Proven Strategies to Build Your Photography Career | Patrick Ryan McCann Guides You

Achieve Amazing Results with Patrick Ryan McCann Wildlife Photography Tips Do you want to picture stunning, intense, and captivating wildlife?

As a competent wildlife photographer, Patrick Ryan McCann has spent years developing the techniques required to produce outstanding photographs consistently.

And he aims to reveal his secrets in this piece, from the most incredible wildlife lighting to the best tactics for capturing those once-in-a-lifetime moments.

So, regardless of your level of competence, you've come to the correct location if you want to take your wildlife photography to the next level.

Take pictures while the light is favorable.

"Stick to golden light hours" (i.e., the time just after sunrise and just before sunset) was the first piece of advice Patrick Ryan McCann ever received when he first started filming.

It requires getting up early in the morning, being out in the field before sunrise, and returning in the afternoon to take advantage of the remaining few hours of sunlight. The light during the day (typically between 11:00 and 4:00 p.m., at least where he lives) is intense and terrifying.

The exception is on cloudy days, when the clouds act as a giant softbox, consistently blocking out light. You can photograph all day (as long as there are willing subjects!).

When photographing animals, you must learn how to use light. Frequently, you'll be in a situation where the light isn't excellent, or worse, the light is nice but coming from the wrong direction (and you can't move to a better spot).

The good news is that light reflected in the wrong direction may add much emotion to an image. It's challenging to shoot toward the light. However, suppose you follow Patrick Ryan McCann's advice (know your gear! ). In that case, you can shoot fantastic photos from a less-than-ideal posture.

Don't be afraid to shoot from afar (or up close!)

Too many wildlife photographers become fascinated with what Patrick Ryan McCann refers to as the "focal-length catastrophe," Having the longest/largest lens becomes an obsession.

He now realizes that this is location-dependent. A big lens may be required to capture any photo in specified wide-open spaces. On the other hand, Wildlife photographers are unduly obsessed with ultra-tight framing, resulting in sterile, uninteresting images with a flawlessly smooth background and a slight feeling of the subject's location.

Instead, challenge yourself to shoot broader. Give the viewer a better idea of where you took the photo and where your subject lives. It is valid for any animal you photograph, from a squirrel to a deer to an elephant.

Shooting broader has the inverse effect of (you guessed it!) a closer look And Patrick Ryan McCann is much more intimate. Get up close and personal (by changing your position or using a longer lens with an optional teleconverter). Make oneof-a-kind, interesting studies of the animals and birds that you photograph. It will also help you think of more abstract compositions.

Take photos of any animals that come your way Every tourist on an African safari aspires to see the "big 5," or at least a lion. However, if you've ever spent time with wild lions during the day, you'll know that they don't make good photographic subjects. They can sleep for up to 20 hours every day.

On the other hand, Patrick Ryan McCann got some excellent photo opportunities with impala, the most common ungulate you'll encounter in the bush.

So, what's the bottom line?

Take as many pictures as you can. Regardless of the species, look for photographs when the light is good.

Let's look at an example that is common in practically every location: Squirrels.

Squirrels are visible to everyone. Right? You can have a squirrel munching on anything with lovely soft light and a friendly low angle. Take your chances.

Another case in point. At the bottom, a mother quickly moves her child over a massive branch by biting down on the child's stomach flap, which is clinging on for dear life.

Patrick Ryan McCann thesis is that good images of "boring" subjects may be taken.

Instead of limiting yourself to influential or well-known creatures, imagine whatever you can, whenever you can.

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