Graduate Portfolio - Sample

PORTFOLIO A COLLECTION OF DESIGNS AND CREATIVE WORKS BY NATHAN FLORES

GRADUATE STUDIO PROJECTS

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VISUAL COMMUNICATION

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INTRODUCE

RESEARCH

CREATE

EVALUATE

GRADUATE STUDIO PROJECTS

PRODUCE

REVIEW DEVELOP

FLUSSHAUS ON RIVER MAIN ADVANCED TOPICS STUDIO PROF: TAEG NISHIMOTO

I

2018

Each city has a narrative that has developed over time and is also emerging in contemporary social and cultural context. These narratives are generated by specific activities that include how people (city dwellers and visitors) spend time for entertainment. This studio explored the notion of entertainment for city dwellers and visitors in our contemporary culture and life style, and proposed a building that will programmatically assumed the role of a new entertainment HUB and cultural contributor for the city’s collective consciousness.

In Frankfurt, Germany, two German DJs are proposing a Museum of Modern Electronic Music (aka MOMEM) which would bring electronic dance music to the public through a permanent, physical space. The proposal is to create a differentiated, multi-volume envelope to house their spatial needs. The proposal is for a building comprised of 4 main elements. First, the entire project would be connected to Frankfurt’s lively Riverfront linear park. Second, a Music Label company in the form of an education/workshop space. Third, a Museum including interactive exhibit spaces, and a dynamic black box concept with transformative capabilities. Last, a Nightclub which would foster social interactions, celebrate the history of electronic dance music in Germany and embrace 21st century technology as a form of musical creation and synthesis.

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,167580(17 7(&+12/2*< Over the past decade, the Dutch house DJ TiĂŤsto has emerged as an EDM scene leader with his finger on the pulse of its culture Last year he

NEWS & FEATURES

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Technoâ&#x20AC;&#x2122;s new museum: The Living Archive of Electronica 2 July 17, 2016

# EG Admin

Ä&#x201C; News

Berlin, a city known for its history, museums, architecture, music, and some of the most important clubs in the world has adopted techno as its own, earning the label as the techno capital of the world and a true destination for world wide partygoers who want to experience dance music at its core.

To keep its staple as one of the top techno and dance destinations, 'KOKVTK +GIGOCPP, the owner of one of the oldest and most important clubs in the scene, 6TGUQT, has embraced and ventured to announce the opening of the Techno Museum.

The museum, which is set to open during fall 2016, will be located in Kraftwerk, the abandoned power station thatâ&#x20AC;&#x2122;s been home to the iconic German club since 2007 and coinciding with the 25th anniversaryy of the club.

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Tresorâ&#x20AC;&#x2122;s frontman revealed the institutionâ&#x20AC;&#x2122;s name will be â&#x20AC;&#x153;The Living Archive of Electronicaâ&#x20AC;?, â&#x20AC;? stating that the term â&#x20AC;&#x2DC;museumâ&#x20AC;&#x2122; denotes â&#x20AC;&#x153;something that belongs to past.â&#x20AC;? According to Hegemann the project will be experiential. Heâ&#x20AC;&#x2122;s aiming to â&#x20AC;&#x153;convey the feelingâ&#x20AC;? of the atmosphere in Berlin basements during the rise of techno.

The news follows an announcement this past April that a Museum of Modern Electronic Music (MoMEM) is scheduled to open in Frankfurt in 2017. The only known Techno museum is located at the birthplace of techno, Detroit.

6 )

Permanent Collection 4,000 s.f.

Exhibition Hall 4,000 s.f.

Admin & Marketing 3,000 s.f.

Nightclub 9000 s.f.

Corporate Office Space 20-40 Employees

Stage 1,000 s.f.

2 Music Studios

Bar 2,000 s.f.

2 Common Work Areas

+

Seating

CafĂŠ / Restaurant 3000 s.f.

Parking 200 spaces

Gift Shop 2,000 s.f.

Walkways

Assembly Hall

+

+

=

Frankfurts Fluss haus (River)

(House)

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FLUSSHAUS ON RIVER MAIN ADVANCED TOPICS STUDIO PROF: TAEG NISHIMOTO

I

2018

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FLUSSHAUS ON RIVER MAIN ADVANCED TOPICS STUDIO PROF: TAEG NISHIMOTO

NIGHTCLUB

I

2018

This interior perspective of the nightclub showcases a dance floor and balcony level where patrons can celebrate and be immersed within electronic music.

STAIRS

ROOFTOP LOUNGE

the rooftop lounge allows patrons to enjoy the breathtaking views of the Frankfurt skyline while also taking pleasure in the outdoor landscape under the bright lit cover of the disco ball.

STAIRS

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PROPOSED SITE PLAN

FLUSSHAUS ON RIVER MAIN ADVANCED TOPICS STUDIO I 2018 PROF: TAEG NISHIMOTO NIGHT CLUB

an entertainment venue and bar that will operate at night. The program will include a stage for live music, one or more dance floor areas , a DJ booth, where a DJ plays recorded music. The upmarket nature of nightclubs can be seen in the inclusion of VIP areas for celebrities and their guests.

REINFORCED 2 WAY CAGE SUPERSTRUCTURE

ROOFTOP LOUNGE

LED FIBER OPTIC TUBE LIGHTING

2 WAY REINFORCED STEEL FLOOR FRAME SYSTEM

PRISMATIC FINISH ALUMINUM COMPOSITE PANELS

2 WAY REINFORCED STEEL FLOOR FRAME SYSTEM

MUSEUM

In seven sections, MOMEM will address the places, the social settings, the instruments, and the various influences of Electronic Music on art, fashion and technology, as well as its numerous genres and sub genres – from Ambient, Electronica and Experimental to House and its different types, to Techno and even Drum’n’Bass.

REINFORCED STEEL COLUMN & BEAM SYSTEM

RECORD LABEL

A record label is a brand or trademark associated with the marketing of electronic dance music recordings, from preproduction, through to the sound recording and mixing stages, and, all the way to the audio editing stage.

ZINC REVEAL PANEL FACADE SYSTEM

2 WAY REINFORCED STEEL FLOOR FRAME SYSTEM

LEVEL 08: NIGHTCLUB - VIP AREA CAFÉ, RESTAURANT & GIFTSHOP

LEVEL 07: NIGHTCLUB LEVEL 06: ROOFTOP LOUNGE

LEVEL 05: MUSEUM LEVEL 04: MUSEUM LEVEL 03: RECORD LABEL COMPANY PARKING

An automated (car) parking system (APS) is a mechanical system designed to minimize the area and/or volume required for parking cars. Like a multi-story parking garage, an APS provides parking for cars on multiple levels stacked vertically to maximize the number of parking spaces while minimizing land usage

STRUCTURAL SILICONE GLAZED CURTAIN WALL SYSTEM

RIVERWALK

LEVEL 02: RECORD LABEL COMPANY, CAFE & RESTAURANT APPRO

APP R OA

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EXPLODED ISOMETRIC: PROGRAM ORGANIZATION

EXPLODED ISOMETRIC: BUILDING INFORMATION

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FLUSSHAUS ON RIVER MAIN ADVANCED TOPICS STUDIO PROF: TAEG NISHIMOTO

I

2018

RIVERWALK P.12

The building approach welcomes visitors to explore its lush landscape and open walkways. Direct and interconnected walkways lead visitors to the museum, cafe and restaurant space.

FLUSSHAUS F LUS SS ON RIVER MAIN ADVANCED TOPICS STUDIO I 2018 PROF: TAEG NISHIMOTO

BUILDING SECTION

ITE SECTION

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FLUSSHAUS ON RIVER MAIN ADVANCED TOPICS STUDIO PROF: TAEG NISHIMOTO

RIVERFRONT

I

2018

Exterior perspective of River Main waterfront bridging a connection between the waters of River Main and the green landscape. Flusshaus is nestled within the linear park but also stands out along the

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FLUSSHAUS ON RIVER MAIN ADVANCED TOPICS STUDIO I 2018 PROF: TAEG NISHIMOTO

e shoreline at night with itâ&#x20AC;&#x2122;s bright lights and commanding presence.

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RIVER CITY VILLAGE TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

Aging Out of Foster Care In this studio, we were asked to design a facility to house, care and prepare foster youth to be on their own when they “age out” of the system. While this was one project throughout the semester, it will divided into several phases: Program Research , Site Design, Building Design, and details of Construction.

Within this comprehensive design studio, each member collaborated similar to the structure of an architectural firm. The firm our group created was called “Studio 451” and during the semester we made design decisions within the development of our architectural project that demonstrated broad integration of environmental stewardship, technical documentation, A.D.A. accessibility, site conditions, life safety, mechanical systems, structural systems, and building envelope system assemblies.

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RIVER CITY VILLAGE TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

SITE

SITE

S.A.R.A. LAND FEATURE MAP

S.A.R.A. 100 YEAR FLOODPLAIN MAP

CONCEPT & APPROACH

845'-0"

5' BUILDING SETBACK

840'-0"

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25

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10' BUILDING SETBACK

EA SE M EN T

835'-0"

830'-0"

10' COSA EASEMENT

825'-0"

WURZBACH RD.

SITE SELECTION 820'-0"

DORM 4 % SUPPORT 9 % EATING

24 % LIVING

+

= 58 % RESTING

1 DORM = 14 BEDS | 4 DORMS = 56 BEDS LAUNDRY IDF / MECH STORAGE

100 SQ FT 60 SQ FT 40 SQ FT

DINING KITCHEN PANTRY

165 SQ FT 225 SQ FT 60 SQ FT

LOUNGE GARDEN CIRCULATION

220 SQ FT 250 SQ FT 730 SQ FT

(2) ADVISOR (2) SINGLE (4) DOUBLE (2) TEMPORARY

260 SQ FT 260 SQ FT 325 SQ FT 300 SQ FT

ADMIN 17 % SERVICE

23 % WORKING

25 % SUPPORT

GROSS AREA NET AREA

5,050 SQ FT 4,790 SQ FT

500 SQ FT 60 SQ FT

OFFICE 1 OFFICE 2 OFFICE 3 OFFICE 4 OFFICE 5 OFFICE 6 CONFERENCE

430 SQ FT 230 SQ FT 250 SQ FT 350 SQ FT 220 SQ FT 230 SQ FT 280 SQ FT

RESTROOMS CIRCULATION

460 SQ FT 1,660 SQ FT

KNOWLEDGE CNTR. 1,500 SQ FT CLASSROOM 410 SQ FT MAKER SPACE 730 SQ FT 30 % LEARNING

IT TAKES A VILLAGE TO RAISE A CHILD

REC STORE RECEPTION

GROSS AREA NET AREA

8,630 SQ FT 8,210 SQ FT

8 % SERVICE 8 % MOBILITY 10 % SUPPORT

KITCHEN LAUNDRY

330 SQ FT 130 SQ FT

BIKE ROOM

410 SQ FT

RESTROOMS STORAGE

390 SQ FT 270 SQ FT

ACTIVITY

3840 SQ FT

GROSS AREA NET AREA

5,440 SQ FT 5,370 SQ FT

70 % ACTIVITY

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RIVER CITY VILLAGE

SITE SECTION 1

TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

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RIVER CITY VILLAGE TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

RESIDENCE DORM PROGRAM SPACES LAUNDRY IDF / MECH STORAGE DINING KITCHEN PANTRY LOUNGE GARDEN 2 ADVISOR DORMS 2 SINGLE UNIT DORMS 4 DOUBLE UNIT DORMS 2 TEMPORARY UNIT DORMS GROSS AREA : 5050 S.Q. FT

RESIDENCE DORM PROGRAM SPACES LAUNDRY IDF / MECH STORAGE DINING KITCHEN PANTRY LOUNGE GARDEN 2 ADVISOR DORMS 2 SINGLE UNIT DORMS 4 DOUBLE UNIT DORMS 2 TEMPORARY UNIT DORMS GROSS AREA : 5050 S.Q. FT

RESIDENCE DORM PROGRAM SPACES LAUNDRY IDF / MECH STORAGE DINING KITCHEN PANTRY LOUNGE GARDEN 2 ADVISOR DORMS 2 SINGLE UNIT DORMS 4 DOUBLE UNIT DORMS 2 TEMPORARY UNIT DORMS GROSS AREA : 5050 S.Q. FT

RESIDENCE DORM PROGRAM SPACES LAUNDRY IDF / MECH STORAGE DINING KITCHEN PANTRY LOUNGE GARDEN 2 ADVISOR DORMS 2 SINGLE UNIT DORMS 4 DOUBLE UNIT DORMS 2 TEMPORARY UNIT DORMS GROSS AREA : 5050 S.Q. FT

KNOWLEDGE / ADMIN. BUILDING PROGRAM SPACES RECEPTION 6 OFFICES 1 LARGE CONFERENCE ROOM RESTROOMS KNOWLEDGE CENTER CLASSROOM MAKER SPACE GROSS AREA : 8630 S.Q. FT

RECREATION CENTER PROGRAM SPACES KITCHEN LAUNDRY BIKE ROOM RESTROOMS STORAGE COMMUNITY CENTER GROSS AREA : 5440 S.Q. FT

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RIVER CITY VILLAGE TECHNICAL STUDIO I 2018 018 PROF: SUE ANN PEMBERT TON

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RIVER CITY VILLAGE TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

PREFINISHED ALUMINUM STABILIZATION CAP

CANOPY TENSION ROD

PREFINISHED ALUMINUM LOUVERS (8"X1/2")

HSS - STEEL BEAM ( 11’-0” X 8" X 6"X1/4")

HSS - STEEL BEAM ( 13’-5” X 8" X 6"X1/4")

HSS - STEEL BEAM ( 11’-0” X 8" X 6"X1/4")

HSS - STEEL BEAM ( 13’-5” X 8" X 6"X1/4")

HSS - STEEL COLUMN (6"X6"X5/8")

ESCHUCEN PLATE

WELD PLATE

18" DIAMETER REINFORCED CONCRETE FOOTING

LANDSCAPE FORMS - MULTIPLICITY BACKLESS BENCH SURFACE MOUNTED WITH ANTI THEFT HARDWARE

REINFORCED CONCRETE WALKWAY

COMPACTED AGGREGATE BASE

3D EXPLODED ISOMETRIC : CANOPY

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RIVER CITY VILLAGE

PROPERTY LINE

29°28'29.72"N 98°36'59.51"W

SITE SECTION 2

10.00'

TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

PROPERTY LINE

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PROPERTY LINE

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ADDRESS 4510 WURZBACH ROAD SAN ANTONIO , TEXAS 78238 CLIENT

Y. T. I. A.

PROJECT NUMBER 451-01

DRAWN BY

SHEET NUMBER

DATE

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12.03.18

AA-1.4

RIVER CITY VILLAGE

PROPERTY LINE

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10.00'

SITE SECTION 2

TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

PROPERTY LINE

29°28'26.73"N 98°37'2.84"W

PROPERTY LINE

COMMUNITY GARDEN

72.50'

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29°28'31.53"N 98°37'1.68"W

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SF-2

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29°28'29.82"N 98°37'3.49"W

29°28'28.34"N 98°37'4.73"W

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ADDRESS 4510 WURZBACH ROAD SAN ANTONIO , TEXAS 78238 CLIENT

Y. T. I. A.

PROJECT NUMBER 451-01

DRAWN BY

SHEET NUMBER

DATE

NF

12.03.18

AA-1.5

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RIVER CITY VILLAGE TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

SITE ELEVATION

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KITCHEN

GARDEN

LOUNGE KNOWLEDGE CENTER

CLASSROOM LEVEL 2 828'-0"

LEVEL 2 828'-0" LEVEL 1 825'-0"

LEVEL 1 825'-0"

SITE LEVEL 823'-0"

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0'

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KNOWLEDGE CENTER

RECEPTION

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SITE SECTION 3

0'

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SITE LEVEL 823'-0"

16' SHEET NAME

12/5/2018 6:05:58 PM

CAMPUS SITE SECTIONS & ELEVATIONS

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ADDRESS 4510 WURZBACH ROAD SAN ANTONIO , TEXAS 78238 CLIENT

Y. T. I. A.

PROJECT NUMBER 451-01

DRAWN BY

SHEET NUMBER

DATE

NF

12.03.18

AA-1.6

RIVER CITY VILLAGE TECHNICAL STUDIO I 2018 PROF: SUE ANN PEMBERTON

2

AA-1.8

LIFETIME MAMMOTH IN-GROUND BASKETBALL HOOP (60-INCH TEMPERED GLASS)

5

AA-1.7

EXTREMIS- ANKER TABLE WITH INUMBRINA

REINFORCED CONCRETE PERIMETER BEAM 45' OUTDOOR BASKETBALL HALF COURT WITH ASPHALT PAVING

REINFORCED CONCRETE WALKWAY

REINFORCED CONCRETE WALKWAY WITH PERIMETER BEAM

2 SITE : ENLARGED SECTION

1 SITE : ENLARGED SECTION

SCALE: 1/4" = 1'-0"

SCALE: 1/4" = 1'-0"

GALV. STEEL HANDRAIL

GALV. STEEL POST 1'-1"

REINFORCED CONCRETE STAIR NOSING WITH #4 1/2" EXPANSION JOINT WITH SELF LEVELING SEALANT FLUSH WITH CONCRETE SURFACE

1'-1"

18" X LONG X 1/2" DIA STAINLESS STEEL DOWEL / @ 12" O.C. / GREASE & WRAP ONE END #4 HAIR PIN @ 12" O.C.

REINFORCED CONCRETE WALK

GABION RETAINING WALL SYSTEM INFILL SOILS EXTREMIS- ANKER TABLE WITH INUMBRINA

5 SECTION DETAIL SCALE: 1/2" = 1'-0"

GEOSYNTHETIC REINFORCEMENT RODS (IF REQUIRED )

CRUSHED STONE DRAINAGE FILL GEOTEXTILE FABRIC FOUNDATION DRAIN PLANTER

LANDSCAPE FORMS - MULTIPLICITY BACKLESS BENCH SURFACE MOUNTED WITH ANTI THEFT HARDWARE

SLOPE

REINFORCED CONCRETE WALKWAY

REINFORCED CONCRETE PERIMETER BEAM FIRE ACCESS LANE WITH PERMABLE PAVERS

REINFORCED CONCRETE FOUNDATION

REINFORCED CONCRETE WALKWAY

REINFORCED CONCRETE SLAB

SHEET NAME

3 SITE : ENLARGED SECTION SCALE: 1/4" = 1'-0"

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ADDRESS 4510 WURZBACH ROAD SAN ANTONIO , TEXAS 78238 CLIENT

Y. T. I. A.

PROJECT NUMBER 451-01

DRAWN BY

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AA-1.7

MISSION SAN JOSE - ACTIVATING THE EDGE ADVANCE DESIGN STUDIO I 2017 PROF: ROBERT BARON

In this studio, we addressed the problem of designing architecture within a historic context. The studio explored design as a process of transforming reality through modification and addition to historical evolved places. We acknowledged â&#x20AC;&#x153;The real purpose of architecture is not to create aestheticized objects or spaces, but to provide frames, horizons and settings for experiencing and understanding the world and, finally yourselves.â&#x20AC;? As Sigmund Freud posits in Civilization and its Discontents, an astonishing analogy exists in the way the palimpsest of the city of Rome, in its demolitions and additions were created, and the manner in which a person, community, and nation constructs its collective memory.

Design can be a strategy of creating something new out of the reorganization of extant stones, meanings, and narratives. This is the act of transformation that marks the way culture is created and given depth.

The project this semester was to propose a retreat, parish, and pilgrimage center within and adjacent to the physical and historical context of Mission San Jose. Thought the project required new construction in the form of additions and some adaptive reuse of the existing buildings, it required a symbolic, visual, and spatial connection with the Mission church and its social, cultural, and religious narratives and pilgrimage path that connects all five missions.

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MISSION SAN JOSE - ACTIVATING THE EDGE ADVANCE DESIGN STUDIO I 2017 PROF: ROBERT BARON SITE ANALYSIS: APPLICABLE CODES

SITE ANALYSIS

SITE ANALYSIS PALIMPSEST

MISSION SAN JOSE Y MIGUEL DE AGUAYO ORIGIN OF A NEW CULTURE

CITY OF SAN ANTONIO

JUSTIFICATION -The cultural and natural heritage is among the priceless and irreplaceable assets, not only of each nation, but of humanity as a whole. The loss, through deterioration or disappearance, of any of these most prized assets constitutes an impoverishment of the heritage of all the peoples of the world. Parts of that heritage, because of their exceptional qualities, can be considered to be of “Outstanding Universal Value” and as such worthy of special protection against the dangers which increasingly threaten them.

- To ensure, as far as possible, the proper identification, protection, conservation and presentation of the world's heritage, the Member States of UNESCO adopted the World Heritage Convention in 1972. The Convention foresees the establishment of a "World Heritage Committee" and a "World Heritage Fund". Both the Committee and the Fund have been in operation since 1976.

-Since the adoption of the Convention in 1972, the international community has embraced the concept of "sustainable development". The protection and conservation of the natural and cultural heritage are a significant contribution to sustainable development.

-The criteria and conditions for the inscription of properties on the World Heritage List have been developed to evaluate the Outstanding Universal Value of properties and to guide States Parties in the protection and management of World Heritage properties.

HISTORIC DESIGN GUIDELINES The Historic Design Guidelines provide historic district residents, property owners, professionals working with historic properties, and potential construction applicants a background history of the City's historic districts, an understanding of architectural design principles, and guidelines which promote predictability and ensure compatibility between new development and the existing historic environment. Successful historic design guidelines help to reinforce and preserve the character of our historic districts!

MISSION PROTECTIVE OVERLAY DISTRICT (MPOD) The Mission Protection Overlay Districts were developed to protect the viewsheds around within a 1,500-foot buffer area of Mission Concepcion, Mission San Jose, Mission San Juan, and Mission Espada.

terrado church small convent granary temporary indian housing around plaza

pre 1720 mission founding

LIME MAKING KILNS

UNESCO

ZONING CODES AND ORDINANCES The Office Off off Historic Preservation and the Historic and Design Review Commission are required to make recommendations based on the Unified Development Code (UDC). The UDC contains provisions for not only historic properties, but also zoning overlays including the River Improvement Overlays (RIO) districts and Viewshed Protection districts.

ROOSEVELT REINVESTMENT PLAN (LONE STAR COMMUNITY PLAN ) The Roosevelt Corridor Reinvestment Plan provides a coordinated, multi-year program designed to spur reinvestment along Roosevelt Avenue. The overarching goal of the Plan is to leverage the major drivers for the redevelopment of the Corridor - the Mission Reach of the San Antonio River Improvements Project and the redevelopment of the former Mission Drive-In site. The Reinvestment Plan identifies infrastructure priority projects, community based initiatives, and tools for proactive land use planning. The Reinvestment Strategies and individual actions items were developed through a community-based process that included residents, business and property owners, neighborhood associations, public agency representatives, and design and finance professionals

SUSTAINABLE USE - World Heritage properties may support a variety of ongoing and proposed uses that are ecologically and culturally sustainable and which may contribute to the quality of life of communities concerned. The State Party and its partners must ensure that such sustainable use or any other change does not impact adversely on the Outstanding Universal Value of the property. For some properties, human use would not be appropriate. Legislations, policies and strategies affecting World Heritage properties should ensure the protection of the Outstanding Universal Value, support the wider conservation of natural and cultural heritage, and promote and encourage the active participation of the communities and stakeholders concerned with the property as necessary conditions to its sustainable protection, conservation, management and presentation.

MODIFICATIONS

SUGAR MAKING WORKSHOP

CARPENTER

INTERNATIONAL BUILDING CODE 2006, SECTION 3407, HISTORIC BUILDINGS 3407.1 Historic buildings. The provisions of this code relating to the construction, repair, alteration, addition, restoration restorat and movement of structures, and the change of occupancy shall not be mandatory for historic buildings where such buildings are judged by the building official to not constitute a distinct life safety hazard.

BLACKSMITH

WEAVING

expansion of convent workshops added indian housing in plaza major workshop is weaving

WEAVING

1721-1757 indian quarters CARPENTER

The war between Spain and France in the eighteenth century resulted in the establishment of Spanish missions across central-south Texas to avoid further conquest by the French. Native to the land however, and caught between the war, were the bands, or groups of nomadic hunter-gatherer Indians of the Coahuiltecan region – a stretch of land from central-south Texas to northeastern Mexico. Over a hundred bands within this and neighboring regions shared similar ways of living but with different cultures. Bands such as the Pampopa, Karankawas and Aranamas hunted buffalo, deer and smaller animals such as rabbits and turtles. Their diet included fish, plants, roots and fruits.

Hunting tools such as spears, bows and arrows were made from stone and animal bones. Even though these groups were nomadic, it was not uncommon for them to camp a location where an abundance of food and water were present. They would build shelters using brush and tree limbs, sometimes covered with skins or grasses, known as wickiups. Early European contact documents these Indians lived peacefully and prosperously in camps made up of large bands. Sadly, shortly after European contact – disease, climatic change and hostile relations with the Apache and Comanche tribes began to exponentially diminish the Coahuiltecan population. Ironically, this led Indians and Spanish settlers to join forces for survival and defense, beginning in the 1720s. The Spanish missions became the “locus of such alliances”.

The following, is an excerpt illustrates some of the laws or rules that all settlements had to follow when considering the planning of a new town:

BOOK IV OF THE 1680 COMPILATION OF THE LAWS OF THE INDIES : Ɣ Those [Colonists] who should want to make a commitment to building a new settlement in the form and manner already prescribed, be it of more or less than 30 vecinos (freemen), (know that) it should be of no less than twelve persons and be awarded the authorization and territory in accordance with the prescribed conditions. Ɣ Having made the selection of the site where the town is to be built, it must, as already stated, be in an elevated and healthy location; [be] with means of fortification; [have] fertile soil and with plenty of land for farming and pasturage; have fuel, timber, and resources; [have] fresh water, a native population, ease of transport, access and exit; [and be] open to the north wind; and, if on the coast, due consideration should be paid to the quality of the harbor and that the sea does not lie to the south or west; and if possible not near lagoons or marshes in which poisonous animals and polluted air and water breed. Ɣ They [Colonists] shall try as far as possible to have the buildings all of one type for the sake of the beauty of the town. Ɣ Within the town, a commons shall be delimited, large enough that although the population may experience a rapid expansion, there will always be sufficient space where the people may go to for recreation and take their cattle to pasture without them making any damage. Ɣ The site and building lots for slaughterhouses, fisheries, tanneries, and other business which produce filth shall be so placed that the filth can easily be disposed of.

The Spanish government authorized the establishment of Mission San Jose y San Miguel de Aguayo in 1720 along the banks of the San Antonio River due to the success of Mission San Antonio de Valero – the first of the five San Antonio missions – to solidify Spanish presence in Texas and discourage French advancement. The success of Mission San Antonio was greatly attributed to the collaboration between the Indians and Spanish settlers under the supervision of missionaries.

Dependent on the many contributions of the natives, the missionary priests sought to convert them to Christianity and teach them to live in the image of Spanish civilization. Missionaries would use colorful glass beads to trade and gift to the Indians to befriend them. Some of the nations to originally commit to Mission San Jose included the Pampopa, Pastia, and Sulujam of the Coahuiltecan region, although there were 21 known nations to have inhabited the mission.

“Displacement, fragmentation, population decline, and Apache hostility often prompted Indians to seek refuge among the Spaniards”.

However, from the 1720s to the 1760s most Indians simply made periodic visits, annual subsistence cycles and only a few joined the Spanish in their settlements. In many occasions, the Indians only used the missions as a place of gathering, presumed to rebuild and reconstitute family bands through new kinship ties through adoption and remarriage. Spanish Franciscans saw the civilization of Indians as crucial to the process of Christian conversion and sustenance of the missions. Indians were expected to, “work their own field, open-up their irrigation ditches, or acequias, build their houses and churches, breed cattle, protect and maintain them; eat and dress themselves and have the necessities for civil and rational style of living.” Attaining these skills and industry would make them “gather more readily in the new Pueblos, embracing our Religion and becoming subjects of His Majesty.” Understood by the Spaniards to be the proper distribution of authority and power within a family to establish Indian men as patriarchal heads of household, the Franciscans structured labor systems at the missions around clear divisions of gender that located men in the fields and women within the confines of mission living quarters.

From Spain, the Spanish royal administration coordinated all missionary activity in the New World. The intermingling of church and state was a legacy of Spain’s own long struggle to re-establish a homogeneous Christian faith and culture there. This experience of reconquest set the Spanish nation on a crusade for most of the rest of its history, combining all civil and religious activity into one.

final church is designed originally 1:5 ration with transepts apache raids lead to fortified walls indian housing forms streets along walls

WEAVING

major storm damages inventory

INTERDEPENDENCE OF CULTURES

The Laws of the Indies were an entire body of laws that were passed by the Spanish crown to regulate newly acquired land in the Americas and the Philippines. The laws attempted to regulate interactions between the natives and the settlers. They were meant to regulate the social, political and economic life in the new settlements. Aside from addressing Spanish and native relations, the laws of the indies were used as a tool for site selection, building requirements and layout of towns. During the presence of the Spanish in these parts of the world, these became the classic collection of laws which aimed at how to develop new settlements.

THE SPANISH AND THE MISSIONS

WEAVING

1757-1824

-If a State Party wishes to significantly modify the boundary of a property already on the World Heritage List, the State Party shall submit this proposal as if it were a new nomination (including the requirement to be previously included on the Tentative List – see paragraph 63 and 65). This re-nomination shall be presented by 1 February[1] and will be evaluated in the full year and a half cycle of evaluation according to the procedures and timetable outlined in paragraph 168. This provision applies to extensions, as well as reductions.

LAWS OF THE INDIES: SPAIN AND THE NEW WORLD

STAKEHOLDERS

CARPENTER

Besides providing protection for the Spanish missions and nearby settlements, the soldiers who lived at the presidios often became the source of trouble with the Indians and were often in conflict with the friars. Thus, there was a constant dilemma over whether to place the presidio close enough to the mission to provide quick response during attack or far enough away to keep the soldiers from harassing and aggravating the mission Indians.

EMERGENCE OF A NEW CULTURE Like many indigenous groups, the existence of Coahuiltecan bands have perished, but their presence remains. Many living descendants can be found across South Texas. In San Antonio, many hispanic families and members of the catholic parishes of the Missions can trace their roots back to their ancestors.

“Once the Spanish came and started missions, many of the Coahuiltecan bands moved into the missions. The steady source of food and water and the protection from stronger tribes was very appealing to them. Once in the missions many of them married Spanish solders and settlers. Later more Spanish and Mexican immigrants settled in the region and started ranches that attracted local Indians for the same reasons the missions did. Again, some them married Spaniards or Mexicans. Later, around the middle 1700s, the Apaches were forced south by the Comanches and into Coahuiltecan territory. Caught between the Spanish/Mexicans and the Apaches most of the last bands of the Coahuiltecans disappeared. By the time American settlers reached the area only a few scattered bands survived. As a native people they were all gone by the end of the 1800s.”

Even though the culture and languages of the Coahuiltecans no longer exist, a new culture defined as the Tejano culture of South Texas can be attributed mostly to the influences and inter-relations with Spanish and Mexican cultures.

The general purpose of the missions was to “reduce” or congregate nomadic indian tribes into a settlement, convert them to Christianity, and teach them crafts and agricultural techniques. Once these goals were met, the mission was to be “secularized”; that is, the church was to be turned over to the local bishop and administered by “secular” clergy (local priests not belonging to a religious order).

WEAVING

1824-1932 secularization given to mexican military

WEAVING

The Indians of the mission were the predominant labor source utilized in the construction of structures in the complex and were also tasked with preparing the land for agriculture and constructing the associated system of irrigation canals known as acequias. When the mission system as a whole began to decline during the late 18th century due to political turmoil within the Spanish empire, Mission San José was partially secularized in 1794. In the same year, the missions’ lands were divided into suertes or lots and distributed via lottery to the remaining Indian residents.

mission is secularized plots of land given to natives and militants benedictines take over dome, tower, walls and convent collapse

Bibliography

1932-2017

1930’s restoration national park service UNESCO world heritage site

fdr reforms allow work on the mission walls, dome and tower are repaired indian housing is bulldozed some foundations are preserved

Moore, R. (2012). Texas Coahuiltecan Indians. Texasindians.com. Retrieved 1 November 2017, from http://www.texasindians.com/coah.htm

Bibliography http://www.crf-usa.org/bill-of-rights-in-action/bria-15-4-c-laws-of-the-indies-spain-and-t he-native-peoples-of-the-new-world

SAN JOSE Y SAN MIGUEL DE AGUAYO MISSION | The Handbook of Texas Online| Texas State Historical Association (TSHA). (2010). Tshaonline.org.

Retrieved 1 November 2017, from http://www.tshaonline.org/handbook/online/articles/uqs23

2013 - “San Jose y San Miguel de Aguayo Mission,” Handbook of Texas Online (http://www.tshaonline.org/handbook/online/articles/ugs23), accessed April 10, 2013.

Published by the Texas State Historical Association.

Tracing a Mission and its People. (2006). TexasBeyondHistory.net. Retrieved 1 November 2017, from http://www.texasbeyondhistory.net/espiritu/index.html

SITE : AVERAGE MONTHLY TEMPERATURES

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SITE : AVERAGE MONTHLY RAINFALL

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SITE : SOLAR PATH : 29°N LATITUDE

Sources : • "Geologic Atlas of Texas." Data Download | TNRIS - Texas Natural Resources Information System. Accessed October 14, 2017. https://tnris.org/data-download/#!/county/Bexar.

• "Bexar Country Soil Map." Urban Program Bexar County. Accessed October 14, 2017. https://bexar-tx.tamu.edu/homehort/archives-of-weekly-articles-davids-plant-of-the-week/it-all-starts-with-the-soil/.

• Talaat, Sarah. "Returning to the River: People, Plants & Wildlife." SATX Mission Reach SARIP Report . October 07, 2016. Accessed October 14, 2017. https://therivardreport.com/river-improvements-project-brings-increased-trail-usage-preservation-of-habitat/.

• Group, Energy Design Tools. "San Antonio Weather Data ." Climate Consultant . Accessed October 14, 2017. http://www.energy-design-tools.aud.ucla.edu/climate-consultant/request-climate-consultant.php.

• "GIS (Geographic Information Services)." The City of San Antonio - Official City Website. Accessed October 14, 2017. https://www.sanantonio.gov/GIS/GISdata.

• Centre, UNESCO World Heritage. "San Antonio Missions." UNESCO World Heritage Centre. Accessed October 14, 2017. http://whc.unesco.org/en/list/1466.

Nomination to the World Heritage List by the United States of America (JANUARY 2014) • "OpenStreetMap GIS Data." OpenStreetMap. Accessed October 14, 2017. https://www.openstreetmap.org/#map=15/29.3618/-98.4731&layers=D.

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THE HIGHLIGHTED AREA INDICATES THE MISSING EDGE & SOFT BOUNDARY WE PROPOSE TO ENGAGE / EXPAND.

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THE NEW PARISH AND RETREAT CENTER WILL MIRROR THE MISSION’S SITE FOOTPRINT AT A SCALE THAT STILL RESPECTS THE MISSION’S HIERARCHY.

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THE ROAD IS BEING REDEFINED IN ORDER TO BETTER PRONOUNCE THE IDEA OF AN EDGE, ECHOING WHERE THE CAMINO REAL USED TO BE WITHIN THE MISSION’S WALLS. THIS NEW CONFIGURATION WILL CREATE EFFICIENT AND PEDESTRIAN-FRIENDLY PARKING FOR ROUGHLY 100 SPACES.

MISSION SAN JOSE - ACTIVATING THE EDGE ADVANCE DESIGN STUDIO I 2017 PROF: ROBERT BARON

3D MASS DIAGRAMS

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THE PATHS IN RED SERVE AS EDGES THAT ACTIVATE ONE ANOTHER; THE LIGHTER THEY ARE SHOWN, THE LESS THEY ARE BEING TOUCHED FROM ORIGINAL CONDITIONS. THE YELLOWPATH LOCATED IN THE FORESTED PORTION OF OUR SITE WILL REMAIN AS AN ALTERNATIVE ROUTE TO THE RETREAT.

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THIS PHASE ILLUSTRATES HOW WE ORGANIZED THE PROGRAMMATIC SPACES, MAINLY ALONG THE EDGE OF THE NEW PARISH / RETREAT WALL IN THE SAME WAY THE INDIGENOUS PEOPLE USED THE MISSION SAN JOSE PERIMETER WALLS ; OTHER NECESSITIES LIKE PARKING, UTILITIES, ALTERNATIVE ENERGYAND THE MORE SECLUDED RETREAT QUARTERS SITUATED WITHIN THE NORTHERN PART OF THE SITE

SITE PLAN : DIAGRAM 5 NORTH

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AFTER FURTHER MODIFICATION FOR EFFICIENCY, THE FINAL FORM OF OUR BUILD ING IS PRODUCED. REPRESENTED IS A COMPOSITION OF ALL IMPROVEMENTS TO OUR SITE THAT COLLECTIVELY ENHANCE OUR PROJECTâ&#x20AC;&#x2122;S CONCEPT IN ORDER TO ADDRESS THE CURRENT PROBLEM.

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MISSION SAN JOSE - ACTIVATING THE EDGE ADVANCE DESIGN STUDIO I 2017 PROF: ROBERT BARON

SECTION 1 BUILDING MATERIALS

CABLE WALL GLASS SYSTEM

GLULAM TRELLACE

PRE-FABRICATED STEEL TUBE,

INTRIGAL CONCRETE

INSULATED METAL PANELS

PAVERS, WITH SANDBLAST FINISH

(LIMA)BEANS

BROCCOLI

(SNAP)PEAS

PEPPERS

MONUMENTAL GABIN WALL, WITH LOCAL LIMESTONE

PERMEABLE PAVERS

PIER AND BEAM FOUNDATION SYSTEM

STEEL FRAME STRUCTURE

KITCHEN GARDEN

ARTICHOKE

LEEKS

BE(TS

LETTUCE

CARROTS

CAULIFLOWER

CELLERY

RADISHES

RUTABEGA

SPINACH

RED YUCCA

TEXAS LANTANA

TEXAS SAGE

EGGPLANT

WATERMELON

KALE

SQUASH

FLOWERS/SHRUBS/GREENERY

CEDAR SAGE

COREOPSIS

DWARF PALMETTO

EDGE CROPS

CORN

MUHLY GRASS

VETIVER GRASS

PRICKLY PEAR CACTUS

SHADE TREES

SUNFLOWER

WHEAT

CEDAR ELM

ORCHID

TEXAS RED OAK

EXPLODED AXONOMETRIC VIEW

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VISUAL COMMUNICATION

SKETCHING & DRAWING

Free Hand Sketch

Scaled Reproduction

SKETCHING & DRAWING

Hand Drafted

Ink Wash Rendered

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Water Color

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Water Color

PAINTING & WATERCOLOR

Prisma Color

Prisma Color

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PHOTOGRAPHY

State Capitol Underground Extension Austin, Texas

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Chapel Dome Saint Bernardine Verona, Italy

PHOTOGRAPHY

Skylight - San Francisco MoMA Mario Botta

Corinthian Capital Detail Vicenza, Italy

Tomb Detail - Brion Cemetery Carlo Scarpa

Plazzetto Dello Sport - Rome , Italy Pier Luigi Nervi

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