Celebration of Black Music
My Sister’s Keeper
Minnita Daniel-Cox, soprano
Marcia Porter, soprano
Alexis Davis Hazell, mezzo-soprano
Rosalyn Wright Floyd, piano
Westminster Jubilee Singers
Vinroy D. Brown, Jr., conductor
Akiko Hosaki, piano
Westminster Chapel Choir
Marion Jacob, conductor Gregory Stout, piano
Patrice P. Eaton, mezzo-soprano String Ensemble
Gill Memorial Chapel Rider University
2083 Lawrenceville Road
Lawrenceville, N.J.
Saturday, March 23, 7:30 p.m.
Multimedia Recital: My Sister’s Keeper PROGRAM
Up over my head Zenobia Powell Perry (1908–2004) from Tawawa House
Ms. Daniel-Cox, Ms. Porter, Ms. Davis-Hazell
Poetry to song
Dreamin’ Town Florence Price (1887–1953)
Forever
What’s the use? A poet and his song
Why fades a dream?
Ms. Daniel-Cox
Irene Britton Smith (1907–1999) from Dream Cycle
Ms. Davis-Hazell
thre.e cummingsongs Briana Lightbourn (b. 2000)
me up at does Crepuscule
Post Impressions VI
Ms. Porter
…of fields and water
Selections from Shades of Hues Sylvia Hollifield (b. 1951)
My people
In time of silver rain
The Meadowlark from On wings of flight
Ms. Daniel-Cox
The Negro speaks of rivers
By the SeaMargaret Bonds (1913–1972)
Julia Perry (1924–1979)
Ms. Davis-Hazell
The Louisiana Lady
Selections from Five Creole Songs Camille Nickerson (1888-1982) Dansé conni, conné!
Fais do do Chère, mo lemmé toi
Ms. Porter
Spring Song Zenobia Powell Perry arr. Khyle Wooten (b. 1988)
Ms. Daniel-Cox, Ms. Porter, Ms. Davis-Hazell
Sacred Songs and Spirituals
Lord, I just can't keep from cryin’ arr. Bonds from Five Creek-Freedman Spirituals
Ms. Daniel-Cox
How beautiful are the feet Julia Perry ‘48 (1924–1979)
I’m A Poor Li’l Orphan In This Worl’ arr. J. Perry ‘48 Alleluja J. Perry ‘48
Ms. Davis-Hazell
Philippians 4:6-7 Maria Corley (b. 1966)
He shall feed His flock like a shepherd G.F. Handel (1685–1759) arr. Curenton
Lil David play on your harp arr. Curenton
Git on board arr. Curenton
Ms. Daniel-Cox, Ms. Porter, Ms. Davis-Hazell
Sunday, March 24, 3:00 p.m.
The Passion According to Julia Perry
Westminster Choir College concludes its second Celebration of Black Music with a musical tribute to Julia Perry. A distinguished alumna, she was the first Black woman to graduate with degrees in composition from Westminster Choir College and was a student of Westminster founder, Dr. John Finley Williamson. This concert will feature an eclectic offering of works, many found in the Julia Perry Collection at Westminster. For many of these works, this serves as the first performance in decades.
Julia Perry ’48 (1924-1979)
PROGRAM
Carillon Heigh-Ho
Be Merciful Unto Me
ed. John Finley Williamson (1887-1964)
Akiko Hosaki, piano
Olivia Dixon, soprano
Alistair Stewart, baritone
Akiko Hosaki, organ
Ye Who Seek the Truth
Michael H. Woods, tenor
Akiko Hosaki, organ
I’m A Poor Li’l Orphan In This Worl’
Gregory Stout, piano
Stabat Mater
Song of Our Savior
Patrice P. Eaton, mezzo-soprano String Ensemble
Maya Cooper, soprano
Akiko Hosaki, piano
Texts, Translations & Program Notes
Carillon Heigh-Ho
In Carillon Heigh-Ho, Perry weaves together intricate bell-like motifs with a lively original carol tune, creating a vibrant tapestry of sound that evokes the joyful atmosphere of a bustling town square. It was first published in a collection of pieces by WCC composers, edited by Dr. Williamson. The edition resembles many of Williamson’s favorite pieces with unexpected tempo changes and an abundance of articulations. Williamson’s choirs were famous for their precision, and this piece certainly puts the choir through its paces.
Be
Merciful Unto Me Psalm 57
Be Merciful Unto Me, O God is one of Perry’s contributions to the catalog of American choral anthems. The organ and choir share the spotlight, with nearly half the piece being played by the organ alone. Numerous solo organ lines throughout the instrument's range showcase the many timbres available.
Ye Who Seek the Truth
Ye Who Seek Truth (1952) is an anthem for tenor solo, mixed chorus, and organ with Perry writing the text and was newly arranged for a string orchestra. This piece begins with a lovely opening tenor solo accompanied by the organ and is then joined by the remainder of the ensemble. Looking at the text, it insists one will be able to find peace and rest through God while seeking truth through Him and His word.
I’m A Poor Li’l Orphan In This Worl’
Perry’s arrangement of the spiritual I'm a poor li'l orphan in this worl' originally for solo voice, was composed in 1952. The text meditates on feelings of hopelessness and abandonment, and Perry encapsulates this feeling with evocative writing that is idiosyncratic with the spiritual tradition from which the song originates. Perry's arrangement of this forlorn spiritual is a satisfying preservation of an important American musical tradition.
Stabat Mater
Stabat mater dolorósa
juxta Crucem lacrimósa, dum pendébat Fílius.
Cuius ánimam geméntem, contristátam et doléntem pertransívit gládius.
O quam tristis et afflícta fuit illa benedícta, mater Unigéniti!
Quae mœrébat et dolébat, pia Mater, dum vidébat nati pœnas ínclyti.
Quis est homo qui non fleret, matrem Christi si vidéret in tanto supplício?
Quis non posset contristári Christi Matrem contemplári doléntem cum Fílio?
Pro peccátis suæ gentis vidit Jésum in torméntis, et flagéllis súbditum.
Vidit suum dulcem Natum moriéndo desolátum, dum emísit spíritum.
Eja, Mater, fons amóris me sentíre vim dolóris fac, ut tecum lúgeam.
Fac, ut árdeat cor meum in amándo Christum Deum ut sibi compláceam.
Text: 13th Century Christian Hymn
The sorrowful mother was standing beside the Cross weeping, while the Son was hanging
Whose moaning soul, depressed and grieving, the sword has passed through.
O how sad and stricken was that blessed [woman], mother of the Only-begotten [one]!
Who was mourning and suffering, the pious Mother, while she was watching the punishments of the glorious son.
Who is the person who would not weep, if he had seen the mother of Christ in such great suffering?
Who would not be able to be saddened to behold the Mother of Christ grieving with the Son?
For the sins of his people she saw Jesus in torments, and subjected to lashes She saw her sweet Son dying forsaken, while he sent forth [his] spirit.
Come now, O Mother, fountain of love Make me feel the power of sorrow that I might mourn with you.
Grant that my heart may burn in loving Christ the God that I might please him.
Sancta Mater, istud agas, crucifíxi fige plagas cordi meo válide.
Tui Nati vulneráti, tam dignáti pro me pati, pœnas mecum dívide.
Fac me tecum pie flere, crucifíxo condolére, donec ego víxero.
Juxta Crucem tecum stare, et me tibi sociáre in planctu desídero.
Virgo vírginum præclára, mihi iam non sis amára, fac me tecum plángere.
Fac ut portem Christi mortem, passiónis fac consórtem, et plagas recólere.
Fac me plagis vulnerári, fac me Cruce inebriári, et cruóre Fílii
Flammis ne urar succénsus, per te, Virgo, sim defénsus in die iudícii.
Christe, cum sit hinc exire, da per Matrem me venire ad palmam victóriæ.
Quando corpus moriétur, fac, ut ánimæ donétur paradísi glória.
O Holy Mother, may you do that, fix the wounds of the cross mightily in my heart.
Of your wounded son, [who] so deigned to suffer for me, Share [his] penalties with me.
Make me cry dutifully with you, to suffer (with him) on the cross, as long as I shall have lived.
To stand by the Cross with you, to unite me to you in weeping [this] I desire.
O noble Virgin of virgins, Be not bitter with me now, Make me mourn with you.
Grant that I might bear the death of Christ, Make [me] kindred in the passion, and contemplate the wounds.
Make me injured by the wounds, make me drunken by the Cross, and by the blood of the Son.
Lest I be consumed burned by flames, through you, O Virgin, may I be defended on the day of judgment.
O Christ, when it is time to depart hence, grant me to come through the Mother, to the palm of victory.
When the body will decay, grant that it may be bestowed on [my] soul the glory of paradise.
Song of Our Savior
“Song of Our Savior” is an a cappella, spiritual-driven song written by Julia Perry in 1953. The music has a balance of themes, the opening being a somber, legato ballad, with the lyrics “...and breathed a prayer”. The second part of the song is more reminiscent of classic spirituals or Bible songs. Throughout this section, Perry makes use of repeated syncopated patterns and bluesy chords. Sections trade off motives as the story of Jesus is told from his birth all the way through his crucifixion. The section ends with everyone together, singing a familiar line from a spiritual, “Glory, Hallelujah, to his name.” Perry makes great use of contrasting musical Sections for the purpose of singers trying to send a powerful message to the audience and the listeners seeing it come to life.
About the Artists
WESTMINSTER CHAPEL CHOIR
Founded in 1949, the Westminster Chapel Choir takes its name from Westminster’s rich history of leadership in the field of sacred music. The ensemble has evolved over the years, and today its repertoire includes both sacred and secular works. Composed of students in their first year of study at Westminster Choir College, this ensemble is a defining choral experience that remains with Westminster alumni throughout their lives. Recent seasons have included performances of Mozart’s Coronation Mass with the Greater Princeton Youth Orchestra and Stravinsky’s Symphony of Psalms with the Westminster Conservatory Youth Chorale, as well as concerts in Newtown, Pa. and Wilton, Conn. In addition to on-campus performances throughout the year, the Westminster Chapel Choir has toured extensively along the eastern United States with great success.
The Westminster Chapel Choir has also performed with many symphony orchestras, including the Trenton Symphony Orchestra (N.J.), the York Symphony (Pa.) and the Queens Symphony (N.Y.). At the request of Leopold Stokowski, the ensemble premiered Universal Prayer by Polish composer Adrezej Panufnik. It was heard by millions when it sang for the annual televised Christmas Tree Lighting Ceremony at Rockefeller Center. Previous performances have also included participation in Princeton University’s “Opera and Society” Conference, where it was the featured chorus for the conference and a chapel service honoring the centennial of world-renowned organist and teacher Alexander McCurdy, Jr.
The ensemble has also been honored to give several world premiere performances of works by Pulitzer Prize-winning composer Lewis Spratlan, Stefan Young, Ronald Hemmel and Philip Orr.
WESTMINSTER JUBILEE SINGERS
Composed of students selected by audition, the Westminster Jubilee Singers is modeled after the historically acclaimed Fisk Jubilee Singers. Its repertoire, while specialized and select, is very diverse and focuses on solo and ensemble artistic expressions from its singers. Part of Westminster Choir College’s Sacred Music Department, the ensemble performs literature that includes African-American spirituals and folk songs; classical music by African-American composers; gospel music and secular songs by musical greats such as William Dawson, Duke Ellington, Walter Hawkins, Andraé Crouch, Richard Smallwood, Kirk Franklin and Dr. Nathan Carter, as well as Westminster graduates, Rosephanye Powell, Donald Dillard and M. Roger Holland. Also explored and performed are works by non-African-American composers, including George Gershwin, Alice
Parker, Robert Shaw, Robert Page, Gail Poch, Steve Pilkington and others who have composed and/or arranged music of the African-American experience.
In addition to its rich repertoire of African-American spirituals, hymn arrangements and gospel songs, the Westminster Jubilee Singers has performed classical works, such as And They Lynched Him On a Tree by William Grant Still and Shout for Joy and I Will Lift Up My Eyes by Adolphus Hailstork. Highlights of recent seasons include the performance of Duke Ellington’s Sacred Concerts and R. Nathaniel Dett’s The Ordering of Moses. The ensemble’s 2021-2022 season included concerts in Lawrenceville, participation in An Evening of Readings and Carols in Princeton, and a concert at the Bent But Not Broken Choral Festival in Wilmington, Delaware.
Previous seasons have included appearances at the Music Educators National Conference (MENC) in Kansas City and Regional Conference in Baltimore; the American Choral Directors Association (ACDA) Eastern Regional Convention in Boston; a performance with Denyce Graves at New York’s Apollo Theater to celebrate the 30th anniversary of the Children’s Defense Fund; a joint concert entitled Living the Dream with Penn State University’s Essence of Joy ensemble as a tribute to Rev. Dr. Martin Luther King, Jr.; and its Lincoln Center debut performing in An Evening of Choral Artistry, presented by the American Choral Directors Association. The ensemble has performed at Carnegie Hall with the New York Pops Orchestra, under the baton of Skitch Henderson, in a concert version of Porgy and Bess. At the New Jersey Performing Arts Center in Newark, Westminster Jubilee Singers presented joint concerts with the Fisk University Jubilee Singers and the legendary Sweet Honey in the Rock.
VINROY D. BROWN, JR., CONDUCTOR
Vinroy D. Brown, Jr. holds credits in conducting, sacred music and music education. He is a member of the choral studies, music education and sacred music faculty at Westminster Choir College of Rider University, where he conducts the Westminster Jubilee Singers and teaches in the Baccalaureate Honors Program. A church musician, he is director of music & worship arts at Elmwood United Presbyterian Church. He is also artistic director and conductor of Capital Singers of Trenton.
A sought-after clinician and lecturer, he has presented at numerous academic institutions and education conferences, and conducted honor choirs and headlined festivals throughout the country. This year, he will lecture at both Yale and Princeton universities, conduct the Central Jersey Region II Intermediate Treble Choir, headline the Bucks County Women’s Chorus Festival in addition to residences and guest conducting opportunities nationwide. He will also serve as Cover Conductor for the North Carolina premiere of Rihannon Gidden's Omar with Carolina Performing Arts Center. Professor Brown holds active membership in numerous music and education-based organizations. In addition, he is Vice President of the Board of Trustees of Essence of
Harmony Choral Society, a Board Member of the Open Arts Performing Center, a grant panelist for the Arts Institute of Middlesex County and sits on the board of the National Association of Negro Musicians, Inc. for which he is Eastern Region Director and Chief Editor of EMERGENCE: Research & Performance Topics in Black Music, a scholarly publication which will be released in 2023. Brown is also a proud member of Alpha Phi Alpha Fraternity, Incorporated and Phi Mu Alpha Sinfonia Fraternity, Inc. He holds the Master of Arts in Practical Theology degree from Regent University, and Bachelor of Music degrees in Sacred Music and Music Education from Westminster Choir College of Rider University.
MINNITA DANIEL-COX, SOPRANO
Minnita Daniel-Cox received a Bachelor of Music in Music Performance from Bowling Green State University and Master of Music and Doctorate of Musical Arts degrees from the University of Michigan. A performing scholar, Daniel-Cox has appeared with the Dayton Philharmonic Orchestra, the Springfield Symphony Orchestra, the Miami Valley Symphony Orchestra, the Bach Society of Dayton, and the Dayton Opera. She established the Dunbar Music Archive, a repository of musical settings of works by Paul Laurence Dunbar. Daniel-Cox is Associate Professor of Voice and Coordinator of the Voice Area at the University of Dayton.
ALEXIS DAVIS HAZELL, MEZZO-SOPRANO
Alexis Davis-Hazell’s soloist appearances since contributing to the GRAMMY® awardwinning album Gretchaninov: Passion Week with the Phoenix Chorale include: the International Alonzo Ortiz Tirado Opera Festival in Sonora, Mexico; operatic and symphonic repertoire with regional companies throughout the U.S.; and over 130 performances of Porgy and Bess at international venues. She is Assistant Professor of Voice and Lyric Diction at the University of Alabama School of Music, and National President- Elect of the National Association of Teachers of Singing. Her research centers on Diction, Pedagogy, and Russian art song literature.
AKIKO HOSAKI, PIANO
A native of Osaka, Japan, Dr. Akiko Hosaki is acclaimed for her sensitive playing, and one of the most sought-after collaborative pianist and vocal coach in the New York – New Jersey area. She is currently an adjunct assistant professor and the pianist coordinator of the University Accompanist Program at Westminster Choir College of Rider University, and a staff member at the College of New Jersey and Bard College. Dr. Hosaki was the assistant to Dalton Baldwin, legendary collaborative pianist, at Académie internationale d’été de Nice since 2013 until his passing in 2019, and at Mozarteum Sommerakademie in 2017 and 2018. She has collaborated with opera companies, such as Castleton Festival, New Jersey State Opera, Opera North, Opera
New Jersey, Boheme Opera, and Princeton Festival Opera. She also enjoys collaborating with instrumentalists, and frequently performs in chamber music concerts and the keyboard/basso continuo in orchestras.
Dr. Hosaki holds degrees from Musashino Academia Musicae in Japan, Westminster Choir College, and University of Minnesota. Her future engagements include Voice Advantage Princeton Immersion during Summer 2023.
MARION JACOB, CONDUCTOR
Marion Jacob (she/her) is the Conductor of the Westminster Chapel Choir. Jacob holds a Master’s degree in Choral Conducting from Westminster Choir College where she was a student of James Jordan and Simon Carrington. She also earned an M.M. in Music History from Temple University, and a B.M. with distinction in Piano Performance from the University of Delaware. Attending the Westminster Conducting Institute, Jacob studied with Donald Nally and Charles Bruffy. Jacob has been a guest lecturer for the University of Delaware, Temple University, and Padua Academy, and currently teaches World Musics and Cultures for Temple University.
Jacob is the founder and director of Sine Nomine, a chamber choir active in the Delaware and Chester County area, and the Director of Music at St. Elizabeth Church in Wilmington, DE. Jacob recently held the position of the Assistant Director of the five performing choirs of the Wilmington Children's Chorus, where she prepared ensembles for concerts and collaborations with Westminster Choir College’s Symphonic Choir, the Wilmington Ballet, and Delaware Choral Arts.
Prior to studying at Westminster Choir College, Jacob was the director of music at Daylesford Abbey, and the director of the Padua Academy Women’s Chorus, where she also developed and taught the course, Music In Action.
Jacob recently participated in the Sarteano Chamber Choral Workshop as an Advanced Conductor with Simon Carrington and Tony Thornton, and has participated in the Norfolk Chamber Music Festival as a singing Fellow. Jacob is a member of The Same Stream, and has been a member and soloist for Westminster Choir, Westminster Williamson Voices, the Chester County Choral Society, and the University of Delaware’s Schola Cantorum and Collegium Musicuum.
MARCIA PORTER, SOPRANO
Soprano Marcía Porter has sung in venues throughout the United States and internationally. She has performed with the Czech National Symphony Orchestra, the Beijing International Symphony Orchestra, Lyric Opera of Chicago, Opera Theatre of St. Louis, and others. Her discography includes the world premier recording of Requiem für Mozart (2011), Open Thine Heart (2013), and Romances and Poems of Sergey Ivanovich Taneyev (2020). Her research focuses on Brazilian art songs and lyric diction. A Fulbright
Scholar, Porter is Professor of Voice and Voice Area Coordinator at Florida State University College of Music.
GREGORY STOUT, PIANO
Gregory Stout has been a collaborative pianist with conductor James Jordan since 2017. He currently serves as accompanist to Westminster Symphonic Choir and The Westminster Choir, and has also served as accompanist to The Same Stream, Westminster Schola Cantorum and Westminster Williamson Voices. Mr. Stout can be heard on the Westminster Williamson Voices recording A Scattered Light in Winter and on The Same Stream recording A Time for Healing: The Music of Roger Ames. He also serves as accompanist to the choral ensembles of Ramapo College of New Jersey. An active church musician for over ten years, Mr. Stout is currently director of music at Flemington United Methodist Church in Flemington, NJ. He received the Bachelor of Music in Music Education from the University of North Carolina at Greensboro and completed further studies in accompanying and vocal coaching at Westminster Choir College as a student of James Goldsworthy and J.J. Penna.
ROSALYN WRIGHT FLOYD, PIANO
Rosalyn W. Floyd, Professor of Music at Augusta University, attended Talladega College in Alabama and received the Doctor of Musical Arts degree in Piano Performance and Pedagogy from the University of South Carolina. She has collaborated with worldrenowned performers such as Martina Arroyo, Cynthia Lawrence, Laquita Mitchell, Jessye Norman, and Nicholas Phan. She has performed throughout the United States and internationally. Dr. Floyd can be heard on the recordings Oral Moses Sings Songs of America (2008), Come Down Angels (2014) and Steal Away (2016).
ADMINISTRATIVE STAFF
Dean, College of Arts and Sciences
Associate Dean, College of Arts and Sciences
Director of Choral Studies
Director of Performance Management
Associate Director of Performance Management
Coordinator of Performance Management
Kelly Bidle
Jason Vodicka
James Jordan
Kristen Rodgers
Leandra Acosta
Samuel Stephenson
WESTMINSTER CHAPEL CHOIR
Marion Jacob, conductor
Gregory Stout, accompanist
Makiah Robinson, graduate assistant
Christian Johnson, graduate assistant
Maya Cooper, graduate assistant
SOPRANO
Kamanay Belcher, Easton, PA
Lauren Gregorovic, Hamilton, NJ
Dari Russoniello, Somerset, NJ
Haley Soule, Middleboro, MA
Elena Trapasso, West Milford, NJ
Shaye Walker, Parlin, NJ
TENOR
Xavier Derosiers, Southampton, PA
D’Andre Wright, Trumbull, CT
WESTMINSTER JUBILEE SINGERS
Vinroy D. Brown, Jr., conductor
Akiko Hosaki, accompanist
Max Brey, graduate assistant
Andrew Chojnacki, graduate assistant
SOPRANO
Elizabeth Berger, Hereford, MD
Maya Cooper, Fairfax, VA
Olivia Dixon, Woodbury, NJ
Jada Laws, Pine Beach, NJ
Sarah Vawdrey, Teaneck, NJ
TENOR
Andrew Chojnacki, Delran, NJ
Daniel J. Piver, East Hampton, NY
Michael H. Woods, Colonie, NY
ALTO
Chloe A. Davis, Lawrence. NJ
Julia N. Gerst, West Milford, NJ
Jada Laws Pine Beach, NJ
Anna Maher, Ipswich, MA
BASS
Ronan Flynn, West Bablon, NY
Wesley Howell, Wadsworth, OH
Weicheng Ying, Shanghai, China
ALTO
Cherisse R. Bonefont, Lumberton, NJ
Alessia D. Bradley, Pleasantville, NJ
Alyssa M. Lester, Monroe, NJ
Annie McCasland, Potomac, MD
Payton Tharp, Hamilton, NJ
Jasmin U. Villatoro, Holbrook, NY
BASS
Max Brey, Tallahassee, FL
Lucas Heredia, East Brunswick, NJ
Alastair Stewart, Pointe Claire, Quebec
About Rider University & Westminster Choir College
Located in Lawrenceville, New Jersey, Rider University is a private co-educational, student-centered university that emphasizes purposeful connections between academic study and real-world learning experience. Rider prepares graduates to thrive professionally, to be lifelong independent learners, and to be responsible citizens who embrace diversity, support the common good, and contribute meaningfully to the changing world in which they live and work.
The College of Arts and Sciences is dedicated to educating students for engaged citizenship, career success, and personal growth in a diverse and complex world. The college cultivates intellectual reflection, artistic creativity, and academic maturity by promoting both broad academic inquiry and in-depth disciplinary study, while nurturing effective and ethical applications of transferable critical skills. The College consists of four schools: the School of Humanities and Social Sciences, the School of Communication, Media, and Performing Arts, the School of Science, Technology, and Mathematics, and Westminster Choir College.
Culturally vibrant and historically rich, Westminster Choir College has a legacy of preparing students for thriving careers as well-rounded performers and musical leaders on concert stages, in schools, universities, and churches, and in professional and community organizations worldwide. Renowned for its tradition of choral excellence, the college is home to internationally recognized ensembles, including the Westminster Symphonic Choir, which has performed and recorded with virtually all of the major orchestras and conductors of our time. In addition to its choral legacy, Westminster is known as a center for excellence in musical pedagogy and performance.
Upcoming Performances
ENEMIES, A LOVE STORY
Saturday, April 6, 7:30 p.m.
Sunday, April 7, 2:30 p.m.
Bart Luedeke Center Theater
NEW MUSIC CONCERT SERIES
Sunday, April 7, 3 p.m.
Gill Chapel
WESTMINSTER CHOIR JOINS NEW ENGLAND SYMPHONIC ENSEMBLE AT CARNEGIE HALL
FEATURING JAMES WHITBOURN REQUIEM (WORLD PREMIERE) & ELAINE HAGENBERG'S ILLUMINARE
Saturday, April 13, 1 p.m.
Carnegie Hall
881 7th Ave, New York, NY 10019
ANYTHING GOES
Friday, April 19, 7:30 p.m.
Saturday, April 20, 2 p.m. & 7:30 p.m.
Sunday, April 21, 2 p.m.
Yvonne Theater
UNIVERSITY CHORALE SPRING CONCERT
Friday, April 19, 7:00 p.m.
Gill Chapel
WESTMINSTER CONCERT BELL CHOIR: A TIME TO DANCE
Saturday, April 20, 4 p.m.
Gill Chapel
FOR MORE INFORMATION ON UPCOMING PERFORMANCES, SUBSCRIPTION AND PATRON PROGRAM OPTIONS, VISIT RIDER.EDU/ARTS.
