lina helal

DR. MARIAM MAREI LINA HELAL

PENCIL RENDERING

Assignment: Render a single object in pencil.

Darker shades added to create contrast between contents inside and outside the bottle. Simple geometric shapes were rendered before, to visualize the shape of Listerine. Also, to draw the lid and body.

Hatching and Smudging were used here

REFLECTION

1. Background should have been added to support the subject of the drawing, so that the object is not "floating".

2. Surface of the object seems a little light overall, darkening the lines of the label ( to show the contents inside better) was needed.

PENCIL SKET

To show a source of light di shining on the items, lighte of pencil were used.

Extra lines added to presen surface (using soft strokes)

EFLECTION

rve appears distorted, since s to be more round than adow is inaccurate because ion shouldn't be visible. e and the neck of the vase n shown.

INTERIOR / EXTERIOR

REFLECTION

1. More contrast in shading is needed in order to make the drawing clearer.

2. Better to draw from a different perspective. This could be done by choosing to focus on smaller details.

Use of cross-hatching technique to create tonal effect.

IV INTRO TO COLORS

Use of regular black p details necessary, to l realistic.

REFLECT

1. Although details wer have been better if the t colored (to increase real

2. Background could be natural touch.

ghter shades of navy blue e used at the edges in order resent a difference in planes

REFLECTION

o much Ink was used in the final m box, as details of the perfume really showing.

okes of golden ink could have been to produce the actual color of the hee eft box).

V MARKERS

REFLEC

1. Too much ink was drawing a bit too hars be used for large spac added to give more de

2. Blocks on the right, in the drawing which life.

3. More details after th added in order to mak more realistic.

Several shades of markers and ink were used to make this effect.

REFLECTION

n a couple of other corn kernels er give contrast.

is part was done by using cross ching as the main technique.

VI INTRO TO PERSPECTIVE

Assignment: Interior perspective rendered in Watercolor and Ink

Points Taken into Cons

1. Brick walls look distorted that they do not align with th perspective.

2. More neutral colors are ne

REFLECTION

s on the floor are not drawn ly according to the laws of ctive. more Ink to the cabinets/ island to ention to small yet important s and the fridge needed to be ed to give a more realistic view to wing.

VII PERSPECTIVE CONT.

REFLECTION

1. The shades are very dark, m more water should be added, decrease the intensity of color

2. Balcony needed to be smalle it's distance from the campus

Darker shades of brown are placed to contrast the beige in the drawing

REFLECTION

1. Not much contrast is made between the arc and the buildings behind. To improve such, darker shades could be placed at the back.

2. Additional objects could have been added to make the drawing realistic.

VIII SHADE AND SHADOW

REFLECTIO

1. Shadow of the circle is dr inaccurately. To improve it, must be smaller and drawn d the circle.

2. Source of light is drawn in direction, as it seems like the of the wall which is not the c

Different shapes were drawn to practice all types.

Drawn from an angle to make the scene less basic

REFLECTION

1. Source of light could have appeared to be more natural, by using watercolor.

2. Background needed to be darker to differentiate between the marble ground and wall.

ORTHOGONAL DRAWINGS

Drawn from an angle to make the scene less basic and Grey colors are used

REFLECTION

e drop shadow is needed in the on view, especially for the couches ats. e colors from the color wheel were to further increase intensity.

SULTAN HASSAN MOSQUE

Assignment: To draw perception of Sultan Hassan Mosque via sketches and keywords on an A2 board.

ed by he

Used Architectural terms/ common words to relate understanding to learning.

Blue represents the sky.

Drawn from an angle to make the scene less basic

REFLECTION

1. Much negative space exists making the project seem empty.

2. More scenes of the mosques could have been used to contribute to the keywords.

3. Darker shades within the project were needed.

XI FINAL PROJECT PREPARATION

INSPIRATION

Media: Watercolor and regular coloring pencils

PLAN

Rooms at the end of the hotel will be placed last

Layers will also arise from here.

Inspired by the hotel, the project will have parts that will open and close The journey begins with the steps.

Step 1 of the process represents experimenting colors

INSPIRATION

XII

MARRIOTT ZAMALEK

Assignment: Present a walking in experience of your choice on A1 board or an equivalent.

FRONT VIEW

Represents the architecture of Marriott Hotel in Zamaleks

The project will open to reveal the internal aspects and begin the journey of walking through it

Names of the rooms within the hotel

INTERNAL VIEW

Main entrance which takes visitors to both the left and right wings

Drawn from an angle to make the scene less basic

REFLECTION

1. It would have been better to add details in Aida's foyer's drawing, to make the scene a little more realistic.

2. Plants could have been added to the hotel entrance (stairs).