Undergraduate Portfolio

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M E G A N P A V L O W S K I UNDERGRADUATE PORTFOLIO

MP

EDUCATION

941 Throop Street, Dunmore PA 18512

mmpavlowski@m.marywood.edu

pavlowskimegan@gmail.com

(570) 815 - 2475

Marywood University - August 2019 - May 2024

Bachelor of Architecture, Minor in Sustainable Design GPA 3.86

Relevant Courses:

Design Studio I - X, Environmental Systems I & II, Global Urban Ecologies I & II, Structures I & II History of Architecture I & II, Community Design Build, Public Design, and Building Assemblies

ISI Florence - September 2021 - December 2021

Study Abroad in Florence, Italy

Dunmore High School - August 2015 - June 2019

PROFESSIONAL EXPERIENCE

Allied Services Integrated Health System

Occupational Therapy Aide - June 2022 - August 2023

Transported patients and coordinated schedules to ensure best care possible. Assisted with therapy workouts and activities with patients in preparation of their discharge.

Covid-19 Screener - March 2020 - June 2022

Administered temperature checks for employees and visitors who entered and exited the various rehabilitation centers and other facilities during the Covid-19 pandemic.

Student Aide - December 2019 - March 2020

Answered phone calls and filed paperwork to ensure the best patient care possible at the human resources front desk.

MEGAN PAVLOWSKI

ARCHITECTURE EXPERIENCE

WKL Architecture

Student Internship - May 2023 - Current

Supported the design team in creating schematic drawings, concept presentations, and design development documents using softwares and graphic design tools. Assisted in the creation of digital models, renderings, and visualizations, helping to communicate design concepts effectively to clients and stakeholders while honing skills in design software and presentation techniques.

DX Dempsey Architecture

Student Shadow - April 2018 - August 2018

Analyzed and examined the daily routine of an architect for over 40 hours.

KEY SKILLS

Ambitious and dedicated architecture student with a desire to create detailed 2D and 3D technical images while solving complex design and sustainability issues. Passion and talent for contributing to a team by effectively expressing individual creativity. Eager to grow professionally utilizing the educational foundation obtained and collaborate with colleagues and higher-level decision-makers.

• Revit

• Rhino

• AutoCAD

• SketchUP

• Enscape

• Adobe InDesign

• Adobe Illustrator

• Adobe Photoshop

• Adobe Acrobat

• Microsoft Office

• Problem Solving

• Critical Thinking

• Attention to detail and precision in design execution

HONORS & ACHIEVEMENTS

• Delta Epsilon Sigma National Scholastic Honor Society

• Time Management

• Adaptability and willingness to learn new tools and techniques

• Tau Sigma Delta National Honor Society in Architecture and Allied Arts

• Tau Sigma Delta President and Mentor

• Deans List 2019 - 2024

• AIA NEPA Scholarship Recipient

• Jacobsian Scholar

• Living City Lab Ambassador

• Solar Decathlon Associate

• Community Design Build Member

TABLE OF CONTENTS

01

Community / University Chapel Spring 2023

Pages 6 - 9

University Dormitory Fall 2022

Pages 10 - 13

University Research Facility Fall 2021

Pages 14 - 15

02 03
CHAPEL OF REFLECTION ROYAL HALL OTTICA ILLUSION

04

Entry Sequence

GARDEN OF CEDAR

Community Garden

Spring 2023 - Current

Pages 16 - 17

05

UNITY

Cultural Winery

Fall 2023 - Current Pages 18 - 19

06

PHYSICAL MODELING

Collective Fall 2019 - Spring 2023

Pages 20 - 21

CHAPEL OF REFLECTION

The Chapel of Reflection is intended for the University of Scranton campus, and can be utilized by their students, faculty, staff, and citizens of Scranton. The formal gathering space, which is roughly 1,200 square feet, can accommodate a total of 808 people, as well as areas for handicap accessible seating. The chapel contains public restrooms, formal gathering space, mechanical room, storage room, and a sacristy. The addition of the reflection pool was designed to reflect the landscape and surrounding elements throughout the area. The main purpose of the pool is to create an attractive element for visitors to interact with, as well as reflect, pray, think, and relax. The use of a water element is also added throughout the interior of the chapel with holy water fonts. These can be utilized by incoming visitors.

LOCATION: Scranton, Pennsylvania

PROGRAMS: Revit, Enscape, Illustrator, Photoshop

YEAR COMPLETED: Spring, 2023

PROJECT TYPE: Community / University Chapel

01 6 | Chapel of Reflection
Form Diagram
7 | Chapel of Reflection

1. Front Lobby

2. Public Restrooms

3. Stoup

4. Nave

5. Chancel

6. Alter

7. Pulpit

8. Mechanical Room

9. The Sacristy

10. Rear Lobby

The exterior of the chapel utilizes a light tan brick and glass, to match the previous design of the dormitory on the site. The columns found in the front of the structure are a black non-galvanized steel. The stepped roof allows for the entrance of natural light to cascade throughout the interior of the chapel. This grants visitors the opportunity to have a natural lit space, while refraining from the use of harsh overhead lighting.

8 | Chapel of Reflection
South Elevation West Elevation Section 01 Section 02 Floor Plan

The interior of the chapel utilizes a combination of wood acoustic panel walls with beams of light cascading out. The addition of these elements were added for aesthetic purposes, but also as an addition to the idea of reflection and light.

9 | Chapel of Reflection

02

ROYAL HALL

This dormitory is intended for the University of Scranton students, and can house a total of 257 students. It contains a total of 73 living units from the second floor to the ninth floor. The first floor is open to the of the University and consists of a cafe, dining area, private study rooms, public restrooms, and two laundry facilities containing 30 washers and 30 dryers, in each, for the students residing in Royal Hall. The “lookout” spaces on floors seven and ten are intended lounge and study areas for residents to utilize, while also being able to view the city from a new perspective. The courtyard space is designed for the students use, and to have full rein of the space for dining, studying, relaxing, etc. All room typologies include many amenities including private bedrooms, bathrooms, kitchenette, dining table, and living room. The individual bedrooms house twin xl beds, a desk, and a closet for the students personal use. The kitchenette consists of a refrigerator, microwave, stove, oven, and plenty of cabinets and drawers.

LOCATION: Scranton, Pennsylvania

PROGRAMS: Revit, Enscape, Illustrator, Photoshop

YEAR COMPLETED: Fall, 2022

PROJECT TYPE: University Dormitory

10 | Royal Hall
Typologies Four Student Suite: 25’ x 50’ / 1,250 sqft
Room
11 | Royal Hall
25’ x 25’ / 625 sqft 25’ x 50’ / 1,250 sqft 25’ x 50’ / 1,250 sqft

The “cutouts” to the structure are intended to allow for natural light and ventilation to occur throughout the dormitory. The “stacked” concept of the structure allows for sun shading throughout particular seasons. This allows for passive design strategies to be implemented ensuring the reduction of artificial heating and cooling.

South Elevation

North Elevation

12 | Royal Hall

The ground floor possesses a glass exterior, this is to give a“floating” effect on the nine floors above. The facade of the upper levels consists of a brick exterior with metal studs, to allow for a connection to the many other structures on the University’s campus. The facades facing the courtyard are glass, to allow for students to have a connection to the outdoors, while remaining indoors.

13 | Royal Hall

03

OTTICA ILLUSION

Nestled within the historic Piazza della Signoria, teeming with landmarks and rich cultural heritage, this project unfolded against the backdrop of Florence’s architectural splendor. Collaborating in pairs, students undertook the challenge of designing a modern incarnation of the Palazzo for the city. Our focus honed in on the Palazzo delle Assicurazioni Giovanni, situated within the bustling square, where it was reimagined as an institution tailored to college students exploring the nuances of optics. Commissioned by Leonardo Del Vecchio, the visionary behind Luxottica, a global eyewear conglomerate boasting brands like Chanel, RayBan, and Oakley, this project served as an educational nexus, allowing students to delve into both the science of optics and the entrepreneurial journey behind Luxottica’s iconic eyewear. With meticulous attention to detail, the repurposed building was designed to offer versatile spaces for work, study, collaboration, and contemplation, fostering an environment conducive to academic growth and innovation.

Individual Contribution: Model, Drawings, and Renderings

Collaborated with: Piper Johnson

LOCATION: Florence, Italy

PROGRAMS: Rhino, AutoCAD, Illustrator, Photoshop

YEAR COMPLETED: Fall, 2021

PROJECT TYPE: University Research Facility

0 10 20

14 | Ottica Illusion
Plan: Level 06
Floor
15 | Ottica Illusion 0 2 4
Section South Elevation

04

GARDEN OF CEDAR

The Design Build team was tasked with creating enhancements for the newly established Garden of Cedar, situated in South Scranton. Our designs aim to enrich the garden’s identity, fostering a strong sense of community through thoughtful additions. Emphasizing functionality, movement, life, prominence, and togetherness, our proposals seamlessly integrate with existing elements while amplifying community engagement. Our ultimate objective is to not only elevate the site’s aesthetic quality but also cultivate a tangible embodiment of community spirit, promoting connection and interaction among visitors and local residents alike.

Individual Contribution: Digital Modeling, Renderings, and Designs of Front Entrance and Vertical Planters

Collaborated with: Design Build Team

LOCATION: Scranton, Pennsylvania

PROGRAMS: Rhino, AutoCAD, Enscape, Photoshop

YEAR COMPLETED: Spring, 2023 - Current

PROJECT TYPE: Community Garden

16 | Garden of Cedar
View of Vertical Planters
17 | Garden of Cedar
View of Front Entrance

05

UNITY

“Unity” represents the culmination of a year-long capstone endeavor, exploring the intersection of wine and architecture. The project marks the initial stages of a submission for an esteemed international architectural competition, aiming to conceive and design a multifunctional addition integrated harmoniously with the surrounding context. Encompassing various programs such as tasting rooms, a reception hall, a restaurant, and gallery spaces, the vision caters to the diverse experiences associated with wine culture. Situated amidst three existing structures, the design approach prioritizes seamless integration while honoring the rich heritage of Italian wine country. With a focus on preserving the site’s cultural roots, the design seeks to establish meaningful connections with the existing architectural fabric, fostering a harmonious dialogue between tradition and innovation. Through meticulous attention to detail and a commitment to authenticity, the endeavor aims to create a captivating destination that enhances functionality and celebrates the essence of conviviality and community, inviting visitors on an immersive journey through the enchanting world of wine.

LOCATION: Tuscany, Italy

PROGRAMS: Revit, Enscape, Illustrator, Photoshop

YEAR COMPLETED: Fall, 2023 - Current

PROJECT TYPE: Multi-Functional Winery Addition

18 | Unity
Entry Sequence Entry Sequence Interior Spaces Transition Spaces Site Integration Entry Sequence Interior Spaces Transition Spaces

Restaurant

Kitchen

Viewing Area

Restrooms

Service Area

Reception Hall

Store

Tasting Room

Offices

Circulation

Vineyards

Roads

Existing Buildings

19 | Unity

06

PHYSICAL MODELS

Physical modeling is of paramount importance for aspiring architects, providing a tangible platform to explore and enhance design concepts. Unlike digital softwares, physical models allow architects to interact directly with their designs, fostering a deeper understanding of spatial relationships, materiality, and scale. Through hands-on manipulation of materials and observation of light and shadow dynamics, architects gain valuable insights and refine their designs iteratively. Additionally, physical models serve as potent communication tools, enabling architects to convey their ideas effectively to clients, stakeholders, and collaborators. Ultimately, physical modeling acts as a catalyst for creativity and innovation in architectural practice, empowering architects to push design boundaries and craft impactful built environments.

Comprehensive Model Design Studio I | Fall 2019

The model was assembled with concrete, wood, cardboard, and paper. The design of this particular model was developed from a series of diagrams, models, and drawings from the analysis of the song “Lose Yourself” by Eminem.

Detailed Model Design Studio I | Fall 2019

Crafted through the manipulation of wood, cardboard, and paper, the model embodies the culmination of iterative design processes. Its conception stems from a series of models and diagrams developed throughout the semester.

20 | Physical Models

The Lawn of Spruce Street

Design Studio VI | Spring 2022

The model was crafted utilizing chipboard and cardboard. It is a scaled model of the dormitory designed for the University of Pennsylvania.

Archeology Museum

Art & Craft of Building | Fall 2023

Fashioned from chipboard and cardboard, this model represents a scaled rendition of the Archeology Museum in Spain, designed by Francisco Mangado.

Collaborated with: Piper Johnson

21 | Physical Models
M E G A N P A V L O W S K I mmpavlowski@m.marywood.edu (570) 815 - 2475

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