Guía crítica de la poesía de Samuel Beckett.1929-1989 Pablo Sigg. Gerardo Villegas/UNAM/UAM/DGP

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ZILLIACUS, Clas. “Samuel Beckett and His ‘Whoroscope’. Moderna Spräk, vol. 67, no. 1 (1973), 4-6.

VI. DISCOGRAFÍA BECKETT, Samuel, y Morton FELDMAN. Words and Music. Ensemble Recherche. Omar Ibrahim. Stephen Lind. CD. Auvidis-Montaigne, 1996. FELDMAN, Morton. Neither. Opera. Words by Samuel Beckett. Symphonie Orchester des Bayerischen Rundfunks. Petra Hoffman, sopran. CD. Col Legno, 1998. FURRER, Beat, György KURTÁG, Luigi NONO, Wolfgang RIHM. Hommage à Andrei Tarkovski. Arnold Schönberg Chor. Ensemble Anton Webern. Claudio Abbado. CD. Deutsche Grammophon, 1996. [Incluye Samuel Beckett — What is the Word, versión del poema arreglada para voz e instrumentos de György Kurtág.] GOLDMUNDSEN-HOLMGREEN, Pel. Music for Voices and Instruments. Ars Nova Vocal Ensemble. CD. Marco Polo, 1997. [Incluye tres poemas de Beckett arreglados para voz e instrumentos: “je voudrais que mon amour meure...”, “encore le dernier reflux...”, je suis ce cours de sable qui glisse...”.] LAM, Bun-Ching. Quatre Poèmes - Four Songs. LP. Edition Gunnar A. Kaldewey, 1986. [Musicalización de cuatro poemas de Beckett: “Dieppe”, “my way is in the sand flowing . . .”, “what would I do without this world . . .”, “I would like my love to die . . .”.] [250]


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