Planning Portfolio

PLANNING PORTFOLIO

PART – 1 OF 2

CONTENTS – UNIVERSITY OF CALGARY

SELECTED WORKS 2021-2022

01 SITE PLANNING: REIMAGINING LOUISE CROSSING

SITE PLANNING STUDIO Individual Work [2021]

02 URBAN DESIGN ANALYSIS OF CENTURY GARDEN, CALGARY

URBAN DESIGN THEORY ASSIGNMENT Group Work [2021]

03 COMMUNITY PLANNING: TAPESTRY AT SHAGANAPPI POINT

COMMUNITY PLANNING STUDIO Group Work [2022]

04

05

COMMUNITY PLANING: NODE DEVELOPMENT AT SHAGANAPPI

URBAN DESIGN: A WHOLE LIFE COMMUNITY

COMMUNITY PLANNING STUDIO Individual Work [2022]

URBAN DESIGN STUDIO Group Work [2022]

01

SITE PLANNING

01

SITE PLANNING

02

URBAN DESIGN ANALYSIS

CENTURY GARDEN

02

URBAN DESIGN ANALYSIS

03

COMMUNITY PLANNING

04

COMMUNITY PLANNING

05

URBAN DESIGN

PART – 2 OF 2

CONTENTS

https://issuu.com/pallavi.singh/docs/pallavi_singh_portfolio_2022_may

SELECTED WORKS 2016-2020

01

02

03

04

URBAN DESIGN:

MUSEUM OF CONTEMPORARY ART: A DESIGN FOR GLOBAL ART FORMS

CONSERVATION OF SIMRAUNGADH

RECONSTRUCT I-ON HOUSING OF TAUKHEL

FINAL YEAR RESEARCH AND DESIGN THESIS Individual Work [2019]

CONSERVATION DESIGN STUDIO Group Work [2019]

REIMAGINING THE URBAN LANDSCAPE OF TEKU

RIVERFRONT DEVELOPMENT AND STREETSCAPES DESIGN Group Work [2018]

RESTORATION OF HERITAGE AND SETTLEMENT

REJUVINATING THE

NEWAR COMMUNITY

AFFECTED BY 2072 Group Work [2018]

05

06

DESIGN OF PICNIC SPOT AND TEMPLE AREA

KUBINDE MEMORIAL PARK

INTEGRATED URBAN DEVELOPMENT PLAN (IUDP) Company Work [2020]

DESIGN FOR TOURISM DEVELOPMENT Company Work [2020]

07 CRAFT INDUSTRY

DESIGN STUDIO PROJECT Individual Work [2017]

08 BALEPHI-SUKUTE CORRIDOR PLAN: NEPAL WHITEWATER CENTER

DESIGN FOR TOURISM DEVELOPMENT Company Work [2020]

01

URBAN DESIGN

REIMAGINING THE URBAN LANDSCAPE OF TEKU

STUDYING THE EXISTING CONTEXT

FIGURE & GROUNDS

PEDESTRIANFLOW

Location: Teku-Kalimati, Bishnumati Bridge, Kathmandu Area: 210000sq.m.

Stretch:250m from the Bishnumati Bridge along all the four directions

For the purpose of the study, the context site was divided into four distinct study areas plus the linear Teku-Kalimati road network. These areas reflect social and functional geographies.

A balance was struck between identifying the physical characteristics of a study area and making decisions based on its social identity. All of the study areas have different character areas within them – for example, along the river, there is a historic core with a dense, heritage rich character.

ROAD NETWORK

LAND USE

VEHICULAR FLOW

NOLLI’S PLAN

LANDMARKS & MONUMENTS

DESIGN QUALITY CRITERIA

On site visits and analyzing the existing urban fabric of Teku, Kathnandu, are we moved on to categorize the design into number of criteria.   



Character: A distinct sense of place responding to local context and history Continuity and Enclosure: Continuity of Land use Quality of public realm: A place with safe, attractive, well used and successful outdoor areas.

Legibility: A readily understandable, and easily navigable and enjoyable environment.



 



Easy of movement: A place that is easy to get to, go through and move around. An accessible, well connected, pedestrian and cycle friendly environment.

Adaptability: A place that can change easily to future needs and lifestyle demands.

Resource efficiency: A place that works with the natural landscape, has a pleasant microclimate, utilizes solar potential, is comfortable to walk and cycle around, has low noise and pollution levels and is rich in biodiversity.

Diversity and intensity: A varied, stimulating environment of uses, experiences and choice.

URBAN DESIGN

REIMAGINING THE URBAN LANDSCAPE OF TEKU My Contribution     

Research and Field visit Site Study and Analysis Recommendation of land use policies Design of Street sections and Intersections Riverfront development design

URBAN DESIGN

PROPOSED DESIGN ELEMENTS

REIMAGINING THE URBAN LANDSCAPE OF TEKU

PROPOSE OF A CONSISTENT SKYLINE

RIVERFRONT DEVELOPMENT WITH INTERACTIVE PUBLIC CONCOURSE

RETHINKING STREETSCAPES AND EXISTING SPACES

CREATING LANDMARK

REDEVELOPMENT OF HERITAGE ASSETS

In our country Nepal, well-known museums are limited to those built back some decades ago, dedicated

mostly to history, heritage and locality. While there is no museum dedicated to modern or contemporary art, existing museums were lacking in different areas even today.

Problem Statements

  

Museums are mostly of adaptively reused buildings Inadequate response to environmental Parameters of existing museums Gap in technological and spatial advancements leading to stagnant form of art

02 MUSEUM OF CONTEMPORARY ART Final Year Thesis on

A DESIGN FOR GLOBAL ART FORMS

My project intends to incorporate space for new art forms while providing meaningful experience to visitors through exploration and leaning – a museum with distinct architectural identity.

The project is concerned with creating an interactive and educational environment for upcoming and professional artists, and general public of diverse interests and age groups, while engaging in the art that reflects the world around us.

MUSEUM OF CONTEMPORARY ART

JUSTIFICATION OF PROJECT    

In the advancing world of technology and new generations – our country has numerous ground-breaking young artists coming up with unique materials which do not fit in the traditional exhibit.

Lingering with the cultural ideas we have not been able to account an architecture entirely dedicated to the creativity of the presentday artists.

Need of building museums acknowledging museum architecture, with proper design standards and considerations.

Museum now should also incorporate technological advancements in terms of storage, display as well as learning.

A DESIGN FOR GLOBAL ART FORMS

DEVELOPMENT OF FORM AND CONCEPT Color is an essential component of almost every form of art and can be used to evoke a certain mood or to create a message or sharp response in the viewer. It can be used to set characters apart from one another, or bring them together. The colors of the color wheel is taken into account and the shape is remodeled into a compressed form.

Color Wheel

The color and form is imitated into Gallery and Rest areas. The central focus - an amphitheater radiating sense of spaces towards other functional areas.

CHOOSING AND ANALYSING THE SITE

Location: Baluwatar, Kathmandu Site Area: 342,674 sq. ft. (62-9-0-4)

• ‘Museum of Contemporary Art’ aims to house evolving contemporary art that targets users from a global perspective.

• Site - most suited in the Kathmandu valley - the capital of Nepal and the most forward city in recognizing global values.

Studying the criterias of Physical characteristics, visual quality, transportation, adjacent land uses, economic view, the site in Baluwatar was chosen as a suitable site.

INIITIAL SKETCHES

NORTHEN VIEW MODERATE AND DIFFUSED NORTH LIGHT

MUSEUM OF CONTEMPORARY ART

A DESIGN FOR GLOBAL ART FORMS

1. BUILDING ORIENTATION i. Building orientation: ample amount of sunlight is exposed in accordance to the building type and use.

To control light exposure in the gallery areas- large building surface towards the north with moderate and diffused sunlight (with views of northern mountains and hills); smaller building surface area towards South controlled with passive solar techniques The gallery are raised such that to allow better skylight angle from the sloped roofs.

2. LOW SLOPE SKY LIGHTS FACING SOUTH The low slope south facing roof with skylight openings allow diffused lighting into the gallery, hence maximum daylight can be used.

4. GREEN AREA Green areas scattered through the site as large landscapes and small courtyard spaces reduce heat island effect.

The green area on the north sets outdoor gallery within natural environment.

5. VISUAL ACESS FROM MAIN ROAD

ii. The prevailing wind from North- West is allowed through the build forms

3. CIRCULATION WITHIN THE GALLERY AREAS Gallery Circulation is a chain type layout with sequence of display units with alternate resting areas while comb circulation is also possible.

The visual access from the main road is important to draw visitors into the museum. Passerby's are targeted to be drawn to the dynamic color and building form of the museum buildings.

MUSEUM OF CONTEMPORARY ART

A DESIGN FOR GLOBAL ART FORMS

LEGEND RECEPTION

1

GALLERY BLOCK

2

LIBRARY AND WORKSHOP BLOCK

3

EVENT AREA

4

CHILDREN’S AREA

5

AUDITORIUM ADMIN BLOCK ARCHIVE BLOCK FOOD COURT

6 7 8 9 10

GARDEN CAFE

11

ENTRANCE PLAZA

12

SCULPTURE COURT

13

OPEN OUTDOOR EXHIBITION EXPANSION AREA

14

INFO

Total Design Area Within Site: 18,264 Sq. m Ground Coverage: 4068 Sq. m GCR: 22.3%

The museum complex is designed highlighting its main function – the gallery with the concept of color and unique form. Other building forms follow respective functions while merging the idea of contemporary architecture from around the world and that of Nepal by introducing modern and contemporary design elements such as large openings, use of glass to brick facades of the buildings. While the brick façade gives the buildings its own identity and feeling of coziness the gallery block imparts a sense of contradiction and attempts play of color into the visitors’ eyes.

The use of color induces a dynamic element and gives a sense of curiosity to the visitors even from afar. The chromatically arranged galleries are brought together while expressing uniqueness of its own. The arrangement brings in a sense of exploration to the model.

GALLERY AREA The use of color induces a dynamic element and gives a sense of curiosity to the visitors even from afar. The chromatically arranged galleries are brought together while expressing uniqueness of its own.

The arrangement brings in a sense of exploration to the model.

MUSEUM OF CONTEMPORARY ART

A DESIGN FOR GLOBAL ART FORMS

In this project, along with land use mapping of the area, Conservation and Restoration Designs for Core Heritage and Settlement Area were done in order to preserve the existing heritage while increasing its tourism, economical and agricultural reach. Architectural conservation solutions were carried out after appropriate land use planning of whole site.

03

CONSERVATION OF SIMRAUNGADH

RESTORATION OF HERITAGE AND SETTLEMENT

Simroungadh which inherits historic, cultural and archeological importance from Karnatak period, is situated in Bara district of Narayani zone of mid –Terai according to the political geography of Nepal. It is also historically a fortified settlement during the period.

PROPOSED RELIGIOUS AREAS

My Contribution 

Research and Field visit



Perform Questionnaires



Detail Documentation



Land use mapping and street sections



Typical mixed use prototype designs

Restoration of ‘Ranibas’ and ‘Kankali’ Temple Area and Adaptive Reuse of a Section for a Museum

PROPOSED LONGITIDUAL STREET SECTION BARAM BABA MANDIR

SKY LINE LIMITED TO 2 STOREY

CHAUTARI BERHI

BARAM BABA MANDIR

CONSERVATION OF SIMRAUNGADH

Mixed Use Prototype

RESTORATION OF HERITAGE AND SETTLEMENT

No of prototypes were designed based on architectural requirement of each land use zone.

Consideration of climatic conditions and indigenous Architectural and urban design essence was taken.

Sketches showing building form with element

Typical Khapada House of Simraungadh

View from Entrance

Central Courtyard

Proposed Cross Street Section

Eating/ Sitting Area

• Collaboration with Lumanti Support Group for academic housing reconstruction project in settlement of Taukhel, Chandragiri municipality which is 7-8 km from Kathmandu.

• Planning with community participation.

My Contribution   

MAJOR OBJECTIVES • To reconstruct the housing to the modern needs while preserving its Newari essence.

• To promote the creation and maintenance of an adequate supply of sound, affordable housing integrated throughout the region.

• To study the social and economic background of the people in Taukhel and provide the design solution as per the need.

FIGURE AND GROUND

ORIENTATION



Research and Field visit Site Study and Analysis Implementing relevant planning strategies, devising suitable plans for Jatra (Festival) road and the connecting the unused lands into the existing ones favoring easy visual access and balance in open spaces.

Design of Street sections and Intersections Prototype development: I designed the segregated areas with prototypes and open spaces farthest from the existing major road – Jatra (Street Festival) road.

04

RECONSTRUCTION HOUSING OF TAUKHEL

FOR THE NEWAR COMMUNITY AFFECTED BY 2015 EARTHQUAKE

The planning was done considering the wind direction pattern and sun orientation, with continuity to original courtyard positioning and form by proposing linear as well as rectangular courtyards parallel to the previous existing ones.

An organic pattern is created in relation to the existing major road, A linear spline providing visual opportunities through the context site with rich pedestrian experiences.

Concept of visual opportunities not only to the site but also from the site

BUILDING USE

Use of gateways at the two ends of activity spline

ROAD HYRARCHY

WIND FLOW FROM SW

MAIN ROADS

SUN PATH

COLLECTOR ROADS PEDESTRIAN ROADS VEHICULAR ROADS

Pedestrian oriented planning: Consistent with the principle of equity, particularly in communities with low levels of car ownership, public transport becomes a necessity once the pedestrian scale is exceeded.

Use of a long staircase pattern to enhance the user experience as they walk by

Main commercial stretch with staggering type of built form on the either sides of the existing alleys to make a converging view

COMMUNITY HALL

RESIDENTIAL CUM COMMERCIAL IN THE FRONT STRETCH P4: RESIDENTIAL

P9: RESIDENTIAL WITH SHOPS P10: DUPLEX UNITS P7: RESIDENTIAL

DUPLEX TRADITIONAL PROTOTYPES

P3: DUPLEX UNITS

P8: RESIDENTIAL

P1: RESIDENTIAL CUM COMMERCIAL

P5: RESIDENTIAL

P2: RESIDENTIAL & WORKSHOP P6: RESIDENTIAL

MASTERPLAN BUILDING AROUND EXISTING HERITAGE

BUILDING PUBLIC ACCESSIBLE SPACES

P9: RESIDENTIAL WITH SHOPS

RECONSTRUCTION HOUSING OF TAUKHEL

FOR THE NEWAR COMMUNITY AFFECTED BY 2072 EARTHQUAKE plots were

The newer designed in a post modern style while retaining the essence of a Newari household.

Brick facade, emphasis on window openings and space planning were some of the characteristics considered.

.

KEY PLAN Mediums: Revit, Sketchup , V-Ray, Photoshop

GOLMA DEVI TEMPLE

This was the 1st project I was involved under the project Integrated Urban Development Project (IUDP.) SHANKARAPUR

BAJRAYOGINI

GOLMA DEVI TEMPLE

PUKHILACHHI

SALI RIVER MAIN ROAD SITE BOUNDARY

Location: Golma Devi, Bagmati Pradesh, Kathmandu On collaborative involvement with stakeholders and planning as per requirement of the municipality, the significance of the religious site was chosen to enhance tourism in the area.

The site planning approach: Relies on rejuvenating the temple area by restoring its components, giving proper access from the main road and designing the picnic spot area for as a recreational area, which would benefit the areas in terms of tourism and economy.

The current user activities on the site guides number of design approach in terms of approach and continuation of user activity in the area while increasing the engagement of people by providing elements for recreation and relaxation that enhances the quality experience of the tourist visiting the site.

My Involvement

PICNIC SPOT AREA

    

Research and Study Site Analysis and Program Formulation Concept and Design Detail Drawings and 3D visualization Report and Presentations

INTEGRATED URBAN DEVELOPMENT PLAN (IUDP)

PICNIC SPOT AND TEMPLE AREA

05

NEPAL ARCHITECTS CONSULT

MASTERPLAN SITE AREA: 1817.5 SQ. M. (3-9-0-2.5)

INTEGRATED URBAN DEVELOPMENT PLAN (IUDP)

PICNIC SPOT AND TEMPLE AREA

NEPAL ARCHITECTS CONSULT

Picnic Spot Area Temple Area The temple area maintains its religious and cultural significance with restoration to the site and addition of design elements to increase use of area.

The picnic spot is designed with necessary amenities for the visitors considering the natural landscape of the site and minimal intervention to the environment.

The site area has been fenced and resting shelters, view desks are also designed at different places overlooking the North - West view. The activities in and around are generally passive leisure activities like sight-seeing and picnic.

Picnic Spot Area Mediums: AutoCAD, Sketchup, Lumion, Photoshop

DEPARTMENT OF TOURISM

In the context of the project, a memorial park is designed dedicated to the remembrance of the 22 martyrs of the Nepalese civil war. The site which was an originally a cremation ground for the Local Tamang community of the area is a point of departure for the concept of the project, given the existing components..

CREMATION AREA 06 KUBINDE MEMORIAL PARK ANDNEPAL ARCHITECTS CONSULT In the two part of the site, the lower part is designed for a memorial and the upper part continues it s current use with a well designed cremation area.

My Involvement     

Research and Study Site Analysis and Program Formulation Concept and Design Detail Drawings and 3D visualization Report and Presentations

DEPARTMENT OF TOURISM

KUBINDE MEMORIAL PARK AND CREMATION AREA

Intended users i.

Memorial park visitors: People who come for the purpose of recreation and learning. ii.

Historians and enthusiasts: provision of museum and library for in dept learning. iii. Local Public: A portion of the site is provided for the local public, which will also inject a sense of curiosity to the people passing by. iv. Tamang (Indigenous) Community: The upper park is designed to be the cremation are for the Tamang community.

ROAD

FRONT LANDSCAPE

NEPAL ARCHITECTS CONSULT

MEMORIAL STRUCTURE WITH ADMIN/ MUSEUM BUILDING NEPAL FLAG PARK OAT

SITE

KUBINDE

1 0

BHALEP HI JALBIRE BHOTEK ROAD OSHI RIVER

1.

1

1 0 7

BHALEPHI JALBIRE ROAD

SITE

3

2

BHOTEKOSHI RIVER

LOWE R SITE UPPER

LEGEND

4

5 ENTRY

6

SITE NAUBIRE BRIDGE DADA DEVI TEMPLE LOWER SITE UPPER SITE

1 0

8

9

Total Area = 3527.4m² (6-14-3-3)

Memorial Monument 2. Entrance Signage 3. Admin/ Gallery 4. OAT 5. Public Resting Area 6. Ticket Counter 7. Resting Shed For Malami (Visitors) 8. Ritual Building 9. Cremation Area 10. Restoration of Chortens (Buddhist Shrine)

KUBINDE MEMORIAL PARK AND CREMATION AREA NEPAL ARCHITECTS CONSULT

Memorial Park Divided into public and semi-public area limiting public access to the existing structure.

The highest level of the site is taken as a frontal focus where the memorial monument is proposed and the area will act as a viewing area. Designed with creation of peaceful space in mind – without superstructures the area will focus on reflecting on peace with nature around. The names of the martyrs will be carved into the stone built memorial muniment and will have the Nepal’s flag at height of 22 feet symbolizing the number of martyrs from the event of insurgency.

Mediums: AutoCAD, Sketchup, Lumion, Photoshop

Pantry Toilet Staircase Admin

Stacking Area

DEPARTMENT OF TOURISM

Issue Area Staircase

Sky Lighting Green Roof Reception / Info + Seating

Gallery

Storage

Ground Floor Plan

Ground Coverage: 112 Sq. m.

Reading Area

Top Floor Area

Roof Level

KUBINDE MEMORIAL PARK AND CREMATION AREA

NEPAL ARCHITECTS CONSULT View Deck

Memorial Monument

Seating

This project started with sketching – an element near to wooden craft. A section of a tree trunk was a start, which slowly modeled into a unique form aligning with the functional aspects of the project.

CONCEPT AND FORM DEVELOPMENT

Using hand drawing as a tool from start to finish I gained a sense of liberty into form building and put together my imagination into life.

GROUND FLOOR.

07

CRAFT INDUSTRY

DESIGN STUDIO PROJECT 3rd Year

The objective of this project is to design a craft industry for different forms – wooden, stone, Thanka, etc.

FIRST FLOOR. The viewing point is designed such that it generates view toward all working areas and the central gallery.

FACTORY

Trunk section as base of concept.

ADMIN

Wood carving industry being the most prominent in the site area of Bungamati, the concept of wood as a raw material was taken.

Here visitors can simply observe the factory’s process.

FACTORY 3 FACTORY STORAGE 2

FACTORY 4

FACTORY 1

ADMIN

CAFE

CONFERERENCE AND MEETING

CONCEPTUALPLANSKETCH

Each production areas have individual outdoor and indoor area work setting to expand function and workability.

Along with the functionality through the working perspective, visitor perspective is also taken into account – allowing visitors to view selected parts of the craft process. The gallery as a base directs the visitors around and about it.

ADMIN

Unique features of the section transform into open and built areas with central focus – a central gallery.

CAFE

OVERHEAR CONNECTION – OPEN VIEWING

The use of timber elevation treatment give a warmer tone to the otherwise concrete and cold factory setting of a traditional factory.

SEMI- UNDERGROUND GALLERY

FACTORY PRODUCTION AREA

STORAGE

08

Sindupalchowk district being home to the Bhote Koshi river, one of the prominent rivers

for white water sports, and other rivers with high rapid was chosed by the Department of Tourism of Nepal as an appropriate destination for the white water sports in the country

DEPARTMENT OF TOURISM

BALEPHI-SUKUTE CORRIDOR PLAN: NEPAL WHITEWATER CENTER

NEPAL ARCHITECTS CONSULT

This rafting school, which is a rafting hub comprising of functions primarily of rafting academy and other functions related to Whitewater sports such as hosting competitions, providing trainings for kayaking besides rafting, holding seminars and conference, providing outdoor activity area for professionals as well as amateurs, etc.

My Involvement    

RECEPTION & GALLERY TOILET & CHANGING

CLASSROOM

Research and Study Design Detail Drawings and 3D visualization Report and Presentations

ACCOMODATION

ENTRY PLAZA

MULTIPURPOSE HALL

FITNESS & DINING

PARKING

DEPARTMENT OF TOURISM

BALEPHI-SUKUTE CORRIDOR PLAN: NEPAL WHITEWATER CENTER

NEPAL ARCHITECTS CONSULT

N Site Boundary

BalephiJalbire Road

Balephi Khola

Site 5m Wide Existing Road 20 m SECTBACK FROM THE RIVER

8 The masterplan is developed with 3 major levels dividing the entrance area, accommodation and learning area.

Passing through the parking on the immediate entry to the site, the pedestrian pathway guides the users to the entrance plaza – giving public access to reception and galleries.

The site has been designed to face the river with each roof levels acting decks and viewing platform for spectators to watch rafting tournament.

Then the site is divided into the functions of 1. outdoor activity area, 2. class rooms and 3. accommodation.

All the buildings area designed as semi recessed structures with green roofs over them that are directly accessible from the ground level at higher elevation, Buildings are designed as Bracing the sloped site terrain the buildings are segregated compact structures to correspond to the step terrain designed in a stepped sectional concept. and earthquake prone site.

REGIONAL PLANNING OF Suspension Starting Point Starting Bridge BALEPHI-SUKUTE STRETCH Rafting Academy Point (Nepal Whitewater Center)

The

Kapileshwor Mahadev

Suspension Bridge

Cultural Stage

End Point at Dolalghat

Panchakanya Rock

stretch of Balephi- Sukute corridor is Camping dedicated to water sports Area and water related tourism.

Suspension Number of resorts lying on Bridge either side of Araniko highway that runs along this stretch host such activities and events. The BalephiBotanical Sukute area is one of the prime destinations for white Park water related sports.

SETBACK LINE

LEGEND

9

The riverfront has been integrated into the design by incorporation of ramps along the bank of the tier stretching next to the site.

FLOW THROUGH NATURAL DIRECT ACCESS

7

6

1.

2.

3.

4.

5.

6.

7.

5

4

8.

9.

3 2

Accommodation Dining and Fitness Multipurpose Hall Classrooms Reception Gallery Toilet and Changing Storage Swimming pool

8 9 7

3

entire

VIEWING TERRACE

MULTIPURPOSE HALL

FITNESS & DINING HALL

5

4

1

CLASSROOMS

6

ACCOMODATION

2

1

MISCALLANEOUS

JIGYASA: EXHIBITION AT THAPATHALI CAMPUS, 2019

MODEL MAKING AND OTHER WORKS

LIVING ROOM INTERIOR, 2016

CITY BUS TERMINAL, DESIGN STUDIO - 2017

POST EARTHQUAKE RURAL HOUSE DEIGN RDF DESIGN COMPETITION, 2017

VAASTU MODEL, Accessible and Culture Nepal (ACCAC) - 2018

INTERIOIR MODEL, Accessible and Culture Nepal (ACCAC) - 2018

MISCALLANEOUS MAP MAKING AND OTHER WORKS

THANK YOU PALLAVI SINGH ar.pallavisingh@gmail.com +1-825-439-8345 linkedin.com/in/pallavi-singh-in