Jockey Club Musicus Heritage Alive Concert at Tai Kwun Nov 2021

音樂會CONCERT

27-28.11 2021

六至日SAT- SUN

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賽馬會樂·憶古蹟 主辦PRESENTER

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藝術鏽監ARTISTIC OIRECTOR

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同心同步同逵 共劊更好未來 RIDING HIGH TOGETHER FOR A BETTER FUTURE

賽馬會樂·憶古蹟計劃

JOCKEY CLUB MUSICUS HERITAGE ALIVE 以 音 樂喚醒香 港 歷 史 文 化 Awakening Hong Kong's History with Music

香港獨有的歷史背景及文化魅力，令其於

Unique in its history among world cities, Hong Kong's

＿眾國際都會中突圍而出，深深地吸引著

cultural heritage makes for a singular and compelling

本地人及海外旅客。日常生活裡傳統與現 代景象的重疊交錯，彷彿音符之間靈活萬 變的對位效果，為藝術家提供無窮靈感。

story for locals and visitors alike. The city's dynamic counterpoint between the traditional and the ultra-modern provides ample inspiration as a backdrop upon which audiences can appreciate and reflect on

因此，我們選擇以流動的城市為背景，將

Hong Kong's enduring legacy. And what better way to

音樂會搬演至古蹟建築，讓觀眾透過精心

accomplish this than to transform the heritage sites into

挑選的曲目以及以古蹟為靈感的新作，細 味和深思香港今昔。 誼樂社自2013年起，藉「樂·憶古蹟」 社區音樂會系列將世界級的演奏家帶到香 港不同角落，利用音樂凸顯古蹟的歷史文 化意義。我們在2019年獲得香港賽馬會慈

ad hoc concert stages with thematic programs and new works inspired by the history of the venues!

Since 2013, Musicus Heritage has taken world-class performers to various locales and settings in Hong Kong, thus putting the music in context with the historical and cultural significance of the surroundings. With support from The Hong Kong Jockey Club Charities Trust, we

善信託基金捐助，拓展全新的「賓馬會

embark on an exciting new chapter in 2019 with the

樂·憶古蹟」計劃，於大館及其他香港古

Jockey Club Musicus Heritage Alive program - an

蹟建築搭建舞台，為觀眾呈獻全年的精彩 節目。除了原有的古蹟音樂會，我們將會 注入多個新元素，包括駐場藝術家、導賞

extended series at Tai Kwun, a center for heritage and arts located in the restored Central Police Station compound, and other heritage venues of note. In addition to site-specific concert performances, the new

及教育項目等，務求全面惠及觀眾、學生

series is enhanced with artist residencies and

以及社匿人士。

educational events designed to benefit concert audiences, students and the community at large.

「賽馬會樂·憶古蹟」計劃於2019年9月 正式在大館啓動，為觀眾帶來不同的音樂 會及免責公眾活動。2021年11月，多位本 地精英再度回歸大館，在大館賓馬會立方 和洗衣場石階呈獻古蹟音樂會。

The program kicked off in September 2019 with concerts and fringe activities at Tai Kwun. In November 2021, chamber music concerts will be staged at JC Cube and Laundry Steps in Tai Kwun featuring local talents.

We hope you enjoy this musical heritage journey!

期待您享受音樂與古蹟之旅！

．

音樂會簡介

ABOUT THE CONCERT

國際知名大提琴家李垂誼，再度與多位極富才華的香港音樂家進駐大館， 一 連兩 天在不罔的室內及戶外空間舉行連串音樂會。 首天舉行的「賓馬會樂·憶古蹟」音樂會於洗衣場石階舉行，兩場演出分別呈獻 香港及芬蘭作曲家的現代作品，包括誼樂社作品徵集得獎作曲家陸尉俊匯合中西 樂器及電子音樂的委約新作首演，作品《四時》是陸氏早前在大館進行駐館藝術 家計劃期間受古蹟啟發而撰寫的作品。第二場音樂會則展示芬蘭作曲家莎維雅荷 於八十年代受林肯表演藝術中心委約的創作《睡蓮》。 第二天的音樂會則聚焦三位著名德奧作曲家：海頓、貝多芬與布拉姆斯。三人不 約而同地受惠於藝術贊助，先後獲得來自王公貴族的邀約，或是如維也納愛樂人 協會等邀請而創作。委約租贊助的慣例及制度，數百年來對於藝術創作 一 直扮演 至關重要的角色。這次就讓我們 一 同欣賞多首壓久彌新的經典和新鮮動人的創 作，以音樂向委約和贊助者致敬。

Renowned cellist Trey Lee and brilliant Musicus artists return to Tai Kwun in an exciting line-up of concerts both indoors and outdoors.

Two unconventional compositions will kick off this heritage concert series at the Laundry Steps on Saturday. The first concert will stage the world's premiere of Over Time by Musicus Society's Call for Scores winner Luk Wai-chun. Inspired by the history of Tai Kwun during Luk's Artist-in-Residence program, this work incorporates both Chinese and Western instruments with electronics. The second concert features Finnish composer Kaija Saariaho's Nymphea, a work originally commissioned by the Lincoln Center for string quartet and electronics.

In contrast to the sounds of living composers, the program at JC Cube presents three Austro-German classics by Haydn, Beethoven and Brahms - all with a fascinating underlying linkage to patronage of music and the arts. From aristocratic benefactors to the institutional support provided by Vienna's Society of Friends of Music, cultural patronage has been key to the development of great art and artists for centuries. Let us celebrate music old and new made possible by this storied tradition of cultural patronage!

。

27.11.2021（六SAT) 大館洗衣場石階 Laundry Steps, Tai Kwun

3pm 陸尉俊

Luk Wai-chun

《四時》

（世界首演）

Over Time (world premiere) I.

〈光·蔭〉Under Dappled Light

II.

〈岩聲〉The Voice of Granite

Ill.

〈拼貼〉Collage

IV. 〈脈動〉Pulsation 小提琴：范曉星 Violin: Fan Hiu-sing

笛子及新笛：龔偉健 Dizi & Xindi: Kung Wai-kin

中提琴：黃立恆 Viola: Caleb Wong

琵琶：邵珮儀 Pipa: Belle Shiu*

大提琴：李垂誼 Cello: Trey Lee

敲擊：陳俊燊 Percussion: Alvin Chan

音譬設計：陳沛正 Sound Engineer: Chan Pui-ching 拿承蒙香港中樂團允許參與演出 With kind permission from the Hong Kong Chinese Orchestra

4:30pm 莎維雅荷

Kaija Saariaho

《睡蓮》

Nymphea (Water Lily) 小提琴：蔡君榻 I 王倩兒 Violin: Brian Choi I Nina Wong 中提琴：黃立恆 Viola: Caleb Wong 大提琴：李垂誼 Cello: Trey Lee 音響設計：陳沛正 Sound Engineer: Chan Pui-ching

每節音樂會長約20分鐘，不設中場休息。 Duration of each short concert is approximately 20 minutes, without intermission.

1111 1 1 111 1 1 111 1 1

。

28.11.202

(8 大館賓馬會立方

SUN)

JC Cube, Tai Kwun

3pm C 大調鋼琴三重奚， Hob. XV:21 Piano Trio in C, Hob. XV:21

海頓 Haydn

貝多芬 Beethoven

D 大調鋼琴三重奏，作品 7O ，第一首，「幽璽」 Piano Trio in

D, Op. 70,

No.

1,

Ghost

小提琴：蔡君楊

Violin: Brian Choi

大提琴：李垂誼

Cello: Trey Lee

鋼琴：李嘉齡

Piano: Colleen Lee

中場休息INTERMISSION

布拉姆斯 Brahms

－

G小調第－鋼琴四重奏，作品25 Piano Quartet No. 1 in G minor, Op. 25 小提琴：范曉星

Violin: Fan Hiu-sing

中提琴：黃立恆

Viola: Caleb Wong

大提琴：李垂誼

Cello: Trey Lee

鋼琴：張緯晴

Piano: Rachel Cheung

音樂會全長約1小時30分鑪，包括一節15分鑪中場休息。 Duration of the concert is approximately 1 hour and 30 minutes, with a 15-minute intermission. 場地規則House Rules

。

為了令大家對這次的音樂會留下美好的印象，請勿在場地內攝影｀錄影或錄音，吸煙或飲食。在節目進行前，請關掉手提電話、其他響鬧及發光 的裝置。多謝合作。 In order to make this performance a pleasant experience for artists and other members of the audience, please refrain from recording, filming, taking photographs, and also from smoking, eating, drinking in venue. Please ensure that your mobile phones and any other sound and light emitting devices are switched off before the perfomiance. Thank you for your consideration. 所有作品內容均由主辦單位喇作團隊獨立製作，並不代表「賓馬會樂·憶古蹟」計畫及香港賓馬會慈善信託基金之立場或意見。 All the content of works are independently produced by the organiser /creative team, and do not reflect the views or opinions of the Jockey Club Musicus Heritage Alive project nor The Hong Kong Jockey Club Charities Trust

陸尉俊Luk Wai-chun 《四時》給小提琴董中提琴富大提琴亻笛子｛琵琶和敲擊樂與多媒體

Over Time for violin, viola, cello, dizi, pipa and percussion with multi-media

I.

〈光·蔭〉Under Dappled Light

II.

〈岩聲〉The Voice of Granite

III. 〈拼貼〉Collage IV. 〈脈勳〉Pulsation

時間是個非常抽象的概念。每個人對時間長短的體 會和感受也不一樣。雖然如此，我們仍能通過物 件、景物和記憶等，體會到事物隨著時間推移，本 身及其角色都會出現變化。大館歷史悠久，隨著時 代變遷改變角色和用途，亦見證了整個社區的改 變。 《四時》正是以不同的角度和方式，透過音樂 來表達這個意念。

"Time" is an abstract concept and each individual's perception of and feelings towards - the passage of time might vary. Nevertheless, through various forms of recollections and the observation of the things involved and around, we can still see the changes - both of the things themselves, as well as the roles they play. The long history of Tai Kwun enables it to witness the changes of its role and function, along with the changes of the community around it. Over Time seeks to express this idea from various perspectives and through different means.

樂曲分為兩部分．第一、二樂章表達了作曲家對大 館景物和花崗岩的聯想和感受；第三、四樂章的靈 感來自整個建築群、周邊建築物以及人之間的互動 和關係。

The music is divided into two parts. The first and second movements express the composer's feelings aroused by the sight of Tai Kwun - and the granite used in the building in particular, while the third and fourth movements are inspired by the interaction and relationship between Tai Kwun and the surrounding buildings, as well as between Tai Kwun and the people around.

I. 〈光．醞〉 在大館當駐場藝術家的時候，我特別喜歡着廣場內 的樹木。在樹下休息時，我總喜歡抬頭仰望，細看 從葉縫間透出的陽光。 一 樣的陽光， 一 樣的樹蔭， 過去有多少人和我一樣在樹下乘涼，看著一樣的陽 光呢？在樂曲中，相似的樂句以不同的模式和節拍 呈現，象徵在不同的時空裡出現相似的事物。 II. 〈岩璽〉 大館建築群內有不少建築物都用上花崗岩。我每天 前往大館時，總會經過以花崗岩建成的圍牆。這些 岩石在這裡默默經歷了百多年的風霜；可惜我們只 能觸摸岩石的表面，卻不能了解其過去。這個樂章 以花崗岩為中心：以大館的花崗岩磨擦砂紙，讓花 崗岩得以訴説「自己的過去」。敲擊樂手與其他樂 手以視像互動作即興演奏，在砂紙上以花崗岩畫出 較早前收集到、來自不同人士的心聲，藉此模仿花 崗岩那些從前「説不出」的感受。 Ill. 〈拼貼〉 由大館不同地方望出去，都會看到不同風格、不同 時代建築物拼湊在－起的景象。我在大館當駐場藝 術家時，大館旁邊有幢高樓，那高樓外牆的廣告牌 女郎與大館的建築物產生了很超現實的感覺。這個 樂章裡，我將「拼貼」的概念延展至整個樂章，戴 眾將廳到來自多首中西名曲的選段在樂章出現。 IV. 〈脈勵〉 晚上，整個大館與蘭桂坊的氣氛融為－體，與早上 大相逕庭，彷彿這個建築群和人們的互動構造了新 的景象。每代人對大館的印象都不 一 樣，那我們這 一代人呢？這個樂章以激昂的節拍和電子聲音來描 繪大館的新景象。

陸尉俊

I. Under Dappled Light When I was the Artist-in-Residence at Tai Kwun, I was particularly fond of the trees in the Parade Ground. Sitting under a tree, I liked to look up to the sunlight through the leaves. I wondered, how many people had enjoyed the same cool, the same sunlight and the shade of the same tree? In the music, similar musical phrases are presented in different patterns and rhythms, representing the occurrence of similar things in different times and spaces.

II. The Voice of Granite Granite is used extensively in the Tai Kwun complex and it was the granite prison wall that I walked by practically every day during my residency there. These rocks have been there for more than a century and have endured the forces of nature silently.

Unfortunately, only the surface of these rocks can be touched - we have no access to its past. Granite is the core element of this movement: a piece of granite taken from Tai Kwun is used to rub against a piece of sandpaper, so that the piece of stone can tell us about its "past". Musicians improvise interactively through real time video streaming. The percussionist also uses granite to portray the "inner thoughts" of different individuals (which were gathered earlier), as if expressing feelings that could not be voiced in the past Ill. Collage If you look out from Tai Kwun, you can see a collage of buildings in different styles and from different eras standing side by side. When I was the Artist-in-Residence at Tai Kwun, the tall building next to it was displaying a large billboard girl on its outer wall. The sight of this collage of billboard girl and Tai Kwun seems surrealistic to me and hence gave me the idea for this movement. The keyword here is "collage", where quotations from famous Chinese and Western works can be heard throughout the entire movement.

IV. Pulsation In the evening, the atmosphere at Tai Kwun is drastically different from that in the morning. Now Tai Kwun practically merges with Lan Kwai Fong, as if the interaction between Tai Kwun and the people around brings about a new image. Each generation's impression of Tai Kwun differs. What about our generation? Exciting rhythms and electronic sounds are employed here to depict this new image of Tai Kwun.

English translation by Eos Cheng

。

莎維雅荷Kaija Saariaho 《睡蓮》給弦樂四重奏及現場電子音樂

－－－－

Nymphea for string quartet and live electronics 《睡蓮》是首為弦樂四重奏及電音而寫的樂曲。我 在此沿用舊作《電弧》和《木衛 一 》用過的弦樂寫 法，並且利用電腦和 一 些特定的電腦程式發展種種 音樂處理手法—《隱密的花園》的耐標蝘描述過， 並將－系列標題相似的樂曲聯繫起來。我所指的 「手法」，主要是擴充了弦樂器的音色語彙，以及 讓明亮精緻的織體與驚天動地的暴烈音書形成對 比。

In Nymphea (water Ii!y) for a string quartet and electronics, I continue the approach towards string instruments that I used in my earlier works Lichtbogen and lo and also develop musical processes through the use of the computer and my specific computer programs (the subtitle of the piece Jardin secret Ill describes this, connecting it to a series of similarly named works). With this approach I especially refer to the broadening of vocabulary of the colour or tone of string instruments and the contrast of limpid, delicate textures with violent, shattering masses of sound.

在準備這首樂曲 的音樂素材時，電腦既派得上用 場，而且用法也有多種 用電腦分析複雜的大提琴 樂音，然後得出整個和聲結構的基礎；此外，節奏 和旋律變形的基本素材也是經電腦計算出來的，當 中的音樂動機漸漸轉變， 一 次又一 次重現。我用上 －首原創弦樂四重奏中的聲響，這些聲響會在音樂 會上加以運用。

In preparing the musical material of the piece, I have used the computer in several ways. The basis of the entire harmonic structure is provided by complex cello sounds that I have analysed with the computer. The basic material for the rhythmic and melodic transformations are computer-calculated in which the musical motifs gradually convert, recurring again and again.

I have used sounds of an original string quartet that are manipulated in the concert situation.

寫作《睡蓮》期間，有些意象在我腦中逐步形成： 結構對稱的睡蓮，順從地隨水漂浮，卻又漸漸變 形。同 一 意象在不同維度有不同演繹； 一 維的表 面，有色彩、有形狀，另 一 方面，還可以感受不同 的素材、形體、尺寸， 一 朵白色睡蓮從水底的淤泥 吸取養分。

Some images that evolved in my mind while composing: the image of the symmetric structure of a water lily, yielding as it floats on the water, transforming. Different interpretations of the same image in different dimensions; a one-dimensional surface with its colours, shapes, and, on the other hand, different materials that can be sensed, forms, dimensions a white water lily feeding from the underwater mud.

中譯：鄭曉彤

Now Summer is gone And might never have been.

In the sunshine it's warm, But there has to be more.

It all came to pass, All fell into my hands Like a five-petalled leaf, But there has to be more.

Nothing evil was lost, Nothing good was in vain, All ablaze with clear light But there has to be more.

Life gathered me up Safe under it's wing, My luck always held, But there has to be more.

Not a leaf was burned up Not a twig ever snapped Clean as glass is the day But there has to be more.

。

English Translation by Kitty Hunter-Blair ©Kai」a Saariaho

李垂誼（香港）

Trey Lee

(Hong Kong)

－－

藝術總監／大提琴 Artistic Director/ Cello

=L`上`＂囑111 獲已故傳奇指揮家馬捷爾讚揚為「令人驚嘆的主角． 極之出 色的大提琴家」，國際權威音樂雜誌《留聲機》宣稱為「奇 蹟」，以及《紐約時報》譽為「優秀的大提琴家 演繹豐滿 宏亮，情感表達細膩」，李垂誼與世界各地德高望重的指揮 家 、 作囧家合作，如阿殊堅納西

｀

史拉健 、 法朗克」前拉特

金 、 梅納 、 巴舒密特 、 林圖 、 盛宗亮；並與各大頭尖樂團同台 演出，包括 法國電台愛樂樂圈 、 底特律交書樂團、倫敦愛樂 管弦樂團 、 BBC愛樂管弦樂國 、 荷蘭愛樂管弦樂團 、 塔皮奧 拉小交鬢樂團，莫斯科及挪威特倫赫姆獨奏家樂廛，以及斯圖 加特 、 慕尼黑 ｀ 羅馬尼亞電台室樂國等

。

李氏經常亮相全球重要演出場地，包括紐約卡內基音樂廳、林 肯中心 、 聯合國總部 、 米蘭威爾姆劇院 、 北京國家大涮院、阿 姆斯特丹荷蘭皇家音樂廳，又活躍於各地音樂節 夫

、

馬寶路

嵐赫莫、玩

首爾春天及澳洲室樂音樂節，更曾與蕢莎、法

、

蘭 、 古西薛托 、 薛高維斯基等現今炙手可熱的演奏家合作 。 最 近更成為加拿大著名鋼琴四重奏Ensemble Made in Canada

的一 員

。

李氏是首位獲得國際楊尼格洛大提琴比責冠軍的亞洲人，自此 便隨即獲各大媒體爭相訪問，包括《金融時報》 、美國有線新 聞網絡CNN

、

中央電視台等，並為港台電視節目《傑出華人

青年音樂家系列》重點介紹的人物之一

。

李氏與鋼琴家郎朗及

王羽佳等同時被意大利最具楓威的報章《II Corr iere Della 「

Sera》選為華人古典音樂界的 四大金童玉女」

。

百代唱片公司(EMI)為李氏發行了多張榮登古典音樂暢銷榜 的唱片，廣受樂迷與樂評激賞。近期的唱片包括由盛宗亮為他 度身訂造的6粲影》及王立平的《紅樓夢大提琴隨想豳》。 李氏是誼樂社的創辦人之一兼藝術總監，他於2013年創立開 創先河的「樂 ·誼國際音樂節」

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自2012年起，他獲贈合國

兒童基金會委任為香港區大使，代表基金會四出宣揚兒童權 益，2014年獲邀出席聰合國總部慶典與小野洋子及曉治積曼 等同台為《The IMAGINE Project》揭幕

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其他別具意義的演

出，包括為加拿大原住民部落演出，亦為南非英雄戈德堡及其 「希望之家基金」的籌款音樂會獻藝

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李氏演奏用的是1703年製的哥佛利拉名琴，名為 「格比利亞 舒伯爵」

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Hailed "a marvelous protagonist...superb cellist" by the late Lorin Maazel, a "Miracle" by Gramophone and "the excellent cellist... w ith enveloping richness and lyrical sensitivity" by the New York Times, Lee works with esteemed conductors, composers and orchestras worldwide, such as Vladimir Ashkenazy, Leonard Slatkin, Mikko Franck, Vassily Sinaisky, Yuri Bashmet, Hannu Lintu, Bright Sheng; the Chamber Orchestras of Stuttgart, Munich, London and Romanian Radio; Moscow and Trondheim Soloists ensembles; Philharmonia Orchestra, Philharmonic Orchestra Radio France, Detroit Symphony Orchestra, BBC Philharmonic, Netherlands Philharmonic, and Tapiola Sinfonietta among others Lee appears often at majo r venues and festivals around the world, including the Carnegie Hall, United Nations, Teatro dal Verme Milan, Be肛ng National Centre for Performing Arts, Lincoln Center, Concertgebouw Amsterdam, Kuhmo, Banff, Marlboro, Seoul Spri ng, and the Australian Festival of Chambe r Music. On stage, Lee partners w ith many of today's most sought-afte r stars such as i Julia Fischer, Vilde Frang, Pekka Kuusisto, Alexander S tkovetsky, and most recent ly became a member of Canada's leading piano quartet, Ensemble Made in Canada.

As the first Asian winne r of the prestigious International Antonio Janigro Cello Compet ition, Lee has been featured in Financial Times, on CNN and China's national television CCTV, and Radio Television Hong Kong's award-winning documenta ry series "Outstanding Young Chinese Musicians". Ita ly's// Corriere Della Sera heralded Lee as one of Chinese's fou r classical music "Golden Boys & Girls" a longside pianists Lang Lang and Yuja Wang Lee has released several albums under EMI which topped the classical charts. His recent a lbums include Bright Sheng's The Blazing Mirage dedicated to Lee, and The Dream of the Red Chamber Capriccio under the direction of composer Wang Liping.

As the founding Artistic Director of Musicus Society, Lee established the groundbreaking Musicus Fest in 2013. As an ambassador of UNICEF HK, he was joined on stage at the United Nations General Assemb ly Hall in 2014 by Yoko Ono and Hugh Jackman among others to launch The IMAGINE Project. Other inspiring projects, Lee has undertaken include performances for indigenous First Natio n communities of northern Canada and a fundraising concert for South African hero Denis Goldberg and his House of Hope Foundation in South Africa.

Lee plays on the 1703 "Comte de Gabriac" cello by Venetian master maker Matteo Goffriller.

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蔡君楊（香港）

Brian Choi

{Hong Kong) 小提琴Violin

蔡君楊為誼樂社2018「年青音樂家招募」的 優勝者，於波士頓新英倫音樂學院完成碩士 學位課程，在學期間先後師隨小提琴名師畢 斯及維勒斯坦學習，亦於新英倫音樂學院校 內的比雅思小提琴比賽贏得第三名，獲得由 學院借出的魏翁古董提琴。 蔡氏曾經奪得多個獎項，包括2017年紐約國 際藝術家協會（小提琴）及哈德遜河谷愛樂 弦樂比賓冠軍，以及2006年全港青年音樂家 大賓冠宣。 蔡氏室樂演奏經驗豐富，曾經接受克羅斯尼 克、司馬克勒、梅鐸克、元淵舞、金利宣丶 博洛夫斯基及荷歷－維勒斯坦等人指導。他又 曾經參與帕加弦樂因重秦、愛默森弦樂四重 奏及齊瑪諾夫斯基弦樂四重奏的大師班，並 屢次參與美國緬因州的尼素爾夏季室樂節。 蔡氏於2017年8月亮相托斯卡納音樂節，聯 同意大利鋼琴家卡尼諾舉行獨奏會，並於同 年9月以紐約國際藝術家協會比賓優勝者身份 在卡內基 音樂廳演出 。蔡氏近年以獨奏身份 與哈德遜河谷愛樂團演出西貝遼士小提琴協 奏曲，並參與由瑟雷斯弦樂四重奏主持的研 討會。 蔡氏曾獲邀於2018、2019及2020年「樂． 誼國際音樂節」亮相。現時為匹茲堡交孌樂 圈及香港管弦樂團擔任特約樂手，亦是香港 馬勒樂國客席樂國首席。

Violinist Brian Choi was a 2018 winner in the Musicus Society's Young Artist Audition program. He is a recent graduate of Donald Weilerstein's studio at the New England Conservatory (NEC) in Boston, where he completed his master's degree. During his undergraduate years at NEC, under the tutelage of Paul Biss, Choi achieved third place in the Bales Violin Competition and was awarded the loan of a fine Jean-Baptiste Vuillaume instrument.

His prizes include Hong Kong Young Musician of the Year in 2006; first prize for violin in the New York International Artists Association (NYIAA) Competition 2017; and also in the Hudson Valley Philharmonic String Competition 2017.

He has extensive chamber music experience, and has studied with renowned artists including Joel Krosnick, Laurie Smukler, Katherine Murdock, Mai Motobuchi, Yeesun Kim, Natasha Brofsky and Vivian Weilerstein.

He has also participated in masterclasses with members of the Parker String Quartet, the Emerson String Quartet, and the Szymanowski String Quartet. He attended the Kneisel Hall Chamber Music Festival 2016, and returned for the summers of 2017 and 2019.

In 2017 he was invited to the Italian festival Paesaggi Musicali Toscani as a guest artist, performing a recital with the legendary pianist Bruno Canino. He made his Carnegie Hall debut in September 2017 in the NYIAA Competition Winners Showcase.

In 2018 Choi was the soloist with the Hudson Valley Philharmonic performing the Sibelius Violin Concerto, and participated in the Juilliard String Quartet Seminar with the Ceres Quartet.

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Choi was invited to perform at Musicus Fest 2018, 2019 and 2020. He is also currently the guest concertmaster of Hong Kong's Gustav Mahler Orchestra, and a substitute violinist with both the Pittsburgh Symphony Orchestra and the Hong Kong Philharmonic Orchestra.

范曉星（香港）

Fan Hiu-sing

(Hong Kong)

二二＂＂ 11111 范曉星為誼樂社2021「年青音樂家招募」的 優勝者。早年他贏得紐約國際藝術家小提琴 大賓及艾德菲室樂團協奏曲大謇後，已成為 國際樂壇上－穎耀眼新星。他曾在不少短期 深造學院和國際音樂節演出，包括馬伏音樂 學院、菲比耶音樂節、菲羅音樂節及學院丶 國際大山音樂節及學院和綠山室樂音樂節 等。2021年他首次於「樂·誼 國際音樂節」 亮相 。 范曉星生於香港， 四歲開始學習小提琴。他 在茱莉亞音樂學院求學時，師隨姜康和李宜 濠，獲頒歌德利亞·李獎學金及丹尼爾·布 隆菲德基金獎學金，畢業後前往慕尼黑音樂 及戲劇學院深造，師承蕢舒、柏鵬和奈達奧 爾。 范氏曾與多位頂尖藝術家合作，也受過他們 的指導，包括卡華高斯、攝斯—斯奈達、列 賓、佩爾曼、巴拉提、拉杜斯、法蘭克、塔 卡—賓茲、偉勒斯坦、羅薩德、艾蒙優、馬 丁 、法國伊比恩四重奏，以及艾默遜四重 奏。 他現在用的小提琴是1795年由格格拉安諾在 拿坡里製作的名琴。

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口

小提琴Violin

Violinist Fan Hui-sing is the 2021 winner in the Musicus Society's Young Artist Audition program.

Winner of the New York International Artists Violin Competition and the Adelphi Chamber Orchestra Concerto Competition, he has established himself as a rising star on the international concert circuit.

Institutions and international festivals at which he has performed include the Marvao Music Academy, the Verbier Festival, the Festival e Academia Verao Classico, the Great Mountains Music Festival and School, and the Green Mountain Chamber Music Festival.

He made his debut with the Musicus Society in 2021.

Born in Hong Kong, Fan began violin lessons at the age of four. He was the beneficiary of the Cordelia Lee Scholarship and Betty & Daniel Bloomfield Fund Scholarship while at the Juilliard School, where he earned his bachelor's degree studying under Hyo Kang and I-Hao Lee, before going on to further studies at the Hochschule fur Musik und Theater in Munich with Julia Fischer, Christoph Poppen, and Lena Neudauer.

Fan has collaborated with and been mentored by such renowned artists as Leonidas Kavakos, Nikolai Szeps-Znaider, Vadim Repin, ltzhak Perlman, Kristof Barati, Ferenc Rados, Pamela Frank, Gabor Takacs-Nagy, Donald Weilerstein, Aaron Rosand, Pierre Amoyal, Mihaela Martin, the Quatuor Ebene, and the Emerson String Quartet.

He currently plays a 1795 Ferdinandus Gagliano violin from Naples.

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王倩兒（香港）

Nina Wong

(Hong Kong) 小提琴Violin

王倩兒為2020年誼樂社「年青音樂家招 募」的優異獎得獎者之一。她以小提琴獨奏 者及室樂手的身分活躍於不同音樂演出，曾 在美國、歐洲丶中國大陸及香港多地演出。 她曾在第28屆澳門青年音樂比賓蠹括小提 琴獨奏高級組冠軍、弦樂協奏曲（小提琴） 冠軍及高級組總冠軍「文化局大獎」。王氏 為Virtus弦樂四重秦創圍成員及第一小提琴 手，她與樂團於2018年第五屆上海音樂學院 國際室內樂藝術節比賽獲得弦樂四重奏第二 名。 王氏曾以獨奏者身份，在澳門樂團《藝蕾初 綻》音樂會及澳門青年交鬢樂團2012年日本 巡迴音樂會中。王氏於2019年參與紐約中 國當代音樂節，在卡內基音樂廳贊克廎進行 弦樂重秦演奏，並與牛牛、朱丹及沈洋等 的音樂家同台，演繹新作。 她亦參與多個音樂節及大師班，獲獎學金參 與包登國際音樂節；以及雲基洛夫、林昭 亮、彼得·塞爾金｀邁阿密弦樂四重奏、上 海四重奏、奧利安弦樂四重奏等名師的大師 班。 王氏在香港演藝學院完成學士及碩士學位課 程，師承陳浩堂，其後於巴德音樂學院完成 藝術家演奏文憑，期間與譚盾、瓊·陶爾丶 彼得·懐爾等多位著名音樂家合作。

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Nina Wong was awarded Honorable Mention of Musicus Society 2020 Young Artist Audition. She is an international prize-winning violinist who has performed as a soloist and ensemble musician in the United States, Europe, Mainland China and Hong Kong. In the 28th Macao Young Musicians Competition she won first prize in the Violin Solo - Advanced Level String Concerto Chamber Music for Strings category, and the Cultural Affairs Bureau Prize. As the founder and first violinist of the Virtus Quartet, she and the ensemble won second prize in the String Quartet category at the Fifth International Chamber Music Festival held by the Shanghai Conservatory of Music.

As a soloist she took part in the Macao Youth Symphony Orchestra's Tour to Japan in 2012, and has performed with the Macao Orchestra under its Flourishing Arts banner. At the China Now Music Festival artists with whom Wong has performed include Dan Zhu, Niu Niu and Shenyang.

She participated as a Fellow in the Bowdoin International Music Festival in 2018, and has performed in master classes with Maxim Vengerov, Cho-Liang Lin, Peter Serkin, the Miami String Quartet, the Shanghai Quartet and the Orion String Quartet. In 2019 she made her Carnegie Hall string quartet debut in the concert venue's Zankel Hall chamber music auditorium.

Wong obtained her bachelor's and master's degrees at The Hong Kong Academy for Performing Arts under the tutelage of Ivan Chan. She has completed the Advanced Performance Studies Program in the Bard College Conservatory of Music, with opportunities to work with renowned artists including Tan Dun, Joan Tower, and Peter Wiley.

黃立恆（香港）

Caleb Wong (Hong Kong) 中提琴Viola

二二""| 黃立恆是Cong四重奏的中提琴手。Cong四 重奏2019年在東京薩爾斯堡莫扎特室樂國際 比寰奪魁，2021年又在比利時克羅采國際音 樂大賓贏得亞軍；2019至2021年出任香港中 文大學駐校室樂合奏團，現為該校文學碩士課 程駐校藝術家。Cong四重奏成立之前，黃氏 獲南韓ArtsyIvia綦金贊助，擔任大山嶺四重 奏的中提琴手。 黃氏曾在世界不同地方學習音樂，包括香港、 倫敦、印第安納、紐約和荷蘭，師承熊谷佳織 （ 香 港管弦 樂 團 ） 、磯村和英（東 京 四 重 奏 ） ，以及嘉素利亞斯教授（寇蒂斯音樂學院 音樂藝術總監） ，其他恩師還包括陳浩堂、華 俊斯基、特列、元淵舞及姬曼等。此外他也得 到許多頂尖室樂合奏團指導，包括太平洋四重 奏、博羅美奧四重奏、多佛四重奏、茱莉亞四 重奏以及上海四重奏，另外也接受過克里夫蘭 四重奏、丹尼爾四重奏、瓜奈里四重奏、耶路 撒冷四重奏、東京四重奏以及法米爾四重奏個 別成員的指導。 黃氏參加過許多室樂音樂節和短期深造學院， 包括紐約羅伯特 · 曼恩四 重 奏 短 期音 樂 學 院、茱莉亞四重奏研討會、海飛茲國際音樂節 學院的阿殊堅納西／基舒博 室樂研討會、瑪德 琳島室樂，以及冰島哈帕國際音樂節音樂學院 弦樂四重奏研討會等。 黃氏曾在紐約現在樂國(The Orchestra Now (TON))、 美國印第安納伊凡斯維爾愛樂樂 國、肯德基歐文斯伯勒交囓樂團擔任樂手；在 紐約期間，曾在大都會藝術館、卡奈基音樂廳 和林肯中心等場地演出，並為拿索斯和Sorel Classics等唱片公司錄音。

Caleb Wong is the violist of Cong Quartet which won the Grand Prize in the 2019 Salz burg Mozart International Chamber Competition in Tokyo, and the 2nd prize in the 2021 Kreutzer International Competition in Belgium. The quartet is currently Artists如Residence for the Master of Arts programme of the Chinese University of Hong Kong, where it held the role of Ensemble-in- Residence from 2019 to 2021. Prior to the formation of the Cong Quartet he was violist of the Alpensia Quartet in South Korea, sponsored by the Artsylvia Foundation.

Wong received his musical education in Hong Kong, London, Indiana, New York and the Netherlands, studying with Kaori Wilson of the Hong Kong Philharmonic, Kazuhide lsomura of the Tokyo String Quartet, and Curtis Institute of Music Artistic Director Edward Gazouleas. His other mentors include Ivan Chan, Stephen Wyrczynski, Michael Tree, Mai Motobuchi and Mara Gearman. He has studied and worked closely with the Pacifica, Borromeo, Dover, Juilliard and Shanghai string quartets, and with members of the Cleveland, Danel, Guarneri, Jerusalem, Tokyo, and Vermeer quartets.

Chamber music festivals and institutions at which Wong has performed include the Robert Mann String Quartet Institute; the Juilliard String Quartet Seminar; the Ashkenasi/ Kirshbaum Chamber Music Seminar at the Heifetz International Music Institute; Madeline Island Chamber Music; and Harpa International Music Academy in Iceland.

Wong was a member of The Orchestra Now (TON) in New York, the Evansville Philharmonic in Indiana, and the Owensboro Symphony Orchestra in Kentucky.

During his time in New York, he performed at the Metropolitan Museum of Art, Carnegie Hall and the Lincoln Center, and recorded with the Naxos and Sorel Classics labels.

Recent performances have included recitals in Tokyo, New York, Utrecht, France, Singapore and Hong Kong.

黃氏近期曾在東京、紐約、烏德勒支、法國丶 新加坡和香港等地演出。

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龔偉健（香港）

Kung Wai-kin

(Hong Kong)

笛子及新笛Dizi & Xindi

青香港青年笛子演奏家龔偉健自小在香港學 習和成長，8歲開始學習笛子，其後赴上海音 樂學院修讀碩士學位，師承著名笛子教育及 演奏家詹永明教授。 在上海期間，龔氏向各地笛子名師學習，亦 得到不少演出及交流的機會。曾參與上海之 春國際音樂節、當代音樂週、上海國際藝術 節等大型音樂活動；2018年獲國立臺灣藝術 大學邀請到台北，為竹笛奏鳴曲《海風·竹 夢》進行首演；隨上海音樂學院笛聲賦竹笛 室內樂圈及上海音樂學院民族管弦樂團到各 地演出；先後參與及策劃「第五及第六屆上 海音樂學院民族管樂週」系列活動講座與演 出；並獲學校推薦，前往瑞士日內瓦高等音 樂學院進行教學交流項目。 龔氏曾獲多個獎項，如2018年西湖國際青少 年音樂節器樂比賓（高等院校組專業組）笛 子金獎、中國·無錫第四屆國際笛簫節暨 「聽雨盃」海內外笛簫邀請賓之專業青年組 金獎｀上海市政府（港澳台）優秀學生獎學 金(2018-2020)等。2019年更獲上海音樂 學院優秀學生「音才助飛」項目贊助，於上 海賀綠汀音樂庫舉辦獨奏音樂會。2020年， 入選香港中樂團主辦「樂·融·榮」新世代 小型音樂會計劃，將舉辦笛子獨奏音樂會。

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Hong Kong Dizi Performer, Kung Wai-kin grew up in Hong Kong and started learning Dizi at the age of 8. Then, he went to Shanghai to further his study in Dizi and graduated with a Master of Arts (Music Performance Major: Dizi) degree at Shanghai Conservatory of Music under the guidance of Professor Zhan Yongming, a famous Dizi performer and educator.

During his stay in Shanghai, he learned from famous Dizi masters from all over the world, and also got a lot of opportunities for performances and exchanges, such as Shanghai Spring International Music Festival, Contemporary Music Week, Shanghai International Art Festival, etc. In 2018, he was invited by the National Taiwan University of Arts to premiere the Dizi sonata "Sea Breeze and Bamboo Dream". He performed in various places with the "Di Sheng Fu" Dizi Chamber Orchestra and the Shanghai Conservatory of Music Chinese Orchestra. He participated in and planned " The 5th and 6th Shanghai Conservatory of Music Chinese Traditional Wind Instrument Week " series of lectures and performances. Also, he was recommended by the school to participate in a teaching exchange project with the Geneva Conservatory of Music in Switzerland.

Kung Wai Kin has won multiple awards. For example, he won the Dizi gold award in West Lake International Youth Musical Instrumental Competition Higher School Professional Group and the gold metal of Dizi Professional Group in China · Wuxi 4th International Flute Festival and "Listen to the Rain Cup" Dizi professional competition at home and abroad. Also, he received the Excellent Student Scholarship for three successive years during 2018-2000. In 2019, he was awarded to be an outstanding student by the Shanghai Conservatory of Music "Music Talent to Fly" Program and received sponsorship to give a solo recital. In 2020, he was selected for the Hong Kong Chinese Orchestra to host the "Music Integrates" chamber concerts by young musicmakers and will hold a solo concert of Dizi.

邵珮儀（香港）

Belle Shiu (Hong Kong)

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琵琶Pipa

二二＂＂團團 琵琶演奏家邵珮儀生於香港，2016年畢業於 香港演藝學院，師臃張瑩，獲頒音樂碩士學 位，現為香港中樂團樂師。 邵氏早年隨李萍學習琵琶，曾得著名琵琶演奏 家楊靖教授和任宏教授指導。另外，邵氏也分 別隨王彩珍和羅晶學習過南音琵琶和古箏。 與邵氏合作過的著名音樂家包括俄羅斯中提琴 家及指揮巴舒密特、大提琴家李垂誼｀中提琴 家弗拉迪米爾·孟德爾遜，以及小提琴家皮洛 素。此外，邵氏經常獲莫斯科獨奏家樂團邀 請，擔任客席演奏家，曾在索奇冬季國際音樂 節(2017及2019) 、俄羅斯文化節(2019, 北京及天津） ｀ 巴 舒 密 特 國 際 音 樂 節 ( 2 O 1 8 ， 俄 羅 斯 ） 、 普洛斯高音 樂 節 (2O16，意大利），以及十二月之夜音樂節 (2O16，俄羅斯）演出。2015年，邵氏應邀 到芬蘭庫赫莫室樂節演出，成為該音樂節首位 獲邀亮相的中樂演奏家。 2021年，邵氏與香港中樂團嗩吶助理首席胡 晉僖合作，在香港中樂團音樂會《霓城》演 出，2019年隨香港中樂團到希臘參加雅典及 埃皮達霽斯音樂節演出 ， 擔 任 琵 琶 獨 奏 。 2018年，獲香港實驗流行 樂隊「聲音試管」 邀請，在美國三藩市吵鬧流行音樂節演出；又 與指揮肖超及香港中樂圈合作，在樂曲《雲山 春色》中擔任獨奏，更在第三屆阿爾達米拉香 港國際結他研討會中，與演藝愛樂合作，擔任 譚盾《琵琶及弦樂隊協奏曲》獨奏。 邵氏曾贏得多項殊榮，包括廣東省第二屆中國 民族器樂大賽 合奏組金獎、「青樂杯」 （香 港）國際青少年琵琶比賽獲海外組銅獎，以及 香港國際青少年器樂大賽青年專業組獲優秀表 現奬。

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Hong Kong born Belle Shiu is a pipa virtuoso and member of the Hong Kong Chinese Orchestra (HKCO).

She completed her master's degree in music at The Hong Kong Academy for Performing Arts (HKAPA) in 2016, under the supervision of Zhang Ying.

Shiu started learning pipa under Li Ping, and was coached by the famous virtuosi Yang Jing and Ren Hong. She also trained in nanyin pipa under Ong Chay-tin, and zheng under Luo Jing.

Notable musicians Shiu has performed with include Russian violist and conductor Yuri Bashmet, cellist Trey Lee, violist Vladimir Mendelssohn, and violinist Gian Paolo Peloso. As a regular guest of the Moscow Soloists Chamber Orchestra she has performed at Winter International Arts Festival in Sochi (2019 and 2017), the Russian Culture Festival in Beijing and Tianjin (2019), International Music Festival of Yuri Bashmet in Russia (2018), the Prosecco Festival in Italy, and December Nights in Russia (both in 2016). In 2015 she was invited to be the first player of Chinese music to perform at the renowned Kuhmo Chamber Music Festival in Finland.

In 2021 Shiu and the Suona Assistant Principal of the HKCO Wu Chun-hei collaborated in the HKCO concert, The Neon City, and in 2019, she appeared as pipa soloist with the orchestra at the Athens and Epidaurus Festival in Greece. In 2018, she performed with the local experimental pop band, SoundTube, at the Noise Pop Festival in San Francisco; the pipa solo Spring Comes to Baiyun Mountain with the HKCO under the baton of Xiao Chao; and the pipa solo in Tan Dun's Concerto for Pipa and String Orchestra with the Philharmonia APA at the 3rd Altamira Hong Kong International Guitar Symposium.

She has won the Gold Award in the Ensemble Category at the 2nd Chinese Instrumental Music Competition of Guangdong; Bronze in the International Group at the Hong Kong International Youth Pipa Competition; and a Merit Award in the Young Professional Group at the Hong Kong International Youth Music Competition.

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陳俊燊（香港） Alvin Chan (Hong Kong) 敲擊Percussion

陳陳俊燊畢業於香港演藝學院，師 隨龍向榮 博士 、龐樂思及辜柏麟，獲音樂學士學位 （一級榮譽）及音樂碩士學位。陳氏 在學期 間獲頒多項獎學金，包括香港賓馬會音樂及 舞蹈信託基金全額獎學金、香港愛樂團獎學 金以及陳浩才醉人音樂獎學金。 陳氏2018年起擔任香港天籟敦煌樂圈駐圈敲擊 樂師，曾隨團到敦煌和泉州演出。2019年，他 與其他樂手共同創辦 敲擊樂二重奏Vertex Percussion Duo及敲擊樂團M.A.R.B.L.E.S. Percussion •同年又前往美國，參加普林斯頓 大學舉辦的「秦」敲擊樂夏日學院，與來自世 界各地的敲擊樂手交流及演出。 陳氏也是香港藝術發展局資 助 藝 團「敲擊 竊」的樂手；2020年 曾與第三海岸敲擊樂團 攜手在國際共襄創意學院演出。 2015年，陳氏獲選加入亞洲青年管弦樂團，

Chan has been the resident percussionist of the Hong Kong Gaudeamus Dunhuang Ensemble since 2018, and has toured to Dunhuang and Quanzhou. In 2019 he co-founded the Vertex Percussion Duo and M.A.R.B.L.E.S. Percussion. During the same year he joined the So Percussion Summer Institute in Princeton where he performed with percussionists from all over the world.

He is also an associated artist of Toolbox Percussion, with the support of the Hong Kong Arts Development Council, and performed with Third Coast Percussion at the Toolbox International Creative Academy in 2020.

伴奏樂手。

In 2015 Chan toured mainland China, Taiwan and Japan as a member of the Asian Youth Orchestra, and in 2017 he performed as an accompanist at the World Dance Alliance Global Summit in St. John's, Canada, with the support of Hong Kong Arts Development Council.

此外，陳氏現為澳門樂團、香港小交響樂圈 及演藝愛樂特約樂手。

He is also a freelance player with the Macao Orchestra, Hong Kong Sinfonietta and Philharmonia APA.

隨 團 到中國大陸、台灣及日本巡迴演 出， 2017年又獲香港藝術發展局資助，參加世界 舞蹈聯盟全球峰會（加拿大聖約翰），擔任

。

Alvin Chan holds a Bachelor of Music degree with first-class honours and a Master of Music degree from the Hong Kong Academy for Performing Arts, where he studied under Dr Lung Heung-wing, James Boznos and Alan Cumberland. He received full scholarships from The Hong Kong Jockey Club Music and Dance Fund, and has also been awarded the SAR Philharmonic Scholarship and the Chan Ho Choi Enchanting Music Scholarship.

張緯晴（香港）

Rachel Cheung

{Hong Kong)

－－

鋼琴Piano

二二""|圄||II 香港鋼琴家張緯晴獲《達拉斯早報》評為集「詩人 與戲劇家」 於一身，造詣「爐火純青且扣人心 弦」。張氏在香港及國際間屢獲殊榮，她在第15屆 范克萊本國際鋼琴大賓中，成為首位晉身決謇的香 港鋼琴家，並獲得觀眾大獎。張緯晴年僅17歲，便 於2009年里茲國際鋼琴大賽中奪得第五名，並於 翌年的第16屆蕭邦國際鋼琴大賽中晉身準決賽。 張氏多次在國際著名音樂節亮相，包括俄羅斯第九 屆奧林匹克國際音樂節、波蘭杜什尼綦茲德魯伊的 蕭邦節、2006年烏克蘭基輔的全球傑出音樂家音 樂節、法國盧昂跨歐洲音樂節、邁亞密國際鋼琴 節、哥蘭特斯基學院國際鋼琴節、美國太陽谷國際 鋼琴節及2017年的芬蘭「樂·誼國際音樂節」 等。她曾於巴黎羅浮宮演奏廳、倫敦施坦威音樂 廳、多倫多烈治文山演藝中心及巴黎愛樂廳演出。 張氏曾與 多位 著名室樂家 合作，包括弗拉 迪 米 爾·孟德爾遜丶姜東錫丶棍－埃里克·古斯 塔夫 森、寧峰、李垂誼、拉蒂卡·本田－羅森伯格、楊 斯·彼得·曼茲、維爾比·雷辛寧、王健、米歇 爾·勒蒂耶克、布霽諾·卡尼諾、布蘭塔諾弦樂 四重奏及萊昂尼斯四重奏。她又曾與世界各地樂 團合作，包括聖彼得堡愛樂樂團、波恩貝多芬交 響樂團、香港小交響樂團、香 港管弦樂團與艾 度·迪華特、哈雷樂團與馬克·艾爾達爵士、悉 尼交響樂團與阿殊堅納西、紐約音樂會藝術家交 響樂團與愛德華度·蕭貝康德｀倫敦室樂團與基 斯杜化·華倫－格恩，以及德克薩斯州沃斯堡管弦 樂團與李安納·薩拉金和尼古拉斯·麥基根。最 近，她與巴黎室樂團在史提芬·科瓦切維奇指導 下，於領奏學院計劃中同時指揮及演奏貝多芬第 四鋼琴協奏曲，並在閉幕典禮上獲頒評審大獎。 張氏於2018年3月在卡內基音樂廳首演，並與加博 爾·塔卡奇－納吉指揮的瑞士韋爾比亞音樂節室樂 國於香港藝術節中演出。她近年曾於墨西哥、波 蘭、意大利、英國及美國等國家舉行獨奏會，及 於芬蘭埃斯波舉行的「樂·誼國際音樂節」中演 出，亦與香港管弦樂團合作演出。

Young Steinway Artist Rachel Cheung has been described as "a poet, but also a dramatist" and praised for "the most sophisticated and compelling music-making" by the Dallas Morning News. In 2017 she was a finalist and winner of the audience award at the 15th Van Cliburn International Piano Competition. She also won fifth prize at the 2009 Leeds International Piano Competition, aged 17, and in 2010 was a semifinalist at the 16th International Fryderyk Chopin Piano Competition in Warsaw.

Cheung's Festival appearances include the Ninth Musical Olympus International Festival in St Petersburg, Russia; the International Chopin Festival in Duszniki-Zdr6j, Poland; Virtuosos of the Planet 2006 in Kiev, Ukraine; the Transeuropeennes festival in Rouen, France; the Miami International Piano Festival, Golandsky Institute International Piano Festival, and the International Piano Festival, Sun Valley in the USA; and Musicus Fest 2017, when it was held for the first time in Finland.

She has also performed at the Auditorium du Louvre in Paris, the Steinway Hall in London, the Richmond Hill Centre for the Performing Arts in Toronto, and the Philharmonie de Paris.

An active chamber musician, Cheung has worked with world-renowned musicians including Vladimir Mendelssohn, Dong-Suk Kang, Jan-Erik Gustafasson, Ning Feng, Trey Lee, Latica Honda-Rosenberg, Jens Peter Maintz, Virpi啁sanen, Jian Wang, Michel Lethiec, Bruno Canino, the Brentano String Quartet and Quatuor Leonis.

Orchestras with which she has performed include the St. Petersburg Philharmonic Orchestra; the Beethoven Orchestra Bonn; the Hong Kong Sinfonietta; the Hong Kong Philharmonic Orchestra, with Edo de Waart; the Halle Orchestra, with Sir Mark Elder; the Sydney Symphony Orchestra, with Vladimir Ashkenazy; the New York Concert Artists Symphony Orchestra, with Eduard Zilberkant; the London Chamber Orchestra, with Christopher Warren-Green; and the Fort Worth Symphony Orchestra, with Leonard Slatkin and Nicholas McGegan.

She recently directed and performed Beethoven's Piano Concerto No. 4 with the Orchestre de Chambre de Paris at the Paris Play-Direct Academy, led by Stephen Kovacevich. She was also awarded the prix du jury at the closing concert.

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李嘉齡（香港）

Colleen Lee (Hong Kong) 鋼琴Piano

李嘉齡早年勇奪第15屆蕭邦國際鋼琴大賓第 六名，隣後開始巡迴亞洲、歐洲、北美洲舉 行獨奏會及與著名 樂團合作，包括西班牙加 利西雅皇家愛樂樂團、以色列愛樂樂團、中 國愛樂樂團、廣州交鬢樂 圈｀華沙管弦 樂 團、武漢愛樂樂圈、日本仙台交鬢樂團｀上 海交鬢樂圈及香港管弦樂圈等。 李氏獲香港小交鬢樂團委任為2010-11年度的 駐圈藝術家，期間與樂團這赴南美洲、意大 利及台灣巡演。李氏於2019年9月完成與倫 敦交鬢樂團及列圖爵士的首次合作演出。 李氏經常獲邀參與國際音樂節演出，包括波 蘭國際蕭邦音樂節、意大利阿西西國際鋼琴 音樂節、德國邁森鋼琴音樂節、紐約國際鍵 盤音樂節、包登國際音樂節及於芬蘭埃斯波 舉行的「樂·誼國際音樂節」等。 李氏亦不時參與室樂演出，包括香港國際室 內樂音樂節、 「樂·誼國際音樂節」，以及 香港室樂社主辦的音樂會等。她曾與多位享 譽國際的音樂家合作，包括 小提琴家寧峰丶 姜東錫、 大提琴家李垂誼、穆勒蕭特｀克尼 亞澤夫，以及上海四重奏等。她現為2018年 成立的 「香港電台室樂演奏家」一員。此 外，李氏先後灌錄蕭邦專輯及史格拉蒂鋼琴 奏鳴曲全集，前者由波蘭國立蕭邦學社發 行。 李氏在推廣音樂和文化藝術方面不遺餘力， 曾分別獲得民政事務局局長嘉許狀、香港行 政長官社區服務獎狀及香港藝術發展局的藝 術新秀獎。李氏現為香港教育大學榮譽駐校

。

藝術家，並於香港演藝學院及香港浸會大學 任教。

Since winning sixth prize at the 15th International Fryderyk Chopin Piano Competition in Warsaw, Colleen Lee has appeared throughout Asia, Europe and North America in solo recitals and with orchestras. She has performed with the Royal Philharmonic Orchestra of Galicia; the Israel Philharmonic Orchestra; the China Philharmonic Orchestra; the Guangzhou Symphony Orchestra; the Warsaw Philharmonic Orchestra; the Wuhan Philharmonic Orchestra; the Sendai Philharmonic Orchestra; the Shanghai Symphony Orchestra; and the Hong Kong Philharmonic Orchestra, among others.

Lee was a Hong Kong Sinfonietta Artist Associate in 2010/2011, and has toured with the orchestra in South America, Italy and Taiwan. She made a critically acclaimed debut with the London Symphony Orchestra, under Sir Simon Rattle, in September 2019.

Lee has also been a featured artist at several international music festivals, including the International Chopin Festival in Poland; the Assisi Performing Arts - Summer Music festival in Italy; Pianoforte Fest Meissen in Germany; the International Keyboard Institute & Festival in New York; the Bowdoin International Music Festival; and Musicus Fest 2017, when it was held for the first time in Finland.

Lee frequently appears in chamber music concerts and has collaborated with world famous instrumentalists, including violinists Ning Feng and Dong-Suk Kang; cellists Trey Lee, Daniel MOiier-Schott and Alexander Kniazev; and The Shanghai Quartet. She is also a member of the RTHK Chamber Soloists, an ensemble formed in 2018. Lee's discography includes an all Chopin album released by the Fryderyk Chopin Institute, and a complete edition of Scarlatti's keyboard sonatas.

She is currently Honorary-Artist-in-Residence of The Education University of Hong Kong, and serves as a faculty member at The Hong Kong Academy for Performing Arts and the Hong Kong Baptist University.

Lee has been awarded a Certificate of Commendation by the Secretary of Home Affairs, a Commendation for Community Service by the Hong Kong Government, and a Young Artist award by the Hong Kong Arts Development Council.

陸尉俊（香港）

Luk Wai-chun

{Hong Kong)

－－ －

作曲家Composer

二二＂＂ 11111 陸尉俊問在香港中文大學音樂系取得音樂博 士（作曲）學位，師蘸李允琪教授。他喜歡 探索不冏類型的音樂風格，其作品為融合世 界各地音樂元素的現代音樂。陸氏近作受中 國地方音樂、戲曲｀ 日本雅樂、爵士樂及拉 丁美洲音樂的音樂影譬。 2019年，陸氏到南佛羅里達州大學擔任訪問 學者，鑽研爵士樂及拉丁美洲音樂，曾 到古 巴、秘魯、玻利維亞和巴西實地考察。陸氏 也曾與各式各樣的音樂團隊合作，包括來自 香港、美國、加拿大、法國、巴西和泰國的 藝術家。 陸氏修讀博士學位期間獲頒多項獎學金，包 括香港作曲家及作詞家協會獎學金、中國文 化研究所莫慶鏘獎學金，以及香港賓馬會音 樂及舞蹈信託基金音樂獎學金等。 他的中樂作品《彈撥搖滾》獲頒2021「敦煌 獎」中國民族室內樂新作品展評活動金獎（冏 類樂器組合作品），琵琶獨奏曲《爵士琵琶》 則在2017年獲「敦煌獎」琵琶獨奏重奏 新作 品 展 評銀獎，此 外 ， 他亦是誼樂社 丶 Kaleidoscope

Chamber

Orchestra

、

Catchfire Collective和 Tacet(i) Ensemble 樂季徵譜比賽優勝者。 此外，陸氏的作品曾在巴西聖保羅當代作曲 家音樂節、香港當代音樂節丶2017國際現代 音樂協會「世界（新）音樂日」 （加拿大） 及美國跨文化音樂會議與音樂會上發表。另 －首作品《歸墟》最近也在第67屆國際作曲 家講壇發表（塞爾維亞貝爾格萊德）。

_I＇

Luk Wai-Chun recently received his doctorate in composition from the Chinese University of Hong Kong, where he studied under Professor Lee Wan-ki Wendy. He is interested in the eclectic stylistic elements of world music, and has explored many different musical idioms, his recent works being influenced by Chinese regional folk music, Chinese traditional opera, Japanese gagaku, jazz and Latin American music.

In 2019, he went to the University of South Florida as a visiting scholar to study jazz and conduct research into Latin American music, with fieldwork in Cuba, Peru, Bolivia, and Brazil. Luk has collaborated with many different music groups, including artists from Hong Kong, the USA, Canada, France, Brazil, and Thailand.

In the course of his doctoral studies, Luk has received several scholarships, including the Composers and Authors Society of Hong Kong (CASH) Scholarship; the ICS Mok Hing Cheong Postgraduate Scholarship; and the Music Scholarship (Local Studies) from the Hong Kong Jockey Club Music and Dance Fund.

His Chinese instrumental composition, Tan-Tiao Rock won the Gold Award (Combination of Musical Instruments of the Same Category) at the 2021 Dunhuang Awards - Call for Scores for New Works for Chinese Chamber Music, while his pipa solo work, Jazz Pipa, earned the Silver Award at the 2017 Dunhuang Award- Call for Scores for Pipa Solo and Ensemble New Works. He is also a Musicus Society, Kaleidoscope Chamber Orchestra, Catchfire Collective and Tacet(i) Ensemble Call for Scores winner.

His other compositions have been featured at the Sao Paulo Contemporary Composers Festival; the Hong Kong Contemporary Music Festival; the International Society for Contemporary Music's World (New) Music Days 2017 (Canada); and the lntercultural Music Conference and Concerts (USA). One of his compositions, Blue Pole, recently featured at the 67th International Rostrum of Composers in Belgrade, Serbia.

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誼樂社於2010年為實踐著名大提琴家李垂誼的理念而成立。旨在透過跨文化交流和合作，推廣音樂藝術。樂 社在發展中得到榮譽贊助人董建華先生和社會各界的慷慨支持，並獲香港特別行政區政府「藝術發展配對資 助計劃」的資助。樂社的年度活動包括三個主要項目． ·「樂·誼國際音樂節」匿聚全球演奏家作跨文化交流，由國際與香港著名藝術家合作，透過觀摩、指導及 同台演出，啓迪音樂界的新－代。樂社亦通過與世界各地夥伴的合作，為本地新秀提供海外演出機會，提 高國際間對香港藝術家的認識。 ·「樂·憶古蹟」計劃在本港具歷史價值的地點舉行音樂會，透過演出、導賞及公眾活動，以音樂喚醒香港 的歷史及文化。年輕作曲家受古蹟啓發而撰寫的新作，亦會在個別音樂會中作世界首演。 ·「樂·啓夢想」教育項目，旨在為藝術大師與學生提供交流學習的機會與平台，培育社會各階層對音樂有 興趣的青少年，促進藝術人才的發展。此項目包括讓年輕樂手在本港和海外接受大師指導以及同台演出的 「樂團培訓」，鼓勵學生認識音樂的「樂訪校圜」。此外，樂社亦每年舉辦「作品徵集」和「年青音樂家 招募」，發掘並栽培香港具有潛質的作曲家及演奏家。 Musicus Society was founded in 2010 under the vision of renowned cellist Trey Lee. A registered charity under the patronage of the Hon. Tung Chee-hwa, Musicus Society aims to promote cross-cultural collaboration of music internationally. The Society is financially supported by the Arts Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region and presents three major programs each year: • Musicus Fest provides a meeting point for artists from across the world to collaborate on stage and inspire future generations with performances side-by-side. Through its international partnerships, Musicus Fest also serves as a springboard for burgeoning local talents to perform overseas and gain foreign exposure.

• Musicus Heritage presents concerts and fringe activities at cherished Hong Kong historical sites, with a curated music program that reflects the specific cultural significance of the surroundings. The concerts also feature the world premiere of works by young Hong Kong composers, commissioned for and inspired by selected heritage sites.

• Musicus Inspires! is an educational program which aims to cultivate students of all social backgrounds. The initiative includes the "Ensemble Training" program for aspiring young talents to learn from great masters in Hong Kong and abroad. Students are also encouraged to explore various aspects of music via "School Visits". In addition, promising young composers and instrumentalists are discovered and encouraged via the annual competitions of "Call for Scores" and "Young Artist Audition."

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誼樂社

.\IUSIULS 藝術總監Artistic Director 李垂誼Trey Lee 榮譽贊助人Honorary Patron 董建華先生The Hon. Tung Chee Hwa, GBM 榮謩會長Honorary Presidents 蔡關頴琴律師Mrs. Janice Choi, BBS, MH, JP 紀文鳳女士Ms. Leonie Ki, GBS, JP 榮譽顧問Honorary Advisors 陳達文博士Dr. Darwin Chen, SBS, ISO 羅啟妍女士Ms. Kai-yin Lo, SBS 榮譽藝術顧問Honorary Artistic Advisor 徐霞女士Ms. Xu Xia

理事會The Council 會長President 李垂音女士Ms. Chui-Inn Lee 主席Chairman 羅君本先生Mr. Ken Lo 副主席及轆務司庫Vice Chairman and Honorary Treasurer 羅君美女士Ms. Elizabeth Law, MH, JP 轆務秘書Honorary Secretary 黃仲賢先生Mr. Patrick Wong 公關委員會主席PublicityChair 陳嵐女士Ms. Lilian Chen 教育委員會主席聲節目委員會聯席主席EducationChair & Programming Co-Chair 林杏儒女士Ms. Sophie Lin 人力資源委員會主席聲籌款委員會聯席主席Fundraising& Human Resources Co-Chair 宋安真女士Ms. Tiffany Soong

委員會成員以英文姓氏排列All committee chairs are listed in alphabetical order

古蹟簡介 ABOUT THE HERITAGE SITE

大館是香港－個集古蹟及藝術館於一身的 建築群，包括三大法定古蹟一前中區警 謩、中央裁判司署及域多利監獄，以及兩 座全新建築物「賽馬會藝方」及「賽馬會 立方」，另有「檢閲廣場」 、「監獄操

Tai Kwun is Hong Kong's Centre for Heritage and Arts - a cultural destination for inspiration, stimulation and enjoyment. The site comprises three Declared Monuments - the former Central Police Station, Central Magistracy and Victoria Prison. The site also includes two new buildings - JC Contemporary and JC Cube,

場」及「洗衣場石階」等特色場地舉辦各

and several outdoor spaces - Parade Ground, Prison

類型藝術節目及活動。

Yard and Laundry Steps, providing an exciting venue for arts programmes.

大館是昔日公眾對前警察總部以至整個建 築群的簡稱，自2018年5月起分階段對外 開放，以非牟利模式營運，是香港賓馬會 與香港特別行政區政府合作推行的中區警

The name "Tai Kwun" in Chinese means "big station", the colloquial name used by Hong Kong people to refer to the former police headquarters and the surrounding compound. Opened to the public in phases in May 2018

署建築群活化計劃的成果，亦是香港最重

and operating on a not-for-profit model, Tai Kwun is

要的歷史古蹟活化計劃之一。

the fruition of a joint partnership between The Hong

大館於2019年獲頒聯合國教科文組織亞

to conserve and revitalise the buildings of the historic

太區文化遺產保護獎卓越獎項，為此獎項

Central Police Station compound, which represents

Kong Jockey Club and the Government of the HKSAR

中最高殊榮，肯定了活化計劃卓越的保育

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及活化成就。

one of the most significant revitalisation projects in Hong Kong.

In 2019, Tai Kwun received the Award of Excellence in the UNESCO Asia-Pacific Awards for Cultural Heritage Conservation. This is the highest honour of the prestigious Awards, which bestows an international recognition of the outstanding achievement in the conservation and revitalisation efforts of Tai Kwun.

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透過跨文化交流推廙音樂Promote cross-cultural collaboration of music internationally 香港柴灣逍238號青年膚場9 摟912 室 Unit 912, 9/F Youth Square, 238 Chai Wan Road, Hong Kong

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誼樂社Musicus Society