Bill Nebeker
M aking T hem P roud By Myrna Zanetell
The Wonder of it All, bronze, 26” high by 16” wide “America and cowboys: The words are synonymous. The cowboy has been the symbol of American independence, individuality, self-determination, the work ethic, and ‘his word is his bond’ for more than 150 years. They gained notoriety during the great longhorn cattle drives across the West and became heroic figures because of those exploits. Opening up the West for settlement gave the cowboy freedom to pursue his dreams of owning land, and he worked hard to secure those dreams. I wanted to honor this cowboy, who stands in awe, overlooking the grandeur of his ranch, as he gives thanks to the good Lord for life, liberty, the land, and his family. This rancher remembers the generations before him who worked hard, raised the cattle, and helped build America into the greatest nation on earth—and he ponders the wonder of it all.”
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Season of the Buffalo, bronze, 21” high by 31” wide rtistic talent cannot be taught; rather it is birthed by a passion that lies deep “Imagine you are on the Great Plains more than 200 years ago and come upon this scene: Southern Cheyenne scouts have reported the sighting of a large herd of buffalo. Their camp within the heart and soul. There is no comes alive with songs of the hunt to come. Warriors are sharpening their arrows and more shining example of this truism than preparing their bows. They are catching their best buffalo ponies and preparing them for reflecting on the prolific oeuvre created by the hunt by painting circles around each eye to give power to the horse’s vision and have Arizona-based sculptor Bill Nebeker during painted butterflies on each shoulder to give the ponies the ability to dart and dive, as they chase the buffalo, which keeps them away from danger. Hawk feathers have been tied to an amazing career that has spanned nearly the ponies’ tails to give them swiftness. The hunt is on; it is the season of the buffalo, the four decades. giver of life.” Born November 13, 1942, in Twin Falls, Idaho, Nebeker’s early values were shaped by life in the small ranching and farming community. Although he spent many youthful hours whittling images of dogs, horses, miniature saddles, and even small sailing ships from unused wood he found on the family farm, he simply looked on this pursuit as a hobby. “I wasn’t one of those guys who was born knowing he was going to be an artist,” Nebeker says. “I was just good with my hands.” His family moved to Prescott, Arizona, in the 1950s where Nebeker melded into the local ranching lifestyle, purchasing a horse and teaching himself the skill of roping. After high school, still uncertain about his future, he spent a year at the University of Arizona in Tucson. The following year, he transferred to the University of Northern Arizona in Flagstaff where, through the world of college rodeo, he began to gain insights into the lifestyle he was seeking. However, the last pieces of the puzzle would not fall into place until Nebeker returned to Prescott in 1963 and accepted a job surveying roads and trails for the Prescott National Forest. The following year he proposed to his high school sweetheart, Merry Harkins. It was during that same period that his parents took him to an exhibition of work by a local artist—renowned sculptor George Phippen. That experience was so electrifying that Nebeker immediately realized sculpting was the way he wanted to earn his living.
November/December 2013• ART of the WEST