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4.15PATTERN OF MOVEMENT

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8.3 SITE CONTEXT

8.3 SITE CONTEXT

• in helping to boost the standard of an environment and as a vehicle for involving the community in environmental improvements,

• in helping to make a way of identity, uniqueness, and pride, • as the simplest way of celebrating place, historical heritage or of highlighting particular characteristics which relate to a particular site.

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Nevertheless, relation between public and art may be completely different than genesis, creation, perception and art reception, felted by public.

''Public art versus art publicly space''Invalid source specified.

“There are variety of expected roles of an artwork placed publicly space. adding visual quality to a built environment, demonstrating certain urban planning and concrete design strategy, promoting higher level of integration between art, architecture, and also the landscape.

“Art history has from its very beginnings included a history of artworks situated in various public spaces.''

4.15PATTERN OF MOVEMENT

Pedestrian includes a unique pattern of movement. People have the tendency for a spiral movement and meandering this movement possess highest degree of flexibility. they'll go with different space conditions, and has the power and also the tendency to create sudden changes in direction of movement ,to shop, to hesitate. It has the low degree to tolerable restrain. The degree of tolerable restrain increases because the distance increases because the distance decreases the need for flexibility increases.

A person doesn't only walk but watches the encompassing appreciates them, involves in those activities along the road, so these activities are equally important which ''create life''.

Texture of the bottom or pavement influences the way we move, children skip stone from stone and that we all try and avoid strip on highway are often rough

textured. to create them highly visible in rain or in artificial light, distinctive patterns in sidewalks or in pavements will cause us to run during a defined manner.

We are more conscious on the bottom than the remainder of the environment, because we glance where we walk and there the feel of the bottom covers add a special texture or quality to the grass areas and special ground covers add special texture or quality to the bottom, grass invites walking while other deeper ground covers restrict people from entering.

A strong and straightforward geometric figure (circle, oval) would possibly organize the middle of the area, permitting the irregular line of encompassing buildings to make localized relations with the sting, therefore serving to organize the square into one aesthetic whole.

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