The “Rilindja” Media House building, was one of the victims of this process, its architecture, program and history were altered, it lost its importance, and as a result, a huge part of the architectural and historical heritage of Kosovo was erased.
These aspects introduced two key questions for the project: how a disfigured building in the city of Pristina can be transformed into an active social intersection between the city and its citizens? and how does the present situation affect the memory of the past?