The Prep March 15, 2017

Page 1

Loyola Academy Jesuit College Preparatory School

The Loyola Academy Prep Wednesday, March 15, 2017 A.M.D.G.

Volume J Issue VII

www.goramblers.org

Musical Urinetown is Number One Jake Jalloway Junior Writer It is that time of the year again for Loyola’s theater department to put on their annual musical. This year’s production is Urinetown: The Musical. The story follows the rebellious Bobby Strong (a dashing twenty-something who works as the assistant custodian for the town’s local amenity) as he sees the shape and state of his town, and becomes sympathetic with his fellow citizens as he begins to question this so-called “privilege to pee.” America has been facing a 20 year long drought, and in an effort to conserve what is left of the water supply the government votes to outlaw private bathrooms, and privatize the bathroom industry. In other words, in order to use the bathroom, one must use the public restroom and pay a hefty tax each time they choose to relieve themselves, sending almost everyone into extreme poverty throughout the country. Those who fail to comply with the laws are exiled to the mysterious city that the country has come to know as “Urinetown.” Along the way, Bobby Strong (played by freshman Logan Aldrich) meets a charming young lady by the name of Hope Cladwell (played by senior Helen Krizmen), and they quickly fall in love with each other. Bobby then begins a revolution in an effort to protect the basic human dignity of being able to use the bathroom without having to pay taxes each time one does. The play is a very well

What’s Inside?

The people of Urinetown, led by rebel Bobby Strong, played by Logan Aldrich, protest against the government’s restrictions on their right to use water and the restroom. This musical satire is sure to delight the Loyola community. Photo Courtesy Nina Wetoska

written satire involving elements of basic human rights, privatization, greed, and monopolizing corporations. After a country is facing major economic decline, and an overwhelming depression, a large corporation decides to take over and use those who are suffering to their advantage. There are politicians who are being paid off to allow the companies to be unregulated, and make as many rules as they see fit. The play then follows the element of denying those who are on the bottom of our society their basic human rights (such as being able to use the bathroom). If we keep allowing those on the top of our society to take advantage of the poor and those who are struggling facing poverty, they will keep pushing and infringing further and further on their human rights. And eventually, they will be forced to pay

absurd taxes to use the bathroom, and most won’t be able to afford to use it, resulting in mass poverty and the disrespect of other humans. The show poses the audience with this question of “How much of our humanity are we going to allow those in power to deny us before we stand up and say enough is enough?” When asked why she thinks the poor allowed for themselves to be abused to the extent they face in the first place, junior Elena Kittle-Kamp (Josephine Strong) stated “I think that the people in the country allowed the situation to become that dire because the poor people were promised that all these laws and different taxes would solve the crisis at hand and it didn’t, so by the time that they realized that the problem needed a different solution it was too late. I think the rich people in the story saw a problem and

exploited it, which happens constantly now, i.e. people who share pictures of starving children in poorer countries but don’t do anything to help them. I really don’t think there was much the citizens could have done to prevent the situation. As the saying goes, desperate times call for desperate measures and people were so afraid of dying that they jumped to the extreme.” The musical also shows what happens when those revolting become violent, and lust for vengeance. Senior Emma Skowron (Little Becky) says “I think we want to feel in control of our lives and wanting to kill someone out of vengeance is the rebel’s way of doing it, even if it’s not the best way to go about it. For me, I see it as symbolic of how oppression can really take over people’s lives, and how the oppressors have complete control over issues

that aren’t close enough to their hearts for them to fully understand the pain and struggle those who are being oppressed are going through.” Overall, the show is extremely witty, and has a large satirical basis. Junior Tessa Volpe (Mrs. Millennium) says “By seeing Urinetown, the audience will grasp an understanding of what our world could turn out to be if we aren’t careful with how we use our natural resources.” Audiences certainly enjoyed themselves opening weekend. You still have a chance to enjoy the Loyola’s production of Urinetown this coming weekend, March 17, 18, and 19. Tickets are available at www.seatyoueself.biz/goramblers.

Immigration Policy page 3

French Elections page 4

New Planets page 5

Spring Training page 7


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.
The Prep March 15, 2017 by Loyola Academy - Issuu