ARCHITECTURE & DESIGN PORTFOLIO
FALL 2022
NATALIE BECUE
04 10 12 14 18 TABLE OF CONTENTS Project 1: Pavilion and Sequential Experience Exercise 1: The Animate Inanimate Exercise 2: Mapping Space Exercise 3: Form Field, Figures, & Constructing the One-Point Perspective Perspectives, Site Plan, Upper & Lower Level Floor Plans, Site Sections, Physical Model Dissection (Orthographic Drawings), Animation Unrolled & Axonometric Drawings, Physical Model Primitive Figures, Physical Models, Elevations, Reinterpreted Digital Models Field & Figure Tiles, Perspective Tile
Project 1: Pavilion and Sequential Experience
This pavilion displays five semi-metallic taxidermy objects created by artist Julia deVille. Based on deVille’s philosophy of accepting mortality in order to fully appreciate life, the experience promotes existential contemplation through bright, open, and reflective spaces, as well as through several curving paths and changes in elevation that mimic life’s unpredictability.
4 Perspectives
5 Site Plan
6 Upper Level Floor Plan
7 Lower Level Floor Plan
Several field conditions experiments inspired the concept of the pavilion as centered around the overlap between two circular spaces at different elevations. This overlap acts as an area of union between separate spaces and as a focal point that displays an object that is suspended from above and can be viewed from both the upper and lower floors.
Section 1
8
Section 2 Site Sections
Intersecting pathways guide the spectator to and through the pavilion. On these pathways, there is never a moment when the walls are less than 8’, causing the spectator to remain focused on the journey and what lies ahead, physically and existentially. Undulating walls begin to constrict toward the center of each level, urging the viewer to circulate the space.
9 Physical Model
Animation is an inherent part of the functional logic of the water bottle depicted on this page and the following page. After analyzing this object in plan, elevation, and section, an animated drawing of the water bottle being lifted and its lid being unscrewed was created using four distinct layers of vellum.
10 Dissection (Orthographic Drawings)
Exercise 1: The Animate Inanimate
11 Animation
An unrolled cubic plan (far left) was created based on a continuous line across the cube’s sides, and it began an exploration into symmetries, as seen in the Y-shape and two zig-zagged “dead ends.” When portions of the cubic surface were removed and a physical model of the cube was built using basswood and colored paper, additional planes were also designed and modeled. The final model experiments with both shallow voids and dominant, extending voids, and it preserves the elements of symmetry that the unrolled plan began to indicate.
12 Unrolled & Axonometric Drawings
Exercise 2: Mapping Space
13 Physical Model
Each primitive figure, created with black construction paper, conveys several action verbs through its composition.
Upper left: slide, tip, pierce
Upper right: rotate, split, turn
Lower left: explode, balance
Lower right: float, magnetize
14 Primitive Figures
Exercise 3: Form
As interpretations of the primitive figures, these physical models convey the aforementioned action verbs in 3D. These objects are constrained within the bounds of a pyramid, a tower, a plate, and a cube, respectively.
15 Physical Models
Natalie Becue Cube Elevation Scale
1:1
1.5
Scale
Natalie Becue
1 0 2"
Tower Elevation
.5
1:1
1.5 1 0 2"
.5 16 Elevations
Natalie Becue
Pyramid Elevation
These transformed digital models are the result of experiments with new means of expressing the previously established action verbs, while also incorporating new verbs, such as peel, bend, twist, taper, and melt.
17 Reinterpreted Digital Models
Field, Figures, & Constructing the One-Point Perspective
These four connecting tiles aspire to convey a united and cohesive compositon through the flow of black fields, gray figures, and hatches across tiles. The lower left tile later inspired a one-point perspective drawing.
18 Field & Figure Tiles
19 Perspective Tile