As an NZIPP Accredited Professional Member you have the support, networking opportunities and camaraderie of your peers within the photographic profession. Becoming a recognised professional also adds to your credibility with clients.
Belonging to an institute that represents all areas of professional photography in New Zealand, with our focus on education, advice and a wide range of membership benefits, will help you improve the success and vitality of your business.
Your Accredited Professional Member benefits will include:
· NZIPP Iris Awards (member rates)
· NZ Photography Show Conference (member rates)
· Meeting and Networking opportunities
· Professional development
· Membership discounts
· Air NZ excess battery allowance
· PRO Report eMagazine.
Come along to the next regional event in your area and check out what becoming a member is all about.
Contact: info@nzipp.org.nz
NZIPP MISSION STATEMENT
To champion, embrace and communicate excellence and professionalism in photography.
CONTACT
New Zealand Institute of Professional Photography (NZIPP)
210 Hill Street
Richmond, Tasman New Zealand
We welcome your feedback and thoughts. If you have something to say, send it through to: info@nzipp.org.nz
T r a c y K e n n e d y t a l k s t h r o u g h t h e N Z I P P
A c
R i c h a r d L i n t o n t a l k s a b o u t t h e t e c h n i c a l p o i n t s
G e a r f o r s a l e a n d w a n t e d
NZIPP SPONSORS
Rachael Smith PRESIDENT’S REPORT
Rachael Smith, NZIPP President NZIPP Master of Photography (with Distinction) Accredited Professional Photographer
Kia ora NZIPP whānau,
As we move through autumn and closer to our national conference, I want to take a moment to acknowledge the incredible support and energy from our community. Your enthusiasm during our recent ticket sales drive has been nothing short of inspiring — from sharing the event with your networks to encouraging new photographers to join us, every bit of your effort has made a real difference. Thank you for getting behind it so wholeheartedly.
that the Gala will once again be held at the stunning Larcomb Vineyard — ad all the details for these events are also on the website nzphotoshow.co.nz.
A huge thank you also goes to our Honours Council team for their outstanding work organising and running the 2025 Asia Pacific Photography Awards. It’s a massive undertaking and their dedication behind the scenes does not go unnoticed. Congratulations to everyone who entered — and a special shoutout to our award recipients. The standard of work was exceptional, and it’s always inspiring to see such passion and talent on display.
We’d like to take this opportunity to acknowledge Karla Flanagan, who joined the NZIPP Board in 2024.
Karla has been a fantastic member of our team—bringing energy, insight, and commitment to her role as a Board Director. While we’re sad to announce that Karla has stepped down from the Board due to other commitments, we’re pleased to say this isn’t goodbye.
You’ll still see Karla involved in the NZIPP community, and we’re grateful for the contributions she’s made—and continues to make.
Thank you, Karla!
Looking ahead, our teams have also been hard at work on the 2025 Iris Awards. The Iris Awards rules have been released and are now available on our website, www.irisawards.com. It’s time to start preparing your entries and planning your print journey because entries are open 1st - 29th June 2025. I personally can’t wait to see the amazing work of this years entrants.
We also want to give you a heads-up that, for the first time since 2015, there will be a small increase to entry fees — rising by $5 per entry. We understand this may be challenging for some, so to help ease the transition, we’re offering a pre-purchase entry pack: 10 entries at the 2023–2024 price, available for a limited time. It’s a great way to lock in savings and commit early to your Iris goals. Make sure you jump on this one quickly though, because it’s only available until the end of May. You can find the pre-purchase info at nzphotoshow. co.nz/buy-tickets.
And finally, I want to take a moment to acknowledge a significant change within our organisation. James Carnie, NZIPP’s longstanding lawyer and NZIPP Honorary Member, is stepping away from law. James has supported NZIPP for around 30 years, providing invaluable legal advice, helping shape our terms and conditions, and guiding both the organisation and our members through a variety of challenges. We are incredibly grateful for his unwavering support and contribution over the decades.
As we farewell James from this role, we warmly welcome our new lawyer, Anna Ryan, from Lane Neave Lawyers in Christchurch. We’re excited to begin working with Anna and look forward to the expertise and support she will bring to NZIPP and our members.
A reminder that conference tickets for the 2025 New Zealand Photography Show are still on sale, and it’s shaping up to be an unmissable event. A huge thank you to Sarah McGregor for all of her hard work and dedication in pulling this event together — her efforts behind the scenes are what make it all possible. Sunday masterclasses have now been released, along with ticket information for this year’s Gala Awards Evening. I’m excited to share
Thanks again to you all for your support in this vibrant, passionate community. I can’t wait to see many of you in person soon.
Ngā mihi nui, Rachael Smith President, NZIPP
Win Sony gear by sharing your best images!
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the QR code or visit sony.co.nz/alphaawards
Chris Helliwell HONOURS COUNCIL REPORT
Chris
Helliwell,
NZIPP Honours Council Chairperson NZIPP Master of Photography (with Distinction) Accredited Professional Photographer
Celebrating Excellence: A Message from the Honours Council Chairperson
As Chairperson of the NZIPP Honours Council, I’m incredibly proud to reflect on the remarkable success of the 2025 Asia Pacific Photography Awards. Our volunteer team worked tirelessly to deliver a world-class event that showcased the outstanding photographic talent across our region. I want to extend my sincere thanks and admiration to everyone who played a role in making it such a success.
This year, we’ve completely rewritten the Call for Entries document to ensure the rules are clear, concise, and easier to follow. One important addition is the inclusion of the “Spirit and Intent” of the awards. This section sets the tone for the kind of work we hope to see and the values we aim to uphold. We believe this guidance will help all entrants better understand the purpose of the awards and align their submissions accordingly.
A special congratulations to Kris Anderson, our Overall Grand Champion—a truly well-deserved recognition for an exceptional body of work. The standard of entries across all categories was astonishingly high, making the judging process both challenging and inspiring. We were thrilled to host live judging of the Top 10 finalists, which offered an incredible opportunity for learning, appreciation, and celebration of photographic excellence.
I also want to take a moment to acknowledge the Honours Council itself—a dedicated team of volunteers who commit countless hours in the lead-up to and during the awards. Their professionalism, attention to detail, and passion for photography ensure the integrity and success of these events. We ask that all participants please remember this and approach any communication with kindness and patience.
If you haven’t already, I strongly encourage you to watch the recordings of the live judging on our YouTube channel. These sessions offer valuable insight into the judging process and are an excellent resource as you prepare your entries for the 2025 Iris Awards, opening 1st June.
We’re excited about what lies ahead and confident that 2025 will be a standout year for the Iris Awards. Start preparing now—we can’t wait to see what you’ll create.
Warm regards,
Chris Helliwell Chairperson, NZIPP Honours Council
WORKSHOPS
WHEN: Sunday 10th August 2025
WHERE: Christchurch, New Zealand. Exact location TBC. Once we have a venue confirmed we will share details with all attendees.
TIME: 10am – 2pm
PRICE: $495.00
Step into the world of photography that is a little out there in this dynamic and inspiring masterclass, where creativity meets technique in a controlled studio environment. This hands-on workshop experience focusses on mastering the delicate balance of lighting and posing to capture the human form in unique expressive state.
You’ll learn to harness the power of light—how it can sculpt, define, and soften the body—through various setups, from dramatic high contrast lighting to softer, diffused styles that highlight the natural curves and lines of the model. Understanding the interplay between light and shadow is key to evoking emotion and depth in your images, and this masterclass gives you the tools to do just that.
We’ll explore abstraction of form, pushing beyond conventional photography to create art that challenges perception. By playing with shapes, angles, and creative lighting and camera techniques, you’ll discover how to transform the human body into a dynamic visual composition, where form and texture take centre stage.
Whether you’re interested in studio portraits, classic portraiture or experimental fine art, this workshop will expand your creative range, offering invaluable insights into both technical execution and artistic expression. Perfect for enthusiast and professional photographers looking to enhance their skills, or anyone curious about the art of capturing the human form in a respectful, thoughtful, and visually compelling way.
The masterclass will end with a breakdown of editing examples that will get you started taking the raw beauty of the shoot and refining it to a gallery worthy piece of art.
This workshop is suited to intermediate photographers with a DSLR or mirrorless camera that has a hot shoe for flash/ strobe attachments. You will need to be familiar using your camera in manual mode and have a good understanding of photography basics.
If you had told me a year ago that I’d be having daily conversations with an AI, I would have raised an eyebrow. Probably both. But here I am, and truth be told, ChatGPT has become something of a quiet co-worker, a homework helper, and an unexpectedly helpful kitchen companion. I never set out to integrate AI into my life—certainly not with the kind of enthusiasm usually reserved for new gadgets or social media apps—but somehow, it just happened. And now I can’t imagine functioning quite the same without it.
At home, it all started innocently enough. My son, currently navigating his final year of school, often finds himself staring down dense assessment questions in his Year 13 subjects. They’re the kind of questions that make your eyes glaze over on the first read. One afternoon, after hearing him mutter under his breath for the fifth time, I suggested we pop the question into ChatGPT and just see what came out. Within seconds, there it was: a clear, simple explanation of what was actually being asked. Not a cheat sheet, not an answer to copy, just a breakdown of the task in language that made sense. His shoulders dropped a little, the anxiety eased, and a lightbulb went on. He started using it himself after that, checking with it to make sure he understood what the question required before he got stuck into writing.
That tiny shift changed our household. I realised that ChatGPT could offer more than just novelty responses and clever puns. I began turning to it in other parts of my day. Take cooking, for instance. I’ve got a Thermomix, and while it’s brilliant, not every recipe I find online fits its format. So, I started asking ChatGPT to convert standard recipes into Thermomix instructions. It’s a small thing, but it saves me time and takes the guesswork out of adapting. Then I went a step further and asked it to make keto-friendly versions of meals I loved. Not only did it do that, but it also came back with a whole week of keto meal ideas when I needed inspiration. I now have an ever-growing collection of AI-generated meal plans that keep dinner interesting and on track.
And then came one of those moments where you realise just how powerful this tool can be. My husband has studied monocytogenesis for over 25 years—a deep, scientific field not easily summarised. I was curious one evening and asked ChatGPT to write a basic explanation of the topic. In under a minute, it produced a concise, readable article that was accurate and impressively comprehensive. I handed it to him
with a grin. He read it, laughed, and said, “Well, that would’ve saved me a couple of decades.” It was tongue-in-cheek, of course, but the point stood: this thing wasn’t just useful. It was smart.
Naturally, once I saw what it could do in my home life, I started exploring how it might support my business. As a photographer, I wear many hats: creator, editor, marketer, administrator, problem-solver. And in all of those roles, ChatGPT has quietly become a resource I lean on.
When I’m experimenting with new editing techniques or see an image I admire online, I often find myself wondering, “How did they do that?” Sure, there are YouTube tutorials and Reddit threads, but sometimes you just want a straight answer without spending an hour scrolling. I can ask ChatGPT to analyse it—describe the colour grading, suggest the likely process, recommend Lightroom or Photoshop settings to achieve a similar look. The responses aren’t always perfect, but they’re almost always insightful. It’s like having a second set of (very informed) eyes.
Even when it comes to critique, it’s incredibly useful. I can upload one of my own photos and ask for constructive feedback. ChatGPT might comment on composition, lighting, or the emotional tone of the image. It’s not going to replace the feedback of a seasoned photographer, but it offers a starting point for self-assessment and improvement. It’s especially helpful during those quiet lulls when I’m working solo and craving a bit of perspective.
Marketing can also become easier. Writing blog posts, email campaigns, or even social media captions used to take hours. Now, I can draft ideas in ChatGPT, feed in a few prompts or keywords, and within minutes I have something to refine. It doesn’t do all the work, but it gets the wheels turning and gives me a solid framework to edit and personalise.
Another brilliant feature for photographers is its ability to help plan and organise shoots. You can use it to generate shot lists tailored to client types—weddings, branding sessions, product photography—and even location suggestions based on themes or desired moods. For those moments when you have a creative block or feel stuck in a repetitive cycle, ChatGPT has helped shake things loose with fresh ideas.
It’s also an incredible resource for drafting client communication templates. You can prompt it to generate a first draft of a client welcome pack, a model release form, or even a difficult client response email. These templates still need to be personalised and checked over for legal compliance, of course, but they save hours in the initial stages.
And then there’s the business development side. I’ve asked ChatGPT to help analyse the strengths and weaknesses of my website, suggest blog topics based on SEO strategy, and even draft press releases when I’ve launched something new. I use it as a sounding board to brainstorm ideas for promotions, pricing strategies, and customer engagement.
Some photographers might hesitate to involve AI in such a creative industry, worrying that it will erode authenticity. But I’ve found the opposite. By offloading the repetitive or administrative tasks, I’ve had more space to be creative. I’m spending more time planning creative concepts, experimenting with lighting, or curating images thoughtfully because I’m not bogged down by everything else.
Another game-changing application has been content repurposing. I might start with a long-form blog post about a recent shoot, then ask ChatGPT to repackage it as an Instagram caption, or an email newsletter paragraph. It keeps the messaging consistent while allowing me to meet different platform demands without rewriting everything from scratch.
And let’s not forget education. If I’m trying to learn a new technique or piece of gear, I can ask for an explanation that suits my current understanding—basic, intermediate, or advanced. It’s like having a tutor who’s always awake and never tired of your questions. Recently, I used it to help understand lens compression and how it impacts portrait photography in different settings. It explained the concept with analogies, diagrams, and examples until it finally clicked.
And yes, there are some very human touches you can add with its help too. I’ve written personalised thank-you notes for clients with the assistance of ChatGPT, drawing on small details from our sessions. I’ve crafted Instagram bios and business taglines, refined workshop proposals, and even written entries for award submissions.
What I love most is that ChatGPT grows with you. The more you use it, the better your prompts become. You begin to think in collaborative terms—how can I phrase this to get the best help? What context would improve the response? That process in itself is a form of creative development.
Of course, it’s not infallible. I’ve had my fair share of “What on earth is this?” Moments when the output veered wildly off track. But in every case, a bit of tweaking, rephrasing, or asking the question from a new angle resolved it. In that way, it’s actually taught me to communicate more clearly and think more critically.
So when people ask if AI will replace humans, No, it won’t replace us. But it will stand beside us, nudging us forward, helping us see things from a new angle. And in a busy life filled with business decisions, school assignments, dinner planning, and creative pursuits, that kind of support is invaluable.
I never expected to invite AI into my home and work life. But now that it’s here, I’m not letting it go any time soon. For photographers, creatives, parents, or just the endlessly curious—this is a tool that’s only just beginning to show its potential. The future isn’t waiting around the corner anymore. It’s already here, typing alongside us.
And in case you are wondering, no I did not write this article. Using a few basic prompts into ChatGPT gave me this article. I did give chat gpt a few key pieces of information - and this is what ChatGPT provided as an article. Aside from telling ChatGPT the content I wanted (which by the way, are all things I’ve asked it to do in the past!), I used a few simple key phrases to give me this article including: I asked for a 3000 word article. I asked for ChatGPT to NOT bullet point the article (it seems to love to do this!) I asked for this to be written in NZ English (or you’ll get the American version), I asked for this to be written in the first person and as a conversation. After reading the first draft, I asked ChatGPT to re-write the content again, giving you more solutions to improve your photography.
It truly is a powerful tool. I use ChatGPT on my desktop, which is free if you sign in to use it. You’ll be able to get a number of generations a day. I have honestly tapped out the system a couple of times when I’ve asked too much - but it really is so worthwhile, and worth looking into further if you need a little help.
By your prompt writer, Sarah McGregor
MEMBERSHIP
$5/ Month or $50/ Year
Student entry rates at the NZIPP Iris Awards
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Be part of our online member community
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$96 80/ Year
Special member rates at NZIPP regional events
$32/ Month or $363/ Year
Affiliate entry rates at the NZIPP Iris Awards
Special member rates at NZIPP regional events
Be part of our online member community
Access our legal documents
Access our base-rate calculator
Access our online resources
NZIPP member rates at national events
NZIPP member rates to the NZ Photography Show
Reciprocal organisation event special rates
Affiliated business discounts
NZIPP member pricing on Rothbury Insurance Focus Plus Plan
Earn NZIPP service awards
Access to legal advice
NZ Professional Photographer of the Year eligibility
$50/ Month or $577 50/ Year
All affiliate member benefits PLUS:
Accredited member rates to enter Iris Awards
Receive an N3 trade card
Affiliated business discounts, 50% off first NZ Photography Show ticket when newly accredited
One free Iris Awards entry per year
One free Asia Pacific Photography Awards entry per year
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**International membership options available, including options for those who were AIPP Accredited. Email membership@nzipp org nz to enquire
To become an NZIPP Accredited member, you must first join as an NZIPP Affiliate and complete an Accreditation assessment
WORKSHOPS
WHEN: Sunday 10th August 2025
WHERE: 7:00-9:00am at Spencer Park Beach, then 10am-12pm for the editing class – location to be confirmed for the editing class. Once our location is confirmed we will provide full details to attendees. We aim for the editing location to be in central Christchurch.
TIME: 7am – 12pm
PRICE: $495 for conference ticket-holders, $995 for general admission.
Please note: Attendees need to make their way to Spencer Park. Transport is not included in this price. We can try to assist in helping to find you a car pool if it is available.
Whether you’re snapping shots of your own furry companions, dreaming of launching a dog photography career, or already capturing dog portraits professionally – this workshop is for you!
Join pet photography veterans and expert educators Craig Turner-Bullock and Charlotte Reeves for a 4-hour workshop, where you’ll be guided through the art and craft of photographing dogs.
We’ll start bright and early just before sunrise at beautiful Spencer Park Beach, where we’ll meet our superstar dog models for a two hour beach session. Bring your camera as you’ll have the opportunity to shoot some epic portraits and sandy, fun-filled action shots.
We’ll then head to the classroom where Craig and Charlotte will demonstrate their editing process, selecting the best images and walking you through all their secrets in Lightroom Classic and Photoshop specific to creating polished pet portraits. Don’t miss this exciting opportunity to learn from two of the industry’s best and take your dog photography to the next level!
BRING WITH YOU: Bring camera gear to beach shoot, longer lenses are best. Change of clothes if likely to get messy while photographing dogs on the beach (entirely likely).
Join us for a night of celebration, inspiration, and connection at the 2025 Awards Gala Awards Ceremony, sponsored by CRK and Ilford —the pinnacle event of the New Zealand professional photography calendar. This prestigious evening brings together the country’s most talented photographers, industry leaders, and passionate creatives for an unforgettable night honouring photographic excellence. The Gala marks the culmination of the Iris Awards judging, where months of preparation and creative energy are recognised on stage.
NZIPP are pleased to announce CRK and Ilford as Major Sponsor of the 2025 Gala Awards Ceremony
A Night to Remember: The 2025 Gala Awards Ceremony
Celebrate the people, the craft, and the passion behind New Zealand photography, brought to you by NZIPP, and
As the NZ Photography Show and Iris Awards come to a close, the energy shifts to a single, glittering evening—the 2025 Gala Awards Ceremony. Held on the Sunday 10th August 2025 at Larcomb Vineyard in Rolleston, Christchurch, the Gala Awards Ceremony is the jewel in the crown of New Zealand’s photographic calendar: a celebration of
Whether you’ve entered the Iris Awards or simply want to witness the pinnacle of professional and emerging talent in Aotearoa, this event is your invitation to join us for a night of
Tickets are now available at www.nzphotoshow.co.nz but hurry because this event annually sells out!
Dress to impress, bring your community, and get ready for a night to remember.
This year’s theme is BLACK and GOLD. This is a cocktail dress style event so plan ahead to fit with the theme.
A Celebration of Community
One of the most meaningful aspects of the Gala Awards Ceremony is what it represents: community. In an industry that often sees photographers working alone, this event is a rare chance to gather face-to-face, recognise each other’s achievements, and reflect on how far we’ve come.
The Gala Awards Ceremony is where the winners of the 2025 Iris Awards are revealed—including category winners, overall winners, and prestigious titles such as New Zealand
professional Photographer of the Year. It is also the time that NZIPP honours it’s volunteers for service and great
But it’s more than an awards night. It’s a moment for the entire photographic community to come together and celebrate the hard work, creativity, and vision that defines
Expect a night of emotion, pride, and powerful imagery— paired with laughter, elegant attire, great food, and plenty
The Gala Awards Ceremony isn’t just about trophies and titles. It’s about shared moments, proud mentors, new talent, and the friendships that are formed behind the lens and in the judging room.
Whether you’re walking the stage or clapping from your seat, the Gala Awards Ceremony reminds us all why we do what we do—and why it matters.
Be There for the Moments That Matter
Join us at the 2025 Gala Awards Ceremony and witness the future of New Zealand photography unfold—image by image, story by story.
Because when we come together, we create something bigger than any single photograph. We create a legacy.
The Gala Awards Ceremony is open to everyone. If you’re passionate about photography or are part of the industry in
WHEN: Sunday 10th August 2025
WHERE: Christchurch, New Zealand. Exact location TBC. Once we have a venue confirmed we will share details with all attendees.
TIME: 10am – 1pm
PRICE: $195.00 for conference ticket-holders, $395 for general admission.
Richard Wood is one of New Zealand’s most celebrated photographers and educators. A five-time winner of the NZIPP Professional Photographer of the Year, Richard holds the title of NZIPP Grand Master of Photography III — the highest achievement to date within the institute’s honours points system, awarded for consistent excellence in photographic competition. His work is recognised globally for its rich storytelling, elaborate concepts, and polished, artistic finishes.
As an educator, Richard has delivered over 140,000 hours of creative training to photographers worldwide. He has mentored thousands through his online education platform and was a key instructor alongside Sue Bryce with The Portrait Masters.
This workshop is designed for photographers who want to elevate their everyday work into award-winning creative pieces.
Richard will guide attendees through the digital techniques he uses to bring his ideas to life — including his post-production process — and will also conduct a live shoot, beginning with a simple studio portrait and demonstrating how he creatively develops it into a fully realised concept.
WHERE: Christchurch, New Zealand. Exact location TBC. Once we have a venue confirmed we will share details with all attendees.
TIME: 9am – 12pm
PRICE: $95 for conference ticket-holders, $195 for general admission.
Join landscape photographer Luke Tscharke for an in-depth editing demonstration that reveals the professional techniques behind creating images with beauty and impact. This session will focus on landscape and nature photography, demonstrating how thoughtful editing can transform raw captures into compelling final images.
In this comprehensive demonstration, Luke will walk through his complete editing workflow for a variety of landscape scenes, including: Nightscapes and astrophotography (showing specialised noise reduction techniques): Aurora scenes (demonstrating how to enhance colour while maintaining realism): Seascapes and mountain landscapes (balancing elements for maximum visual impact): Infrared photography (revealing the unique approach needed for these otherworldly images)
The session covers essential techniques including: Effective image selection and culling strategies for identifying your strongest work: Professional file organisation and workflow efficiency approaches: Advanced Lightroom adjustments for thoughtful raw development: Powerful luminosity masking techniques for precise targeted adjustments: Specialised noise reduction for low-light and night photography: Focus stacking for achieving optimal sharpness throughout landscapes: Exposure blending for balancing challenging light conditions: Contrast optimisation for creating depth and dimension: Subtle colour grading to develop a consistent photographic voice
Throughout the session, Luke will draw connections between the philosophical concepts discussed in his “Beauty and Impact” presentation and his practical editing decisions, demonstrating how thoughtful editing choices can enhance both the visual beauty and emotional impact of landscape imagery.
This workshop is designed for photographers of all skill levels with an interest in landscape photography and post-processing. While some familiarity with Lightroom and Photoshop will help attendees follow along, Luke explains each technique clearly, making the content accessible for a range of experience levels.
No computer required – just bring note-taking materials and your curiosity about professional-level editing techniques.
In a celebration of history and heritage, NZIPP Life Member Hugh Perry has captured the rich story of professional photography in New Zealand in his book, Towards 75 Years of Organisation of Professional Photography: The New Zealand Institute of Professional Photography Story. This work delves into the first 75 years of the NZIPP’s journey, chronicling its evolution and milestones. We will publish a snippet of NZIPP’s history in each future edition of Pro Report.
From Page 9 of Hugh Perry’s book: The First AGM
The first AGM was also held in Palmerston North on 14th of September 1939 and the minutes note another issue that would occupy the attention of the Association/Institute on and off for decades. A letter from Geoff Perry from Wellington seems to have created considerable discussion before the meeting resolved to reply that ‘owing to the youth of the Association they have not been able to come to any finality on the copyright laws of New Zealand. It is interesting to note that Geoff’s son Hugh, officiating as a Presbyterian minister and friend at the funeral of photographer Richard Poole’s on the 24th of October 2008 was told by Leanne Dalziel, at that time MP for Christchurch East and a former cabinet minister, that after attending one of Poole’s photography courses she initiated changes to the copyright legislation. Dalziel said Richard’s continued mention of the profession’s grievances during the course had spurred her into action. Copyright was certainly a long standing issue for the Institute and changes in technology and globalisation will probably insure it remains an issue.
The meeting also resolved to write to the minister of customs seeking a relaxation of import restrictions on Photo Mounts. There was a letter received from newspaper proprietors that the meeting resolved not to act on but did agree to a resolution urging members to hold out for higher reproduction fees. Mr Hurst submitted a design for a badge but the meeting held any decision over until next AGM and invited members to summit alternative designs.
Offers were elected with H. E. Gaze as patron, the president A. B. Hurst, Vice president B. Hobday, secretary/Treasurer R Keys. The committee comprised Marie Dean, Amy Harper, S. Digby, J. Swainson, J. Lewis and M. Lampe.
The notes Ken Niven extracted from the AGM not only show the organisational structure being established but a move beyond the breaking down of suspicion between members to using group action in engaging with government. The Association/ Institute also engaged with photographic wholesalers who had the power to set terms of trade to their advantage with little regard for small businesses. The size of the New Zealand market place restricted the development of a variety of support products, like the mounts, mentioned in the minutes but successive governments were naturally keen to support local industry and maintain a healthy balance of payments. To have a common voice on such issues was a logical goal for an organisation of photographers. A common policy on pricing when dealing with large purchasers of photography who based their payments on their own profitability with little regard for the viability of the photographer was also desirable. The fact that photography mostly fitted into what would normally be defined as small businesses, as this first AGM demonstrates, gave the organisation some of the characteristics of a trade union seeking better remuneration and conditions through collective action, while at the same time promoting business practise and technical and creative excellence.
Image of Ken Niven
WORKSHOPS
WHEN: Sunday 10th August 2025
WHERE: White Wolf Studio, Level 1, 650 Ferry Road, Christchurch
TIME: 3-hour focused masterclass - 9:30 am – 1:00 pm (morning break from 11:00 am to 11:30am) Please bring something with your for morning tea
PRICE: There is no charge – admission is strictly through an application process.
Turn off the TV. The economy is thriving.
Welcome to the White Wolf sales room.
Amplify your sales power by talking less with better words. Your ability to meet objections softly and succinctly will be a game changer, making the difference between money in your bank account that day and the dreaded “Can we think about it?”
Understanding and controlling the minutiae of your human behaviour is equally vital as observing and responding to your clients’ behaviours. We will walk you through the simple changes you can make to impact your sales significantly.
Learn to become bloodhound-like in measuring your data, as this forms the basis of decision-making and implementation for your growing business turnover.
The truth is you can sell portraits anywhere. We have made many of our highest sales in people’s lounge rooms. Embrace a noexcuses mindset and learn how to make sales happen anywhere.
In our studio, there is no such thing as a recession. Come and join us.
We have ten money-cannot-buy spots for people hungry to learn and grow their businesses.
Tony Carter and Katherine Williams host and teach this masterclass. Between them, they have won the New Zealand Professional Photographer of the Year nine times.
For Katherine and Tony, photography has always been more than a profession. It’s who they are. With a relaxed, intimate, and timeless style, they create open-hearted connections with the people they photograph. Combining traditional finesse with a contemporary edge. Creating honest and authentic legacy pieces. And bringing you back to a time, place, and feeling, for years to come.
WHERE: Christchurch, New Zealand. Exact location TBC. Once we have a venue confirmed we will share details with all attendees.
TIME: 9am – 1pm
PRICE: Earlybird $399AUD per person. Limited spaces available.
This 4-hour intensive masterclass is crafted for portrait photographers at any stage of business, from part-time freelancers to established studio owners looking to scale. Unlike traditional workshops that focus on theory, this hands-on session is focused on real-time implementation of proven systems, automation strategies, and marketing techniques tailored specifically for photographers navigating today’s competitive industry. The workshop addresses common challenges like inconsistent bookings, pricing uncertainty, and operational inefficiencies, aiming to transform participants into confident, profitable business owners.
Structured around five comprehensive modules, the workshop covers mindset shifts, streamlined systems, modern marketing strategies, AIpowered tools, and implementation planning. Participants will develop personalised pricing structures, design automated client workflows, craft strategic content calendars, and set up AI workflows—all during the session. The approach is practical and outcome-driven, equipping photographers with ready-to-use tools and an actionable 90-day plan to attract high-quality clients and grow sustainably.
Led by renowned experts Mark Rossetto and Kylie Garner, the workshop delivers market-proven strategies without fluff. Attendees receive a complete resource package including templates, scripts, and systems designed for immediate use. Perfect for photographers ready to transition to full-time or scale efficiently, this workshop promises clarity, confidence, and a clear roadmap for business success.
https://ppbnonline.com/newzealandworkshop2025/
MULTIPLE EXPOSURE
C H A L L E N G E
Challenge yourself to do something different. Take a photo using multiple exposure before 1st July 2025, and submit it for your chance to WIN!
ABOUT THE PRIZE
Needs to be taken between 1 January 2025 - 1 July 2025
Images taken prior to the date listed are ineligible for entry The purpose of this competition is to challenge yourself! You need to submit your photo using the link below
Will be sent from our Sponsor to the winner This competition is open to New Zealand photographers only, as it cannot be sent outside of New Zealand The prize is available in Black only The prize is not transferable or exchangeable for cash or other products
Wireless Clear Sound From Work To Life, And Everything In Between
Combining a great acoustic structure and industry-leading noise cancellation with all day comfort the AZ60M2 Technics true wireless earbuds give you clear sounds throughout your busy day - you won't miss a beat
A small panel will assess the submitted images and determine a winner The panel decision is final, and no correspondence will be entered into See the full terms and conditions when you upload your photo, using the link below
WHERE: Christchurch, New Zealand. Exact location TBC. Once we have a venue confirmed we will share details with all attendees.
TIME: 11am – 12.30pm
PRICE: $499 per person
In this 90-minute masterclass, I’ll showcase the art of lighting for creative portraiture. With a live model and lighting gear on hand, I will demonstrate how to use 1 to 3 lights to achieve stunning results and create dynamic, impactful portraits. I’ll also guide the audience through various lighting setups, explaining how to use different types of modifiers to enhance their imagery.
Audience will also see how simple materials can be transformed into creative props to elevate their concepts. This session will provide valuable insights into effective lighting techniques and creative problem-solving in portrait photography.
By the end of the demonstration, Audience will have a deeper understanding of how to use lighting and props to bring their vision to life and enhance their artistic portraiture.
Topics:
Lighting Fundamentals
Understanding Different Types Modifiers
Creative Lighting Setups
Stylish Props
Why audiences love this session:
This workshop is valued for its detailed demonstrations and practical insights into lighting for artistic portraiture. Attendees will gain a thorough understanding of how to use various lighting setups and simple materials to enhance their creative concepts. The session’s focus on live demonstrations with a model ensures a clear and engaging exploration of lighting techniques and prop creation. Whether they are new to portrait lighting or looking to refine their skills, this session offers valuable takeaways for creating visually stunning images.
Join us for New Zealand’s premier professional photography conference, bringing together leading photographers, industry experts, and creative minds for two days of inspiration, learning, and connection. Whether you’re an experienced professional or passionate about advancing your photography skills, this event is the ultimate opportunity to elevate your craft.
NZIPP are pleased to announce Sony as Major Sponsor of the 2025 New Zealand Photography Show
The New Zealand Photography Show Work/Shop 2025: Where Passion, Learning, and Community Come Together
Join us this August for Aotearoa’s biggest celebration of photography and creativity - the 2025 New Zealand Photography Show, brought to you by New Zealand Institute of Professional Photography, and Sponsored by Sony.
Whether you’re a seasoned pro, a hobbyist chasing golden light, or someone just beginning your photographic journey, The New Zealand Photography Show is the event that will inspire, challenge, and energise you.
Held over an action-packed two days, this annual gathering is more than just a conference—it’s a celebration of photography in all its forms. With world-class speakers, hands-on learning opportunities, inspiring content, and a thriving creative community, it’s an unmissable event for anyone who loves creating with a camera.
What’s in it for YOU
There’s no substitute for real-world inspiration. The New Zealand Photography Show delivers face-to-face learning, connection, and creative growth, all under one roof. Here’s why you won’t want to miss it:
1. Learn from the Best in the Business
Each year, the Show brings together an incredible line-up of speakers, including leading photographers from across New Zealand and around the world. You’ll hear directly from awardwinners, innovators, and working professionals who are at the top of their game—across multiple genres.
From keynote talks to workshops, you’ll gain insight into real-life workflows, creative techniques, business strategies, and the honest stories behind the images. Whether it’s lighting, editing, storytelling, pricing, or mindset—there’s something for every level of photographer.
2. Be Part of Something Bigger
Photography can be a solitary pursuit—but you don’t have to go it alone. The New Zealand Photography Show is a rare chance to meet your people: photographers who get it. The shared passion, laughter, late-night edits, and “ah-ha!” Moments remind you why you fell in love with the craft in the first place.
You’ll walk away not only with knowledge—but with real connections that continue long after the lights go down. Friendships, mentoring, collaboration—it all starts here.
3. Practical Tools for Real-World Success
This isn’t just inspiration—it’s education you can use. You’ll leave with tips, tools, and insights that you can apply immediately, whether you’re building a business, launching a project, or growing your confidence behind the lens.
Topics include:
Pricing and income strategies
Building a sustainable client base
Marketing for photographers
Post-production tips and techniques
Workflow optimisation
Finding and refining your creative voice
This kind of access to professional-level education at an affordable price is hard to beat. You’d spend thousands to get this overseas—here, it’s available right in your backyard.
4. Invest in Yourself and Your Craft
At just $695.00 for a two-day pass, The New Zealand Photography Show offers extraordinary value. Consider what you get: multiple days of premium content, a world-class speaker line-up, access to live judging and print critique, networking events, vendor showcases, giveaways, and more.
You’re not just buying a ticket—you’re investing in your growth, your craft, your career, and your creative community.
Event Details
Dates: Friday 8th and Saturday 9th August 2025
Location: Majestic on Durham, 189 Durham St South, Christchurch
Tickets: Available now at www.nzphotoshow.co.nz
Who it’s for: Anyone passionate about photography—emerging, established, or somewhere in between
There are ticket options to suit everyone—from single session to single-day passes to full 2-day experiences.
What People Are Saying
“The best investment I made for my photography journey.”
“I left creatively fired up, with a notebook full of ideas and a phone full of new friends.”
“Watching live judging changed the way I look at my own work.”
“It reminded me why I started—and where I want to go next.”
The feedback says it all. Year after year, photographers describe the Show as transformational—a place where breakthroughs happen and purpose is rediscovered.
Check the Programme and Plan Your Event
With so many talks, sessions, and events happening throughout the Show, we recommend checking out the full programme ahead of time. That way, you can plan your days around the speakers and sessions most relevant to you.
Visit www.nzphotoshow.co.nz to explore the speaker list, Iris Awards schedule, workshop details, and travel info. You’ll also find tips on where to stay, how to get there, and what to bring.
SPONSORED
What You’ll Walk Away With
• New knowledge that’s practical, real, and immediately applicable
• Connections with other photographers, speakers, and industry pros
• Renewed motivation, creative direction, and confidence
• A deeper understanding of your strengths and next steps
• A notebook full of ideas and a heart full of inspiration
• And possibly, a new award for your wall—or a new path for your future.
Get Your Ticket Now
Don’t wait—book now and secure your place at Aotearoa’s biggest and most inspiring photography event of the year.
Come for the learning. Stay for the community. Leave changed.
We’ll see you at The New Zealand Photography Show 2025.
Sarah McGregor is an NZIPP Accredited Professional Portrait Photographer and NZIPP Master of Photography (with Distinction) III. See more of Sarah’s work: www.minimephotos.co.nz https://www.facebook.com/minimephotography https://www.instagram.com/minimephotos/
Creating your own actions is an excellent way to save time in processing the same repretitive tasks on images in Photoshop. You can even run an action within an action - and with the click of a button, your images have been processed without having to use the same manual process over and over again. This is my technique for creating my own actions.
Step 1: Open Photoshop & Prepare Your File
Open Adobe Photoshop.
Open or create a file that you want to use for recording the action.
Step 3: Create a New Action Set (Optional)
In the Actions panel, click the folder icon at the bottom (“Create new set”) to group related actions together.
Name your set (e.g., “My Editing Actions”) and click OK.
Step 2: Open the Actions Panel
Go to Window > Actions, or press Alt + F9 (Windows) / Option + F9 (Mac).
The Actions panel will appear.
Step 4: Create a New Action
Click the plus icon (“Create new action”).
Name your action (e.g., “Black and White Action”).
Choose the action set to save it in.
Click Record – Photoshop is now recording your actions.
Step 5: Perform the Steps You Want to Record
Now do whatever edits or tasks you want the action to automate. For example, this is my standard black and white conversion, which I can turn into an action:
Black and White Action: Go to Reset Swatches (D key on mac). Make black your foreground coour and white your background colour).
Go to Adjustments > Gradient Map
Change the dropdown ”method” to your preferred style. I like to use classic.
Every step you make here is is being recorded.
This is what my panel looks like when I’m recording:
Step 6: Stop Recording
When you’re done, click the square Stop button at the bottom of the Actions panel.
Step 7: Test Your Action
Open a new image. Select your action in the Actions panel. Click the Play button to apply the action.
Tips:
Some steps in your action may require you to have a flattened image before starting - so you can include flatten image as your first step if this is needed.
If you make a mistake, stop recording and delete the faulty step. You can double-click any recorded step to adjust its settings.
Save even more time by automating batches, or running scripts. How to Automate a Batch:
1. Go to File > Automate > Batch
2. Choose your action set. In this case, our set was called My Editing Actions.
3. Choose your action. In this example, the action was called Black and White Action.
4. Under “Source” Choose what files you’d like to run the action on. I like to open all my files frst and do the individual tweaks, then apply the action to all opened images. You can however select all files in a folder outside of photoshop and run the action without opening them all first.
5. Under “Destination” choose what you’d like to do with the files once the action has been completed. You can choose between none (will run the action but not close the image), Save and close ( I do not use this option.) or folder (select a folder destination and the fles will be saved to that folder).
6. Hit the OK button. Your action will be applied to all images.
I find this particularly helpful when I have multiple images requiring the same edit. As an example, I always edit my images in colour first, and then run all images through my black and white conversion action so I have both options to show clients. By setting up the action, and then running as an automation, I can process 100 images in all of two minutes.
How to run a script:
I sometimes use this option instead of automating a batch. I usually use this option when I want to save and close my images, I find it much faster and easier.
1. Go to File > Scripts > Image Processor
2. Select your images to process. Again, I usually use opened files.
3. Select where you’d like to save your images to. When I use the script processor, I’m always saving to a folder within my client folder that is specific to the action I’m using.
4. Choose how you want to save your file. If I’m not finished with my edits, I’ll save these as a tiff or psd file. If it is completed for a client (eg. when they are social media resized images) I’ll save them as jpeg.
5. Tick the run action button, choose your set, then your action, and click “run”. All images are processed behind the scenes. This is a very quick method to speed up your workflow!
The mindset & strategy for success with Johl Dunn AWARDS & CONFERENCE
Johl Dunn is an NZIPP Accredited Professional Photographer and highly regarded Photography business mindset coach, based in Australia.
https://www.johldunn.com
It is about this time of year photographers that enter the awards start moving their attention towards what they will enter, should they enter, do they have time, anxiety about the feedback they will get etc. You also might find yourself working out if you should go to the conference, are the speakers relevant to you, will you get enough out of it and the cost etc.
Sound familiar? I want to come at this from a mindset point of view, having been to countless conferences, entered awards myself as a photographer and coached countless clients who have entered over the years, I think I have a unique perspective on this.
I have put this into 5 points or perspectives to consider when entering awards or thinking of coming to the conference.
Plan it out.
If you are entering give yourself a runway of 3-6mths and time block in when you are going to shoot, retouch, print and mount your entries. Reverse engineer the process; what I mean by this is start with the end in mind. Let’s say you want to enter 8 prints, start with having a date at least 3-4wks before the final deadline that you will have these ready to do then work backwards on the steps and time needed to do this. From here just time block in your calendar the first few steps and priorities it. A mistake I have seen with photographers I have coached is they get so consumed with it in the month leading up because they haven’t planned that their business takes a back seat and really suffers. Your business is your primary focus, and this is secondary so plan it out and time block it in for success.
Praise the action not the result.
Awards is all about self-improvement, gaining valuable feedback and utilising this moving forward in your craft. We tend to get so caught up in the result, what the judges say and our scores that it overshadows the whole point of the process.
The mindset to go in with is praising the action (entering the awards) and celebrate that and let go of the result. The scores and feedback you get is totally out of your hands and when we try and control and predict that which we can’t it causes stress and anxiety. This way no matter the result you have won.
Don’t take it personally.
This is a hard one as we are so personally invested in our art and what we create for awards that any feedback that we don’t like we take as a personal slight on us. Judging is subjective and a lot
of times you results are predicated on who is judging the images, what stage they come out and a whole lot of variables that are totally out of your control.
The judges sacrifice and put it a lot of time to give honest feedback on what they see and it’s just their point of view at that time so don’t take it personally.
Sit with the comments and try and see it as a neutral observer and use the feedback to improve and grow even if you don’t agree with it.
Your only competition is you.
The best competition you have is the previous versions of yourself so in reality you are only competing with yourself. Are you better than you were yesterday or last year, are you growing and improving, did you learn from feedback and improve. If the answer is yes, then that is all that matters.
Where the investment actually is in conference
There isn’t a cost to go to conference only an investment in time and money. I can tell you from being to numerous national and international conferences over 20yrs that I will go regardless of the speakers and content. Why? Because it is irrelevant to a large degree. I have sat in on speakers that upon first reflection had no relevance to me or what I thought I needed but I walked away with some inspiration, or a couple of small gems that made big differences once implemented into my business and life.
But where the real value lies are in the breaks, the parties, and the discussions with other photographers over a beer at night or a coffee in the morning. This is the priceless bonus of conferences, it’s the connections you make and the information and tips you get.
Being a business owner can be a lonely place at times but when you form a community around you and connections to lean on it can be an invaluable tool. I can honestly say that the NZIPP conference is at the top of my list every year because of the people, and I will travel over the ditch every year to see all those friends, past clients, and new connections I will inevitably make.
If you see me at conference this is your invitation to come up and say hi and lets connect.
If this resonated or you have any questions or musings DM me on insta @johldunn, I would love to hear from you and I can’t wait to see you at the conference.
NZIPP LICENCE & ORDER - COMMERCIAL
NZIPP STANDARD TERMS AND CONDITIONS OF ENGAGEMENT
NZIPP QUICK MODEL & PROPERTY RELEASE
NZIPP STANDARD MODEL RELEASE
NZIPP PROPERTY RELEASE
NZIPP BOOKING AGREEMENT
NZIPP STANDARD TERMS & CONDITIONS OF ENGAGEMENT PORTRAIT & WEDDING
NZIPP ORDER AGREEMENT
https://nzipp.org.nz/commercial-documents/
https://nzipp.org.nz/portrait-wedding-documents/
A S I A
P A C I F I C
P H O T O G R A P H Y
A W A R D S 2 0 2 5 E D I T I O N
2025 OVERALL GRAND CHAMPION KRIS ANDERSON
2025 OVERALL GRAND CHAMPION KRIS ANDERSON
2025 OVERALL GRAND CHAMPION KRIS ANDERSON
2025 RUNNER UP - OVERALL GRAND CHAMPION
RICHARD WOOD
2025 RUNNER UP - OVERALL GRAND CHAMPION
RICHARD WOOD
2025 RUNNER UP - OVERALL GRAND CHAMPION
RICHARD WOOD
2025 3RD PLACE - OVERALL GRAND CHAMPION
BELINDA RICHARDS
2025 3RD PLACE - OVERALL GRAND CHAMPION
BELINDA RICHARDS
2025 3RD PLACE - OVERALL GRAND CHAMPION
BELINDA RICHARDS
2025 RUNNER UP - ADVERTISING & EDITORIAL CATEGORY
MARK DUFFUS
2025 ANIMALS AND NATURE CATEGORY WINNER
GRAHAM MURPHY
2025 RUNNER UP - ANIMALS AND NATURE CATEGORY
JOSHUA HOLKO
2025 BLACK AND WHITE CATEGORY WINNER
JO FRANCES-MOORE
2025 RUNNER UP - BLACK AND WHITE CATEGORY
NOELLE BENNETT
2025 CHILD CATEGORY WINNER
SARAH MCGREGOR
2025 RUNNER UP - CHILD CATEGORY
JO FRANCES-MOORE
2025 LANDSCAPE CATEGORY WINNER
TONY HEWITT
2025 RUNNER UP - LANDSCAPE CATEGORY
TONY HEWITT
2025 MATERNITY CATEGORY WINNER
LAUREN GIBBS
2025 RUNNER UP - MATERNITY CATEGORY
SARAH MCGREGOR
ANGELA EASTWOOD
ANGELA EASTWOOD
KRIS ANDERSON
2025 RUNNER UP - OPEN CATEGORY
BELINDA RICHARDS
KRIS ANDERSON
DARREN PATTERSON
2025 PORTRAIT CATEGORY WINNER
EMMA STEEL
2025 RUNNER UP - PORTRAIT CATEGORY
JO FRANCES-MOORE
GREG HANLON
2025 RUNNER UP - PURE CATEGORY
TAILAI O’BRIEN
2025 WEDDING CATEGORY WINNER
MELANIE PANTELI
2025 RUNNER UP - WEDDING CATEGORY
STACEY CAVALIER
Introducing Simon Cartwright NZIPP MEMBER FEATURE:
Simon Cartwright is an NZIPP Accredited Professional Photographer and NZIPP Associate of Photography, based in the Hawkes Bay region of New Zealand.
In the sun-drenched region of Hawke’s Bay, nestled within the NZIPP Central Districts region, you’ll find a quietly determined photographer whose work is as grounded as it is compelling.
Simon Cartwright has spent over a decade honing his craft and building a business that reflects his creative roots, technical skill, and pragmatic approach to life behind the lens.
Working under the fitting name Simon Cartwright Photography, Simon has carved out a solid reputation as a specialist in commercial and event photography—capturing everything from high-end awards nights to large-scale music and sporting events. His photography is polished yet unpretentious, purposeful yet emotionally resonant.
But Simon’s journey wasn’t paved with glossy marketing or overnight success. Instead, it began—as many meaningful journeys do—with a spark of curiosity and a strong sense of encouragement.
“It sounds a little cliché, but I was always encouraged creatively,” Simon reflects. “From early on, I found photography gave me a way to express myself, and that creative calling just never left.”
An Eye for Business, a Heart for People
While many photographers are driven by passion, Simon stands out for his clear-eyed understanding of the business side of the industry. He credits his long-term success not only to creative skill, but to a willingness to learn and adapt.
“I think lasting more than ten years in this industry is my biggest achievement,” he says. “It’s a tough gig. Learning how the numbers work and truly understanding what clients need is just as important as taking a good photo. You can’t ignore the business side and expect to thrive.”
That blend of artistry and practicality has helped Simon navigate the evolving photography landscape—through the rise of digital, the growing demand for fast turnarounds, and the recent emergence of AI-based editing tools. Through it all, he’s remained focused on delivering authentic, high-quality work tailored to each client’s needs.
His advice for those starting out? Keep learning—and not just about cameras.
“Learn how to run a business. That’s the part they don’t tell you about in photography school. And be prepared to do the mahi—it takes time to build something lasting.”
On Becoming a Member of the NZIPP Community
Simon’s connection to the New Zealand Institute of Professional Photography (NZIPP) has also played a key role in his career journey. As an Accredited Member and Associate Distinction holder, he values the opportunities for growth, connection, and accountability that come with being part of the institute.
“That’s easy—Michelle Fey and Loren O’Connor,” he says with a smile, when asked why he joined NZIPP. “They encouraged me to get involved, and I’m so glad they did. The community, the support, and the shared knowledge are all things I’ve really appreciated over the years.”
Simon’s presence and experience are a valued part of the Central region’s creative landscape.
A Strong Start and a Supportive Whānau
Reflecting on the early days of his business, Simon gives heartfelt credit to those who supported him when he first relocated back to Hawke’s Bay.
“I’d like to take this opportunity to give my Wife, Mandy a shout-out. Without her help, business knowledge and overall support, getting this far would have been far harder, if not impossible!”
It’s clear that Simon doesn’t take success—or support—for granted. His journey is one of resilience, patience, and community spirit, built slowly and intentionally over time.
Still Inspired, Still Evolving
Whether he’s photographing a bustling conference or documenting a corporate campaign, Simon brings the same level of focus and calm professionalism to every job. He’s not one to chase trends or embellish stories—what you see in his work is what you get in the man himself: real, thoughtful, and quietly proud of what he’s built.
“Photography has always been about capturing what matters,” Simon says. “Whether it’s a candid smile or a perfectly lit product, the goal is the same—to tell a story that feels honest.”
WHERE: Christchurch, New Zealand. Exact location TBC. Once we have a venue confirmed we will share details with all attendees.
TIME: 10am – 2pm
PRICE: $550.00
Join Helen Bankers for an immersive masterclass that takes your floral still life photography to the next level! In this advanced workshop, you’ll have the opportunity to refine your techniques, focusing on the fine details of lighting, composition, and creating that perfect painterly effect. The session includes a special Q&A, where Helen will share insights and answer questions from the previous workshop, offering personalized tips for your continued growth.
But that’s not all—step into the world of experimental art with an introduction to Polaroid Transfer techniques. Learn how to transfer your floral images onto watercolor paper, creating unique, one-of-a-kind art pieces that merge photography and fine art. It’s alchemy at its most fun—transforming your photographs into textured, tangible works of art.
Whether you’re a returning participant or new to the workshop, this is your chance to deepen your skills, engage with creative processes, and leave with a stunning, hands-on art piece.
Bring with you: A keen eye, and patient mind. A smart phone with imagery that has favourite landscape, building, or floral imagery.
The Iris Professional Photography Awards are the NZIPP’s commitment toward raising the profile and standard of professional photography in New Zealand. These awards are open to all Professional Photographers from across the world, and student photographers studying at Tertiary level.
are pleased to announce Canon as Major Sponsor of the 2025 Iris Awards
The countdown is on—entries are now open for the 2025 Iris Awards, New Zealand’s most prestigious celebration of professional photography, presented by the New Zealand Institute of Professional Photography (NZIPP) and sponsored by Canon.
If you are a professional photographer, the Iris Awards provide a powerful platform to showcase your work, receive valuable feedback from industry experts, and connect with a passionate community of visual storytellers.
Why the Iris Awards Matter
More than just a competition, the Iris Awards are designed to elevate the standard of professional photography in Aotearoa and honour those who pursue excellence through craft, vision, and creative integrity.
Each entry is carefully judged by a panel of respected photographers. For many entrants, the awards are a turning point—opening doors to new clients, creative collaborations, and a renewed sense of direction.
Why You Should Enter
Professional Feedback: Every image is critiqued by experienced judges, offering insights that can dramatically improve your future work.
Recognition: Winning or placing in your category brings national prestige and enhances your professional profile.
Creative Growth: The process of preparing your entries encourages you to reflect, refine, and push your artistic boundaries.
Community: Be part of an inspiring photographic culture where support, mentorship, and connection are at the heart of it all.
Accreditation Points: For NZIPP members, entries also contribute to your accreditation pathway.
Categories You Can Enter
The 2025 Iris Awards offer a wide range of categories, reflecting the diversity of professional photography in New Zealand today:
• Animal
• Commercial
• Creative
• Documentary
• Illustrative
• Family
• Landscape
• Landscape Creative
• Nature
• Newborn
• Portrait
• Portrait Creative
• Student
• Travel
• Wedding
• Wedding Creative
Each category has its own criteria, so it’s important to choose the right fit for your work and understand the expectations.
Check the Rules Before You Submit
Before submitting, be sure to carefully read the 2025 Iris Awards Rules and Category Guidelines. Understanding the specific requirements for each category is crucial to ensure your work is eligible.
Head to www.irisawards.com now to download the rules, check the specs, and start planning your entries.
Whether you’re aiming for national recognition or simply want to grow as an artist, entering the Iris Awards is one of the most meaningful steps you can take in your photographic journey. Be bold, be brave—and let your images speak for themselves.
Need to work on your photography sales skills? Know you need to offer In Person Sales (IPS) but not sure where to start? Or perhaps you’re offering IPS but you’re not convincing yourself or the client. Join us for an evening with one of NZ’s top photography in person sales experts: Jo Frances-Moore.
Jo was awarded Family Photographer of the Year, Portrait Photographer of the Year, and Wellington Photographer of the Year 2024! We are so fortunate to have her expertise in the Wellington region.
Jo will focus on her 22 years experience of selling portrait prints and then there will be a group discussion. We would love for everyone to share their best tips for sales.
Bring all your burning IPS questions and we will have a group discussion on best practices to smooth sale sessions, profitable businesses and happy clients.
Arrive from 6.45pm, presentation begins 7pm Finishes 9pm
Book now at: https://tinyurl.com/y37mu8un
AUCKLAND: THURSDAY 22nd May 3pm - 9pm
Mark your calendar for Auckland’s biggest photography industry event on 22 May at the Horse and Trap (3–9 PM)!
For just $10, enjoy an inspiring afternoon and evening featuring two incredible speakers—Meghan Maloney sharing captivating stories and images from Antarctica, and Richard Wood, five-time NZIPP Photographer of the Year, delivering a transformative, hands-on creative workshop.
Get up close with the latest gear from Sony, Nikon, Fujifilm, Lumix, Canon, CRK, and Splendid—bring an SD card if you want to test!
Plus, enjoy a live panel discussion, trade displays, and plenty of time to network with fellow photographers over delicious finger food. Don’t miss this chance to connect, learn, and be creatively recharged!
www reallygreatsite com
Find out more at: https://tinyurl.com/2bjy6s7t
Auckland: UPCOMING REGIONAL EVENTS:
HAVELOCK NORTH: SATURDAY 14th June 4pm - 9pm
Iris Awards Image Critique, Plus The Art & Business of Fine Art with Leigh Schneider
Where: Edges Art and Framing, 4 Donnelly Street, Havelock North
Cost: NZIPP Member FREE (subsidised by your regional levy), Non Members $10 + eventfinda fee
Join us for an inspiring and knowledge-packed evening with awardwinning Conceptual Fine Art Photographer Leigh Schneider, recently returned to New Zealand after years in Germany, where her work has been exhibited, collected, and celebrated internationally.
We’ll kick off with an image critique session at 4pm, tailored for those preparing entries for the upcoming NZIPP Iris Awards—a perfect opportunity to refine your work with fresh eyes and expert insight. Bring your printed images, or digital images for feedback. If you don’t want to come to this session that’s ok! Join us from 6.30pm to hear Leigh’s presentation!
Following this session, we’ll have a bite to eat and a drink before diving into Leigh’s fine art presentation. Leigh will guide us through her entire fine art workflow—from concept development to final print. Discover how she brings her intricate, symbolic worlds to life through handmade elements, natural materials, and post-production mastery. You’ll also dive into fine art income streams and pricing, gaining clarity on how to turn your creative vision into a sustainable practice.
This is a rare opportunity to learn directly from Leigh.
Spaces are limited—secure your spot and be part of an unforgettable creative evening.
Book now at: https://tinyurl.com/yftbv34r
ONLINE: TUESDAY 3rd June from 7.30pm
The 2025 Iris Awards rules have been released and there have been some changes for 2025.
The Honours Council invite anyone thinking about entering this year’s awards to join them on Zoom, on Tuesday 3rd May from 7.30pm to be part of the questions and answers session.
We also welcome all potential entrants to join the Iris Awards facebook group for updates to the awards.
Join the Iris Awards facebook group here: https://www.facebook.com/share/g/1HboW1z73b/
Join the Zoom Session from 7.30pm on Tuesday 3rd June:
Perfecting Print - from Client work to Awards & Fine Art
Where: The Studio, 2/16 Bernard Street, Addington, Christchurch
Cost: NZIPP Member $49 (subsidised by your regional levy) + eventfinda fee, Non Members $99 + eventfinda fee
Take the Guesswork Out of Printing
Sick of second-guessing how your images will look on paper? Whether you print yourself or send files off to be printed, this workshop will help you gain confidence, save time, and prevent the disappointment of prints that miss the mark. You’ll learn how to get consistent, high-quality results without the frustration.
From post production to final output, printing is a powerful part of the image-making process. It’s not just about the final product—it’s about seeing your vision fully realised, in your hands, on a paper that enhances every detail.
This session will cover:
• Choosing and managing paper stock
• Preparing files for consistent results
• Sharpening and soft proofing tips
• Identifying and fixing common print issues
• Using ICC profiles for better accuracy
• A printing demonstration using a professional inkjet printer
• Discussion on different printing platforms
Bonus: There will be some fun giveaways and Canon will be onsite with a printer and a range of the latest cameras and lenses for a post-workshop ‘touch and try’ session.
Presented by Rachael Smith from Rahera Creative Rachael is an Ilford Master, Ilford Certified Printer, and an NZIPP Master with distinction.
“I am a strong advocate of the printed image. I believe images need to be printed to close the circle from concept, to capture, through to completion. I find the range of print media available really exciting and love testing out new products.”
Book now: https://tinyurl.com/3sfjb4s9
Auckland: UPCOMING REGIONAL EVENTS:
NELSON: WEDNESDAY 11th June from 6pm
NZIPP Nelson Iris Critique Night
Where: 4 Waimea Rd, Nelson (Cindy’s Studio)
Cost: Free, but please RSVP to Victoria: hello@abeautifulphoto. co.nz
Please join us for an evening of Iris prep and critique with two brilliant judges – Sarah McGregor and Steve Hussey. Bring along your prints or submit digital images for feedback. Whether you’re entering or just keen to learn, it’s a fantastic opportunity to sharpen your eye and get inspired.
NELSON: WEDNESDAY 23rd July
NZIPP event with Wedding Photographer, Ana Galloway
The details of this event are still being finalised, but we look forward to hosting Ana at our Nelson event! Save the date for this one, because it’s going to be an excellent opportunity to hear from Ana!
With Tracy Kennedy NZIPP ACCREDITATION
Tracy Kennedy is our Accreditation Team Leader and is an NZIPP Accredited Professional Photographer and Master of Photography with Distinction. Tracy specialises in Wedding Photography and is based in the Waikato region of New Zealand.
Photography is a beautiful blend of art and science. While the creative side often takes centre stage, for example the NZIPP IRIS awards, mastering the technical aspects is just as crucial for professional photographers - which is where NZIPP Accreditation comes in.
Accreditation is submitting a portfolio of 15 images ( or 2 weddings ) to our Accreditation panel of 5 who evaluate the technical side of your photography portfolio.
Technical mastery is the foundation of professional photography. By balancing these skills with creativity, you can capture images that resonate with your audience and stand out in a competitive field.
In professional photography success hinges on a delicate balance between technical mastery and the ability to connect with clients.
From straight horizons, and objects coming out of heads, to correctly cropping an image, ensuring skin tones look good, the correct lighting, and even using the right gear and posing are all aspects of paying attention to the details in your image whilst shooting. Attention to details is very important. The care you take whilst taking the image, can save you lots of time in the long run. Eg;
• Horizon lines, trees coming out of heads, cropping of limbs, posing, background issues, bright spots in the image, posing of hands, wrinkles in clothes, clothes not sitting properly, jewelry sitting well.
• Straight horizons are fundamental to create a visually balanced image. Crooked horizons affect the composition and can look amateurish. Backgrounds are also important, take the moment to have a look and see if there is anything distracting, or highlights that need removing.
• Skin tones are the cornerstone of portrait photography. The ability to render natural and flattering tones can make or break an image.
This includes making sure your white balance is correct, is it too warm, too cold, is there depth in the shadows - the highlights not blown… also using post processing techniques help with magenta or green skin tones with hue and saturation, and retaining texture in the skin so it looks natural rather than plastic
Using the right gear, lens choice, the right settings, over exposure under exposure, where is the focus of the image - all of these
things are taken into consideration by the panel…. It shows you know what you are doing when you take an image.
Connection with clients is just as important as the more technical aspects. A relaxed and trusting subject will yield more natural and genuine images. This can be as simple as building comfort with non intimidating poses, engaging in conversation to put the client at ease and using positive reinforcement and compliments to guide the clients into poses. This boosts confidence within the client and you will get more natural images.
Lighting is important, both natural and artificial. Knowing how to manipulate both plays a big part in the success of your image.
Post Processing is an enhancement tool that will let you produce your best work.
Making sure images are straightened and level.
Cropping is used to refine the composition.
Being consistent. Create a cohesive editing style to create and maintain your brand identity. Making sure that your submission is cohesive, the editing is consistent and similar in your portfolio.
The panel get your submission a few days before meeting, so they have time to sit, to look in depth at each image and pick it apart - they are looking for that attention to detail, the mastery of technical skills, and the level of connectivity you have with your clients in the images presented.
It is a lot to think about when choosing your images to submit, but we also hope that it provides a valuable insight into the way you take your client photos, and think about those little things that end up being big things at times.
Embrace continual learning and experimentation to refine your craft and deliver exceptional results.
Tracy
If you would like to know more about NZIPP Accreditation, email the team: accreditation@nzipp.org.nz
Next Accreditation round: The May submission round has closed, but we will be holding another assessment round in September. Affiliate members are invited to join the NZIPP Accreditation Q&A group, where round information is posted.
THE DETAILS MATTER:
Prepping Image Files for Print Awards with Rachael Smith
Prepping Image Files for Print Awards: the Details Matter
When preparing files for print awards, attention to detail is everything. What might pass unnoticed on screen can become glaringly obvious once committed to paper. Over-editing is a common culprit—what looks punchy on a backlit monitor can end up looking overcooked in print. Oversaturated colours, excessive sharpening, and crunchy contrast rarely translate well to ink, especially under the scrutiny of experienced judges.
Dust spots are another silent saboteur. They’re often missed when working digitally, especially on images taken with a longer exposure — but they stand out immediately in print. A handy trick to catch them early is to add a Levels adjustment layer and push the sliders hard in both
directions. This exaggerates tonal extremes and brings hidden dust spots to the surface. Once you’ve cleaned up your base image, simply delete the Levels layer.
Paper choice can elevate or undermine even the strongest image. With so many papers available, it’s worth thinking about the lighting conditions in the judging room, and how closely the image will be scrutinised. Texture, finish, and coating can all affect how tonal range and detail are perceived — and can even amplify the emotional impact of an image. If printing your own entries, take the time to test and choose the paper that works with your image.
Some considerations when choosing papers are:
- Colour temperature, all papers have slightly different colour temperatures, often a subtly warmer toned paper will be better for portraiture or newborn images
- Texture. Heavily textured paper can make skin look terrible, but when used for a minimalist landscape can add just enough interested to hold the eye in the frame long enough to increase the impact of the scene
- Sheen. High gloss and metallic papers can be great for impact and especially effective for images that have water or glossy elements in them.
- Matt papers can add a velvety richness or softer emotional impact to an image
Don’t be tricked into thinking that a Matt paper will be more forgiving to a softer/out of focused image – if you are trying hide that softness a matt paper will only make it look worse. If the image isn’t sharp where you feel it should be, perhaps it’s better to reshoot it to get the focus bang on before submitting it into the awards.
If you are working with a print house, ask if they have printed Iris awards before. Talk to them about paper options and ask for their recommendations. A printer that has experience with awards printing will be a gold mine of information based on the work they have done with other photographers over the years so they can be a beneficial educational resource. You can also learn a lot from printing rough test prints at home on plain paper with your desktop printer.
There is a lot that can be learned from printing your images as part of your workflow, it can also help you identify flaws in your shooting and/or editing techniques, which will result in helping you become a better photographer.
Rachael Smith
MFA. M.NZIPP.Dist
Ilford Master
President NZ Institute of Professional Photography
Business and Photography Questions and Answers with Richard Linton
Richard Linton is an NZIPP Accredited Professional Photographer and NZIPP Life Member, based in Christchurch, New Zealand. Richard has been a photographer for over 20 years and runs a successful photography business. He has a wealth of knowledge in technical aspects of photography, including camera gear, lighting, and business practice.
QUESTION:
Can you include a copyrighted building or artwork in your photos?
I’ve heard of from several photographers and I’ve even personally experienced security at a large public facility (that’s you Te Pae, the Christchurch Convention Centre) come out and inform photographers that they cannot photograph the building for commercial use (even though the photographs are made from a public place).
When pressed the particular guard I spoke to talked about the building being subject to copyright which was owned by the architect. I politely rejected their understanding of copyright law, let them know that due to not having a spare $475 million, I had no intention to build a clone (which would infringe copyright), and that my act of making photographs was not infringing any law. In a bit of a Karen moment I suggested that the police would be able to enforce any laws being broken if they wished to call them. I had work to do and continued making photos. I was confident that the only law being broken was as a result of the low riding pants the guard was wearing.
I’ve heard other photographers discussing a similar matter of whether the incorporation of artworks such as sculptures or murals in their images breaches copyright.
In some countries the term ‘fair use’ is often mentioned. The New Zealand Copyright Act 1994 does not include a general fair use exception to copyright infringement, but instead provides various specific exceptions to infringement and relevant to this matter is section 73...
73 Representation of certain artistic works on public display
(1) This section applies to the following works:
(a) Buildings:
(b) Works (being sculptures, models for buildings, or works of artistic craftsmanship) that are permanently situated in a public place or in premises open to the public.
And the section goes on to say ‘Copyright in a work to which this section applies is not in fringed by copying the work by making a photograph or film of it’
Buildings and sculptures are clearly fair game to photograph and while it open to interpretation, I believe a reasonable person would consider a mural on the side of a building to be a ‘work of artistic craftsmanship’
There is a New Zealand case that tested this law in 2007, Radford v Hallenstein Bros Limited.
John Radford was a sculptor who had three of his large architectural works located in a public park in Auckland. Hallenstein’s commissioned and sold, as part of a range of garments made in China, t-shirts that included on them a photograph of two of the three architectural sculptures. Mr Radford objected to this and bought a claim in the District Court alleging copyright infringement, importation into New Zealand of copies of his sculptures (i.e. the t-shirts) knowing or having reason to believe that they infringed copyright and breach of his moral rights. The court determined that Hallenstein’s had not breached any copyright. Mr Radford appealed to the High Court and they upheld the lower courts finding. Hallenstein’s was off the hook so to speak.
In this case it was clear that the graphic (a photo of an artwork installation) helped Hallenstein’s sell shirts, but the courts concluded that under s73 of the Copyright Act no infringement occurred.
What I take from this, is as a photographer if you include a building or artwork on permanent public display in your images, you should be well protected from any claims that you have infringed someone else’s copyright.
That said, I personally do believe that where a public artwork is used in a blatant reproduction e.g. making calendars or greeting cards that are essentially a copy of the original artwork rather than an element in an entirely new/derivative work, artists may have a right to feel somewhat aggrieved, there is an interesting story on this here...
The New Zealand Amateur Photography Awards is a digital entry only competition which can introduce amateur photographers to the world of photographic competitions. The aim is to encourage pushing creative boundaries, provide critique for growth and development, and opportunities for recognition of the strength of a photographer’s work. NZIPP are pleased to announce Photo Warehouse as Sponsor of the 2025 New Zealand Amateur Photography Awards
SPONSORED
If you’ve ever captured a moment that made people pause, smile, or feel something deeply—now is your time to shine. The 2025 New Zealand Amateur Photography Awards are officially open for entries, and photographers of all experience levels (except professionals) are invited to submit their work.
Whether you shoot with a DSLR, mirrorless camera, or even your phone, what matters most is your vision, creativity, and storytelling.
What Are the NZ Amateur Photography Awards?
Presented by the New Zealand Institute of Professional Photography (NZIPP) and sponsored by Photo Warehouse, the NZ Amateur Photography Awards celebrate emerging talent and creative voices from across Aotearoa.
These awards aim to recognise, support, and encourage non-professional photographers—providing a national platform to showcase your work, receive valuable feedback, and be inspired by fellow creatives.
Why You Should Enter
Get Your Work Seen: Be part of a respected national awards program that shines a spotlight on fresh creative talent.
Receive Feedback: Each image is assessed by experienced professional photographers, giving you insight to improve and grow.
Win Awards & Prizes: Finalists and winners will receive recognition, prizes, and a certificate of achievement.
Build Confidence: Whether you’re a hobbyist, student, or passionate creative, entering helps develop your skills and artistic voice.
Join the Community: Connect with like-minded photographers who share your love for capturing the world through a lens.
Categories You Can Enter
The awards cover a wide range of genres, so there’s something for every photographic interest:
Black and White
Nature
Landscape
Open
Portrait
Photojournalism
Under 18 Year Old Entrant
Check the Rules Before You Submit
Before entering, be sure to review the 2025 Award Rules and Category Guidelines. Each category has specific criteria and entry requirements that ensure your work is judged fairly and accurately.
SPONSORED
Visit https://irisawards.com/nzapa/ to get started.
Your Moment is Now
The 2025 New Zealand Amateur Photography Awards are about more than winning—they’re about growth, expression, and connection. This is your opportunity to share your unique view of the world, gain national recognition, and take the next step in your photographic journey.
So go ahead—pick your best images, polish your submissions, and enter today.
FOR SALE: Canon 100-400mm L IS 11 USM - $2500.00 & Canon EF Extender 1.4 11 -$350.00. Both purchased late 2018, hardly used as I broke my wrist in 2019 and then Covid. Both come with all boxing etc. Bought NZ new. Pristine condition.
Contact Simone Jackson: 0212457599simone@simonejacksonphotography.co.nz or on socials
MACRO CHALLENGE
2024 PRO REPORT CHALLENGE
Thanks to Lumix, we gave away a set of true wireless earbuds in our 2024 Pro Report Macro Challenge. Our panel of five judges were presented all our entries in blind judging, scoring each image out of 100 Congratulations to Sarahlee Cobb for winning this challenge, and special mention to Tony Stewart and Grahm Murphy The scores were close!
