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From the Editor
ALFRED, LORD TENNYSON, ONCE DECLARED
that “In the Spring a young man’s fancy lightly turns to thoughts of love.” As New England’s non-winter of 2012 morphs gradually into a softer, greener time of year, perhaps I too am affected. At any rate, romantic notions have been on my mind of late, when it comes to design. In a recent blog post I referred to “The Republic of Design,” that ever-more-interconnected online community of people who influence our thinking about what makes a beautiful living environment. But it doesn’t stop there. Increasingly, we can all experience total immersion in the warm nutrient soup of the Web, Pinterest, Facebook, Twitter and hundreds of design blogs. Add to that the easy availability of design-related product on the various curated-sale sites like Dering Hall or Joss & Main (New England now even has a similar, locally produced entry: designer Ken Dietz’s Market 27). And then there are the hundreds, if not thousands, of more traditional retail sites. A blissful state of affairs, wouldn’t you think? Yes, but...an overindulgence in these riches can result in a sort of white-bread homogenization of our home spaces—good artisanal white bread, to be sure, but still white bread. Cruising through cyberspace from day to day, I come across all too many interiors that look exactly like a showroom or very nice hotel: luxurious and in unexceptionable good taste, but with no real soul, no...well, romance. Glance at the better design publications and you’ll see concerted editorial efforts to counteract this trend. Feature after feature will mix in offbeat or vintage pieces for a more layered texture; the art on walls and tables will be truly individual rather than just something anonymous and soothing, selected solely to fill space and match a color palette. Story texts will emphasize personal narrative. Even the style of photography in recent years has grown more poetic and evocative, with softer focus and a greater reliance on natural light. New England Home is no exception—hence the theme for this issue. By all means dive into the flood of top-shelf goods and design intelligence we’re so lucky to have. But at the same time don’t lose sight of the personal touches that will make your home truly yours, and truly a work of love.
Romance and the World Wide Web
Kyle Hoepner, Editor-in-Chief firstname.lastname@example.org
Correction: We listed an incorrect source for the Concertina wallpaper by Anya Larkin featured in our Perspectives department in the January/February 2012 issue. The correct source is Stark, Boston Design Center, (617) 449-5506, www.starkcarpet.com.
10 New England Home March/April 2012
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MARCH/APRIL 2012 • VOLUME 7, NUMBER 4
92 No Reservations For two busy restaurateurs, a serene spot set high above the
urban bustle is the perfect recipe for gracious living. INTERIOR DESIGN: MICHAEL BARNUM • PHOTOGRAPHY: ERIC ROTH • TEXT: MEGAN FULWEILER • PRODUCED BY KYLE HOEPNER
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98 Arrangement in Gray and White With its serene, monochromatic color
scheme, a New Hampshire farmhouse whispers rather than shouts, making a quiet, but convincing, statement. PHOTOGRAPHY: LAURA MOSS • WRITTEN AND PRODUCED BY STACY KUNSTEL
106 Designing Women When a young couple enlist the wife’s best friend to
bring a new look to their historic old house on the North Shore of Massachusetts, the result is as unique and personal as the women’s long friendship. INTERIOR DESIGN: AMY MEIER • PHOTOGRAPHY: MICHAEL J. LEE • TEXT: REGINA COLE •
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114 Growing Up in Style In the hands of a capable design duo, a spacious Beacon
Hill condominium gets a makeover that blends just the right measures of glamour and comfort to suit its young family. ARCHITECTURE: GUY GRASSI, GRASSI DESIGN GROUP • INTERIOR DESIGN: MARIBETH BROSTOWSKI AND POLLY LEWIS, LEWIS INTERIORS • PHOTOGRAPHY: MICHAEL PARTENIO • TEXT: LOUIS POSTEL • PRODUCED BY KARIN LIDBECK BRENT
Other Features 122 Special Focus: Landscape Design Beyond green lawns and bright flowers,
four distinctive landscapes offer function, beauty and a natural bond with their unique surrounds. TEXT: PAULA M. BODAH On the cover: Michael Barnum devised a palette of soothing shades of gray accented with aubergine to create serenity above the bustle of Boston for a pair of busy restaurateurs. Photograph by Eric Roth. To see more of this home, turn to page 92. 14 New England Home March/April 2012
Photography by Monty and Nan Abbott Construction by E. B Norris & Son Builders
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27 Elements: Details, Details The perfect detail brings the finishing touch to
a room. EDITED BY CHERYL AND JEFFREY KATZ Design Destination: Staples Cabinet Makers, Plainville, Massachusetts 34 38 Interview: Doreen Le May Madden Everything you need to know about the
new light bulb regulations. INTERVIEW BY KYLE HOEPNER 48 Artistry: Painting with Wood Silas Kopf is introducing Americans to mar-
quetry, one intriguing piece of furniture at a time. BY NATHANIEL READE
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Elements The things that make great spaces
Edited by Cheryl and Jeffrey Katz
Details, Details “It’s the little things that count,” we told our children when they were growing up. We were referring to the things that made life around the house more pleasant—picking up Lego pieces, putting dirty clothes in the hamper, emptying the dishwasher. “Stack the dishes on the correct shelf,” we reminded them. “What difference does it make if a white plate goes into this pile or that?” one or another of them would ask. In the big picture—world health, poverty, the environment—they were right; that kind of attention to detail didn’t matter a whit. But, on a day-to-day basis it made life just that little bit more agreeable. Like parents, designers can be a fussy bunch, making demands that sometimes seem challenging or silly or, to the uninitiated, over the top. Unlike parents, however, designers can’t be won over easily. A buss on the cheek or a drawing of a big red heart won’t make up for a sloppy seam, a crooked lampshade or a junky doorknob. Indeed, in the world of design, it’s all about the details. Fringe Benefit Whether on a pull shade, a cabinet key or as a drapery flourish, the tassel is the designer’s stock in trade. In any color or size, it’s the punctuation mark of design details. We’re partial to this silk Normandy Key tassel from Samuel and Sons. 5.5". $42. THE MARTIN GROUP, BOSTON DESIGN CENTER, (617) 951-2526, WWW.MARTINGROUPINC.COM
March/April 2012 New England Home 27
Fine Points The toss cushion on a sofa can act as a defining moment in a room, especially when it’s as carefully constructed and embellished as Adam & Viktoria’s Ombre Antiguo pillow in oyster-gray linen, which sports velvet appliqués accentuated with sequins. 18.5" SQUARE. $325. TRILLIUM, NANTUCKET, MASS., (508) 228-4450, WWW.TRILLIUMNANTUCKET.COM
Multifaceted Inspired by the tiles used to play mahjongg, a four-person game that originated in China and gained popularity in the States during the 1950s and ’60s, the Mah Jong armoire from Ironies boasts a wood case that’s banded in metal, with cast-brass legs, doors of patterned bone on parchment and pulls of bone and brass. $14,880. STUDIO 534, BOSTON DESIGN
CENTER, (617) 345-9900, WWW.S5BOSTON.COM
Top Seated Carving, nailheads, welts, contrasting fabrics—this wood-frame chair boasts a laundry list of well-considered details. The antique-white finish complements the raffia and white herringbone fabric, while the antique brass nailheads define the chair’s strong silhouette. $2,600. SIMPLY HOME, FALMOUTH, MAINE, (207) 781-5651, WWW.SIMPLYHOMEPAGE.COM
28 New England Home March/April 2012
29 ELLIS ROAD WEST NEWTON, MA 02465 617-527-3433 WWW.SHULMANINTERIORS.COM 46
String Theory When just any old lampshade won’t do, consider a custom-made string number. White cord encircles a silk-lined steel frame, while a baseball-stitched suede ribbon interwoven around the top of the shade accentuates its shape. $700. BLANCHE P. FIELD, BOSTON DESIGN CENTER, (617) 4230715, WWW.BLANCHEFIELD.COM
Handles with Care Whether you’re a fan of period homes or you prefer modern loft living with a twist, Old House Parts has a dizzying array of hardware to choose from. This selection of Victorian cast-brass doorknobs dates from the 1870s to 1910.
$65–$200. OLD HOUSE PARTS, KENNEBUNK, MAINE, (888) 743-1353, WWW.OLDHOUSEPARTS.COM
L’amour, L’amour You don’t have to travel to Paris to adore the delicate details of Florent Monestier’s woven porcelain bowl. It’s a pretty reminder that good things do, indeed, come in small packages. 1.5"H × 6.25"W. $195. CHARLES SPADA, BOSTON DESIGN CENTER, (617) 204-9270, WWW.CHARLESSPADA.COM
30 New England Home March/April 2012
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Tailor Made The details of the Versailles chair and ottoman wouldn’t be out of place on one of Marie Antoinette’s ball gowns. Pleats, buttons, bows, a small flange and a tape hem add up to furnishings fit for a queen. CHAIR, 34"W × 39"D × 34"H, $7,125; OTTOMAN, 32"W × 36"D × 20"H, $3,150. TONY CAPPOLI STUDIO, BOSTON, (617) 464-4700, WWW.TONYCAPPOLIINTERIORS.COM
Haute Couture Custom design is a true luxury, and there’s no reason your bed shouldn’t be treated to such an indulgence. Imported from Italy, Muse Group’s Egyptian cotton and cotton sateen bedding is available in various thread counts and colors. You can even design your own pattern—although there are a number of beauties to choose from, like the Palazzo Urbino queen duvet cover, flat sheet and shams in cotton sateen with chocolate brown embroidery. Duvet, $800; SHEET SET WITH SHAMS, $1,974. SHOWROOM,
BOSTON, (617) 482-4805, WWW.SHOWROOMBOSTON.COM, WWW.MUSEGROUP.COM
Straight Up A lamp finial does double duty, adding the perfect finishing touch and ensuring that the shade stays just where it belongs. $20–$40. APPLETON ANTIQUE LIGHTING, CHESTNUT HILL, MASS., (617) 566-5322, WWW.APPLETONLIGHTING.COM, AND RAMSON HOUSE, NEWPORT, R.I., (401) 847-0700, WWW.RAMSONHOUSE.COM
32 New England Home March/April 2012
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Elements • Design Destination
Staples Cabinet Makers, Plainville, Massachusetts By Cheryl and Jeffrey Katz
These days, no self-respecting, caring, politically correct person would dream of not considering, to some degree or another, issues of sustainability. Though pioneers of the green movement have been committed to eco issues for decades, the rest of us have finally begun to make decisions about what we eat, what we wear and what we surround ourselves with based on more than just taste and good looks—though, let’s be clear, brains and beauty are not mutually exclusive. On the home front, history is the hero when it comes to furniture. It’s not just about “old,” though. The appeal is in the details: a richly patinated door, a distinctive knob, a finely turned leg. For the craftsman, the challenge lies in devising new ways to use old things.
Enter Stephen and Christine Staples, owners of Staples Cabinet Makers and early adopters of sustainability. The pair, who started their company more than thirty years ago, hand craft furniture using wood salvaged from old houses and barns in and around New England. The Staples team takes the R words—reduce, reuse, recycle—seriously. A recent visit to their showroom revealed a propensity for recycled materials: a cabinet with doors that were once exterior shutters, for instance, and another fashioned from old skis. Reclaimed pieces have been refurbished and then refreshed with milk paint, while a tree stump once destined for firewood is now a bowl. Remarkable—really! OPEN 11 A.M.–5 P.M. TUES.–SAT. AND BY APPOINTMENT. 23 WEST BACON STREET, PLAINVILLE, MASS., (508) 695-1155, WWW.STAPLESCABINETMAKERS.COM
34 New England Home March/April 2012
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Doreen Le May Madden For one of New England’s best-known lighting designers, the new light bulb regulations represent both challenge and opportunity. PORTRAITS BY WEBB CHAPPELL
ave you been concerned about, or confused by, the new light bulb regulations coming into force in the U.S. this year? We asked Doreen Le May Madden, principal of Lux Lighting Design in Belmont, Massachusetts, to help us sort through the facts and share some of her thoughts on where home lighting design is headed. Kyle Hoepner: Can you briefly explain what the Energy Independence and Security Act of 2007 will mean for designers and homeowners? Doreen Le May Madden: The act requires roughly 25 per-
38 New England Home March/April 2012
cent greater efficiency for light bulbs, phased in from 2012 through 2014. (Various specialty bulbs—including appliance bulbs, “rough service” bulbs, colored lights, plant lights and three-way bulbs—are exempt from these requirements, by the way, as are light bulbs of less than 40 watts or more than 150 watts.) This effectively bans the manufacturing and importing of most incandescent light bulbs as they are now designed. KH: What options exist for replacing incandescent lamps, and what are their various pros and cons? DM: I cringe when I hear the word replacing, because that
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seems to indicate an equal to the item that is being replaced. However, there are options. The technology for compact fluorescent (CFL) lighting is pretty much at its peak, and people pretty much understand now what they get from this kind of lighting. It usually gives a flat effect with no source point for accenting or aiming—that is, general, even lighting that mimics a cloudy day. Earlier fluorescents had a flickering effect that was thought to cause eyestrain and headaches, but this problem has been addressed and does not appear as strongly as it did in the past. The energy savings for CFLs are substantial, but their aesthetic appeal has never been very great. Electron-stimulated luminescence (ESL) lamps use technology that has been with us for quite some time, in old television tubes. ESLs are supposed to be even more energy-efficient than CFLs, but they have the same lighting effect. Lamp life for CFLs is around 20,000 hours; there is no clear life expectancy yet for ESL lamps. ESL lamps are a new product that may have some future, but it is really too soon to tell. LED (light-emitting diode) technology is the fastest growing at this time. Many manufacturers are competing to get the most efficient source with the most appeal in appearance and lighting effect. KH: What about purchase cost? DM: Very good quality LED products that truly deliver what they promise are more expensive than what we are used to paying. As we have seen in the history of new technologies before, though, eventually the cost will be more palatable—especially, given the lamp life of LEDs, if it is a matter of a purchase only every twenty-five years. KH: What about aesthetics, particularly the color or quality of light that will be available? In a cold climate like New England’s, the warm, yellow color of incandescent bulbs can go a long way toward making an interior feel cozy and inviting, especially in winter... DM: They make us feel warm and they literally provide the warmth! Incandescent light sources give out 80 percent heat and 20 percent light. KH: Are options improving for the quality of light non-incandescent lamps provide? DM: The incandescent lamp has a rich, warm, balanced light that gives the most appealing effect. It is very close to candlelight, which is what we were initially ex-
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Interview posed to as light to live by. Imagine the calming effect of candlelight after a long day’s work. Incandescent dimming can achieve this same warmth of light. LED lighting is available with this warm color. I show clients LED samples and they cannot believe how appealing the color of light is. KH: Another aesthetics question: What about exposed-bulb fixtures such as chandeliers and sconces? How do the new technologies mesh with older fixtures? DM: There are some very good options to use in place of typical incandescent candelabra lamps, which have a very low effi-
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ciency and lamp life. There are also many other options that are not as attractive or do not fit properly into the luminaires. I am constantly reviewing LED products to see what I can approve and use on my projects. KH: Is dimmer control possible for the various kinds of lamps? DM: Dimming is in itself an energy-saving device. The more you dim, the longer the life you get from the lamp. This is not typical of fluorescents, though—dimming has no affect on the lamp life—and the same is true with LEDs. There is no protocol right now on how LEDs dim. Each LED luminaire has to be checked with various dimming companies on what is the best technology for that particular fixture. Right now, LED also doesn’t dim down as much as incandescent and doesn’t get warmer in color as it dims. These issues are changing as we speak, though, and the prognosis looks good to mimic incandescent in these areas.
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44 New England Home March/April 2012
KH: Will the new regulations affect lowvoltage halogen lamps such as the ones in many high-end recessed and tracklighting fixtures? DM: As a lighting designer you always look for the most efficient light source that does not compromise your design. For more than eight years I have been using efficient, low-voltage halogen lamps that have a very long life and provide me with the beam spreads I need to have. The new LED versions I have seen are not there yet, but a few are very close to achieving the same quality of lighting effect. The new regulations will make these lamps much more attractive to use. KH: Are there reasons people might want to make these changes regardless of government regulatory requirements? DM: Absolutely. The competition is fierce to make the best light source, one with all the qualities we are used to, but with much less wattage and longer life. Who wouldn’t want that? KH: What other concerns should we be thinking about? DM: One consideration is disposal and recycling. ESL lamps are typically made in part of recyclable plastic and glass, but as with many electronic devices today, the semiconductors and other electronic components are problematic. So disposal of both CFLs (with their mercury content) and ESLs is still an issue. . . after all, how many people do you know who take the time to recycle their fluorescent lamps? KH: How do you see all of these changes affecting home lighting design in general? DM: This part is very exciting. The long life and miniaturization in size of LED products and the addition of OLED (organic LED) to lighting design are creating a whole new way to light buildings. OLEDs provide flat panels of light (they are currently used in TVs as well as some lighting products). I see lighting in the near future not only being integrated even more into building structures (something I have always done for a timeless look and for highlighting architecture), but I see the light sources becoming part of the architecture itself. Imagine glowing walls at the press of a button that can dim and brighten for you! I see lighting design creating harmonious schemes of light and architecture that will be much more appealing, much more efficient and require minimal maintenance. •
222 Third Street, Suite 3212 Cambridge, MA 02142 617 621-1455 www.LDa-Architects.com
ARCHITECTURE & INTERIORS
Tips for a Terrific Kitchen Remodel by Nina Hackel owner of Dream Kitchens, Nashua NH- winner of over 150 awards for their kitchen and bath remodeling. sonalize include backsplash, stained glass, dition, when we entertain in our kitchen two contrasting finishes or mix up the paint and it makes us look messy. When we’ve colors and moldings. There are endless spent a lot of money on our kitchen, it is Kitchens are all about Function, Function, ways to personalize. best to have a place to Function. Maximizing storage space is esstore everything and sential to having a great kitchen. I have Generally, I go to somemake our kitchen counseen many kitchens that have no place to one’s home, and I look at tertops beautiful and put the frying pans, no real pantry and no the colors and the styles easy to find a space to counter space on either side of the cook- showcased throughout prepare dinner. Dream top. These are not functional kitchens. I the rest of the house and Kitchens will clear off look at such designs in magazines and try to bring that into the your countertop – We think, Wow, that looks beautiful, but where kitchen. If you do not like will even get rid of that the current style of your home, show us a do I store my pots and pans? ugly drying rack by the side of your sink. I picture of what you do like and we can I contend that all cabinets less than 12 make your new space show your personal- entertain in my kitchen and it looks beauinches wide are basically useless. What ity—calm, playful, practical, elegant, or a tiful, clean and tidy. can you store in these cabinets? Not subtle style. The kitchen is where you Tip 5: No exercise in the kitchen. much. Most kitchens have three such spend your time and it should be the showThere are many places I think we should worthless cabinets. Similarly, I believe that case of your home. get exercise, but the kitchen is not one of Lazy Susan’s are painful - everything falls them. Every item should be close to where down. There should be no worthless or Tip 3: Lifestyle. you use them. The pots should be next to painful cabinets in your kitchen. Go to your The kitchen should integrate seamlessly the cook-top. Here’s a good example. First, kitchen and see how many cabinets are into your lifestyle. Open it up to the dining I put the butter in the pan. I stir in some truly functional. Most kitchens only have room. Better yet, let your kitchen expand onion and then I realize the pan is too one to two cabinets that are really useful. into the family room. When entertaining, small for what I am doing. You want to be If you are going to spend the money to re- you’ll be able to use a countertop as a buf- able to change a pan without taking a step model your kitchen, let a Designer move fet. You can be watching the Super Bowl, or bending your knees. Good cooking is things around to maximize the storage. socializing with guests, and still be making about timing and everything should be at This will provide you with most effective the chips and dip in the kitchen. We really your finger tips. Most kitchens have pots use your kitchen work space. Stop going do not want people blocking traffic in the and pans stored too far away. You actually to the basement to get that crock pot or kitchen. They get in the way when we are have to get on your knees and unstack and bulky pantr y item. At Dream Kitchens, I trying to prepare food, stack dishes, or restack the pans, in order to get access to guarantee that we will give you at least clean up. How many times have you said, the one you want. Everything you need 30% more storage space in your kitchen.. “Excuse me, I need to get to the fridge”. should be at your fingertips not steps away. Guests should be on the fringes, where Tip 2: Show your personality. they can talk to you but not get in your way.
Tip 1: Realtors say Location, Location, Location.
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Tip 4: Clear off your Counter space Countertops are just full of things. You are lucky if you get twelve inches of countertop that does not have something on it. We put our coffee maker, toaster, food processor, blenders, knives, spices and pantry items on our countertops. This makes it almost impossible to prepare food. In adADVERTISEMENT
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Painting withWood Massachusetts artist Silas Kopf is introducing Americans to marquetry, one intriguing piece of furniture at a time. BY NATHANIEL READE
n his tool-scattered, wood-flour-coated, Billie Holiday–blasting workshop, Silas Kopf is building a cabinet with trick drawers and secret compartments. It’s made of mahogany and narra, with graceful, curving legs. The piece is impressive, but it’s the doors that make you do a double take: they’re closed, but it looks like one is slightly
Clockwise from above: Primal Woodworking (1985), white oak, oak burl and marquetry, 17" × 52" × 19"; Cognac Cabinet (2009), maple, eucalyptus and marquetry, 54" × 19" × 14"; Hadley Chest with Tulips (1988), mahogany, imbuya and marquetry, 33" × 44" × 22"
open to reveal a glimpse of people inside the cabinet using various twenty-firstcentury gadgets such as laptops and cell phones. This bit of trompe l’oeil isn’t painted; it’s made entirely from thin pieces of wood. Kopf is a tall, rangy, smiling man with white hair and a penchant for vintage Hawaiian shirts (he says he got tired of seeing woodworkers in plaid flannel). Now sixty-two, he grew up in a small town in western Pennsylvania. He earned an architecture degree from Princeton University but found 48 New England Home March/April 2012
himself drawn to sculpting wood instead of designing buildings. During a two-year stint working with Wendell Castle, a legend of the American craft-furniture movement, he began learning about great European furniture makers such as Émile Gallé and Émile-Jacques Ruhlmann, who made extensive and beautiful use of marquetry. His goal for his own work, Kopf says, was to “take that eighteenth-century technique and make it modern.” He has succeeded. A curator at the Victoria and Albert Museum in London recently called
him “easily America’s most adept practitioner of marquetry.” Marquetry often gets confused with inlay, which involves cutting into a solid piece of wood and filling it with another piece, then planing it flush. Marquetry requires piecing together veneers into a sheet, like a jigsaw puzzle, and gluing the sheet to wood. Some people make marquetry pictures to hang on the wall; Kopf prefers combining this two-dimensional art with the three dimensions of furniture. He blends the two together, as with a small cabinet he calls Sloppy Paint Job. The top depicts a veneer brush and veneer swatches of
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Artistry paint that look like they’re dripping down the sides. For another cabinet, Kopf is creating a garden panel. First he draws the flowers from life, using a pencil on a sketch pad. He outlines the perimeter of each tone on the drawing, making little islands out of the blacks, grays and whites. With carbon paper, he transfers the outlines onto thin sheets of maple, starting with the center of a leaf, using
the grain of the wood to simulate the leaf ’s veins. Next he lays the maple over a sheet of black walnut, which will be the leaf ’s stem. He tapes them together and turns on his footpedal-operated scroll saw, which has a blade as thin as a thread. He carefully and quickly cuts the line between the two veneers, ensuring that they’ll match perfectly. He lays these two pieces over another veneer—holly, nearly white, which will form a tiny highlight along the top of the leaf. He keeps overlapping, taping, cutting, adding on to the image. To create the effect of shadow, he darkens part of the leaf with hot sand he keeps in a skillet on a nearby hot plate. Over the course of a week and hundreds of pieces, some as small as a rice grain, Kopf builds an entire panel of 50 New England Home March/April 2012
wood. He then glues this to a sheet of furniture-grade plywood and puts it in a press. When the glue dries he scrapes and sands the piece to reveal an image with all the depth, shading, form and emotion of a painting. The marquetry process Clockwise from top left: Bricorequires such patience and lage (1989), narra, maple and skill that it can make conmarquetry, 76" × 23" × 16"; Sloppy Paint Job (2003), shedua, ventional furniture, no matsatinwood and marquetry, 28" × ter how well made, seem 26½" × 20"; School Desk (1989), simple, almost lazy. And maple, curly maple, walnut and Kopf ’s work is more than marquetry, 29½" × 66½" × 34" just technically skillful; his images can be startling, funny or so awe-inspiringly gorgeous that spectators have to walk around them for a while, their mouths open. His work makes one wonder: why isn’t he world famous? Where’s his MacArthur “genius” grant? Kopf would probably have the name recognition he deserves if he worked in Europe, not Easthampton, Massachusetts. America doesn’t have Italy or France’s history of marquetry furniture craftsmanship. Our early furniture makers came out of the English tradition, such as Chippendale and Adam, which featured carved designs instead. Yet “if you look back historically,” Kopf says, “the best furniture was done with veneers.” Thanks to him, it still is. • Editor’s Note Silas Kopf is represented by Gallery Henoch, New York City, (917) 305-0003. To see more of his work, visit www.silaskopf.com.
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A Flourishing Art Whether restoring the old or creating the new, the Boston Ornament Company relies on traditional methods in handcrafting its plaster architectural details. BY JANICE RANDALL ROHLF
ou never know what goes on behind closed doors. In a section of Boston’s Allston neighborhood where the unremarkable facades provoke little curiosity, what meets the eye inside the Boston Ornament Company’s showroom is enough to make you swoon. Bright-white plaster medallions, cornices, brackets and rosettes—like flourishes of icing on a wedding cake— cover every inch of the butter-yellow walls and dangle from the rafters. More elaborate molds and fragments of ornamentation fill the adjacent workroom, a cavernous place where artisans hunch over their tables and focus on the task at hand: mixing plaster, running a cornice, painting, glazing and gilding or plying some other technique that, these days, machines usually do. Not here. “I’ve seen pictures of plaster shops in
the 1800s, and they’re not much different, except they wore lab coats and bow ties,” says Boston Ornament owner Clayton Austin with a wry chuckle. His own attire—well-worn jeans and a sweatshirt—is powdered with plaster dust. “We do pret-
ty much everything by hand,” he says. Since 1978, Austin and his small team of meticulous craftsmen have left their highly regarded and sought-after imprint on structures as far-flung as Neiman Marcus in San Francisco and New York City’s Metropolitan Museum of Art. Most of his clients, both commercial and residential, are based in New England, with the bulk of them in the Greater Boston area. Clockwise from left: AssemAustin, a self-educated bling a custom frieze for a authority on historical Boston Nantucket house. A typical architecture, flips through his cornice from a Back Bay portfolio, rattling off some proj- Boston townhouse. Cornice enrichments for a New York ects representative of his City landmark restoration. restoration work: “A custommade piece for a church in Weymouth; a precast door frame in Back Bay; a fountain in Newport; columns for a church in Newton; a Cambridge courthouse.” Relatively unheralded restoration work like this, once the bulk of Boston Ornament’s commissions, has taken a back 54 New England Home March/April 2012
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Burlington, VT 180 Flynn Ave Burlington, VT 05401
Groton, CT 553 Gold Star Highway Groton, CT 06340
Portland, ME 147 - 151 St. John St. Portland, ME 04102
Rutland, VT 160 Seward Rd Rutland, VT 05701
Concord, NH 6 Storrs St Concord, NH 0330
Lowell, MA 1035 Westford St. Lowell, MA 01851
Putnam, CT 71-81 Front St. Putnam, CT 06260
Westerly, RI 114 Cross St. Westerly, RI 02891
Exeter, NH 152 Epping Rd. Exeter, NH 03833
Manchester, NH 37 Amoskeag St Manchester, NH 03102
Rochester, NH 248 Gonic Road Rochester, NH 03839
Worcester, MA 12 E. Worcester St. Worcester, MA 01604
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Made Here seat of late to more high-profile undertakings. “Things have changed,” says Austin. “There’s more new work now than restoration.” Off the record, he names several captains of industry whose homes feature Boston Ornament Company’s unique custom plasterwork. One, for example, has a dome modeled after those of a tenth-century mosque. “People who are wealthy travel, and they get inspired by their travels,” he says. Almost any detail can be replicated using ornamental plaster. Unlike wood, plaster is stable and durable. It is also an extremely versatile material that can be modeled, cast, incised, colored, stamped or stenciled. The ornamental plaster trade began to flourish in this country in the middle of the eighteenth century as the popularity of Greek, Rococo, Gothic, Renaissance and Spanish styles outpaced simpler Georgian and Federal architecture. During the Great Depression of the 1930s, ornamental plaster became something of a lost art. Today’s renewed interest in the trade is due in part to preservation projects, both municipal and private, where maintaining historic character is a priority. It’s never been easy for Austin to find workers with the high level of skill needed to create decorative plaster pieces of the quality he demands. Some of his craftsmen brought their skills with them from Boston Ornament Company elsewhere, like Rimantis Zil(617) 787-4118 ionis, who fled Lithuania www.bostonornament.com during the 1991 collapse of Above: A ﬁnished panel. Below the Soviet Union and now left: A layout for patterned uses his extensive museum wall panels. Below right: Asconservation experience at sembling a model in the shop. Boston Ornament. Lately, thanks to a growing interest in the principles and practices of the craft right here on home turf, students at local schools such as the North Bennet Street School and Massachusetts College of Art and Design often ask to train with Austin.
56 New England Home March/April 2012
While he tirelessly consults historic photography and books with titles like Moorish Style and Beaux-Arts Estates, Austin himself has only been to Europe once. A particularly discriminating client sent him to Paris to study the difference between French limestone and Indiana limestone. Much to his surprise, he says, “The limestone in Paris was completely different.” Examining the material up close allowed him to render an accurate replication of it in faux stone. Austin happened on work that’s as much a passion as it is a career. Still, he admits, if he hadn’t discovered this path, there’s no doubt he’d be doing something else that involved working with his hands. In the barn outside his log house in the city’s suburbs, the straight-talking, self-deprecating Boston native works with metal, wood, stone and other materials.“I love materials. I like building things,” he says simply. “It’s what I do.” •
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Choosing the right countertop for the kitchen is important, because it not only determines the overall look of the room but will be subject to heavy use. Thatâ&#x20AC;&#x2122;s why new surfaces, such as quartz, are growing in popularity. Renowned as the leader of innovation and design among interior designers, Silestone by Cosentino is lauded for its aesthetic, functional and durable characteristics. Its quartz surfaces have been featured in House Beautiful and Town & Country, Setai Fifth Avenue apartments, Esquire Ultimate Bachelor Pad in Los Angeles, Elle DĂŠcor Showhouse in San Francisco and HGTV Dream House. Volcano Texture, an original quartz surface with a distinct orange-peel textured finish, introduces a new tactile and aesthetic experience while offering the benefits of Silestone natural quartz. New technology makes it possible to create light indentations on the quartz surface, thus making the Volcano a stylish statement. The collection comes in five colors, the newest being
Nuit Bleu cool, smoky charcoal. Other colors include Haiku, a light cream; White Zeus, pure white; Kensho, a soft ash gray; and Gray Expo, a natural gray. Influenced by European design, the subtle molten-rock textured surface creates depth and inspires new possibilities for use on kitchen countertops, vanity tops, wall paneling, custommade furniture and more. As with all Silestone natural quartz products, the Volcano Texture is naturally non-porous and never needs to be sealed. It is easy to clean and has high scratch, stain and heat resistance. Silestone is also proven to be a cleaner and safer countertop. It offers built-in antimicrobial protection that fights the growth of odor-causing bacteria, mold and mildew. It comes with GREENGUARD certification for clean air quality and National Sanitation Foundation certification (NSF 51) for safe food preparation. For more information on Silestone Natural Quartz, visit www.silestoneusa.com.
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PORTFOLIO OF FINE
PORTFOLIO OF FINE
T H E C O T TA G E
Since opening in 1996, The Cottage has become the destination for homeowners looking for that ultimate “one-stop” interior design resource. Specializing in custom, quality furniture, The Cottage provides clients with a unique look, entirely their own, coming entirely from the resources within the store. The Cottage provides clients with a coordinated, comprehensive design that is carefully developed by design professionals after listening to their objectives and talking about their lifestyle, budget and design style. Each project evolves by listening closely to clients to ensure their dreams are fulfilled. This full-service store offers quality upholstery, window treatments, carpeting, wall art, mirrors and decorative accents, as well as case goods in a wide range of styles. With more than 3,500 square feet in the Concord showroom, The Cottage offers complete resources, easily accessible to its clients in intimate settings with beautiful vignettes. In 2011,
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Home Accents Today, the premier trade magazine for the home accents industry, named The Cottage one of fifty retail stars, an award presented to the best independent stores in the United States. Visit the website and explore the range of completed design projects. The Cottage has furnished entire houses in the Greater Boston area, the Cape and Islands and New Hampshire, as well as a recently completed oceanfront home in Florida, featured here. This entire home was designed and furnished completely by The Cottage within six months. The store’s in-house designers work to accommodate clients’ various timetables and desired pace. The Cottage prides itself on its relationships with its clients. Many come back again and again for additional rooms, projects and second homes. Contact Maria Churchill for additional information on services.
The Cottage 15 Monument Street Concord, MA 01742 978-369-2000 | www.thecottage.com
Special Marketing Section 63
PORTFOLIO OF FINE
SHAFER O’NEIL INTERIOR DESIGN
Shafer O’Neil Design aspires to create rooms that are at once inviting and inspiring, eloquent and effortless—true expressions of the people who live in them. Believing every great space begins with a conversation, designers first get to know the customer’s unique way of seeing the world. Then they create rooms that reflect it. The company’s design perspective draws from a balance of knowledge, from product design of furniture, tabletop and textiles for clients like Crate & Barrel and WilliamsSonoma, to broader experiences working in Europe, India and the Far East. It’s a point of view complemented with beautiful home furnishings, original works of art, fine fabrics, finishes and color schemes. With a background in fine arts and painting, Judy O’Neil Labins specializes in (and loves!) creating custom color palettes for clients’ rooms: soft and subtle, bright and bold,
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and the many combinations in between. She spends time with customers to find the colors that honestly reflect their personal perspectives. As an artist, she believes passionately in details: texture, pattern, accessories and art. They’re not only the essence of great design, but they bring a room to life. Collaboration is key with clients as well as with other business professionals. Working with so many people over the years has allowed them to build a vast network of talented architects, builders, tradesmen and craftspeople. Shafer O’Neil works with them through every aspect of the design and renovation process so its clients can enjoy the end result. It is truly the company’s goal and joy to bring comfort, beauty and functionality to the essential environments of life, home and work.
Shafer Oâ&#x20AC;&#x2122;Neil Interior Design 544 Washington Street Wellesley, MA 02482 Phone: (781) 235-7505 www.shaferoneil.com
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PORTFOLIO OF FINE
SUSAN DEARBORN INTERIORS
The business of interior design has been radically altered in the past four years. People are less apt to spend money freely, and those who do spend expect quality, good value and excellent service. They also want and deserve their homes to be comfortable, livable and attractive. As a professional designer, I realize the rising cost of education, along with economic uncertainty, causes potential clients to be particular about who they hire. Honesty, integrity and hard work have earned SDI an Angie’s List “A” rating and a certificate of achievement from the Boston Better Business Bureau. Master planning, design education and service and support have earned SDI a large number of repeat clients and a coterie of highly satisfied new clients. Our design approach is different from many
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designers who superimpose their looks onto clients’ residences. Each of our interiors is unique to the lifestyle of each client and created with that individual’s input. Today, retail design stores are self-limiting and the internet confuses buyers with a myriad of potential choices with no quality control. SDI helps customers find quality selections tailored to their design styles and budget guidelines. Our work specialists (painters, wallpaper installers, finish carpenters, drapery and carpet workrooms and construction firms) meet our high standard of excellence to ensure that customers’ projects will be completed to their specifications in a timely manner. Please contact SDI for a complimentary consultation.
Susan Dearborn Interiors 6 Pleasant St. South, Suite 2 Natick, MA 01760 508.653.9800 www.dearborndesign.com Special Marketing Section 67
Great Landscapes Outdoor Living
SPECIAL MARKETING SECTION
Great Landscapes Outdoor Living
Bayberry Nurseries Bayberry Nurseries – A unique multidisciplinary Design/ Build Development Firm & Grower of Specimen Ornamental Trees servicing greater New England. As growers, designers, builders, & master gardeners Bayberry’s distinctive comprehensive development approach provides clients a refreshing option within a crowded market. With full landscape architectural and complex high profile project capabilities, Bayberry offers clients artistic, innovative, fiscally sound solutions that respond to the established program balanced with functional integrity. All of which is practiced on an old fashioned foundation of integrity and communication. It has been Bayberry’s mission to break the mold of what is considered traditional landscape design & development in an attempt to create projects that are rooted and inspired by the surrounding environment with enduring qualities. This can be seen in the firm’s body of work throughout New England, which ranges from traditional residential development to upscale lounges and vertical gardens in Boston’s Fenway & Financial District neighborhoods. 70 Special Marketing Section
With our style and design cues being directed and inspired by its client, Bayberry strives to meet and exceed expectations through our design and high-quality installations that use latest technologies, materials, & media. When a project requires the efforts of other disciplines, Bayberry has a long-established and distinguished network of design and construction professionals to call upon for just the right collaboration. At the completion of a project, Bayberry’s astute staff of fine gardening and horticultural professionals step in to nurture and ensure the project matures as envisioned, completing the full range of services offered. Visits to the nursery in Hampton Falls and consultations related to any of the services provided are by appointment only. For more information about our firm please contact Justin White GM/Principal Designer to explore further… Bayberry Nurseries 151 Kensington Road Hampton Falls, NH 03844 (603) 929-1811 bayberrynurseries.com
Great Landscapes Outdoor Living
Belgard Hardscapes Spring into the Season with Flare from Belgard® Spring is in the air but so is that last bit of cold that keeps claim on New England nights well into the season. This year, continue to enjoy the great outdoors and chilly nights while adding a bit of “flare” to your outdoor living space with a fire feature. “Fire features are one of the fastest growing trends of the landscape industry,” says Ken O’Neill, vice president of marketing for Belgard® Hardscapes, leading manufacturer of upscale pavers and garden wall products. “Homeowners continue to look for ways to make their outdoor living environments an extension of their home, and fire features are becoming one of the ‘must haves’ in outdoor design.” Outdoor fire features come in a number of different forms, from simple to elaborate in scale. As experts at creating luxury outdoor living environments, Belgard offers unlimited options for adding the element of fire to any outdoor design. “Our paver and wall products are developed to resist the effects of diverse temperature shifts, making them ideal for building custom fireplaces and fire pits that coordinate 72 Special Marketing Section
beautifully with our paver patios and garden walls for an overall cohesive look,” says O’Neill. Belgard also offers a variety of fire features in their Belgard Elements line of modular factory-constructed outdoor living and kitchen components. Fireplaces, fire pits and fire tables—constructed with Belgard Hardscapes materials— are manufactured in a controlled setting, shipped on a pallet, and easily installed by a professional landscape contractor. The beauty of the Belgard Elements line is that you can get a custom look without the invasiveness of sitebuilt fire features. For more ideas, order a complimentary Belgard Idea Book at www.belgard.biz. Belgard® Hardscapes by Oldcastle® 1913 Atlantic Avenue Manasquan, NJ 08736 877-BELGARD 877-235-4273 www.belgard.biz
The power of Belgard® is undeniable. With the widest selection of styles, shapes, colors and textures in the industry, it’s easy to see why so many are drawn to our paver and wall collections. And, with Belgard’s innovative Colorgard technology, the color is guaranteed to last a lifetime. For a free Idea Book or more information on America’s best-selling brand of durable pavers, scan the QR code or visit Belgard.biz.
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Great Landscapes Outdoor Living
Gloster Furniture In a hectic and dynamic world, Gloster lets you create an environment that is not confined by walls, but defined by a sense of personal spaceâ&#x20AC;&#x201D;an oasis of peace, relaxation and freedom. View the outside of your home as an extension of your living space, an expression of your individual style, every bit as important as any other room in the house, and then furnish it with beautiful things. Boasting over half a century of manufacturing excellence, innovation and a continued commitment to green and ethical policies, Gloster partners with leading international designers season after season, introducing original concepts that in turn become the industry standard. Gloster manufactures a wide range of exquisite outdoor furniture to suit the tastes of our global clientele. Renowned as experts in teak, stainless steel, aluminum and all-weather woven fiber, as well as the pioneers of outdoor lounge furniture, Gloster represents the epitome of design and quality for consumers, retailers, architects, designers, showrooms and hospitality specifiers worldwide. As the leading international brand of up-market outdoor 74 Special Marketing Section
furniture, Gloster is available in more than fifty countries, and annually wins numerous international design awards. For the 2012 season, Gloster is launching eight new collections, specifically designed to meet both the pricing and aesthetic needs of a wide array of clients. Gloster designs its furniture to always be in fashion yet never defined by a particular momentâ&#x20AC;&#x201D;live outside the box.
Gloster Furniture 1075 Fulp Industrial Road PO Box 738 South Boston, VA 24592 (434) 575-1003 www.gloster.com
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RiverBend & Company With more than forty years of experience in the appliance industry, RiverBend & Company’s expertise in the high-end appliance market stays up-to-date with the latest cutting-edge trends. Through its extensive knowledge and live kitchen displays, the company is dedicated to providing homeowners with the right information to help them choose the products that are right for their homes, families and lifestyles. RiverBend & Company’s showroom offers the latest technologically advanced products by today’s top-quality manufacturers. They have an impressive selection of appliances that will surely cater to one’s culinary level of expertise, no matter what that level may be. Whether one is a seasoned chef or a novice cook, the appliance choices available will certainly satisfy all needs inside or outside the home. As the need for expanded living and entertaining space becomes more important to the extension of the home, the outdoor kitchen has become more of the focus when planning those areas. With the extensive line of outdoor products offered by Viking, it’s possible to create an outdoor kitchen that offers consistency in both performance and de76 Special Marketing Section
sign to create an outdoor culinary center that is perfect for entertaining needs. RiverBend & Company offers qualitative consultations to define the right products for the needs of their clients, and the company’s after-sales support provides customers with the comfort of knowing that RiverBend’s ongoing relationship with their customers is most important. After-hours appointments are always available to accommodate clients’ schedules. In addition, RiverBend’s ongoing in-store culinary classes really showcase the performance of the products they sell. Before creating a culinary space, replacing an appliance or selecting the right complementing products, make RiverBend & Company the place to shop. RiverBend & Company—where the right choices begin!
Serving all of New England 978.448.8555 www.riverbendandcompany.com
No matter how you stack it… the result is culinary perfection.
No matter how you stack it… the result is culinary perfection.
To meet all your culinary needs Miele’s MasterChef Collection™ stacks up as the best, offering countless design options to suit virtually all tastes for every kitchen décor. From healthy cooking in our steam oven to brewing the perfect cup of cappuccino in our coffee system, the MasterChef line allows you versatility all in one place – your kitchen. When the goal is culinary perfection and compromising is no longer an option… there’s Miele.
Serving all of New England 978.448.8555 www.riverbendandcompany.com
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Stonegate Gardens Whether you’re an experienced gardener seeking a rare chamaecyparis or a novice looking for a beautiful pre-arranged flowering container, the knowledgeable and amiable staff at Stonegate Gardens will help you find what you need. Specializing in Japanese maples, unusual conifers, hard-tofind perennials and uncommon annuals, Stonegate Gardens in Lincoln, Massachusetts, is a gardener’s paradise. Set on five acres, Stonegate Gardens offers a unique selection of specimen trees and shrubs of all sizes. Their on-site landscape designers will assist you with choosing the correct plants to complement your home. And should you need an urn, vase or planter in which to best display your plants and flowers, they offer custom pottery services in addition to stock designs. Planning the perfect get together, corporate function or just love to have fresh flowers on display in your own home? Stonegate Gardens employs talented designers who are on hand to create fresh, beautiful arrangements for all of your floral needs. During the summer, roses are displayed on the shop’s 78 Special Marketing Section
antique brick sunburst terrace. “People can come here and get ideas for their own homes,” says manager Lynne Bower. “It’s a place that invites them to explore.” Meander down one of the bluestone paths or relax by the fieldstone waterfall and you will find yourself in a pastoral sanctuary that takes you back in time. Open year ‘round, Stonegate’s picturesque interior features hardwood floors, a grand fieldstone fireplace and seasonal displays of glazed pots and gifts, topiaries and silk and dried arrangements. In all of their endeavors, Stonegate Gardens strives to provide the very best quality without compromising style and function. Visit them today and let them help you create your own garden paradise. Stonegate Gardens 339 South Great Road (Route 117) Lincoln, MA 01773 781.259.8884 www.stonegategardens.com
339 South Great Road (Route 117) | Lincoln, MA 781.259.8884 | www.stonegategardens.com
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Sudbury Design Group Sudbury Design Group has long been recognized as one of the leading landscape architectural firms in the region, working with a variety of residential and commercial clients throughout New England for more than 50 years. To assure the best results for their clients, Sudbury Design Group relies heavily on a unified team approach. Their belief is that for any project to be truly successful, the landscape architect, architect, and interior designer should work together from the project’s inception. This relationship fosters the pursuit of a common goal, “the client’s best interest.” Sudbury Design Group is renowned for their comprehensive master planning and design paired with the unique ability to manage the implementation process to a meticulous level of completion. The staff is comprised of highly skilled award-winning landscape architects, designers, and craftsmen including the area’s finest masons and horticulturists. Whether the project encompasses a small garden landscape, a backyard pool and patio, or a complete site 80 Special Marketing Section
renovation, Sudbury Design Group will work with you to ensure that the end product meets your expectations, is completed on time and on budget, and provides added value to your home. The firm’s reputation for excellence is further exemplified through their commitment to social responsibility including frequent participation in community projects, charitable endeavors, and LEED based environmental practices.
740 Boston Post Road Sudbury, MA 01776 Office: 978 443 3638 www.sudburydesign.com
Landscape Architecture | Construction | Garden Services
978.443.3638 MA | SUDBURYDESIGN.COM | 401.789.5889 RI
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Triad Associates, Inc. For more than twenty years, Triad Associates has earned the distinction of being one of New England’s premier hardscape design and installation companies. Located in Haverhill, Massachusetts, Triad services all of New England (including the Cape and Islands), working hand-in-hand with homeowners, builders, architects and landscape architects on both residential and commercial projects. The Triad team includes designers, construction supervisors and some of the country’s most experienced hardscape artisans to help customers take their basic concept all the way through design, construction and completion of the project. Triad’s experience goes well beyond standard hardscapes (such as pool decks, patios, driveways, walls and walkways) to include complete exterior environments featuring integrated waterfalls, fireplaces and customized cooking areas. Just bring Triad’s team your ideas, your magazine clippings or a complete design from your landscape architect, and they’ll make it happen. Triad’s work, both commercial and residential, can be seen from the Maine coast to the New Hampshire lakes region, 82 Special Marketing Section
and throughout Massachusetts (including the Cape and Islands), Rhode Island, Connecticut and New York. Whether it’s a simple patio or a complex exterior design, Triad’s crew gives full attention to each job. Triad prides itself on a simple yet vital philosophy: “Just do it right.” You’ll see the results in the high quality of your finished project. About Triad Triad Associates’ design department works with the latest design programs to take a client’s concept and give it substance through 3D renderings. Once approved by the client, these plans serve as both a technical and visual guide for the construction crews in the completion of each project. Custom Outdoor Environments, Done Right. Triad Associates, Inc. 100 Downing Avenue Haverhill, MA 01830 (978) 373-4223 toll free: (800) 464-8833 www.triadassociatesinc.com
Simply Beautiful Residential and Commercial Serving New England for 25 Years
Hardscape Design & Installation
100 Downing Avenue, Haverhill, MA 01830 978-373-4223 with local offices serving Cape Cod & Islands and New Hampshire Lakes Region
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ZEN Associates, Inc. For more than thirty years ZEN Associates has been helping clients throughout New England develop truly special landscapes and outdoor living spaces. Their portfolio of award-winning projects demonstrates how dynamic, functional and beautiful living spaces can be realized. Just looking through their website will leave you thinking differently about the outdoor environment. The company’s staff includes landscape architects, interior designers, construction managers and a full range of construction trades necessary to implement these kinds of projects. The design team approaches each project by working with the client to develop a program. Together, the design team and the client engage in the creative process by exploring what makes a great living space or landscape. ZEN Associates believes that truly memorable spaces have a strong connection, both visually and physically between the indoor and outdoor environment. As a landscape architecture design/build firm, ZEN Associates provides a full range of services to residential and commercial property owners. Their construction division often 84 Special Marketing Section
works collaboratively with many of the area’s other leading design professionals including architects, landscape architects, interior designers and builders. Their portfolio includes projects such as: • Cutting edge pool and spa designs • Commercial and residential rooftop gardens • Traditional and Contemporary Japanese Gardens • Modern New England Landscapes If you appreciate distinctive environments that combine functional and aesthetic appeal, visit zenassociates.com to view some of their work.
ZEN Associates, Inc. 10 Micro Drive | Woburn, MA 01801 P: 800.834.6654 | www.zenassociates.com
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db Landscaping, LLC Springtime is the perfect time to begin transforming a landscape. Whether designing a new home with a spectacular oceanfront terrace, infinity pool, spa and outdoor kitchen or a simple secluded lakefront pathway, db Landscaping, LLC, has the expertise and experience to make dreams a reality. Founded by horticulturist and designer Daniel Bruzga more than ten years ago, db Landscaping, LLC, is an award-winning landscape architecture design-build company. Each site and landscape is designed according to clients’ specific wants and needs. All details of each project, from obtaining permits to final construction, are managed by the company. The db Landscaping team of experts includes talented stone masons, horticulturists and designers trained as landscape architects. “When designing landscapes for new homes,” Bruzga says, “Our most successful projects are those where we work in the early stages of project design in concert with the client and architect. The client not only gets a superior product, but also saves time and money.” The results speak for themselves. db Landscaping 3 Alpine Ct. Suite 1 PO Box 356 Sunapee, NH 03782 603-763-6423 | dblandscaping.biz
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H.Keith Wagner |Partnership The process of uniting program, context, form and materials provides the basis for H. Keith Wagner Partnership’s approach, crafting modern sculptural landscapes that express the essential inherent beauty of natural materials. The firm’s partners, H. Keith Wagner and Jeffrey Hodgson, lead the company’s commitment to excellence in design, while respecting clients’ needs and paying attention to project settings. The partners and staff contribute an extensive knowledge of landscape architecture and construction and are conscientious in their execution of projects. The firm’s reputation comes from designing innovative environments within a wide variety of settings: campus, corporate, residential, resort and urban. Geographically, these projects range from New England and Canada to Hawaii and the Bahamas. H. Keith Wagner Partnership encourages collaboration throughout the design process. This synergistic environment cultivates a philosophy of commitment to the creative application of design, technology and social responsibility in making of new landscapes.
H. Keith Wagner | Partnership Landscape Architects 7 Marble Avenue, Burlington, VT 05401 T 802.864.0010 | F 802.864.6267 | www.hkw-p.com
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Sean Papich Landscape Architecture Sean Papich Landscape Architecture is a landscape architectural firm specializing in the design of meaningful places where people live, work and play. We strive to understand each client’s personal goals and the property’s unique characteristics. Through inspired design and appropriately selected materials, we create outdoor living rooms, gardens, pools, play areas and everyday spaces for real life. Each project and client is unique‚ so we embrace every project without pre-conceived design concepts or goals. We design to meet the homeowners’ functional needs, while creating an environment that appeals to their senses and their favorite memories. We want to know: what makes the client happy or feel good? We want our clients to be inspired to spend time in the places that we design with them. Satisfaction is of utmost importance to us. We believe that a highly personal and collaborative engagement with the homeowner and the entire project team is the most appropriate approach to design and project management. Sean Papich Landscape Architecture 222 North St | Hingham, MA 02043 781-741-5455 www.seanpapich.com firstname.lastname@example.org
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222 north street hingham,ma 02043 88 Special Marketing Section
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A variety of appealing shapes and textures add drama to the living area. Facing page top: A pair of gaily upholstered chairs set a welcoming scene in the foyer. Facing page bottom: Accents of aubergine and blue enliven the serene taupe-gray palette.
No Reservations 92 New England Home March/April 2012
For two busy restaurateurs, a serene spot set high above the urban bustle is the perfect recipe for gracious living. TEXT BY MEGAN FULWEILER • PHOTOGRAPHY BY ERIC ROTH • INTERIOR DESIGN: MICHAEL BARNUM • BUILDER: BOSTON BUILT • PRODUCED BY KYLE HOEPNER
March/April 2012 New England Home 93
Hand-blown glass lamps contrast with the dining areaâ&#x20AC;&#x2122;s sleek antique sideboard. The eye-catching art nearby is Brazilian. Facing page top and bottom: The open dining and kitchen areas complement one another in color and mood.
94 New England Home March/April 2012
Of course you hire an interior designer to, well, design. But the very best ones do it in such a way as to ensure that, when they depart, the room or the house is all about their client’s aesthetic. Michael Barnum of Boston’s Michael Barnum Studio is a case in point. “My job is to create a level of high quality and taste,” he says. “Yet when I leave, the home should speak about who the owners are, not about me.” As for this commission, the timing was perfect. When Barnum came on board, the South Boston penthouse was still under construction. Barnum customized the layout to forge a more livable two-bedroom, two-bath open plan and designed a classy staircase to zoom his clients and their guests to and from the roof deck. On warm days and nights people have to be coaxed back inside. Or at least they would, if the interiors weren’t equally dreamy. The chic condominium belongs to Carlos Reverendo and Fernando Leon, owners of three Boston-area tapas restaurants. No surprise then, that when a window of opportunity opens for the crazy-busy duo—usually on a Sunday—they love to cook and entertain. Having successfully devised the decor for their popular eateries, the owners were hardly neophytes when it came to designing their own sanctuary. But rather than select similar colors and materials, they were ready for a different approach, explains Reverendo. “We joke about the amount of red and gold in the restaurants,” he says. “This time we wanted something more modern and restful.” With that as the kickoff point, the collaborative project unfolded as seamlessly as a The French-chateau–style chandelier adds “a bit of lovely damask dinner napkin. Unlike many couples, Reverendo and Leon French-chateau-style chanrarely disagree on design choices. “We’re not really oppodelier dripping prisms, an sites. Put six colors in front of us and we both eliminate element all three men label the same three or four immediately,” Reverendo says. “We as “a bit of bling.” know what we don’t like.” This unexpected and What the two do like very much is the palette they arlively ornamentation acts as a foil to the urbane furrived at with Barnum, who is known for his use of color. nishings. Take, say, the two The taupey-gray walls and soft gray upholstery soothe antique Art Deco sidethe senses and foster a feeling of airiness that’s essential boards of macassar ebony for decompression. In the living room area, a generous that serve as a sleek storage sectional sofa rests as lightly as a feather upon a Barnumsolution. Or the geometric designed aubergine rug with ice-blue accents—a nod to Art Deco reading chair the owners’ blue pottery collection. “Color is great, but (when do they find time?) you also have to control it,” Barnum says. covered in velvet. The Maintaining the same relaxed tenor, the dining area chair’s partner is a sculphosts a mahogany table by Ralph Lauren Home. The tural metal end table chairs are covered in a stunning Osborne & Little floral evocative of the architect fabric that could easily slide over into the living area and Louis Sullivan. look completely happy. Each chair is meticulously upholHad the kitchen assumed a different tone, the peaceful stered just so, Barnum points out, with one bloom cenaura would have been thrown into chaos. Instead, the tered on the back and front. The chairs’ seats are swathed efficient galley with its zebrawood upper cabinets and in velvet stripes. And suspended above the table is a
March/April 2012 New England Home 95
charcoal-lacquered lower cabinets, its smoky glass-tile backsplash and its granite counters, is as sophisticated as the rest of the pad. Heaven, here, really is in the details. The Black Magic granite resembles a “slice of frozen beach,” says Barnum. And the golden interiors of the Tom Dixon hand-beaten brass pendants cast a catchyour-breath glow. More azure pottery—some gathered on the couple’s frequent travels abroad, some classic Roseville—parades along open shelves where it’s easily admired and accessible. The well-appointed private areas are more exuberant. The study, which multitasks as guest bedroom, pulls a bouquet of sunny colors from a Portuguese needlepoint carpet. The table lamps—two 1970 resin canisters Barnum unearthed in a San Francisco shop and cleverly reconfigured as lights, using the knobs that once sat upon their wooden lids as finials—shine like welcoming bea96 New England Home March/April 2012
The study’s Kravat sofa teams with a leather storage ottoman. Facing page top: Silk drapes, foil wall covering and a chartreuse ceiling bring glamour to the bedroom. Facing page bottom: Michael Barnum designed the study’s walnut desk and shelves.
orange and earth tones, the master bath is light and cons. With its bright carpet, lamps, pillows and art, the sparkly with a luxe mirrored wall and marble countertops study evokes thoughts of a coastline in warm climes or, and floor. Double sinks at the custom vanity ensure no maybe, an island holiday. Not that the owners are going to require a vacation any one ever needs wait a turn. The entire home, from posh foyer to kitchen, is imtime soon, given the lift-your-spirits lacquered ceiling pressive for its style and comfort but also for its innovaabove their bed. Lacquered ceilings are another of Bartive planning. For a prime example of the latter, Reverennum’s trademarks, and what better color than chartreuse for people who need to wake feelThe study evokes thoughts of a coastline in warm ing refreshed, redo points to a trio of creamy faux-leather-wrapped doors gardless of how few hours of sleep they’ve clocked? The master bedroom’s fabulous Osborne & Little wallcovering that Barnum tucked unobtrusively beneath the stairs. The smaller two conceal closets for top-notch audio equipdrove the color scheme, which Barnum subtly tempers with the bed’s metallic-linen-covered headboard and twin ment and luggage. The last is the entrance to the master suite. How tony a strategy is that for making everything nightstands wrapped in faux shagreen. Swing-arm readwork as gorgeously as it looks? • ing lights help keep the nightstands’ surfaces clutter free. Whereas the guest bath is a handsome composition of Resources For more information about this home, see page 148.
March/April 2012 New England Home 97
Serenity and order echo through the halls of the Dublin, New Hampshire, home in the waning days of winter. Facing page top to bottom: Chairs in prim slipcovers surround the dining room’s zinc-topped table. Lavender-ﬁlled pillows exude a relaxing scent. The painted cabinet and ironstone are ﬁnds from a local antiques shop.
98 New England Home March/April 2012
Arrangement in Gray andWhite With its serene, monochromatic color scheme, a New Hampshire farmhouse whispers rather than shouts, making a quiet, but convincing, statement. WRITTEN AND PRODUCED BY STACY KUNSTEL â&#x20AC;˘ PHOTOGRAPHY BY LAURA MOSS
gray mist holds just above the thawing ground on this chilly spring morning in New England. Coffee in hand, Nancy Ross draws the collar of her gray cashmere sweater more snugly around her neck and brushes back a strand of thick, silvery hair. The walls of her Dublin, New Hampshire, home are painted a gray matching the weather outside, but there’s no chill here, just serene simplicity. Room after room, gray walls and white slipcovered chairs make up her entire palette. Accessories are treasured pieces in shades of gray as well. Hotel silver fills a corner cabinet in the living room, and mercury glass glints from the mantel. Lavender-filled sachets of gray linen in ironstone bowls are scattered in the rooms, wafting a summery scent of laundry on the line throughout the house. Even though the days have grown longer and less frigid, Ross still lights some candles and asks her husband, Larry, to bring in wood for a small fire. Firelight projects its glow, and warmth spreads to the kitchen with its gray cabinets; to the family room, where a gray armoire holds the television; and on to the gray corbels that rest on bookcases in the study. Ross has had a long love affair with gray, but this marks the first time she’s been able to incorporate the color so fully into her home. This 1847 farmhouse is her thirty-eighth house with Larry, a retired Army colonel. “Gray and white have been on my mind for the past fifteen years,” she says. Of those thirty-eight homes, none had gray interiors, not even her last New Hampshire house, a huge rambler done in blue and white. Over the years, the couple resided mostly in military housing with white walls. Anything painted a color had to be returned to white before they left, and, as Ross will tell you, military families sometimes have to leave in a hurry. Complementing the sea of gray is a collection of primly tailored cotton-denim and vintage Frenchlinen slipcovers. Ross had each made to her specifications: a row of vintage buttons marches down the sides of the dining chair covers, a stiff welt defines the edges of the living room’s ottoman, and a chaise in the master bedroom wears a loose, comfortable-looking cover. “My grandmother and my mother always slipcovered furniture,” says Ross. “If you grew up with it, you just hold onto it. My mother would 100 New England Home March/April 2012
A narrow, steel-topped industrial bench is a perfect ďŹ t in the kitchen, which keeps to the homeâ&#x20AC;&#x2122;s serene theme with its simple cabinetry and stainless-steel appliances. Facing page top: An antique armoire hides todayâ&#x20AC;&#x2122;s modern technology in the TV room. Facing page bottom: Designer/homeowner Nancy Ross collects German and English enamelware and old tin pieces.
March/April 2012 New England Home 101
Benjamin Moore’s Westcott Navy creates drama in the library. Facing page clockwise from top: The bookcases were designed to hold the treasured pair of corbels. Collections—of photographs, shells or old books—make pretty displays throughout the house.
put out summer and winter colors. I just do white.” Since before it was the rage, became passé and reemerged as a classic, Ross has been slipcovering furniture. But it wasn’t until she started working for Jocie Sinauer that her love of vintage linens took hold. Sinauer’s store, Red Chair on Warren, which moved last summer from New Hampshire to Hudson, New York, specializes in vintage French textiles. Enamored with the look, feel and even the smell of the homespun linens, Ross started covering her furniture in the century-old pieces. “It’s a different look,” she says. “I love the look of linen. I just throw it in the washer and dryer too. Vintage linen holds up fine.” Besides the linen-covered furniture, Ross has stitched vintage linen sheets into shower curtains and drapery panels. She sleeps on full-size vintage linen sheets and dresses the guest rooms’ beds with old linens and vintage duvets in French ticking. Then there are the pillows in all shapes and sizes, sometimes offering faded shots of color in blues or reds. Every pillow in the house is covered in vintage linen. “I don’t know how I describe my style,” she says. “I don’t think it’s European. I don’t think
It’s almost magical, the way a design plan so simple can result in a house so endlessly appealing. it’s Shabby Chic. Retro?” she asks. “How about clean?” Simple as sorbet, her gray interiors are like a palette cleanser between courses. Specifically, Ross loves Benjamin Moore’s Classic Gray, the color she and Larry chose for the walls. “It was the first time I’d done gray on the walls,” she says. “I’d always liked it. It was just a question of which gray would work. I felt this gray suited the house.” The couple arrived at the hue by painting pieces of poster board and hanging them on the wall next to one another for a few days at a time so they could see how the colors changed with the light. “There were grays that looked mauve in the evening and others that were just too cold,” she explains. “My gray is very light.” March/April 2012 New England Home 103
A pillow covered in antique French fabric highlights a lazy spot in the master bedroom. Top right: French fabric gives the illusion of headboard in a guest room. Bottom left: An antique marble-top chest stands in for a vanity in the master bath. Bottom right: A corner reading nook in a guest bedroom.
It’s a far cry from the colors they found in the house when they bought it in 2007. The fireplace mantel was painted burgundy, surrounded by orange tile and pinkish brick. “I’d never seen brick that color!” says Ross. She painstakingly scraped and painted the mantel, but there
ishing all the floors in the house and adding an enclosed porch equipped with a woodstove. Ross, who has no formal design training, reimagined the kitchen, gutting it down to the studs and reconfiguring the layout and cabinetry. Thick layers of linoleum and tar paper were torn up and a new floor installed. She made just one misstep in the journey to completion. Though she’d never had dark walls, Ross wanted a dark gray for the study. She watched in horror as the paint went up, knowing she had made the wrong choice. But she quickly rebounded with Benjamin Moore’s Westcott Navy, which
Ross lets her serene non-color scheme do the talking. And what it says is quietly compelling. was no hope for the tile and brick, so she had them covered with slate. The couple took on other projects, too, including refin104 New England Home March/April 2012
at first glance appears to be a deep charcoal but then melts into the woolliest of navy blues. “The library is a cozy little room,” she says. “It’s a delightful place to go to be quiet.” It’s almost magical, the way a design plan so simple can result in a house so endlessly appealing. There’s nothing ornate here, no one thing that makes a statement. Following her instincts, Ross wisely let her serene non-color scheme do the talking. And what it says turns out to be quietly compelling. • Resources For more information about this home, see page 148. March/April 2012 New England Home 105
DESIGNING WOMEN When a young couple enlist the wife’s best friend to bring a new look to their historic old house on the North Shore of Massachusetts, the result is as unique and personal as the women’s long friendship. TEXT BY REGINA COLE • PHOTOGRAPHY BY MICHAEL J. LEE • INTERIOR DESIGN: AMY MEIER • PRODUCED BY STACY KUNSTEL
Abby Cahill and Amy Meier met at their first jobs when both were just out of college and living in Boston. They became fast friends, shared an apartment and, when their respective careers took them to New York, roomed together in Manhattan as well. When Abby married Greg O’Brien, Meier designed her wedding dress. • Today the two young women live on opposite coasts, but Meier is still designing for Abby Cahill O’Brien. Their ongoing collaborative project—Abby and Greg’s Rockport, Massachusetts, home—embodies delightful echoes of their shared history: for nearly 100 years, the house served as a summer vacation destination for Boston’s young working women. • Meier, who holds a degree in fashion design from Parsons, directs her interior design practice from Del Mar, California. She segued from fashion to interiors while living on the East Coast. “I love people,” she explains
106 New England Home March/April 2012
Late eighteenth-century woodwork dwells in harmony with a Saarinen Tulip Table and the bold pattern of a stenciled ďŹ&#x201A;oor underfoot. Facing page: The long front room, once two rooms, displays a happy mix of old and new.
March/April 2012 New England Home 107
of her career change. “In fashion, you are removed from the end user. I am drawn to working directly with people, bringing out their taste, touching the materials.” Abby and Greg began house hunting while Abby was making her own career transition from advertising to freelance writing. It was a foregone conclusion that Meier would transform whatever house they found into a beautiful home; the fact that they searched on the North Shore of Massachusetts while Meier lived in Southern California was immaterial. “Amy and I have been best friends forever; I didn’t have to worry about whether she got my aesthetic or not,” Abby says. Greg and Abby wanted an old house. “From growing 108 New England Home March/April 2012
The dining sideboard is a one-time checkout counter given a new marble top. Windsor dining chairs suit the home’s eighteenth-century provenance. Left, top to bottom: Ironstone in the dining room; best friends Abby CahillO’Brien and designer Amy Meier; the house still wears its Rockport Lodge sign.
In 1907, the Massaup in New England, I was always more chusetts Association of comfortable in old houses,” Abby says. “If I “Amy and I have been Women Workers saw a modern house when we were house best friends forever. bought the late eighhunting, I always felt as though something I didn’t have to worry teenth-century David J. was missing.” Smith house for $3,000, A 3,000-square-foot Georgian farmabout whether she got my part of a turn-of-thehouse with seven bedrooms eventually aesthetic or not.” century movement to caught their eye. “When we saw the listing, improve the lives of imwe fell in love. It took me a while to realize migrant laborers. Named the Rockport Lodge, it provided that I recognized this house,” Abby says. She grew up in Boston’s young, single working women with the kind of nearby Gloucester and knew the expansive Georgian not seaside vacation they could never afford otherwise. For ten miles from her childhood home as the recently detrain fare from Boston plus $4 a week, women got room funct Rockport Lodge. March/April 2012 New England Home 109
By the time Abby and Greg saw the and board plus hiking, listing for what had originally been Mr. sailing, badminton, tennis, “Abby and I find pieces Smith’s farmhouse, it had reverted to swimming, horseback ridthey love at a leisurely use as a private home. In 2002, a develing, picnics on the beach pace. We go antiquing, oper had removed walls to create an and evening theatricals. open floor plan, reinforced the spaces By 1946, when the Rockand spent several days at with steel support beams and installed port Lodge became part of Brimfield together.” cherry flooring. Boston’s venerable During this renovation, two front Women’s Educational and Industrial Union, it accommodated as many as 700 guests parlors became one broad room spanning the width of a season in several buildings. Women’s lives changed radi- the house, with the front door centered on the streetfacing wall. In Meier’s hands, this challenging space becally during the twentieth century; by its end, the Lodge’s came stunning. The designer focused two distinct conoriginal mission was no longer viable. 110 New England Home March/April 2012
Nautical art pays homage to Rockport’s maritime identity. Below: The home ofﬁce, with its desk fashioned from glass on chrome sawhorses, abuts the dining room. Left: Meier designed the living room’s coffee table.
versation groupings around the original parlor fireplaces, one defined by black-leather and chrome furniture, the other by streamlined sectionals in neutral upholstery. Between them, built-in bookcases face the door. The eclectic, arresting composition rests on a boldly zigzag-stenciled floor. “We love to have people in, and we have found that the front room is the ultimate entertaining space,” Abby says. “This room is all about mixing old and new,” says Meier. “I found an antique chandelier and some Italian gilt tables; they are juxtaposed with contemporary upholstered furniture and a Saarinen Tulip Table. The painted floor leads the eye away from any tunnel-like effect,” she adds. March/April 2012 New England Home 111
For Greg, watching his wife and her best friend at work involved the occasional leap of faith. “Sometimes, like when they decided to stencil the front-room floor, I’d think, ‘You guys are crazy. You can’t do this to my house,’ ” he says, laughing. “Then they’d do it and I’d love it.” Meier explains the process: “Once the core pieces were installed, Abby collected the accessories needed to tie the project up. This wouldn’t work for everyone, but it turned out really well for us. It helps that we’re so close, which allows us to be brutally honest with each other. And of course, if she didn’t love the hunt, it wouldn’t work at all!” At the rear of the classically proportioned house, the kitchen flows into the dining room, living room and Greg’s home office. Meier’s eclectic sensibility is evident throughout. Greg’s work desk, for example, is a glass tabletop resting on chrome sawhorses. The dining room sideboard had a previous life as a store’s checkout counter; Meier dressed it up with an elegant marble top. The diverse mix continues in a blue-paneled den, where traditional architectural elements and furniture meet a Meier-designed coffee table on a modern X base. “Greg wanted a cozy, cozy room,” Meier says. “Sometimes I’d Above the panelthink, ‘You’re ing, framed photographs of Rockcrazy. You can’t port Lodge vacado this to my tioners hang on house,’ ” Greg says. walls softened with grasscloth. “Then they’d do The friends’ it and I’d love it.” collaboration is an ongoing process. “Abby and Greg are just beginning to collect and aren’t constrained by space,” Meier says. “This means Abby and I can find pieces they love at a leisurely pace. We go antiquing, and spent several days at Brimfield together.” “It’s great to have a house that’s too big—I can shop!” says Abby, who is expecting the couple’s first child. While they continue to make the house their own, the couple left one thing unchanged. Above the front door, a gilt-lettered sign reads ROCKPORT LODGE. “People looking for lodging stop by all the time,” Abby says with a laugh. “But it’s so much a part of the house, we just can’t bring ourselves to take it down.” • Resources For more information about this home, see page 148.
112 New England Home March/April 2012
One of Amy Meier’s playful surprises is the striped guest-room ceiling. Facing page, from top: The designer created the coffee table in the den. “My furniture is very architectural,” she says. The den is cozy with blue paneling and grasscloth.
March/April 2012 New England Home 113
In the hands of a capable design duo, a spacious Beacon Hill condominium gets a makeover that blends just the right measures of glamour and comfort to suit its young family. Text by Louis Postel • Photography by Michael Partenio • Architecture: Guy Grassi, Grassi Design Group • Interior Design: Maribeth Brostowski and Polly Lewis, Lewis Interiors • Builder: Metric Construction • Produced by Karin Lidbeck Brent
You’re kidding me. This rug is just not for kids,” said designer Maribeth Brostowski. But her client wasn’t kidding. The silvery rug the client noticed in Brostowski’s office expressed exactly the low-key glamour she was looking for. After all, her three boys were no longer toddlers. They were growing up. It was time to live again, to throw an occasional party. Now it would be up to Brostowski and Polly Lewis, her partner at Lewis Interiors, to transform their client’s newly acquired condo on Boston’s Beacon Hill into a glamorous (but boy-friendly) space. • First, though, the unit—once part of a stately home but recently used as a college office building—had to be brought back to its residential roots. Architect Guy Grassi recalls his first sight of the space: an empty shell where harsh fluorescent lighting shone down on abandoned metal desks. Along with general contractor Metric Construction, Grassi worked miracles, adding moldings,
114 New England Home March/April 2012
Architect Guy Grassi brought the grand staircase and central well back after discovering they’d been ﬁlled in during the home’s days as a college ofﬁce building. Facing page: Designers Polly Lewis and Maribeth Brostowski injected a note of glamour into the space.
Window treatments in the living room open to a view of Arlington Street along Boston Common. Suggestive of the Avenue Foch in Paris, it suits the French modern style preferred by the owner. The HermĂ¨s tray detail (bottom right), and the dining room table and chairs (top right) elaborate on this theme.
116 New England Home March/April 2012
wainscoting, mantels, soffits and other details. Now the condo has warmth and character to spare, with no vestiges of its detour into life as a work space. Brostowski and Lewis welcomed the challenge of designing an interior that suits both grown-ups and kids, partly because they had worked with this family on previous projects and knew they’d enjoy the job, and partly because this is, frankly, a special space with its 8,000 square feet spread over three floors plus a roof deck, an intriguing “upside-down” layout with living room and public areas above and private areas below, and unusually commanding views for oh-so-tight Beacon Hill. The success of the Lewis-Brostowski partnership may well lie in the differences between the two designers. “Polly’s very good at furniture placement; she’s quiet, thoughtful,” Brostowski says. “I’m more frenetic. I come from the fashion industry, which called for a lot of shuttling between Paris, Milan and New York. That’s why Coco Chanel’s maxim for dressing comes to mind when describing what we do. Chanel said something to the effect that one should get fully dressed and then take something off. In the same vein, I’ll get a room fully dressed and then Polly will start taking things out.” One thing no one would dream of taking out is the super-sized March/April 2012 New England Home 117
Deep chairs and an oversize ottoman ground the long, narrow study. Facing page top: A bright chair wakes up the working end of the study. Facing page bottom: Patrons of Caviar Kaspia in Paris would feel right at home in the brown-and-turquoise media/game room.
lantern suspended over the spiral stairs. Just as visitors step off the elevator, there it is: like a ruling planet, the fixture governs the 2,500 square feet of living room/gallery space with dignified grace. A constellation of smaller lanterns lines the gallery to the left, which leads to the kitchen. It certainly is a grown-up space, but as Brostowski notes, “With kids around you can’t really do marble floors.” Instead, the designers went with wooden flooring at the entry and, in the living and dining rooms, matching silk-andwool Tibetan rugs edged with a circle pattern in a mesmerizing, silkily iridescent aubergine. Though the condo is large, especially for Beacon Hill, ceiling heights are comparatively low, a Lilliputian eleven feet. This turned out to be a plus for the fabric budget—and, by extension, the art budget. Whatever the husband and wife saved in drapery was easily made up for by the collection of fine art Boston art consultant Andrea Marquit Clagett helped them assemble.
Now the condo has warmth and character to spare, with no vestiges of its detour into life as a work space. Aiming for an ambience of midcentury French glamour without being too literal, Clagett and the couple hung a group of figurative 1930s gouaches on paper by Jerome Roth in the kitchen, a Paris-themed work by California artist Lloyd Dallett in the wine cellar and another by Boston’s Nancy Berlin in the hall. Further down this passage en route to the kitchen, a playful lady is immortalized on a set of plates by the Milanese decorator Piero Fornasetti. Lewis and Brostowski had already done a number of homes for the clients, including two on Nantucket. “We were gravitating away from the French traditional that the wife likes so much and more toward French contemporary,” says Brostowski. Nowhere is this more evident than in the dining room. The Elizabeth Dow wallpaper looks at first glance like Venetian plaster brought to a lacquerlike sheen. Chandeliers by Dessin Fournir, Himmel mirrors and Grenelle chairs from Edward Ferrell + Lewis Mittman all serve to enhance the luminous jewel-box effect. Given its dimensions of fifteen feet by just nine feet, the lower-level study provided a bit of a challenge for the design team. To give it what Brostowski calls “presence,” she and Lewis had upholsterer Kevin McLaughlin create a pair of forty-three-inch-deep chairs along with March/April 2012 New England Home 119
an oversized ottoman, which bring the far ends of the room into scale. Caviar and blini served with cold vodka might be all that could bring additional “presence” to the media/game room. A study in brown and turquoise, it was inspired by one of Brostowski’s favorite haunts, a Russian restaurant called Caviar Kaspia set in the heart of Paris. In the serene master bedroom, rays of sunlight turn Farrow & Ball’s Parma Gray paint a romantic sky blue. Installing the king-size bed and the furnishings required careful maneuvering through tight elevators and even tighter windows. (At one point, Brostowski found herself taking an urgent phone call while simultaneously directing a crane as it attempted to swing the bed in from the street.) Now, after twenty-two months of intense work, the family is snugly ensconced in their new home. The designers have arrived at one of Lewis’s pause-andreflect moments. The next steps will be slower: a layering and refining as the family matures and tastes change. Meanwhile, Grassi, Lewis and Brostowski can take pride in the way they’ve imbued the rooms of this stately residence with formality, drama and just the right amount of youthful energy. In the final analysis, it’s fair to say, the designers are glad their client wasn’t kidding. • Resources For more information about this home, see page 148. 120 New England Home March/April 2012
Walls of pale sky-blue trimmed in white add to the master bedroomâ&#x20AC;&#x2122;s serenity while twin crystal chandeliers provide glamour. Top left: A collection of Fornasetti plates adorns the upstairs gallery.
March/April 2012 New England Home 121
Setting the Scenery Beyond green lawns and bright flowers, four distinctive landscapes offer function, beauty
“It has a nice balance. There’s a real structure to the space, but it has a casual feeling that makes it a comfortable place to be.” —Douglas Jones
LEVEL BEST A three-tiered, terraced plan defined by granite walls and a grove of birch trees integrates the house with the vegetable garden and shed at the opposite end of the long, narrow front yard, while respecting the wetlands and native woodlands that abut the property. Photography by Keith LeBlanc Location: Marblehead, Massachusetts Landscape design: Douglas Jones, Keith LeBlanc Landscape Architecture, Boston, (617) 426-6475, www.kl-la.com 122 New England Home March/April 2012
Special Focus â&#x20AC;˘ Landscape Design
and a natural bond with their unique surroundings. BY PAULA M. BODAH
Special Focus â&#x20AC;˘ Landscape Design
HIGH ENERGY A sinuous bench of cedar and Fireslate that begins inches wide and ends at a comfortable depth for sitting winds the length of a long, narrow roof terrace overlooking Bostonâ&#x20AC;&#x2122;s Public Garden. Zinc planters hold boxwood, flowering ornamental trees and a host of perennials and annuals for year-round beauty. Photography by Warren Patterson Location: Boston Landscape design: Gregory Lombardi, Gregory Lombardi Design, Cambridge, Mass., (617) 492-2808, Chatham, Mass., (508) 5933175, Palm Beach, Fla., (561) 228-1467, www.lombardidesign.com 124 New England Home March/April 2012
“Our charge was to create something beautiful to look at year-round, that was functional and that was a bit edgier than the expected.” —Gregory Lombardi
MAINE ATTRACTION Reclaimed slabs of granite hand-tucked with native moss, dry-laid stone walls and indigenous plantings are appropriate materials for a rugged waterfront spot well populated with wildlifeâ&#x20AC;&#x201D;including a vixen that would prowl the site at night and make off with the workmenâ&#x20AC;&#x2122;s leather gloves. Photography by Matthew Cunningham Location: Southwest Harbor, Maine Landscape design: Matthew Cunningham, Matthew Cunningham Landscape Design, Melrose, Mass., (617) 9052246, www.matthew-cunningham.com
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Special Focus • Landscape Design
“I wish it were the kind of place I could take people to, because it’s such a magical property.” —Matthew Cunningham
March/April 2012 New England Home 127
“The pool was conceived as chunks of ice coming out of the landscape toward the water of the pond beyond.” —Peter White
128 New England Home March/April 2012
Special Focus â&#x20AC;˘ Landscape Design COOL CUSTOMER The landscape plan includes a pool area whose sleek, boxy shape and cool white granite reference the history of the old house, once owned by a man who made a fortune selling ice from the nearby pond. In the front yard, a stairway formed of irregular granite blocks adds a rustic, farm-like feel. Photography by Peter Vanderwarker Location: Arlington, Massachusetts Landscape design: Peter White, Zen Associates, Woburn, Mass., (781) 932-3700, www.zenassociates.com
Resources: For more information about these landscapes, see page 148.
March/April 2012 New England Home 129
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Trade Secrets Who’s doing what, when, where and how in the New England design business
BY LOUIS POSTEL
Weapons in Design GENERALS IN PLUMED HELMETS GATHER AROUND A TABLE
where they’ve laid their battle plans. Everything rests on the exact execution of the strategy: life or death, honor or disgrace! So it is with building a house, designing an interior or transforming a landscape. There is no room for error! A kingdom is in dire need of a castle, and great resources are at stake. Once the foundation is laid there will be no turning back; the die is cast. A war council such as this does not allow for one of the generals to suddenly admit to the embarrassing fact that he/she can’t read the blueprint to save his/her life. So this secretly blushing general merely nods in agreement: after all, my design team knows what they’re doing; if they didn’t, Bob and Lucy wouldn’t have recommended them so highly! The challenge of learning to speak a mutual design language, to read from the same page, has never been as critical as it is now. Every square inch of downsized space has become more precious. Homeowners expect customized results; many want to “co-create” along with their designers. With clients eager to join them in the trenches, what tactics are designers deploying to clarify their battle plans? • • • “We use every tool available to better understand the client, whether the client is a homeowner or a large institution,” says architect Paul Lukez, of Somerville, Massachusetts. The former professor of design at MIT is a leader in integrating hightech presentation platforms into his busy practice. But low132 New England Home March/April 2012
tech humanistic approaches are fully welcome. “Even when a client says they don’t need to see something in 4-D, we’ll say, ‘That’s great that you don’t, but we do. We need to see how you would experience this building walking through it.’ Anything that helps us better understand what we’re doing is invaluable.” Lukez pauses at a workstation in his office, where a team of architects and designers are responding to clients halfway around Paul Lukez the world. On a wall nearby, there’s a fourteen-foot paper scroll tacked up from floor to ceiling showing a bow shape sketched vertically with a decidedly low-tech number two pencil. “It’s a long wall we’re designing that curves as well as bows outward,” says Lukez. “You can see the way we have it now the bow is too low.” • • • “For some clients, not seeing a project in 3-D can be a huge leap of faith,” says Nicole Yee of NY Interiors, based in Kittery, Maine. “A couple just asked me for an ‘interim kitchen makeover,’ which mainly involved replacing the counter. I showed them how this would look in a program called Chief Architect, and at the same time I gave them a second option. The plan called for removing the peninsula and refacing the cabinets. As soon as they saw it they said, ‘You’re right; let’s do it!’ We took the design to a new level.” But, Yee says, technology is no substitute for the basics: “We work hard at establishing Nicole Yee goals, asking 1,001 questions, communicating with our clients every step of the way.” In 2011, Yee was elected to a two-year term on the national board of the Interior Design Society. • • • “Computer renderings just don’t do a good enough job capturing textures,” notes Boston-based designer Rachel Reider. “Software programs are great for floor plans and elevations, but for interior materials nothing compares to actual samples you can see and feel.” With that in mind, “I suggest to my clients that they tape a sample of the actual material to the wall,” Reider says. “That way they can get a real feel for it at different times of day and in different light.” A recent Reider recommendation: grasscloth wallpaper from Phillip Jeffries. “Not everyone goes for a strong pattern in wallpapers, so this is an alternative: great depth, even the darker colors reflect light beautifully.” • • • Behind the Boston Design Center sits Artaic, a company that creates mosaics out of thousands of tesserae, just like the ancient Romans did. There’s one key difference, however. “The Romans had slaves to do the work and we don’t,” says Artaic’s founder, Ted Acworth. “What we did is invent design software and robotic manufacturing systems to create custom
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mosaics. They can be wrapped in 3-D around a boulder, or backlit on a wall.” A former space scientist, telegenic host of UFO Hunters on the History Channel and director of advanced technology research at the Cambridge-MIT Institute, Acworth has created software that anyone can underTed Acworth stand: savvy designers, spatially challenged clients, even cranky robots. Look for large-scale results at the Tropicana in Las Vegas and the Hyatt Resorts in Hawaii. Or, short of that, if you happen to find yourself in the Carlisle, Massachusetts, bathroom of Roomba inventor Rod Brooks, check out the Artaic lotus at the bottom of his tub. • • • Bath, Maine, architect Steven Theodore likens 3-D computer modeling to playing video games—fun, but not necessarily like real life. Drawing by hand, maintaining a direct hand-to-eye connection, is essential to understanding and communicating scale and proportion, he says. “A little knowledge can be a dangerous thing. Just by changing a design with a few clicks doesn’t mean it’s necessarily any better,” says Theodore. • • • Architects Bill Porter and Brian Anderson of Cambridge, Massachusetts, are inviting their clients to look at home plans from a new perspective. “Up till now modeling has been about form; what we’re more interested in is performance. How does it address the triple bottom line: will the house work for people, for the environment and for those investing in its construction?” says Anderson. Using software developed by Ekotrope, an MIT spin-off just down the street, Porter, Anderson and their clients can now run “what if ” performance scenarios, with instant results. “As architects we want more freedom, but we also want to be completely engaged in the results. That’s what’s so exciting about working with Ekotrope,” says Porter, a former student of Louis Kahn and dean of the MIT School of Architecture and Planning from 1971 to 1981. Adds Anderson: “Focusing on performance rather than form puts architects and designers back into a central role. Rather than being marginalized as ‘the folks who make things pretty,’ an ability to interpret and implement per-
formance will be the overriding factor.” • • • All of this is good news for the design general who was secretly befuddled by the blueprint in front of him. Whether through cutting-edge technology or more traditional means, architects and interior designers are finding ways to make design language far more accessible than ever before. Now let the bugles sound the alarm! • Keep in Touch Help us keep our fingers on the pulse of New England’s design community. Send your news to firstname.lastname@example.org.
New and Noteworthy No need to wait for the Boston Design Center’s all-too-occasional sample sales. Now there’s BDC To Go, a fullservice showroom filled with furniture, antiques, rugs, accessories and more—all at sample sale prices.
Does a sleek spa experience in a 1915 colonial sound like an oxymoron? Not so! The National Association of the Remodeling Industry’s Eastern Massachusetts chapter awarded Charlie Allen Restorations in Cambridge its 2011 Contractor of the Year Award in the bathroom category for just such a feat. A new year brings big changes to Dover Rug & Home, in the form of a brandnew 30,000-square-foot showroom just opened at the Natick location. The new showroom includes a design center for interior designers. Furniture and cabinetry artisan Pierre Matta and designer Gail Rice of Resource Design have teamed up to create Newton Kitchens & Design, a showroom that features custom kitchen design and handcrafted cabinetry. The expansive showroom in Newton, Massachusetts, also helps with the rest of the house, offering space planning and color consultation as well as upholstery and window treatment services, oriental rugs and handcrafted tables and chairs from Rhode Island’s Warren Chair Works.
Architect: Hart Associates Architects; Photographer: Roe Osborn
Moskow Linn Architects of Boston unveiled a twenty-foot-high musical sculpture on the Rose Kennedy Greenway. Nuheat, known for its electric floorheating systems, donated the critically important hardware that makes the sculpture clink so prettily. How? Nuheat’s special cables run through the sculpture’s canopy, melting the snow. The melt proceeds to drip onto copper rods, where it refreezes, creating icicles that chime in the wind.
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Design Life Out and about in celebration of design and architecture in New England
THE BEAUTIFUL RUGS ON DISPLAY AT FIRST RUGS ARE WORKS
of art in themselves, of course, and they’re only enhanced by the fine art the Acton, Massachusetts, showroom likes to present. The most recent exhibit, Caught in the Current, featured lovely landscapes by Acton’s own Fran Busse. The gracious 1798 Massachusetts State House, designed by Charles Bulfinch, made the perfect place to present the New England chapter of the Institute of Classical Architecture & Art’s second annual BULFINCH AWARDS honoring five professionals whose work exemplifies the principles of classicism in art and architecture. The excitement was palpable as some 400 people filled the fourth-floor ballroom at the Boston Marriott Copley Place for the first annual BSA Should your party be DESIGN AWARDS GALA. Architects, here? Send photographs engineers, contractors and other proor high-resolution images, fessionals from all over the country with information about the event and the people in the enjoyed meeting, greeting and eating photos, to New England Home, as they waited to find out who had 530 Harrison Ave., Suite 302, won top honors in the 2011 design Boston, MA 02118, or e-mail images and information to award competitions. pbodah@nehome Interior designer TONY CAPPOLI mag.com. has a new venture, and we were only too happy to celebrate the opening of his new office and showroom in South Boston’s King Terminal building. His expansive new space has plenty of room to show off some of his favorite lines of furniture and accessories. Oh, to be young again! We had great fun at M2L when the Boston showroom hosted (Un) Common Paintings, an exhibit of works by a handful of Artists for Humanity’s talented young people. Proceeds from sales of the artwork were earmarked to benefit both the young artists and Artists for Humanity.
M2L BSA DESIGN AWARDS
From left to right: Billy Craig and Chris Genter • Brad Smith and Jim Sandell • Rachel Zsembery and Erin Carlon • Lisa Brothers, Pamela Hawkes, Judith Nitsch and Margaret Neal
From top to bottom: Rashad Nelson • Katauna Parker • Eddie McColgan
136 New England Home March/April 2012
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FIRST RUGS Clockwise from top left: Cathleen Stewart, Lawrence Powers and Tory Stamm • Bea Alice Wertheimer, Don Main and Pamela Connelly • Mary Donnellan, Cynthia First and Fran Busse • New England Home’s Kathy Bush-Dutton and Kim Sansoucy, Debbie MacKenzie and Stacy Waniga • Debbie MacKenzie, Tory Stamm, Fran Busse and Stacy Waniga
Clockwise from top left: Douglas Truesdale, Michael Carter, Patrick Hickox and New England Home’s Kyle Hoepner • Betty Moore and John Margolis • Lisa Curran, Susan Corr and Tina Ferrara • John Tittmann, Paul Gunther and John Margolis
TONY CAPPOLI From left to right: New England Home’s Jill Korff and Tony Cappoli • New England Home’s Kyle Hoepner and Stacy Kunstel flank Amy McFadden
138 New England Home March/April 2012
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Dining Tables CHRISTINA OLIVER
ShackletonThomas Table “This table by Charles Shackleton, with its simple but detailed design, is elegant enough for a formal dining room and simple enough to be the kitchen table. The walnut is beautifully hand-planed, which gives the wood a deep, forgiving finish.” BRIDGEWATER, VT., (802) 672-5175, WWW.SHACKLETONTHOMAS.COM
New Classics’ Ribbon Base Table “This table designed by Sara Zook has always been a favorite of mine. The leaves attach to the perimeter of the top, allowing the table to expand in diameter instead of a traditional oval. The top is hand-laid pieshaped veneers with ebonized inlays. The piece was named for the horizontal stretchers on the base, which are laced together to give it a ribbon effect.” THE MARTIN GROUP, BOSTON DESIGN CENTER, (617) 9512526, WWW.MARTINGROUPINC.COM
Capstan Dining Table “I love a round dining table; I think it’s the best for dinner conversation. This table is one of my favorites because of its pie-shaped leaves. The table grows to eighty-seven inches in diameter, but it stays round.” BAKER KNAPP & TUBBS AND CABOT HOUSE
Working in diverse locales from the mountains to the ocean, Kim Deetjen uses materials, color and light to create spaces that connect people to their surroundings, reinforcing the unique character of each individual place. TRUEXCULLINS, BURLINGTON, VT., (802) 658-2775, WWW.TRUEXCULLINS.COM
142 New England Home March/April 2012
Now Open! Boston 617.778.0887
Acton 978.263.7268 Cambridge 617.876.3988 Danvers 978.777.2690 Framingham 508.875.0707 Pembroke 781.826.2728
Peabody Supply Company 290 Second Avenue
25 Commerce Way
112 Middlesex Street
North Andover, MA
North Chelmsford, MA
Take Comfort. Take Control. Numi , Kohlerâ&#x20AC;&#x2122;s most advanced toilet, combines striking design â&#x201E;˘ with unrivaled engineering to deliver the finest in personal comfort and cleansing. Its sophisticated, yet easy-to-use features control ambient lighting, feet and seat warming, music and more. And a new flushing system, developed exclusively for Numi, makes it the lowest water consumption toilet in the U.S.--without sacrificing performance. Numi, now available nationwide.
Century Furniture Table #779-602 “This is a simple, almost Parsons-style table with a nod to the Orient. I’m crazy about the color. I also like that it’s small enough to be used in a tight space as a coffee table, or next to a chaise as an end table. Versatility!” CENTURY FURNITURE SHOWROOM, BOSTON DESIGN CENTER, (617) 737-0501, WWW.CENTURY FURNITURE.COM, AND CABOT HOUSE
BRIAN VANDEN BRINK
Custom Table by Howard Hatch “Simplicity of form defines this table, which carries out the concept in this room of ‘rustic contemporary.’ The stunning dark orange and black rosewood top easily becomes the centerpiece of the living room.” HATCH STUDIO, BRUNSWICK, MAINE,
(207) 721-0070, WWW.HATCHSTUDIO.COM
Christina Oliver knows clients want their homes to reflect their personalities and resonate with their lives, so she often works with New England artisans on custom furniture pieces like the ones she highlights here. OLIVER INTERIORS, NEWTON, MASS., (617) 558-1262, WWW.OLIVERINTERIORS.COM
144 New England Home March/April 2012
Collector’s Table from The Paris Series by Maxine Snider “We all have treasures we have collected and like to display. This coffee table, with its vitrine drawer designed into the apron, offers seamless display with plenty of room for artifacts, and provides the visual interest of a presentation with the functional benefit of an uncluttered surface.” THROUGH TRUEXCULLINS, WWW.MAXINESNIDERINC.COM
NORTH SHORE DESIGN SHOW to benefit the Wenham Museum
Saturday May 12 to Sunday May 20
Be inspired by three galleries of fabulous room vignettes created by the North Shore’s finest interior designers
Featuring Finn-Martens Design, Beverly Farms • Wilson Kelsey Design, Salem • Honey Collins Interior Design, Essex • Yvonne Blacker Interiors, Lynnfield • Sacris Design, Amesbury • Landry & Arcari, Salem • Mary O’Neill Interior Design, North Andover • Carpenter & MacNeille Associates, Essex • Eric M. Haydel Design, Allston • The Drawing Room Interior Design, Byfield • & more of the finest design talent in the region
Visit www.wenhammuseum.org for information
FINN-MARTENS DESIGN, ERIC ROTH PHOTOGRAPHY
WILSON KELSEY DESIGN, ERIC ROTH PHOTOGRAPHY
10 a.m. to 4 p.m.; Until 7 pm., Tuesday and Thursday; Closed Monday | $10 in advance; $15 at the door
Gala Benefit Preview Party Friday, May 11, 6:30-9:30 $75, by reservation only Special Mother's Day Event Sunday, May 13 Wenham Museum | 132 Main Street Wenham MA 978-468-2377
Honorary Chair Stacy Kunstel, Stylist/Writer/ Editor/Producer
2008 North Shore Design Show
favorite spa ces
New in the Showrooms Unique, beautiful and now appearing in New England’s shops and showrooms BY DEBBIE HAGAN
1 Inverted Pyramid
Crafted from zebrawood and trimmed in brass, this Roxbury coffee table by Theo is simultaneously exotic and sophisticated. Custom sizes and finishes are available. STUDIO 534, BOSTON DESIGN CENTER, (617) 345-9900, WWW.S5BOSTON.COM
2 Snuggly Soft It’s easy to cozy up next to these lambs-wool Haven Knit pillows, featuring this modern design conveniently printed on both sides. Angela Adams, PORTLAND, MAINE, (207) 7743523, WWW.ANGELAADAMS.COM
3 Staying in Line Quietly elegant, these flush doors, just introduced by Bosca Arredi, would blend into the walls, except for a subtle architectural reveal. STUDIO VERTICALE, BOSTON, (617) 751-0829, WWW.STUDIOVERTICALE.COM
4 Kick Back 3
Perfect for the conservatory, this vintage Italian rocker encourages lounging with a good novel. Made of tubular chrome and wicker, this chair is a find at Beyond Gorgeosity, HINGHAM, MASS., (617) 901-4333, WWW.BG ANTIQUESANDINTERIOR DESIGN .1STDIBS.COM
5 Power of Nine Wildwood’s black-and-white Marina lamp brings to mind old pharmacy jars through its shape and graphic flourish. HOME COMFORT, CENTER HARBOR, N.H., (603) 253-6660 WWW.HOMECOMFORTNH.COM
6 La Dolce Vita Farrow & Ball draws inspiration from the Italian Renaissance for the ornamental brocade patterns and floral motifs of The Broccato Papers wallpaper collection.
BOSTON DESIGN CENTER, (617) 3455344, WWW.FARROW-BALL.COM
146 New England Home March/April 2012
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Inspired Coastal Decor...
Traditional • Contemporary Natural Fibers Sisal • Wool • Seagrass Jute • Berber and more
A guide to the products and professionals in this issue’s featured homes
NO RESERVATIONS PAGES 92–97 Interior designer: Michael Barnum, Michael Barnum Studio, Boston, (617) 451-2125, www .michaelbarnumco.com Builder: Boston Built, Boston, (617) 327-6967 Audiovisual and lighting control: Jim Sweeney, JimAV, Milford, Mass., (508) 469-0168, www .jimav.net Pages 92–93: Round end table from D Scale, www.dscalemodern.com; Murano glass table lamp from Donghia, www.donghia.com, with custom shade from Blanche P. Field, www .blanchefield.com; custom area rug designed by Michael Barnum Studio, executed by Lee Jofa, www.leejofa.com; coffee table/ottoman from D Scale; swivel chairs by A. Rudin through M-Geough, www.mgeough.com; Art Deco reading chair from Furn & Co., www .furnco.us, with fabric by Osborne & Little, www.osborneandlittle.com; side table from Baker Knapp and Tubbs, www.bakerfurniture .com; pillow fabric by JAB through Designer’s Guild, www.designersguild.com; stairs custom designed by Michael Barnum Studio; oilrubbed bronze railing finish by Avatar East, Boston, (617) 448-3986; doors beneath stairs wrapped in faux leather by Valtekz through Charles Spada, www.charlesspada.com; LED tread lights on stairs from Wolfers Lighting, www.wolfers.com; damask fabric on chair fronts from GP & J Baker, stripes on back by Lorca, both through Lee Jofa. Pages 94–95: Dining table and chairs by Ralph Lauren Home, www.ralphlauren home.com, with chair fabric by Osborne & Little; antique French Art Deco buffet and Scandinavian hand-blown glass balloon lamps through Michael Barnum Studio; kitchen backsplash crystal glass tile by Ann Sacks, www.annsacks.com; black mosaic granite countertops by Marble and Granite, www.marbleandgranite.com; door and cabinet hardware by Raybern Company, www.ray bernco.com; Beat light pendants by Tom Dixon through Property Furniture, www .propertyfurniture.com; barstool fabric by Osborne & Little.
Pages 96–97: Master bedroom headboard and nightstands designed by Michael Barnum
Residential & Commercial
508.485.2227 | WWW.POSTROADCARPET.COM | MARLBORO, MA
Studio; nightstand’s faux shagreen by Valtekz through Charles Spada; wallpaper by Osborne & Little, installed by Diane Bloom, www.diane bloominc.com; Calvin Fabrics drapes fabricated by Design Bevacqua, Saugus, Mass., (781)
148 New England Home March/April 2012
231-7400; swing-arm lights from Wolfers Lighting; guest room/study custom desk and floating shelves by Michael Barnum Studio, built and installed by Joseph Meaney, www.jmeaney.com; sleeper sofa and leather
NEW ENGL AND S FINEST SELECTION OF MID –T WENTIETH CENTURY FURNITURE
ottoman by Kravet, www.kravet.com; sheers by Sheila Coombes through Studio 534, www.s5boston.com.
ARRANGEMENT IN GRAY AND WHITE PAGES 98–105 Cabinetmaker: Cedar Crest Cabinetry, Manchester, N.H., (603) 606-6123, www .cedarcrestcabinetry.com Page 98: Zinc-topped dining table from Red Chair on Warren, www.redchair-antiques.com; chandelier from Van Campen’s, Peterborough, N.H., (603) 924-4225. Page 100: Classic Gray wall color from Benjamin Moore, www.benjaminmoore.com; silver, mercury glass and ironstone pieces from Red Chair on Warren. Page 101: Kitchen stools from Red Chair on Warren. Page 102: Westcott Navy wall color from Benjamin Moore; mirror from Red Chair on Warren. Page 105: Bedding from Red Chair on Warren.
DESIGNING WOMEN PAGES 106–113 Interior designer: Amy Meier, Amy Meier Design, Del Mar, Calif., (858) 848-4151, www.amy meierdesign.com Decorative painter: Cedric Hill, Gloucester, Mass., (978) 500-2237, www.cedricdecorating.com Art consultant: Lydia Barry Kutko, New York City, (646) 389-2787, www.lydiabarry kutko.com Seamstress: Lorraine Pocknett, Freshwater Cove Design, Gloucester, Mass., (978) 281-1925 Pages 106–107: Floors painted by Cedric Hill; custom chaise designed by Amy Meier with fabric by Kravet, www.kravet.com; window seat fabrics by Pindler & Pindler, www.pindler
W W W.MACHINE-AGE.COM
.com, Kravet and Zimman’s, www.zimmans
645 Summer Streetx Boston, MA 02210 617.464.0099 Tues - Sat 12-4pm email@example.com
.com; throw on chaise from The Faded Awning, La Jolla, Calif., (858) 456-7464; Florentine side tables from Treasures on the Coast, www.treasuresonthecoast.net; leather and chrome chairs from Maudlin, www.shop
Best Furniture, Vintage
maudlin.com; lumbar pillows from West Elm,
www.westelm.com; artwork by Donna Ruff, www.donnaruffart.com; brass candlesticks from www.etsy.com; brass tray, mirrors and
AUTHORIZED x DEALER
floral candlesticks from The Roving Home, www.therovinghome.com. March/April 2012 New England Home 149
Resources Pages 108â&#x20AC;&#x201C;109: Dining table from A.P.H.
(-&:45&&/ %&4*(/ ."3$64 (-&:45&&/ "*" 3&4*%&/5*"- "3$)*5&$563& 8 8 8 ( - & : 4 5 & & / % & 4 * ( / $ 0 .
Waller & Son Antiques, www.aphwaller.com; chairs from Walker Creek, www.walkercreek furniture.com; buffet from The Roving Home with marble top from Interior Stone, www .interiorstone.net; lamps from West Elm; curtain fabric from Zimmanâ&#x20AC;&#x2122;s. Page 110: Custom sofa by Amy Meier with fabric from Zimmanâ&#x20AC;&#x2122;s; side chairs from Wisteria, www.wisteria.com, with fabric by Schumacher, www.fschumacher.com; coffee table by Amy Meier; demilunes from Antiques on 5, www.antiqueson5.1stdibs.com; hammered tin container from Luluâ&#x20AC;&#x2122;s Pantry, Rockport, Mass., (978) 546-0010; candlesticks from Olde Ivy Antiques, Carlsbad, Calif., (760) 729-8607; art over fireplace by Kathleen Gerdon Archer Photography, www.kathleengerdonarcher .com; photograph over sofa by Eric Laurits, http://ericlaurits.com. Page 112: Sofa from Restoration Hardware, www.restorationhardware.com; pillow fabrics
8& 3& .07*/( 50 ,*/(450/ 453&&5 #0450/ ."
from Schumacher; custom coffee table by Amy Meier; grasscloth by Seabrook, www .seabrookwallpaper.com; art lights from Circa Lighting, www.circalighting.com. Page 113: Bed from Ikea, www.ikea.com; canopy fabric from Yardage Town, www .yardagetown.com; table lamp from Ikea; antique side tables and chairs from Conomo Point Antiques, Essex, Mass., (978) 768-4526;
hurricane sconces from www.etsy.com.
GROWING UP IN STYLE PAGES 114â&#x20AC;&#x201C;121 Architect: Guy Grassi, Grassi Design Group, Boston, (617) 956-9992, www.grassides.com Interior designers: Maribeth Brostowski and Polly Lewis, Lewis Interiors, Boston, (617) 3670731, www.lewisinteriorsboston.com Builder: Metric Construction, Boston, (617) 787-1158, www.metriccorp.com Art consultant: Andrea Marquit Clagett, Andrea Marquit Fine Arts, Boston, (617) 859-0190 Page 115: Lantern from Visual Comfort & Co., www.visualcomfort.com; staircase by Rose Tarlow Melrose House, www.rosetarlow.com; stairway rug from Stark, www.starkcarpet
DESIGN, INC. A BUILDING & DESIGN COMPANY
.com; foyer table from Mattaliano, www .mattaliano.com; antique magnifying glasses from Regency Home, www.regency boston.net; wallpaper from Schumacher, www.fschumacher.com. Pages 116â&#x20AC;&#x201C;117: Custom Tibetan rugs from Stark; living room sofa and chairs from Lewis
401-231-0099 | WWW.BR ADF ORDDE SIGNR I.COM
Mittman, www.ef-lm.com; wallpaper by Elizabeth Dow, www.elizabethdow.com; artwork
150 New England Home March/April 2012
from Lanoue Fine Art, www.lanouefineart .com; chandeliers from Dessin Fournir, www .dessinfournir.com; mirrors from John Himmel, www.johnhimmel.com; dining table from Dessin Fournir; Grinelle dining chairs from Edward Ferrell, www.ef-lm.com, with fabric from Osborne & Little, www.osborneandlittle.com; curtain fabric from Bergamo, www.bergamo fabrics.com, with sheers from Pindler & Pindler, www.pindler.com; dining room chest
We know in order for you to fulfill your potential, we have to fulfill ours.
from Holly Hunt, www.hollyhunt.com. Pages 118–119: Study rug by David Hicks from Stark; chairs and ottoman from McLaughlin Upholstering Company, www.mclaughlin upholstering.com, in fabric from Lee Jofa, www.leejofa.com, with tape from Samuel & Sons, www.samuelandsons.com; occasional tables and red chair from Dessin Fournir; media room sofa and chair from Edward Ferrell; sofa fabric from Calvin Fabrics, www .calvinfabrics.com; Elana bench from The Bright Group, www.thebrightgroup.com; wall covering from Kravet, www.kravet.com; table lamp from Hudson, www.hudsonboston.com; corner table from A. Rudin, www.arudin.com; horse triptych from Mecox Gardens, www .mecoxgardens.com. Pages 120–121: Hall settee from Lewis Mittman with fabric from Nina Campbell, www.nina
We’re dedicated to be the best wholesale flooring company you’ll ever work with.
campbell.com; pillows from Kravet; master bedroom chandeliers from Horchow, www .horchow.com; rug from Stark; bed from Nancy Corzine, www.nancycorzine.com; night tables from Dessin Fournir; bedding from Frette, www.frette.com.
SETTING THE SCENERY PAGES 122–129 Pages 122–123: Architect for house, Thomas P. Catalano, Catalano Architects, Boston, (617) 338-7447, www.catalanoinc.com; stonemasonry, Raffaele Construction, Lynn, Mass., (781) 598-5989, www.raffaelestone.com. Pages 124–125: General contractor, planter and fencing fabrication and installation, Clayton Austin, Boston Ornament Company,
950 Chestnut Street Franklin, MA. 02038 Daily 10-6, M & W 10-8 Sat 10-5 & Sunday 11-4
TO THE TM
W H O L E S A L E
F L O O R I N G
276 Turnpike Rd, Route 9 Westborough Ma 01581 Daily 11-7, Sat 11-5 & Sunday 11-4
Toll Free 1-877-269-3566 • www.FloorsToTheTrade.com
Allston, Mass., (617) 787-4118, www.boston ornament.com; perennial and annual installation and ongoing maintenance, Parterre Garden Services, Cambridge, Mass., (617) 4922230, www.parterregarden.com; tree and shrub installation, Hartney Greymont, Needham, Mass., (781) 444-1227, www.hartney.com. Pages 126–127: Landscape contractors, James Barrett and Susanna Jewell, Gardenform Landscape Construction, South Deerfield, Mass., (978) 707-9888, www.gardenform.net.
area r ugs
• March/April 2012 New England Home 151
Manchester, Massachusetts $3,500,000 Represented by Lynda Surdam Coldwell Banker Residential Brokerage T. 978.526.7572
HISTORY IS THE DIFFERENCE HISTORY IS THE DIFFERENCE
WAYLAND, MASSACHUSETTS Exquisitely-detailed 25,400-square-foot residence on 11.4 acres. Swimming pool, pool/guest house, sports court, eight-stall New England barn. Surrounded by conservation land. $18,800,000
CAMBRIDGE, MASSACHUSETTS Renovated 15-room home in Harvard Sq. Beautiful rooms with ﬁreplaces & built-ins; eat-in-kitchen opens to family room; amazing master suite. Home theatre, wine cellar, landscaped grounds & garage. $3,750,000
NEWTON, MASSACHUSETTS Stunning, new Contemporary Colonial home featuring six en suite bedrooms, state-of-the-art kitchen, adjacent two-story family room, huge fenced-in yard, and bluestone patio. $3,195,000
Wendy Fox | T. 781.894.5555
Gail Roberts | T. 617.864.4430
Gina Romm | T. 617.969.2447
LEXINGTON, MASSACHUSETTS Five-bedroom Shingle-and-stone home in Pheasant Brook estates offers a family room with French doors to deck, gourmet kitchen, and spa bath with ﬁreplace, TV, and refrigerator. $3,150,000
WELLESLEY, MASSACHUSETTS Exceptional 5,265-square-foot Colonial home in Wellesley Farms. Superbly updated featuring gourmet kitchen, huge living room, stone patio, Gunite pool, ﬁre pit and cabana. $2,595,000
HINGHAM, MASSACHUSETTS Custom-designed energy efﬁcient home features panoramic views of the Black Rock Country Club golf course, 6,000+ square feet on three levels and 12 rooms. 20 miles south of Boston. $2,495,000
Elizabeth Crampton | T. 781.862.2600
Tom Aaron & Wes Garner | T. 781.237.9090
Mary Lee Ingoldsby & Terry Gillis | T. 781.749.4300
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HARPSWELL, MAINE Waterfront home, near town, on 9+ acres with 318 feet of oak-lined coast. Beauty and quality found throughout 10 rooms with gourmet kitchen, 3.5 baths and much more. $1,799,000
WELLESLEY, MASSACHUSETTS Exquisite 1930’s Colonial residence in the “Farms”. Elegant formal areas, custom kitchen with granite, family room with skylights, 4-5 bedrooms and spectacular grounds. $1,795,000
JAMAICA PLAIN, MASSACHUSETTS Grand Eliot Street home, steps from Jamaica Pond on 16,000+ sq. ft. lot. Six bedrooms, 3.5 baths including master suite. Stunning kitchen, family room, lovely yard, deck and two-car garage. $1,425,000
Helen Lord | T. 207.721.6788
Margaret Kunz | T. 781.237.9090
Constance Cervone & Janet Deegan | T. 617.522.4600
Africa North America Central America South America Asia Australia Caribbean Europe Middle East South Paciﬁc COLDWELLBANKERPREVIEWS.COM © 2012 Coldwell Banker Real Estate LLC. A Realogy Company. All Rights Reserved Coldwell Banker Real Estate LLC fully supports the principles of the Fair Housing Act and the Equal Opportunity Act. Each Ofﬁce is Independently Owned and Operated. Coldwell Banker®, the Coldwell Banker Logo and Coldwell Banker Previews International®, the Previews’ Logo, and “We Never Stop Moving®” and “Dedicated to Luxury Real EstateSM” are registered and unregistered service marks licensed to Coldwell Banker Real Estate LLC.
Manchester-Renovated Colonial with new addition in desirable neighborhood. $1,075,000
Rowley-Totally restored circa 1872 Mansard Victorian. $369,000
Wenham-Classic New England Farmhouse renovated for todayâ&#x20AC;&#x2122;s lifestyle. $549,000
Boxford-Historic Colonial with sensational period details sited on 3+ acres. $579,000
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Essex-Fantastic Shingle Style home with beautiful river views. $1,599,000
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www.jbarrettrealty.com Magnolia-Exquisitely remodeled Oceanfront residence on Shore Road. $2,200,000
Manchester-by-the-Sea, MA (978) 526-8555 Beverly Farms, MA (978) 922-2700 Gloucester, MA (978) 282-1315 Ipswich, MA (978) 356-3444
Swampscott-Well maintained Dutch Gambrel abutting conservation land. $467,500
Rockport-Sparkling freestanding Condo in village location with private garden. $410,000
Beverly-Elegant Colonial renovated in 2008 with period details. $389,000
Beverly Farms-Charming Cape in village location near West Beach and train. $519,000
Wenham-Brand new energyHIÂżFLHQW &RORQLDO VLWHG RQ D ODUJH level lot. $1,070,000
Salem-Beautiful Victorian in historic district with conversion potential. $475,000
Manchester-Iconic Stucco house with harbor views and great potential. $895,000
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Fairfield, CT $12,150,000 MLS#98514717,Anne Estelle, 203.307.4562
Marblehead, MA $5,850,000 MLS#71139325, Jack Attridge, 781.883.3200
Newport, RI $4,600,000 MLS#1004643, Lynn Creighton, 401.345.6886
Old Greenwich, CT $3,495,000 MLS#79118 ,Vicky Harris, 203.912.2708
To Be Built
New Canaan, CT $3,495,000 MLS#98523618, Sneddon Associates 203.219.3769
New Canaan, CT $2,795,000 MLS#98515639, Diane Jenkins, 203.803.5703
Newton Centre, MA $2,350,000 MLS#71328211, Sarina Steinmetz, 617.610.0207
Norfolk, CT $2,250,000 MLS#98525559, Stacey Matthews, 860.868.9066
Chappaqua, NY $2,195,000 MLS#3131158, Eric Rosenfeld, 914.262.9628
Eastham, MA $1,900,000 MLS#21106357, Nikki Carter, 508.410.0558
Clinton, CT $1,795,000 MLS#M9131322, Ona Nejdl, 860.227.5027
Brewster, MA $1,700,000 MLS#21007335, Georgette Swan, 508.237.7854
Hull, MA $1,549,000 MLS#71320964, Jennifer Richardsson, 781.264.0462
Duxbury, MA $1,499,900 MLS#71312027,MaryBeth Davidson, 781.679.2039
Wilton, CT $1,599,000 MLS#98504665,Karina Andre, 203.581.0053
Chatham, MA $1,575,000 MLS#21104381, Sarah Dousa, 617.755.2511
South Natick, MA $1,249,000 MLS#71329476,Christine Norcross, 781.929.4994
Portsmouth, RI $1,190,000 MLS#996331, Susan Watts, 917.414.3617
Marblehead, MA $1,122,000 MLS#71193281, Nina Haliotis, 781.632.3446
Ridgefield, CT $1,099,000 MLS#98516766, Cecelia Ruggles, 203.313.4924
Hingham, MA $1,089,000 MLS#71281488, Denise Marshall, 617.875.7774
Portsmouth, RI $1,050,000 MLS#1001653, Arthur Chapman, 401.640.0807
Hull, MA $975,000 MLS#71313171,Cindy Bittker, 617.921.9966
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I N T E R N A T I O N A L
For more information on these and other luxury homes or to speak to an Exceptional Properties Specialist, call 877.298.2780.
NOT ALL HOMES ARE THE SAME. NEITHER ARE OUR MORTGAGE PRODUCTS. At Citizens Bank, weâ&#x20AC;&#x2122;re for homes. Weâ&#x20AC;&#x2122;re for helping more people be successful homeowners. Our Loan OfďŹ cers can help you navigate the process, from ďŹ nding the right mortgage through closing. Talk to a Citizens Bank Loan OfďŹ cer about the variety of ďŹ nancing options available to you: â&#x20AC;˘ Fixed-rate mortgages â&#x20AC;˘ Jumbo loans â&#x20AC;˘ Adjustable-rate mortgages
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*Combines a ďŹ rst mortgage with a home equity line of credit. Transaction and market restrictions apply. Mortgages are offered and originated by RBS Citizens, N.A. Citizens Bank is a brand name of RBS Citizens, N.A. (NMLS ID# 433960) and Citizens Bank of Pennsylvania (NMLS ID# 522615). RBS Citizens, N.A. and Citizens Bank of Pennsylvania are afďŹ liates. All loans are subject to approval. Equal Housing Lender. 0207
CORNICE REALTY, LLC
NARRAGANSETT, RI YOU ARE HERE!!!
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Breathtaking ocean views from this luxury 4-bedroom dream home, under construction with 600 feet direct ocean access, views of Point Judith Refuge and Block Island. Walk to Roger Wheeler Beach! Choose your colors and designer details! Enjoy a beautiful sunset from your own piece of paradise!
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Exclusively offered for sale by Cornice Realty MLS #997782
401-354-4720 | Cornice@ureach.com
Advertiser Index A helpful resource for ﬁnding the advertisers featured in this issue
A. Tesa Architecture 21 A.J. Rose Carpets 91 Architectural Digest Home Design Show 89 Ardente Supply Company 139 Back Bay Shutter Co., Inc. Back Cover Bayberry Nurseries 70–71 BayPoint Builders 37 Belgard 72–73 Boston Design Center 11 Bradford Design, Inc. 150 Broderick Building & Remodeling 44 California Closets 43 Catalano Architects, Inc. 39 Charles Spada Interiors 12 Circle Furniture 143 Citizen’s Bank 156 Coldwell Banker Previews International 152–153
A SSO C I AT ES, I nc .
A ordable Luxury from Concept to Completion
D Randolph Foulds Photography
Colony Rug Company 134 Cornice Realty 156 Cosentino North America 58–59 The Cottage 62–63 Cottage and Bungalow 147 CraftBoston 159 Crestron Electronics, Inc. 131 Cumar, Inc. 51 Cutting Edge Systems 52 Davio’s 18 db Landscaping 86 Decorating Den Interiors 157 Dover Rug 49 Doyle Herman Design Associates 24 Dream Kitchens 47 Duffy Design Group 35 Floors To The Trade 151 Furniture Consignment.com 158 Gleysteen Design LLC 150 Gloster Furniture 74–75 The Granite Group 55 Gregory Lombardi Design 7 H. Keith Wagner 87 Hope’s Windows 9 Howell Custom Building Group 23 Hudson 36 Hutker Architects 141 Installations Plus, Inc. 13 Island Realty 156 J Barrett & Company Real Estate 154 J. Todd Galleries 40 J.W. Construction, Inc. 8 Jeff Soderbergh 42 Kitchen Views 25 LaBarge Custom Home Building 130 Landry & Arcari 19 LDa Architects & Interiors 45 League of N.H. Craftsmen 130 Leslie Fine Interiors, Inc. 2–3
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March/April 2012 New England Home 157
Advertiser Index Longwood Events 60, 90 Machine Age 149 Marble and Granite Inc. 33 Maverick Integration Corp 24 Meyer & Meyer Architecture and Interiors 137 Mitchell Gold + Bob Williams Inside back cover
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or visit www.nehomemag.com 158 New England Home March/April 2012
North Shore Design Show 145 Northern Lights Landscape 57 Patrick Ahearn Architect, LLC 53 Peabody Supply Company 143 Pellettieri Associates, Inc. 46 Polhemus Savery DaSilva 22 Post Road Carpet 148 Pressley Associates 1 Ralph Lauren Home Inside front cover RiverBend & Company 76–77, 159 Roomscapes Luxury Design Center 6 Salem Plumbing Supply Designer Bath 147 Sally Weston Associates 15 Sanford Custom Homes 133 Schumacher Landscape Artisans 17 SEA-DAR Construction 135 Sean Papich Landscape Architect 88 Shade & Shutter Systems, Inc. 20 Shafer O’Neil Interior Design 64–65 Snow and Jones 31 Stonegate Gardens 78–79 Sudbury Design Group 80–81 Sunlight Solar Energy 139 Susan Dearborn Interiors 66–67 Susan Shulman Interiors 29 Taste Design, Inc. 141 Thoughtforms 41 TMS Architects 4–5 Triad Associates, Inc. 82–83 Upstate Door 137 Viola Associates, Inc. 157 Walker Interiors 133 Wayne Towle Master Finishing & Restoration 26
William Raveis Real Estate 155 Winston Flowers 68 Zen Associates 84–85 New England Home, March/April 2012, Volume 7, Number 4 © 2012 by Network Communications, Inc. All rights reserved. Permission to reprint or quote excerpts granted by written request only. New England Home (USPS 024-096) is published 6 times a year (JAN, MAR, MAY, JULY, SEP, NOV) by Network Communications, Inc. 2305 Newpoint Parkway, Lawrenceville, GA 30043 (770) 9627220. Periodical postage paid at Lawrenceville, GA, and additional mailing ofﬁces. POSTMASTER: Send address changes to New England Home, PO Box 9002, Maple Shade, NJ 08052-9652. For change of address include old address as well as new address with both zip codes. Allow four to six weeks for change of address to become effective. Please include current mailing label when writing about your subscription.
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Design ideas in the making
THE INITIAL IDEA behind this hand-carved mantel came from my client. Ideally, she wanted the piece to repre-
sent all that she and her family love about their oceanfront home: turtles, schools of fish, flowers, seashells and ornamental grasses. I decided to use these disparate elements within the architecture of the mantel. Since we knew what its overall structural lines would be, we “played” with the animal and plant components to make them work in a whimsical yet logical manner. Using a scallop shell as the keystone is one example of this. The frieze is a horizontal element, so using turtles there and creating a repeat made some sense. (The historic precedent is the zoophorus, often used between the architrave and cornice in a classic entablature.) The grasses had an implied verticality that, when bundled, made them perfect for the mantel’s supportive pilasters. The finished architectural construct is a truly one-of-a-kind fireplace, realized in soapstone by Cape Cod stone carver Tim Dibble for a thrilled client. JOHN MACDONALD, MOREHOUSE MACDONALD & ASSOCIATES, INC., LEXINGTON, MASS., (781) 861-9500, WWW.MOREHOUSEMACDONALD.COM
New England Home March/April 2012
WITH COUTURE LEVEL DESIGN & DETAILS: THIS NEW COLLECTION OF ALLURING SILHOUETTES AND PROVOCATIVE DEPTHS, BRINGS DEFINITION TO THE NEXT EVOLUTION OF COMFORT. HAND-CRAFTED IN THE USA WITH EARTH-FRIENDLY MATERIALS.
BOSTON 142 Berkeley Street Boston, MA 02116 / 617.266.0075 Mon thru Fri: 10am to 7pm, Sat: 10am to 6pm, Sun: 11am to 6pm / www.mgbwboston.com NATICK 395 Worcester Street, Route 9 Natick, MA 01760 / 508.650.1400 Mon thru Fri: 10am to 7pm, Sat: 10am to 6pm, Sun: 11am to 6pm / www.mgbwnatick.com Pascal Sofa with eco-luxe down cushions 102”w x 41”d x 33”h in charcoal faux suede ($3510) $2595, Fleming Chair 32”w x 30”d x 30”h in shimmering parchment strie velvet ($1790) $1295, Terrie Square Ottoman 44”w x 44”d x 19”h in fawn hair-on-hide leather ($2190) $1575, Manning Side Table 26”w x 23”d x 22”h $870, Pathway 8’ x 10’ Rug in aqua $1795, Tully Table Lamp 31”h faux horn base with black parchment shade $445, Hyden Gallop 81”w x 34”h $2495
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