ARC382 - Architecture Detailing

12 6

DETAIL 01-2 SECTION SCALE 1:1

25

38

3

50

5

LEGEND

2 16

4

19

1. PERFORATED CORTEN STEEL LOUVER

16

2. STAINLESS STEEL BALL BEARING

50

3. SIDE THRUST

7

4. HARDENED THRUST CAP

22

5. 5 WHEEL ASSEMBLY

8

6. TOP HUNG STAINLESS STEEL TRACK 7. MAIN STRAP BOLT

9

8.STEEL SCREW

10. COVER SLEEVE

46

10

106

9. COVER PLATE

11. CORTEN STEEL TOP FRAME

11

12. CORTEN STEEL BOTTOM FRAME

22

1

15

25

27 52

INDEX

1 CAMPUS OF FUDAN UNIVERSITY – SCHOOL OF MANAGEMENT IN SHANGHAI RESEARCH

12

2 LOUVER PROPOSAL FOR AUS CAAD EXTENSION BUILDING 6 DETAIL 01-2 SECTION SCALE 1:1

25

38

3

50

5

LEGEND

2 16

4

19 50

22

7 3 HOUSE OF WISDOM FACADE DETAIL 8

16

1. PERFORATED CORTEN STEEL LOUVER 2. STAINLESS STEEL BALL BEARING 3. SIDE THRUST 4. HARDENED THRUST CAP 5. 5 WHEEL ASSEMBLY 6. TOP HUNG STAINLESS STEEL TRACK 7. MAIN STRAP BOLT

9

8.STEEL SCREW

46

10

106

9. COVER PLATE

11. CORTEN STEEL TOP FRAME

11

12. CORTEN STEEL BOTTOM FRAME

1 22

4 FINAL DRAWINGS

10. COVER SLEEVE

Campus of Fudan University – School of Management in Shanghai Research and Drawings EMBT | ARC382 Prerita J | Spring 2022

The Journey of EMBT The backstory of EMBT began with the Spanish Architect Enric Miralles who first worked with Viaplana & Piñón in Barcelona in 1973-85. Right after which Miralles opened his own office with Carme Pinós, his wife at the time. After becoming a professor at ETSAB – Architectural University, Barcelona and then chair at the Städelschule Frankfurt-am-Main his partnership with Carme Pinos dissolved. He then led to becoming the Kenzo Tange Chair at Harvard University.

Later in 1991 Benedetta Tagliabue began to collaborate with Enric Miralles and together they founded the Studio EMBT Arquitectes Associats in Barcelona. During their cooperation many successful projects were completed.

However, After the premature death of Enric Miralles in 2000, husband and partner of Benedetta, she continued leading their office, Miralles Tagliabue EMBT as a sole partner, finishing over ten uncompleted works of Enric and starting many new ones.

The work of this Catalan architecture office was contemporary and expressive, very different from the Modernist architects dominant on the continent when he set up, or those in the British Hi-Tech architecture movement. It has now become an international architecture practice with offices in Barcelona, shanghai and Paris, as well as projects in Europe, China, Taiwan, Italy etc.

Design methods The core fundamentals of EMBT have remained: an open approach, full of exploration and experiments together with a high level of conceptual thought. Benedetta Tagliabue of Miralles Tagliabue EMBT embraces complexity in her architecture. She says “A city is so rich, it’s a landscape, and a kind of nature too. i want my architecture to respond to this.” They adapt the idea of layering many possibilities of understandings: architecturally, historically, culturally etc. This complexity is what she wants EMBT’s architecture to respond to. Their poetic architecture is always attentive to context. Their philosophy reflects the belief of changing the environment by observing and respecting the site, its history and culture.

In the beginning EMBT, Enric Miralles, especially, had projects based on sketches. But slowly Benedetta moved away from this, to allow for more input to make the project come out clearly. She found that sketching limited unexpected architecture as we draw in our own accustomed way. Through continuous evolution and gradual change EMBT switched to collages as it made it possible to be more open-minded and experimental, while working on it collectively as can be seen in these various creative collages

EMBT’s Approach to Detail The architecture of EMBT is playful, colorful, joyful and often so abundant that even the term details itself gets lost. Considering that elaborate and meticulous detailing is today anything but a norm, this focus on detail seems to be a statement. Attention to detail is crucial, to how you are going to build, frequently determines the whole design. It is the starting point of a design, from which working with that particular material in the detail is learnt on a smaller scale and then transform it to a larger scale. This technique was used for the Spanish pavilion at the Expo 2010.

Fudan University Fudan is part of a network of universities and their respective buildings located in Shanghai, it is also a very special university with an extensive history and a very unique character. Aside from the main campus, there are two new campuses. These campuses are not closely located, they are separate pieces, and so in order to establish a connection the buildings must convey the identity of Fudan and contemporary life.

The masterplan for this new zone defines the density and heights. The new buildings must have a relationship to the surrounding buildings, the volumes must relate to the urban context, and be adjustable to the different functions.

We modified the volumes of the master plan within the given specification to create that mixture. The buildings become part of a network of connections, instead of forming borders. All the public gathering spaces of the new buildings are covered by a roof-landscape. This roof structure filters, modulates and stages the Light that infiltrates the building.

“Heavenly lights” from the word “Fudan” itself can now be experienced everyday by the students while they study and gather at the university.

Vertical Louvres

Horizontal Louvres

Fudan University Facade The louvre strategy on the facades grant richness by responding to different orientations, within a very smart use of a natural, traditional and sustainable material palette such as local terracotta and ceramic. The horizontal louvres being made of terracotta while the vertical made also made of terracotta but covered in white.

Aluminium

Terracotta

Extruded Aluminium

Terracotta tiles for verticla and horizontal louvres

Aluminium Angle

Steel

Steel square(Pvdf finish) in the middle of the louvres

Materials Used EMBT’s founder aims to form a city that connects with its rural surroundings, which is sometimes done by using materials relevant to the context. First of all we try to design a building that relates in an honest way to the material that is used to build it. We want to expose the reality of things. There is even an elegance to it. “After all, you don’t make your face disappear when putting on make-up, because you intend to help it, not to hide it.”

Horizontal louvres

Vertical louvres

Horizontal louvre detail

Vertical louvre detail

Vertical louvre detail axo

Louver Proposal for AUS CAAD Extension building AUS | ARC382 Prerita J | Spring 2022

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT CAAD EXTENSION

DRAWING NAME LOUVER PROPOSAL CLOSED LOUVER RENDER OPEN LOUVER RENDER

SCALE NTS

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT

2276

PRERITA JINACHANDRAN

CLIENT NAME 4572

4572

PROF IGOR PERAZA

DETAIL 01-2

PROJECT 2058

CAAD DESIGN BUILD EXTENSION DETAIL 02-2

DETAIL 03-2

DRAWING NAME PLAN, SECTION, ELEVATION

4250 4.26

180

320

320

320

320

320

320

320

320

320

320

320

320

645

DETAIL 01-01

4250

180

SCALE 1:25 ALL MEASUREMENTS IN MM PAPER SIZE: A3

A2 LOUVER DESIGN

DETAIL 01-1 PLAN

SPRING 2022 ARC382

1 2

38

ARCHITECT

38

5

39

4

PRERITA JINACHANDRAN

10 19 10

3

6

88

LEGEND 1. PERFORATED CORTEN STEEL LOUVER 2. STAINLESS STEEL BALL BEARING 3. SIDE THRUST

CLIENT NAME PROF IGOR PERAZA

4. HARDENED THRUST CAP 5. 5 WHEEL ASSEMBLY 6. TOP HUNG STAINLESS STEEL TRACK

DETAIL 01-2 SECTION 12 6

PROJECT

8.STEEL SCREW

CAAD DESIGN BUILD EXTENSION

9. COVER PLATE

5

10. COVER SLEEVE

50 38 25

3

7. MAIN STRAP BOLT

11. CORTEN STEEL TOP FRAME

2

16

4

12. CORTEN STEEL BOTTOM FRAME

16

8

DRAWING NAME

DETAIL 01 MOVEABLE LOUVER +FOLDING DETAIL PLAN AND SECTION

22

7

19 50

46

10

106

9 11

SCALE

22

1

15

25

52

27

1:2 ALL MEASUREMENTS IN MM PAPER SIZE: A3

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT CAAD EXTENSION

DRAWING NAME DETAIL 01 EXPLODED AXO RENDER

SCALE NTS

A2 LOUVER DESIGN SPRING 2022 ARC382

DETAIL 02-1 PLAN

ARCHITECT 18

PRERITA JINACHANDRAN

1

35

2 3 4

83

5

16

CLIENT NAME

6

PROF IGOR PERAZA

LEGEND 1. CORTEN STEEL SIDE FRAME 2. STEEL SCREW

DETAIL 02-2 SECTION

3. COVER PLATE 4. COVER SLEEVE

PROJECT CAAD DESIGN BUILD EXTENSION

5. MAIN STRAP BOLT 6. PERFORATED CORTEN STEEL LOUVER

5

DRAWING NAME

22

2

46

6

DETAIL 2 HINGE DETAIL PLAN AND SECTION

22

3

113

4

15

SCALE

25 41

1:2 ALL MEASUREMENTS IN MM PAPER SIZE: A3 52

A2 LOUVER DESIGN SPRING 2022 ARC382

DETAIL 03-1 PLAN

ARCHITECT

174 8

3

53

2

23 12 18 35

1

PRERITA JINACHANDRAN

83

35 23 12 18

83

4

CLIENT NAME 16

5 7

16

19

8

88

19

16

LEGEND 1. CORTEN STEEL SIDE FRAME

9

2. STEEL SCREW

6

3. COVER PLATE

DETAIL 03-2 SECTION

1

5. MAIN STRAP BOLT

CAAD DESIGN BUILD EXTENSION

6. PERFORATED CORTEN STEEL LOUVER

9. BOTTOM TRACK 46

131

4

106

3

DRAWING NAME DETAIL 3 BOTTOM MOVEABLE DETAIL PLAN AND SECTION

22

8 25

23

9

PROJECT

8. THRUST BEARING

22

2

7

4. COVER SLEEVE

7. WHEEL ASSEMBLY

5

6

PROF IGOR PERAZA

27 52

SCALE 16 16 20

1:2 ALL MEASUREMENTS IN MM PAPER SIZE: A3

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT CAAD EXTENSION

DRAWING NAME DETAIL 03 EXPLODED AXO RENDER

SCALE NTS

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT CAAD EXTENSION

DRAWING NAME PHYSICAL WORKING MODEL OF TOP DETAIL PROCESS

SCALE NTS

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT CAAD EXTENSION

DRAWING NAME LOUVER FUNCTIONALITY FROM INSIDE

SCALE NTS

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT CAAD EXTENSION

DRAWING NAME LOUVER FUNCTIONALITY FROM INSIDE

SCALE NTS

HOUSE OF WISDOM FACADE DETAIL AUS | ARC382 Prerita J | Spring 2022

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT HOUSE OF WISDOM FACADE

DRAWING NAME FACADE ANALYSIS

SCALE NTS

A2 LOUVER DESIGN

102 cm

125 cm 125 cm

375 cm

367 cm 121 cm

Detail 1 section

Detail 2 section

CLIENT NAME PROF IGOR PERAZA

PROJECT

260 cm

125 cm

PRERITA JINACHANDRAN

Detail 2b section

375 cm

125 cm

A

125 cm

A

ARCHITECT

241 cm

125 cm

SPRING 2022 ARC382

HOUSE OF WISDOM FACADE

Section BB

DRAWING NAME

B

110 cm

Detail 1 plan

211 cm

211 cm

211 cm

211 cm

B

Plan AA

Detail 2 plan

211 cm

211 cm

GENERAL PLAN, ELEVATION, FACADE

211 cm

SCALE 1:70

A2 LOUVER DESIGN SPRING 2022 ARC382

bolt mullion steel plate steel U-bracket

ARCHITECT PRERITA JINACHANDRAN

steel U-bracket

bolt

4 1

CLIENT NAME PROF IGOR PERAZA

14

8

30

18

23

5

38

PROJECT

HOUSE OF WISDOM FACADE

6

DRAWING NAME DETAIL 1

Detail 1 plan

Detail 1 section

SCALE 1:4

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT HOUSE OF WISDOM FACADE

DRAWING NAME DETAIL 1 EXPLODED AXO

SCALE NTS

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

Steel bracket that connects to mullion bolt

aluminum panel

CLIENT NAME

27

PROF IGOR PERAZA

PROJECT 6

3

HOUSE OF WISDOM FACADE

25

3

25

DRAWING NAME DETAIL 2 PLAN

Detail 2 plan

SCALE 1:3

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT 6

PRERITA JINACHANDRAN

CLIENT NAME

6

41

PROF IGOR PERAZA

PROJECT HOUSE OF WISDOM FACADE

DRAWING NAME 2

DETAIL 2 SECTION

4 7

SCALE 1:3

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT

6

PRERITA JINACHANDRAN

17

CLIENT NAME

6

PROF IGOR PERAZA

PROJECT 13

HOUSE OF WISDOM FACADE 7

9

7

6

2

DRAWING NAME DETAIL 2B SECTION

SCALE 1:3

A2 LOUVER DESIGN SPRING 2022 ARC382

7

1

PRERITA JINACHANDRAN

13

5

ARCHITECT

PROF IGOR PERAZA

13

32

CLIENT NAME

PROJECT HOUSE OF WISDOM FACADE

DRAWING NAME

15

CORNER DETAIL

SCALE ALL MEASUREMENTS IN CM

A2 LOUVER DESIGN SPRING 2022 ARC382

ARCHITECT PRERITA JINACHANDRAN

CLIENT NAME PROF IGOR PERAZA

PROJECT HOUSE OF WISDOM FACADE

DRAWING NAME EXPLODED AXO OF PANEL CONNECTION

SCALE NTS

FINAL DRAWINGS AUS | ARC382 Prerita J | Spring 2022

A2 LOUVER DESIGN LEGEND

DETAIL 01-1 PLAN

DETAIL 01-2 SECTION

1. PERFORATED CORTEN STEEL LOUVER

12

2. STAINLESS STEEL BALL BEARING

16

5

1

3

2

2

3

4 7

5

8

6

4. HARDENED THRUST CAP

38

5. 5 WHEEL ASSEMBLY

38

6. TOP HUNG STAINLESS STEEL TRACK

10 19 10

19 50

22

16

3. SIDE THRUST

39

50 38 25

6

DETAIL 01 AXO

88

7. MAIN STRAP BOLT 8.STEEL SCREW 9. COVER PLATE 10. COVER SLEEVE 11. CORTEN STEEL TOP FRAME

9

12. CORTEN STEEL BOTTOM FRAME

ARCHITECT PRERITA JINACHANDRAN

10

46

106

SPRING 2022 ARC382

11 22

1 15

25

52

27

CLIENT NAME PROF IGOR PERAZA

PROJECT DETAIL 02 AXO

CAAD DESIGN BUILD EXTENSION

1 5

DRAWING NAME

22

2

6

DETAIL 03-1 PLAN

5. MAIN STRAP BOLT

7. WHEEL ASSEMBLY

16

8. THRUST BEARING 9. BOTTOM TRACK

2 3 4

6. PERFORATED CORTEN STEEL LOUVER

16

19

88

5 19

16

46 22

25

27 52

1 53

23 12 18 35

4. COVER SLEEVE

35 23 12 18

3. COVER PLATE

9

23

7

2. STEEL SCREW

DETAIL 01+ DETAIL 02 PLAN SECTION AND AXO

8

LEGEND 1. CORTEN STEEL SIDE FRAME

131

4

106

3

7 8 9

16 16 20

DETAIL 03-2 SECTION

SCALE PLANS AND SECTIONS- 1:3 ALL MEASUREMENTS IN MM PAPER SIZE: A3

12 6

DETAIL 01-2 SECTION SCALE 1:1

25

38

3

50

5

LEGEND

2 16

4

19

1. PERFORATED CORTEN STEEL LOUVER

16

2. STAINLESS STEEL BALL BEARING

50

3. SIDE THRUST

7

4. HARDENED THRUST CAP

22

5. 5 WHEEL ASSEMBLY

8

6. TOP HUNG STAINLESS STEEL TRACK 7. MAIN STRAP BOLT

9

8.STEEL SCREW

10. COVER SLEEVE

46

10

106

9. COVER PLATE

11. CORTEN STEEL TOP FRAME

11

12. CORTEN STEEL BOTTOM FRAME

22

1

15

25

27 52