• Mentorica / Mentor: doc. Jana Mršnik • Fakulteta za dizajn, pridružena članica Univerze na Primorskem / Faculty of Design, associate member of the University of Primorska • 14 trakov / stripes 40 cm x 200 cm • digitalni tisk na papir / digital print on paper
Valentina Kolander, Nadja Arhar, Aleksandra Lazič, Manca Udovič, Lan Krebs, Pia Šilec, Nagaya Florjan Gorjup, Meta Rogelj, Tjaša Podhraški, Lucija Lončar, Nina Nagode, Tamara Zorman, Teja Kovič Tekstilni vzorec v prostoru / Textile pattern in space (2021) Študenti so znotraj krovne teme Transformation, ki se nanaša na savski otok (Majdičev log) raziskovali tekstilni vzorec. Izhajali so iz fotografij naravnega in urbanega okolja Kranja, njihove elemente pa preko ročne risbe, njene digitalizacije in uporabe računalniških programov prevajali v različne ploskovne likovne kompozicije.
Students researched a textile pattern within the theme Transformation, which refers to the Sava island (Majdič grove). They based their patterns on photographs of the natural and urban environment of Kranj. Elements were translated into various surface art compositions through hand drawing, its digitization and the use of computer programs.
Večinoma izhajajoč iz vizualnih elementov vode – Save, Kokre ter okoliškega rastlinja so vzorci prvenstveno namenjeni za uporabo v interierju. Nastale likovne kompozicije so rezultat individualnih in povsem osebnih pristopov k oblikovanju vzorca. Vsak študent je na sebi lasten način interpretiral elemente in vsebine tega pomembnega dela Kranja, ki je bil v svoji zgodovini deležen številnih vizualnih in vsebinskih preobrazb.
Mostly based on the visual elements of water – Sava, Kokra and the surrounding vegetation, the samples are primarily intended for indoor use. The resulting art compositions are the result of individual and completely personal approaches to pattern design. Each student interpreted the elements and contents of this important part of Kranj in his own way, which has undergone many visual and content transformations in its history.
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