Minnesota”; and a TDK cassette tape with A side label marked “Moses Nelso,” and inner sleeve with typed track titles: ‘Chapter 15,’ ‘Daughter,’ ‘(Moses),’ ‘Joshus,’ ‘Manasseh,’ and ‘Ach’sah.’ In overall fine condition. From the collection of Prince’s former assistant and accompanied by a letter of provenance. Starting Bid $200

4734. Prince Silver-Tone Waist Chain Charm Belt.

Rare metallic silver-tone waist chain charm belt custom-made for Prince during the LoveSexy era, featuring a chain-link belt with seven stylized symbolic charms dangling from the front, including a heart, a guitar, a flower, Prince’s male/female symbol, a peace sign, a cross, and a dove. In fine condition. Prince can be seen wearing this style of charm belt in numerous images, as it was a look he wore often during the LoveSexy tour—on and off stage, in his personal life, and in photo shoots and performances. While we do not know how many of these waist chains were created for Prince, the number was certainly small as they were custom-made, not mass-produced by a retailer. This remarkable example originates from the collection of a PRN Productions employee who worked as a seamstress and tailor in the Paisley Park wardrobe department from 1986–1993. Starting Bid $200

4736. Prince’s Personally-Owned Warner Bros.

Paperweight. Prince’s personally-owned Warner Broth-

ers Records paperweight from his desk at his Kiowa Trail home in Chanhassen, Minnesota. The black ‘skipping stone’ paperweight measures 3 x 2.5 and features a gold design of Warner Brothers Records logo with lower “A & R [artists and repertoire].” In fine condition. From the collection of Prince’s former assistant and accompanied by a letter of provenance.

Starting Bid $200

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Amazing early Prince notebook, featuring handwritten lyrics for three unreleased songs plus a Grammy winner 4737. Prince’s Handwritten Lyrics, Sketch, and Business Notebook. Extraordinary 8.5 x 11 Citadel narrow-

ruled notebook with 11 pages containing Prince’s handwriting (ranging from a couple words to complete pages, all singlesided), signed on the front cover in ballpoint using a playful pseudonym, “Percy Bagonia, Chicago, Poland.” The first page is a handwritten draft by Prince of lyrics for the apparently unreleased “All I Want (Just a Little Love),” beginning: “I don’t need no money / All it does is make you want more / I’d only go to some big city / And blow it all on some cheap whore! / Right now, I’m feelin’ kinda horny / Sugar, if you would… / I really want you to make love to me / I just bet you’re so good.”

The next page is headed in Prince’s hand, “Dearest Barbara,” but left blank. The following four pages are in another hand in red ink, and include a break-up note to Prince signed “Nadia” (“Sometimes goodbye does mean forever. I know all along our relationship has been soft & wet…but there have just been too many rumors”), followed by three pages of sketches in the same red ink. On the back of one of these pages in black ink, Prince writes the phone number of “Kim Downsher,” and on the opposite page he jots some notes with numbers and times, in addition to coloring in the shoes of one of the characters drawn in red ink.

Following two blank pages, Prince writes out a full page of lyrics for an unreleased song, “Just One Night With You,” humorously credited, “by Harriet Tubman.” The first verse reads: “Just one night with you, / and I know I could face tomorrow. / Just one night with you, / would be the remedy for my sorrow / How I long for you—’ll never know / how I long for you—I long for you.”

On the next page, Prince writes out lyrics for “I Feel for You,” which first appeared on his 1979 self-titled album, here credited, “by Percy Bagonia.” The hit begins: “Baby, baby when I look at you, / I get a warm feeling inside. / There’s something ‘bout the things you do / That keeps me satisfied. / I ain’t gonna lie to you, baby… / it’s mainly a physical thang / This feelin’ that I got for you, baby, / it makes me wanna sing! / I feel for you, I think I love you!” The best-known version of this song was recorded by Chaka Khan in 1984, for which Prince, as a songwriter, won the 1985 Grammy Award for Best R&B Song.

On the next page, Prince writes lyrics for an untitled song with the theme of “Am I wrong for loving you,” complete with an

elaborate sketch at the bottom and tiny drawings in the margins. The lyrics begin: “Am I wrong… / …for wanting to hold you, everytime you’re near? / Am I wrong… / …for whispering things, you’ve always wanted to hear? / Am I crazy… / …just because I think I’d rather die, / than to live alone in desperate need of / your body close to mine.”

The next page boasts an incredible pencil sketch by Prince, showing a very unusual guitar–human mashup: the fretboard turns into a human head and face in profile, and an electric guitar extends from the back of the head; a detailed, hairy leg juts out from the side of the main guitar body.

Prince continues to write in pencil on the following page, noting: “Words to fun by: ‘To tap or not to tap / That is the question / Whether ‘tis funkier on the three / than the one is to suffer the / slings and arrows of unsyncopated misfortune.’ Willyum Shakespere.” Below, he writes out several of his pseudonyms: “Percy Bagonia,” “Dexter Cunningbowl,” “Alfred Horkelsby,” and “Seymou.”

The next page, written out by Prince in ballpoint and headed “Prince,” and also signed at the bottom, “Thank you, Prince,” concerns his terms for a contract. In full: “Publishing: term 3 years 2 one-year options. Option Periods must be negotiated.

1. $10,000 check will be issued immediately upon signing. 2. If there are in fact two hit singles within the album, an additional $10,000 upon completion of the album will be paid. Publishing company will determine if they are hits. Booking: term 3 years 2 one-year options. 1. Option Periods must be negotiated. 2.

A garanteed gross of $250,000 the 1st year, $500,000 the second year. 3. During 1st year a garanteed promotional tour of Europe. Management: Term 3 years 2 one-year options. 1.

Option Periods must be negotiated. 2. Management has to see to it that I get everything stated above.”

On the last page, Prince writes a set list in pencil, most of the songs coming from his second studio album, released in 1979: “Let’s Rock, I Wanna Be Your Lover, Bambi, Why You Wanna Treat Me So Bad, When We’re Dancing Close and Slow, With You, Still Waiting, It’s Gonna Be Lonely, Sexy Dancer, Darling Marie.” On the back cover, Prince signs his name in ballpoint, “Prince,” and also writes “Patrice” and “Last Waltz.” In very good to fine condition, with expected handling wear, and dampstaining to the right edge of each page. Starting Bid $5000

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Nirvana Cobain’s stage-worn hospital gown from Nirvana’s landmark set at the 1992 Reading Festival 4738. Kurt Cobain’s Hospital Gown Worn on Stage at the 1992 Reading Festival. Off-

white hospital gown worn by Kurt Cobain when Nirvana played the Reading Festival in Reading, Berkshire, England on August 30, 1992. The long-sleeve cotton patient’s gown with open back, size large, features ties to collar and middleback section, with chest area stamped in green, “Angelica Healthcare, Rented–Never Sold” with upper caduceus, and inner lining retaining the original manufacturer’s label. In fine condition, with scattered stains and expected wear; lower tie string torn from left side, but remains tied to opposite side string; and just below logo are two small rusty holes from where Cobain had placed a small button.

Accompanied by a letter of provenance from the original recipient, which reads, in part: “A few days after his death, there was a vigil for Cobain at the Seattle Center…About a dozen of us stayed long after the festivities ended. We sat in the Flag Pavilion listening to music…just hanging out among the candles and flowers fans had placed there earlier. Late that evening, Courtney Love showed up accompanied by Kat Bjelland of Babes in Toyland with a bag of Kurt’s clothes. She was visibly grief-stricken and proceeded to pass the clothes out while asking trivia about Kurt’s life…She handed me his hospital gown from the legendary Reading Festival performance from 1992. She then cried on my shoulder for a while.

I tried to say something reassuring about his love for her and she pushed me away, insisting that he only loved Frances…The entire incident was sad. And weird. And it blew my teenage mind.”

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The headlining act for the third and final day of the 1992 Reading Festival, Nirvana arrived in the United Kingdom as one of the biggest bands in the world, and frontman Kurt Cobain, a new father. Frances Bean was born some 12 days earlier on August 18th amid ongoing reports that Cobain and his wife Courtney Love were abusing drugs throughout the pregnancy.

Rumors swelled as Reading drew near, with press outlets spreading news that Cobain had been arrested and that his ailing health, exacerbated by a recent drug overdose, would keep Nirvana from performing.

Earlier that month, Cobain had indeed checked himself into LA’s Cedars-Sinai Medical Center for detox, spending the majority of the month there battling withdrawals and severe stomach pains before making the UK trip.

The media circus prompted Cobain to address the issue front and center. Moments after his bandmates Dave Grohl and Krist Novoselic walked across the Reading stage, Cobain was very dramatically rolled out on a wheelchair sporting a shaggy blonde wig and donning a loosefitting hospital gown. After struggling to stand, Cobain warbled a few lyrics from Bette Midler’s ‘The Rose’ and then promptly collapsed. He hammed it up for a few more seconds lying supine on the stage and then quickly arose, collecting his guitar and proceeding to play a lengthy and blistering set of 25 songs, with the resulting performance widely considered one of the best, and most memorable, of Nirvana’s career.

Worn as a stunt at the 1992 Reading Festival, bestowed later as a parting gift from Courtney Love to our consignor at the Cobain vigil, this iconic and museum-quality piece represents the Nirvana frontman at his finest and most sardonic, jabbing pointedly at critics and detractors alike while retaining the intensely original showmanship that made him a living legend. A truly remarkable rock and roll keepsake here offered on the 25th anniversary of Cobain’s death. Starting Bid $5000

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The gods of grunge

4739. Nirvana Signed Photograph. Sought-after color glossy 10 x 8 photo of Nirvana seated together on wooden steps, signed in blue felt tip, “David,” “Kurdt,” and “Chris.” In fine condition. Accompanied by full letters of authenticity from Beckett Authentication Services and JSA. Brennan first met Nirvana in January 1992, in the lobby of NBC when they were at the Thursday music rehearsal for a “Saturday Night Live” performance. After that, he flew to Seattle six times to see Nirvana, Kurt Cobain and Courtney Love. He followed them before they were famous: “I just knew.” He met them a total of 8-12 times. “In just under two years, it was all over.” He followed them all of 1992 and ‘93. Drummer Dave Grohl is seen wearing a “Secret Sounds” t-shirt on the album cover for “Muddy Banks of Wishkah,” which Brennan gave him. “Dave was always difficult to deal with; Kurt was the easy one.” From The John Brennan In-person Autograph Collection. Starting Bid $500

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Supremely rare In Utero vinyl signed by “Kurdt,” “Chris,” and “Dave”

4740. Nirvana Signed Vinyl. Transparent green vinyl record of Nirvana’s third studio album In Utero, signed on ‘side one’ in blue felt tip, “Kurdt,” “Chris,” and “Dave.” In fine condition. Following the breakthrough success of their second full-length album Nevermind, Nirvana released the highly anticipated In Utero in late September of 1993; the record quickly made its way to the top of the Billboard charts and has since sold 15 million albums worldwide. Albums signed by these grunge and alternative rock heroes remain incredibly rare, with this ‘clear’ In Utero record heightened by both its uncommon format and incredible display value. From The John Brennan In-person Autograph Collection. Starting Bid $500

1990s 4741. Alice in Chains Signed CD Booklet. Dirt CD

4743. Mariah Carey Signed Photograph. Glossy 8 x 10

booklet signed on the front in black felt tip by Layne Staley, Jerry Cantrell, and Sean Kinney. In fine condition, with the reverse bearing an affixed Beckett label. From The John Brennan In-person Autograph Collection. Starting Bid $200

Columbia Records publicity photo of Mariah Carey for the release of her self-titled debut album, signed in blue felt tip by the pop star. In fine condition.

From The John Brennan Inperson Autograph Collection.

Starting Bid $200

4742. Blind Melon Signed CD. ‘Tones of

Home’ CD single signed on the front cover in blue felt tip by Rogers Stevens, Brad Smith, Christopher Thorn, Glen Graham, and Shannon Hoon. In fine condition.

The CD is included.

From The John Brennan In-person Autograph Collection. Starting Bid $200

4744. Jane’s Addiction Signed CDs.

Two CDs by Jane’s Addiction—Nothing’s Shocking and ‘Three Days’ single—both signed on the front cover in blue felt tip by Perry Farrell, Eric Avery, Stephen Perkins, and Dave Navarro. In overall fine condition. The CDs are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

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4745. Courtney Love Signed Album. Two items

4749. Morphine Signed Poster. Un-

signed by Courtney Love: an album flat for the Hole album Live Through This, signed in blue felt tip, “Courtney”; and a single album for ‘Beautiful Son’ by Hole, signed on the back cover in blue felt tip, “Courtney,” who adds a heart. In overall fine condition.

The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

common color 35 x 22.5 screen print for Morphine concerts at the Great American Music Hall on April 1, 1995, and at First Avenue on April 3, 1995, showing identical artwork images with differing color schemes and three smaller images of the poster to right side, signed in black felt tip by Mark Sandman, Dana Colley, and Billy Conway. In fine condition. Starting Bid $200

4750. Oasis Signed Album. ‘Roll with It

4746. Courtney Love Signed CDs. Three CD singles by Hole—’Beautiful Son,’ ‘Miss World,’ and ‘Teenage Whore’— each signed on the front cover in blue felt tip by Courtney Love, who signs either “Courtney” and “Courtney Love Cobain.” In overall fine condition. The CDs are included. From The John Brennan In-person Autograph Collection. Starting Bid $200 4747. Courtney Love Signed Photograph.

Color glossy 11 x 14 photo of the scantily dressed frontwoman for the band Hole, signed in blue felt tip, “Courtney.” In very good to fine condition, with moderate creasing to the upper right background area.

From The John Brennan In-person Autograph Collection. Starting Bid $200

4748. Muse Signed Album.

Uncommon Black Holes and Revelations album signed on the front cover in black felt tip by Matthew Bellamy, Christopher Wolstenholme, and Dominic Howard. In fine condition. The record is not included. Starting Bid $200

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/ It’s Better People / Rockin’ Chair’ single album signed on the front cover in black felt tip by Liam and Noel Gallagher, Alan White, Paul “Bone Head” Arthurs, and Paul McGuigan. In very good to fine condition, with some creasing and light spotting. The record is not included.

Starting Bid $200

4751. Oasis Signed Drum Head. Desirable off-white

Remo Weatherking Ambassador Batter drum head, 14.5˝ in diameter, signed in blue felt tip

by Liam Gallagher, Alan White, Paul ‘Bonehead’ Arthurs, and Paul McGuigan, and in gold ink by Noel Gallagher. In fine condition. Starting Bid $200

4752. Oasis Signed Photograph. Color

glossy 10 x 8 photo of Oasis from the early 1990s, signed in blue felt tip by Liam Gallagher, Noel Gallagher, Paul ‘Bonehead’ Arthurs, Paul McGuigan, and Tony McCarroll. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4753. Oasis: Noel and Liam Gallagher Signed Album. ‘Shakermaker /

D’Yer Wanna Be a Spaceman?’ single album signed on the front cover in blue felt tip

by Noel and Liam Gallagher.

In fine condition, with an affixed price sticker. The record is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4757. Trent Reznor Signed CDs and Insert. Three

Nine Inch Nails items signed on the front cover in blue felt tip by Trent Reznor: a CD insert for The Downward Spiral; the CD slipcase for The Downward Spiral; and a Pretty Hate Machine CD, with the disc not included. In overall fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4754. Pearl Jam Signed Photograph. Color glossy

10 x 8 photo of Pearl Jam, signed in blue felt tip by Eddie Vedder, who adds an anarchy symbol, Jeff Ament, Mike McCready, Dave Abbruzzese, and Stone Gossard, who adds an inscription “to Brad.”

In fine condition, with smudging to Abbruzzese’s signature.

From The John Brennan In-person Autograph Collection.

Starting Bid $200

4755. Pearl Jam: Eddie Vedder Signed 45 RPM Record. Uncommon ‘His-

tory Never Repeats / Sonic Reduces / Swallow My Pride / My Way’ double 45 RPM record album by Pearl Jam, signed on the front cover in blue felt tip Eddie Vedder. In fine condition. The records are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4756. Pearl Jam: Eddie Vedder Signed Photograph.

Color glossy 11 x 13.75 halflength photo of Eddie Vedder in a candid moment during his early Pearl Jam days, signed in blue felt tip by Vedder, who adds “USA” with an incorporated anarchy symbol. In fine condition. From The John Brennan In-person Autograph Collection. Starting Bid $200

4759. Smashing Pumpkins Signed 45 RPM Record.

Highly appealing ‘Disarm / Siamese Dream’ 45 RPM single record by the Smashing Pumpkins, signed on the front cover in blue felt tip, “”Billy, 1994,” “JC,” “James, x,” and “D’arcy.” In fine condition. The ‘purple disc’ is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4760. Smashing Pumpkins Signed CD. ‘I Am One’

CD single by the Smashing Pumpkins, signed on the front cover in blue felt tip, “Billy, 1994,” “D’arcy,” “JC,” and “James.” In fine condition. The CD is included. From The John Brennan In-person Autograph Collection. Starting Bid $200

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4764. The Verve Signed Photographs. Two color glossy photos of the Verve, both approximately 10 x 8, both signed in blue felt tip by Richard Ashcroft, Nick McCabe, Simon Jones, Peter Salisbury, and Simon Tong. In overall fine condition.

From The John Brennan In-person Autograph Collection.

Starting Bid $200 4761. Soundgarden Signed Photograph. Color glossy

10 x 8 photo of the great Seattle grunge band Soundgarden, signed in blue felt tip by Chris Cornell, Ben Shepherd, Matt Cameron, and Kim Thayil. In fine condition, with a Beckett authentication label to the lower left. From The John Brennan In-person Autograph Collection. Starting Bid $200

4762. The Stone Roses Signed CD.

‘What the World Is Waiting For / Fools Gold’ CD single by The Stones Roses, signed on the front cover in blue felt tip

by John Squire, Ian Brown, Mani, Reni, and one other. In fine condition. The CD is included. From The John Brennan Inperson Autograph Collection. Starting Bid $200

4763. The Verve Signed CDs. Two CD singles by The

Verve—’Lucky Man’ and ‘The Drugs Don’t Work’—both signed on the front cover in black felt tip by Richard Ashcroft, Nick McCabe, Simon Jones, Peter Salisbury, and Simon Tong. In overall fine condition. The CDs are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

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4765. The Verve: Richard Ashcroft Signed CDs. Four

CD singles by The Verve, each signed on the front cover in blue or black felt tip

by Richard Ashcroft, including: A’ll in the Mind,’ ‘Bitter Sweet Symphony,’ ‘History,’ and ‘This Is Music.’ In overall very good to fine condition, with damage to the jewel cases, and heavy rippling to the ‘Bitter Sweet’ insert. The CDs are included. From The John Brennan In-person Autograph Collection. Starting Bid $200

4766. Neil Young, Tom Petty, and Pearl Jam Signed Bridge School Benefit Pelon. Color t-shirt artwork

pelon for the 8th Annual Bridge School Benefit on October 1–2, 1994, 15.75 x 22.25, signed in various inks by Neil Young, Tom Petty, Eddie Vedder, Mike McCready, Stone Gossard, Jeff Ament, Pete Droge, Amy Ray, Emily Saliers, and several other performers. In very good to fine condition, with some scattered creasing and bleeding to ink. Organized by Neil Young and Pegi Young, the Bridge School Benefit continues to this day as an annual charitable concert in aid of the Bridge School, which helps children with severe disabilities. Starting Bid $200

2000s 4767. Bon Iver and Black Mountain Artist Print. Lim-

ited edition color 17 x 22 artist print for a Bon Iver and Black Mountain concert at the Grog Shop in Cleveland Heights, Ohio, on March 6, 2008, numbered 31/65, signed in the lower right by the artist, Jon Hicks.

In fine condition. Bon Iver was touring in support of their classic debut record For Emma, Forever Ago. Starting Bid $200

4770. Ed Sheeran’s Guitar Cable. Ed

Sheeran’s personallyowned and -used Piranha Ultraflex guitar cable, measuring 10-feet in length, donated by the pop star to a charity auction to raise money for the British charity Zest and St. Elizabeth Hospice Family. In fine condition. Accompanied by certificates of authenticity from Tracks and the auction house involved with Sheeran’s donation. Starting Bid $200

4771. Ed Sheeran’s Guitar Strings.

4768. Female Musicians Group of (6) Signed Photographs. Group of

six color photos of talented female pop stars, ranging in size from 8 x 10 to 11 x 8.5, each signed in felt tip by the pictured musician: Lana Del Rey, Ariana Grande, Jewel, Alicia Keys, Alanis Morissette, and Gwen Stefani. In overall fine condition, with grainy image quality to Jewel. From The John Brennan In-person Autograph Collection. Starting Bid $200

4769. Rock and Roll Hall of Fame 25th Anniversary Print. Limited edition color

16 x 23.75 print for “The 25th Anniversary Rock & Roll Hall of Fame Concerts” held at Madison Square Garden on October 29 and 30, 2009, hand-numbered 675/1000, showing a large flaming guitar and listing the 27 acts scheduled to perform, including: Bruce Springsteen and the E Street Band, U2, Eric Clapton, Stevie Wonder, Metallica, Aretha Franklin, Lou Reed, Buddy Guy, Jeff Beck, and many more. These concerts are considered by many to be among the greatest ever. In fine condition.

Starting Bid $200

Ed Sheeran’s personally-owned set of three Ernie Ball Custom Gauge guitar strings, with two electric or acoustic .10 gauge strings and one nickel-wound electric .46 gauge string. Includes the original Ernie Ball Regular Slinky pouch. In overall fine condition. Sheeran donated these strings to a charity auction to raise money for the British charity Zest and St. Elizabeth Hospice Family. Accompanied by certificates of authenticity from Tracks and the auction house involved with Sheeran’s donation. Starting Bid $200

4772. Ed Sheeran’s Headphones.

Ed

Sheeran’s personally-owned and -used white-andturquoise Sony earbud headphones, donated by the pop star to a charity auction to raise money for the British charity Zest and St. Elizabeth Hospice Family. In fine condition. Accompanied by certificates of authenticity from Tracks and the auction house involved with Sheeran’s donation. Starting Bid $200

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4774. Ed Sheeran’s Tomato Soup Tshirt. Ed Sheeran’s

personally-owned and -worn bright red Heinz Tomato Ketchup short-sleeve tshirt, size medium, originally presented to the pop star when he visited the Heinz History Centre in Pennsylvania before his concert at the PPG Paints Arena in September 2017. Sheeran famously has a Heinz logo tattoo on his left arm. In fine condition, with a faint white paint stain to lower left. Sheeran donated this shirt to a charity auction to raise money for the British charity Zest and St. Elizabeth Hospice Family. Accompanied by certificates of authenticity from Tracks and the auction house involved with Sheeran’s donation. Starting Bid $200

4773. Ed Sheeran’s Microphone Case. Ed Sheeran’s personally-owned and -used black Shure microphone case.

The black faux leather case measures 10 x 4.5 and features a zipper running along the top. In fine condition. Sheeran donated this case to a charity auction to raise money for the British charity Zest and St. Elizabeth Hospice Family.

Accompanied by certificates of authenticity from Tracks and the auction house involved with Sheeran’s donation. Starting Bid $200

Winehouse’s last studio album

4775. Amy Winehouse Signed CD Booklet. Back to Black CD booklet

signed and inscribed in black felt tip, “John, You’ve got a lovely wife, Amy, x,” who adds a small heart. In fine condition, with light handling wear. The CD is not included. A sought-after signature of the late English singer on her most famous album, an album that earned her five Grammy Awards in 2008, including Record and Song of the Year. Starting Bid $200

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Credit will be granted at the discretion of RR Auction. Additionally Bidders who have not previously established credit or who wish to bid in excess of their established credit history may be required to provide their social security number, or the last four digits thereof, so a credit check may be performed prior to RR Auction’s acceptance of a bid. Check writing privileges and immediate delivery of merchandise may also be determined by pre-approval of credit based on a combination of criteria: RRAuction.com history, related industry references, bank verification, a credit bureau report and/or a personal guarantee for a corporate or partnership entity in advance of the Auction venue.

Buyer’s Premium: The Bidder acknowledges and agrees that a 25% buyer’s premium will be added to the hammer price on all individual lots sold in timed and live Auctions. Buyer’s premium for our Sports Auctions is 20%.

For payment other than by cash, delivery will not be made unless and until full payment has been received by RR Auction, i.e., check or wired funds have fully cleared. Unless otherwise agreed in writing, signed by RR Auction, payment in full is due within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date, whichever is later. All purchases delivered to Massachusetts are subject to applicable Massachusetts sales tax unless the purchaser possesses a Massachusetts sales tax exemption number. Pennsylvania sales or use tax may be due in connection with the purchase and delivery of tangible personal property to Pennsylvania individuals and businesses. The purchaser is required to file a use tax return if tax is due in connection with the purchase and delivery in the Commonwealth. This notice is required pursuant to the provisions of the Tax Reform Code of 1971. 72 P.S. § 7213.2.

Bidding: Each Bidder’s determination of its bid should be based upon its own examination of the item(s), rather than the strict reliance as to what is represented in the Catalog, online or elsewhere. In any purchase or sale, the value of the item(s) is determined by the price. THE BIDDER HEREBY ASSUMES ALL RISKS OF VALUATION CONCERNING ANY AND ALL PURCHASES. RR AUCTION IS NOT RESPONSIBLE FOR ERRORS IN BIDDING. A Bidder should make certain to bid on the correct lot and that the bid is the maximum (plus the Buyer’s Premium) that the Bidder is willing and able to pay. Since other Bidders (by mail, facsimile, online, and in person) will be present, and since a re-offering could damage the momentum of the sale, once the hammer has fallen and RR Auction has announced the winning Bidder, such Bidder is unconditionally bound to pay for the lot, even if the Bidder has made a mistake.

All prospective Bidders who examine lots in person prior to the sale shall personally assume all responsibility for any damage they cause in so doing. RR Auction shall have sole discretion in determining the value of the damage caused, which shall be promptly paid by the prospective Bidder.

Title to any lot remains with Consignor, any secured party of the Consignor, or assignee of Consignor, as the case may be, until the lot is paid for in full by Bidder. RR Auction reserves the right to require payment in full before delivering any lot to the successful Bidder.

It is the Bidder’s responsibility and obligation to have the lots fully insured while in their possession. Bidder assumes any and all RISK OF LOSS once the lot(s) is in Bidder’s possession.

Bidder grants to RR Auction or its assigns the right to offset any sums due, or found to be due by RR Auction, and to make such offset from any past, subsequent or future consignment, or items acquired by Bidder in possession or control of RR Auction or from any sums due to Bidder by RR Auction. Bidder further grants RR Auction a purchase money security interest in such sums or items to the extent applicable, and agrees to execute such documents as may be reasonably necessary to grant RR Auction such security interest.

Bidder agrees that RR Auction and its assigns shall be a secured party with respect to items bought by Bidder and in the possession of RR Auction, to the extent of the maximum indebtedness, plus all accrued expenses, until the indebtedness is paid.

By bidding in this sale, Bidder personally and unconditionally guarantees payment. The authorized representative of any corporate Bidder who is present at the sale shall provide RR Auction or its agent, prior to the commencement of the bidding (or at the time of registration), with a statement signed by a principal, director or officer that they he or she personally and unconditionally guarantees any payment due RR Auction.

RR Auction may at its sole and absolute discretion, make loans or advances to Consignors and/or prospective Bidders.

In the event of a successful challenge to the title to any goods purchased pursuant to these Conditions of Sale and the exclusive remedies provided herein, RR Auction agrees to reimburse any Bidder in an amount equal to the successful bid price actually paid by Bidder at auction plus any Buyer’s Premium actually paid, in full and complete satisfaction of all claims, which once tendered by RR Auction, relieves and releases RR Auction from any responsibility whatsoever to the Bidder, even if the instrument is not cashed or is returned.

Bidding Options: Non-Internet bids (including but not limited to in-person, facsimile, phone and mail bids) are treated similarly to floor bids in that they must be on-increment. Any in-person, facsimile, phone, or mail bids that do not conform to a full increment will be rounded up or down to the nearest full increment and this revised amount will be considered Bidder’s high bid.

When identical mail or facsimile bids are submitted, preference is given to the first received. To ensure the greatest accuracy, written bids should be entered on the standard printed bid sheet and be received at RR Auction’s place of business at least twenty-four (24) hours before the Auction start. RR Auction is not responsible for executing mail bids or facsimile bids received on or after the day the first lot is sold, nor Internet bids submitted after the published closing time; nor is RR Auction responsible for proper execution of bids submitted by telephone, mail, facsimile, e-mail, Internet, or in person once the Auction begins.

In all Auctions, bids on an item must raise the current high bid by at least 10%, or as specified on a per-Auction basis. Bids will be accepted in whole dollar amounts only. No “buy” or “unlimited” bids will be accepted. In a live sale, bids on an item can change at the discretion of RR Auction.

RR Auction reserves the right to accept or decline any bid. Bids must be for an entire lot and each lot constitutes a separate sale. All bids are per lot unless otherwise announced. Live auction lots will be sold in their numbered sequence unless RR Auction directs otherwise. It is unlawful and illegal for Bidders to collude, pool, or agree with another Bidder to pay less than the fair value for lot(s). For live auctions, RR Auction will have final discretion in the event that any dispute should arise between Bidders. RR Auction will determine the successful Bidder, cancel the sale, or re-offer and resell the lot or lots in dispute. RR Auction will have final discretion to resolve any disputes arising after the sale and in online auctions. If any dispute arises, RR Auction’s sale record is conclusive.

Payment: Subject to fulfillment of all of the Conditions of Sale set forth herein, upon the sooner of (1) the passing of title to the offered lot pursuant to these Conditions of Sale, or (2) possession of the offered lot by the Bidder, Bidder thereupon (a) assumes full risk and responsibility (including without limitation, liability for or damage to frames or glass covering prints, paintings, photos, or other works), and (b) will immediately pay the full purchase price or such part as RR Auction may require. In addition to other remedies available to RR Auction by law, RR Auction reserves the right to impose from the date of sale a late charge of 1.5% per month of the total purchase price if payment is not made in accordance with the conditions set forth herein.

All property must be removed from RR Auction’s premises by the Bidder at his/her expense not later than thirty (30) business days following its sale and, if it is not so removed, RR Auction may send the purchased property to a public warehouse for the account, at the risk and expense of the Bidder.

Payment is due upon closing of the Auction session, or upon presentment of an invoice. RR Auction reserves the right to void an invoice if payment in full is not received within thirteen (13) calendar days of the Auction or within twelve (12) calendar days of the invoice date. In cases of nonpayment, RR Auction’s election to void a sale does not relieve the Bidder from their obligation to pay RR Auction its fees (seller’s and Buyer’s Premium) on the lot and any other damages pertaining to the lot.

All sales are strictly for cash in United States dollars (including U.S. currency, bank wire, cashier checks, eChecks, and bank money orders), and are subject to all reporting requirements.

All deliveries are subject to good funds; funds being received in RR Auction’s account before delivery of the Purchases; and all payments are subject to a clearing period. RR Auction reserves the right to determine if a check constitutes “good funds”: checks drawn on a U.S. bank are subject to a ten (10) calendar day hold, and ten (10) business days when drawn on an international bank. Clients with pre-arranged credit status may receive immediate credit for payments via e-Check, personal or corporate checks.

In the event that a Bidder’s payment is dishonored upon presentment(s), Bidder shall pay the maximum statutory processing fee set by applicable state law. If Bidder attempts to pay via check and the financial institution denies the transfer from Bidder’s bank account, or the payment cannot be completed using the selected funding source, Bidder agrees to complete payment.

If RR Auction refers any invoice to an attorney for collection, the Bidder agrees to pay attorney’s fees, court costs, and other collection costs incurred by RR Auction. If RR Auction assigns collection to its house counsel, such attorney’s time expended on the matter shall be compensated at a rate comparable to the hourly rate of independent attorneys.

RR Auction shall have a lien against the merchandise purchased by the Bidder to secure payment of the Auction invoice. RR Auction is further granted a lien and the right to retain possession of any other property of the Bidder then held by RR Auction or its affiliates to secure payment of any Auction invoice or any other amounts due RR Auction or affiliates from the Bidder. With respect to these lien rights, RR Auction shall have all the rights of a secured creditor, including but not limited to the right of sale. In addition, with respect to payment of the Auction invoice(s), the Bidder waives any and all rights of offset he might otherwise have against RR Auction and the consignor of the merchandise included on the invoice (the “Consignor”). If a Bidder owes RR Auction or its affiliates on any account, RR Auction and its affiliates shall have the right to offset such unpaid account by any credit balance due Bidder, and it may secure by possessory lien any unpaid amount by any of the Bidder’s property in their possession.

All checks, cashiers checks, bank checks, or money orders are payable to R&R Auction Company of Massachusetts, LLC. Delivery; Shipping; and Handling Charges: Bidder is liable for shipping and handling. RR Auction is unable to combine purchases from other auctions or affiliates into one package for shipping purposes. Lots won will be shipped in a commercially reasonable time after payment in good funds for the merchandise and the shipping fees is received or credit extended, except when third-party shipment occurs. Bidder agrees that service and handling charges related to shipping items which are not pre-paid may be charged to a credit card on file with RR Auction.

Successful international Bidders shall provide written shipping instructions, including specified Customs declarations, to RR Auction for any lots to be delivered outside of the United States. NOTE: Declaration value shall be the item’(s) hammer price and RR Auction shall use the correct harmonized code for the lot. Domestic Bidders on lots designated for third-party shipment must designate the common carrier, accept risk of loss, and prepay shipping costs.

Title: Title shall not pass to the successful Bidder until all invoices are paid in full. It is the responsibility of the Bidder to provide adequate insurance coverage for the items once they have been delivered to a common carrier or third-party shipper.

Rights Reserved: RR Auction reserves the right to withdraw any lot before or at the time of the Auction, and/or to postpone the Auction of all or any lots or parts thereof, for any reason. RR Auction shall not be liable to any Bidder in the event of such withdrawal or postponement under any circumstances. RR Auction reserves the right to refuse to accept bids from anyone.

Conducting the Auction: RR Auction reserves the right to postpone the Auction or any session thereof for a reasonable period of time for any reason whatsoever, and no Bidder or prospective Bidder shall have any claim as a result thereof, including consequential damages.

RR Auction’s Discretion: RR Auction shall determine opening bids and bidding increments.

RR Auction has the right in its absolute discretion to reject any bid in the event of dispute between Bidders or if RR Auction has doubt as to the validity of any bid, to advance the bidding at its absolute discretion and to determine the successful Bidder in the event of a dispute between Bidders, to continue the bidding or to reoffer and resell the lot in question. In the event of a dispute after the sale, RR Auction’s record of final sale shall be conclusive. RR Auction also may reject any bid if RR Auction decides either that any bid is below the reserve of the lot or article or that an advance is insufficient. Unless otherwise announced by RR Auction at the time of sale, no lots may be divided for the purpose of sale.

Reserves: Lots may be subject to a reserve which is the confidential minimum price below which the lot will not be sold. Consignors may not bid on their own lots or property. RR Auction may, from time to time, bid on items that it does not own.

Off-Site Bidding: Bidding by telephone, facsimile, online, or absentee bidding (advance written bids submitted by mail) are offered solely as a convenience and permitted subject to advance arrangements, availability, and RR Auction’s approval which shall be exercised at RR Auction’s sole discretion. Neither RR Auction nor its agents or employees shall be held liable for the failure to execute bids or for errors relating to any transmission or execution thereof. In order to be considered for off-site bidding in any manner, Bidders must comply with all of

these Conditions of Sale and the terms contained on the Registration Form.

RR Auction’s Remedies: Failure of the Bidder to comply with any of these Conditions of Sale or the terms of the Registration Form is an event of default. In such event, RR Auction may, in addition to any other available remedies specifically including the right to hold the defaulting Bidder liable for the Purchase Price or to charge and collect from the defaulting Bidder’s credit or debit accounts as provided for elsewhere herein: (a) cancel the sale, retaining any payment made by the Bidder as damages (the Bidder understands and acknowledges that RR Auction will be substantially damaged should such default occur, and that damages under sub-part (a) are necessary to compensate RR Auction for such damages); (b) resell the property without reserve at public auction or privately; (c) charge the Bidder interest on the Purchase Price at the rate of one and one-half percent (1.5%) per month or the highest allowable interest rate; (d) take any other action that RR Auction, in its sole discretion, deems necessary or appropriate to preserve and protect RR Auction’s rights and remedies. Should RR Auction resell the property, the original defaulting Bidder shall be liable for the payment of any deficiency in the purchase price and all costs and expenses associated there with, including but not limited to warehousing, sales-related expenses, reasonable attorney fees and court costs, commissions, incidental damages and any other charges due hereunder which were not collected or collectable. In the event that such Bidder is the successful Bidder on more than one lot and pays less than the purchase price for the total lots purchased, RR Auction shall apply the payment received to such lot or lots that RR Auction, in its sole discretion, deems appropriate. If RR Auction does not exercise such discretion, the lots to which the payment shall be applied will be in descending order from the highest purchase price to the lowest. Any Bidder failing to comply with these Conditions of Sale shall be deemed to have granted RR Auction a security interest in, and RR Auction may retain as collateral such security for such Bidder’s obligations to RR Auction, any property in RR Auction’s possession owned by such Bidder. RR Auction shall have the benefit of all rights of a secured party under the Uniform Commercial Code (U.C.C.) as adopted by the Commonwealth of Massachusetts.

Warranties: RR Auction does not provide any warranties to Bidders, whether expressed or implied, beyond those expressly provided in these Conditions of Sale. All property and lots are sold “as is” and “where is”.

By way of illustration rather than limitation, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to merchantability or fitness for intended use, condition of the property (including any condition report), correctness of description, origin, measurement, quality, rarity, importance, exhibition, relevance, attribution, source, provenance, date, authorship, condition, culture, genuineness, value, or period of the property. Additionally, neither RR Auction nor the Consignor makes any representation or warranty, expressed or implied, as to whether the Bidder acquires rights in copyright or other intellectual property (including exhibition or reproduction rights) or whether the property is subject to any limitations or other rights. RR Auction does not make any representation or warranty as to title.

All descriptions, photographs, illustrations, and terminology including but not limited to words describing condition (including any condition reports requested by Bidder, see also Terminology), authorship, period, culture, source, origin, measurement, quality, rarity, provenance, importance, exhibition, and relevance, used in the Catalog, bill of sale, invoice, or anywhere else, represent a good faith effort made by RR Auction to fairly represent the lots and property offered for sale as to origin, date, condition, and other information contained therein; they are statements of opinion only. They are not representations or warranties and Bidder agrees and acknowledges that he or she shall not rely on them in determining whether or not to bid or for what price. Price estimates (which are determined well in advance of the Auction and are therefore subject to revision) and condition reports

are provided solely as a convenience to Bidders and are not intended nor shall they be relied on by Bidders as statements, representations or warranties of actual value or predictions of final bid prices.

Bidders are accorded the opportunity to inspect the lots and to otherwise satisfy themselves as to the nature and sufficiency of each lot prior to bidding, and RR Auction urges Bidders to avail themselves accordingly.

All lots sold by RR Auction are accompanied by an Auction Certificate (“AC”). On any lot presented with an AC issued by RR Auction, the certification is only as to its attribution to the person or entity described or to the lot’s usage and only as explicitly stated therein (the “Certification of Authenticity”), to the exclusion of any other warranties, express or implied, including but not limited to those pursuant to the Uniform Commercial Code. The Certification of Authenticity inures only to the original Bidder (as shown in RR Auction’s records).

Bidder may not transfer, assign, or otherwise convey the Certification of Authenticity, and such purported transfer, assignment, or conveyance shall be null and void. The Certification of Authenticity is valid from date of the Auction in which Bidder was awarded the lot (the “Auction Date”) until five (5) years after the Auction Date, without exception.

FIREARMS. RR Auction complies with all Federal and State rules and regulations relating to the purchasing, registration and shipping of firearms. A Bidder is required to provide appropriate documents and the payment of associated fees, if any. Bidder is responsible for providing a shipping address that is suitable for the receipt of a firearm.

Limitation of Damages: In the event that RR Auction is prevented for any reason from delivering any property to Bidder, or Bidder is otherwise dissatisfied with the performance of RR Auction, the liability, if any, of RR Auction, shall be limited to, and shall not exceed, the amount actually paid for the property by Bidder. In no event shall RR Auction be liable for incidental, special, indirect, exemplary or consequential damages of any kind, including but not limited to loss of profits, value of investment or opportunity cost.

Unauthorized Statements: Under no circumstances is any employee, agent or representative of RR Auction authorized by RR Auction to modify, amend, waive or contradict any of these Conditions of Sale, any term or condition set forth on a registration form, any warranty or limitation or exclusion of warranty, any term or condition in either the Registration Form or these Terms and Conditions regarding payment requirements, including but not limited to due date, manner of payment, and what constitutes payment in full, or any other term or condition contained in any documents issued by RR Auction unless such modification, amendment, waiver or contradiction is contained in a writing signed by all parties. Any statements, oral or written, made by employees, agents or representatives of RR Auction to Bidder, including statements regarding specific lots, even if such employee, agent or representative represents that such statement is authorized, unless reduced to a writing signed by all parties, are statements of personal opinion only and are not binding on RR Auction, and under no circumstances shall be relied upon by Bidder as a statement, representation or warranty of RR Auction.

Bidder’s Remedies: Under no circumstance will RR Auction incur liability to a Bidder in excess of the purchase price actually paid.

This section sets forth the sole and exclusive remedies of Bidder in conformity with the Warranties and Limitation of Damages provisions of these Conditions of Sale, and is expressly in lieu of any other rights or remedies which might be available to Bidder by law. The Bidder hereby accepts the benefit of the Consignor’s warranty of title

and any other representations and warranties made by the Consignor for the Bidder’s benefit. In the event that Bidder demonstrates in writing, in the sole discretion of RR Auction, that there was a breach of the Consignor’s warranty of title concerning a lot purchased by Bidder, RR Auction shall make demand upon the Consignor to pay to Bidder the Purchase Price (including any premiums, taxes, or other amounts paid or due to RR Auction). Should the Consignor not pay the Purchase Price to Bidder within thirty days after such demand, RR Auction shall disclose the identity of the Consignor to Bidder and assign to Bidder all of RR Auction’s rights against the Consignor with respect to such lot or property. Upon such disclosure and assignment, all responsibility and liability, if any, of RR Auction with respect to said lot or property shall automatically terminate. RR Auction shall be entitled to retain the premiums and other amounts paid to RR Auction - this remedy is as to the Consignor only. The rights and remedies provided herein are for the original Bidder only and they may not be assigned or relied upon by any transferee or assignee under any circumstances.

If Bidder wishes to challenge the AC within the period of the Certification of Authenticity, Bidder must present written evidence that the lot is not authentic as determined by a known expert in the field. If RR Auction agrees that the lot is not as represented, Bidder’s sole and exclusive remedy shall be a refund of their purchase price, with no other costs, liabilities or amounts recoverable. If RR Auction does not agree with the claim by Bidder, then the Parties shall follow the dispute resolution procedures of these Conditions of Sale.

Any such challenge concerning an AC or Certification of Authenticity must, without any exception, be brought within one (1) year of Bidder’s notice to RR Auction of Bidder’s contention that the lot was not authentic, or six (6) years from the Auction Date, whichever is sooner.

If the description of any lot in the Catalog is materially incorrect (e.g., gross cataloging error), the lot is returnable if returned within five (5) calendar days of receipt, and received by RR Auction no later than twenty-one (21) calendar days after the Auction Date. If there is any discrepancy between the description in the Catalog and the AC, then the description in the AC shall control. This paragraph shall constitute Bidder’s sole right with respect to the return of items, and no refunds shall be given for any items not returned to and received

by RR Auction.

NO RETURN OR REFUND OF ANY AUCTION LOT WILL BE CONSIDERED EXCEPT AS PROVIDED IN THESE CONDITIONS OF SALE. RR Auction’s Additional Services: For Bidders who do not remove purchased property from RR Auction’s premises, RR Auction, in its sole discretion and solely as a service and accommodation to Bidders, may arrange to have purchased lots packed, insured and forwarded at the sole request, expense, and risk of Bidder. RR Auction assumes no and disclaims all responsibility and liability for acts or omissions in such packing or shipping by RR Auction or other packers and carriers, whether or not recommended by RR Auction. RR Auction assumes no and disclaims all responsibility and liability for damage to frames, glass or other breakable items. Where RR Auction arranges and bills for such services via invoice, RR Auction will include an administration charge.

Headings: Headings are for convenience only and shall not be used to interpret the substantive sections to which they refer.

Entire Agreement: These Conditions of Sale constitute the entire agreement between the parties together with the terms and conditions contained in the Registration Form. They may not be amended, modified or superseded except in a signed writing executed by all parties. No oral or written statement by anyone employed by RR Auction or acting as

agent or representative of RR Auction may amend, modify, waive or supersede the terms herein unless such amendment, waiver or modification is contained in a writing signed by all parties.

If any section of these Conditions of Sale or any term or provision of any section is held to be invalid, void, or unenforceable by any court of competent jurisdiction, the remaining sections or terms and provisions of a section shall continue in full force and effect without being impaired or invalidated in any way.

Governing Law and Enforcement The Parties agree that any agreements between the Parties including but not limited to these Conditions of Sale are entered into in Boston, Massachusetts, no matter where Bidder is situated and no matter by what means or where Bidder was informed of the Auction and regardless of whether catalogs, materials, or other communications were received by Bidder in another location.

The Parties agree that these Conditions of Sale, and any other related agreement(s) are governed by the laws of the Commonwealth of Massachusetts, without regard for its conflict of laws principles.

The Parties agree that any dispute related to or arising out of these Conditions of Sale, or related to or arising out of any other related agreement(s) shall be submitted to confidential binding arbitration (the “Arbitration”) before a single Arbitrator of the American Arbitration Association (the “AAA”). The Parties agree that the Arbitration shall be conducted pursuant to the commercial rules of the AAA. In the event that the Parties cannot agree on the selection of the Arbitrator, then the Arbitrator shall be selected by the AAA. The prevailing Party in the Arbitration shall be entitled to recover all of its related costs, whether before or after the formal institution of the Arbitration, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. The Parties agree that Bidder shall have no right to recover consequential or indirect damages, or lost profits damages.

The Parties consent to the enforcement of the decision in the Arbitration pursuant to the Federal Arbitration Act in either the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts.

Except as provided in Bidder’s Remedies with regard to the Certification of Authenticity, any dispute, claim, cause of action related to or arising out of these Conditions of Sale or any other agreement(s) between the Parties must be brought within one (1) year of the acts, omissions or circumstances giving rise to the alleged claim, without exceptions. This provision is intended as a full, complete and absolute release of any claims after one (1) year of such acts, omissions or circumstances. The Parties agree further that these waiver provisions are intended to be binding on all parties in the event of any dispute, specifically including but not limited to third party claims and cross-actions brought by either RR Auction or Bidder. These provisions are consideration for the execution of these Conditions of Sale.

The Bidder hereby agrees that RR Auction shall be entitled to present these Conditions of Sale to a court in any jurisdiction other than set forth in this paragraph as conclusive evidence of the Parties’ agreement, and the Parties further agree that the court shall immediately dismiss any action filed in such jurisdiction.

Notwithstanding the foregoing, RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration related to or arising out of any Auction of an item sold for less than $10,000. This right shall relate to the individual item price, such that RR Auction may, in its sole discretion, enforce its rights pursuant to these Conditions of Sale in the courts of the Commonwealth of Massachusetts or the United States District Court for the District of Massachusetts rather than in an Arbitration for items that in the aggregate exceed $10,000. The prevailing Party in such a proceeding shall be entitled to recover all of its related costs, whether before or

after the formal institution of the proceeding, including but not limited to its reasonable attorneys’ fees and, if RR Auction prevails, the Buyer’s Premium as defined in these Conditions of Sale. This right of enforcement is unique to RR Auction, and these Conditions of Sale are a waiver by the Bidder of any right to enforcement or adjudication outside of an Arbitration.

CONDUCT OF AUCTION Estimate Prices: In addition to descriptive information, each item in the Catalog sometimes includes a price range which reflects opinion as to the price expected at auction (the “Estimate Prices”). In other instances, Estimate Prices can be obtained by calling RR Auction at (603) 7324280. The Estimate Prices are based upon various factors including prices recently paid at auction for comparable property, condition, rarity, quality, history and provenance. Estimate Prices are prepared well in advance of the sale and subject to revision. Estimates do not include the Buyer’s Premium or sales tax (see under separate heading).

Owned or Guaranteed Property: RR Auction generally offers property consigned by others for sale at public auction; in very limited occasion, lots are offered that are the property of RR Auction.

Before the Auction: Bidder may attend pre-sale viewing for all of RR Auction’s auctions at no charge. All property to be auctioned is usually on view for several days prior to the sale. Bidder is encouraged to examine lots thoroughly. Bidder may also request condition reports (see below). RR Auction’s staff are available at viewings and by appointment.

Maximum Bids – All Auctions: To maximize Bidder’s chance of winning, RR Auction strongly encourages the use of maximum bids. RR Auction will then bid for Bidder until the lot reaches Bidder’s specified maximum. Maximum bids are strictly confidential. Placing arbitrary, non-incremental bids on lots with prior maximum bids may result in these lots being sold for less than 10% above the under Bidder’s bid.

Successful Bids: The fall of RR Auction’s hammer indicates the final bid. RR Auction will record the paddle number of the Bidder. If Bidder’s salesroom or absentee bid is successful, Bidder will be notified after the sale by mailed or emailed invoice.

Unsold Lots: If a lot does not reach the reserve, it is bought-in. In other words, it remains unsold and is returned to the Consignor. RR Auction has the right to sell certain unsold items after the close of the Auction.

Such lots shall be considered sold during the Auction and all these Terms and Conditions shall apply to such sales including but not limited to the Buyer’s Premium, return rights, and disclaimers.

Bidding—Timed Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing.

RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right. The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Any Bidder may bid on any lot prior to 6 pm EST/EDT. At that time, an extended bidding period goes into effect. If Bidder has not bid on a lot before 6 pm EST/EDT, Bidder may not bid on that lot after 6 pm EST/EDT. Only those Bidders who have placed bids on a lot before 6 pm EST/EDT will be allowed to bid on that lot after 6 pm EST/EDT. If Bidder is the only Bidder on a lot at 6 pm EST/EDT, that lot is awarded to Bidder. During the extended bidding period, a lot will remain open only to those who bid on that lot prior to 6 pm EST/ EDT. All lots WITHOUT an opening bid at 6 pm EST/EDT will remain OPEN to ALL Bidders until 7 pm EST/EDT or until they receive their first bid. These lots will close immediately upon receipt of a bid or at 7 pm EST/EDT, whichever comes first. For all lots that are active after 7 pm EST/EDT, bidding will remain open until 30 minutes pass without a bid being placed on THAT lot (the “30 Minute Rule”). The 30 Minute Rule is applied on a PER LOT BASIS; each lot in the Auction closes individually based on bidding activity after 7 pm EST/ EDT. On a PER LOT BASIS, the 30 minute timer will reset each time a bid is placed after 7 pm EST/EDT. If Bidder is the high Bidder, raising Bidder’s maximum bid will NOT reset the timer. RR Auction reserves the right to close the Auction at any time at its sole discretion.

Bidding - Internet – Live Auction: Bidder may open, monitor, and/or raise bids at any time before the close of a lot through www.rrauction.com. RR Auction offers a callback service the day of the Auction, but Bidder is responsible for supplying a correct telephone number(s) where Bidder can be reached until the Auction closes. Bidder must request this service in writing.

RR Auction will make reasonable efforts to ensure that Bidders who request a callback are contacted if outbid; however, RR Auction does not guarantee this service and it is merely a courtesy and not an enforceable right.

To ensure proper registration, those Bidders intending to bid via the Internet must visit www.RRauction.com and register accordingly at least one full day prior to the actual auction. Winning bidders will be notified by RR Auction. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids.

Property is auctioned in consecutive numerical order, as it appears in the catalog. The auctioneer will accept bids from those present in the salesroom or absentee bidders participating by telephone, internet or by written bid left with RR Auction in advance of the auction.

The auctioneer may also execute a bid on behalf of the consignor to protect the reserve, either by entering a bid in response to salesroom, telephone or absentee bids. Under no circumstances will the auctioneer place any bid on behalf of the consignor above the reserve. The auctioneer will not specifically identify bids placed on behalf of the consignor to protect the reserve.

During live Auctions, internet bids can be placed in real time through one or more of the following Third Party services: www.liveauctioneers.com, www.invaluable.com and www.icollector.com. RR Auction is not responsible or liable for any problems, delays, or any other issues or problems resulting out of use of the Internet generally or specifically, including but not limited to transmission, execution or processing of bids. RR Auction treats any third-party site bids as floor or telephone bids. Floor bids and telephone bids are always considered first over third party sites bids, and floor bids are considered earlier than telephone bids. All RR Auction lots purchased through the third party sites carry an additional Buyer’s Premium.

Miscellaneous: Agreements between Bidders and Consignors to effectuate a nonsale of an item at Auction, inhibit bidding on a consigned item to enter into a private sale agreement for said item, or to utilize RR Auction’s Auction to obtain sales for non-selling consigned items subsequent to the Auction, are strictly prohibited. If a subsequent sale of a previously consigned item occurs in violation of this provision, RR Auction reserves the right to charge Bidder the applicable Buyer’s Premium and Consignor a Seller’s Commission as determined for each auction venue and by the terms of the seller’s agreement.

Acceptance of these Terms and Conditions qualifies Bidder as a client who has consented to be contacted by RR Auction in the future.

In conformity with “do-not-call” regulations promulgated by the Federal or State regulatory agencies, participation by the Bidder is affirmative consent to being contacted at the phone number shown in his application and this consent shall remain in effect until it is revoked in writing. RR Auction may from time to time contact Bidder concerning sale, purchase, and auction opportunities available.

Rules of Construction: RR Auction presents properties in a number of collectible fields, and as such, specific venues have promulgated supplemental Terms and Conditions. Nothing herein shall be construed to waive the general Conditions of Sale by these additional rules and shall be construed to give force and effect to the rules in their entirety.

Glossary of Condition terms For decades, RR Auction has led the industry in providing an accurate and detailed condition statement for each item that we sell.

Starting in 2016 we’ve decided to take a fresh approach to describing each item’s condition.

As our website and catalog images continually improve, and bidders can see obvious details from those excellent images, we’ve decided to simplify things, using the same terminology to describe an item’s overall condition (on an ascending scale of 1 to 4: good, very good, fine, very fine), but only adding specific details, if any, that would not be obvious from the illustration.

VERY FINE describes an item in virtually flawless condition, and is used sparingly for items of exceptionally attractive appearance.

FINE is the most common statement of condition, and applies to most items that we offer. It describes items that show expected handling wear, generally acceptable random flaws (such as light creases, small bends, etc.), and an overall appearance that is pleasing to the majority of collectors.

VERY GOOD describes an item that exhibits more moderate flaws (such as toning, light staining, professional reinforcements or repairs, etc.). Most collectors would be comfortable with items in very good condition, and this would be the expected condition for many formats (early presidential documents, for example).

GOOD describes an item with obvious visible flaws, including heavy wear, missing portions, or repairs that affect appearance; generally items in this condition are offered only if an item is otherwise exceedingly rare or important.

Of course we’re more than happy to provide more in-depth information about any item via phone or email. We hope this new system will make for easier reading and a more pleasant bidding experience.

WE ARE

TUNING UP OUR NEXT MarVELS OF MODERN

MUSIC AUCTION Will Be THIS NOVEMBER Be a part of our future record-breaking sales Now accepting consignments for our next music auction.

Please contact the auction's director, Jon Siefken, at (603) 732-4280, or via email at Jon.Siefken@RRAuction.com

WE ARE CURRENTLY SEEKING CONSIGNMENTS FOR MANY OF OUR EXCITING SALES

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T. 1976 ES

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APOLLO 11 SCIENCE AND TECHNOLOGY SPORTS ANIMATION

www.RRAuction.com

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(603) 732-4280

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Boston, Massachusetts