Poetry of Light- Metal Handicrafts Museum- Rose Mary Ben-Cept University

Student Code & Name

PID22290 Rose Mary Ben

Faculty of Architecture

CEPT University

Tutor and Co-Tutor

Shailee Trivedi & Vaibhavi Thakkar Desai

Teaching Associate

Reeya Detroja

First Edition: This is an academic publication outlining the details of Post Graduate L4 studio unit conducted for the students enrolled in Masters of Interior Design for Academic Year 2022-2023.

All rights reserved. No part of this book may be reprinted or reproduced in any form, including photocopy and recording without the permission in writing granted from the publishers.

Copyright: Faculty of Architecture, CEPT University

The Team

Vaibhavi Thakkar

Shailee Trivedi

TA - Reeya Detroja

Nikita Johar

Jahnavi Sharma

Rutuja Sahane

Fadaya

Sayali Khadse

Rose Mary Ben

Sribaschha Lenka

Janhavi Jadhav

Roshni Praveen Kumar Megha Tanwar

3.1.

3.2.

3.3.

3.4

3.5

00 About the Studio

Brief & Intent:

This exercise aims to initiate students into the poetic and communicative language of light. Video is shared with students, to which they are encouraged to express their understanding of light in an imaginative and abstract manner. Through doodling, sketches, and written expression, students embark on a journey to articulate their personal dialogue with light, fostering a deeper connection and appreciation for its nuances.

Learning Outcomes:

• Cultivate a poetic sensibility

• Expressive communication

• Critical observation

• Conceptual understanding

1.1 Dialogue through Light

01 Introducing Light

Dialogue through Light

The identified key terms that illustrate the ways light influences human perception. This mind map illuminates the intricate relationship between light and perception.

1.2 Movie Clippings

Brief & Intent:

This exercise seeks to expand students’ understanding of light by exploring its role in cinematic storytelling. By selecting specific words from Exercise 1, students are tasked with identifying and analyzing how light is choreographed in movie scenes to evoke mood, convey narrative themes, and manipulate audience perception.

Learning Outcomes:

•Through this exploration, students learn to apply principles of lighting design in a narrative context, enhancing their ability to orchestrate light to create compelling spatial experiences.

•How lighting can transform spatial experiences, influencing human perception and interaction with architectural environments.

Evokes Emotions

From Avengers Endgame

Reveals

From Arrival

Total Duration of the clip: 30 Secs

Total Duration of the clip: 8.85 Secs

Informs

From Bajirao Mastani

Total Duration of the clip: 52 Secs

1.3 Role of Light through Case Studies

Basilica Cistern Yerebatan

Sarnıcı

Turkey

Lighting Concept

Light as a transformative storyteller, shifting hues and textures with precision.

Case Study 1

Kimbel Art Museum

Texas

Lighting Concept

Light as a precise and discreet enhancer, sculpting artworks in focused brilliance.

Case Study 2

The Running Bean Cafe

Vietnam

Lighting Concept

Light as a strategic tool for texture enhancement and spatial emphasis.

Case Study 3

Tori Tori Santa Fe

Mexico

Lighting Concept

Light as a poetic dance of contrasts: illuminating shadows, shaping serenity.

Case Study 4

Isha Yoga & Meditation

Centre

Vadodara

Lighting Concept

Light as an artful embrace, softly accentuating textures for a serene, warm ambience

Case Study 5

Devi Ratn Hotel

Jaipur

Lighting Concept

Light as a transformative blend of natural and artificial illumination.

Case Study 6

Loft 38

Bangalore

Lighting Concept

Light as defining the ambiance through violet and orange hues, highlighting structural edges for a visually appealing interior.

Case Study 7

Darwin Bucky Gallery

Ahmedabad

Lighting Concept

Light as architectural destiny, enhancing space with strategic angles and gradations.

Case Study 8

Vernon Skin Studio

Hyderabad

Lighting Concept

Light as - Futuristic, Sci-fi, Clean, Sleek, Monochrome, Geometric, Emphasise.

Case Study 9

Hurva Synagogue

Jerusalem

Lighting Concept

Light as Symbolic Devotion: creating a surreal and spiritual ambience

Case Study 10

Crematorium

Baumshulenweg

Berlin

Lighting Concept

Light as Symbolic of Hope: Celebrating Space

Case Study 11

Arab World Institute (AWI)

Paris

Lighting Concept

Light as a responsive and dynamic tool, managed by a unique building system.

Case Study 12

By Rose Mary Ben

Bahá’í temple

Santiago

Lighting Concept: Light as a dynamic interplay of nature, structure, and illumination, shaping space with minimal frames and rhythmic repetition.

Louvre Abu Dhabi

Abu Dhabi

Lighting Concept

Haiku Effect

Case Study 13

Case Study 19

Sun Temple Modera

Gujarat

Lighting Concept

Light as a functional and aesthetic element: Rain of light

Case Study 14

Padmanabhaswamy Temple

Kerala

Lighting Concept:

Light as strategically diffused, anti-glare, and aligned for optimal orientation.

Case Study 15

Loyola Chapel, TVM

Kerala

Lighting Concept Light as a filter

Case Study 16

Brick Bond showroom

New Delhi

Lighting Concept

Light as a tool for divine presence, contrast, focus, and serenity.

Case Study 17

Rome

Lighting Concept: Light as a Timekeeper: Symbolic Illumination

The Lords House

Kerala

Lighting Concept

Light sculpting space through cross-shaped openings, creating mesmerizing Tyndall effects and evoking emotions through surreal contrasts.

Case Study 18

1.4 Market Survey of Lighting Fixtures

Summary:

ffers a wide array of LED fixtures designed to be

ting

lso manufacture traditional candescent bulbs, halogen

provides outdoor lighting ghts, garden lights, and

commercial lighting range

r offices, retail spaces, and

offerS products that can be tphone apps or integrated

0,000- 40,000

Brief & Intent:

Do a market survey to understand and familiarize yourself with the lighting vocabulary describing the lighting / lighting systems. Understand the properties such as type of lamp, beam angle, temperature, CRI, Lumens, Wattage, Capacity, Typology (Industrial / Commercial / Residential / Other).

Learning Outcomes:

The students developed the ability of investigating, inquiring the elements and format the information. The students understood the vocabulary which became the base for them to utilize it appropriately in the upcoming exercises and the final project.

Arkoslight is the Premium Partner at DIALux

ArkosLight stands out as a premium partner at DIALux, offering a comprehensive range including ceiling, track, custom systems, and outdoor lamps. Their emphasis on custom solutions allows for tailored designs and high-quality illumination, boasting a 50,000hour capacity, CCT from 2700 to 4000K, and CRI surpassing 90. However, this quality and customization come at a higher price range, starting from Rs. 10,000 up to Rs. 1,00,000.

Summary:

They have a range of products in ceiling, recessed, surface, suspension, wall, floor, portable, Track lights, custom systems, outdoor lamps and other accessories

Track Lights: Track lighting systems consist of tracks installed on the ceiling or wall, with adjustable fixtures that can be positioned along the track to direct light where needed

Custom Systems: Custom lighting systems are tailored to specific project requirements, allowing for unique designs and configurations These systems are often used in architectural lighting projects or large-scale installations where standard fixtures may not meet the design criteria

Capacity of Light (hours) - 50,000

Price range- Rs 10,000 -1,00,000

CCT- 2700-4000

CRI>90

Crompton’s LED and traditional lighting products cater to energy efficiency and longevity, suitable for residential and commercial spaces. Their outdoor and smart lighting options enhance security and convenience, with a capacity ranging from 10,000 to 40,000 hours and prices from Rs. 250 to Rs. 6,000. The colour temperature (CCT) spans from warm to cool tones (27006500K), with a Colour Rendering Index (CRI) exceeding 80.

Summary:

LED Lighting: Crompton offers a wide array of LED bulbs, tubes, panels, and fixtures designed to be energy-efficient and long-lasting

Outdoor Lighting: Crompton provides outdoor lighting solutions including floodlights, garden lights, and security lights

Capacity of Light (hours) - 50,000

Price range-Rs 750- 3000

CCT- 2700-4000

CRI>80

Rangelight focuses on LED and outdoor lighting, emphasizing energy efficiency and durability with a 50,000-hour capacity. Their products range from Rs. 750 to Rs. 3000, with CCT options of 2700 to 4000K and a CRI exceeding 80. While not as customizable as ArkosLight, Rangelight offers reliable and costeffective lighting solutions suitable for various applications.

02 Light Analysis and Synthesis

Analysis of Transcendental Lighting in Adalaj NI Vav’s Central Shaft

To explore transcendent lighting techniques in Adalaj Stepwell, analysing lighting dynamics at the top, centre, and bottom of the shaft to enhance the immersive and spiritual ambiance.

Scope:

The research delves into the relevance of transcendent lighting, analysis of lighting along the central shaft, and drawing inferences for creating transcendental spaces.

Abstract :

This research explores how transcendent lighting enhances the spiritual ambiance of Adalaj Stepwell, utilizing data collection, site visits, and analysis to understand light dynamics and symbolic significance.

Adalaj NI Vav’s Central Shaft

Research Methodology:

The methodology involves on-site observations, data collection through photographs and videos, literature review, and analysis of lighting patterns, architectural elements, and symbolism.

Observation:

Symbolism at the Top of the Shaft: The interplay of light symbolizes enlightenment and spiritual connection, reflecting the journey from earthly to divine realms within the stepwell.

Diffused Light in the Centre of the

Shaft:

Width of Openings: The varying width of openings influences light distribution, creating an atmospheric ambiance within the central shaft.

Ornamentations: Ornate surfaces act as diffusers, scattering light and creating a soft, diffused lighting environment that enhances the structure’s aesthetic and spiritual aspects.

High Contrast at the Bottom of the Shaft: Reflections of Water: Water surfaces amplify light, contributing to a radiant atmosphere and enhancing the spiritual significance of the space.

Sequence of Dark and Lit Areas: Alternating light conditions create contrast, manipulating spatial perception and adding drama to the architectural experience.

Analysis:

a. Site visit and an observation of the space was conducted on 26/ 1/2024. Data in the form of photographs taken during multiple intervals from the course of one day. Measurements of the space and architectural drawings have been

Timelapse of direct light falling on Central Shaft of Adalaj Ni Vav

Relationship with ground water level and top lighting

2.2 Play Of Light

Brief & Intent

Create criterias that are developed considering the daylight, and create a 3D model to understand the light behaviour.

The main shell of the model can be made using any material and in any form. It should contain in 1ft x 1ft x 1ft.

Study should incorporate:

• A model/ box of any size with apertures where you have the possibility to use light source from outside as well as inside and play happens with light and shadows.

• There should be possibilities to explore with internal surfaces and light sources too.

• Unconventional materials in combination

• Play with apertures, light sources, filters and internal surfaces

Learning Outcomes:

Ability to understand how light affects and effects the interior spaces and its interaction with different materials.

Ability to create and understand sciography in space.

Envelope

of Rays

In Adalaj Ni vav,The reflections of water does’nt cast textures. This exercise will be to test the how the light, ornamentations and water affect the refelctions and textures of water and the overall brightness of the space.

“Examining the Influence of Water and Ornaments on Light- Exploded view of the form showing all layers”

Overall Concept

The lighting study aims to investigate how light, ornamentations, and water interactions influence reflections, textures, and the overall brightness of the space, focusing on diffusion, caustics, and material properties.

Concept for lighting study

The overall concept is to create a controlled environment with a cuboidal structure where different wall textures and lighting conditions can be tested using water reflections, ornamentations, and diffused light to understand their impact on the space’s ambiance and visual qualities.

Concept

for form

The form concept involves a cuboidal structure with removable walls, allowing experimentation with different textures. An opening in the front wall facilitates viewing and documenting the space. A water tub at the top serves as a reflective surface, and light passing through it acts as the only light source.

Parameters for form and lighting study

Parameters include variations in wall textures, light sources (direct and diffused), and surface finishes to analyze how changes in these elements affect the brightness, reflections, and textures within the space.

Materials - what and why?

Materials like White MSEAL/Clay with textured surfaces are chosen for their non-reflective, lightabsorbing properties, reducing glare and creating softer light. Mirrors are used for high reflectivity, doubling water reflections. Colored acrylics enhance brightness and introduce mood-altering colors. MDF serves as a neutral backdrop for experimentation.

Method of Analysis

The analysis involves observing changes in overall brightness, the softness or sharpness of reflections, the visibility of glints, and the influence of different surface finishes and lighting conditions on the space’s ambiance and visual effects.

M-seal layer

Red Acrylic

Mirror

Final Model

Analysis using multiple filters and direct and indirect light

3.1 Program Briefs and concepts

Metal Handicrafts Museum

Museum/ Interpretation Center

Program Brief: The museum and interpretation center project has a primary focus on showcasing metal handicrafts originating from Sihor and Bhavnagar. Additionally, the museum will be exhibiting royal metal products that were part of daily life, including culinary tools, bath accessories, and a diverse range of artifacts.

Concept: The idea is to create a visually captivating and immersive experience for visitors by using light and lighting fixtures that highlight the unique qualities of copper, brass, and silver.

3.3 Space Planning and Organization

Regular Visitor’s Circulation

Workshop User’s Circulation

Staff Circulation

Ground floor plan

First floor plan

3.4 Lighting Strategies and Experiences

Lighting Concept

CASE STUDY

Dining set room- Drawings and lighting strategies

Dining set room- Renders

Cutlery Display room-lighting concepts and ren-

Cutlery Display room-lighting concepts and ren-

Wall grazing

Highlighting

Renders Without and without the frosted glass layer- Axis from which 3 different colour temperatures are visible

Adding frosted glass arches to further frame the axis

Copper bottle display room- Drawings and strate -

Bottles and Vases Display room- Drawings and lighting strat-

Mix metal display room- Drawings and strategies

Creating partial enclosures for the displays tocut the daylight falling on the display

Mannequin/statue display room- Drawings and strategies

Dynamic light changes:

Dynamic Lighting Changes: Incorporate dynamic lighting changes that transition slowly, creating a mesmerizing effect as visitors move through the exhibition space. This can be achieved through programmable LED lights or dimmable fixtures.

Daylight stategies-Renders

The sculture park is designed in such a waythat it connects to all the blocks via the pathways making users to traverse through the park ans see all the sculptures.

The park is oriented such that the seatings gets shaded during the evenings with is the peak time for using the park

Metal lattice which is an already existing jalli pattern in Sardhar Darbargadh is chosen as an as an element to generate the daylight interpretation

Light that fliters throught the trees and then passing through that jalli keeps changing with respect to the movement of leaves due to the wind. hence creating a flickering shadows

3.5 Lighting Estimation

“ Light through frosted glass softly falls, On metal crafts, it gently calls. Spots of light, through glass, doth shine, In poetry of light, a shimmering sign. “