urbanism along the bridge

Page 106

Chapter 5- URBAN DIMENSIONS

POSITIVE AND NEGATIVE AREA OUTDOOR AREA IS THOUGHT

OF IN

TERMS

OF

'POSITIVE'

AND

'NEGATIVE' SPACES: Positive, comparatively fogbound, out

of

doors area has

a

definite

and

distinctive form. it's 'conceivable', is measured, and has definite boundaries - we tend to may imagine it being crammed with water, that afterward runs out comparatively slowly. it's discontinuous (in principle), closed, static, however serial in composition. Its shape is as necessary as that of the buildings surrounding it.

Negative area is shapeless, e.g. the amorphous residue left over around buildings that are usually viewed as positive. it's 'inconceivable' - continuous and lacking in perceivable edges or kind. it's troublesome to imagine such area being stuffed with water as a result of quite merely -it's troublesome to ideate the space, The distinction between 'positive' and 'negative'

outdoor areas can even be thought of in terms of their 'convexity'. 'soft space' of parks, gardens and linear greenways, which have less enclosure or outlined boundary and are dominated by the natural atmosphere. This section primarily discusses arduous area.

When many buildings

or

urban

blocks area

unit clustered along in

an

exceedingly a lot of unionized manner, 'positive' areas is created. The most straight forward means that of making a way of abstraction containment is to cluster buildings around a central space, insertion it inside a wall of facades. Where the corners of the area area unit open, forming street intersections or a spot between 2 buildings, space leaks out through the corner openings. To better contain it, facades is overlapped, The visual dimension preventing or limiting views into or out of the space. once the building walls flip the corner, keeping views inside the central area, a much stronger sensation of enclosure is made If the full area is simply determined, it does not invite additional involvement. it's URBANISM ALONG THE BRIDGE

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urbanism along the bridge by Murtaza Kapadia - Issuu