


ANDREAS DELFS, MUSIC DIRECTOR
JEFF TYZIK, PRINCIPAL POPS CONDUCTOR
CHRISTOPHER SEAMAN, CONDUCTOR LAUREATE
The Christopher Seaman Chair, Supported by Barbara and Patrick Fulford and The Conductor Laureate Society
JHERRARD HARDEMAN, ASSISTANT CONDUCTOR
The Louise and Henry Epstein Family Education and Community Engagement Chair
The safety of patrons, musicians, and staff is of the utmost importance.
Following the University of Rochester masking protocols and guidelines, masking is currently optional at Eastman Theatre.
Dear RPO Patrons, Donors, Community Partners, and Sponsors, It is great to see you back.
And for those hearing our orchestra for the first time, we promise you are about to experience something special.
Following our spectacular Centennial Season, RPO Music Director Andreas Delfs opens our 24/25 Philharmonic series with Tchaikovsky’s exhilarating Symphony No. 5 and closes with Stravinsky’s explosive The Firebird. In between, RPO Principal Pops Conductor Jeff Tyzik kicks off his 31st season paying homage to everyone from disco divas to The Rat Pack. And RPO Assistant Conductor and RPYO Music Director Jherrard Hardeman returns to lead our community, education, and family programs, and take our youth orchestra to new, exciting places.
Of course, many of your longtime holiday favorites return: Handel’s Messiah, Tyzik’s Gala Holiday Pops, and special edition of The Nutcracker as we celebrate a quarter-century of collaboration with Rochester City Ballet. Finally, the weekend before Thanksgiving, hometown favorite Thomas Warfield gives us all something to be thankful for when he joins the RPO to narrate Prokofiev’s beloved Peter and the Wolf.
While we treasure those RPO traditions, and our roles as the community’s resource for and advocate of classical music, we also understand the key to surviving the present is looking to the future.
This season, for the first time in the RPO’s 100-year history, you can enjoy part of our Philharmonics season on Sunday afternoons at Eastman Theatre – starting with our opening weekend. We will also be introducing our Voices of Today initiative -- RPO’s commitment to creating, performing, and recording new works. Stay tuned for more on this exciting and gamechanging new endeavor.
Of course, without your support, none of this would be possible. At our Centennial Gala in May we announced that the RPO has raised over $25 million towards a $50 million goal in the first two years of a five-year RPO& Comprehensive Capital Campaign. The campaign will grow the orchestra’s endowment and provide critical funding for both traditional RPO programs and new initiatives, assuring our ability to serve future generations of Rochesterians. To reach our goal over the final three years of the campaign we’ll need the community’s continued generosity and support for our mission to inspire, engage, and enrich lives through music.
And speaking of community support, a big thank you to our 24/25 returning corporate partners which include Season Sponsor M&T Bank, Philharmonics Series Sponsor St. Ann’s Community, Pops Series Sponsors Canandaigua National Bank and Wegmans Food Markets, RPYO Series Sponsor Pittsford Federal Credit Union, and Hospitality Partner Grace & Disgrace, and a special welcome to new Sunday Matinees at Naz Series Sponsor Kimbo Coffee.
With our sincerest gratitude,
CURT LONG, PRESIDENT & CEO
DIANA CLARKSON, ESQ., BOARD CHAIR
Juliana Athayde+, Concertmaster
The Caroline W. Gannett & Clayla Ward Chair, funded in perpetuity
Shannon Nance, Assistant Concertmaster
Jeongwon Claire An Tigran Vardanyan
James Zabawa-Martinez
Thomas Rodgers
Anna Leunis
Molly McDonald
Kurt Munstedt
Perrin Yang
Jeremy Hill
An-Chi Lin
Jeanelle Thompson, Principal
The Dr. Ralph F. Jozefowicz Chair
Daryl Perlo, Assistant Principal
The James E. Dumm Chair, funded in perpetuity
Patricia Sunwoo
John Sullivan
Lara Sipols
Sooyeon Kim
Petros Karapetyan
Liana Koteva Kirvan
Margaret Leenhouts
Heidi Brodwin
Ellen Stokoe
VIOLA
Joshua Newburger, Principal
The William L. Gamble Chair, funded in perpetuity
Marc Anderson, Assistant Principal
Rebecca Christainsen
James Marshall
Olita Povero
Neil Miller
Melissa Matson
Ye In Son
David Hult
Ahrim Kim, Principal
The Clara and Edwin Strasenburgh Chair, funded in perpetuity
Lars Kirvan, Assistant Principal
Samuel Pierce-Ruhland
Christopher Haritatos
Benjamin Krug
Jennifer Carpenter
Ingrid Bock
Cory Palmer, Principal
The Anne Hayden McQuay Chair, funded in perpetuity
Michael Griffin, Assistant Principal
Daniel Morehead
Edward Castilano
Fred Dole
Jeff Campbell+
Eric Polenik
FLUTE
Rebecca Gilbert, Principal
The Charlotte Whitney Allen Chair, funded in perpetuity
Sean Marron
Elise Kim
PICCOLO
Sean Marron
Elise Kim
OBOE
Erik Behr, Principal
The Dr. Jacques M. Lipson Chair, funded in perpetuity
Anna Steltenpohl
Megan Kyle
ENGLISH HORN
Anna Steltenpohl
CLARINET
Kenneth Grant, Principal
The Robert J. Strasenburgh Chair, funded in perpetuity
Kamalia Freyling
Andrew Brown
E-FLAT CLARINET
Kamalia Freyling
BASS CLARINET
Andrew Brown
BASSOON
Matthew McDonald, Principal
The Ron and Donna Fielding Chair, funded in perpetuity
Karl Vilcins
Martha Sholl
CONTRA-BASSOON
Karl Vilcins
HORN
Michael Stevens, Principal
The Cricket and Frank Luellen Chair
YiCheng Gong, Associate/Assistant/Utility
Maura McCune Corvington
Nathan Ukens
Stephen Laifer
TRUMPET
Douglas Prosser, Principal
The Elaine P. Wilson Chair, funded in perpetuity
Wesley Nance
Herbert Smith
Paul Shewan
TROMBONE
David Bruestle, Principal
The Austin E. Hildebrandt Chair, funded in perpetuity
Lisa Albrecht
Jeffrey Gray
BASS TROMBONE
Jeffrey Gray
TUBA
W. Craig Sutherland, Principal
The Rob W. Goodling Chair, funded in perpetuity
Charles Ross, Principal
The Harold and Joan Feinbloom Chair, funded in perpetuity
PERCUSSION
Brian Stotz
The Barbara and Patrick Fulford Chair, funded in perpetuity
HARP
Grace Browning, Principal
The Eileen Malone Chair. A Tribute to Mr. and Mrs. Harcourt M. Sylvester
Rosanna Moore
KEYBOARD
Chiao-Wen Cheng+, Principal
The Lois P. Lines Chair, funded in perpetuity
PERSONNEL MANAGER
Fred Dole
PRINCIPAL LIBRARIAN
Kimberly Hartquist
Kathalee & Ian Hodge Library
Operation Endowment
STAGE MANAGERS
Danielle Suhr
Cederick Martinez + Eastman faculty
The Rochester Philharmonic Orchestra’s 24/25 season marks a milestone for Music Director Andreas Delfs, whose debut with the RPO was November 17, 1994. Many return appearances and more than 25 years later, Maestro Delfs was announced as the RPO’s 13th music director in January 2021.
Since then, Delfs has been pivotal in leading the orchestra out of the depths of the pandemic through the RPO’s history-making 23/24 Centennial Season: breaking box-office records with blockbuster programming and A-list special guests, while also climbing to new artistic heights with world-premiere commissions and acclaimed community collaborations.
Not one to rest on the laurels of those successes, Delfs is using them to inspire the orchestra to thrive into its second century. “You always have to move forward,” he explained. “And the only way to follow a breath-taking anniversary season is to build on its momentum.”
Born in Flensburg, Germany, Delfs began studying piano and music theory at age five. By 20, he became the youngest music director in the history of the Hamburg University Orchestra. Following graduation from Hamburg Conservatory, he followed the recommendation of legendary German conductor Christoph von Dohnányi, and took off for New York, where he earned his master’s degree at Juilliard School of Music, studying under such legendary conductors as Jorge Mester, Sixten Ehrling, and Leonard Bernstein.
Delfs soon landed posts at the Pittsburgh Symphony Orchestra and the Swiss Youth Symphony Orchestra (SYSO). He served as general music director of Hanover, Germany, conducting the city’s renowned symphony orchestra and opera company.
As music director and conductor of the Milwaukee Symphony Orchestra, Delfs led the orchestra on its historic 1999 tour of Cuba, the first by an American orchestra in more than 37 years. During his tenure in Milwaukee Symphony, he was instrumental in the symphony’s rise to national prominence.
Andreas Delfs has led scores of distinguished ensembles such as the London Philharmonic, Frankfurt Radio Symphony Orchestra, Los Angeles Philharmonic, and Beijing Symphony Orchestra. He has partnered with world-renowned artists including Philip Glass, André Watts, Emanuel Ax, Joshua Bell, Hilary Hahn, Yo-Yo Ma, Lang Lang, and Renée Fleming.
While Delfs’ approach to conducting has been forged by decades of experience, his love of new music is undeniable. Over the last two seasons alone, he has overseen RPO commissions by such highly regarded composers as Derrik Skye, Roberto Sierra, James Lee III, and Aaron Jay Kernis.
His passionate and dramatic interpretations of the late romantic repertoire with orchestras in both North America and Europe have drawn critical acclaim, reflecting a constantly evolving artistic maturity marked by the insight, depth and integrity he brings to the podium.
He and wife Amy live east of Rochester in the hamlet of Pultneyville, surrounded by their children, a grandchild, and Casper the Spitz.
Grammy Award winner Jeff Tyzik is one of America’s most innovative and sought after pops conductors. Tyzik is recognized for his brilliant arrangements, original programming, and engaging rapport with audiences of all ages. Tyzik is celebrating 31 years as Principal Pops Conductor of the Rochester Philharmonic Orchestra and also serves as Principal Pops Conductor of the Dallas Symphony Orchestra and Oregon Symphony. Tyzik made his debut with the New York Philharmonic in September 2023 and closed the 23/24 season conducting the Philadelphia Orchestra.
Frequently invited as a guest conductor, Tyzik has appeared with over 100 orchestras including the Boston Pops, Cincinnati Pops, New York Philharmonic, Milwaukee Symphony, Pittsburgh Symphony, Toronto Symphony, Indianapolis Symphony, Philadelphia Orchestra, Los Angeles Philharmonic, and the Royal Scottish National Orchestra. In May 2007, the Harmonia Mundi label released his recording of works by Gershwin with pianist Jon Nakamatsu and the RPO which stayed in the Top 10 on the Billboard classical chart for over three months. Alex Ross of The New Yorker called it “one of the snappiest Gershwin discs in years”.
In 2023, Jeff Tyzik launched his new publishing company TyzikMusic.com. This digital site features over 150 arrangements, orchestrations and compositions for Symphony Orchestra, Chamber Music ensembles, and Wind Ensemble.
Committed to performing music of all genres, Tyzik has collaborated with such diverse artists as Leslie Odom Jr., Megan Hilty, Chris Botti, Matthew Morrison, Wynonna Judd, Sutton Foster, Tony Bennett, Art Garfunkel, Dawn Upshaw, Marilyn Horne, Arturo Sandoval, The Chieftains, Mark O’Connor, Doc Severinsen, and John Pizzarelli. He has created numerous original programs that include the greatest music from jazz and classical to Motown, Broadway, film, dance, Latin, and swing. Tyzik holds Bachelor of Music and Master of Music degrees from the Eastman School of Music.
With co-producers Greenberg Artists and Schirmer Theatrical, Jeff Tyzik has created 20 new orchestra pops programs that have been presented by 150 orchestras in the past three seasons.
For more information about Jeff Tyzik, please visit www.TyzikMusic.com
The Christopher Seaman Chair, supported by Barbara and Patrick Fulford and The Conductor Laureate Society
Christopher Seaman was music director of the RPO from 1998-2011, and was subsequently named conductor laureate. During his 13-year tenure, the longest in RPO history, he raised the Orchestra’s artistic level, broadened its audience base, and created a new concert series. This contribution was recognized with an award from the American Society of Composers, Authors, and Publishers. In May 2009, the University of Rochester made him an honorary doctor of music.
Previous positions include music director of the Naples Philharmonic Orchestra (Florida) for 10 years, conductor-in-residence with the Baltimore Symphony Orchestra, and artistic advisor of the San Antonio Symphony.
He is recognized for his wealth of repertoire, which ranges from baroque to contemporary, and in particular the works of Bruckner, Brahms, and Sibelius. Seaman also is highly regarded for his work with younger musicians, and he served as course director for the Symphony Services International Conductor Development Program (Australia) for many years.
Recent conducting engagements include the Aspen Music Festival, Detroit, Houston, St. Louis, Cincinnati, Milwaukee, and Seattle symphony orchestras; the Warsaw Philharmonic Orchestra, Kristians Symphony Orchestra, Orchestra of Opera North, and Orquestra Filarmônica de Minas Gerais in Brazil. He frequently visits Australia and Asia where he has conducted the Hong Kong Philharmonic Orchestra and the National Taiwan, Sydney, Melbourne, Adelaide, and Singapore symphony orchestras, among others.
The Louise and Henry Epstein Family Education and Community Engagement Chair Jherrard Hardeman begins his second season with the RPO as Assistant Conductor (The Louise and Henry Epstein Family Education and Community Engagement Chair). Hardeman serves as Music Director of the Rochester Philharmonic Youth Orchestra (RPYO).
A rising star in the symphonic world, Hardeman leads the RPO’s signature OrKIDStra family series, education concerts at Kodak Hall, concerts for the community and beyond, and our July summer series.
By his mid-teens, Detroit native Hardeman was already attracting national attention as a classical conductor, composer, and violinist. He studied orchestral conducting under internationally renowned conductors David Robertson at The Juilliard School. Hardeman notes he cannot overstate the importance of mentorships by conductors Mei-Ann Chen, Music Director of the Chicago Sinfonietta, and Kevin Noe, Executive Artistic Director of the Pittsburgh New Music Ensemble.
Hardeman has appeared with the Seattle Symphony, Grosse Pointe Symphony, Juilliard Orchestra, Juilliard Jazz Orchestra, Baldwin Wallace Conservatory Symphony Orchestra, and the Longy Conservatory Orchestra. An innate leader, he has also formed and/or conducted orchestras at such prestigious institutions as the New England Conservatory of Music, Interlochen Center for the Arts, Blue Lake Fine Arts Camp, and the AVANTI Summer MusicFest.
Maintaining and operating the Rochester Philharmonic Orchestra (Founded in 1923 —Incorporated in 1930)
Diana Clarkson, Esq., Chair of the Board
Curtis S. Long, President & CEO
Cindy Yancey, Vice Chair of the Board
Kathy Lindahl, Vice Chair of the Board
Karen Kessler, Secretary
Richard Stein, Treasurer
Ross P. Lanzafame, Esq., Immediate Past Chair
TERM EXPIRES JUNE 2025
James Fulmer
Laurie A. Haelen
Ralph F. Jozefowicz. M.D.
Karen Kessler
Ross P. Lanzafame, Esq.
Deborah Onslow
Ronald E. Salluzzo
Jason Thomas
TERM EXPIRES JUNE 2026
Daisy R. Algarin
Diana Clarkson, Esq.
George Daddis
Catherine Frangenberg
Allyson Hiranandani
Dr. Diane Lu
Sujatha Ramanujan
Elizabeth F. Rice
Dr. Eva P. Sauer
George J. Schwartz, M.D.
Richard Stein
Thomas Warfield
Dr. James Watters
Brian Bennett
Kimberly Gangi
Catherine Gueli
Emerson Fullwood
Paulette Gissendanner
Zuzanna Kwon
Katherine Lindahl
Jack McGowan
Sidney Sobel, M.D.
Cindy Yancey
EX-OFFICIO
Patrick Fulford
Chairperson, Honorary Board
Lars Kirvan
Orchestra Representative
Erik Behr
Orchestra Representative
Ross P. Lanzafame, Esq., Immediate Past Chair
Curtis S. Long President & CEO
Kate Sheeran
Dean, Eastman School of Music
HONORARY BOARD
Patrick Fulford, Chairperson, Honorary Board
Stephen B. Ashley
Nancy Beilfuss*
James M. Boucher
Paul W. Briggs*
William L. Cahn
Louise Epstein
Joan Feinbloom
Ilene Flaum
Betsy Friedman
Ronald A. Furman*
Mary M. Gooley*
Suzanne Gouvernet*
David C. Heiligman
A. Thomas Hildebrandt
Harold A. Kurland, Esq.
Dr. Dawn F. Lipson
Jacques M. Lipson, MD* Cricket and Frank Luellen*
Elizabeth F. Rice
Nathan J. Robfogel, Esq.
Jon L. Schumacher, Esq.
Katherine T. Schumacher
Betty Strasenburgh*
Josephine S. Trubek
Suzanne D. Welch
Patricia Wilder*
Deborah Wilson
Robert Woodhouse
The RPO expresses its gratitude to all those who have served as Honorary Board members in the past.
1930–32: Edward G. Miner*
1932–34: Simon N. Stein*
1934–38: George E. Norton*
1938–41: Leroy E. Snyder*
1941–42: Frank W. Lovejoy*
1942–43: Bernard E. Finucane*
1943–46: L. Dudley Field*
1946–48: Edward S. Farrow, Jr. *
1948–51: Joseph J. Myler*
1951–52: Joseph F. Taylor*
1952–55: Raymond W. Albright*
1955–57: Arthur I. Stern*
1957–59: Thomas H. Hawks*
1959–61: Walter C. Strakosh*
1962–63: Ernest J. Howe*
1963–65: O. Cedric Rowntree*
1965–67: Frank E. Holley *
1967–69: Thomas C. Taylor*
1969–71: Thomas H. Miller*
1971–72: Mrs. Frederick J. Wilkens*
1972–73: Edward C. McIrvine
1973–74: Robert J. Strasenburgh*
1974–75: John A. Santuccio
1975–76: Robert J. Strasenburgh*
1976–78: Dr. Louis Lasagna*
1978–80: Edward C. McIrvine
1980–82: Peter L. Faber
1982–84: Paul F. Pagerey*
1984–85: Peter L. Waasdorp*
1986–89: Robert H. Hurlbut*
1989–91: Paul W. Briggs*
1991–93: Karen Noble Hanson*
1993–95: Ronald E. Salluzzo
1995–98: A. Thomas Hildebrandt
1998–00: Harold A. Kurland, Esq.
2000–04: David C. Heiligman
2004–06: Ingrid A. Stanlis
2006–09: James M. Boucher
2009–11: Suzanne D. Welch
2011–13: Elizabeth F. Rice
2013–15: Dr. Dawn F. Lipson
2015-17: Jules L. Smith, Esq.
2017-19: Ingrid A. Stanlis
* Deceased
2 PM
For Andreas Delfs’ biography, please see page 7. Anna Steltenpohl, cor anglais SUN SEPT 15
NAZARETH UNIVERSITYBESTON HALL
Andreas Delfs, conductor
JOHANN SEBASTIAN Orchestral Suite No. 3 in D Major, 20:00 BACH BWV 1068
I. Overture
II. Air
III. Gavotte
IV. Bourrée
V. Gigue
WILLIAM ALWYN Autumn Legend 11:00
INTERMISSION
LUDWIG VAN Symphony No. 2 in D Major 32:00 BEETHOVEN
I. Adagio molto
II. Larghetto
III. Scherzo
IV. Allegro molto
SEASON SPONSOR:
SERIES SPONSOR:
LYDIA PALMER, FINANCIAL REPRESENTATIVE ALLIANCE ADVISORY GROUP
We kindly ask you to please silence all cellphones and electronic devices. Also, please note that photography and video recordings are prohibited during the performance.
CONCERT SPONSOR: CONNECT WITH US:
ANNA STELTENPOHL, cor anglais
Currently in her 16th season with the Rochester Philharmonic Orchestra, Anna Steltenpohl is a graduate of the Curtis Institute of Music and The Juilliard School. Her teachers have included Elaine Douvas, Nathan Hughes, and Richard Woodhams. She has performed as principal oboe with the New York City Ballet Orchestra, Honolulu Symphony (under Maestro Delfs,) Orpheus Chamber Orchestra, and New Jersey Symphony. Ms. Steltenpohl has also played English Horn with the Buffalo Philharmonic Orchestra, Atlanta Symphony Orchestra, and the Philadelphia Orchestra. She attended the Pacific Music Festival and the Aspen Music Festival and School. Anna last appeared with the RPO during the 2013 season, performing Vincent Persichetti's Concerto for English Horn and String Orchestra with Maestro Delfs.
A native of Barrington, IL, Anna was featured twice on National Public Radio's nationally syndicated "From the Top." She and her twin sister Lisa, Principal Violist of the Baltimore Symphony Orchestra, also starred together in the educational video series "Musical Encounters."
Ms. Steltenpohl lives in Webster with her husband Dr. Bipul Baibhav, a cardiovascular disease specialist and the director of Cardiac Imaging at Rochester Regional Health, and their two young children. She has served on several committees for the RPO and RPYO and In her free time you can find her on the Peloton leaderboard at annastelt585.
B. EISENACH, GERMANY March 21, 1685
D. LEIPZIG, GERMANY July 28, 1750
J.S. Bach spent his entire career in Germany employed by churches and courts, which precluded him from traveling throughout Europe to experience the latest musical trends. Nevertheless, he was exposed to French music — possibly through contact with others who had traveled, or through music circulating in Germany, although any direct lines of influence have remained elusive to scholars. Carl Friedrich Zelter, a later German composer, claimed the French influence permeated all of Bach’s music in inextricable ways.
The French influence is easy to spot in Bach’s four orchestral suites, which consist of courtly French Baroque dances, each given Bach’s full contrapuntal treatment. Scored for three trumpets, timpani, two oboes, strings, and continuo, and thought to be written around 1725 in Leipzig, Bach’s third orchestral suite in D major opens with a quintessential French overture with stately dotted rhythms. The third, fourth, and fifth movements are all French dances: buoyant Gavottes, a slightly faster and bouncy Bourrée, and ending with a romping Gigue. The second movement “Air” is not a French form but rather is an English word that references the Italian aria. Indeed, the movement is the most lyrical of all and one of the most recognizable works of Bach’s, often performed standalone and dubbed “Air for the G String.”
WILLIAM ALWYN
Autumn Legend
The post-romantic English composer William Alwyn never reached the same level of fame as contemporaries such as Benjamin Britten, but Alwyn did build a successful career as a prolific film composer, with his score for the James Mason British film noir classic, Odd Man Out (1947) among his most notable.
B. NORTHAMPTON, ENGLAND November 7, 1905
D. SOUTHWOLD, ENGLAND September 11, 1985
Despite his successes there, he felt writing for film was a less serious endeavor than concert music and bemoaned he wasn’t more highly regarded for his large output of concert works. He would be pleased to know that, posthumously, his music has had a resurgence in concert halls and beyond. His orchestral work Lyra Angelica was even heard in the 1998 Nagano Olympics, where figure skater Michelle Kwan gave an inspiring performance to his music’s captivating impressionism.
Alwyn’s composition Autumn Legend for English horn (cor anglais) and string orchestra was written in 1954 and was a personal tribute to a favorite poet, Dante Gabriel Rosetti. Rosetti was part of the Romantic-era Pre-Raphaelite brotherhood of artists who argued for a return to nature and realism. The words of Rosetti’s The Blessed Damozel are printed right on the score:
‘Surely she leaned o’er me - her hair Fell all about my face . . . Nothing: the Autumn fall of leaves the whole year sets apace.’
Alwyn described the work as “a free improvisation arising spontaneously from the poet’s words” and admitted it was “unashamedly romantic.” His cinematic skills seem evident in this work, painting atmospheric scenes that conjure up the melancholy of autumn.
LUDWIG VAN BEETHOVEN Symphony No. 2 in
Major, Op. 36
B. BONN, GERMANY December 17, 1770
D. VIENNA, AUSTRIA March 26, 1827
Contemporary media, such as the film, Mr. Holland’s Opus (1995), may have us think that Beethoven’s deafness was first apparent in works such as the seventh symphony composed in 1811. But in 1801, we find the first documented admittance of Beethoven’s loss of hearing, and in 1802, the year Beethoven finished his second symphony, he lamented to his brothers in a famous letter, “But what a humiliation for me when someone standing next to me heard a flute in the distance and I heard nothing, . . . Such incidents drove me almost to despair, a little more of that and I would have ended my life—it was only my art that held me back.” Although his second symphony is ultimately an optimistic work, some inner darkness lurks concurrent to the composer experimenting with the symphony genre. This is apparent in quick modal shifts and new key relationships (exploring third relations), in scoring (the second movement Larghetto has the intimate quality of chamber music, a contrast to the forces of the first and final movements), and in form (in extended introductions and codas in the first and last movements, and in a third movement that moves away from the classical minuet and trio, replacing it with a scherzo, the Italian word for “joke”). The symphony’s prevailing cheerfulness attests to Beethoven’s spirit. “I will seize Fate by the throat; it shall certainly not crush me completely,” he wrote early on in his hearing loss. Perhaps it was also an attitude connected to his flourishing career. The second symphony was dedicated to Prince Carl Lichnowsky, who was supporting Beethoven with a substantial income, enabling his compositional pursuits.
Program notes by Anna Reguero, PhD, a Rochester-based arts writer and music scholar.
SAT SEPT 21
8 PM
SUN SEPT 22
2 PM
KODAK HALL AT EASTMAN
THEATRE
Andreas Delfs, conductor
For Andreas Delfs’ biography, please see page 7.
Time For Three
Ranaan Meyer, double bass
Nick Kendall, violin
Charles Yang, violin
KEVIN PUTS Contact: Triple Concerto for Two Violins, 30:00 Bass and Orchestra
I. The Call
II. Codes (Scherzo)
III. Contact
IV. Convivium
INTERMISSION
PIOTR ILYICH Symphony No. 5 47:00 TCHAIKOVSKY
I. Andante - Allegro con anima - Molto piu tranquillo
II. Andante cantabile, con alcuna licenza
III. Valse. Allegro moderato
IV. Finale: Andante maestoso - Allegro vivace - Meno mosso
SEASON SPONSOR: SERIES SPONSOR:
CONCERT SPONSORS: THE FRED M. AND LURITA D. WECHSLER ENDOWMENT FUND KAREN DUGUID AND WALLY JOHNSON
We kindly ask you to please silence all cellphones and electronic devices. Also, please note that photography and video recordings are prohibited during the performance.
CONNECT WITH US:
RANAAN MEYER, double bass
NICK KENDALL, violin
CHARLES YANG, violin
Grammy and Emmy-winning ensemble, Time For Three (TF3), defies convention and boundaries by showcasing excellence across different genres, including classical music, Americana, and singersongwriter. Their unique sound captivates audiences, immersing them in a musical experience that merges various eras, styles, and traditions of Western music. TF3, consisting of Charles Yang (violin, vocals), Nicolas “Nick” Kendall (violin, vocals), and Ranaan Meyer (double bass, vocals), combines their instruments and voices in a remarkable sound, establishing a distinct voice of expression that resonates with listeners worldwide.
TF3’s longstanding history of collaboration with contemporary classical composers continues to thrive. They have worked closely with esteemed artists such as Chris Brubeck and Pulitzer Prize winners William Bolcom and Jennifer Higdon. Their most recent commission, Contact, composed by Pulitzer Prize winner Kevin Puts, premiered with the San Francisco Symphony and The Philadelphia Orchestra in the summer of 2022. This extraordinary piece, alongside Jennifer Higdon’s Concerto 4-3, was released on Deutsche Grammophon under the album title Letters for the Future. Conducted by Xian Zhang, the album’s exceptional quality propelled it onto the Billboard top 10 Classical Recordings charts. Additionally, it garnered a nomination for an Opus Klassik award and received a Grammy win in the Best Classical Instrumental Solo category.
Renowned for their charismatic and energetic performances, TF3 has garnered praise from respected outlets including NPR, NBC, The Wall Street Journal, and the Chicago Sun-Times. They have graced illustrious stages such as Carnegie Hall, The Kennedy Center, and The Royal Albert Hall, effortlessly adapting their inimitable and versatile style to intimate venues like Joe’s Pub in New York or Yoshi’s in San Francisco. TF3 was featured on the acclaimed “Night of the Proms” tour, sharing stages with renowned artists like Chaka Khan and Ronan Keating across several European countries. Their collaborations span a diverse range of artists, including Ben Folds, Branford Marsalis, Joshua Bell, Aoife O’Donovan, Natasha Bedingfield, and Arlo Guthrie.
TF3’s exceptional talents have not only earned them a Grammy win but also secured them an Emmy for their concert special, “Time For Three In Concert,” produced by PBS. Their appetite for new experiences led them to collaborate with cellist and composer Ben Sollee, creating the soundtrack for Focus Features’ film Land, directed by Robin Wright, premiering at the Sundance Film Festival in January 2021. TF3 has teamed up with Grammy-winning songwriter Liz Rose and Grammy-winning producer Femke Weidema for new recordings released through Warner Music. They have also contributed to Summer Walker’s R&B hit, Constant Bullsxxt, showcasing their versatility across genres.
Time For Three’s artistic achievements, fueled by their relentless pursuit of musical excellence, have solidified their status as a remarkable ensemble. Their Grammy win and extraordinary collaborations speak to their unwavering dedication to pushing creative boundaries and captivating audiences with their exceptional talent.
Winner of numerous prestigious awards, including the 2012 Pulitzer Prize for his debut opera Silent Night, Kevin Puts’ works have been commissioned, performed, and recorded by leading ensembles, and soloists throughout the world, including Yo-Yo Ma, Renée Fleming, Jeffrey Kahane, Dame Evelyn Glennie, the New York Philharmonic, the Tonhalle Orchester (Zurich), the St. Paul Chamber Orchestra, the Miro Quartet, and the symphony orchestras of Baltimore, Cincinnati, Detroit, Atlanta, Colorado, Houston, Fort Worth, St. Louis, and Minnesota. His newest orchestral work, The City, was co-commissioned by the Baltimore Symphony Orchestra in honor of its 100th anniversary and by Carnegie Hall in honor of its 125th anniversary. His new vocal work Letters From Georgia, written for Soprano Renée Fleming and orchestra and based on the personal letters of Georgia O’Keeffe, had its world premiere in New York in Fall 2016, and his first chamber opera, an adaptation of Peter Ackroyd’s gothic novel The Trial of Elizabeth Cree commissioned by Opera Philadelphia, had its world premiere in September 2017, followed by performances with Chicago Opera Theater in February 2018.
Silent Night, commissioned and premiered in November 2011 by Minnesota Opera and co-produced by Opera Philadelphia, has been produced at Fort Worth Opera, Cincinnati Opera, the Wexford Opera Festival, Calgary Opera, Montreal Opera, the Lyric Opera of Kansas City, Atlanta Opera, Opera San Jose, and Michigan Opera Theatre. In 2013, his choral works To Touch The Sky and If I Were A Swan were performed and recorded by Conspirare. His second opera, also commissioned by Minnesota Opera, The Manchurian Candidate, based on the novel, had its world premiere in 2015.
A former Composer-in-Residence of Young Concerts Artists, he is currently a member of the composition department at the Peabody Institute and the Director of the Minnesota Orchestra Composer’s Institute.
KEVIN PUTS
B. JANUARY 3, 1972
St. Louis, Missouri
In April, 2017 I first heard a live performance by the prodigiously gifted string trio Time for Three at Joe’s Pub in New York City. The group—Nick Kendall and Charles Yang, violinists and Ranaan Meyer, bassist— had reached out about the possibility of my writing them a concerto, and after hearing them play, sing, improvise and perform their own arrangements and compositions that evening I felt both elated—by the infectious energy and joy they exude as performers—and also rather daunted by the thought. It seemed our musical tastes were so similar that I suggested to them, not at all facetiously, “Maybe you ought to write your own concerto!” I simply couldn’t imagine conceiving any music they couldn’t improvise themselves.
One of the tunes the trio performed that night at Joe’s Pub was an original, called “Vertigo”, which the guys later told me they wrote in a hotel room on the road. In the song, all three members both play their instruments and sing. I wondered about the possibility of beginning the concerto with the trio singing a wordless refrain, acappella. I wrote a chord progression which unfolds from a single note and progresses through simple, suspended harmonies. Orchestral winds respond with the same music while the trio adds decorative, improvisatory gestures. This idea, first heard in a reflective manner, grows considerably until the orchestral brass deliver a most emphatic version of it. This first movement (“The Call”) ends with the same sense of questioning with which it began.
Threatening unison stabs, played by the entire orchestra, break the mood startlingly and impel the soloists who drive forward with syncopated rhythms and virtuoso flurries of arpeggios. The energy in this second movement (“Codes”) is unrelenting, often drawing its harmonic flavor from the ladder of notes which forms the overtone series and by combining triads from disparate keys.
By yet another contrast, the orchestral music that opens the third movement (“Contact”) is cold and stark. I had the image of an abandoned vessel floating inert in the recesses of space. The soloists interrupt this with a quiet, gently rolling meditation, eventually inviting a solo oboe and a solo clarinet to join in lyrical counterpoint high above. Eventually, the soloists recall the stark opening of the movement, rendering its rhythms into an unaccompanied phrase of tenderness and longing.
To put it mildly, the search for a silver lining amid the Covid-19 pandemic was a unique challenge. But the cancellation of the initial performances of Contact scheduled for the summer of 2020 allowed us to continue working together on the concerto long after I finished it. Though my original title was simply Triple Concerto, we all agreed there was something more than abstract musical expression going on, that there was a story being told. Could the refrain at the opening of the concerto be a message sent into space, a call to intelligent life across the vast distances containing clues to our DNA, to our very nature as Earth people? Could the Morse code-like rhythms of the scherzo suggest radio transmissions, wave signals, etc.? And might the third movement (originally called simply “Ballad”) represent the moment of contact itself? (Admittedly, the climax of the film adaptation of Carl Sagan’s Contact, at which point Ellie, played by Jodie Foster, en route via a wormhole to an alien civilization, witnesses a radiant cosmic event to which she tearfully breathes, “No words...they should have sent a poet...no words...” was in my mind during these discussions.)
Still in search of a finale to the concerto, I was serendipitously introduced to the wonderful gankino horo (Ganka’s Dance), a traditional Bulgarian melody, blazingly performed by at least twelve young cellists in unison at my (then) ten-year-old son Ben’s studio cello recital. At home, I began playing it on the piano and gradually my own compositional voice crept in. I was reminded of Bartok’s haunting Romanian Folk Dances and the composer’s fusion of his own musical sensibilities with age-old folk melodies. And so I set about composing a sort of fantasy on this tune, its asymmetric rhythmic qualities a fitting counterbalance to the previous three movements.
The word contact has gained new resonance during these years of isolation. It is my hope that this concerto might be heard as an expression of yearning for this fundamental human need. I am deeply grateful to Time for Three for their belief in my work and for the tireless collaborative spirit which allowed us to develop this showcase for their immense talents.
PYOTR IL’YICH TCHAIKOVSKY
B. VOTKINSK, UDMURT REPUBLIC, RUSSIA
May 7, 1840
D. ST. PETERSBURG, RUSSIA
November 6, 1893
Any composer who writes a fifth symphony contends with the shadow of Beethoven, whose fifth symphony—and its ubiquitous opening four-note motif, ‘short-short-short-long’—is etched into minds and ears. Tchaikovsky was no exception. In his brief autobiography (1889), Tchaikovsky wrote that in his early adulthood, he studied Beethoven symphonies. “From then on, I was filled with a burning desire to write a symphony — a desire which would erupt afresh each time that I came into contact with Beethoven’s music. However, I would then feel all too keenly my ignorance, my complete inability to deal with the technique of composition, and this feeling brought me close to despair... ”
Although Beethoven’s fifth is considered “absolute” music—a work that isn’t based upon dramatic words or images—many consider there to be a thematic concept of “fate knocking at one’s door,” and the opening four notes are commonly called the “Fate” motif. The symphony’s large-scale move from C minor to C major is heard as fate’s triumph. Tchaikovsky, too, was taken by the idea of fate. Just before writing the fifth symphony, he made this diary entry:
“Introduction. Complete resignation before Fate, or, which is the same thing, before the inscrutable predestination of Providence. Murmurs of doubt, complaints, reproaches against XXX. (2) Shall I throw myself in the embraces of faith??? A wonderful program, if only it can be carried out.”
Although many find this to be proof that the symphony—and its main motto—expresses the idea of fate, others argue Tchaikovsky was growing tired of programs. In fact, Tchaikovsky wrote that the fifth symphony has no program, which may be as good as any indication that it is music for music’s sake. Given the conflicting evidence, it is up to listeners to decide the most compelling way to hear the work.
In the work’s opening movement, “Allegro con anima,” the clarinet carries the minor mode motto in a tentative opening introduction. Picking up with a skipping primary theme, the motto is given momentary sunnier outlooks. Heightened romanticisms sneak in as a second theme before it’s back to darker ruminations.
A luxurious horn solo carries the opening main melody in the second movement, “Andante cantabile,” featuring Tchaikovsky’s famous hyper-romanticism. The so-called “fate” motto returns in fiery, foreboding statements, though the movement ends with a quiet nostalgia.
The third movement “Valse” is a carefree, moderate waltz with lots of inner chattering between the strings and winds. The unifying motto enters near the movement’s conclusion in the clarinet and bassoon before erupting into a surprise finish.
The Finale offers the best argument to hear the work in relationship to Beethoven’s fifth: ending in E major, it sets out the entire symphony as a progression from minor to major. The so-called “fate” motto is given a stately and heroic treatment to open the work, and when the moment launches into a thrilling presto, the motto and themes from the other movements are weaved into the movement’s thick textures. After what seems to be the big ending with rumbling timpani, the main motto interrupts the silence in a joyful return—now firmly planted in E major. Listen for the quick restatement of the first movement’s primary theme, carried by the brass, in the movement’s final phrases.
Program notes by Anna Reguero, PhD, a Rochester-based arts writer and music scholar.
4
8 PM SAT
OCT 5
8 PM
Jeff Tyzik, conductor
For Jeff Tyzik’s biography, please see page 8.
Shayna Steele, vocals
Kelly Levesque, vocals
Crystal Monee Hall, vocals FRI
KODAK HALL
AT EASTMAN
THEATRE
All Arrangements by Jeff Tyzik
WALTER MURPHY A Fifth of Beethoven 3:50
LUDWIG VAN BEETHOVEN
JOE”BEAN” ESPOSITO Bad Girls 4:15
EDWARD HOKENSON
BRUCE SUDANO
DONNA SUMMER
WALLY HOLMES Rock The Boat 3:05
KENNETH GAMBLE Don’t Leave Me This Way 3:20
LEON HUFF
CARY GILBERT
DONNA SUMMER She Works Hard For The Money 4:15
MICHAEL OMARTIAN
BARRY GIBB Stayin’ Alive 4:00
MAURICE GIBB
ROBIN GIBB
BARRY GIBB You Should Be Dancing 3:50 MAURICE GIBB
ROBIN GIBB
BOB CREWE Lady Marmalade 3:47
KENNY NOLAN
DONNA SUMMER I Feel Love 3:40
GIORGIO MORODER
PETE BELLOTTE
PAUL JABARA Last Dance 4:57
GENE MCFADDEN Ain’t No Stoppin’ Us Now 3:50
JOHN WHITEHEAD
JERRY COHEN
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Jeff Tyzik, conductor For
Shayna
Kelly
Crystal
vocals
This dynamic vocalist puts new meaning to diversity and grass-roots talent. Her natural ability to traverse musical genres in the studio and on stage and screen has kept her on the A-list of in-demand singers in the industry. Shayna’s effortless execution of both soul and jazz has grabbed the attention of audiences globally including with hundreds of Symphony Orchestras throughout North America.
She released her fourth studio album, Gold Dust, in 2023 on Ropeadope Records. Shayna’s creative abilities explode in multiple genres and her original signature sound. Her mature song-writing abilities are dynamically evident as heard through her infusion of soul, jazz, and blues. Produced by David Cook, Gold Dust embodies a sound that has taken Shayna 20 years to perfect. The album features a fresh new cover of Cole Porter’s “You’d Be So Nice To Come Home To” featuring Grammy-nominated saxophonist Donny McCaslin. The album also highlights brand new original material such as the inspiring anthem “The Bloodline” celebrating her ancestors and the sultry, yet intimate “Behind Closed Doors” with jazz crooner Sachal Vasandani. But it’s her explosive new arrangement of Stevie Nick’s “Gold Dust Woman” that will leave every listener in awe of her explosive vocals on her rendition of the classic hit. Growing from the pandemic’s gridlock on the music industry, Shayna’s inspiration for Gold Dust was fueled by her creative relationship with extra family time. It drove Shayna to not only plan the new album following her 2019 Watch Me Fly (Must Have/Membran) but also to return to music school almost 30 years later to finish her degree at Berklee College of Music.
In 2023, Shayna debuted her solo symphony show, American Diva, with the prestigious Rochester Philharmonic Orchestra, featuring Grammy-winning conductor and composer Mr. Jeff Tyzik featuring arrangements of her music and favorite covers. Shayna has performed as the guest soloist with over 100 North American symphony orchestras such as The Dallas Symphony and Detroit Symphony Orchestra where she debuted her solo blues program Nothin’ But the Blues with Tyzik.
Throughout her career, Shayna has lent her talent to leading artists such as Grammy-winning trumpeter Chris Botti and Moby, whose tracks Raining Again, Disco Lies, and Extreme Ways, featured Shayna’s blockbuster vocals. No stranger to both the small and silver screens, Shayna has sung on the Hairspray, Bourne Identity, and Sex and the City 2 soundtracks, as well as made a guest appearance on The Sopranos! Shayna will appear on television again in the new Marvel Max Original Series The Penguin this fall.
After spending her early years living mainly in Germany as the daughter of an Air Force master sergeant, Shayna spent her teen years in Biloxi, Mississippi, where she honed her musical theater and vocal talent. Her appearance on Star Search with Ed McMahon provided a bigger spotlight for her and, after leaving college, found herself in New York City appearing in the smash hit musical RENT as well as Jesus Christ Superstar, and then her original role in the massive Tony winning musical Hairspray!
She then moved out on her own, providing background vocals for Bette Midler, Rihanna, and Kelly Clarkson, among others. After going solo, writing, and putting her band together, Shayna released her album, RISE, in 2015 (Ropeadope Records), reaching #2 on the U.S. iTunes jazz charts.
Kelly Levesque (pronounced Le-Vek) is a native New Yorker who began her career in the studio at the age of 3, with her musician-father recording her first notes. Kelly has performed on leading international stages such as Royal Albert Hall, Sydney Opera House, The Kennedy Center, Budokan, Staples Center, The White House, and Madison Square Garden with such artists as: Sting, Jamie Foxx, Andrea Bocelli, David Foster, Josh Groban, Michael Bolton, John Legend, Patti LaBelle, Gloria Estefan, Chris Botti, Sheryl Crow, Toni Braxton, Brian McKnight, and many more.
Kelly’s soaring vocal range, beautiful tone, and stunning stage presence have provided her with an international recording and performing profile since she signed her first major record deal. Kelly’s voice has been featured on numerous national television and radio commercial spots. Kelly has had two Top 10 Billboard Classical Crossover Albums in the US and has been honored to perform for four US Presidents, International Royalty, and His Holiness Pope Benedict XVI.
Crystal Monee Hall’s varied career as a singer, songwriter, instrumentalist, and actress has included roles on Broadway (“RENT”), sold out tours with acclaimed musicians Mickey Hart (Grateful Dead) and Dave Schools (Widespread Panic), being a featured vocalist on Saturday Night Live, and also a guest appearance on the HBO comedy-drama High Maintenance. She has released three albums (one solo as well as two with Hart) with work from her most recent EP “If You Breathe” called ‘riveting’ by Billboard Magazine . Her newest release seamlessly blends Hall’s love for world, blues, jazz, soul, and contemporary R&B, showcasing her talent as a songwriter while highlighting a voice that has captivated audiences worldwide.
Crystal is a featured vocalist on Broadway Superstar Kristin Chenoweth’s “For The Girls” concerts at Broadway’s Nederlander Theater. In addition to being heavily featured, her songwriting was front and center when Chenoweth performed her original tune “Reasons for Hope” co-written by the shows Musical Director Mary-Mitchell Campbell.
Crystal continues to be a key part of high-profile music moments, including a feature with country superstar Thomas Rhett on Saturday Night Live in March 2019. RollingStone took notice of her standout performance of “Don’t Threaten Me With a Good Time,” noting it “put on display the superb, soulful talents of Crystal Monee Hall”. He invited her out to to his sold out show at Madison Square Garden in September 2019 for an encore performance of the tune.
Crystal was featured in Emmy, Tony and Grammy winning Ben Platt’s Netflix concert special filmed at Radio City Music Hall in September 2019. She also performed with him The Late Show with Stephen Colbert and Good Morning America and for the run of his sold-out “Sing to Me Instead” Tour.
Tony, Grammy and Emmy Award Winner Cynthia Erivo’s PBS special features Hall in the role of soprano during her knockout performance of “Ain’t No Way”. She also joined Kesha as part of her powerful 2018 Grammy Awards performance in support of the #TimesUp movement, provided supporting vocals for Mariah Carey’s Christmas residency at New York’s Beacon Theater, performed alongside Kanye West and Chance The Rapper during their debut performance of “Ultralight Beam” on SNL. Crystal provided backing vocals for Craig David’s “All We Needed,” the official song of the BBC›s 2016 Children In Need campaign.
With her career continuing to flourish, Hall looks forward to reaching new listeners with her message, music, and voice.
The Rochester Philharmonic Orchestra gratefully acknowledges the following corporate, foundation, and community organizations for their generous support. Listings are in recognition of our current donors from July 1, 2023 through July 31, 2024. Please contact the Development Office at development@rpo.org with questions or corrections.
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The Rochester Philharmonic Orchestra gratefully acknowledges the generous individuals listed here who help us continue to enrich and inspire the community through the art of music. While space only permits us to list pledged gifts made at the Benefactor level and above in the printed program book, we value the generosity and vital support of all donors and have moved all donors from Contributor amount and above to be listed in our digital edition donor roll on www.rpo.org/donor-recognition. Listings are in recognition of our current donors from July 1, 2023 through July 31, 2024. Please contact us at development@rpo.org questions or corrections.
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Marjorie S. Humphrey
Mr. and Mrs. John Hustler
Mr. and Mrs. Lawrence S. Iwan
LaMarr J. Jackson, Esq.
Robert and Mary* Jackson
Steven Jarose and Marvin Ritzenthaler
Maryanne Jones
Nancy Jones
Mr. Gilbert F. Jordan
Mr. and Mrs. Thomas F. Judson, Jr.
Dr. and Mrs. Harold Kanthor
Heidi Katz and Carl Chiarenza
Mr. and Mrs. Randy Kemp
Mr. and Mrs. Bruce M. Kennedy
Robert J. Kennedy
Michael King
Ann Knigge and Al Buckner
Arnold Kovalsky
James Kraus
Lynn Krauss-Prince
Deanna and Charles Krunsenstjerna
Werner and Susan Kunz
John and Lisa Lacci
David and Andrea Lambert
Donna M. Landry
Patrick and Sarah Lavell
Hochang Lee and Christine Chung^
Katharine and Kyle Lennox
Jennifer Leonard and David Cay Johnston
Katherine Lewis and Richard Chasman*
John and Jane Litttwitz
Curtis and Elizabeth Long&S
Carol C. Lovell
David J. Mack
Russell and Mary Lou Madsen
Chen and John MageeS
Pamela Krug Maloof
James and Rosa Mance
Scott Manspeaker
Anthony and Kimberly Maroldo
Diana Marquis
Saul and Susan Marsh
Richard and Kate Massie
Carol and John Matteson
Alex and Joyce McClean
Edward G. McClive
H. Winn McCray
Karen and Joseph McCune
Dick and Sandra McGavern
Richard W. McGrath
John W. McNeill
Andrew and Kay Melnyk
Pete* and Sally Merrill
Robert J. and Marcia Wishengrad Metzger
Ralph and Martha Meyer
Clayton and Kimberly Millard
Fritz and Maura Minges
James* and Geraldine Moore
Mr. and Mrs. Paul F. Morgan
Laura V. Morrissey
Pastor and Mrs. Donald Muller
Dr. and Mrs. Stephen Munson
Dr. Gary and Ruth Myers
Andy Nahas
Michael D. Nazar
BENEFACTOR ($500-$999)
James Alexander
Anonymous
Dr. and Mrs. E. David Appelbaum
Betsy and Gerald Archibald
Bob and Jody Asbury
Gloria Baciewicz
Roger W. and Elga Baker
Karen Bancroft
Maureen Baran
Ann Bauer
Hays and Karen Bell
Suzanne Bell and Chris Brown
Kate M. Bennett
Richard Bennett
Teresa and Tim Biehler
James and Lynette Blake
John and Cindy Blawski
Robert A. Bond
Mitchell J. Boucher
Judith Boyd
Henra S. Briskin
Eileen Buholtz
Patrick and Irene Burke
Gretchen and Paul Burke
Richard and Peggy Burton
Drs. David Bushinsky and Nancy Krieger
Elizabeth Neureiter-Seely
Nixon Family Foundation
Nannette Nocon
Susan and Thomas E. O’Brien
Margie O’jea
Jonathan R. Parkes and Dr. Marcia Bornhurst Parkes
Dolores F. Parlato
Douglas and Rose Peet
Victor Perotti and Milagros Concepcion
Douglas and Diana Phillips
Everett Porter
Bill Prest
Susan and Donald Pritchard
Mary Jane Proschel
Bill and Beverly Pullis
Dick and Cathy Rasmussen
Cary Ratcliff
Marcia Rausch
Martin and Laurie Reinhold
Rene Reixach
Elizabeth and Eric Rennert
Mr. and Mrs. Thomas S. Richards
Nancy and Art Roberts
Hannah and Arnold Rosenblatt
Carolyn and Charels Ruffing
Joan and James* Ryan, Sr.
Gary B. Schaefer
Paul and Stephanie Schaeffer
Mr. and Mrs. Lawrence M. Schenck
Paul and Barbara Schmied
Peter Schott and Mary Jane Tasciotti
Mr. and Mrs. William Schultz
Heidi B. Schwarz, M.D.
Anthony and Gloria Sciolino
Catherine and Richard Seeger
David Segal
Joan and Arthur Segal
Libba and Wolf Seka
Rich Sensenbach
Lily Shaw and Robert Hallstrom*
Jeffrey T. Skuse
Alice and Ken Slining
Susan Call
Brendan and Suzanne Casey
Mitchell Chait
Barry Childs and Kathy Cloonan
Victor Ciaraldi and Kathy Marchaesi
E.A. Claypoole
Alan Cohen and Nancy Bloom
Nelson and Janet Cole
Albert and Catherine Consentino
Mr. and Mrs. Spencer Cook
William Coppard
Elison and Donald Cramer
John and Mary Crowe
Cathy Cushman and Jeff Sokol
Roy Czernikowski and Karin Dunnigan
Janice and Robert Daitz
Frederick and Doris Davey
Joe and Sue DeGeorge Foundation, Inc.
Jacques and Monique Delettrez
James Derleth in memory of Bernadette A. Derleth
Daniel and Susan DimpflS
Michael DiSalle
Jane Dunham
Janice and James* Durfee
Marcia L. Elwitt
Greg and Shari Smith
Bruce and Laura Smoller
Kathie Snyder
Janet H. Sorensen
Mr. Richard R. Spellicy
Ms. Suzanne Spencer
Jason Spurling and Song Xue
Ann H. Stevens and William J. Shattuck
David and Christine Sage Suits
Kevin and Erica Surace
Steve and Cheryl Swartout
Robert and Diane Swinehart
Melanie and Jason Thomas
Dr. Mark Tolbert
Michael and Beverly Tomaino
Sally Turner
Thomas and Jeanne Verhulst
Harry and Ruth* Walker
James and Barb* Walker
Mr. and Mrs. Robert Wallace
James Watters
Jean and Sterling L.* Weaver
Pierce and Elizabeth Webb
Mr. and Mrs. David K. Weber
Mr. and Mrs. Fred Weingarten^
Joyce and William Weir
Rick and Yvonne Whitmore
Ed and Wilma Wierenga
Amy and Brent Williams
Herbert E. Winkelman
Elise and Joseph Wojciechowski
Grace Wong
Charloette J. Wright
Patty and Rich Yarmel
Dr. Charles Yates
Laura and Joel Yellin
Marsha Young
Rodney Young
Wende and Bill Young
Helen A. Zamboni
Susan and Maurice Zauderer
Mr. and Mrs. Ted Zornow
Mohsen Emami, M.D.
D. Craig Epperson and Dr. Beth Jelsma
Mr. and Mrs. James R. Esser
Julia B. Everitt
Sherman and Anne Farnham
Joan and Harold* Feinbloom
Evan and Elvira* Felty
Karolina Fero
Almon Fisher
Sarah Fitts-Roming
George and Marie Follett
Susan and Leslie Foor
Barbara L. Frank
Sandra and Neil Frankel
Evelyn Frazee and Thomas Klonick
Carolyn and Roger Friedlander
John and Lisa Fulmer
N. Gadziala and R. J. Looney
Paul and Marjorie Gardella
Paul Gardella
Sharon Garelick
Mary Anna and Darrell Geib
Mrs. Charles J. Gibson in memory of Dr.
Charles Gibson
Rick and Nancy Goetz
Mr. and Mrs. Julian Goldstein
Dr. John W. and Mrs. Heather Goodbody
Joy Goodman and John F. Sawyer
Kyle Gordon
Dr. and Mrs. William Grace
Marvin and Barbara Gray
Pat Gray
Russell and Kathleen Green
Gay Greene and Robert Goeckel
Joanna and Michael Grosodonia
Mr. and Mrs. Robert J. Guerin
Stephen Gullace
Sue Habbersett*
Robert V. Haggett
Barbara and A. Michael Hanna
Carol Hardy
Dr. Erica Haskell
Gil and Judy Hawkins
William and Patricia Hayles
Maureen* and Ken Hendel
Dr. and Mrs. Raul Herrera
K.L. Hersam and Paul Sawicki
Michael R. Herzog
Mr. James E. Hoefen
Dr. Marvin and Nancy* Yanes Hoffman
John and Barbara Holder
Mr. and Mrs. Ned Holmes
Cynthia L. Howk
Randy and Denise Hubler
Leslie and Sam Huey
Agrp Ispentchian & Fulltec, LLC
Dewey Jackson
Ronald and Martha Jodoin
Laura Jean and Jeffrey KaczorowskiS
Connie KaminskiS
Lori and Frank Karbel
Barbara and Robert Kay
Mr. and Mrs. James E. Keenan
Marilyn and John Kiesling
Samuel R. King
Connie Klein
Ken Knight and Ann Curtin-Knight
Gary G. Kochersberger
Mark and Mona Friedman Kolko
Mrs. Ellen Konar
Paulina and Laurence Kovalsky
Drs. Richard Kreipe and Mary Sue Jack*
Robert B. Kuehl
Lucinda Lapoff
Philip and Susan Lederer
J. Michael and Joan Lehman
Janet and James Leone
Doris and Austin Leve
Ellen C. Lewis
Sarah F. Liebschutz, PhD
Bob and Dodie Linder
Martha Lindsay
Kathy J. Lindsley
Janet and Haines Lockhart
Dr. Barbara P. Lovenheim
Mr. Robert Lowenthal
Douglas* and Marcia Lowry
John and Judy Lynd
Frank Maley
James and Patricia Mangin
Darlene Mante
Jeffrey C. and Linda L. Mapstone
Kathy Markakis
Dr. and Mrs. James Maxwell
Tom and Emily McCall
Mary Ellen McDougal
Kellie and Michael McRae
Diann and Tom Meek
Douglas K. Miller and Sally Hirst
Duane and Ida Miller
Mimi and Chris Miller
Sanford and Jill Miller
Mary E. Miskell and Terrance Clar
Ilene Montana
David and Monika M. MullenS
Thomas C. Munger
John Myers
John Myers and Mary Ellen Guon
Rita Myers
Rob and Jacqueline Nasso
Eleanor R. Newell
Helene Newman
Christine and John Norris
Peggy and David Oakes
Jason Oaks
W. Smith and Jean O’Brien
Mrs. Leonard Ofsowitz
Dr. Stephen Olmsted
Jim and Linda Orgar
Debra and George Orosz
Elizabeth Osta and George VanArsdale
Phil R. Palumbo
Jane Parker and Francis Cosentino
Tom Parker
Marcella S. Pavelka
Donna Gooden Payne
Marian Payson and Helen Wiley
Mr. Robert E. Pearles
Glen Pearson
David and Marjorie Perlman
Robert and Penny Peterson
Thomas W. Petrillo and William R. Reamy
Christian and Sarah Peyre
Gloria and Karl Pleger
Keith Polidor
Harry J. and Margaret H. Price
Dr. and Mrs. Edwin Przybylowicz
Hope Quallo
Jerry and Janice Rachfal
James Reed
Stan and Anne Refermat
Ann Rhody
Ray and Judy Ricker
Robert and Ann Reimer
Linda and Michael Riordan Family Fund
Suzanne Robinson
Dr. Gerald and Maxine Rosen
Richard and Margery Rosen
Dr. and Mrs. G. Theodore Ruckert
Hon. Franklin T. and Cynthia Russell
Jean Ryon
Mrs. Bonnie B. Sale
Victor* and Eileen Salerno
Ed and Gabriel Saphar
John J. Schantz
Suzanne and Michael Schnittman
Charlene Schoenenberger
Nancy and David Schraver
Jack and Elizabeth Schroeder
Patricia Schwarz
Leslie Scott- Lindler
Teresa A. Seil and Debra Celestino
Dr. Jenny C. Servo and Mr. John Servo
Marjorie and Earl* Sexton
Robert E. and Susan H. Shapiro
David and Susan Sharp
Mrs. Caroline Shipley
Christina Sickelco
Joseph Simpson
Daniel and Sarah Singal
Mrs. Maxine M. Smith
Carol Snook in memory of Richard Snook
Maria Sohn
Phillip and Karen Sparkes
Ms. Maureen A. Stables
Eleanor Stauffer
Lisa H. Stoddard
David B. Stong
Mrs. Alexander L. Strasser
Joyce Sudak and Christopher Carretta
Anne Sullivan
Yoshiko Tamura and Bruce M. Lee
David and Carol Teegarden
Carina L. Telesca
Darbbie J. Thomas
Eric and Sue-Ellen Thompson
Joel Thompson
James Tobin
Celia and Doug Topping
Adam and Catherine Towsley
John* and Janet Tyler
David and Lori Uhazie
John Ulatowski
Eugene and Gloria Ulterino
Dr. William M. Valenti
Wayne and Anne Vander Byl
William and Susan VanTyle
Timothy and Debbie Veazey
Suzanne Verstraten
Karl and Aimee Vilcins
Robert Vosteen
Stephen H. and Jody Waite
Brian and Jean Waldmiller
John and Anne Walker
Mr. and Mrs. William Wallace
Dr. Gareth Warren and Ms. Kearstin Piper Brown
Betsy and Peter Webster
Ms. Jean Webster
Warren Welch
Stephen Wershing
Charles and Carolyn Whitfield
Bob* and Mary Ann Whitmore
Susan and Paul Wilkens
David and Donna Willome
Keith and Betsy Wilson
Beatrice and Michael Wolford
Les and Wanda Wood
Elizabeth D. Woodard
Jim* and Barb Woods
Thomas Wooldridge
Jeff Wright and Betty Wells
Eileen M. Wurzer
Lawrence and Susan Yovanoff
Margaret and Ken Zeiner
Eric Zeise and Ellen Henry
Robert and Carol Zimmerman
& Denotes donor(s) has/have contributed to the RPO& Comprehensive Capital Campaign. S Denotes donor(s) has/have a recurring Sustaining Circle contribution to the RPO. ^ Denotes donor(s) has/have contributed to the Rochester Philharmonic Youth Orchestra (RPYO). * Denotes donor(s) is/are deceased.
The Rochester Philharmonic Orchestra gratefully acknowledges the following individuals and organizations for their generous support by honoring, or remembering in memory of, the individuals listed below. Listings are in recognition of our current donors from July 1, 2023 through July 31, 2024.
Tribute gifts are a special way to remember loved ones or commemorate special occasions such as birthdays, anniversaries, weddings, births or graduations. If you would like to make a memorial or honorarium gift, please visit www.rpo.org/donate or contact the Development office at 585/454-7311 ext. 249 or email development@rpo.org.
Carol Achilles
Marilyn Merrigan
Elizabeth Affolter
Mason B. Fitch
Cheryl A. Minchella
Todd and Kathleen Slocum
Elizabeth M. Thomsen
Joanne Anderson
Dolores Young
Jack Bawden
Gerald and Sandra Maar
Gretchen Mittelstaedt
Donald and Rosemarie Ruck
Carl and Eileen Webster
William J. Beenhouwer
Elizabeth Thorley
Robert N. Bischoff
The Ormsbee Family
John Boreman
Lori and Marvin Friedman
Paul W. Briggs
Beatrice Briggs
Laura Brown
Nellie J. Rosenberg
Susann Brown
Terence Chrzan
Louise Delaus
Wilma C. Chadwick
Barbara Chadwick
Jody Clark
Charlotte Streams
Linda Y. Swanson
Elizabeth M. Thomsen
Hamilton Chase
Charles Courtsal and Lisa Gwinner
Lieuween T. Chase
Charles Courtsal and Lisa Gwinner
Gerald Christoff
Rosemary Christoff Dolan
Tina J. Cichanowicz
Peggy and Ted Cichanowicz
Joyce M. Clark
Sally M. Field
Pincus Cohen
Gabriel and Deborah Aizenberg
Madeleine Cohen
Kathy Durand
Frank and Lori Karbel
Martha Lindsay
Joyce M. Clark
Sally M. Field
Dr. Salvatore Dalberth
Joan Dalberth
Barbara Dechario
Mary A. Fink
E. Deisenroth
Doreen Deisenroth
Giovanna Dibble
Karen J. Jacque
Vicky Edwards
John and Kathy Kutolowski
Henry Epstein
Kathleen and Robert Heinig
Elvira R. Felty
Evan Felty
Jefferson E. Fraser
Paul Gorman
Louise French
Stephen E. French
Johanna M. Gambino
Michael Ellison
Burt Harris
Dr. Maria G. Mastrosimone
Suzanne Gouvernet
Helen A. Zamboni
Robert Gotham
Robert and Elizabeth Smith
Robert E. Hallstrom
Lily Shaw
Ian M. Harvey
Elizabeth K. Stevens
Richard C. Hastings
Glenda Hastings
Warren H. Heilbronner
Marvin and Lori Friedman
Donald Heinle
Stephen and Ann Martin
Patricia L. Hemmenway
RPO Ushers
Margaret L. Herkimer
William and Kathleen Ross
Kathalee Hodge
Dr. Ian M. Hodge
Norman Horton
Daryl Dear Cubitt
Bruce and Sheron Marche
Daniel M. Meyers
Larry and Susan Yovanoff
Richard Howden
Moses and Patricia Howden
Jay and Lillian Howk
Cynthia L. Howk
David L. Hunley, Sr.
Karen Stafford
Donald Hunsberger
Jonathan R. Parkes and Marcia Bornhurst-Parkes
Sylvia Jackson
La Marr J. Jackson, Esq.
Anne M. Jones
Robert K. Jones
Lew Jones
Jeffrey S. Arnold
Harvey and Barbara Festenstein
Anita M. Hansen
Robert Israel
Carol Kolb
Dr. Barbara Lovenheim
Andrea Miller
Nellie J. Rosenberg
Edna Lovell
Carol Lovell
Cricket and Frank Luellen
Beverly and Michael Tomaino
Ellen and Homer L. Marple
Taimi Marple
Robert Marx
Frances Marx
Max and Emma Meschonat
Maxine M. Smith
Hinda Miller
Helen Beach
Edward Doherty and Patrice Mitchell
Susan Edelman
Evelyn Frazee and Thomas Klonick
Ronny Frishman
Greenpoint Trail Association
Robert C. Grossman
Janet Juneau
Joyce Lindley
Nathan and Susan Robfogel
Nellie J. Rosenberg
David and Naomi Schrier
Mary Schwarz
Anthony and Gloria Sciolino
Ann Weintraub
Hon. Michael Miller
Edward Doherty and Patrice Mitchell
Evelyn Frazee and Thomas Klonick
H. Robert and Joyce Herman
John and Tobie Olsan
Eric and Elizabeth Rennert
Nathan and Susan Robfogel
Nellie J. Rosenberg
Anthony and Gloria Sciolino
Sue Thering
Richard Moncrief
Sandra Moncrief
Jimmy Morey
Jeanne E. Morey
Alice Morgan
Charles Morgan
Suzanne J. O’Brien
Elaine Buralli
Otto Muller-Girard
Robert Oppenheimer
June Adler
Bernard and Rina Baron
Thomas and Julie Bartlett
Irma Bernstein
Stuart and Betsy Bobry
Carolyn T. Cleary
Cobblestone Capital Advisors, LLC
Barbara H. Davis
Dr. Frederick Dushay
Jody Dushay
Louise Epstein
Warren and June Glaser
Jerry and Maxene Greenfield
David Klass
Dr. Sarah F. Liebschutz
Mary Ockenden
Thomas Oppenheimer
John and Diane Parrinello
Rochester Regional Health Foundation
Nellie J. Rosenberg
Natalie Schwartz
Arline and Warren Seideman
Carole R. Starr
Karen Zilora
Dr. Bernard Panner
Bruce Goldman
Molly Panner
Marvin and Lori Friedman
Yolanda Petruzzi
Sandra C. Short-Bartlett
Hope Rase
Peter and Michele Rase
Charles Reveal
Susan Attia
Donna Rice
Peer and Elizabeth Affolter
Lia Gigas
Su Holt
Kathy Peishel
Marce L. Welton
Donald C. Rimlinger
Kathleen Rimlinger
John B. Rumsey
Howard and Jo Cone
Debra Ryan
Kevin Ryan
Dr. Jack Sandler
Ira H. Schulman
Earl Sexton
Marjorie Sexton
David A. Schaeffer
Karol Eller
William F. Schmitz
Erika Schmitz
Dan A. Schreiber
Clare Schreiber
George A. Schutt
Dr. Philip S. Nash
Vicki Schwartz
Mary Jane Proschel
Robert Foster Scott
Scott-Crabb Family Fund
Albert Serenati
Nancy Snyder and Family
Vicki Schwartz
Mary Jane Proschel
Earl Sexton
Marjorie Sexton
Loretta Shaffer
RPO Ushers
Janet Stager
Barbara Packer
Genevieve Tepedino
Anthony Tepedino
Barbara Walker
James Walker
Stephen G. Weber
Robert and Janet Davies
Dr. Tae B. Whang
H. Robert and Joyce Herman
David and Naomi Schrier
James E. Woods
Barbara Woods
Donald F. Zale
Robert and Signe Zale
Jeff Zehr
Todd Heller
Nancy E. Boone-Bahr
Peter and Deborah Kummer
Margaret Budd
James and Hollis Budd
Jennifer Carpenter
Mei F. Carpenter
Teresa Cooper
Kathleen Thomas
William F. Dewart
Janet Dewart
James T. Englert
Merrill and Dianne Herrick
Renée Fleming
Richard and Mary Jo Teneyck
Nancy Gerard
Paula Howk
Lillian Johnson
Nancy Lynch
Ann and Hal Kanthor
Deborah and George Kornfeld
Zuzanna Kwon
Lucy B. Wilke
Ross P. Lanzafame, Esq.
Nannette Nocon and Karl Wessendo
Dr. William Valenti
Peter A. Law
Edward H. Law
Maura McCune Corvington
John and Lisa Lacci
Karen and Joseph McCune
Richard and Elizabeth Myers
John and Kathy Kutolowski
Shannon Nance
Julie Alweis
Patricia Overmoyer
Edward H. Law
Joanne Prives
Mary Elaine Pierce
RPO Ushers
David and Alice Meyer
Craig Sutherland
Anne and John Walker
Jeff Tyzik
Sally B. Bush
RPO Usher Staff
Tristan Zhang
Carl H. Reynolds
Members of the RPO George Eastman Legacy Society are true believers in the power of music. The RPO George Eastman Legacy Society honors those individuals who remember the Rochester Philharmonic Orchestra through a planned gift. The RPO’s team of development professionals are available to work with you and your advisors to create a plan that will help you meet your financial and philanthropic goals. For more information, please contact the Development Office at 585.454.7311.
Anonymous
Marie Aklin*
Betty Jane Altier*
Alva Angle*
Don J. and Edith B. Arganbright**
Catherine N. Asmuth*
Jean Boynton Baker*
John B. and Margaret Barnell*
Walter J.* and Jeanne M. Beecher
Walter S. Beecher
Nancy and Harry Beilfuss**
Carol and John Bennett
Jack and Carolyn Bent
Donald Berens*
Ellen S. Bevan
Stuart and Betsy Bobry
James R. Boehler*
Marilyn Bondy
Beverly T. Bowen*
John W.* and Margaret Z. Branch
William and Ruth Cahn
Mary Allison Callaway and Paul R. Callaway*
Catherine B. Carlson*
Norris F. Carlson*
Margaret J. Carnall*
Joan and Paul Casterline**
Susann* and Terence Chrzan
Nancy A. Clemens*
Barbara Colucci
Christine Colucci
Dr. and Mrs. John J. Condemi**
Mary Consler*
Maurice and Bernice Cornell**
Alfred L. Davis*
Barbara Dechario*
Sally and John Dineen**
Paul Donnelly
Janis Dowd* and Daan Zwick*
Marilyn A. Drumm*
Amelia N. Dunbar*
Frederick Dushay
Richard and Harriet Eisenberg*
James T. and Ellen Englert
John R. Ertle*
Glenn and Rebecca Fadner
Ruth H. Fairbank*
Joan and Harold* Feinbloom
Albert Fenyvessy*
Donald and Elizabeth Fisher
Suressa and Richard H. Forbes**
Catherine and Elmar Frangenberg
Carolyn and Roger Friedlander
Betsy Friedman
Karyl P. Friedman
Linda and David Friedman
Patrick and Barbara Fulford
Ron and Marilyn Furman**
William L. Gamble*
Sharon Garelick
Rob W. Goodling
Mary M. Gooley*
Barbara Jean Gray-Gottorff*
George Greer*
Jean Groff*
William B. Hale*
Mrs. Laura J. Hameister
Marilyn* and Dick Hare
Karen G. Hart*
Monica R. Hayden*
Warren and Joyce Heilbronner
Helen and George E. Heller**
David W. Hinz*
Jean Hitchcock
Norman L. Horton*
Mrs. Samter Horwitz*
H. Larry and Dorothy C. Humm
Mr. and Mrs. Robert D. Hursh*
Carol A. Jones
Dr. Ralph F. Jozefowicz
Nancie R. Kennedy*
Robert T. Kimbrough*
Glenn and Nancy Koch
Jim and Marianne Koller**
Ross P. Lanzafame, Esq.
Jeanne Lareau*
Marshall and Lenore* Lesser
Drs. Jacques* and Dawn Lipson
Sue and Michael Lococo
William C.* and Elfriede K. Lotz
Cricket and Frank Luellen**
Mr. and Mrs. Daniel Mahar
Linda Malinich*
Joseph J. Mancini
Gerard Mayer*
John T. McAdam*
Pete* and Sally Merrill
Robert J. and Marcia Wishengrad Metzger
Dan Meyers
Mrs. Elizabeth O. Miller*
Jane E. Miller*
Mary L. Mitchell*
Deanne Molinari
Eleanor Morris*
Mrs. Marjorie Morris*
Paul Marc and Pamela Miller Ness
Patricia McCurdy Morse*
John S. Muenter
Diane F. Nelson*
Carolyn Noble*
Deborah Onslow
Margaret Paaschen*
Mary Anne Palermo
Ms. Lydia Susan Palmer
Eleanor T. Patterson*
Suzanne F. Powell
Robert and Ann Quivey
Ernest Rashiatore*
Eileen D. Ramos*
William and Jean Vincent-Rapp**
Marjorie Cohen Relin*
Doris Repenter*
Dr. Ramon L. and Judith S. Ricker
Dr. Suzanne H. Rodgers*
Dick* and Bea Rosenbloom
Elise and Stephen* Rosenfeld
Pearl W. Rubin*
Wallace R. Rust
Ron and Sharon Salluzzo
Wesley Saucke
Peggy W. Savlov
James G. Scanzaroli*
David G. and Antonia T. Schantz
William and Susan Schoff
Peter Schott and Mary Jane Tasciotti
Jon L. and Katherine T. Schumacher
Laura M. Seifferd*
Libba and Wolf Seka
Gretchen Shafer*
Virginia Durand Shelden*
Elbis A. Shoales, M.D.
Carol Shulman
Anna Rita Staffieri*
Ingrid Stanlis
Abby and David Stern
Patricia E. Stott
Betty Strasenburgh*
Martha Ann* and Daniel Tack
Amanda Tierson
Ivan Town*
Carol Van Hoesen*
Elizabeth Van Horn*
Ann and Robert Van Niel**
Harry and Ruth Walker
Lewis and Patricia Ward-Baker
Margaret Webster*
Fred M. and Lurita D. Wechsler**
Robin and Michael* Weintraub
Jean B. Wetzel*
Patricia and Michael Wilder**
Mildred Wischmeyer*
Kitty J. Wise
Helen W. Witt*
Mary Alice and Robert Wolf*
Susan and Lawrence Yovanoff
Nancy and Mark Zawacki
Alan Ziegler and Emily Neece
Mr. and Mrs. Ted Zornow
* Denotes donor(s) is/are deceased. ^Denotes donor(s) has/have contributed to the Rochester Philharmonic Youth Orchestra (RPYO).
Since 1929, the Rochester Philharmonic League has been collaborating with the RPO to enrich the musical life of our community. League members provide support by ushering at the RPO’s concerts, assisting with craft activities for OrKIDStra programs, providing administrative support in the RPO offices, offering financial support in the form of League donations which are given to the Education Department, and more. We are grateful to League members for their continued support of the RPO. The below listing of League members is in recognition of current active volunteers and donors, as of August 1, 2024. For questions or to join the League, please call 585-454-7311 ext 254 or email rpl@rpo.org.
Karen Abbas
Chuck Agostinelli
Beth Albert
James Alexander
Mary Andrews
Patricia Andrews
Kathy Armstrong
Ed Austin
Deborah Aylward
Debbie Bahr
Jessica Baker
Kathleen Bankey
Carolyn Bansbach
Bryan Bedell
Judy Bennett
Melina Berndt
Dayle Bird
Nancy Bleichfeld
Barbara Bossert
Donna Bott
Claire Boyce
Wes Boyce
Henra Briskin
Cheryl Brinkman
Keith Bullis
Jennifer Buondonno-McHugh
Ruth Cahn
Rhonda Callard
Dawn Choudri
Pat Coakley
Albert Consentino
Catherine Consentino
Steven Cortese
René Coston
Sharon Cree
Elizabeth Crony
Scott Crosier
Noreen Crouse
Faith Delehanty
Trudy DeMarte
Jayne DePoint
Connie Derby
Steven DeSmitt
Betsy DeSmitt
Judy DeVore
Erin Doyle
Bob DuPre
Michelle Eichelberger
Rosemary Eichenlaub
Kathleen Eisley
Cheri Emler
Molly Erler-Perry
KC Fahy Harvick
Mary Feasel
Len Fela
Bruce Fenton
Bruce Finch
Margaret Finch
Katherine Flynn
Marjorie Focarazzo
Christine Foster
Joyce Fowler
Catherine Frangenberg
Elmar Frangenberg
Barbara Frank
Joanne French
James Friedland
Lori Friedman
Rebecca Fuss
Barbara Genier
Joe Gentile
Stewart Goldman
Josh Goldowitz
Jillian Gruber
Gabrielle Guhman
Kennedy Guhman
Surangee Gunawardena
Liz Guthrie
David Hall
Laura Hameister
Holly Hammond
Cat Hardesty
Daniel Harrison
Eleanor Hartquist
Anita Hawkins
Susan Hayes
Cheryl Heimberger
Fran Henry
Linda Hilburger
Donna Hooker
Julie Howe
Hu Huang
Lisa Hughes
Cindy Jankowski
Ed Johnson
Judy Johnson
Monique Johnson
Rebecca Jones
Debby Kadlubowski
Tom Kadlubowski
Connie Kaminski
Diane Kaminski
Mark Kaminski
Daryl Kaplan
Isabel Kaplan
Laura Kelsey
Kristen Kessler
Judith Kiley
Elizabeth Kinney
Marvin Krieger
Ernest Krug
Sarah Krug
Jennifer Kump
Mary Jo Lanphear
Kathryn Larson
Betty Lee
JoAnne Leetz
Brenda Lennon
Michelle Lessard
Beth LeValley
Simon Levin
Maryjane Link
Carole Anne Lipani
Judy Lippa
Linda LoCastro
Linda Lowenstein
Gerry Maar
Sandy Maar
Sarah Madden
Mary Maher
Jim Maliborski
Vera Mandrove
Maryann Manion
Ari Margolis
Katherine Martel
Deborah Matrachisia
Virginia Maurer
Carolyn Mazzota
Maryann McCabe
Melissa McCarthy
Quinn McCarthy
Joan McElligott
Chris McGovern
Chita McKinney
Donna Mero
Sally Merrill
Dave Meyer
Sigrun Miller
Margaret-Anne Milne
Paul Minor
Frank Mobilio
Linda Mulcahy
Julie Mullen
Brenda Murphy-Pough
Eleni Nakis
Judy Nanni
Paul Ness
Pamela Ness
Ira Nesterov
Kathleen Newcomb
Rose Newhart
JoBeth Nichols
Mary O’Hara
Chris Ott
Marion Overslaugh
Serene Palozzi
Marcia Bornhurst Parkes
Mary-Ellen Perry
Linda Quinn
William Rahn
Patricia Rahn
Sandra Rake
Linda Ranslow
Michael Re
Susan Redlinski
Lorie Reilly
Aileen Reis
Libby Reitz
Joyce Renz
Charles Romano
Linda Rosebrough
Roy Sargent
Chris Sauer
Ellen Scalzo
Betty Schaeffer
Justin Schiess
Jane Schneier
Naomi Schrier
Katherine Schumacher
Emily Scorse
Barbara Segel
David Sek
Rich Sensenbach
Don Sheffrin
AnnMarie Simmons
Diane Smith
Joyce Smith
Marina Smith
Kathy Spies
Howard Spindler
Anita Spoor
Anne Sprout
Daniel Stare
Ilene Stella
David Stern
Michael Stern
Anne Stevens
Pat Sullivan
Sharon Sweeney
Debbie Tennity
Marcella Thompson
Scott Thompson
Allyn VanDusen
Karen Walter
Lu Wang
Irene Ward
Tom Ward
Judith Watt
Kathleen Wayne
Elaine Welch
Steve Wendell
Dorris White
Ginny Wilterdink
Kitty Wise
Jerry Wolf
Maureen Wynn
Bonnie Yannie
Keith Yeates
Larry Yovanoff
Joanne Zeppetella
Anne Ziegler
The League welcomes back our RPO volunteers!
Volunteers are at the heart of the RPO, supporting the orchestra on stage and behind the scenes.
Interested in volunteering?
Visit rpo.org/volunteer for more information, and join the League today! 585-454-7311 x254 | rpl@rpo.org
Curt Long President and CEO
Samantha Marchant Executive Assistant/Office Manager
Kristen Zimmer Director of Human Resources
Rob Dermody Vice President of Development
Lis Bischoff-Ormsbee Senior Director of Principal Gifts
Amy Gallaher Director of Development, Annual Giving & Special Events
Elizabeth Garijo-Garde Development Associate, Institutional Partnerships
Dorian Delfs Development Officer
George DeMott Development Officer
Herb Griffith Vice President of Marketing & Communications
Lauren MacDonough Director of Marketing
Joyce Tseng Content & Digital Marketing Manager
Meg Spoto Creative Director
Mike Cidoni Public Relations & Communications Manager
Sal Uttaro Group and Corporate Sales Manager
Charlene Beckwith Director of Ticketing
Daniel Traina House Manager
Daniel Long
Patron Services Manager
Ashlee Allaire
Patron Services Assistant Manager
Samuel DeAngelis
Abby Chapman Duprey
Emma Duprey
Rilyn Garcia
Stephen House
Nathan Howton
Alyssa Koh
Connor Straight
Anders Wong Patron Services Representatives
Brandi Sheppard Director of Finance
Priscilla DeSoto Staff Accountant
James Barry Vice President of Artistic Planning & Operations
Barbara Brown Vice President of Education
Chisato Eda Marling Manager of Education & Community Partnerships
Meghan Dunn Orchestra Operations Manager
Fred Dole Orchestra Personnel Manager
Danielle Suhr Stage Manager
Cedrick Martinez Assistant Stage Manager
Kim Hartquist Principal Librarian
Sam Giacoia Artistic Coordinator
Karl Vilcins Auditions Coordinator
Rachel Solomon Volunteer Administrator
Since its founding by George Eastman in 1922, the Rochester Philharmonic Orchestra has been committed to enriching and inspiring our community through the art of music. Currently celebrating our Centennial Season, the RPO is dedicated to maintaining its deep commitment to artistic excellence, educational opportunity, and community engagement.
Today, the RPO presents up to 120 concerts per year, serving nearly 170,000 people through ticketed events, education and community engagement activities, and concerts in schools and community centers throughout the region. Nearly one-third of all RPO performances are educational or community-related. In addition, WXXI 91.5 FM rebroadcasts approximately 30 RPO concerts each year. For more information, visit rpo.org.
TICKETS: The RPO Patron Services Center is located at 255 East Avenue in the back of the Farash Place building in downtown Rochester. Free parking is available in a small lot between the parking garage and building. Open Monday through Friday 10 AM–5PM.
NIGHT-OF-CONCERT PURCHASES: RPO will-call tickets and concert tickets are available at the RPO tables in the Eastman Theatre Box Office lobby starting 90 minutes prior to concert time.
PARKING: Paid parking for Kodak Hall at Eastman Theatre is available at the East End Garage, located next to the theatre. Open entrances/exits change frequently while the garage is under construction. Visit rpo.org/parking for the most recent updates. Paid parking for the Performance Hall at Hochstein is available at the Sister Cities Garage, located behind the school at Church and Fitzhugh Streets.
PRE-CONCERT TALKS: All ticketholders are welcome to attend free pre-concert talks held one hour before all Philharmonics concerts and all Jeff Tyzik-conducted Pops concerts. Ticketholders are asked to sit anywhere they would like in the orchestra level of the theatre, then head to their reserved seat for the concert.
SERVICES FOR PATRONS WITH DISABILITIES: Wheelchair locations and seating for those with disabilities are available at all venues; please see the house manager or an usher for assistance. Elevators are located in the Eastman Theatre Box Office lobby. A wheelchair-accessible restroom is available on the first floor.
SERVICES FOR HARD-OF-HEARING PATRONS: Audio systems are available at Kodak Hall at Eastman Theatre; headsets may be obtained from an usher prior to the performance.
CHANGING SEATS: If you find it necessary to be reseated for any reason, please contact an usher who will bring your request to the House Manager.
LOST AND FOUND: Items found in Kodak Hall will be held at the Eastman Theatre Box Office, 433 E. Main Street. For more info, call 585-274-3000.
ELECTRONIC DEVICES: The use of cameras or audio recording equipment is strictly prohibited. Patrons are asked to silence all personal electronic devices prior to the performance.
REFRESHMENTS: Food and drink are not permitted in the concert hall, except for bottled water. Refreshments are available for purchase in Betty’s Café located on the orchestra level of Kodak Hall at Eastman Theatre.
TICKET DONATION: If you are unable to attend a concert, please consider donating your tickets to us as a tax-deductible contribution. Return your tickets to the RPO no later than 2 PM the day of the performance to make them available for resale.
GROUP SALES: Groups of 10 or more are eligible for discounts starting at 20%! Contact Group and Corporate Sales Manager: Sal Uttaro at suttaro@ rpo.org | Office: (585) 454-7311 ext. 267 | Mobile: (585) 530-0865
Bravo is published cooperatively by the Rochester Philharmonic Orchestra and Buffalo Spree
Joyce Tseng| Editor, Rochester Philharmonic Orchestra
Meg Spoto | Creative Director, m dash studio
Anna Reguero | Program Annotator, Anna Reguero ©
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