Foundations II by Rit Limphongpand

FOUNDATION II

DESIGN PORTFOLIO OF RIT LIMPHONGPAND

COLOPHON Design / Photography: Rit Limphongpand Email:

ritlimphongpand@gmail.com

Website

ritlimphongpand.com

Typeface:

Din Next / Utopia

Software:

Adobe Creative Suite CS6 / Lightroom 4.4

Photo Credits:

Julius Shulman, 1947 (p.8–9)

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INTRODUCTION

F O U N D AT I O N S I I : 0 8 .15

Foun d at ion s I I i s a c ol le c t ion of profe s s ion a l work s t h at I have created over the past 8 years (2008â&#x20AC;&#x201C;2015) from when I was working as an interior designer in Bangkok, Thailand until today that I am a graphic/interior designer in New York. This book contains another sets of foundations that I have experienced in the real world as a professional designer.

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INTRODUC TION

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CONTENTS

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DESINGING HOME

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IDEO SHOWROOM

28 <

THE ART OF LEXUS

38 <

SHEPPARD GALLAGHER

52 <

SIMA & WAGNER GALLERY

58 <

MAS FOCUS 2015

70 <

LINCOLN AND THE JEWS

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CONTENTS

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DESIGNING HOME

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D E TA I L S Design: Pure+Applied Client:

Donald Albrecht

Contemporary Jewish Museum

Superviser:

Urshula Barbour & Paul Carlos

Year:

April–October 2014

Category: Exhibition Photography:

Contemporary Jewish Museum

DESCRIPTION

Designing Home was the first exhibition to look at the contribution of Jewish designers, architects, patrons, and merchants in the creation of a distinctly modern American domestic landscape. The exhibition examined the cultural context in which many Jewish émigré architects and designers from Europe in the 1930–40s were welcomed and embraced into the creative communities that sprang up around the US. The story told in this exhibition gave remarkable insight into Jewish assimilation into American society. My task was to create display cases and design the overall layout of the show, including the f loor plan, images, objects, and documents in the cases.

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DESIGNING HOME

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Koshland Gallery

CJM please confim dims for this new case

large blowup scrim of Eichler House S.7 (see Wall 11 elevation)

Entrance

Judaica

Platform

compose

Alex Steinweiss

ng/new p

large quot e

rniture an

large quot e

S.5 Hanging blowup scrim of Herman Miller Textile (9’ off the floor)

d table to

p items

S.4

Hanging blowup scrim of Schne (see Wall 6 elevation) textile

B Walls 2 , 11, 10, 12, 13 and 25 to be painted Black. 206.00"

Indicates change or addition to current wall plan

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GR APHICPORTFOLIO DESIGN PORTFOLIO DESIGN

RIT LIMPHONGPAND

12.00"

Products

linths for fu

align with the wall

Ceramics + Graphics

864.00"

d of existi

Shelves Unit/Wall Divider displaying ceramics, books, graphics

Hanging blowup scrim of Idea house (9’ off the floor)

Furniture + large quot e

Album Covers

align at the center of the wall

S.2

216.00"

Hanging blowup scrim of George Nelson Kitchen AD (9’ off the floor)

Architecture Neutra/Kaufmann House, 1946

Section text

60.00"

Architecture Eichler House

Hanging scrim of Intro text (3’ off the floor)

Platform for furniture

1938

S.6

120.00"

Main Intro Text

align with the wall

large blowup scrim of Schiff Hous (see Wall 16 elevation)

Schiff House

Section text

30.00"

S.1

72.00"

S.8

24.00"

Infographic to diagram meta relationships Projection (116” W)

intro text cont.

2 48.00"

low plinth to close gap

52.00"

Electricity Panel Area

11 EQ

Projection (116” W)

32.00"

60.00"

Recessed Wall Area

96.000"

tex

texti

Textiles 7

textile

large blowup

low plinth scrim of Pond Farm to close gap

S.9 S.11

Pond Farm 1949-1952

Paul Rand No Way Out Poster

Hanging bl scrim of owup Saul (spec by Bass CJM)

12.00"

90.00"

84.00"

Movies & Culture

Section text iPad

benches

Projection (140â&#x20AC;? W)

Aviary Wallcoverings

Saul Steinberg

70.00"

Walker 1941-1954

Screening Room

46.716" Section text

Networks

xtile

ile

BMC 1933-1949

textile

iPad

large blowup scrim of Paul Rand

S.10

Saul Bass Movie Posters

iPad Logos Wall

IoD 1937-195x

A&A 1939-1960 26.00"

iPad

MoMA 1929-1955 36.00"

27 Window graphic of Kaufmann house

36.00"

Koshland Gallery

04/14/2014 Pure+Applied

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George Nelson DH 047 Bubble Lamp 34 x 43 x 43 in. (86.36 x 109.22 x 109.22 cm)

Henry Dreyfuss DH 045 Big Ben Alarm Clock 5.5 x 5.5 x 3 in. (13.97 x 13.97 x 7.62 cm)

George Nelson DH 048 Desk Model 4658 41 x 54 x 28.13 in. (104.14 x 137.16 x 71.44 cm)

Henry Dreyfuss DH 064 Princess Phone 4 x 9 x 4 in

Anni Albers DH 001 Sheep May Safely Graze, 1959 21.5 x 29.5 in. (54.61 x 74.93 cm) Marli Ehrmann DH 015 Place mat 16 x 11.25 in.

Henry Dreyfuss DH 063 Honeywell Thermostat 5.5 x 5.5 x 3 in. (13.97 x 13.97 x 7.62 cm)

Anni Albers 026 Matzoh Holder 16.5 x 16.5 in. (41.91 x 41.91 cm) 4.000"

Trude Guermonprez DH 005 Untitled Space 35 x 25 in.

AA Annie Albers Annie Albers

Henry Dreyfuss DH 046 Dial-Ese Sin, 1945 17 x 19 x 16.5 in (43.18 x 48.26 x 41.91cm)

Annie Albers Annie Albers

George Nelson DH 050 Marshmallow Sofa 31.25 x 52.5 x 31.25 in. (79.38 x 133.35 x 79.38 cm)

Alvin Lustig DH 025 Lustig Chair 38 x 36 in. (96.52 x 91.44 cm)

Large Quote

Annie Albers Annie Albers

Alvin Lustig Incantation 66 x 50 in. (167.64 x 127 cm)

AL Annie Albers Annie Albers

Schnee Scrim

S.4

AD for George Nelson Kitchen (spread)

874.000 402.000" 226.000" 206.000"

center align

160.000"

89.000" top align

12.000" 108.000"

Schnee Scrim

12.000"

S.4

V.Q.3

, Much of New York s character derives from its dynamic Jewish population. Here, where they live out of the shadow of their historic crisis, they have changed a city, ,, and in turn are being changed. ,,,, The Jewish Elan,,,,, Fortune magazine, February 1960 The Jewish Elan, Fortune magazine, February 1960

V.Q.2

Modern designers do not wish to they wish to meet them. Function the environment and psychology not to be circumvented or forced ,, right design.

,, Edgar Kaufman, jr., jr., ,, The Edgar Kaufman, The Department Department of of Industrial Industrial Desi Desi The Museum of of Modern Modern Art Art ,, February February 11 The Bulletin Bulletin of of the the Museum

60.000"

center align 96.000"

864.000" 1958 AD for phones by Dreyfuss 1960 AD for Princess Phones by Dreyfuss

Wall 6-Furniture + Products

AD for Crance Sink by Dreyfuss

Scale 1/4" = 1' > 16

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Marcel Breuer DH 043 Desk for Bryn Mawr 29 x 50 x 25 in. (73.66 x 127 x 63.5 cm)

Muriel Coleman DH 129 Desk 30 x 48 x 22.5 in. Muriel Coleman DH 130 Chair

Muriel Coleman DH 128 Room Divider Sleving for Pacifica 60 x 71 x 13 in. (152.4 x 180.34 x 33.02 cm)

Rudolph Schindler DH 060 Upholstered Chair 27 x 35.75 x 35.75 in. (68.58 x 90.81 x 90.81 cm)

Marcel Breuer DH 043 Chair for Bryn Mawr 33.25 x 18.25 x 20 in. (84.46 x 46.36 x 50.8 cm)

Annie Albers Annie Albers

Paul Frankl Sofa 31” x 38” x 91”

Annie Albers Annie Albers

Paul Frankl DH 003 “Skyscraper Bookcase” 89 x 108.75 x 7.5 in. (215.9 x 190.5 x 45.72 cm)

Typical floor caption label size = 6" W x 3" H

Typical floor bio label size = 9" W x 18" H

284.000"

V.Q.1

o overcome conditions, ns, materials, techniques, of users—these are d, they are guides to

,,,, ign, ign, 1946 1946

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DESIGNING HOME

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OBJECTS

GRAPHICS (BOOK C

Otto Natzler DH 009 Bowl glazed ceramic earthenware,1940-1950 2.75 x 6.88 in. (6.99 x 17.46 cm)

Marguerite Wildenhain DH 006 Pot with Lid and Repeating Design 10 x 7.5 in. (25.4 x 19.05 cm) Glazed stoneware

Ben Siebel DH 084 Raymor Modern Stoneware, 1952-1954 Stand aprox. 40 x 10 in, bean pots aprox 6,5 in x13 1/4 in Earthenware (bean pots), wood and metal (stand)

Otto Natzler DH 011 Vase Glazed earthenware, 1962 5.25 x 5 in. (13.34 x 12.7 cm)

Marguerite Wildenhain DH 007 Vase with Angels and Dragons Glazed stoneware, 1952 9 x 7.5 in. (22.86 x 19.05 cm)

Ernest Sohn DH 079 "Esquire" coffee pot with lid, 1963 Stoneware aprox. 8 x 7.75 in

Marguerite Wildenhain DH 008 Vase, 1955 glazed stoneware aprox 9 x 4???

Ernest Sohn DH 078 "Doric" beverage server with lid and stand,1959-1965 creamer, sugar bowl with lid, and tray aprox. 25 x 10 in, 6 x 4 in and 4 x 3.5 in Earthenware, brass, walnut

Eugene Deutch DH 065 Coffee Set No dims

Ernest Sohn DH 080 Black creamer aprox. 4.5 x 5.75in ??

Otto Natzler DH 010 Bottle Red glazed earthenware, 1961 4.25 x 4.25 in. (10.8 x 10.8 cm)

George Tscherny DH 088 LARK Cigarette Package aprox. size four times 3 x 4 x 1.25 inches

DH 062 Louis Danziger Judaism and Modern Man 7.88 x 11.5 in.

DH 067 Leo Lionni How To Read Fortune in Bed, 16.2 x 21.5 cm Fortune 1960 with Lionni cover 26 x 33 cm.

Leo Lionni The Family of Man, MoMA catalogue Museum of Modern Art catalog 21.7 x 28.5 cm

Ernest Sohn DH 083 "Esquire" large casserole with lid,1963 4.25 x 12.75 x 7.5 in. (10.8 x 32.39 x 19.05 cm) Stoneware

Elaine Lustig Cohen DH 031 Writings: Selected, Edited, and Introduc 4.375 x 7.325 Elaine Lustig Cohen On Love: Aspects of a Single Theme 5 x 8.375 Elaine Lustig Cohen DH 029 Witchcraft by Charls Williams 5.5 x 8.5

Elaine Lustig Cohen DH 030 Politics: Who Gets What, When, How by 4.375 x 7

4.000"

192.000"

DH 062

DH 067 DH 006 / 7 / 8

DH 0

62.000"

DH 083 DH 078

DH 078

DH 009 DH 010/11 MW Annie Albers

LL Annie Albers

ES Annie Albers

LD Annie Albers

DH 079 / 80

Annie Albers

4.000" 26.000"

DH 088

Front

Back

SHELVES UNIT Scale 1/4" = 1' > 22

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COVER / MAGAZINE / AD) Alvin Lustig DH 035 Book jacket for Gertrude Stein’s Three Lives, 6.5 x 7.5

AD brosure with Steinweiss cover and Spreads 20.5 x 14 cm.

DH 085 George Tsherny Herman Miller Fabric Ad 9 x 12 in.

Alvin Lustig DH 036 Book jacket for A Season in Hell 5.375 x 8

DH 086 George Tsherny Herman Miller, Comes to Dallas ad 9 x 12 in.

Alvin Lustig DH 037 Book jacket for E.M. Forester’s Room With a View 5.125 x 7.5 Alvin Lustig DH 038 Book jacket for A Handful of Dust 5.125 x 7.5

Raymond AD featuring Nelson and Seibel 9.75 x 13 in.

AD design by Tcherny 22 x 29.5 cm

Alvin Lustig Industrial Design in America, 1954 21.5 x 28.5 cm.

ced by Will Herberg

Henry Lasswell

DH 085 / 86

DH 029 / 30 / 31 /133

DH 37 / 38

DH 36 ED Annie Albers

GT Annie Albers

BS Annie Albers

ELC Annie Albers

96.000"

084

24.000"

192.000"

DH 035

DH 065

Side

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IDEO SHOWROOM

D E TA I L S Design:

Ofiice AT (Office of Architectural Transition)

Client:

Ananda Development Public Company Limited

Supervisor:

Surachai Akekapobyotin & Juthathip Techachumreon

Year:

August 2008

Category: Interior Photography:

Ananda Development Public Company Limited

DESCRIPTION

This was the my first professional interior design project that I complete in my first career as an interior designer in an architectural design firm, Office AT in Bangkok, Thailand. My assigned task was to design a warm and contemporary style-onebedroom unit in a showroom & sales office at IDEO Condominium for Ananda Development and one of the best known property development company in Thailand.

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THE ART OF LEXUS

D E TA I L S Design: Pure+Applied Client: Lexus

Melcher Media

Supervisor:

Paul Carlos

Year:

September 2014

Category: Editiorial Photography:

John Halpern

DESCRIPTION

The Art of Lexus celebrates the 25 th anniversary of Lexus. This book provides an overview of the past 25 years of Lexus history and how it has grown into a strong international brand. I was assigned to design this book with a fellow designer and coworker, Sasha Jotwani. The overall theme of the book and typeface selections were based on the previous volumne of The Art of Lexus and Lexus brand manual. The new design work is in the layout and graphic elements in the book.

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THE ART OF LE XUS

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THE ART OF LE XUS

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THE ART OF LE XUS

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THE ART OF LE XUS

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THE ART OF LE XUS

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THE ART OF LE XUS

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THE ART OF LE XUS

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SHEPPARD GALLAGHER

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D E TA I L S Design: Pure+Applied Coding:

Juan Pablo Gomez

Client:

Ileen Sheppard Gallagher (ISG Productions)

Superviser:

Urshula Barbour & Paul Carlos

Year:

February 2015

Category: Website URL: sheppardgallagher.com

DESCRIPTION

Ileen Sheppard Gallagher (ISG Productions) produces memorable experiences and destinations that inspire and inform. Projects range from new museums, corporate attractions, and citywide film/media celebrations to exhibitions, special events, the organization of archives, and beyond. I was asked to re-design the new website for Ileen Sheppard Gallagher, giving it a clean and modern look with respondsive a responsive design for the mobile platform. The color magenta scheme and typeface selections are based on the works that ISG Productions had produced throughout the years, which are modern and yet colorful.

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ILEEN SHEPPARD GALL AGHER

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ILEEN SHEPPARD GALL AGHER

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ILEEN SHEPPARD GALL AGHER

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Sima & Wagner Gallery

D E TA I L S Design: Pure+Applied Identity/Map:

Eva Bochem-Shur

Client:

YIVO Institute for Jewish Research

Supervisor:

Urshula Barbour

Year:

April 2015

Category:

Interior / Signage

Photography:

John Halpern

DESCRIPTION

The YIVO Institute for Jewish Research was founded in Vilna, Poland, in 1925, and relocated to New York City in 1940 with the mission to study the thousand-year history of Jewish life in Eastern Europe and Russia in all its aspects: language, history, religion, folkways and material culture. YIVO wanted to re-design their branding, including their gallery space into a reception and educational area for visitors. My responsibility was space planning, the design of new funitures, display case (all made by Corian: Solid Surface) and signage.

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ipad

18.000"

11.500"

17.625"

11.500"

17.625"

18.000"

0.375" thick plexi 0.50" ventilation gap

ipad

1 EQ

0.375" thick plexi 0.50" ventilation gap

artifact deck

5.625"1.000"

artifact deck

18.250"

33.250" (deck width)

21.000"

18.250"

36.000" (overall width)

33.250" (deck width)

5.625"1.000"

21.000"

36.000" (overall width)

1.000" 9.500"

ipad 16.530"

60.000째

60.000째 9.500"

4.000"

36.000"

33.000"

16.530"

4.000"

36.000"

33.000"

ipad

3.000"

30.000"

3.000"

30.000"

3.000"

Front

ARTIFACT CASE

SCALE 1" : 1'

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Front

RIT LIMPHONGPAND

3.000"

Right

15.0

0.375" thick plexi embbed iPad

21.000"

0.50" ventilation gap

dessicant chamber

1.000" 9.500"

0.50" thick medex artifact deck covered with fabric

18.500"

1.000"

plexi attached to the case with security screw

9.500"

0.25" H x 0.25" D groove 60.000째

0.75" Medex removable panel

60.000째 9.500"

9.500" access panel to iPad

access to dessicant

0.75" Medex 3.000"

15.000"

3.000"

Right

15.000"

Section 1

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3.000"

leveling feet

Sima & Wagner Galler y

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1' 10.000"

4' 0.000"

PLAN

2.000"

1' 10.000"

9.000"

open

3.000" 2.000"

1' 4.000"

2.000"

open

Front

Side

TABLE SCALE 1" : 1'

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Exisiting Wall

2' 0.000"

7.750"

8.125"

5.830"

iPad screen (9.7" diagonal)

1' 6.000"

8.125"

PLAN

exisiting wall

18.282"

2.500"

5.625"

28" H above floor level

18.000"

FRONT

LEFT

exisiting wall 7.75"

EQ" iPad spec. TBD

cleats or bracket attached to the wall screw

screw

bracket support

lid close from the bottom

Section 1

iPad KIOSK SCALE 1" : 1'

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MAS FOCUS 2015

D E TA I L S Design: Pure+Applied Client:

The Municipal Art Society of New York (MAS)

Supervisor:

Paul Carlos

Year:

March 2015

Category: Editiorial

DESCRIPTION

MAS Focus 2015 outlines the planning, policy, and civic engagement initiatives for the upcoming year. The brochure includes profiles of specific initiatives, details on the signature awards and events, and the MAS Watchlist. MAS wanted to update their branding identity. I had the chance to design MAS Focus 2015 brochure using the new typeface selected by Pure+Applied. Overall color scheme came from the current MAS identity which uses the yellow rectangle bar as the main graphic elements and the diagonal pattern to indicated the main section of the brochure.

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LINCOLN AND THE JEWS

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D E TA I L S Design: Pure+Applied Client:

Shapell Manuscript Foundation

New York Historical Society

Superviser:

Urshula Barbour & Paul Carlos

Year:

March–June 2015

Category: Exhibition Photography:

John Halpern

DESCRIPTION

Through never-before displayed original documents, artefacts, photographs, Lincoln’s own writings, and first person accounts primarily from the Shapell Manuscript Collection, the exhibition traced events in Lincoln’s life through the lens of his Jewish contemporaries, such as Abraham Jonas, who became Lincoln’s political strategist and “most valued friend,” and Issachar Zacharie, his enigmatic confidant. I was worked on this ex hibition w ith a fellow designer, Lindsay Farrell. Our responsibilities were to create display cases based on the historical tables that Lincoln used and design the overall layout of the show, including the f loor plan, images, objects, and documents in the cases.

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LINCOLN AND THE JE WS

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ELEVATOR = Case

= section text location

8' 5

56' 7.25" 10' 9.75"

41' 1

TITLE 11' 2.00" 2' 0.00"

57.00"

4.76°

6' 5"

12' 0.50"

acharie

12'

7. Issachar Z

CODA. A Truth That Needed to Be Told

9. Lincoln’s Last Day

_22 _New

Open Doors to the White House 8. Glorious News! (Myers)

36.00"

60.00"

76.00"

aft Dr eel Wh

Church painting

Room_3_Wall

ws , Je ar oln il W inc Civ 4. L the &

21' 2.125"

25'

8.00" 8.00"

12.00"

36.00"

52.33"

ll_ Wa _2_

6' 5"

interactive tables

18_

10.00"

11' 2.00"

6. The Draft Riots & the Jews of New York

12.00" 25' 7" 8' 8.25"

8' 3"

25' 8' 7.75"

LUMAN REED 3

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8' 3

LUMAN

New York Historical Society: LUMAN Gallery Floor Plan Scale 1/8" = 1'

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8' 8.25"

RIT LIMPHONGPAND

WAYFINDING

20' 12' 6.875"

5.125"

13' 4.375"

17.75"

ct Introdu

Audio tour equipment

77"

10.25"

E WALL

132.00"

[Infographic]

' 7.25"

8' 7.625"

ion

144.00"

6.00"

2b continues

90.00"

3. M

96.00" 84.00"

0.0

ces s

38.69"

ion

ite

2b. Lincoln Gets Elected

1. Jews a Growing Minority

2b continues

5. A Moral Stand Against Prejudice (Grant #11)

12.00"

tripod case

.00

21' 1.25"

ost

yM d

en Fri ed

u Val

176.00" w Ne

185.00"

26.50째

2a. Path to the Presidency Lincoln & Jonas Et al.

84.00"

32.00"

12.00"

24' 6"

8' 7.75"

N REED 2

LUMAN REED 1

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24.00" 16.00" 15.00" 9.50" 3.50"

16.00" 24.00"

9.50" E 5b

15.00"

E 54

0.375"

E 5c

E 5a E6

0.02"

EQ 3.50"

0.375"

A, B, C slots cut through the deck. Slots will receive the plexi tongue 3.25" W x 2.25" H (deck height) x 0.25" thick (2 x sandwiched plexi 1/8" thick) see bottom right drawings

Camera Tripod: Plan drawing scale 1" = 1'

slot

16.00"

see detail

15.00"

16.00"

2.25" 3.00"

center column

center column lock 36.00"

legs (3)

Camera Tripod: Front drawing scale 1" = 1'

> 86

FOUNDATIONS II

Camera Tripod: Back drawing scale 1" = 1'

DESIGN PORTFOLIO

RIT LIMPHONGPAND

slot C 1/4" thick plexi bonnet (5) Sided w/ WeldOn 40 joints.

slot A 15.00"

14.50" 1/2" Medex riser w/ fabric wrapped

16.00" 2.25"

9.50"

2.25" 3.25"

3.25"

45.00째 1/2" Medex on 1/2" Medex wedges

2.25" 3.00"

Camera Tripod: Section Detail drawing scale 1-1/2" = 1'

16.00" slot for desiccant

desiccant chanmber access to desiccant

two pieces of 1/8" sandwiched plexi (1/4" total) artwork to be sandwiched in between

12.00"

9.00"

E 5a

7.50"

9.00"

E 5c

E 54

E 5b

EQ 3.50" EQ

2.25"

E6 EQ

3.50" EQ

A (front)

B (front)

B (back)

3.50" EQ

C (front)

Plexi Stand drawing scale 1" = 1' plexi tongue heigth (2.25") equal deck height

This wil part will rested on top of the deck

PROJEC T

LINCOLN AND THE JE WS

87 <

Room 1: Wall Case 4: Wall 8 (Add.) overall case width 20.00"

vitrine width

19.00"

deck width

18.50" 0.50"

14.00"

0.50"

11.19"

1.00"

Plan

15.19"

F33

2.38"

4.00"

Front CNC 1/8" square groove on both sides

13.75"

2.25"

3.00"

> 88

FOUNDATIONS II

DESIGN PORTFOLIO

RIT LIMPHONGPAND

1/4" thick plexi bonnet (4) Sided w/ WeldOn 40 joints.

13.00" 0.50" 0.50"

12.25"

2.25" 1/4" deep slots (4) 16.00"

1/4" w/ W

13.00"

cleat attached to the wall

0.50" 0.50"

12.25"

pen cleat attached to the wall

2.25"

11.19"

7.16째

14.00"

16.00"

cleat attached to the wall

15.19"

1/4" d

45.00째

Side

Section

14.00"

open

cleat attached to the wall 4.00"

desiccant chamber 7.16째 access to desiccant

18.50" 8.25"

3.00"

3.00" EQ

EQ 1/4" wood 1/4" deep slots (4) Side

14.00"

alt.

14.00"

Section

1/2" wood edge (similar to the photo attached)

NC 1/8" square groove on both sides

F33

1/4" wood 1/4" deep slots (4)

2.25"

3.00"

fabric-wrapped deck (similar to the photo attached) 18.50" 8.25" 3/4" diameter 3.00" knob3.00"

line indicates wood seam

1/2" wood edge (similar to the photo attached) fabric-wrapped deck (similar to the photo attached)

Deck Layout (front) 13.75"

alt.

F33

3/4" diameter knob

PROJEC T

line06 indicates wood seam 07 08 09

LINCOLN AND THE JE WS

89 <

45.00째

Room 1: Floor Case 2: Wall 6 40.00" 38.50"

10.00"

Exterior back panel w/ built-in pinch cleat Case material is 0.75" thick Medex

6.00" cleat attached to the wall 2.00"

2.00"

32.00"

legs retro-looking positioned 2"x 2" away from edge of the case 26.00"

Front Elevation

1" = 1'

Side Section

line indicates wall

7.00"

33.25"

7.0째

7.00째

20.00" 16.00"

FF9D

FF9A

40.00"

Plan

> 90

1" = 1'

FOUNDATIONS II

DESIGN PORTFOLIO

RIT LIMPHONGPAND

Reference Imag

Medex riser fabric-wrapped with staple

3/8" thick plexi bonnet (5) Sided w/ WeldOn 40 joints.

10.00"

10/32 flathead screw into threaded insert

Exterior back panel w/ built-in pinch cleat

erial is 0.75" thick Medex 6.00" cleat attached to the wall 2.00"

2.00"

gs retro-looking sitioned 2"x 2" away from edge of the case desiccant chamber

26.00"

1" = 1'

access to desiccant Camgar sealed all sides and then allowed to cure and off-gas for two weeks.

1" = 1'

Side Section

line indicates wall

1" = 1'

Reference Image

PROJEC T

LINCOLN AND THE JE WS

91 <

> 92

FOUNDATIONS II

DESIGN PORTFOLIO

RIT LIMPHONGPAND

PROJEC T

LINCOLN AND THE JE WS

93 <

> 94

FOUNDATIONS II

DESIGN PORTFOLIO

RIT LIMPHONGPAND

PROJEC T

LINCOLN AND THE JE WS

95 <

Room 2: Floor Case 1: Wall 11 55.0" 53.5" 0.25" thick Medex interior divider EQ dims for each slot

gasketed with sillicon

36.75"

0.50" thick Medex exterior

10.00" 9.625"

Exterior back panel w/ built-in pinch cleat Case material is 0.75" thick Medex

6.00"

cleat attached to the wa 2.00"

2.00" 47.00"

26.00"

Front Elevation

1" = 1'

Side Section

G16 and G 10 needs mounts angled at 30º 36.75" 22.00" 20.75"

7.00°

16.25"

33.25"

line indicates wall

7.00° 3.00" 1"

24.00"

G16

G10

20.00" FROM LE F T TO R I GH T:

Nomination of Abraham Jonas to be Deputy Postmaster, July 13, 1861 Author / Date ending Institution L

Abraham Jonas, 18xx Author / Date ending Institution L

Louisa Jonas, 18xx Author / Date

Nomination of Mrs. Louisa Jonas to be Deputy Postmaster, June 13, 1864 Author / Date Lending Institution

Abraham Jonas was the first Jew whom President Lincoln appointed to a patronage position. Postmastering, a job Lincoln himself had held in New Salem, Illinois, before being admitted to the bar in Springfield, was coveted by politicians because it facilitated contacts with fellow citizens. Upon Jonas’s death, L incoln appointed Louisa Jonas, Abraham’s widow, to succeed her husband in the post. It was another sign of his respect for the Jonas family.

55.00"

Plan

> 96

1" = 1'

FOUNDATIONS II

DESIGN PORTFOLIO

RIT LIMPHONGPAND

Reference Image

Medex riser fabric-wrapped with staple with staple

3/8" thick plexi bonnet (4) Sided w/ WeldOn 40 joints.

gasketed with sillicon

thick Medex exterior

24.00"

3.00"

10.00" 9.63"

Exterior back panel w/ built-in pinch cleat Case material is 0.75" thick Medex

6.00"

10/32 flathead screw into threaded insert

gasketed with sillicon

cleat attached to the wall 2.00"

2.00"

desiccant chamber

26.00"

1" = 1'

access to desiccant Camgar sealed all sides and then allowed to cure and off-gas for two weeks.

Side Section

1" = 1'

line indicates wall

20.00"

1" = 1'

Reference Image

PROJEC T

LINCOLN AND THE JE WS

97 <

Room 2: Floor Case 2: Wall 15 62.00" 60.50"

10.00"

2.07" 3.93"

6.00"

8.50"

Case material is 0.75" thic

iPad screen

c 2.00"

2.00"

8.00"

2"x 2" legs with braces positioned 2"x 2" away from edge of the case

embedded iPad (spec. TBC by NYSH) 11.50"

26.00"

2.07" 3.93"

16.00"

54.00"

20.00°

line indicates access panel (left side) 2.00"

2.00"

Front Elevation

Side Section 1 &

1" = 1'

line indicates wall 29.13"

33.25"

9.20"

7.00°

10.80"

20.00"

L16

iPad screen

M14

L14

8.50"

16.00"

62.00"

M14 needs mounts angled at 30º

Plan

> 98

1" = 1'

FOUNDATIONS II

DESIGN PORTFOLIO

RIT LIMPHONGPAND

Reference Image

Medex riser fabric-wrapped with staple with staple

3/8" thick plexi bonnet (5) Sided w/ WeldOn 40 joints.

10/32 flathead screw into threaded insert

10.00" Exterior back panel w/ built-in pinch cleat

ck Medex

gasketed with sillicone 6.00"

cleat attached to the wall

2.00"

16.00"

20.00째

6.00"

16.00" 2.07" 3.93"

6.00"

11.50"

e1" = 1'

6.00" 2.00"

8.00"

2.00"

embedded iPad (spec. TBC by NYSH)

26.00"

desiccant chamber

access to desiccant Camgar sealed all sides and then allowed to cure and off-gas for two weeks.

26.00"

Section 1

line indicates access panel (left side)

& 1" 2 = 1'

gasketed with sillicone

cleat attached to the wall 2.00"

2.00"

10/32 flathead screw into threaded insert

10.00"

Exterior back panel w/ built-in pinch cleat Case material is 0.75" thick Medex

Section 1

3/8" thick plexi bonnet (5) Sided w/ WeldOn 40 joints.

Section 2

Side Section 1 & 2

1" = 1'

16.00"

Reference Image

PROJEC T

LINCOLN AND THE JE WS

99 <

Room 3: Touch screen floor case (Alt.) 68.00"

embedded 27" touchscreen spec TBC by NYHS

8.00"

7.00"

24.00"

30.00"

6.00"

66.00"

embedded 27" touchscreen spec TBC by NYHS

0.75" 0.75" 1.50"

4.00" 3.00"

Plan

6.00"

4.00"

0.75"

8.73"

31.88" 10.00"

4.00"

4.00" 58.00"

26.00"

74.88"

8.73"

0.25" thick MDF or ULDF slots divider

Front Elevation

> 100

FOUNDATIONS II

DESIGN PORTFOLIO

RIT LIMPHONGPAND

4.00"

24.33"

14.50" 11.6825" (screen opening) 14.50" (screen opening) 27" tou chs 27" tou spec TBC creen chscre en by NYHS spec T BC by N YHS

access to outlet access to outlet

11.6825" access panel access panel 6.00"

11.6825" line indicates the wall line indicates the wall

Room 3: Touch screen floor case (Alt.)

6.00"

11.6825"

24.33"

30.00" 30.00"

Section Section

Room 3: Touch screen floor case (Alt.)

68.00" 68.00"

Reference Image 1

Reference Im

66.00"

66.00" 3.00"

8.73"

3.00"

Reference Image 2

8.73"

Reference Image 1

24.33"

24.33" Ventilation Slot VentilationCNC Slot cut 1/4" slots top slots & bottom, CNC cut 1/4" typical both sides top & bottom, typical both sides

58.00"

24.00"

58.00"

Back

24.00"

Back

Side

PROJEC T

LINCOLN AND THE JE WS

101 <

> 102

FOUNDATIONS II

DESIGN PORTFOLIO

RIT LIMPHONGPAND

PROJEC T

LINCOLN AND THE JE WS

103 <

> 104

FOUNDATIONS

GR APHIC DESIGN PORTFOLIO

RIT LIMPHONGPAND

ACKNOWLEDGEMENTS Super visors & Teachers: Sur achai A kekap obyotin, Juthathip Techachumreon, Urshula Barbour, Paul Carlos, for sharing me your wisdom and knowledge to excel as a professional designer. US Friends and Colleagues: Gabriella D'amato, Cara Wohnsigl, Miles Barretto, Kanny Yeung, Cara Bermejo, Lindsay Farrell. Carrie Kawamura, Camille Sacha, Salvadore, Eva Bochem-Shur, Sasha Jotwani and Juan Pablo Gomez for sharing your skills and helping me when I was in need, and the fun times. I have had a great time working with you all. The Thais in the US: Isra Hiranlakana, Ice Kamollertvara, AĂŽmĂŠe Piyatas, Supasai Vongkolbhisal and Wisarut Eric Watthanachote for your moral support and listening to me whem I'm ramblings about life and other stuff. Patima Srivakul for proofreading and spell check as always. Thank you for bearing with me for all this time.

PROJEC T

ACKNOWLEDGEMENTS

105 <