Disney's Moana Jr Perusal Actor's Script

ACTOR’S SCRIPT Table of Contents Welcome to the Theater.......................................................................................................... ii What to Expect During Rehearsals .................................................................................. iii Marking Your Script................................................................................................................. iv Synopsis........................................................................................................................................ vi Characters..................................................................................................................................viii Theater Tips................................................................................................................................. ix Moana JR. Script......................................................................................................................... 1 In the Beginning.................................................................................................................. 1 Tulou Tagaloa....................................................................................................................... 4 Where You Are (Part 1)...................................................................................................... 6 Where You Are (Part 2)....................................................................................................11 How Far I'll Go.....................................................................................................................23 We Know the Way................................................................................................................29 We Know the Way (Playoff)............................................................................................33 Where You Are (Reprise)..................................................................................................34 How Far I'll Go (Reprise)..................................................................................................36 You're Welcome..................................................................................................................41 Warrior Face (Part 1)........................................................................................................53 Warrior Face (Part 2)........................................................................................................54 Warrior Face (Part 3)........................................................................................................56 Shiny (Part 1).......................................................................................................................62 Shiny (Part 2).......................................................................................................................65 Shiny (Playoff)....................................................................................................................71 Warrior Face (Reprise) / Logo Te Pate........................................................................73 Song of the Ancestors......................................................................................................83 Know Who You Are............................................................................................................90 Te Fiti Restored...................................................................................................................92 Tulou Tagaloa (Reprise)..................................................................................................93 We Know the Way (Finale)..............................................................................................96 Bows.......................................................................................................................................99 Actor’s Glossary..................................................................................................................... 101 Show Glossary........................................................................................................................ 103 Oceanic Languages Guide................................................................................................ 105 Credits & Copyrights........................................................................................................... 109

INTRODUCTION

Welcome to the Theater Congratulations! You’ll be working with your creative team and fellow cast members to put on a musical. Before you begin rehearsals, there are some important things you should know. This book is your script. Whether putting on a school production or rehearsing a professional show, every actor, director, and stage manager works from a script. Your Actor’s Script contains additional information for this musical, like this introduction and two glossaries. You can look up any bold words in the Actor’s Glossary at the back of this book. Be sure to take good care of your script and take notes with a pencil since what you’ll be doing onstage can change during rehearsals.

One of the first things you’ll need to learn is what to call the various areas of the stage. Since most stages used to be raked, or tilted down toward the house where the audience sits, the term downstage is still used to refer to the area closest to the audience, and upstage is used to refer to the area farthest from the audience. Stage left and stage right are from the actor’s perspective when facing the audience. This diagram shows how to use these terms to label nine different parts of the stage.

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Disney’s Moana JR.

You will be performing a musical, a type of play that tells a story through music, choreography, and dialogue. Because there are so many parts of a musical, most shows have more than one author. The composer writes the music and usually works with a lyricist, who writes the lyrics, or words, for the songs. The book writer writes the dialogue (spoken words, or lines) and the stage directions, which tell the actors what to do onstage and which music cues to listen for. If the book writer and lyricist are the same person, she is often referred to as the librettist, since the book and lyrics together are referred to as the libretto.

Your director will plan rehearsals so that the cast is ready to give its best performance on opening night! Remember to warm up before each rehearsal so that your mind, body, and voice are ready to go. Every rehearsal process is a little bit different, but here is an idea of what you can expect as you begin to work on your show:

Music Since you’re performing a musical, it is important to learn the music during the rehearsal process. Your music director will teach the cast all the songs in the show and tell you what to practice at home.

Choreography Since most musicals include some movement or dance, you’ll also be rehearsing choreography. Your choreographer will create the dances and teach them to the cast. The music and the choreography help tell the story.

Blocking & Scene Work Your director will determine where everyone in the cast stands and how they move around the stage. You’ll use theater blocking terms (downstage left, upstage right, etc.) a lot during this portion of the rehearsal process. You will also practice speaking your lines and work on memorizing them. Rehearsing your part from memory is called being off-book. Your director will help you understand the important action in each scene so you can make the best choices for your character’s objective, or what your character wants.

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INTRODUCTION

What to Expect During Rehearsals

INTRODUCTION

Marking Your Script Notating your script can help you to remember important blocking and direction. Below are some tips to keep you on track.

1

Always write your name legibly on your script. Scripts have a way of getting lost or changing hands during rehearsals.

2

Mark your lines and lyrics with a bright-colored highlighter to make your part stand out on the page. This will allow you to look up from your script during rehearsals, since it will be easier to find your place when you look back down.

3

Underline important stage directions, lines, lyrics, and individual words. For example, if your director wants you to stress a word, underline it in your script.

4

Save time and space by using the following standard abbreviations: ON: onstage

OFF: offstage

US: upstage

DS: downstage

SL: stage left

SR: stage right

CS: center stage

X: cross

You may use these abbreviations to modify other instructions (you could write “R hand up” to remind yourself to raise your right hand).

You may also combine them in various ways (you could write “XDSR” to remind yourself to cross downstage right).

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5

Draw diagrams to help clarify your blocking. For example, if you are instructed to walk in a circle around a bench, you might draw a box to represent the bench, then draw a circle around it with an arrow indicating the direction in which you are supposed to walk.

6

Draw stick figures to help you remember your choreography.

7

Mark your music with large commas to remind yourself where to take breaths while singing.

8

Although you should feel free to mark up your script, be careful it doesn’t become so cluttered with notes that you have a hard time finding your lines on the page!

Disney’s Moana JR.

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SYNOPSIS

Synopsis The CHIEF ANCESTORS of Motunui and the ANCESTOR ENSEMBLE recount the tale of how, over a thousand years ago, MAUI, a shapeshifter and demigod, stole the heart of the goddess TE FITI, the mother island (In the Beginning…). While trying to escape with the Heart, Maui was attacked by TE KĀ, a demon of earth and fire. In their struggle, the Heart was lost to the sea. Fearing Te Kā’s violent wrath, the VILLAGERS of Motunui stopped voyaging, a defeated Maui disappeared, and the OCEAN guarded the Heart of Te Fiti.

In the present, the Ocean entrusts the Heart to MOANA on the island of Motunui (Tulou Tagaloa). Despite Moana’s strong connection to the Ocean, her parents, CHIEF TUI and SINA, view it as dangerous and prevent her from venturing out beyond the reef. They advise Moana to embrace her future role as Chief of the village, and the other Villagers join in to encourage Moana to find happiness on the island (Where You Are – Parts 1 and 2).

When the Villagers lament their blackened crops and the shortage of fish, Moana suggests fishing beyond the reef, but her father forbids it. Moana contemplates breaking the rules and voyaging out to sea (How Far I’ll Go).

Her friends, PUA and HEI HEI, try to stop her, but she remains steadfast.

Together, the three push out to sea, but a large wave quickly capsizes their canoe.

GRAMMA TALA sees this failed expedition and decides to reveal the truth of their ancestors’ voyaging past to Moana (We Know the Way). Soon, Gramma Tala grows weak, and in her last moments, urges Moana to draw courage from her inner voice, revealing that it is her destiny to return the Heart of Te Fiti (Where You Are – Reprise). After Gramma Tala’s passing, an emboldened Moana resolves to fulfill her destiny and save Motunui (How Far I’ll Go – Reprise).

Moana lands on an island and meets the arrogant, yet charming, Maui (You’re Welcome). She convinces him to help her restore the Heart of Te Fiti.

However, Maui insists that they first find his magical fishhook, which allows him to shapeshift. To do this, they journey into Lalotai, the Realm of Monsters (Warrior Face – Parts 1-3). Here, they find TAMATOA, the giant, egotistical crab who collects valuable objects – including Maui’s hook.

In Tamatoa’s lair, Moana acts as a distraction while Maui finds his hook (Shiny – Parts 1 and 2). Maui tries to shapeshift and save them both from Tamatoa’s clutches, but he fails to harness the hook’s powers. To escape, Moana cleverly tricks Tamatoa into pursuing a piece of glowing algae that resembles the Heart of Te Fiti (Shiny – Playoff).

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SYNOPSIS

Distraught over his failure to shapeshift, Maui loses confidence, but the everresilient Moana refuses to give up (Warrior Face – Reprise / Logo Te Pate). A revitalized Maui then agrees to teach Moana the ancient skills of wayfinding to help them in their mission.

As Moana and Maui finally approach Te Kā, they are met by treacherous seas.

When Moana refuses to back down, a powerful wave cracks Maui’s hook.

Wanting to avoid permanent damage to the hook, Maui leaves Moana to finish the quest alone. Gramma Tala appears and reminds Moana of who she is and where she comes from (Song of the Ancestors).

With her confidence restored, Moana finally faces Te Kā. Maui returns to help, but Te Kā destroys his hook. Listening to her inner voice, Moana suddenly has a realization about Te Kā, and lets the monster approach. Face to face with Te Kā, Moana places the Heart into Te Kā’s chest (Know Who You Are). Te Kā transforms into the goddess Te Fiti and restores Maui’s hook (Te Fiti Restored / Tulou Tagaloa – Reprise).

Moana returns home to a revived Motunui. Once more, the Villagers of Motunui assume their identity as voyagers, now with Moana as their master wayfinder (We Know the Way – Finale).

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(in order of appearance)

ENSEMBLE – includes ANCESTOR ENSEMBLE, the ancient people of Motunui; OCEAN ENSEMBLE, a personification of the ocean and friend to Moana; VILLAGERS of Motunui, including DANCERS, WEAVERS, and FISHERS; MAUI ENSEMBLE, conjured fans of the demigod, always ready to sing Maui’s praises; MONSTERS of Lalotai, including a GATE MONSTER; and SHINY ENSEMBLE, Tamatoa’s glorious accomplices CHIEF ANCESTORS (1-3) – three ancient chiefs of Moana’s family line who share the tales of their past with their people MOANA – a strong, confident young woman and the future Chief of Motunui who is deeply connected to her island as well as the ocean and is curious about what lies beyond the reef; empowered and driven, Moana will stop at nothing to save her people CHIEF TUI – Moana’s father and leader of Motunui who is protective of his daughter and his people, always wanting to keep them safe SINA – Moana’s kind and loving mother who takes great pride in her daughter PUA – one of Moana’s best friends, who is sweet and unconditionally loyal, even if easily scared HEI HEI – Moana’s other best friend, who is well-meaning but not so bright GRAMMA TALA – the wise and eccentric grandmother of Moana and mother of Chief Tui; she holds her role as Motunui’s storyteller with pride, passing on the stories of the island’s past MAUI – the comedic, selfish, and sarcastic demigod of the wind and sea, who actually has a heart of gold TAMATOA – a gigantic crab and collector of all things “shiny,” who is dangerously egotistical and dramatic LEFT CLAW and RIGHT CLAW – Tamatoa’s crony-like claws who act as extensions of the crab’s self-centered and ostentatious nature TE FITI– the regal and benevolent mother island, creator of all life; without her heart she appears as TE KĀ, a demon of earth and fire

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INTRODUCTION

CHARACTERS

Characters

INTRODUCTION

THEATER TIPS

Theater Tips •• It takes an ensemble to make a show; everyone’s part is important.

•• Be respectful of others at all times.

•• Bring your script and a pencil to every rehearsal.

•• Arrive at rehearsal on time and ready to begin.

•• Be specific! Make clear choices about your character’s background and motivation for each line and action.

•• To help memorize your lines, write them down or speak them aloud to yourself in a mirror.

•• Don’t upstage yourself. Cheat out so the audience can always see your face and hear your voice.

•• Before each performance, tell everyone to “break a leg” – which is theater talk for “good luck”!

•• Be quiet backstage and remember: if you can see the audience, they can see you – so stay out of sight.

•• If you forget a line or something unexpected happens onstage, keep going! When you remain confident and in character, it’s unlikely that the audience will notice anything is wrong.

•• Remember to thank your director and fellow cast and crew.

•• Have fun!

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SCRIPT

SCENE 1: PROLOGUE (#1 – IN THE BEGINNING… CHIEF ANCESTORS [1-3] enter with ANCESTOR ENSEMBLE. They address the audience.)

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ALL ANCESTORS: In the beginning, there was only ocean…

(OCEAN ENSEMBLE enters and creates the open sea as the ANCESTOR ENSEMBLE enacts the story.)

CHIEF ANCESTOR 1: … until the goddess Te Fiti used her heart to create islands, teeming with life.

CHIEF ANCESTOR 2: Voyagers began to sail.

CHIEF ANCESTOR 3: The world was theirs to discover.

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CHIEF ANCESTOR 1: The most daring of them all, Maui, a shapeshifter, a demigod of the wind and sea, set out for the Heart.

CHIEF ANCESTOR 3: Using his magical fishhook, Maui transformed into a hawk, outsmarting his competition and stealing the Heart from Te Fiti.

CHIEF ANCESTOR 1: Maui did not have the Heart for long before he was attacked by Te Kā!

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ANCESTOR ENSEMBLE: (intense, ominous) Te Kā!

CHIEF ANCESTOR 1: A demon of earth and fire.

CHIEF ANCESTOR 2: Te Kā and Maui fought for the Heart.

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CHIEF ANCESTOR 2: Furious, Te Kā hunted for the lost Heart, destroying everything in its path – draining life from island after island.

CHIEF ANCESTOR 1: Maui disappeared, never to be seen again.

CHIEF ANCESTOR 3: Fearing Te Kā’s wrath, the villagers stopped voyaging…

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SCRIPT

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CHIEF ANCESTOR 1: … and chose the safety of their island home, Motunui.

CHIEF ANCESTOR 2: Maui and Te Kā became the stuff of legends…

CHIEF ANCESTOR 3: … and the adventures of the voyagers were forgotten.

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CHIEF ANCESTOR 1: For more than a thousand years, the ocean guarded the Heart of Te Fiti.

(MOANA enters, drawn to the ocean. CHIEF ANCESTORS, ANCESTOR ENSEMBLE, and OCEAN ENSEMBLE surround MOANA.) CHIEF ANCESTOR 3: Searching for someone who could find Maui…

CHIEF ANCESTOR 1: … defeat Te Kā…

CHIEF ANCESTOR 2: … restore the Heart of Te Fiti…

CHIEF ANCESTORS: … and save mankind.

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(#2 – TULOU TAGALOA. ANCESTOR ENSEMBLE exits.

OCEAN ENSEMBLE interacts with MOANA. Their connection is friendly, joyful, and strong.)

Music Theatre International • Broadway Junior® • Actor’s Script

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TULOU TAGALOA

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Tulou Tagaloa

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(ANCESTOR ENSEMBLE exits. OCEAN ENSEMBLE interacts with MOANA. Their connection is friendly, joyful, and strong.)

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(OCEAN ENSEMBLE presents the Heart to MOANA, who looks at it with wonder.)

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Disney’s Moana JR.

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SCENE 2: THE SHORE / THE VILLAGE (CHIEF ANCESTORS exit.) (offstage) Moana!

CHIEF TUI, SINA

(CHIEF TUI and SINA enter. MOANA places the Heart of Te Fiti into a necklace, which she ties around her neck.)

SINA Moana! There you are. Come back from the shore.

MOANA Mom, please, can I stay a little longer?

SINA You always say that. It’s time to go back to the village.

(CHIEF TUI and SINA lead MOANA toward the village.

VILLAGERS enter, showing the vibrant, happy life of Motunui.)

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03

CHIEF TUI Remember, you will be the next great Chief of Motunui. (#3 – WHERE YOU ARE – PART 1.)

Where You Are (Part 1) 1) WHERE YOU ARE (Part SINA: And you’ll do wondrous things, my little minnow.

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Disney’s Moana JR.

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# # # # # (MOANA): Œ & # œ see…

œ

I wan - na

‰

œ œ œ œ œ œ œ

œ

œ

Mo- a - na, stay on the ground now.

∑

Ó

TUI): # # # # # (CHIEF & # ‰ œ œ œ œ œ

œ œ

24

œ œ œ œ

œ

j j œ œ œ œ

Our peo - ple will need a chief and there you are.

SINA, CHIEF TUI:

#### # ‰ j & # œ œ

26

œ œ ˙ œ œ ˙

There comes a day

‰œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

when you’re gon - na look a - round

# # # # #Moana 8 &Disney’s # ‰ œ JR.œ œ œ œ œ œ œ œ œ œ œ œœ œ œ œ œ œ 28

^ j j ## œ œœ œ

and re - al - ize hap - pi - ness is where you are…

#### # & # ‰ œj œ

œ œ ˙ œ œ ˙

There comes a day

‰œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

when you’re gon - na look a - round

^ j j ## œ œœ œ

SCRIPT

#### # & # ‰ œ œ œ œ œœ œ œœ œ œœ œ œ œ œœ œ œ

28

and re - al - ize hap - pi - ness is where you are…

(CHIEF TUI, SINA, and VILLAGERS exit. Moana's friends PUA and (Music under dialogue.

CHIEFMOANA TUI, SINA, HEI HEI continues enter, carrying blackened coconuts. runsand toward them.)

VILLAGERS friends PUA and HEI HEI enter, MOANA: Pua!exit.

Hei Moana’s Hei! HEI HEI: blackened Hey-hey-hey Moana! carrying coconuts.

MOANA runs toward them.)

(PUA looks worried.)

MOANA: What’s wrong? MOANA PUA: It’s the coconuts. They’re black.

Pua! Hei Hei! MOANA: Black? I’ve never seen that before.

HEI HEI: Hey-hey-hey Moana!

HEIHave HEIyou ever seen a purple coconut?

&

##

6

Hey-hey-hey, Moana!

(PUA looks worried.)

30-35

MOANA

What’s wrong?

It’s the coconuts. They’re black.

PUA

MOANA Black? I’ve never seen that before.

(GRAMMA TALA enters. MOANA, PUA, and HEI HEI don’t notice her.)

HEI HEI Hey-hey-hey, Moana! Have you ever seen a purple coconut?

No, Hei Hei.

MOANA, PUA

Okay, just checking. (worried) What could have caused this?

HEI HEI PUA

(GRAMMA TALA mysteriously sneaks up to MOANA, PUA, and HEI HEI.) GRAMMA TALA I know why the coconuts are black.

Music Theatre International • Broadway Junior® • Actor’s Script

9

SCRIPT

MOANA

Gramma Tala!

Tell us! Please.

PUA, MOANA, HEI HEI

GRAMMA TALA You three haven’t been listening to my stories.

HEI HEI No offense Gramma Tala, but your stories are really boring— PUA

Hei Hei!

HEI HEI

I mean… confusing.

GRAMMA TALA (holds up a blackened coconut) Te Kā’s poison has finally reached Motunui. (#4 – GRAMMA TELLS STORIES. PUA and HEI HEI scoff, but GRAMMA TALA circles them, her story growing in intensity.)

(GRAMMA TALA) Te Kā won’t stop until every island, and every single one of us, is devoured by the blood-thirsty jaws of inescapable death! (scared) Aaaahhh!

HEI HEI, PUA

(CHIEF TUI and SINA re-enter, followed by more VILLAGERS.) CHIEF TUI Whoa, whoa, whoa. Thank you, Mother!

What’s going on here?

Te Kā poisoned the coconuts— We’re all gonna die!!!

10

Disney’s Moana JR.

SINA PUA HEI HEI

SCRIPT

SINA It’s okay, kids. We are safe here. It’s only a bad crop.

CHIEF TUI Think, Moana, how should we handle this?

MOANA Well... we should clear the diseased trees. And we will start a new grove… (points) … over there.

VILLAGER 1

Great idea!

VILLAGER 2

Thanks, Moana!

(VILLAGERS, relieved, move into action.)

You see? This suits you.

CHIEF TUI

(#5 – WHERE YOU ARE – PART 2.)

Where You Are (Part 2)

Where You Are (Part 2) MOANA: Dad, I’m worried about the harvest.

CHIEF TUI: We will grow more healthy trees soon. (holds up a healthy coconut)

3

#### 4 & 4

TUI: # # # # CHIEF ‰ & ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

‰

4

&

####

&

####

6

Con - sid - er the co - co - nut!

˙ œ œ œ œ œ

Con - sid - er its tree.

‰ ¿j ¿¿ ¿

VILLAGERS:

Ó

Œ

Œ

Œ œœ

The what?!

We

j œ œ.

Music Theatre International • Broadway Junior® • Actor’s Script

œ œ

œ œœ œ œ œ œ œ

Use each part

of the co - co - nut; it’s

œ œ

all

we need…

11

SCRIPT

#### Ó & &

6

####

‰ ¿j ¿¿ ¿

VILLAGERS:

Œ

œ œ

œ œœ œ œ œ œ œ

part

all

we need…

use each

of the co - co - nut; it’s

all

we need…

œœ œœ œœ œœ œœ œœ œ œœ œ

We make

our

# # # # ‰HEI HEI: & œ œ œ œ œ

nets

#### ‰ &

10

The wa

-

ter

PUA:

œ œ œ œ

We

use

the

SINA, PUA, HEI HEI:

#### ‰ &

œ œ œ œ

and

cook

up

TUI: # # # # CHIEF ‰ & œ œ œ œ

12

Con - sid

er

Ó

#### ‰ &

13

-

is

the

œ

sweet

leaves to build

œ œ

œ

the meat

œ œ

Disney’s Moana JR.

œ œ œ œ

œ

the co - co PUA, HEI HEI, VILLAGERS:

and

œ

fi - bers.

œ œ fi

œ -

œ

œ

nuts!

œ œ œ œ

˙

res

in - side.

Con - sid

SINA, CHIEF TUI:

œ

in - side!

œ œ œ œ

‰

The trunks

œ œ

from

œ

j œœ œœ ..

œœ œœ

œ œ œ

9

12

j œ œ.

œ œ

of the co - co - nut; it’s

# # # # ‰ SINA: & œ œ œ œ

&

We

Use each part

8

####

Œ œœ

The what?!

#### œ œ œ œ &

11

Œ

the leaves!

-

er

œ

the

&

####

Con - sid

er

the co - co PUA, HEI HEI, VILLAGERS:

Ó

####

œ œ œ œ œ

co - co

and

Ó

nuts!

#### ‰ œœ œœ œœ œœ œœ œœ œ œ œ œœ œ & œ œ œ œ &

####

&

####

The is - land gives us what we need!

∑

œœ Œ

Ó

MOANA: (looks around, feeling alienated and confused)

Œ

(PUA, HEI HEI, VILLAGERS):

œ

œ

œ Œ œ

Ó

œ

And no one

‰ œœ œœ œœ œœ œœ œœ œ œ œ œ œ œ œ œ œ œ

The is - land gives us what we need!

# # # # CHIEF TUI: ‰ & j œ

the

the leaves!

(SINA, CHIEF TUI):

14

er

-

˙

œ

œ

-

œ

œ œ œ œ

Con - sid

The trunks

œ

nuts!

16

That’s

# # # # (MOANA): & œ

œ

œ

right,

we

˙

stay.

Œ

Ó

leaves…?

SINA, CHIEF TUI:

#### ‰ &

17

œ œ

œ œ œ œ œ œ

We’re safe

and

œ œ

œ œ

we’re well

œ œ

œ œ

œ œ

pro - vid - ed.

• Actor’s Script 13 # # # # ‰ Music Theatre International • Broadway Junior® œ & œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ

18

And when

we

look

to

the fu - ture,

SCRIPT

#### ‰ &

‰

SINA, CHIEF TUI:

13

&

-

TUI: # # # # CHIEF ‰ œ œ œ œ & œ œ œ œ

SCRIPT

17

#### ‰ &

18

We’re safe

and

œ œ œ œ œ œ œ œ

And when 19

& &

21

&

(SINA, CHIEF TUI):

#### ####

œ œ

there

you

œœ

œœ

PUA, HEI HEI, VILLAGERS:

There

####

œ œ

‰

you

look

œ œ œ œ

œ œ

to

the fu - ture,

are.

j ‰ j œ œ œ œ ˙ œ

j œœ œœ

j j‰ Œ œœ œœ

SINA:

You’ll be o - kay.

are.

time,

you’ll

œ œ œ œ œ œ œ œ

you must

find

# # # #ALL: (except MOANA) j & œœ œœ œœ œœ

23

Disney’s Moana JR.

œ œ

j œ œ œ œ

œ œ œ œ

where you

œ œ

pro - vid - ed.

œ œ œ œ œ œ

we

SINA, CHIEF TUI:

#### ‰ &

14

we’re well

CHIEF TUI:

In

22

œ œ

œ œ

œ œ

are.

Ó

œ œ œ

œ œ

as

I

did,

œ œ œ œ œ œ

œ ‰ œ

j œ œ

learn,

hap

just

-

pi

-

ness

œ

right

(CHIEF TUI, SINA, and VILLAGERS exit.

HEI HEI and PUA remain with MOANA.)

j œœ œœ

Œ

Ó

SCRIPT

PUA: See? Your Gramma was just making it up to scare us.

MOANA: She’s not making it up.

HEI HEI: Then how does she know all that stuff?

MOANA: She says she communicates with our ancestors.

HEI HEI: I’m sorry Moana, but your Gramma’s a little weird.

PUA: We have everything we need right here.

HEI HEI: We’re going to help clear the trees. Wanna come?

MOANA: I’ll catch up with you later, okay?

&

&

9

####

25-33 25-33

(PUA and HEI HEI exit. MOANA heads to the shore, clutching her necklace.)

MOANA: There’s a whole world out there. I know it.

MOANA:

bbbb

3

b

bb &b b b œ

œ I

bb b & bb

œ

turn

39 39

&

bbbb

œ

path

I

œ

Œ ‰

œ œ

Ev - ’ry

take,

œ œ œ

ev - ’ry trail

œ I

track,

ev - ’ry

œ

œ œ œ

œ

œ

œ œ

make,

ev - ’ry road

leads

œ

back

œ œ

to the

œ œj œ . Ó b œ ‰ œ œ œ œ œ œ œ œ

(GRAMMA TALA appears.)

sea.

I am stand - ing at the edge of the sea.

GRAMMA TALA: bb b b Œ ‰ & b œ œ œ

42 42

Ó

34-36 34-36

38 38

40 40

bbbbb

GRAMMA TALA:

œ œ œ œ 3

œ. ‰ Ó

Can you hear the call of the sea?

Music Theatre International • Broadway Junior® • Actor’s Script

15

SCRIPT

bbb Πb & b

44

MOANA:

‰ j œ œ œ œ œ œ œ Yes,

I can hear it call - ing

b & b bbb ‰

œ œ œ œ

b & b bbb ‰

œ œ

46

GRAMMA TALA:

47

b & b bbb ‰

48

b & b bbb ‰

49

like

the un

to

dance

œ œ

-

-

ter

¿ ¿ ≈ ¿ I

like

how

b & b bbb ‰

51

¿ œ

œ

œ

¿

¿

¿

mis - chie - vous,

it

b & b bbb ‰

52

that

œ œ œ œ

But once

BOTH: b b b b b Moana JR.œ 16&Disney’s œ 53

there

lage may

œ œ œ œ œ

or say

you

I

are.

think

drift

œ

j œ

¿

ha!

mis - be - haves!

œ

you know

j œ œ

the waves.

œ

œ œ œ œ œ -

and

œ

GRAMMA TALA:

The vil

œ

œ

œ

is

œ

the wa - ter,

œ œ œ

œ œ œ œ œ

The wa

œ œ

with

der - tow

Ó

me…

œ œ œ

MOANA:

b & b bbb ‰

50

I

j œ œ.

œ

what

˙

¿

I’m

cra - zy,

œ

œ

too

far.

œ

œ

you

like,

Ó

œ

well,

b & b bbb ‰

52

œ œ œ œ

But once

there

&

you

œ

you know

j œ œ are.

what

j œ

you

œ

like,

œ

well,

SCRIPT

bb bBOTH: œ & bb œ

53

œ

œ

Ó

˙

MOANA: Is that story really true, Gramma? About Te Kā’s poison reaching Motunui?

GRAMMA TALA: You’ll see. One day, the Heart of Te Fiti will be found… by someone who will venture far beyond our reef and save us all.

(CHIEF TUI and SINA enter.)

CHIEF TUI: Mother, what stories are you telling Moana now?

bbbb

7

b

55-61

GRAMMA TALA: Oh, hush. You might be the Chief, Son, but I’m still your mother!

(GRAMMA TALA exits.)

MOANA: Dad, what if the answers to Motunui’s problems are out there?

(CHIEF TUI and SINA pull MOANA back to the village.

VILLAGERS re-enter.)

CHIEF TUI: Moana, you are the future of our people. And they are not out in the ocean. They’re right here.

SINA: One day soon, they’ll all depend on you.

CHIEF TUI: It’s time to be who they need you to be.

MOANA: (realizing) I need to be who they need me to be.

&

bbbb

12

b

62-73

TUI: # # # #CHIEF ‰ & œ œ œ œ

74

&

####

####

Ó

The vil

-

lage

œ œ

be-lieves

Œ

¿

in

¿

us!

‰

¿ J

VILLAGERS:

That’s

&

####

MOANA, SINA:

&

####

The vil - lage be - lieves!

MusicTUI): Theatre International • Broadway Junior® • Actor’s Script (CHIEF

75

‰ ‰

œ œ œ œ

œ ˙

œ œ œ œ

œ ˙

17

SCRIPT

& 75

&

####

The vil

Ó

-

lage

####

####

&

####

&

####

&

####

76

Œ

in

us!

‰

¿ J

VILLAGERS:

That’s MOANA, SINA:

‰

œ œ œ œ

œ ˙

The vil

-

lage

be - lieves!

The vil (VILLAGERS):

-

lage

be - lieves!

# # # # (CHIEF TUI): ‰ œ œ œ œ & &

be-lieves

¿ J

‰

Œ

œ ˙ Ó

right!

‰ œ œ œ œ œ œœ œ œ œ œ

œ Œ

‰ œ œ œ œ œ œœ œ œ œ œ

œ

The is - land gives us

what we need!

The is - land gives us

what we need!

The is - land gives us

what we need!

‰ œœ œœ œœ œœ œœ œœ œ œ œ œ œœ œ œ œ œ

#### ‰ j & œ œ œ ˙

Ó

œ œ œ

And no one

œœ Œ

Ó

MOANA: (looks at the village with a new sense of responsibility)

78

So here I’ll stay,

TUI): # # # # (CHIEF ˙ Ó &

‰œ œ œœ œ œœ œ œ œ

my home, my peo - ple be-side me.

∑

leaves…

# # # #(MOANA): ‰œ œ œœ œ œœ œ œ œ &

80

18

And when we think of to - mor - row, there we SINA, CHIEF TUI:

Disney’s Moana JR.

&

j œ œ œ œ œj

####

‰œ œ œœ œ œœ œ œ œ

are.

j œ œ œ œ œj

TUI): # # # # (CHIEF ˙ Ó &

∑

leaves…

&

j œ œ œ œ œj

And when we think of to - mor - row, there we SINA, CHIEF TUI:

are.

And when we think of to - mor - row, there we

are.

And when we think of to - mor - row, there we

are.

####

‰œ œ œœ œ œœ œ œ œ œ œ œœ œ œœ œ œ œ

# # # #VILLAGERS: ‰œ œ œœ œ œœ œ œ œ & #### j & œ œj œ œ ˙

82

#### j & œ‰ Œ œ #### j & œœ ‰ Œ

I’ll lead the way.

#### ‰ &

84

Ó

j œ œ œ œ œj œ œ œ œ œ j œœ œœ œœ œœ œœj

‰œ œ œœ œ œœ œ œ œ

I’ll have my peo - ple to guide me.

∑ ∑

Ó

∑

œ œ œ œ œ œ œ œ œ œ

We’ll build our fu - ture to-geth-er…

#### ‰ & & 86

&

####

œ œ œ œœ œœ œœ œœ œœ œ œœ œ œ œ œ

œ œ

j j œ œ œ œ œ œ œ œ

We’ll build our fu - ture to-geth - er where we are.

‰

œ œ œ œ œ œ œ œ œ œ

We’ll build our fu - ture to-geth - er

####

SCRIPT

# # # #(MOANA): ‰œ œ œœ œ œœ œ œ œ &

80

‰

œœ

j j œœ œœ œœ œœ

where we

are.

∑

Music Theatre International • Broadway Junior® • Actor’s Script

œ œ œœ œ œ œ œ œ œ

’Cause ev - ’ry path leads you back to…

19

#### ‰ &

œ œ œ œ œ œ œ œ œ œ

#### ‰ &

œ œ œœ œ œ œ œ œ œ

We’ll build our fu - ture to-geth - er where we are.

SCRIPT

We’ll build our fu - ture to-geth - er

86

œœ

where we

œ œ œ œ œ œ œ œœ œ œ œœ œ œ œ œ œ œ œ œ œ

#### j & œœ ‰

are.

∑

’Cause ev - ’ry path leads you back to…

#### ‰ &

j j œœ œœ œœ œœ

j œ œ œ œj œ œœ œ

’Cause ev - ’ry path leads you back to where you are!

88

& &

####

‰

####

‰

Œ

œ œ œ œ œ œ œ œ œ œ.

You can

& & &

20

œ

Œ

find hap - pi - ness

œ œ œŒ œ œœ

œœ

œœ œœ œœ Œ

right where you

are,

Where you

are,

∑

j j œœ œœ œœ œœ ww

∑

#### ####

where you are!

œœœ

Ó

œ œ

w

œ œœ œ J J

Where you are!

œœ

j œœ œœ œœ œj œ ∑

find hap - pi - ness right…

œ œ œ œ œœ œœ œœ œœ œœ œ . œ. œ œ œ œ

#### j & œœ ‰ ####

œœ

Where you are!

You can

90

Ó

j j œœœ œœœ œœ œœœ www œ

where you are!

Disney’s Moana JR.

∑

SCRIPT

SCENE 3: THE VILLAGE (The VILLAGERS return to their activities. MOANA looks around, still trying to convince herself. SINA comforts her.)

SINA You’ll be an amazing chief. I know it.

Thanks, Mom.

MOANA

(A small group of VILLAGERS are huddled together, nervously.)

I’ve never seen it this bad.

It’s been weeks!

What’s going on here?

There’s no fish.

No fish and no crops?

What are we going to do?

FISHER 1 FISHER 2 SINA FISHER 1 VILLAGER 3 VILLAGER 4

CHIEF TUI We will figure this out. We can rotate the fishing grounds.

FISHER 2

We have.

SINA We’ll fish the far side of the island— We tried the whole lagoon.

The fish are gone.

FISHER 2 FISHER 1

(CHIEF TUI and SINA exchange concerned looks. MOANA watches, an idea brewing.)

Music Theatre International • Broadway Junior® • Actor’s Script

21

SCRIPT

CHIEF TUI Have you tried using different bait?

It’s not the bait, Chief.

FISHER 1

FISHER 2 Every day we go out and there’s nothing.

VILLAGER 3 If we can’t find fish soon, what’ll we do? (loudly) We should fish beyond the reef!

MOANA

(VILLAGERS hush and stare at MOANA.) No one goes beyond the reef.

CHIEF TUI

MOANA I know, but if there are no fish in the lagoon, there’s a whole ocean.

CHIEF TUI We have one rule. A rule that keeps us safe.

MOANA An old rule when there were fish.

CHIEF TUI There’s nothing beyond the reef but danger, storms, and rough seas.

MOANA We don’t know what’s out there.

No one goes beyond the reef!

CHIEF TUI

(#6 – HE WAS YOU. CHIEF TUI exits in anger. VILLAGERS disperse and exit. SINA approaches MOANA.) He’s hard on you because— —because he doesn’t get me.

22

Disney’s Moana JR.

SINA MOANA

(SINA exits. MOANA heads to the shore. #7 – HOW FAR I’LL GO.)

SCENE 4: THE SHORE

HOW FAR I’LL GO

07

How Far I'll Go

(MOANA finds a canoe. She’s about to push off, but hesitates: Does she dare disobey her father?)

2

b 4 b & b4

MOANA:

œ. œ œ œ œ œ œ œ œ œ œ

I’ve been star-ing at the edge of the

b . œ œ œ œ œ œ œ & b b œ. œ œ œ œ œ. œ œ œ œ

4

wa - ter

long as I can re - mem - ber,

b &b b œ Œ Ó

6

œ. œ œ

why.

b & b b œ.

I

8

daugh

œ œ

-

ter,

wish

‰ œ œ œ œ œ œ

I could be the per - fect

I come

b & b b œ . œ ‰ . œr œ œ œ œ œ œ œ

9

bb b &

11

wa - ter

no mat - ter how hard I try.

œ

œ

back

œ œ

to

the

œ Œ Œ ‰œ œ

Ev - ’ry

œ œ œ œ œ œ œ Music Theatre International • Broadway Junior® • Actor’s Script 23 turn I take, ev - ’ry trail I track, ev - ’ry œ

œ

nev - er real - ly know - ing

œ œ œ

but

œ

SCRIPT

SINA Because he was you – drawn to the ocean. He and his best friend sailed past the reef, where waves like mountains crashed down, overturning their canoe. Your dad couldn’t save him. He’s hoping he can save you. (hugs MOANA) Sometimes what we wish we could do… is not meant to be.

b & b b œ . œ ‰ . œr œ œ œ œ œ œ œ

œ Œ Œ ‰œ œ

9

SCRIPT

wa - ter

no mat - ter how hard I try.

Ev - ’ry

b &b b œ

œ

b &b b œ

I

take,

œ

b &b b œ

I

œ

make,

ev - ’ry road

leads

œ

œ

œ œ œ

œ

11

turn

12

path

13

place

I

œ

œ œ œ

œ

œ œ œ

œ

ev - ’ry trail

know, where I

b & b b œ. œ œ bœ ‰ œ œ œ

14

I

can - not

œ

œ

track,

œ œ

ev - ’ry

œ

≈ œ œ

œ

œ œ

back

go,

to the

where

I

œ œ œ œ œ

œ œ

long to be… See the line where the sky meets the sea? It calls

b & b b œj œ .

r œ œ. œ

‰.

16

me.

And no one

œ.

knows

j œ œ. œ œ œ. how far it

bb b & œ . œj œ ‰ œ œ œ œ œ œ œ œ œ œ œ œ

18

goes.

If the wind in my sail on the sea stays be - hind

b & b b œj œ . b &b b œ

22

go,

24

j œ œ. œ

‰

20

me,

œ

there’s

Disney’s Moana JR.

œ

œ.

one day I’ll

know.

bœ

œ œ œ

just

no

tell - ing how

j œ œ

œ

far

‰ œœ If I

œ

I’ll

b &b b œ

22

go,

œ

no

tell - ing how

b &b b œ

≈

œ œ

œ

œ

go…

œ

œ œ.

just

I

24

is

œ œ

-

land

b & b b œ. œ œ

25

is - land.

œ œ œ

know

seems

œ

far

œ

I’ll

SCRIPT

bœ

there’s

23

b & b b œ.

œ

œ œ œ œ œ œ

ev - ’ry - bod - y

œ œ œ œ

so

hap - py

œ œ œ œ œ œ œ

Ev - ’ry - thing is by

on this

de - sign.

on this

œ Œ Ó

b & b b œ. œ œ œ œ œ. œ œ œ œ œ. œ œ œ œ œ. œ œ œ

27

I know ev - ’ry - bod - y on this

is - land has

b & b b œ. œ ‰. r œ œ œ œ œ œ œ œ

29

œ

is - land, so may - be I can roll with mine.

b &b b œ

31

œ

lead

b &b b œ

32

sat

-

with

œ

pride,

œ œ

œ

œ

œ œ œ

is -

b &b b œ œ œ

33

fied

I

if

œ

can make

I

play

œ

a role on this

œ Œ Œ ‰œ œ

I can

œ

us

strong.

œ

œ

a - long,

œ œ

I’ll

be

œ œ

but the

bœ bœ œ Œ ≈ œ œ œ œ œ œ œ

voice in - side sings a dif - f’rent song. What is wrong with me?

(MOANA gathers courage and climbs into the canoe.)

MOANA: I can do this. There’s more fish beyond the reef.

There’s more beyond the reef.

(MOANA is about to push off when PUA and HEI HEI enter.)

HEI HEI: Moana! Wait!

International • Broadway Junior® • Actor’s Script PUA:Music Don’tTheatre go out there, it’s too dangerous!

MOANA: Don’t try to stop me.

PUA: Then... I’m going with you.

MOANA: Are you sure?

HEI HEI: Hey-hey-hey! I’m going too!

25

b &b b œ œ œ

bœ bœ œ Œ œ œ œ œ œ≈ œ œ

33

SCRIPT

voice in - side sings a dif - f’rent song. What is wrong with me?

35

&

&

bbb

bbb

(MOANA gathers courage and climbs into the canoe.)

MOANA: I can do this. There’s more fish beyond the reef.

There’s more beyond the reef.

(MOANA is about to push off when PUA and HEI HEI enter.)

HEI HEI: Moana! Wait!

PUA: Don’t go out there, it’s too dangerous!

MOANA: Don’t try to stop me.

PUA: Then... I’m going with you.

MOANA: Are you sure?

HEI HEI: Hey-hey-hey! I’m going too!

MOANA: Okay. Here we go!

42

∑

8

Œ ‰œ œ

b & b b œj œ . &

HEI HEI:

œ œ œ œ

œ œ œ

See the light as it shines on the sea?

53

-

43-50

MOANA, PUA, HEI HEI:

b &b b Ó

bbb

∑

(The FRIENDS board the canoe and push out to sea. OCEAN ENSEMBLE creates big waves.)

PUA, HEI HEI: Whoa!

HEI HEI: Moana! Why are these waves so big?

MOANA: Because we’re sailing past the reef.

HEI HEI: We are? Huh. I’ve never been past the reef.

PUA: Nobody has! What did you think we were doing?

HEI HEI: Hey… I didn’t want to get ditched. Also… adventure! Hey-lo?

(OCEAN ENSEMBLE creates a large wave that pushes them forward.

MOANA is excited. PUA is scared. HEI HEI is curious.)

MOANA: Adventure, here we come!

51

55

6

44

ing.

PUA, HEI HEI:

‰.

r œ œ. œ

But no one

œ . œj œ ‰ œ œ œ MOANA:

goes!

knows

œ

It’s blind -

œ œ.

how deep it

œ œ œ œ œ œ œ œ œ œ

And it seems like it’s call-ing out to me, so come find

b b b œj œ . ‰ . r œ œ . &Disney’s Moana JR. 26 œ 57

me,

j œ œ. œ

œ.

œ

and let me PUA,

œ.

know…

j œ œ

‰

PUA:

œ

œ

What’s be -

MOANA, PUA, HEI HEI,

55

&

bbb

œ . œj œ ‰ œ œ œ MOANA:

goes!

And it seems like it’s call-ing out to me, so come find

r œ œ. œ

‰.

me,

&

60

&

bbb

œ

yond

####

and let me

œ

that

#œ

line

#### j & œ œ.

61

63

&

64

&

#### ####

Will I cross

nœ #œ œ

where the sky

And no one

j œ

goes!

#### j & œ œ.

65

#### w &

me,

œ œ œ

j œ œ

in my sail

‰

œ.

knows

line?

## # r # ≈ œ The

‰

sea,

œ

œ

it

calls

j j œ œ ≈ œr œ œ . how far it

‰

œ

If

on the sea

œ.

know

œ

stays

MOANA, PUA, HEI HEI, OCEAN ENSEMBLE:

one day I’ll

What’s be -

MOANA:

œ

j œ œ. œ

œ

œ

MOANA:

œ œ œ

w

67

that

meets the

r œ œ. œ

œ.

wind

œ

j œ

œ

MOANA, PUA, HEI HEI, OCEAN ENSEMBLE:

‰.

‰

MOANA, PUA, HEI HEI, OCEAN ENSEMBLE:

œ œ œ

line?

me!

œ

know…

PUA, HEI HEI:

œ

j œ œ

œ.

PUA:

SCRIPT

b j & b b œ œ.

57

59

œ œ œ œ œ œ œ œ œ œ

œ

the

œ

œ

be - hind

j œ ‰ œj œ œ . how far I’ll

∑

go!

Music Theatre International • Broadway Junior® • Actor’s Script

27

SCRIPT

(The canoe crosses the reef.)

We made it!

MOANA

HEI HEI Have either of you noticed that Motunui is really, really small?

PUA Hei Hei. Motunui isn’t small – we’re very far away. (#8 – BIG WAVES. OCEAN ENSEMBLE sends a big wave toward the canoe.)

Hey-hey-hey, Moana! Look out!

HEI HEI

PUA Look at the size of that wave. We’re gonna capsize!

Hold on!

MOANA

(OCEAN ENSEMBLE creates a large, loud wave. The wave crashes onto the canoe, flips it over, and sends MOANA, PUA, and HEI HEI tumbling back to the shore.)

Pua? Hei Hei? Are you okay??

HEI HEI

Hey…

PUA Now do you see? This is why we don’t go past the reef!

(PUA and HEI HEI exit. MOANA, alone at the shore, feels sorry for herself. GRAMMA TALA approaches.)

MOANA Gramma. Are you gonna tell my dad I crashed the canoe?

GRAMMA TALA I’m his mom, I don’t have to tell him anything.

MOANA He’s right. It’s time to keep my feet on the ground and stay in the village.

28

Disney’s Moana JR.

SCRIPT

GRAMMA TALA If that’s what you want… go on then. (suspicious) Why are you acting weird?

MOANA

GRAMMA TALA I’m the village crazy lady. That’s my job.

MOANA If there’s something you want to tell me, just tell me.

GRAMMA TALA Moana, you’ve been told all our people’s stories... but one. (#9 – WE KNOW THE WAY. Illustrating Gramma’s story, CHIEF ANCESTORS 1 and 2 enter onboard a canoe.)

We Know the Way

We Know the Way

(GRAMMA TALA): Do you really think our ancestors only stayed within the reef?

& 44 ‰

2

va - la - ’a - ui - na

6

& ˙

‰

j œ œ œ œ œ œ œ œ

Ta - tou

o ta - ga - ta

fo - lau

(CHIEF ANCESTOR 1 instructs CHIEF ANCESTOR 2 in wayfinding.)

&Œ ‰ œ œ œ œ œ

4

CHIEF ANCESTOR 1:

œœœ œ

e o - mai.

≈

œœ œ œ œ œ œœœ œœ e le a - tu - a o le sa - mi

te - le

CHIEF ANCESTOR 2:

‰ œ œ œ œ œ œ œ œ œ œ œ **La a - va - ’e le lu - ’i - tau

e le - lei.

**Note: La is pronounced OOO-ah.

8

& œ

CHIEF ANCESTORS 1, 2:

œ œ • Broadway œMusic‰Theatre œ International œ œ Junior® w • Actor’s Script 29 Ta - pe - na - pe - na!

& ˙

œœœ œ

e o - mai.

‰ œ œ œ œ œ œ œ œ œ œ œ **La a - va - ’e le lu - ’i - tau

e le - lei.

SCRIPT

**Note: La is pronounced OOO-ah.

8

& œ

‰

œ

CHIEF ANCESTORS 1, 2:

œ

œ

œ

œ

œ

w

Ta - pe - na - pe - na!

MOANA: We were voyagers?

GRAMMA TALA: You better believe it.

(CHIEF ANCESTOR 3 enters.)

CHIEF ANCESTOR 2: We carved massive canoes from mighty trees, and we sailed.

CHIEF ANCESTOR 3: The whole ocean was ours to explore.

CHIEF ANCESTOR 1: Passing on lessons…

CHIEF ANCESTOR 2: … from one navigator…

CHIEF ANCESTOR 3: … to the next.

(CHIEF ANCESTORS 1 and 2 demonstrate the methods of wayfinding to CHIEF ANCESTOR 3. ANCESTOR ENSEMBLE enters with more canoes.)

5

&

10-14

ALL ANCESTORS:

&‰¿ ¿ ¿ ¿ ¿ ¿ > > Ho lo ho lo va - ka.

15

∑

&

CHIEF ANCESTORS:

‰ œ œ œ œ . œj œ Œ œœ œ œ

(melody)

A - ue! A - ue!

Nu - ku i mu - a,

‰ œœj œœ œœ ˙œ . œ œœ œœ œœ œ œ Œ œ œ J

ANCESTOR ENSEMBLE:

A - ue! A - ue!

&‰ œ œ œ œ œ œ œ

Nu - ku i mu - a,

œ ˙

Œ

œœ œœ ˙˙

Œ

18

te

ma - nu - le - le

e

ta - ta - ki

j & ‰ œœ œœ œœ œœ œœ œœ œœ te

30

ma - nu - le - le

Disney’s Moana JR.

e

œ

ta - ta - ki

iei.

iei.

A - ue! A - ue!

j & ‰ œœ œœ œœ ˙œ .

ma - li - e,

Te fen - u - a te

ma - li - e,

œœ œ œ œ œ œ œ œ œ œ œ œ œ œœ

œ J

A - ue! A - ue!

Te fen - u - a te

&‰ œ œ œ œ œ œ œ

‰

22

na - e

ko ha - ki - li - a

na - e

ko ha - ki - li - a

j & ‰ œœ œœ œœ œœ œœ œœ œ œ CHIEF ANCESTOR 3:

SCRIPT

j œ œ œ œœ œ œ œ œ

& ‰ œ œ œ œ.

20

œ œ

j œ >

œ œ.

ka - i - ga

e!

ka - i - ga

e!

j œœ œ >

‰ œj œ œœ œœ .. œ œ œ œ.

j & ‰ œ œ. œ œ

œ œ œ

œ. œ œ œ œ œ

j & ‰ œ œ. œ

œ œ œ

œ.

24

We read the wind and the sky

26

œ

We sail the length of the seas

At night we name ev - ’ry star,

CHIEF ANCESTORS:

& œ

‰ œj œ

We know who we

j œ ˙ ‰ & œœ œœ œ œ .

32

œ

on the o - cean breeze.

œ

œ œ

we know where we are.

œ œ

œ

œ œ œ œ

œ . œj œ

&‰ œ œ œ œœœ œ œ

28

30

when the sun is high.

are,

œ œ œ œ œ who we are…

œ

ALL ANCESTORS: Music Theatre International • Broadway Junior® • Actor’s Script

œ J

œœ œ œ œ œ œ œ

31

30

CHIEF ANCESTORS:

‰ œj œ

SCRIPT

& œ

We know who we

j ‰ œ & œ œœ œœ ˙œ .

32

œ œ

œ

ALL ANCESTORS:

A - way, a - way!

& ‰ œj œ

34

œ J

are,

œ œ œ œ œ who we are…

œ

œœ œ œ œ œ œ œ We set

œ œ œ œ œ

œ

a course to find

œ œ œœœ œ

a brand new is - land ev - ’ry - where we roam.

j œ œ. ‰ œ & œ œœ œ œ .

j œ œ

œ œ œ œ œ œ

& ‰ œj œ

œ œ œ œ

‰ j œ ˙ œ œ

&Ó

‰ œœj œœ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ

36

A - way, a - way!

38

We keep our

œ

And when it’s time to find home,

is - land in

our mind.

we know the way!

GROUP 1:

40

j œ ˙ ‰ œ & œ œœ œ ˙ GROUP 2:

We are ex - plor - ers, read - ing ev - ’ry sign.

∑

A - way, a - way!

& ‰ œj œœ œ œœ œ œœ œ œœ œ œœ œ œœ œœ œœ œ œœ .. œ œ œ œ œ œ œ œ œ œœ

42

Ó

We tell the sto-ries of our eld-ers in a nev-er-end-ing chain.

∑

& ALL:

& œœœ œœœ œœœ œœœ œœœ œœœ œœ œœ œ œ

3245 Disney’s Moana JR.

∑

‰ œœj œœ œœ ˙œ˙ . œ œ œ œ J A - ue! A - ue!

‰ œj œ œœ œœ œœ œ œ œœ œœ œ œ œ œœ œœ

We tell the sto-ries of our eld-ers in a nev-er-end-ing chain.

∑

&

‰ œœj œœ œœ ˙œ˙ . œ œ œ œ J

∑

& œœœ œœœ œœœ œœœ œœœ œœœ œœ œœ œ œ

‰ œj œ œœ œœ œœ œ œ œœ œœ œ œ œ œœ œœ

j & ‰ œ œ œœœ ˙˙˙ œœ œœ

ww w

45

Te fen - u - a te ma - li - e,

47

We know the

way!

Na - e

SCRIPT

ALL:

A - ue! A - ue!

ko ha - ki - li - a

˙˙ ˙

Ó

10

(#10 – WE KNOW THE WAY – PLAYOFF. ANCESTOR ENSEMBLE exits as CHIEF ANCESTORS sing:)

We Know the Way Playoff

We Know the Way (Playoff) b & b b b b 44 Ó

‰ œj œ œ œ œ œ œ œ œ œ

CHIEF ANCESTORS:

We are ex - plor - ers, read - ing ev - ’ry sign.

bb b & b b b b ‰ œj œ œ œ œ œ œ œ œ œ œ œ œ œ œ b b b b

3

We tell the sto - ries of our eld-ers in a nev- er-end-ing

b & b bbbb œ . œ Ó œ

5

(CHIEF ANCESTORS exit.)

MOANA: We were voyagers! Why’d we stop?

GRAMMA TALA: The ancient chiefs forbade voyaging to protect our people from Te Kā.

But now Te Kā’s darkness has spread.

3

chain.

(GRAMMA TALA) The stories are real. And so is the Heart of Te Fiti.

(GRAMMA TALA points to MOANA’s necklace.)

Music Theatre International • Broadway Junior® • Actor’s Script

33

SCRIPT

MOANA

This is the Heart of Te Fiti?

GRAMMA TALA You carry it with you. The ocean chose you. (#11 – WHERE YOU ARE – REPRISE.)

WHERE YOU ARE (Reprise)

Where You Are (Reprise)

MOANA: Why would the ocean choose me? I can’t sail.

GRAMMA TALA: Our island is in danger, Moana. Real danger.

You must find Maui and return the Heart to Te Fiti.

There is no other way to save Motunui.

MOANA: But my father says we can’t leave the reef.

4

## 4 & 4

4

TALA: # # GRAMMA & Œ œ œ

9

You are

## Π&

11

&

##

‰

## ‰ &

12

## ‰ &

13

34

your fa - ther’s

‰

10

œ

œ œ œ

œ œ œ œ

œ œ

œ œ œ œ

œ œ œ

You

may

And if

Disney’s Moana JR.

he

hear

the

says,

but

a voice

voice

œ

and

œ œ œ œ

starts

œ

daugh - ter,

œ

œ

œ

stub - born - ness

Mind what

œ

œ

œ œ

pride.

œ œ

œ

re - mem - ber:

œ

œ

in - side.

œ œ

œ

to whis - per

## ‰ &

13

## ‰ &

14

## ‰ &

15

16

& &

##

œ

who

œ œ œ œ

œ œ

œ œ œ œ

œ œ œ

You

may

hear

And if

the

a voice

voice

œ œ œ œ

to

fol

-

low

œ œ œ œ œ

Mo - a

-

na, that

j œ œ

œ

you

œ

are.

in - side.

to whis - per

œ

œ œ

far - thest

œ

œ

voice

j œ

###

œ

œ œ

starts

the

œ

SCRIPT

)

## ‰ &

12

œ

star,

œ

œ

in - side

˙

is

Ó

continues7under dialogue. GRAMMA TALA, 4 weak, moves # # # #(Music to sit down.) # MOANA

18-24

Gramma! What’s wrong?

##

3

46

#### 4 4

GRAMMA TALA Moana, I don’t have much time left. See those stars, in the shape of a fishhook? They will lead you to Maui.

29-31

&

MOANA I can’t do it, Gramma. I’m sorry.

5

#### 4 & 4

GRAMMA TALA You can. And when you find Maui, you33-37 grab him by the ear, and you tell him: “I am Moana of Motunui. You will board my boat, sail across the sea, and restore the Heart of Te Fiti.”

(GRAMMA TALA gets weaker.)

I can’t leave you.

MOANA

Music Theatre International • Broadway Junior® • Actor’s Script

35

SCRIPT

GRAMMA TALA Moana, there is nowhere you could go that I won’t be with you.

(MOANA gives GRAMMA TALA a hongi. GRAMMA TALA collapses.) (calls out) Help! Someone find my father!

MOANA

(A few VILLAGERS enter.)

VILLAGER 5

(calling offstage) Chief! Come quickly!

VILLAGER 6

It’s your mother!

(SINA and CHIEF TUI enter.)

CHIEF TUI

Mother!

(VILLAGERS, SINA, and CHIEF TUI surround GRAMMA TALA. MOANA steps back.) … She’s gone.

12

(#12 – HOW FAR I’LL GO – REPRISE.)

HOW I’LLGoGO (Reprise) How FAR Far I'll (Reprise) MOANA: Gramma…

(CHIEF TUI, SINA, and the VILLAGERS hang their heads.

CHIEF ANCESTORS enter. MOANA is stunned.)

2

## 4 & 4

# j & # ‰œ

3

MOANA:

œ

œ œ

œ œ

j œ œ ‰‰œ œ œ

She showed me day af - ter day

how to find my way.

## ‰ j j‰ ‰ œ œ œ 36&Disney’s œMoanaœ JR. œ œ œ œ œ œ 5

She taught me how to re - ly

7

œ œ

œ œ

on the wind and sky.

&

##

‰ œj

j œ œ œ œ œ œ ‰‰œ œ œ œ œ

MOANA:

œ

She showed me day af - ter day

## ‰ j œ œ &

5

œ œ

how to find my way.

j œ œ ‰‰œ œ œ

œ œ

She taught me how to re - ly

## ‰ j & œ œ

7

on the wind and sky.

j‰‰ œ œ œ œ œ œ œ œ œ œ œ

She named me af-ter the sea.

## ‰ j œ œ œ œ œ œ œ &

I know we used to be bold,

## ‰ j œ œ œ œ œ œ &

12

œ

I know she left me pre-pared,

## ‰ & œ œ

œ

∑

She be-lieved in me.

j œ ‰‰œ œ œ œ œ

10

14

œ œ

from the tales she told.

j ‰‰ œ œ œ œ

œ

œ

from the things she shared.

(MOANA looks toward her family, then toward the shore.

She knows she must go.)

œ

œ

œ œ œ

There was more she want - ed to see…

j œ‰Œ Ó

b 46

(GRAMMA TALA rises from the huddle of VILLAGERS and slowly goes to stand with CHIEF ANCESTORS. She has crossed over. CHIEF TUI, SINA, and VILLAGERS exit, as if carrying the body of Gramma Tala.)

)

CHIEF ANCESTORS:

& b 46 œ . œ ˙

16

Iei ki na...

Œ Ó

œ. œ ˙

MOANA: Goodbye, Gramma.

Take care, Motunui. I’ll be back.

Iei ki na...

Œ Ó

44

∑

(MOANA boards her canoe and pushes off to sea.)

b & b Ó Œ ‰bœ œ b b œ

19

MOANA:

There’s a

œ œ œ œ œ œ œ œ œ

line where the sky meets the sea and it calls

b j • Actor’sœScript œ . 37 ‰ . International r œ œ . • Broadway & b b œj Music œ. œ . Theatre œJunior® œ. œ œ

21

me!

But no one

knows

how far it

SCRIPT

2

3

b & b Ó Œ ‰bœ œ b b œ MOANA:

19

SCRIPT

There’s a

b j & b b œ œ.

21

me!

œ œ œ œ œ œ œ œ œ

line where the sky meets the sea and it calls

r œ œ. œ

‰.

But no one

b & b b œ . œj œ ‰ œ œ œ œ

knows

bb j b & œ œ.

25

me.

œ œ.

œ

how far it

œ

œ œ œ œ œœ œœ

œ.

j œ œ. œ

23

goes.

j œ œ.

œ.

All the time won-d’ring where I need to be is be-hind

‰.

r œ œ. œ

I’m on my

own,

œ

œ.

to worlds un -

MOANA, OCEAN ENSEMBLE:

b & b b œ . œJ œ ‰ œ œ b œ œ œ œ œ œ œ œ œ œ

27

known!

&b œ

29

œ

choice

&b œ

30

Ev - ’ry

I

œ

œ

make,

œ œ

turn I take, ev - ’ry trail I track, is a

œ œ œ

now

I

œ œ œ œ

great un - known, where I go

&b

turn

œ

back

≈ œ œ

from the

œ œ œ. œ œ ˙

a - lone, where I long

to be…

(MOANA reaches the reef. OCEAN ENSEMBLE creates big waves.

MOANA is scared but paddles hard. GRAMMA TALA and CHIEF ANCESTORS look on.)

GRAMMA TALA: Courage, Moana.

CHIEF ANCESTOR 1: Strength, Moana. Open your sail.

(As if hearing the ANCESTOR's prompt from deep within, MOANA opens her sail.)

MOANA: Whoa! That’s more like it.

(OCEAN ENSEMBLE creates a huge surge of water. MOANA sails on.)

(MOANA): Maui, I’m coming for you!

4

32-35

MOANA, OCEAN ENSEMBLE: 36 Disney’s Moana JR.

38

can’t

œ

&b Ó

Œ ‰œ œ

œ

œ œ œ œ œ œ

œ

œ

4

32-35

MOANA, OCEAN ENSEMBLE:

&b Ó

36

Œ ‰œ œ

œ œ œ œ œ œ

(MOANA, OCEAN ENSEMBLE):

‰.

me.

know

GRAMMA TALA, CHIEF ANCESTORS:

&b Œ

Œ

œ œ ˙

She calls!

j & b œ. œ œ ‰ œ œ œ

40

go…

j & b œ œ.

œ

œ

Ah…

œ œ œ œ œ œ œ œ œ ∑

‰. r œ œ. œ

me.

&b Œ

And soon I’ll

œ

œ

3

œ

œ

Ma - na - tu

(ALL):

go!

œ

Œ

42

& b ww

that I can

There’s a moon in the sky and the wind is be - hind

& b ˙.

44

she calls

j j . œ œ ≈ rœ œ œ

r œ œ. œ. œ

And yes, I

œ

œ

See her light up the night in the sea,

j & b œ œ.

38

œ

SCRIPT

&b

(OCEAN ENSEMBLE creates a huge surge of water. MOANA sails on.)

(MOANA): Maui, I’m coming for you!

œ.

know

˙

a - tu!

ww

j œ ‰ œj œ œœ ..

ALL:

how far I’ll

Ó

(MOANA looks out at Maui’s hook star constellation and sets her course.)

∑

Music Theatre International • Broadway Junior® • Actor’s Script

39

SCRIPT

SCENE 5: MAUI’S ISLAND (#13 – MEETING MAUI. After a difficult journey, MOANA lands on Maui’s island. She steps off her canoe and surveys the desolate scene.)

MOANA Maui? Anyone here? Everything looks so deserted.

(As MOANA rehearses her speech, MAUI enters, unseen.)

“I am Moana of Motunui. You will board my boat, sail across the sea, and restore the Heart of Te Fiti.” (a different approach) “You will board my boat.”

MAUI Hey, nice boat. Mind if I take it for a little spin? Thanks.

MOANA Hey! That’s mine! Wait… Are you Maui? Shapeshifter? Demigod of the wind and sea? I am Moana of— Hero of men.

What?

MAUI MOANA

MAUI Maui, shapeshifter, demigod of the wind and sea, hero of men— Uh. I am Mo—

MOANA

MAUI Sorry, sorry. Men and women. Maui is a hero to all. I interrupted. From the top…

Hold on. I’m here to—

MOANA

MAUI Of course, Maui always has time for his fans.

MOANA I’m not your fan! I’m here ’cause you stole the Heart of Te Fiti! And you will board my boat, sail across the sea, and put it back!

40

Disney’s Moana JR.

MOANA

Thank you?

MAUI

You’re welcome.

14

(#14 – YOU’RE WELCOME.)

You're Welcome

You're Welcome

MOANA: What? No. You’re MAUI: coming with me to Te Fiti. (laughs)

#### 4 & 4 4

&

6

&

7

&

9

&

11

&

#### #### #### #### ####

∑

œ

œ

I

Ó

œ

‰ ¿j ¿ ¿ ¿

Œ

œ

œ

O - kay, o - kay.

œ

Œ Œ ‰ j n¿ œ

œ

see what’s hap - pen - ing. Yeah.

nœ

face

œ

strange.

œ

to

œ

œ

face

with

‰ j œ œ ¿ œ

Ó

œ

You’re

œ

great - ness

œ

You don’t e - ven know

3

j œ œ

and

œ œ œ œ

it’s

Œ ‰

how you feel;

¿ ¿ ¿ Œ Œ ‰ ¿ ¿ nœ œ œ œ œ œ 3

3

dor - a - ble.

Well, it’s

3

¿ ¿

it’s a 3

j œ œ

nice to see that hu - mans nev - er

Œ

j œ . œ œ • Broadway Junior® œ • Actor’s œ œScript œ 41 œ Music Theatreœœ International œœ

change.

O - pen your eyes,

let’s

be - gin.

SCRIPT

MAUI Um, it almost sounds like you don’t like me, which is impossible ’cause I got stuck here for a thousand years trying to get the Heart for you mortals. So what I believe you were trying to say… is “thank you.”

9

SCRIPT

&

11

&

13

&

#### #### ####

¿ ¿ ¿ Œ Œ ‰ ¿ ¿ nœ œ œ œ œ œ 3

dor - a - ble.

&

œ

&

24

&

26

&

42

#### ####

œ œ

O - pen your eyes,

Œ

n¿ ¿ ¿ ¿ n¿ ¿ Yes, it’s real - ly

œ

Œ Œ

œœ

œ œ œ

the sun,

œ œ œ œ œ

just

¿ ¿

œ

an

o - kay;

¿

œ œ

be - gin.

¿ ¿

breathe it in.

œ œ

the bod,

the hair,

nœ œ œ œ œ œ œ œ

œœ

star - ing at

œ œ

a dem - i - god.

j ‰ œ œ œ. j œ œ œ

ex -cept “you’re wel - come”? For the tides,

œ œ

the sky?

œ

Œ

œ œ

you’re wel

œ œ

or - di - nar - y

Disney’s Moana JR.

‰

œ œ œ

œ œ œ œ œœ œ œ œ

œ œ

let’s

me, it’s Mau - i,

when you’re

it’s

j œ œ

3

What can I say

œ

j œ œ

œ.

œ

I know it’s a lot:

#### Ó & ####

œ

œ

3

nice to see that hu - mans nev - er

‰ j œ œ œ œ ¿ œ œ

19

22

œ

change.

#### Π& ####

Well, it’s

Œ

œ

15

17

3

-

j œ œ.

œ œ œ œ

Hey, it’s

Œ

come.

3

œ œ œ

dem - i - guy.

o - kay,

‰ j œ

œ Œ Ó

I’m

&

5

####

MAUI ENSEMBLE: #### Œ ¿ & œ œ

33

œ œ œ œ œ œ œ

œ

œ

Hey, what has two thumbs

35

&

####

‰ œj œ

œ

œ œ œ œ

œ

j œ

When the nights got

#### œ œ &

39

œ

œ œ

#### y Π~~~ & ~~

41

Oh,

45

&

47

#### ##

œœ œœ

al - so

MAUI ENSEMBLE:

œ. œ

œ

cold,

MAUI:

from down be - low?

&

œ

MAUI:

¿ Œ

¿

when you were wad - dl - ing yea high? This guy.

ENSEMBLE: # # # # MAUI Œ œ œ œj œ &

####

and pulled up the sky

3

37

43

SCRIPT

28

(MAUI ENSEMBLE enters with big energy and swagger.)

MAUI: Where to begin? So many daring feats.

You might be wondering, “How could a single demigod possibly be so awesome?”

MOANA: No, I wasn’t!

‰ ¿ J

who stole you

¿ ¿ ¿ ¿ ¿

œ J

fire

Œ

You’re look - ing at him, yo.

œ œ I

j œ œ œ œ

œ.

-

las

MAUI:

¿ J

¿ ¿ ‰ j ¿ nœ

Œ

œœ œœ œ œ

j œ œ

soed

œ œ

the sun

j œ œ œ œ œ œj

(You’re wel-come!) to stretch your days and bring you fun.

œ.

j œ œ

œ œ Music Theatre International • Broadway Junior® • Actor’s Script Al - so

MAUI ENSEMBLE:

I har

MAUI:

-

nessed

the breeze

43

43

SCRIPT

&

45

&

47

&

49

&

#### #### #### ####

MAUI ENSEMBLE:

œ.

MAUI:

¿ J

¿ ¿ ‰ j ¿ nœ

Œ

œœ œœ œ œ

(You’re wel-come!) to stretch your days and bring you fun.

œ

Al - so

I har

MAUI ENSEMBLE:

‰ ¿ J œ

-

œ

the breeze

fill your sails and shake your trees.

MAUI ENSEMBLE:

‰ j œ œ œ œ œ

œ œ œ œ

So what can we say

For the is

- come”?

&

nessed

¿ ¿ ‰ j j j n œ œ œ œ œ œ œ ¿

MAUI: # # # # œj & œ œœ ‰ ‰ j œ œ œ

####

œ

œ

MAUI:

to (You’re welcome!)

-

œ

j œ œ

œ.

51

53

j œ œ œ œ œ œj

-

œœ

œ

ex - cept

“you’re wel -

œ œ œ œ œ œ nœ œ lands I

MAUI ENSEMBLE:

‰ j œ œ œ œ œ

There’s no need to pray,

pulled from the sea.

œ œ œ œ œ it’s o - kay,

œœ

œ

you’re wel -

3 # # # # œj ‰ MAUI: & œ œœ ¿ ‰ j # œ œ œ œ œ œ œ œ œ œ

55

- come.

57

&

####

Huh!

I

guess it’s just my way of

MAUI, MAUI ENSEMBLE:

œ Œ Œ œ

# # # # MAUI: & ¿

4461 Disney’s # Moana JR.

## # ¿ &

œ œ. Œ J œ

You’re wel - come!

60

Well,

œ

¿

¿

come

¿

¿

3

3

¿

think

¿

¿

œ

j Ó œ œ.

¿

Œ

You’re wel - come!

¿

to

be - ing me!

of

¿

3

it…

¿

¿

3

¿

¿

57

&

####

MAUI, MAUI ENSEMBLE:

œ Œ Œ œ

# # # # MAUI: & ¿ &

62

&

#### ####

¿

Well,

come

¿ Kid,

¿

¿

I

hon - est - ly,

I

¿

¿

3

j ¿

tide?

j ¿

SOLO 2:

‰

SOLO 4:

#### ¿

¿3

¿

¿

SOLO 5:

¿

¿

He killed an

#### Π& & &

it…

¿

¿

3

could go

¿

¿

on.

¿

¿

¿

####

¿

3

¿

3

j ¿

The

¿

ground?

Π3

¿

¿

¿

¿

¿

¿

¿

¿

just mess - ing

a - round.

Ó

eel.

‰

SOLO 7:

¿

and

grass?

¿

¿ J

SOLO 6:

#### ¿

¿

on

¿

The 3

3

¿

¿

3

‰

Oh, that was Mau - i

66

of

nat - ’ral phe - nom - e - non.

¿

The

¿3

&

Œ

¿

(MAUI ENSEMBLE MEMBERS step out for solo lines.)

SOLO 3: SOLO 1:

#### ¿ &

65

¿

¿

could ex - plain ev - ’ry

#### Π& 64

¿

¿

3

think

¿

¿

3

¿

3

You’re wel - come!

¿

to

¿

#### ‰ &

63

¿

j œ œ. Ó

œ

SCRIPT

You’re wel - come!

60

61

œ œ. Œ J œ

œ

3

bur - ied

He

¿

its

guts.

Ó

Music International • Broadway Junior® • Actor’s Script - edTheatre Sprout a tree…

SOLO 8:

Œ

‰ ¿

3

¿

¿

¿

3

¿

¿

45

He killed an

eel.

SCRIPT

#### Π& 66

&

#### ¿

‰

SOLO 7:

¿

¿

3

Sprout - ed

a

#### Π&

GROUP 1:

¿

&

####

¿

MAUI:

#### ¿ &

70

¿

¿

3

&

72

&

¿

¿

¿

3

¿

¿

¿

¿

3

¿ ¿ ¿

is

¿

¿

¿

¿

¿

3

#### ¿

¿

¿

I’ve

¿

3

‰

seen,

the

¿ ¿3 ¿

¿

the take - a - way?

¿ ¿

3

¿ ¿

3

¿

3

¿ ¿ ¿ ¿

3

3

¿

co - co - nuts!

got

What

¿

3

¿

¿

3

¿

3

a break - a - way!

¿

I can’t count all the things that I’ve

pla - ces

71

‰ ¿

¿

guts.

Ó

tree…

SOLO 8:

¿

¿

its

Don’t mess with Mau - i when he’s on

#### ‰ &

69

¿

3

¿

3

¿

les - son?

GROUP 2:

¿

bur - ied

He

¿

What’s the

68

¿ J

…Now you

#### ¿ &

67

¿

SOLO 6:

¿

done,

¿

3

bat - tles

¿

‰ 3

I’ve

¿ ¿3 ¿

the

¿ won!

¿ J

3

¿

Look where I’ve been, I make ev - ’ry - thing hap - pen!

#### ¿

¿ ¿ 3

Look at

¿

¿ ¿ ¿ 3¿ ¿

3

that mean min - i - Mau - i

MAUI,

Heh

heh

¿

heh

¿

¿

¿

heh

heh

heh

MAUI ENSEMBLE, MAUI:

¿

~~~

tap - pin’!

¿

just tick - e - ty

~~~

#### ¿ 3 ¿ 46&Disney’s JMoana JR. ¿

MAUI ENSEMBLE:

73

¿ ¿3 ¿

hey!

72

&

#### ¿

¿3

¿

Look at

heh

heh

œ œ œ œ

Well, an - y - way,

‰

- come” GROUP 2:

& &

####

j œ œ œ

¿

¿

¿

heh

heh

heh

- come.

GROUP 2:

hey!

œ

œ

“you’re wel -

j œ œ œœ œ œ

j œ

‰ ¿¿ ‰ ¿¿ ‰ ¿¿ Œ J J J Ha!

œ œ œ œ

Ha!

œ œ œ œ œ it’s o - kay,

∑

#### j & œ œ.

¿

MAUI ENSEMBLE, MAUI:

for the won - der - ful world you know.

Hey, it’s o - kay,

81

¿3 ¿

just tick - e - ty

let me say

You’re wel - come!

œ

¿

œ œ œ œ œ

œœ œœ œœj œ . œ. Œ

¿

Œ

Ha!

œ

œ

you’re wel -

∑ ‰ j œ œ œ œ œ œ œ œ œ œ

MAUI:

# # # # Œ œ œ œj œ œ œ œœ .. &

3

Well, come to think of it, I got - ta go.

(No ‘ha’s here.)

You’re wel - come!

∑

# # # # (MAUI): International • Broadway Junior® • Actor’s Script 47 & œ MusicŒ Theatre œ œ œ œ œ œ œ œ œ œ

83

Hey, it’s your day

to say

“you’re wel -

SCRIPT

Heh

#### j & œ œ.

####

¿3

~~~

¿

(MAUI, GROUP 1):

#### Π&

¿

~~~

#### Ó &

¿

¿

MAUI, GROUP 1:

75

79

¿

MAUI ENSEMBLE:

3

tap - pin’!

77

¿

3

that mean min - i - Mau - i

#### ¿ ¿ & J

73

¿

SCRIPT

&

j Œ œœ œœ œœ œœ ..

####

GROUP 2:

You’re wel - come!

# # # # (MAUI):Œ & œ

83

& &

œ

Œ

Œ

####

¿

Œ

¿

Hey!

-

&

####

&

####

&

####

-

Œ

Œ Œ

to say

œ œ œ

to say

¿

Œ

come!”

œœ œœ œœj œ . œ.

œ

“you’re wel -

¿

j œ j œ

’Cause he’s gon - na need that boat.

‰ ¿¿ ‰ ¿¿ ‰ ¿¿ Œ J J J Ha!

Ha!

Ha!

‰ j œ œ œ œ œ

œ

œ œ œ

I’m sail - ing a - way,

He’s sail - ing a - way,

Disney’s Moana JR.

œ

j œ œ œ œ œj œ œ

œ œ œ

Hey!

“you’re wel -

’Cause I’m gon - na need that boat.

œ

Œ

œ

Hey!

‰ j œ œ œ œ œ

¿

œ

j œ œ œ œ œj œ œ

‰ ‰

Œ

Hey!

You’re wel - come!

Œ

œ œ œ

Hey!

Œ

come!”

#### j & œ œ.

48

œ œ œ œ

Hey, it’s your day

(GROUP 2):

#### j & œ œ.

87

œ

1: # # # # GROUP Ó

85

&

œ œ œ œ

Hey, it’s your day

####

∑

(No ‘ha’s here.)

¿

Hey!

Œ

a - way,

a - way,

¿

Hey!

Œ

œ

œ

you’re wel -

œ

œ

you’re wel -

¿

Hey!

- come.

#### j & œ œ. &

####

&

####

&

####

&

####

91

Œ

‰

Œ

‰

- come.

j Œ œœ œœ œœ œœ .. Œ

Ó

Œ

j œ œœ œ œ œ œ œ # œ œ

’Cause Mau - i can do ev -’ry-thing but float!

3

j œ œœ œ œ œ œ œ # œ œ

’Cause Mau -i can do ev -’ry-thing but float!

‰ ¿¿ ‰ ¿¿ ‰ J J Ha!

œ

œ

Ha!

œ

j œ Œ œ œœ œœ œœ ..

œ œ.

J

Œ

Œ

You’re wel - come!

(MAUI):

- come!

(GROUP 1):

#### j & œ œ. œ Œ

Œ

Ha!

Œ

You’re wel - come!

œ

¿¿ J

œ œ.

J

You’re wel - come!

#### j & œ œ. œ Œ

93

3

You’re wel - come!

Ó

SCRIPT

#### j & œ œ.

89

œ

œ

You're wel -

œ

œ

You’re wel -

œœ œœ œœj œ . œ.

You’re wel - come!

Œ ‰ ¿j ¿

2

¿ Œ

And thank you!

∑

∑ ∑

- come!

Music Theatre International • Broadway Junior® • Actor’s Script

49

SCRIPT

SCENE 6: CANOE AT SEA (#15 – YOU’RE WELCOME – PLAYOFF. MAUI ENSEMBLE exits as MAUI begins to sail off, leaving MOANA on the island.)

MAUI Goodbye! Thank you! You’ve been great. No, no really, best audience I’ve had in a thousand years! Terrific! Smell you later!

MOANA Hey! You can’t leave me here! (turns to OCEAN ENSEMBLE) Uh… Ocean? A little help? (#16 – A LITTLE HELP. OCEAN ENSEMBLE carries MOANA to the canoe.)

What the heck?

The ocean is a friend of mine.

MAUI MOANA

(MOANA crosses her arms triumphantly.)

MAUI Look, little girl – and the ocean – there’s no way I’m going to Te Fiti. I need to get my hook!

Your hook?

MOANA

MAUI Um. Yes. I wasn’t exactly hanging out on that island for fun. When Te Kā and I fought, I lost my hook and got trapped there.

MOANA I am Moana of Motunui. This is my canoe and I am going to get us to Te Fiti, so you can put it back. Thank you. (mocking MAUI) “YOU’RE WELCOME.” (MOANA holds out the Heart to MAUI.) MAUI You got a little too much salt water in your ears? Without my hook, I can’t shapeshift, and I certainly can’t take on Te Kā.

50

Disney’s Moana JR.

SCRIPT

(MAUI grabs the Heart and throws it out far. #17 – A LITTLE MORE HELP. OCEAN ENSEMBLE catches the Heart and puts it back in MOANA’s outstretched hand.)

MAUI All right, I’m out. I’m swimming back to the island. Maybe in another thousand years, someone else will come who’s a little less…

(MAUI gestures with frustration to all of MOANA.) MOANA What’s your problem?!? Are… you afraid? You’re afraid of the Heart, aren’t you?

(MOANA clucks like a chicken, teasing MAUI.) MAUI That is not a heart, it is a curse. Get it away from me. (teasing, holding it closer) Get this away?

MOANA

MAUI Stop that. I will smite you. You wanna get smote?

(MOANA and MAUI both make a confused face.)

MOANA

“Smote”?

MAUI

Smoten?

MOANA (“that’s definitely not a word”) “Smoten”?

MAUI Ugh. Listen, that thing doesn’t give you power to create life. It’s a homing beacon of death. I am not going on mission impossible with some “mortal.” End of discussion.

You’d be a hero.

MOANA

(#18 – YOU’D BE A HERO.) Music Theatre International • Broadway Junior® • Actor’s Script

51

SCRIPT

(MOANA) That’s what you’re all about, right?

I am a hero.

MAUI

MOANA Maybe you were... but now you’re just the guy who stole the Heart of Te Fiti... the guy who cursed the world. You’re no one’s hero.

No one?

MAUI

MOANA But, return the Heart, save the world? You’d be everyone’s hero. (like a stadium roar) Maui! Maui! Maui! You’re so amazing.

MAUI (momentarily enjoys the pep talk, then) Ugh. Fine.

Really?

First, we get my hook.

Then save the world. Deal?

MOANA MAUI MOANA MAUI

Deal.

(#19 – WARRIOR FACE – PART 1. MOANA and MAUI shake hands.)

52

Disney’s Moana JR.

SCRIPT

WARRIOR FACE (Part 1)

Warrior Face (Part 1)

(MAUI): We go find Tamatoa. If anyone has my hook it’s that greedy giant crab.

MOANA: Giant… crab? Is it… dangerous?

MAUI: Tamatoa is one of the fiercest creatures around.

7

bbb 4 b & b4

Ó

MAUI:

‰ j œ œ œ We’ve got a

b Œ Œ œ & b b b b œ . œ œ ‰ œj œ œ œ œ œ œ ¿

9

job to

do.

We need to sur - vive.

b & b bbb œ ‰ j ‰ j bœ y œ

11

œ œ œ œ . œ ‰ œj œ œ

Good. That means you’re a - live.

b & b b b b œ . œ œ ‰ œj œ œ œ

13

what we

bb & b b b nœ .

15

use

œ

face, we run the show.

œ œ œ œ œ œ œ œ

your

face

You’re a - fraid?

to let

’em

No mat - ter

Œ ‰ b œj œ œ

It’s time to

œ

Œ Ó

know.

(Music continues under dialogue.)

MOANA And where do we find this Tamatoa?

In the heart of Lalotai.

MAUI

MOANA Lalotai?! You’re taking us to the Realm of Monsters to steal your hook back from a giant crab? How will we even get past all the monsters to get to Tamatoa?

Music Theatre International • Broadway Junior® • Actor’s Script

53

SCRIPT

MAUI It’s all about confidence, Princess. Haven’t you ever heard of “fake it till you make it”?

MOANA

No?

MAUI You just need to trust me. Do you trust me?

MOANA

Not really.

MAUI

I’ll take that as a yes.

(#20 – WARRIOR FACE – PART 2.)

WARRIOR FACE (Part 2)

20

Warrior Face (Part 2)

bbb 4 Ó b & b4

‰ j œ œ

MAUI:

Now take your fear,

b & b bbb œ

4

mix

b & b bbb œ œ

6

&

bbbb

’em up

to

-

that

the

œ

pain,

rage,

œ œ œ

œ œ œ

œ œ œ

world still

-

has

-

to

n’t

MAUI:

Œ

œ. œ œ œ

What do you mean?

War - rior

œ œ œ œ œ œ œ. œ

œ

Œ

œ

joy,

in

œ

some -

œ

seen.

Πy

face. Huh!

œ. œ œ œ Ó

Show ’em you mean bus - ’ness with your war - rior face;

Disney’s Moana JR.

b & b bbb

œ

Œ

geth - er

Œ œ œ œ n˙.

b & b bbb œ

Œ

œ œ œ

MOANA:

9

54

œ

œ œ œ

thing

b ˙

≈

œ œ

5

-

œ

œ

Œ

11

œ

œ

œ

œ œ

œ ˙

œ

œ œ œ

Ó

&

bbbb

MOANA:

Œ œ œ œ n˙.

b ˙

Œ

What do you mean?

b & b bbb œ

9

bbb b & b

MAUI:

War - rior

œ œ œ œ œ œ œ. œ

Πy

œ. œ œ œ

œ

face. Huh!

œ. œ œ œ Ó

SCRIPT

20

6

Show ’em you mean bus - ’ness with your war - rior face;

11

œ

œ

œ

œ œ

œ œ œ œ œ

put ’em all

b & b bbb œ œ

13

in

œ ˙

chal - len - ges

œ. œ œ œ

When you

line.

œ œ œ.

œ œ œ and

dan - gers,

face

œ

b & b bbb œ . œ œ œ œ œ œ œ œ œ ˙

14

fix

b & b bbb œ .

your

face

to face

16

pare

œ œ y

your

face

y

Ó

you

Œ

‰ j œ

Pre-

the world.

œ œ œ œ œ ˙

to face

œ

Ó

the world.

(Music continues under dialogue.)

SCENE 7: LALOTAI Welcome to Lalotai. (looking around) I’m not seeing an entrance.

MAUI MOANA

MAUI It only appears after a human sacrifice.

What?!?

MOANA

MAUI Kidding! So serious. Here’s the gate.

(MOANA screams when she sees the fearsome GATE MONSTER.) Music Theatre International • Broadway Junior® • Actor’s Script

55

SCRIPT

MOANA

AHH! What is that?

MAUI Oh that? It’s just the Gate Monster.

MOANA

Gate Monster???

(MAUI and MOANA look at the formidable GATE MONSTER.) GATE MONSTER (terrifying growl and scary face) Grrrrrrrrrrr!!!

(MAUI approaches GATE MONSTER while MOANA stands back, scared.)

MAUI

Watch and learn.

21

(#21 – WARRIOR FACE – PART 3.)

WARRIOR FACE (Part 3)

Warrior Face (Part 3) GATE MONSTER: (terrifying growl and scary face)

b & b b b b 44 ∑

Ó

Y

Grrrrrrrrrrr!!!

Ó

(GATE MONSTER MAUI: (bigger growl whimpers and runs off.) and scarier face)

GRRRRRRRR!!!!

b & b bbb ‰ j œ œ œ œ œ œ œ

5

MAUI:

It does - n’t mat - ter how you

b & b bbb

∑

7

56

side,

you keep it

Œ

(MAUI):

y

Huh!

j‰ Œ œ. œ œ œ œ

real in

-

side.

Disney’s Moana JR.(The MONSTER is unmoved. MAUI stands between

b & b bbb ‰ j

9

-

feel in - side. Don’t re -

Ó

b & b bbb œ . œ œ œ œ œ œ œ in

œ . œ œ œ œj œ œj

(Another MONSTER appears.

MOANA attempts to scare it off.) MOANA:

(MAUI):

veal

∑

Y

MOANA and the MONSTER, demonstrating a warrior face.)

j ‰ œ œ. œ œ œ œ œ œ

b & b bbb œ . œ œ œ œ œ œ œ (MAUI):

veal

in

-

side,

j‰ Œ œ. œ œ œ œ

you keep it

real in

-

side.

bb b b(MAUI): & b ‰ j œ œ œ œ œ

9

j œ œ. œ œ œ ‰ œ œ œ

œ

You make a face that makes ’em ter -ri - fied. You make ’em

11

&

bbbb

b

(MOANA steps forward toward the MONSTER and makes a warrior face.)

∑

b & b bbb œ .

‰ œj œ œ œ œ œ

(MAUI):

scared in

-

side, your teeth are

MOANA:

Ó

Πy

Hah!

Œ œ. œ œ œ œ

bared al - right…

(The MONSTER runs away! MAUI looks impressed.

MOANA's confidence returns.)

bb b b(MOANA): & b ‰ œj œ

œ

bb b b ‰ MAUI: & b j œ

œ

13

œ

We’re get - ting out

œ

œ

˙.

help

œ

œ

œ

of

here

a - live.

15

You’re

œ

gon - na

œ

bb b bMOANA: & b ‰ œj œ œ œ œ œ œ

16

I’m gon - na help us (MAUI):

bbb b & b ˙

vive!

Œ

us

to

œ

sur

-

w

bbbb

n˙.

bbbb

to sur - vive!

œ œ

Œ

To sur - vive

œ

œ

with your

Music Theatre International • Broadway Junior® • Actor’s Script

57

SCRIPT

(The MONSTER is unmoved. MAUI stands between MOANA and the MONSTER, demonstrating a warrior face.)

SCRIPT

(A MONSTER approaches MOANA, who makes a warrior face.)

bb b b(MOANA): œ. œ &

œ

bœ

œ

œ

b œœ

œœ

œœ

18

War

bb b b (MAUI): & œ.

-

rior

Œ

œ

face!

b & b b b œœ ..

War

19

&

bbbb

-

(MOANA):

œ œ

Till it’s

rior

(The MONSTER runs away.)

œ œ œ

sec

-

œ œ œ.

ond

b & b bb œ . œ œ Ó œ (MOANA):

war - rior face.

b & b bb Ó

Πy

MAUI:

Hah! MONSTER ENSEMBLE:

b & b bb

58

œ. œ œ œ Ó œ. œ œ œ

War - rior face!

Disney’s Moana JR.

Ó

face!

na

(A MONSTER approaches MAUI, who makes a warrior face.)

20

Hah!

Ó

war rior face!

MONSTER ENSEMBLE:

y

œ

-

œ

ture,

make

œ

your

(The MONSTER runs away.)

œ œ œ œ œ œ œ œ

Sing your war - rior song.

∑ ∑

Oh, that

war

b & b bb Ó

b & b bb œ .

War

-

-

œ

(A large group of MONSTERS approach MAUI and MOANA, who make warrior faces.)

rior

œ

rior

œ

œ

œ

face!

œ

MOANA:

Time to

25

&

bbbb

˙

long!

b & b bb Ó b & b bb

y

Rah!

Œ

y Rah!

Ó

(The MONSTERS run away.)

dem - on - strate I’ve

(MOANA):

Œ

face!

b & b bb œ œ œ œ œ œ œ œ .

23

SCRIPT

b & b bb œ .

22

œ œ

been a

œ œ.

J

œ.

war - rior all

j œ

a-

(All the MONSTERS sneak back in, closing in on them.

MOANA and MAUI look at each other, determined.)

‰ œ J

I’ve

MAUI:

‰ j œ

œ œ ˙.

been a

war

œ œ ˙.

-

You’ve been a war MONSTER ENSEMBLE:

∑

Œ

œ

rior

˙

all

Œ œ

œ

˙

Œ

˙˙

Œ œ œ

rior

œ œœ œœ

A war - rior

all

all

a -

œ

a -

a -

Music Theatre International • Broadway Junior® • Actor’s Script

59

SCRIPT

b & b bb w

28

(MOANA and MAUI turn to the MONSTERS for one final warrior face.)

˙

long!

b & b bb w

long!

b & b b b ww

long!

˙ ˙˙

œ J

‰

j œ ‰ j œœ ‰

y

Hah!

y Hah!

Œ

(The MONSTERS scatter off with a whimper. #22 – WARRIOR FACE – PLAYOFF.)

SCENE 8: TAMATOA’S LAIR (MOANA and MAUI arrive at Tamatoa’s glittering lair, filled with sparkling treasures. Maui’s fishhook sits prominently on top of a treasure pile.)

We made it. Wow.

MOANA

MAUI Yeah. You did good. I kinda thought you’d be dead by now.

Dead!?

MOANA

MAUI But I’m super glad you’re not. ‘Cause I need you as bait.

What??

MOANA

MAUI I have a plan. You’re going to be a distraction. While I go for the hook.

(MAUI grabs some nearby treasure and adorns MOANA with the shiny, makeshift outfit as she looks around.)

60

Disney’s Moana JR.

SCRIPT

MOANA This crab really likes treasure. Are you sure this is going to work?

MAUI For a thousand years, I’ve been thinking of getting my hook and being awesome again. This has gotta work because… it’s gotta. (inspects MOANA) It’s go time, human.

(MOANA steps forward. MAUI hides behind a shiny object.)

MOANA (loud, but like she’s reading cue cards) “Wow, a shiny, glittery cave and just like me it is covered in sparkly treasure. Sparkle. Sparkle. Sparkle.”

MAUI

(loud whisper) You’re not selling it!

MOANA

(loud whisper) This is stupid! I’m just gonna grab the hook.

MAUI You do that, you’re dead. All you have to do is distract Tamatoa by making her talk about herself. That show-off loves to brag.

MOANA

You two must get along great.

MAUI Nah, not since I ripped off her leg.

You ripped off her leg?? Maui!

MOANA

(#23 – TAMATOA’S REVEAL. TAMATOA and her CLAWS emerge from the giant glittering pile to grab and inspect MOANA. MAUI stays hidden.)

TAMATOA Ooo-hoo-hoo, what have we here?

It’s a sparkly…

LEFT CLAW

Music Theatre International • Broadway Junior® • Actor’s Script

61

SCRIPT

RIGHT CLAW

Shiny…

TAMATOA Wait a minute! Eww, it’s a human! What are you doing down here? In the Realm of Monsters? (improvising) I just had to see you for myself.

MOANA

(menacing) Because you have a death wish?

CLAWS

MOANA Uh… no. We mortals have heard the tale of the crab who became a legend… and I need to know how you… became so… crab… ulous…?

TAMATOA Are you just trying to get me to talk about myself? Because if you are… I will gladly do so! (#24 – SHINY – PART 1.)

Shiny (Part SHINY (Part1)1) (TAMATOA): In song form!

b & b b 44

TAMATOA:

∑

Œ ≈

b &b b œ œ ‰

≈

glam.

bb Πb &

5

&

62

6

bbb

œ œ œ bœ

nœ

I

‰

was a drab

Disney’s Moana JR. clam,

‰

œ œ œ

lit - tle crab

once.

œ œ œ œ œ œ œ œ œ œ

Now I know I

œ bœ ‰

bb Œ

œ œ

Well, Ta - ma - to - a has - n’t al - ways been this

3

4

œ œ œ œœ œ œ œ œ

≈ œ œ bœ œ

can be hap - py 3

œ

œ

be - cause I’m beau - ti - ful,

≈

œ

as

a

œ

ba - by.

œ

24

b &b b Œ

‰

4

Now I know I

& b œ bœ ‰

≈ œ œ bœ œ

clam,

b &b b Œ

b &b b œ

œ

≈

œ

b j &b b œ ‰ ≈ b & b b b œj

‰

9

b &b b j œ

‰

shin - y!

11

wreck.

b &b b œ

12

œ

shin - y!

ba - by.

to your

nœ

in - side”?

I need three words to tear her ar - gu - ment a -

≈

¿

œ œ œ œ

¿ ¿.

¿

j œ

I’d rath - er

be

TAMATOA:

œ œ œ œ œ œ œ œ œ œ

Like a treas - ure from a sunk - en

≈ ¿

Scrub

TAMATOA, CLAWS:

œ

“Lis - ten

on the

Your gran - ny lied.

œ

œ

a

œ œ œ œ œ œ œ

œ

œ

œ œ

part:

b &b b œ

œ

œ œ œ

Be who you are

8

10

say,

œ œ œ bœ

heart.

TAMATOA, CLAWS:

œ

as

œ œ œ ≈ œ œ œ œ

Did your gran - ny

7

24

3

be - cause I’m beau - ti - ful,

‰

6

can be hap - py

SCRIPT

bb

5

œ œ œ œ œ œ œ œ œ œ

¿ ¿

the deck

pi - rate

œ œ œ œ œ

and

make

it look

j œ œ œ œ œ œ œ œ œ œ TAMATOA:

œ

I will spar - kle like a wealth - y wom - an’s

b ≈ International ¿ & b b œj Music‰ Theatre ¿ • Broadway œ œScript 63 œJunior® œ • Actor’s ¿.

LEFT CLAW:

13

neck.

Just

a

sec,

don’t - cha know:

CLAWS:

b &b b œ

12

j œ œ œ œ œ œ œ œ œ œ TAMATOA:

œ

SCRIPT

shin - y!

I will spar - kle like a wealth - y wom - an’s

b & b b œj

‰

b &b b ‰

œ œ >œ

13

LEFT CLAW:

≈ ¿

neck.

a

œ

œ œ œ

sec,

œ >

œ

don’t - cha know:

œ œ œ œ œ œ

Fish are dumb dumb dumb, they chase an - y - thing that

bb œ b & œ.

≈ ¿r ¿ ¿.

TAMATOA:

‰

15

glit - ters.

b &b b ≈œ

RIGHT CLAW:

16

¿ ¿.

Just

14

œ

j œ.

≈

Be - gin - ners,

œ œ

œ >

œ

œ œ œ >

oh…

œ

œ

œ œ

And here they come come come to the bright - est thing that

b & b b œ œ.

17

glit - ters.

18

&

bbb

bœ. œ œ

free

food…

TAMATOA:

≈ ¿

¿

Mmm

¿

¿

fish din - ners…

TAMATOA, CLAWS:

≈ œ œ

œ

œ

And you look like

œ œ I

just

œ

love

U

bœ. œ œ Ó sea - food…

MAUI: It’s Maui time!

Giant hawk, coming up!

(Music continues under dialogue.)

(raises the hook over his head) Giant Hawk!

(A fizzling sound from MAUI's hook. Nothing happens.)

MOANA (MAUI): Giant Hawk.

No! Don’t(Another eat me! fizzling sound. Nothing happens.)

20

&

bbb

6

MAUI

(grabs the hook) Hey, crab cake, I’m back! It’s Maui time! Giant hawk, coming up! (raises the hook over his head) Giant hawk!

64

Disney’s Moana JR.

SCRIPT

(A fizzling sound from Maui’s hook. It’s cracked. MAUI does not shapeshift, much to his and TAMATOA’s surprise. MAUI tries again.)

(MAUI)

I said… Giant hawk.

(Another fizzling sound. Nothing happens.)

MOANA

Do something!

MAUI

I can’t transform!

MOANA

What?

MAUI There’s something wrong with my hook! (#25 – SHINY – PART 2.)

Shiny(Part (Part 2) 2) Shiny bb 4 Ó Œ b ¿ & 4

TAMATOA:

3

4

&

bbb

Well, well, well. Lit-tle Mau-i’s hav-ing trou-ble with his

j ¿

‰

≈ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿.

LEFT CLAW:

look.

b &bb Ó b &bb ‰

Ya

bb ¿ b &

lit - tle sem - i - dem - i - min-i- god!

TAMATOA:

Πj 
RIGHT CLAW:

5

¿ ‰¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿

¿

Ouch.

(TAMATOA):

¿

¿ ¿ ¿ ¿ ¿ ¿ ¿

What a

≈ Œ

‰

¿ ¿

Get the

¿

ter - ri - ble per - for - mance.

Ó

‰

Music Theatre International • Broadway Junior® • Actor’s Script

¿ ¿

hook! (Get it?)

65

b &bb ‰

j ¿

SCRIPT

RIGHT CLAW:

5

¿

Ouch.

b &bb ¿

(TAMATOA):

hook! (Get it?)

6

9

ter - ri - ble per - for - mance.

‰

Ó

≈ ¿ ¿

CLAWS:

¿ ¿ ¿ ¿ œ

œ

to,

(TAMATOA and CLAWS drive MAUI back.)

‰

œ œ œ œ œ œ œ œ œ œ

Œ

œ

man…

b &bb œ œ œ (TAMATOA):

b &bb Œ

≈

≈

b &bb œ

œ

b & b b œœ

œ œ

shin - y!

œ œ œ bœ

for get - ting here

(TAMATOA): 6611 Disney’s b Moana JR.

&bb j œ

rough.

‰

from the out - side.

¿ ¿ ¿ ¿ ¿

≈ œ

(SHINY ENSEMBLE enters.)

¿ ¿ ¿ ¿

I’ll nev - er hide.

¿ ¿ ¿ ¿ ¿ I

can’t.

œ œ œ œ œ œ

œ

I’m too

œ œ œ

Watch me daz - zle like a dia - mond in the

j œ ~~~ ‰ œ

CLAWS, SHINY ENSEMBLE:

Shin - y!

nœ

œ œ œ

But can’t you see, I made my - self a work of

art.

(TAMATOA):

Ó

¿ ¿ œ œ œ ¿

b & b b ¿ b¿ ‰

10

I have to give you cred - it from the

Yet

start,

8

¿

You don’t swing it like you used

bb Πb & b &bb

7

What a

≈ Œ

¿ ¿

bb Πb &

¿ ¿ ¿ ¿ ¿ ¿ ¿

≈

¿

Strut

Ó ¿ ¿

my stuff,

¿ ¿ ¿ ¿ ¿

my

stuff

is

so

b & b b œœ

j œ ~~~ ‰ œ

CLAWS, SHINY ENSEMBLE:

œ œ

Shin - y!

(TAMATOA):

‰

rough.

b &bb œ

œ

b & b b œœ

œ œ

12

(TAMATOA):

shin - y!

≈ œ

Strut

my stuff,

œ œ œ

œ

13

j œ ~~~ ‰ œ ~~~

&

bbb

(TAMATOA):

nough!

b &bb ‰

14

‰

j ¿

(TAMATOA):

œ

¿ 3

¿

¿

¿

¿.

¿

My shell’s too tough,

œ œ >

You could try

œ

stuff

œ

is

œœ >

You could try

¿ ¿ ¿ ¿

œ

try

œ œ

try

œ > try œœ > try

œ œ œ œ Mau

-

œ œ œ œ

œ œ

œ œ œ œ

but you can’t ex - pect a

but you can’t ex - pect a

^ bb b œ œ ^ ≈ & œ œ œ œ œ œ œ ≈ ¿ &

i, man.

œ œ

15

bbb

so

Ó

CLAWS, SHINY ENSEMBLE:

b &bb ‰

my

Send your ar - mies, but they’ll nev - er be e -

CLAWS, SHINY ENSEMBLE:

Shin - y!

¿ ¿ ¿ ¿ ¿

¿ ¿

¿

SCRIPT

b &bb j œ

11

Ó

^ ^ œ œ œ ≈ œ œ œ œ œ œ Œ

de - mi - god

to beat a

de - ca - pod.

de - mi - god

to beat a

de - ca - pod.

¿ ¿

(Look it up.)

Music Theatre International • Broadway Junior® • Actor’s Script

67

SCRIPT

(As TAMATOA and CLAWS trap MAUI, MOANA sees an opportunity and tries to creep away.)

bb Ó b &

16

‰

b &bb ‰

œ œ œœ >

You will die

b &bb œ œ œ

17

(TAMATOA):

take a - part

18

&

20

&

bbb

œ œ

die

œ.

Now it’s time for me to

j œœ ‰ > die.

Œ

œ œ œ œ

your a - chin’ heart.

ALL:

bbb

œ œ œ œ œ œ

bœ. œ œ œ bœ. bœ. œ bœ œ œ

j œ

‰

œ œ bœ. bœ œ œ

Far from the ones who a - ban - doned you, chas - ing

the

j j . bœ. œ œ œ bœ. b œ ¿ œ œ œ bœ. bœ œ bœ œ œ TAMATOA:

love of

these hu - mans who made you feel want - ed.

b & b b ¿ b¿ ¿ ¿ ¿ œ œ ALL:

22

œ bœ

You

œ œ œ bœ œ Œ

try to be tough, but your ar - mor’s just not hard e - nough.

(As TAMATOA’s hold on MAUI intensifies, MOANA feels bad, rethinks her escape, and looks around for something to help.

She spots glowing algae and gets an idea.)

TAMATOA:

b œ & b b b œ œ . ‰ b œ œ œ œ œ œ b œ b œœ ‰ b œ œ œ œ œ œ

24

Mau - i,

68

now it’s time to kick your hein - ie! Ev-er seen some-one so

Disney’s Moana JR.

‰

b & b b œœ n œ bœ

j œ ~~~‰ œ ~~~

(TAMATOA):

shin - y?

œ œ œ œ œ œ œ

Soak it

CLAWS, SHINY ENSEMBLE:

Shin - y!

27

&

bbb

(TAMATOA):

j œ

see.

bb œ b &

28

‰

(TAMATOA):

œ

shin - y…

bb œ b & œ

‰ œ

3

œ

C'est

j ‰ œ ~~~ œ ~~~

CLAWS, SHINY ENSEMBLE:

œ œ

Shin - y…

b & b b œj

29

plea,

b &bb Ó

‰

œ œ œ

in, ’cuz it’s the last you’ll ev - er

Ó 3

œ

œ

la

œ

vie, mon

œ

œ

a - mi,

œ œ œ œ œ œ œ

Now I

‰

¿

3

just

SCRIPT

b & b b œ nœ

26

3

œ

I’m

œ

so

œ œ œ

eat you so pre - pare your fi - nal

Ó ¿

for

¿

me.

Œ

(TAMATOA prepares to deliver her death blow.)

‰. ‰.

r œ

You’ll

r œ

You’ll

^ ‰ œ œ œ œ œ œ J nev - er be quite as shin - y. You wish you were nice n’ shin - y! ^j b œ œ & b b œ œ œ œ œ b œœ .. œœ ‰ . œr œ œ œ œ œ ‰ œœ œœ b & b b œ œ œ œ œ b œ . œ ‰ . œr œ

30

nev - er be quite as shin - y.

&

bbb

You wish you were nice n’ shin - y!

3

Music Theatre International • Broadway Junior® • Actor’s Script 32-34

69

SCRIPT

(Music continues under dialogue.)

MOANA (holds up the glowing algae) Hey! I got something shiny for ya!

TAMATOA The Heart of Te Fiti. The power of creation… for a crustacean!

Come and get it.

MOANA

(MOANA throws the decoy offstage. TAMATOA, CLAWS, and SHINY ENSEMBLE release MAUI and exit after it.) (to MAUI) We gotta go.

What? What about the Heart?

(MOANA)

MAUI MOANA

She can have it. (pulls the real Heart from her necklace) I’ve got the real one.

Nice! Now let’s get outta here!

MAUI

(MAUI and MOANA exit. TAMATOA and CLAWS enter with the decoy heart.)

Yes! The Heart is mine! (to an unseen conductor) Hit it!

TAMATOA

(#26 – SHINY – PLAYOFF.)

70

Disney’s Moana JR.

26

#### 2 & 4 3

&

####

∑

TAMATOA, CLAWS:

44 œ œ œ œ œ œ œ œ œ œ œ œ œ Shin -y!

‰

j œ

≈ ¿

sea.

#### œ &

4

Look

œ

TAMATOA:

C'est la vie.

flee.

&

####

nœ.

shell

¿ ¿

at me,

¿ ¿ ¿ œ œ

ya

see,

I’m so

œ œ œ œ œ œ œ

All the mon - sters see my wea - pon - ry and

#### j & œ ‰ ≈¿ ¿ ¿

7

I’m the sun- rise on the sur -face of the

œ œ œ œ

shin - y!

5

SCRIPT

Shiny (Playoff) Shiny Playoff

-

œ

fish…

œ

œ œ

Call me

nœ. œ œ

TAMATOA, CLAWS:

Œ

self - ish…

œ œ

Call me

TAMATOA: Wait a minute!

Ó

(TAMATOA): I see… she’s taken a barnacle and covered it

&

(TAMATOA abruptly stops while noticing in bioluminescent algae as singing a diversion…

UGH! the Heart more closely. Music continues under dialogue.)

####

3

(TAMATOA) 8-10 it in bioluminescent algae as a I see… she’s taken a barnacle and covered diversion… UGH! (turns to the audience) Sebastian never had to put up with this!

(TAMATOA and CLAWS exit dramatically. Applause, no doubt.)

Music Theatre International • Broadway Junior® • Actor’s Script

71

SCRIPT

SCENE 9: CANOE AT SEA (MOANA and MAUI enter on the canoe.)

MAUI Listen… I appreciate what you did back there, but the point is that you almost died... and I couldn’t beat that dumb crab. I couldn’t even get my hook to work, so chances of beating Te Kā? This mission is cursed.

It’s not cursed.

MOANA

(MAUI touches his hook.)

Giant hawk!

MAUI

(#27 – HOOK FIZZLE #1. A fizzling sound.)

You see? Nothing.

What happened to our wind?

(MAUI) MOANA

MAUI Welcome to “The Doldrums.” No currents. No wind. (lies on his back, singing to himself) WHAT CAN I SAY EXCEPT “WE’RE DEAD SOON...

WE’RE DEAD SOON...”

Can you at least try?

MOANA MAUI

Shark.

(#28 – HOOK FIZZLE #2. A fizzling sound. MAUI sings a little louder.)

(MAUI) HEY! IT’S OKAY, IT’S OKAY, WE’RE DEAD SOON...

MOANA All right, break time’s over. Get up.

72

Disney’s Moana JR.

SCRIPT

MAUI Why? You gonna gimme a speech? Tell me I can beat Te Kā ‘cause “I’m Maui”?

MOANA You’re still Maui. Even if your hook’s not working. (#29 – ANYTHING THEY COULD EVER WANT.) Look, I don’t know why the ocean chose me. But my island is dying, so I’m here. I want to help, but I can’t… if you don’t let me.

MAUI

(giving in, trusting Moana) I wasn’t born a demigod. I had human parents. But they didn’t want me.

They threw me into the sea. Somehow I was found by the gods. They gave me the hook. They made me “Maui.” I gave humans islands, fire, coconuts. Anything they could ever want…

MOANA That’s why you took the Heart. So they’d love you…?

30

MAUI

It was never enough…

(#30 – WARRIOR FACE – REPRISE / LOGO TE PATE.)

WARRIOR FACE (Reprise) Warrior Face (REPRISE) / / LOGO TEPate PATE Logo Te MOANA: Maybe the gods found you for a reason…

But they aren’t the ones who make you “Maui.” You are.

MAUI: I need my hook.

MOANA:

b & b b 44

4

b &b b œ

œ œ œ œ œ œ œ. œ

6

Ó œ œ œ . œ

War - rior face.

œ

œ. œ œ œ Ó

Show ’em you mean bus - ’ness with your war - rior face;

8

&

10

bbb

MAUI: Drop it, Moana.

œ œ œ œ œ

œ œ

Œ

Ó œ œ œ . œ

Music Theatre International • Broadway Junior® • Actor’s Script

put ’em all

in

line.

When you face

73

b &b b œ

œ œ œ œ œ œ œ. œ

6

œ

œ. œ œ œ Ó

SCRIPT

Show ’em you mean bus - ’ness with your war - rior face;

8

&

bbb

MAUI: Drop it, Moana.

œ œ œ œ œ

put ’em all

b &b b œ œ

10

in

b & b b œ. fix

bb b & œ.

13

pare

&

bbb

line.

Ó œ œ œ . œ

When you face

œ œ œ.

œ œ œ

chal - len - ges

11

Œ

œ œ

and

œ

dan - gers,

face

œ œ œ

your

to face

‰

face

you

‰ œj

Œ

œ œ œ œ œ œ œ œ œ ˙

your

œ

the world.

œ œ œ œ œ

to face

˙

Pre -

Ó

the world.

MOANA: Maybe… maybe you’re starting too big. Forget the giant hawk. Try something small.

MAUI: Small? Maui doesn’t do small.

MOANA: Try a bug. Just a little bug.

MAUI: Okay, here we go… tiny insect!

7

###

15-21

(With the help of the OCEAN ENSEMBLE, MAUI successfully turns into a bug, then back into MAUI.)

### ‰ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ¿ ‰ ¿ & J J J OCEAN ENSEMBLE GROUP 1:

22

**Fa - ka - lo - go a ke,

fa - ka - lo - go ki te pa - te.

Si

### ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Ó & J

24

Fa - ka - lo - go fa - ka tu,

fa - ka - lo - go ki te pa - te.

**Note: Faka is pronounced HA-ka.

74

MOANA: Hey! It worked!

MAUI: What else you got?

Disney’s Moana JR. MOANA: Shark?

MAUI: One shark coming up.

&

###

4

si!

&

J

Fa - ka - lo - go fa - ka tu,

fa - ka - lo - go ki te pa - te.

**Note: Faka is pronounced HA-ka.

SCRIPT

&

###

MOANA: Hey! It worked!

MAUI: What else you got?

MOANA: Shark?

MAUI: One shark coming up.

4 26-29

(OCEAN ENSEMBLE helps MAUI transform into a shark.)

OCEAN ENSEMBLE GROUP 1, GROUP 2:

### ‰ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ¿ ‰ ¿ & J J J

30

Fa - ka - lo - go a ke,

fa - ka - lo - go ki te pa - te.

Si

si!

### ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ‰ ‰ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ Ó & J

32

Fa - ka - lo - go fa - ka tu,

&

###

MOANA: Nice fins! Do you think you’re ready?

MAUI: No time like the present… Giant hawk!

3

34-36

OCEAN ENSEMBLE GROUPS 1-3: (full OCEAN ENSEMBLE)

### Ó &

37

40

&

42

&

44

&

fa - ka - lo - go ki te pa - te.

###

(OCEAN ENSEMBLE helps MAUI transform into a giant hawk.)

Œ ‰ j œ œ ‰ œj œ . œ œ œ œ ‰ œj œ œ. œ œ Ke

ma - na - tu - a

###

te

MAUI: Chee-hoo!

‰ œj œ . œj œ œ œ œ œ œ . œ ¿ œœ œœ

lu - e - lu - e te ma - lo - hi

###

fai - ga ie - na,

i - na

hi - va.

(MAUI sets a course on the canoe as MOANA watches.)

œœ œœ œœ œœ œœ

Ka - ta - ka - ta

mai

‰ œj œ œ œœ œ œ œ hi - hi - va

Œ

Œ

mai

‰ ¿ ¿

fa - ka -

Music Theatre International • Broadway Junior® • Actor’s Script 75 ¿ ¿ ¿ ¿ ¿ ¿ Œ ‰ œœ œœ œœ œœ œœ œœ œœ œœ Œ

lo - go ki te pa - te

ma te

lu - e - lu - e!

42

SCRIPT

&

44

&

&

### ###

(MAUI sets a course on the canoe as MOANA watches.)

‰ œj œ œ œœ œ œ œ

œœ œœ œœ œœ œœ

Ka - ta - ka - ta

mai

¿ ¿ ¿ ¿ ¿ ¿

hi - hi - va

Œ

‰

###

fa - ka -

MOANA: Now, it’s my turn.

MAUI: Excuse me?

MOANA: You said I can’t sail. So teach me.

MAUI: It’s called “wayfinding.” And it’s not just sails and knots.

It’s seeing where you’re going in your mind… knowing where you are by knowing where you’ve been.

MOANA: Okay…Wayfinding, Lesson One: Hit it!

10

46-55

# # # OCEAN ENSEMBLE: & œœ œœ œœ œœ œœ ( ¿¿ ¿¿ ) œœ Ta - mi - lo - mi - lo,

### Π&

57

MAUI:

fa - ka

ta - mi - lo - mi - lo.

¿

¿

¿

¿

Turn

the

sheet

to

# # # OCEAN ENSEMBLE: & œœ œœ œœ œœ œœ ( ¿¿ ¿¿ ) œœ Ta - mi - lo - mi - lo,

### Π&

‰.

59

fa - ka

¿ R

¿

¿ left.

‰

61 # # # MAUI: Moana JR. 76 Disney’s & ¿ ¿ ¿

the

o

¿ ¿ -

fa - ka

¿

cean swells

¿ J

Use

œœ œœ œœ œœ ‰

œœ œœ œœ œœ ( ¿¿ ¿¿ ) œœ

Ta - mi - lo - mi - lo,

ΠMAUI:

OCEAN ENSEMBLE:

œœ

the left.

Œ

60

¿

ta - mi - lo - mi - lo.

Your oth - er

### Ó &

¿

œœ œœ œœ œœ ‰

¿

MAUI:

‰

œœ œœ œœ œœ

58

&

mai

lu - e - lu - e!

56

###

‰ ¿ ¿

œ œ Œ œœ œœ œœ œœ œ œ œœ œœ

ma te

lo - go ki te pa - te

Œ

ta - mi - lo - mi - lo.

¿

¿

to

find

¿

¿

your path.

&

###

Use

OCEAN ENSEMBLE:

œœ œœ œœ œœ ‰

œœ œœ œœ œœ ( ¿¿ ¿¿ ) œœ

œœ

Ta - mi - lo - mi - lo,

¿

61

the

o

-

cean swells

# # # OCEAN ENSEMBLE: & œœ œœ œœ œœ œœ ( ¿¿ ¿¿ ) œœ

62

ta - mi - lo - mi - lo.

¿

¿

to

find

¿

¿

SCRIPT

# # # MAUI: & ¿ ¿ ¿ ¿ ¿

fa - ka

your path.

œœ œœ œœ œœ ‰

∑

Ta - mi - lo - mi - lo, fa - ka ta - mi - lo - mi - lo.

&

###

MAUI: You’re measuring the stars, not giving the sky a high five.

Stars rise in the east and set in the west.

MOANA: Like the sun!

MAUI: Exactly! But you’re not only using the stars to guide you.

Notice the shape of the waves, the clouds.

MOANA: (takes in her surroundings) Hey! The wind is back.

MAUI: So, what do you do?

MOANA: I… turn the sail.

MAUI: Bingo.

MOANA: Te Fiti, here we come!

12

64-75

&

####

&

####

76

78

& &

####

(MAUI looks proudly at MOANA wayfinding.)

OCEAN ENSEMBLE GROUP 1:

#### ####

#

# œ . œ ≈ œ œ œœ œ. œ œ œ Hau

la

ke ta

o!

∑ ‰ œ œ œ œ œj œ .

OCEAN ENSEMBLE GROUP 2:

∑

#

Hi - ki mai to

# œ . œ ≈ œ œ œœ œ. œ œ œ

#

Œ

Hau

la

ke ta

∑

o!

Œ

li - ma.

∑ ‰ œj ¿ œ œ

œ

Hau ta hau - ni - ga.

Music Theatre International • Broadway Junior® • Actor’s Script

77

SCRIPT

#### œ . ≈ & # œ . œ œ œ œœ Œ œ œ œ Hau la ke ta o! # # ∑ & # ##

∑

80

82

&

####

‰ œ œ œ œ œj œ .

Hi - ki mai to

# œ . œ ≈ œ œ œœ Œ œ. œ œ œ Hau la

#### Ó & #

∑

ke ta o!

Œ ‰. ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ ¿ R

OCEAN ENSEMBLE SOLO:

Ko

3

ko - e ta - ga - ta e la - go ai a’u!

GROUP 1): # # # #(OCEAN ENSEMBLE & # œœ œœ œœ œœ œœ ‰ œj œœ œœ œœ œ

Œ

84

Ka - ta - ka - ta mai mai,

hi - hi - va mai mai,

# # # # OCEAN ENSEMBLE GROUP 2: ‰ ¿ ¿ ¿ Œ & # Ó J 86

& &

78

####

####

li - ma.

lo - go ki te pa - te

# Ó

Disney’s Moana JR.

fa-ka -

‰ ¿ ¿ ¿ ¿ J

Ka - ta mai,

Œ # ¿ ¿ ¿ ¿ ¿ ¿

‰ ¿ ¿

hi - hi - va mai!

‰ œ œ œ œ œœ œœ œœ œœ Œ œ œ œœ

‰ J¿ ¿

Au - e!

ma te

lu - e - lu - e!

Ó

‰¿‰¿ J J Si

si!

&

####

&

####

90

& & &

92

& &

(OCEAN ENSEMBLE GROUP 1):

Ka - ta - ka - ta mai mai,

# Ó

‰ ¿ ¿ ¿ J

&

Œ

Ka - ta mai,

OCEAN ENSEMBLE GROUP 3:

#### #### #### #### ####

# ‰ œœj œœ œœ œœœ œ œ œ

Lu - e, lu - e,

####

lu - e,

Œ # ¿ ¿ ¿ ¿ ¿ ¿

# Ó # ‰

Lu - e, lu - e,

# œœ œœ œœ œœ œœ

Ka - ta - ka - ta mai mai,

# Ó

hi - hi - va mai!

-

Œ

e!

lu - e - lu - e!

ma te

Ó

Au - e!

œœœ œœœ ˙˙˙

œœœ œœ œ

lu - e,

lu

-

‰ œj œ œ œœ œ œ œ

Ka - ta mai,

œœœ œœ œ

lu - e,

Œ

Si

Œ

-

Œ

si!

‰ ¿ ¿

‰ ¿ ¿ ¿ ¿ J

œœœ œœœ ˙˙˙

lu

‰¿‰¿ J J

e!

hi - hi - va mai,

‰ ¿ ¿ ¿ J

Lu - e, lu - e,

‰ ¿ ¿ ¿ ¿ J

‰ œ œ œ œ œœ œœ œœ œœ Œ œ œ œœ

‰ ¿J ¿

j œœœ œœœ œœœ œœœ

lu

‰ ¿ ¿

fa-ka -

œœœ œœœ ˙˙˙

œœœ œœ œ

lo - go ki te pa - te

Œ

hi - hi - va mai mai,

(OCEAN ENSEMBLE GROUP 2):

#### ‰ j & # œœœ œœœ œœœ œœœ 94

‰ œj œ œ œœ œ œ œ

# œœ œœ œœ œœ œœ

fa-ka -

hi - hi - va mai!

Œ

e!

Œ ‰ œ œ œ œ œœ œœ œœ œœ Œ # ¿ ¿ ¿ œ • Actor’s Script 79 ¿ ¿ International • Broadway œ œ œJunior® Music ¿Theatre

#### Ó & #

lo - go ki te pa - te

ma te

lu - e - lu - e!

‰ ¿J ¿j œ œ œ œ œœ œœ œœ œœ Œ

SCRIPT

&

####

88

SCRIPT

#### ‰ j & # œœœ œœœ œœœ œœœ 94

&

####

Ka - ta mai,

Lu - e, lu - e,

lu - e,

Œ # ¿ ¿ ¿ ¿ ¿ ¿

#### Ó & #

lo - go ki te pa - te

#### ‰ & #

œœ œœœ ˙˙˙ œ

œœœ œœ œ

lu

-

hi - hi - va mai!

Œ

e!

‰ œ œ œ œ œœ œœ œœ œœ Œ œ œ œœ ma te

lu - e - lu - e!

Au - e! ma te

lu - e - lu - e!

ma te

lu - e - lu - e!

‰ ¿J ¿j œ œ œ œ œœ œœ œœ œœ Œ œ œ œœ

j œœœ œœœ œœœ œœœ

Lu - e, lu - e,

‰ œ œ œ œ œœ œœ œœ œœ Œ œ œ œœ

SCENE 10: CANOE AT SEA, NEAR TE KĀ (#31 – LOGO TE PATE – PLAYOFF. MOANA is now a skilled wayfinder, moving the canoe with confidence and ease, checking their course with her hand against the horizon line.)

MAUI Final lesson. When clouds cluster low on the horizon, it means there’s an island up ahead.

We’re near Te Fiti?

MOANA

(#32 – TURN THE CANOE AROUND.) MAUI Moana of Motunui, you have officially delivered Maui across the great sea. (imitates a cheering crowd, just as MOANA did before) Haaaa... Moana... Moana... Moana... You’re so amazing...

(MAUI and MOANA look at each other with pride, then MOANA sees something in the distance.)

MOANA Hold on, those aren’t clouds… It’s smoke! (realizes) It’s Te Kā!

(OCEAN ENSEMBLE begins to create rough seas.)

80

Disney’s Moana JR.

SCRIPT

MAUI

Te Kā sees us. (growing panic) The water is getting too rough. We need to turn back.

It’s okay, we can sail through it.

MOANA

MAUI Moana, hold on. It’s too dangerous.

We have to keep going.

Turn the canoe around! Now! No! My village needs me.

MOANA MAUI MOANA

MAUI The waves are too big. We won’t make it.

I can do this!

MOANA MAUI

Look out!

(OCEAN ENSEMBLE creates a giant, powerful wave. MAUI tries to block its force, but the wave cracks his hook and pushes the canoe backward into calmer water.) (recovering) Are… are you okay? Maui? (small) I told you to turn back.

I thought we could make it— “We”?

MOANA

MAUI

MOANA MAUI

MOANA When we go back again, we’ll be more careful.

Music Theatre International • Broadway Junior® • Actor’s Script

81

SCRIPT

MAUI

I’m not going back.

MOANA But… but we still have to restore the Heart!

MAUI

My hook is cracked.

We can fix it—

MOANA

MAUI No, we can’t. One more hit and it’s over. Without my hook, I’m nothing.

That’s not true!

MOANA

Without my hook, I am nothing!

MAUI

(#33 – IT CHOSE WRONG.) MOANA Maui... we’re only here because you stole the Heart in the first place.

MAUI No, we’re here because the ocean told you you’re special and you believed it. I’m not risking my life so you can prove you’re something you’re not. (holds up the Heart) The ocean chose me.

It chose wrong.

MOANA MAUI

(MAUI transforms into a giant hawk and flies off, leaving MOANA alone.)

MOANA

Maui?!! (turns to the OCEAN ENSEMBLE) Why did you bring me here?

(OCEAN ENSEMBLE does not respond. MOANA holds out the Heart.)

82

Disney’s Moana JR.

SCRIPT

(MOANA) You have to choose someone else.

SONG OF THE SongANCESTORS of the Ancestors

(#34 – SONG OF THE ANCESTORS.)

(MOANA): Choose someone else! Please…

(MOANA falls to her knees in despair. GRAMMA TALA enters, dressed as an ancestor, and sits at the bow of her canoe. CHIEF ANCESTORS enter with her and look on.)

CHIEF ANCESTORS: (ghostly, as if far away)

3

## 4 & 4 5

GRAMMA TALA: You’re a long ways past the reef.

MOANA: Gramma?

#

Iei ki na...

2

Œ

n

(MOANA hugs GRAMMA TALA and begins to cry.)

MOANA: I tried… Gramma, I… I couldn’t do it…

(GRAMMA TALA wipes away MOANA’s tears.)

GRAMMA TALA: It’s not your fault. I asked too much of you.

If you are ready to go home, I will be with you. (beat) Why do you hesitate?

MOANA: I don’t know…

4

&

8-11

GRAMMA TALA:

& ‰

œ œ œ œ

& ‰

œ

I

13

& ‰

14

Œ

œœ .. œ ˙ œ ˙

Iei ki na...

& œœ .. œœ ˙˙

12

#

She

know

a

œ œ œ

stands

œ œ œ

a

œ œ œ œ

girl

-

from

œ œ œ

part

from

œ œ œ

œ œ

an

œ

is - land.

œ

œ

the crowd.

œ œ œ.

Music Theatre International • Broadway Junior® • Actor’s Script She

loves

the

sea

and

her peo - ple.

83

& ‰

SCRIPT

13

& ‰

14

& ‰

œ

She

œ œ œ

stands

a

œ œ œ

-

part

œ œ œ œ

She

loves

15

sea

the crowd.

œ œ œ.

and

her peo - ple.

GRAMMA TALA: Your whole family.

CHIEF ANCESTORS: We are all proud of you.

œ œ

œ

œ œ œ œ

from

œ œ œ

the

œ

œ

2

œ

She makes her whole fam - ’ly proud.

j œ

CHIEF ANCESTOR 1:

& ‰

18

œ

Some - times

The

jour

-

The peo

-

& ‰

84

œ œ œ œ œ

you have

CHIEF ANCESTOR 2:

œ

œ

a

scar.

œ

œ

j œ œ.

œ

œ

where you are…

œ

you.

œ

œ

œ

œ

learned

will

œ

œ

œ

on

œ

œ

change

¿ ¿ ¿ ¿ ¿

noth - ing

you.

will

earth

And

œ

love

œ œ œ œ œ

Disney’s Moana JR.

& ‰

25

ple you

a - gainst

leave

re-veal just

œ œ œ œ œ

The things 24

seems

j œ œ œ œ œ œ œ œ

But scars can heal and

œ œ

œ

ney may

CHIEF ANCESTOR 1:

& ‰

23

œ œ œ œ œ

GRAMMA TALA:

& ‰

22

world

CHIEF ANCESTOR 2:

& ‰

20

the

CHIEF ANCESTOR 3:

& ‰

19

œ œ œ œ

guide

you.

œ

œ

j œ

can

si

œ

j œ

œ

-

lence

œ

CHIEF ANCESTOR 1:

& ‰

23

The things

& ‰

24

œ

qui

-

et

on

voice

GRAMMA TALA:

œ œ œ œ

And when

¿ R

ALL FOUR:

voice

¿

¿

“Mo - a - na,

GRAMMA TALA:

Mo - a - na,

still

lis - ten…

you.

œ

œ

j œ

si

œ

j œ

-

lence

œ

œ

in - side

you.

œ

œ œ

starts

to whis - per,

¿

¿

you’ve come

¿ ¿ ≈

œ

guide

can

œ œ œ

that

¿

& ‰ ¿ ¿ ¿ ¿ &

œ

¿ ¿ ¿ ¿ ¿

& ‰.

30

œ

earth

noth - ing

the

& ‰

28

will

œ œ œ œ œ

And

& ‰

27

learned

CHIEF ANCESTOR 2:

25

26

you have

œ

œ

œ

SCRIPT

œ œ œ œ œ

¿

so

far.”

j œ œ. œ œ

(takes MOANA's hand)

œ œ

œ

Do you know

who you

are?

bb MOANA: Œ ≈ œ œ œ œ. œ

MOANA: Who am I…?

∑

∑

I am a girl

who loves my

b Œ œ &b œ œ œ œ . œ œ ˙ œ œ. œ œ

33

is-land, and the girl who loves the sea.

œ

œ

It calls

j Ó œ œ. me.

ENSEMBLE enters, surrounds MOANA's canoe.) bb (ANCESTOR ≈ & Œ œ œ œ œ œ œ œ œ œ œ

36

b & b œj

I

‰

37

am the daugh - ter

≈

of

j œ œ œ œ

We are

the vil - lage

œ

de - scend - ed

chief.

j œ

from

Music Theatre International • Broadway Junior® • Actor’s Script

b &b œ œ

38

œ

œ

œ

œ

œ œ œ œ

œ

85

ENSEMBLE enters, surrounds MOANA's canoe.) bb (ANCESTOR ≈ & Œ œ œ œ œ œ œ œ œ œ œ

SCRIPT

36

I

b & b œj

‰

37

b b &

am the daugh - ter

≈

of

the vil - lage

j œ œ œ œ

We are

chief.

j œ

œ

de - scend - ed

from

38

œ œ œ

voy - a - gers

b & b œj

œ

œ

œ

They

‰

the world.

‰

bbbbb

me.

œ œ œ œ œ œ

œ

œ nœ œ

œ œ

to where we are.

œ

œ

You have jour - neyed

œ

far - ther.

GRAMMA TALA, CHIEF ANCESTORS, FULL ANCESTOR ENSEMBLE:

‰ œ œ œ œ œ

œ

œ

œ

œ

You are ev - ’ry - thing you’ve learned and more…

bb b b MOANA: & b 46 ‰ œj œ œ œj œ .

43

#### 4 & 4 #œ

44

call

Still

it

œ œ.

me.

calls

œ œ œ

is - n’t out

45 # # # # Moana 86 Disney’s j JR.‰ .

&

a - cross

œ

œ.

+SOME ANCESTOR ENSEMBLE:

b & b bbb Œ

42

œ œ œ œ

You’ve de - liv - ered us

b & b bbb Œ

41

j œ

call

GRAMMA TALA, CHIEF ANCESTORS:

b & b bbb Œ

œ

œ

who found their way

‰

39

40

œ œ

me.

# ‰ n œ # œ # # # 44 ALL:

œ

And the

œ œ œ

œ

there at all,

r œ. œ œ. œ

It’s like the tide,

it’s

j œ œ œ

al

46

-

œ

œ

in - side

œ œ œ

ways fall - ing and

#### 4 & 4 #œ

44

œ œ œ

call

œ œ œ

is - n’t out

there at all,

47

&

48

&

#### ####

œ

œ

œ

ris

-

œ

œ œ œ

#### j & œ œ.

49

#### ˙ &

‰.

me

in

œ.

that come what

j œ œ.

‰

way.

I

ALL: (except MOANA) (bottom part: melody)

#### œ . & œ . œœ ˙˙

Iei ki na!

#### 2 ˙ & 4 ˙

56

nei!

Œ

œ. œ ˙ œ. œ ˙

ways fall - ing and

may,

œ

you

œ œ

will

œ

œ

re - mind

j œ ‰ œj œ . œ

œ œJ œ .

am

œ œ œ

I

my heart,

œ.

r œ œ

-

in - side

‰ œ

œ œ

MOANA:

51

53

al

œ

ing.

car - ry you here

it’s

j œ œ œ

It’s like the tide,

œ

œ

SCRIPT

#### j œ œ. & œ œ . ‰ . œr œ .

45

me.

œ

I know the

˙

Mo - a - na!

Œ

Iei ki na!

œœ .. œ œj ‰ œœ œœ œœ œœ œ 42 œœ

Iei ki na! Ko ma - tou te -

(MOANA, courage renewed, holds the glowing Heart above her head.)

44 w w

MOANA: I am Moana of Motunui. Aboard my boat, I will sail across (Music continues under dialogue.)

&

the sea… and restore the Heart of Te Fiti!

GRAMMA TALA: You have become quite a navigator. Someone taught you well.

MOANA: (guiltily) Yes… he did.

GRAMMA TALA: You must face Te Kā alone. But I am with you.

And so are all your ancestors.

####

12

Music Theatre International • Broadway Junior® • Actor’s Script 58-69

87

b

SCRIPT

MOANA I am Moana of Motunui. Aboard my boat, I will sail across the sea... and restore the Heart of Te Fiti!

GRAMMA TALA You have become quite a navigator. Someone taught you well.

MOANA

(guilty) Yes... he did.

GRAMMA TALA You must face Te Kā alone. But I am with you. And so are all your ancestors.

Courage, Moana.

CHIEF ANCESTORS

(GRAMMA TALA gives MOANA a hongi.)

Okay, here goes nothing…

MOANA

(#35 – WAYFINDER BATTLE. TE KĀ enters. CHIEF ANCESTORS watch from a distance and address the audience.)

CHIEF ANCESTOR 1 Te Kā approached through the smoke.

CHIEF ANCESTOR 2 Moana sailed her canoe straight toward Te Kā.

(MOANA turns her boat and slowly approaches TE KĀ.)

CHIEF ANCESTOR 3 Moana tried to steer through angry seas, as Te Kā moved closer, ready to strike. (offstage) Chee-hoo!

MAUI

(MAUI enters as a giant hawk and flies near MOANA’s canoe.)

MOANA Maui?! You came back! But your hook – one more hit and it’ll be destroyed.

88

Disney’s Moana JR.

SCRIPT

MAUI I got your back, Chosen One. Go save the world.

MOANA

Thank you!

MAUI

(smiles, sincere) You’re welcome.

(MAUI approaches TE KĀ.)

CHIEF ANCESTOR 2 Maui flew around Te Kā, drawing attention away from Moana.

CHIEF ANCESTOR 3 Te Kā struck Maui with a forceful blow...

(TE KĀ strikes MAUI, who returns to demigod form.) … destroying his hook.

Maui! Your hook!

MOANA

MAUI Don’t worry about me. Get the Heart to Te Fiti!

MOANA

(looks around) There’s nothing here… Te Fiti is gone… (looks at TE KĀ and back at the Heart in her hand) Wait... Te Kā…

MAUI

What?

Let her come to me.

Te Kā will kill you!

MOANA MAUI

MOANA (raises the Heart above her head) Let her come to me.

Music Theatre International • Broadway Junior® • Actor’s Script

89

SCRIPT

36

(#36 – KNOW WHO YOU ARE. OCEAN ENSEMBLE parts as MOANA and TE KĀ approach one another. TE KĀ’s fury slowly subsides.)

KNOW YOU KnowWHO Who You AreARE

## 4 & 4

OCEAN ENSEMBLE:

∑

Œ

‰

j œœ œœ

ma - ta

Ou MOANA:

# & # Œ‰ œ œ œ

(with some rhythmic freedom)

3

œœ

œœ œœ œœ

e ma - ta -

46

œ œ œ œ œ œj œj œ . Ó

I have crossed the ho-ri-zon to find you.

# # (OCEAN ENSEMBLE): & œœj w w -

gi,

## 6 & 4 Ó

Ó

5

## 6 & 4 œ. œ. na

## Œ ‰ &

7

&

90

##

Œ ‰ j œœ œœ œœ œ œ 46 œ œ œœ œœ

œ

j œœ ˙˙

‰ Ó

Ou lo - to ma - ma - i -

j j œ œ œ

44 œ ˙

I know your

to - a,

œ œ œ œ œ

Ó

44 Œ ‰ œj œ œœ œœ œ œ name.

Man - a - tu a -

œ œ œ œ

They have stol - en the heart from in - side you,

ww

tu,

Disney’s Moana JR.

3

Œ ‰

j œ ‰Œ

3

œœ œœ œ œ œ œ œ

Ta - ku pe - le - pe -

## Ó &

‰

9

&

##

Œ

‰

## w & ww

tu.

you.

Œ

le.

This is

Man - a - tu a -

œ

œ œ œ

not

j‰ Œ œ

3 j ‰ œœ œœ œœ œœ œœ

does not de - fine

but this

## w & ww 11

œ œ œ œ œ œ œ œ. œ

SCRIPT

6

3

who

œ you

œ

45 45

(MOANA meets face-to-face with TE KĀ, now fully at peace.)

# # 5(MOANA): Œ & 4 ˙.

12

are.

œ œ œ

You

know

U j œ œ œ œ ˙. who you are.

(MOANA gives TE KĀ a hongi.)

Who you truly are...

(MOANA)

(MOANA places the Heart into TE KĀ’s chest. #37 – TE FITI RESTORED.)

Music Theatre International • Broadway Junior® • Actor’s Script

91

SCRIPT

Te Fiti Restored

Te Fiti Restored

CHIEF ANCESTOR 1: When Moana placed the Heart into Te Kā’s chest, Te Kā began to transform.

6

#4 & 4

(TE KĀ transforms into TE FITI.)

OCEAN ENSEMBLE: (gently) 3

#6 & 4 w

7

Ah...

46 Ó

3

œ œ œ w

œ œ œ w

44

CHIEF ANCESTOR 2: Before their eyes, the monster Te Kā became the goddess Te Fiti.

2

#4 & 4

10-11

j œ . œ & œ . œ ˙˙ > > Iei ki na!

12

(OCEAN ENSEMBLE):

& œœ .. >

16

Iei

j œœ œœ Œ > ki na!

˙ ˙

œœ . œj ˙ > . œ >˙ Iei ki na!

Ó

˙ ˙

Ó

(TE FITI smiles at MOANA and MAUI.) MOANA, MAUI: (awestruck) Te Fiti.

œœ œ œ œœ œ œ

Ko ma - tou

ww

U

∑

te - nei!

(MOANA bows. MAUI remains standing.)

Psst… Bow!

MOANA

(MOANA pulls MAUI down to pay respect.)

TE FITI Thank you for returning my heart, Moana. And as for you, Maui…

92

n

Disney’s Moana JR.

T

SCRIPT

What I did was wrong. I’m sorry.

MAUI

(MAUI bows again.)

TULOU TAGALOA (Reprise) 38 (#38 – TULOU TAGALOA – REPRISE.)

Tulou Tagaloa (Reprise)

(TE FITI reveals MAUI's restored hook. MAUI stares, afraid to take it.)

MAUI: I don’t deserve it.

TE FITI: It would be rude to refuse a gift from a goddess…

MAUI: (taking the hook) CHEE-HOO!!! (catches himself, then small, humble) Thank you. Your kind gesture is deeply appreciated. (softly) Chee-hoo…

10

& b 44

(MAUI and MOANA bow to TE FITI, who bows back, then exits.)

OCEAN ENSEMBLE GROUP 1:

& b Œ œj œ œ . œj œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ . ‰ œ

11

Sei e

va - ’ai ma - i

i le ta - tou

la - lo - la - gi.

Sei e

va - ’ai ma - i

i le ta - tou

la - lo - la - gi.

& b Œ œ œ . œj œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ . ‰ œ OCEAN ENSEMBLE GROUP 2:

& b Œ œj œ œ . œj œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ . ‰ œ

15

&b Œ

Sei e

va - ’ai ma - i

i le ma - tou

la - lo - la - gi.

Sei e

va - ’ai ma - i

i le ma - tou

la - lo - la - gi.

Œ Œ ‰ j œ œ œ œ œ . . œ œ œ œ œ œ œœ œ œ œœ

Music Theatre International • Broadway Junior® • Actor’s Script

93

SCRIPT &b

(MAUI and MOANA return to the canoe.)

MOANA: You could come home to Motunui with me.

My people are going to need a master wayfinder.

MAUI: They already have one.

MOANA: (smiles, gratefully) See you out there, Maui.

MAUI: See you out there, Moana.

(MAUI and MOANA hug. MAUI raises his hook.) Chee-hoo!

8

#

19-26

(MAUI turns into a giant hawk and soars off.

MOANA sets her course home.)

# Œ & œj œ œ . œj œ œ œ Œ Œ œ œ œ œ œ œ œ œ œ œ . ‰ œ

27

OCEAN ENSEMBLE GROUP 1:

Sei e ma - la - ma - la - ma, OCEAN ENSEMBLE GROUP 2:

e le - lei ma le ma - nai - a.

Sei e ma - la - ma - la - ma,

e le - lei ma le ma - nai - a.

# Π&

j ‰ œ Œ Œ œ œ. œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ.

# Œ & œj œ œ . œj œ œ œ j ‰ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ

31

# Π&

Sei e

va - ’ai mai-a

ma - nai - a o le ta - tou

o - la

ga.

Sei e

va - ’ai mai - a

ma - nai - a o le ta - tou

o - la

ga.

j œ ‰œ œ œ. œ œ œ J œ œ œ œ œ œ œ œ œ œ œ ˙

(Music continues under dialogue. MOANA arrives home in her canoe.)

Mom! Dad!

94

Disney’s Moana JR.

MOANA

SCRIPT

SCENE 11: MOTUNUI SHORE (CHIEF TUI and SINA enter, followed by VILLAGERS.) CHIEF TUI

Moana!

SINA

You’re back!

(CHIEF TUI gives MOANA a massive hug. SINA joins in.)

MOANA (sheepish) I may have gone a little ways past the reef...

CHIEF TUI

It suits you.

(PUA and HEI HEI enter and run to MOANA.) PUA Moana! You’re back! I was so scared.

Pua! I missed you!

MOANA HEI HEI

Hey! I missed you too, Hei Hei.

MOANA

(MOANA hugs PUA and HEI HEI, then looks to the VILLAGERS.) I have so much to tell you… to share with all of you.

HEI HEI Hey Moana, are you gonna teach us how to sail, or what?

(PUA nudges HEI HEI, who cowers in front of CHIEF TUI.) I mean… if that’s okay with you, Chief? (#39 – WE KNOW THE WAY – FINALE.)

Music Theatre International • Broadway Junior® • Actor’s Script

95

SCRIPT

39 WE KNOW THE WAY (Finale)

We Know the Way (Finale)

CHIEF TUI: (to MOANA) Well, “Master Wayfinder,” why don’t you start from the beginning?

2

& 44 Œ

(MOANA smiles and proudly demonstrates her wayfinding skills.

VILLAGERS bring out the canoes. CHIEF TUI helps MOANA onto the head canoe. She takes the lead.)

j & ‰ œ œ. œ œ

œ œ œ

œ. œ œ œ œ œ

j & ‰ œ œ. œ

œ œ œ

œ.

3

MOANA:

We read the wind and the sky,

5

œ

We sail the length of the seas,

& ‰ œj œ œ œ œ œ œ œ

7

We know who we are,

MOANA, CHIEF TUI, SINA, PUA, HEI HEI:

j ‰ œœ œœ œœ ˙œ . &

11

A - way, a - way!

& ‰ œj œ

13

96

œ œ

œ œ œ œ œ

œ

who we are…

œœ œ œ œ œ œ œ

œ œ œ œ œ

We set

œ

a course to find

œ œ œœœ œ

a brand new is - land ev - ’ry - where we roam.

Disney’s Moana JR.

j œ œ ‰ œ & œ œœ œ œ

15

œ J

œ

we know where we are.

œ œ

œ

œ

on the o - cean breeze.

œ ‰ œj œ

MOANA, CHIEF TUI, SINA:

& œj ‰ ‰ œj œ

œ œ œ œ

MOANA, CHIEF TUI:

At night we name ev - ’ry star,

9

when the sun is high.

^ j PUA: œœ œj œ

œ œ œ œ œ

œ

SINA, PUA, HEI HEI:

A - way, a - way!

& ‰ œj œ

13

œœ œ œ œ œ œ œ

œ J

We set

œ œ œ œ œ

a course to find

SCRIPT

e)

j ‰ œœ œœ œœ ˙œ . &

11

œ œ œœœ œ

œ

a brand new is - land ev - ’ry - where we roam.

j œ œ ‰ œ & œ œœ œ œ

15

A - way, a - way!

HEI HEI:

& ‰ œj œ

17

^ j PUA: œœ œj œ

œ œ œ œ œ

We keep our

œ œ œ œ

œ

‰ j œ ˙ œ œ

we know the way!

CHIEF ANCESTOR 1: And voyaging began again…

CHIEF ANCESTOR 2: … across the great Pacific…

CHIEF ANCESTOR 3: … after over one thousand years…

GRAMMA TALA: All thanks to the bravery of one girl.

5

# # ‰ œj œ œ ˙œ & œ œ œ .

24

our mind.

MOANA, CHIEF TUI, SINA, PUA, HEI HEI:

And when it’s time to find home,

&

is - land in

œ

ALL:

A - way, a - way!

## ‰ j & œ œ

26

##

19-23

œ J

œœ œ œ œ œ œ œ We set

œ œ œ œ œ

œ

a course to find

œ œ œœœ œ

a brand new is - land ev - ’ry - where we roam.

# # ‰ œj œ œ œœ .. & œ œ œ

28

A - way, a - way!

## ‰ j & œ œ

30

j œ œ

œ œ œ œ œ

We keep our

œ œ œ œ

œ

And when it’s time to find home,

œ

is - land in our mind.

‰ j œ ˙ œ œ

we know the way!

Music Theatre International • Broadway Junior® • Actor’s Script

(ANCESTORS hold their hands up to the sky to measure the stars.

Following MOANA's lead, VILLAGERS do the same.)

97

# # ‰ œj œ œ œœ .. & œ œ œ

28

SCRIPT

A - way, a - way!

## ‰ j & œ œ

30

j œ œ

œ œ œ œ œ

We keep our

œ œ œ œ

œ

And when it’s time to find home,

œ

is - land in our mind.

‰ j œ ˙ œ œ

we know the way!

(ANCESTORS hold their hands up to the sky to measure the stars.

Following MOANA's lead, VILLAGERS do the same.)

## Ó & &

##

j ‰ œœ œœ œœ œœ œ œ œ œ œ œ œ œ œ œ œ œ

GROUP 1:

32

j ‰ œœ œœ œœ ˙˙

GROUP 2:

We are ex - plor - ers, read - ing ev - ’ry sign.

∑

A - way, a - way!

## ‰ j & œœ œœ œœ œœ œœ œœ œœ

34

(GROUP 1):

We tell the sto - ries of our

# #(GROUP 1): & œœ .. œœ œ œ

36

&

##

Ó

ALL:

chain.

j ‰ œœ œœ œœ ˙œ˙ . œ œ œ

GROUP 2:

A - ue! A - ue!

œœ œœ œœ œœ œœ œœ œœ œœ

eld - ers in a nev - er - end - ing

œœ œ œ œ œ œ œ œ œœ œœ œœ œœ œœ œ œœ œ œ

Te fen - u - a te ma - li - e,

∑

œ J

(MOANA the Wayfinder, the future of Motunui, stands proudly at the head of her canoe. VILLAGERS follow in canoes nearby. GRAMMA TALA and CHIEF ANCESTORS watch from afar, looking down on Motunui. MOANA waves to MAUI, flying in the distance.)

## ‰ j œ œ j œœ ˙˙ ‰ œ œ œ œ œ œ œ œ & œ ˙ œœ œœ œœ œ œœ œœ œœ œœ œ

38

(ALL):

Na - e ko ha - ki - li - a

## w & ww

9840 Disney’s Moana JR.

We know the way!

˙˙ ˙

Ó

38

&

j ‰ œœ œœ œœœ ˙œ˙ . œ œ

GROUP 2:

A - ue! A - ue!

##

∑

œ J

(MOANA the Wayfinder, the future of Motunui, stands proudly at the head of her canoe. VILLAGERS follow in canoes nearby. GRAMMA TALA and CHIEF ANCESTORS watch from afar, looking down on Motunui. MOANA waves to MAUI, flying in the distance.)

‰ œœj œœ œœ œœœ œœ œœ œ ‰ œj œ œœœ ˙˙˙ œ œ œ œ œ œœ œœ œ

(ALL):

Na - e ko ha - ki - li - a

## w & ww

We know the way!

˙˙ ˙

40

Ó

40

Bows

(End of play. #40 – BOWS.)

Bows 30

bb 4 b & 4 & &

####

&

####

38

40

&

6

####

####

COMPANY GROUP 1:

Ó

31-36

Well, an - y - way,

(COMPANY GROUP 1):

œœ œ œ œ let me say

œ

j œ œ.

œ

‰

“you’re wel - come”

∑

Œ

COMPANY GROUP 2:

####

œ œ œ œ

œ œ œ œ œ œ œ œ

j œ œ œ

for the won -

œœ œœ œœj œ . œ.

You’re wel - come!

œ

Œ

œ œ œ œ

y #### ‰ ¿ ‰ ¿ ‰ ¿ Œ Œ Ó ¿ Theatre ¿ International ¿ & Music • Broadway Junior® • Actor’s Script 99 J J J -

der - ful

Ha!

world

Ha!

you

Ha!

know.

Hey, it’s o - kay,

Hey!

SCRIPT

A

&

##

SCRIPT

& 40

&

####

∑

Œ

####

œ œ œ œ œ œ œ œ

#### ‰ ¿ ‰ ¿ ‰ ¿ Œ ¿ ¿ ¿ & J J J 42

& &

44

& &

-

#### ####

#### ####

œœ œœ œœj œ . œ.

COMPANY GROUP 2:

der - ful

Ha!

world

Ha!

œ œ œ œ œ it’s o - kay,

∑

you

know.

Ha!

œ

œ

you’re wel

-

You’re wel - come!

y

Œ

Hey!

j œ œ. Œ

Œ

œ

come!

œ œ œ œ

Hey, it’s o - kay,

Ó

‰ œj

Œ

Well,

œœ œœ œœ œ ‰ j œ œ

You’re wel - come!

Well,

Œ Œ œ œ œ œ œ œ œ œ œ œ œ

come to think of

it,

we got - ta go!

come to think of

it,

we got - ta go!

Œ Ó œ œ œ œ œ œ œ œ œ œ

# # # #(ALL): Œ œ œ. & J œ

46

3

j œ œ œ . œ Œ Œ ‰ yj y

- come! You’re wel - come!

(#41 – EXIT MUSIC.)

100 Disney’s Moana JR.

œ

ALL:

3

2

You’re wel -

y‰

And thank you!

∑

actor: A person who performs as a character in a play or musical. antagonist: A person who actively opposes the protagonist. author: A writer of a play; also known as a playwright. A musical’s authors include a book writer, a composer, and a lyricist. blocking: The actors’ movements around the stage in a play or musical, not including the choreography. The director usually “blocks” the show (or assigns blocking) during rehearsals. book writer: One of the authors of a musical. The book writer writes the lines of dialogue and the stage directions. A book writer can be called a librettist if she writes the lyrics as well. cast: The performers in a show. cheating out: Turning slightly toward the house when performing so the audience can better see one’s face and hear one’s lines. choreographer: A person who creates and teaches the dance numbers in a musical. choreography: The dances in a musical that are often used to help tell the story. composer: A person who writes music for a musical. creative team: The director, choreographer, music director, and designers working on a production. The original creative team for a musical also includes the author(s) and orchestrator. cross: An actor’s movement to a new position onstage. dialogue: A conversation between two or more characters. director: A person who provides the artistic vision, coordinates the creative elements, and stages the play. downstage: The portion of the stage closest to the audience; the opposite of upstage. house: The area of the theater where the audience sits to watch the show. house left: The left side of the theater from the audience’s perspective. house right: The right side of the theater from the audience’s perspective. librettist: The person who writes both dialogue and lyrics for a musical. Can also be referred to separately as the book writer and lyricist. libretto: A term referring to the script (dialogue and stage directions) and lyrics together. lines: The dialogue spoken by the actors.

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ACTOR'S GLOSSARY

Actor’s Glossary

ACTOR'S GLOSSARY

lyricist: A person who writes the lyrics, or sung words, of a musical. The lyricist works with a composer to create songs. lyrics: The words of a song. monologue: A large block of lines spoken by a single character. music director: A person in charge of teaching the songs to the cast and orchestra and maintaining the quality of the performed score. The music director may also conduct a live orchestra during performances. musical: A play that incorporates music and choreography to tell a story. objective: What a character wants to do or achieve. off-book: An actor’s ability to perform memorized lines without holding the script. offstage: Any area out of view of the audience; also called backstage. onstage: Anything on the stage within view of the audience. opening night: The first official performance of a production, after which the show is frozen, meaning no further changes are made. play: A type of dramatic writing meant to be performed live on a stage. A musical is one kind of play. protagonist: The main character of a story on which the action is centered. raked stage: A stage that is raised slightly upstage so that it slants toward the audience. read-through: An early rehearsal of a play at which actors read their dialogue from scripts without blocking or memorized lines. rehearsal: A meeting during which the cast learns and practices the show. score: All musical elements of a show, including songs and underscoring. script: 1) The written words that make up a show, including dialogue, stage directions, and lyrics. 2) The book that contains those words. speed-through: To perform the dialogue of a scene as quickly as possible.

A speed-through rehearsal helps actors memorize their lines and infuses energy into the pacing of a scene. stage directions: Words in the script that describe character actions that are not part of the dialogue. stage left: The left side of the stage, from the actor’s perspective. stage manager: A person responsible for keeping all rehearsals and performances organized and on schedule. stage right: The right side of the stage, from the actor’s perspective. upstage: The part of the stage farthest from the audience; the opposite of downstage. warm-ups: Exercises at the beginning of a rehearsal or before a performance that prepare actors’ voices and bodies.

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algae: Living organisms commonly found in water (like seaweed), that create much of the earth’s oxygen; often look like plants. alienated: Alone or separated. bared: Shown or revealed. bioluminescent: Describing an organism that gives off light, making it glow (e.g., fireflies). blow: A sudden attack or strike in a battle or fight. breakaway: A play in sports such as basketball or hockey in which a player breaks free from the opposing team to score a goal. capsize: To flip over. cluster: To group together. crustacean: An aquatic animal that has a hard shell, such as a crab or lobster. decapod: A crustacean with five pairs of legs, such as a crab or lobster. demigod: A being who is half god and half human. deserted: Left alone. devoured: Eaten or swallowed up. diversion: A distraction. doldrums: An equatorial region of the ocean with light winds and calm ocean currents. feats: Great achievements. forbade: Commanded not to do something. harnessed: Gained control over something’s powers. homing: Guiding home. hongi: A traditional Māori greeting in which foreheads are pressed together in a demonstration of pure compassion. lagoon: An area of shallow water that is separated from the ocean. lair: A hideaway. lassoed: Caught with a long rope. legends: Ancient stories passed down by generations among a particular group of people. minnow: A small fish. mischievous: Playfully troublesome. mortals: Beings that do not live forever. navigator: A person who explores the sea. overturning: Flipping over. phenomenon: An event that is observed.

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SHOW GLOSSARY

Show Glossary

SHOW GLOSSARY

reef: A ridge of rocks, sand, or coral near the surface of the water. restore: To bring back to a former place or position. scoff: A mocking expression of scorn. shapeshifter: A being that can change shapes and assume forms of other beings. smite: To strike down. Past tense: smote. taro root: A starchy root vegetable that is an important food item in the Pacific Islands. teeming: Swarming with something. voyagers: A group of people who explore the seas. wayfinding: The practice of navigating using observations of the environment.

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The score of Moana JR. includes lyrics in two Oceanic languages: Samoan, the language of Samoa, and Tokelauan, the language of Tokelau. Below are the guiding principles for singing in these two Oceanic languages, followed by a chart that outlines the pronunciations and meanings of these lyrics.

Use the chart in tandem with the Pronunciation Guide Tracks and Videos included in the ShowKit®, which break down the pronunciation of the lyrics step by step, illuminating where the emphasis of each word is placed when sung. To access the Pronunciation Guide Videos, visit mtishows.com/videos/ moana-jr-pronunciation.

Vowels Vowel A E I O

Sound AH EH EE OH

Words with Similar Sounds ARISE, ADORE ELEPHANT, EVERY EASY, EVEN ONLY, OPEN

U

OO

FOOD, TO

Combinations of vowels, or diphthongs, are common, like AU, AO, EA, OI, UA.

The Letter “G” The letter “g” is a nasal consonant, rolled together with the letter “n” to make the sound “ng.” These Oceanic languages do not have a hard “g” sound, like in the English word “hug.” This “ng” is like the one heard in “song” or “singer,” but not the one heard in “finger,” which retains the hard “g” sound. For example, the Samoan word “tagata” is pronounced “tah-ngah-tah” rather than “tah-gahtah” or “tahn-gah-tah.”

The Glottal Stop Noted in the lyric with an apostrophe, the glottal stop creates a short pause between two vowels, separating the two sounds. It is important that you be conscious of the glottal stop, as removing or adding one can change the meaning of the word. For example, the Samoan word “Vala’auina” is pronounced “vah-lah-ow-ee-nah” rather than “vah-lau-ee-nah.”

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OCEANIC LANGUAGES GUIDE

oceanic languages guide

OCEANIC LANGUAGES GUIDE

English Translation

Lyric

Phonetic Pronunciation

Language

#1 – In the Beginning…, #9 – We Know the Way, #39 – We Know the Way (Finale) Tatou o tagata folau Vala’auina

Summoned

E le atua o le sami tele e o mai

By the gods of this great sea to come

La ava’e le lu’itau e lelei

We take up the good challenge

Tapenapena

Get ready

Holoholo vaka

Canoes on the move

hoh-loh-hoh-loh vah-kah

Aue! Aue! Nuku i mua

Oh! Oh! There’s an island ahead.

ah-oo-eh ah-oo-eh noo-coo ee moo-ah

Te manulele e tataki iei Aue! Aue! Te fenua te malie Nae ko hakilia kaiga e

The bird leads us

teh mah-noo-leh-leh eh Tokelauan tah-tah-kee yeh-ee ah-oo-eh ah-oo-eh teh Tokelauan feh-noo-ah teh mah-lee-eh nah-eh koh ha-kee-lee-ah kah-ee-ngah eh Tokelauan

We are voyagers

tah-toh oh tah-ngah-tah foh-lah-oo vah-lah-ow-ee-nah eh leh ah-too-ah oh leh sah-me teh-leh eh oh mah-ee oo-ah ah-vah-eh leh loo-ee-tah-oo eh leh-leh-ee tah-peh-nah-peh-nah

Oh! Oh! This beautiful island.

We’ve been searching (for) our families Nae ko hakilia We’ve been nah-eh koh ha-kee-lee-ah searching #2 – Tulou Tagaloa, #38 – Tulou Tagaloa (Reprise) Sei e va’ai mai

So you can see

I le tatou lalolagi

Our world

seh-ee eh vah-eye mah-ee

ee leh tah-toh lah-loh-lah-ngee I le matou lalolagi My world ee leh mah-toh lah-loh-lah-ngee Sei e malamalama So you understand seh-ee eh mah-lah-mah-lah-mah E lelei ma le manaia How beautiful and eh leh-lay mah leh good mah-nigh-ah Manaia o le tatou Our wonderful way mah-nigh-ah oh leh olaga of life tah-toh oh-lah-ngah

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Samoan Samoan Samoan

Samoan Samoan Tokelauan Tokelauan

Tokelauan

Samoan Samoan Samoan Samoan Samoan Samoan

Phonetic Pronunciation

Iei ki na

It’s there where yeh-ee kee nah you are Manatu Atu There’s a task for mah-nah-too ah-too you #30 – Warrior Face (Reprise) / Logo Te Pate Fakalogo a ke

Listen up

ha-kah-loh-ngoh ah keh

Fakalogo ki te pate (si si) Fakalogo fakatu

Listen to the log drum Listen and stand up Do you remember

ha-kah-loh-ngoh kee teh pah-teh (see-see) ha-kah-loh-ngoh hah-keh-too keh mah-nah-too-ah

When we did all that The sway

fi-ngah yeh-nah

Ke manatua Faiga iena Te luelue Te Malohi Ina hiva

Language

Tokelauan Tokelauan

Tokelauan Tokelauan Tokelauan Tokelauan Tokelauan

teh loo-eh loo-eh

Tokelauan

teh mah-loh-hee ee-nah hee-vah

Tokelauan

Katakata mai

The energy expressed in the dance Smile my way

kah-tah-kah-tah mah-ee

Tokelauan

Hihiva mai

Keep on dancing

hee-hee-vah mah-ee

Tokelauan

Fakalogo ki te Pate

ha-kah-loh-ngoh kee teh pah-teh mah teh loo-eeh-loo-eeh

Hau le ke ta o

Listen to the log drum And keep on swaying Round and round, spinning round and round C’mon let’s go

Hiki mai to lima

Raise your hand

Hau ta hauniga

Let’s get ready

Ko koe tagata e lago ai a'u Lue, lue, lue, lue

I’m relying on you

Ma te luelue Tamilomilo faka tamilomilo

Sway, sway, sway, sway

tah-mee-loh-mee-loh ha-kah tah-mee-loh-mee-loh ha-oo lah keh tah oh hee-kee mah-ee toh lee-mah ha-oo tah ha-ooo-nee-ngah koh koh-eh tah-ngah-tah eh lah-ngo ah-ee ah-oo loo-eh, loo-eh, loo-eh, loo-eh

Tokelauan Tokelauan Tokelauan Tokelauan Tokelauan Tokelauan Tokelauan Tokelauan

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OCEANIC LANGUAGES GUIDE

English Translation #12 – How Far I’ll Go (Reprise) Lyric

OCEANIC LANGUAGES GUIDE

English Phonetic Pronunciation Translation #34 – Song of the Ancestors & #37 – Te Fiti Restored Lyric

Iei ki na Ko matou tenei

It's there where you are Where we are

yeh-ee kee nah koh mah-toh teh-neh-ee

Language

Tokelauan Tokelauan

#36 – Know Who You Are Ou mata e matagi Ou loto mamaina toa Manatu atu Taku pelepele Manatu atu

108

Your eyes so full of wonder Your heart an innocent warrior There’s a task for you Our dearest one There’s a task for you

Disney’s Moana JR.

oh mah-tah eh mah-tah-ngee oh loh-toh mah-mah-ee-nah toh-ah mah-nah-too ah-too tah-coo peh-leh-peh-leh mah-nah-too ah-too

Tokelauan Tokelauan Tokelauan Tokelauan Tokelauan

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In the Beginning… – Music (“We Know the Way”) by Opetaia Foa‘i; Lyrics by Opetaia Foa‘i & Lin-Manuel Miranda; Additional Music (“Prologue” / “Wayfinder Battle” / “Tala Tells Stories”) by Mark Mancina & Dave Metzger Tulou Tagaloa – Music and Lyrics by Opetaia Foa‘i Where You Are (Part 1) – Music (“We Know the Way”) by Opetaia Foa‘i; Lyrics by Opetaia Foa‘i & Lin-Manuel Miranda; Additional Music (“Prologue” / “Wayfinder Battle” / “Tala Tells Stories”) by Mark Mancina & Dave Metzger Gramma Tells Stories Where You Are (Part 2) – Music (“Where You Are” / “More”) by Lin-Manuel Miranda, Opetaia Foa‘i & Mark Mancina; Lyrics by Lin-Manuel Miranda; Additional Music (“Tulou Tagaloa”) by Opetaia Foa‘i, (“Know Who You Are”) by Opetaia Foa‘i, Lin-Manuel Miranda & Mark Mancina, and (“Tala’s Deathbed”) by Mark Mancina & Dave Metzger He Was You – Music (“Where You Are”) by Lin-Manuel Miranda, Opetaia Foa‘i & Mark Mancina How Far I’ll Go – Music and Lyrics by Lin-Manuel Miranda; Additional Music (“Tulou Tagaloa”) by Opetaia Foa‘i, (“Prologue”) by Mark Mancina & Dave Metzger, and (“More”) by Opetaia Foa‘i, Lin-Manuel Miranda & Mark Mancina Big Waves – Music (“How Far I’ll Go”) by Lin-Manuel Miranda We Know the Way – Music by Opetaia Foa‘i; Lyrics by Opetaia Foa‘i & Lin-Manuel Miranda We Know the Way (Playoff) – Music (“We Know the Way”) by Opetaia Foa‘i & (“The Hook”) by Mark Mancina; Lyrics (“We Know the Way”) by Opetaia Foa‘i & Lin-Manuel Miranda Where You Are (Reprise) – Music by Lin-Manuel Miranda, Opetaia Foa‘i, & Mark Mancina; Lyrics by Lin-Manuel Miranda; Additional Music (“Tala Tells Stories” / “Tala’s Deathbed”) by Mark Mancina & Dave Metzger, (“We Know the Way” / “Tulou Tagaloa”) by Opetaia Foa‘i, and (“Know Who You Are” / “Song of the Ancestors”) by Opetaia Foa‘i, Lin-Manuel Miranda & Mark Mancina How Far I’ll Go (Reprise) – Music (“More”) by Opetaia Foa‘i, Lin-Manuel Miranda & Mark Mancina & (“How Far I’ll Go [Reprise]”) by Lin-Manuel Miranda & Mark Mancina; Lyrics by Lin-Manuel Miranda; Additional Music (“Tala Returns”) by Mark Mancina & Dave Metzger Meeting Maui – Music (“How Far I’ll Go”) by Lin-Manuel Miranda You’re Welcome – Music and Lyrics by Lin-Manuel Miranda You’re Welcome (Playoff) – Music by Lin-Manuel Miranda A Little Help – Music (“More”) by Opetaia Foa‘i, Lin-Manuel Miranda & Mark Mancina & (“How Far I’ll Go”) by LinManuel Miranda A Little More Help – Music (“Battle of Wills”) by Mark Mancina & Dave Metzger You’d Be a Hero – Music (“You’re Welcome”) by Lin-Manuel Miranda & (“Know Who You Are”) by Opetaia Foa‘i, Lin-Manuel Miranda & Mark Mancina Warrior Face (Part 1) – Music and Lyrics by Lin-Manuel Miranda Warrior Face (Part 2) – Music and Lyrics by Lin-Manuel Miranda Warrior Face (Part 3) – Music and Lyrics by Lin-Manuel Miranda Warrior Face (Playoff) – Music by Lin-Manuel Miranda Tamatoa’s Reveal – Music (“Shiny”) by Lin-Manuel Miranda & Mark Mancina Shiny (Part1) – Music by Lin-Manuel Miranda & Mark Mancina; Lyrics by Lin-Manuel Miranda Shiny (Part 2) – Music by Lin-Manuel Miranda & Mark Mancina; Lyrics by Lin-Manuel Miranda Shiny (Playoff) – Music by Lin-Manuel Miranda & Mark Mancina; Lyrics by Lin-Manuel Miranda Hook Fizzle #1 – SFX Hook Fizzle #2 – SFX Anything They Could Ever Want – Music (“The Hook” / “Prologue”) by Mark Mancina & Dave Metzger and (“You’re Welcome”) by Lin-Manuel Miranda Warrior Face (Reprise) – Music & Lyrics by Lin-Manuel Miranda / Logo Te Pate* – Music & Lyrics by Opetaia Foa‘i Logo Te Pate (Playoff)* – Music by Opetaia Foa‘i Turn the Canoe Around – Music (“If I Were the Ocean” / “Te Kā Attacks”) by Mark Mancina & Dave Metzger It Chose Wrong – Music (“Maui Leaves”) by Mark Mancina & Dave Metzger Song of the Ancestors – Music by Lin-Manuel Miranda, Opetaia Foa‘i & Mark Mancina; Lyrics by Lin-Manuel Miranda & Opetaia Foa‘i; Additional Music (“Heartache” / “Tala Returns” / “The Hook”) by Mark Mancina & Dave Metzger Wayfinder Battle – Music (“Sails to Te Fiti” / “Shiny Heart”) by Mark Mancina & Dave Metzger Know Who You Are – Music by Opetaia Foa‘i, Lin-Manuel Miranda & Mark Mancina; Lyrics by Opetaia Foa‘i & Lin-Manuel Miranda Te Fiti Restored – Music by Mark Mancina, Dave Metzger & Lin-Manuel Miranda; Lyrics by Opetaia Foa‘i Tulou Tagaloa (Reprise) – Music (“Voyager Tagaloa”) by Mark Mancina, Dave Metzger & Opetaia Foa‘i; Lyrics by Opetaia Foa‘i; Additional Music (“Toe Feiloa’i”) by Mark Mancina & Dave Metzger and (“How Far I’ll Go”) by LinManuel Miranda We Know the Way (Finale) – Music by Opetaia Foa‘i; Lyrics by Opetaia Foa‘i & Lin-Manuel Miranda Bows – Music & Lyrics (“You’re Welcome”) by Lin-Manuel Miranda Exit Music – Music (“Warrior Face” / “How Far I’ll Go”) by Lin-Manuel Miranda

All songs © 2016 Walt Disney Music Company (ASCAP) / Wonderland Music Company, Inc. (BMI) except songs 2, 8, 9, 13, 14, 15, 19, 20, 21, 22, 30, 39, 40, 41 (© 2016 Walt Disney Music Company [ASCAP]) and “Logo Te Pate” ([songs 30 and 31] Published by Opetaia Foa‘i [APRA/AMCOS], courtesy of Warm Earth Records / Spirit of Play Productions, administered by Walt Disney Music Company [ASCAP]).

Music Theatre International • Broadway Junior® • Actor’s Script 109

SHOW GLOSSARY CREDITS & COPYRIGHTS

Credits & Copyrights

CREDITSSHOW & COPYRIGHTS GLOSSARY

ShowKit® Content Ky’Lend Adams, Marissa Bendit, Caley Beretta, Clayton Daniel Briggs, Ken Cerniglia, Lauren Chapman, Matt Hagmeier Curtis, Andrew Hanley, Julie Haverkate, Pearl Hodiwala, Sarah Kenny, Natalie Lall, Rachel Lee, Janette Martinez, Colleen McCormack, Lisa Mitchell, David Redman Scott, Henry Tisch Designers Eric Emch, Taryn Murray Special Thanks David Chase, Dionne Fonoti, Kaliko Hurley, Noelani Jessica Kamalu, Dave Metzger, Gerald Ramsey, Benny Reiner, Sonja Swenson Rogers, Osnat Shurer

The Broadway Junior® Concept and Format created by Music Theatre International (MTI) Find a complete list of Broadway Junior® musicals at mtishows.com/broadway-junior.

School Edition and full-length musicals may be found at mtishows.com.

Disney stage titles may be found at DisneyTheatricalLicensing.com.

@DisneyMusicals

@DisneyOnYourStage

Disney’s Moana JR. Actor’s Script © 2020 Music and Lyrics © 2016 Walt Disney Music Company (ASCAP) / Wonderland Music Company, Inc. (BMI) / Spirit of Play Production (ASCAP). All rights reserved. Used by permission.

Script and all other Moana materials © 2020 Disney. Unauthorized duplication is prohibited by law.

Moana JR. and Disney’s Moana JR. are trademarks of Disney Enterprises, Inc. All rights reserved.

Broadway Junior, Family Matters, and ShowKit are registered trademarks of Music Theatre International.

All rights reserved. Unauthorized duplication and use is prohibited.

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Disney’s Moana JR.