LEGISLATIVE AND REGULATIVE DIMENSION OF INTERIOR DESIGN
ThisassignmentintroducesstudentstotheProfessionalConductandPracticestandards expected of Interior Designers registered with the Board of Architects (Lembaga Arkitek Malaysia). It emphasizes the importance of understanding contractual, professional, and legislative terms used in interactions with clients, contractors, peers, authorities, and the public.StudentswillreferencekeydocumentssuchastheArchitectsAct1967,Architects Rules 1996, Uniform Building By-Laws 1984, PAM/MIID Contracts, and other relevant regulations.
Legislative and regulation dimension of interior design
KNOWLEDGE EXCHANGE FORUM AND PDW
SUMMARY
Thistaskistoencouragemoredemocraticexchangeswherebyintheonlineforum,each student has a voice that will be heard by anyone who chooses to read his or her comments. Students will experience personal and academic gains as result of their communication with their peers. The goal is for the students to gain professional interchange, and seek out ideas among their colleagues through electronic communicationtofacilitatetheprocess.
WEBMINAR
WEBMINAR
Professional Development Week is an opportunity to engage in various seminars, learn new skills, and expand knowledge for academic and career growth.
SUMMARY OF PDW
Out of all the talks I attended at PDW, the one by Graph Studio stood out the most. Derrik’s journey to becoming a director and his unique approach to work was fascinating. What really made it memorable was how he applied his own "treatment" method to the talk itself, making it flow smoothlyandkeepingusengagedthroughout.
I loved how he explained the importance of a treatment when pitching ideas to agencies or clients. It’s not just a script or proposal—it’s a story that brings the concept to life.Astrongtreatmentbuildsexcitement,earnstrust,and gets everyone on the same page even before a storyboard comesintoplay.Theideaofaddingapersonaltouch,likea director’s note, to make the pitch more authentic and relatablewassomethingIhadn’tthoughtaboutbefore.
The examples he shared were so creative! He even brought Hong Kong movie vibes into a Grab ad, adding coolculturalreferencesthatmadeitstandout.
One takeaway that really stuck with me was his advice to tailor treatments to the client’s goals—whether focusing on strong storytelling or striking visuals—and to build on a client’sideaevenifitinitiallyseemsodd.
It made me reflect on how I approach pitching ideas and the value of being adaptable and creative in thosemoments.Overall,itwasn’tjustinspiringbutalsogavemepracticalinsightsIcanapplytomyown creativeprocess.
Besides, Johnny's Metro Design Improvement Proposal is such an inspiring idea! It’s amazing how much potential there is to transformsomethingasfunctionalasametrosystemintoamore warm and human-centered experience. Here’s how I see it comingtolife.
For me, why not bring in traditional Malaysian crafts, like Kedah’s wood carving or Terengganu’s weaving, into the station designs? Imagine each stop telling its own cultural story—it could feel like stepping into a mini-exhibit. Maybe even experiment with sustainable materials like coconut fiber for walls or flooring—it’d feel so much more inviting.Stations could feature small displays or exhibits about local culture. Add greenery or cool art installations in waiting areas for a more relaxed vibe.Keep the metro branding consistent, but let each station stand out with its uniquedesign,kindoflikeTaiwan’sCircularLine.It’sawin-winfor function,culture,andsustainability.
FUTURE PRACTICES (FORMATION OF IDCP)
This assignment challenges students to reimagine and reconceptualize the ideal architectural practice of the future. Participants will address common challenges faced by architects and designers, proposing innovative solutions and business models. By critically evaluating data from Project 1, students will refine their vision and mission for establishingtheirdesigncompanywithinadefinedbusinesscontext.
Through reflection on actions and applied learning, students will gain clarity in adopting effectivebusinesspracticesfortheirfutureendeavors.
JIB INTERIOR DESIGN SDN. BHD.
VIDEO SCREENSHOTS
BY-LAW APPLICATION AND PREREQUISITES FOR BUILDING PLAN SUBMISSION
This assignment allows students to apply their knowledge gained in Project 1 into their individual projects in AIAD2. Each regulatory, legislative, and technical provision must be illustrated into an informative report presentation with dimensions, drawings (including isometrics) and materials where necessary. Students will be assessed based on their abilitytoexplainandapplyknowledgeandunderstandingtotheirFinalAIAD2Project.
This exercise serves as a working paper for AIAD. Students’ design shall not change or be influenced by the laws due to both module’s time constrain factor, instead, it acts as an overall guideline to address the next forthcoming steps before finalizing the building plans. Thus, students are asked to identify non-compliance by marking an (x) and describing the next course of action for design rectification. This rigorous process is essentialtoensurecompliancewiththelawbeforethedrawingscanbesubmittedtothe LocalAuthority.
ASSIGNMENT 4
The “RE-Mù” project, set within the historically rich Concubine bar in Lorong Panggung, addresses a pressing and long-standing issue in Petaling Street: the accumulation of discarded wood. Over time, large wooden pieces are often left to decay, contributing to environmental degradation and urban waste. To confront this challenge, RE-Mù focuses on collecting and repurposing this discarded wood, giving it new life by transforming it into art and functional installations. This approach not only reduces wood waste but also emphasizes the broader ecological and cultural importance of wood in Kuala Lumpur’s urban landscape, especially in historically significantareaslikePetalingStreet.
Concubine bar, known for its adaptive reuse of historical wooden structures,embodiestheRE-Mùproject’sphilosophyofpreservation and sustainability. This location was chosen for its rich history and recent transformation into a lively bar district, where the preservation of original wooden elements aligns with RE-Mù’s goals. By placing the project in a space that respects these historical structures,RE-Mùhighlightstheideaofgivingoldmaterialsnewlife.
