Sunday, 30th April – 2.30pm & 6.30pm




Bunjil Place, Narre Warren









Sunday, 30th April – 2.30pm & 6.30pm
Bunjil Place, Narre Warren
Casey Philharmonic Orchestra is a young, innovative and vibrant amateur community orchestra based in the City of Casey. We held our first rehearsal in June 2017, and performed at the opening of Bunjil Place, Narre Warren – now our principal performance venue - in October the same year. Now in our sixth year CPO continues to provide extraordinary opportunities for amateur musicians in Melbourne’s outer south-east. We strongly value building collaborative relationships with other local arts organisations, and we pride ourselves on performing orchestral music of the highest calibre for the enjoyment of our audiences and musicians alike.
CPO is delighted to welcome you to the first concert of our 2023 Season, ‘Stolen Works of Art’. In this unique multimedia presentation, we will explore many of the world’s greatest pieces of classical music that have been stolen for use in advertising, TV and film over the years. We will also be testing the knowledge of our audience in a simple, interactive quiz – how quickly can you match the work with the visual content it featured in? Sit back and enjoy our festival of misappropriated music - episodes of nostalgia, trips down memory lane and ear worms are guaranteed!
As a volunteer-run, not-for-profit organisation, we are reliant on the generous support of individuals, groups, councils, businesses and organisations. This support allows us to continue to enrich the arts community within the City of Casey and beyond. Here are a few ways that you can help Your CPO!
• Follow, like, comment and share our social media
• Encourage your family and friends to attend our concerts
• Make a tax-deductible donation or a purchase in our on-line store
• Take your support to the next level and become a Friend of the CPO
To find out more, please contact us via email at caseyphilharmonic@gmail.com or visit www.cpo.org.au
Excerpts from more than 20 classical music favourites used in film, TV and advertising!
As part of the performance today we will be running a Kahoot!, an on-line multiple-choice quiz. You’ll notice that five of the works listed in this programme (marked with a ) do not divulge the movie, TV show or ad they featured in –these are the pieces that will be part of our quiz. Think you know what they were stolen for? The first 100 audience members to click the link below and enter the Game PIN (when we release it to you) can join in the fun!
“In 2005, my face was analysed by emotion recognition software and found to be 9% disgusted, 2% angry, 6% fearful and only 83% happy…
…but you’ll be 100% happy if you win a prize in CPO’s Kahoot! Quiz!!!”
https://kahoot.it/
Richard Strauss
Also Sprach Zarathustra
Stolen for use in: 2001: A SPACE ODYSSEY
Aram Khachaturian
Adagio from Spartacus
Stolen for use in: THE ONEDIN LINE
PHILIPS TVS $
Ludwig van Beethoven
Symphony No.6, fifth movement
Stolen for use in: TWEED PERFUME $
Pyotr Ilyich Tchaikovsky
Finale from 1812 Overture
Stolen for use in: THE KING’S MAN
AUSTRALIAN ARMY RESERVE $
Johann Pachelbel
Canon in D
Stolen for use in: TOURISM TASMANIA $
Pyotr Ilyich Tchaikovsky
Symphony No.5, second movement
Stolen for use in: THE PAUL HOGAN SHOW
WINFIELD $
Edward Elgar
Pomp and Circumstance
March No.1 – Land of Hope and Glory
Stolen for use in: THE KING’S MAN
Gabriel Fauré
Pavane
Stolen for use in: DINE CAT FOOD $
Gustav Holst
Mars, the Bringer of War from The Planets
Stolen for use in: HOLDEN CALIBRA $
MAZDA 121 $
Camille Saint-Saëns
Symphony No.3, second movement
Stolen for use in: BABE
Gioachino Rossini
Galop from William Tell Overture
Stolen for use in: THE LONE RANGER
PIZZA HUT $
CPO IS ON !
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George Frideric Handel
Music for the Royal Fireworks - La Réjouissance
Stolen for use in: MINCHINBURY SPARKLING WINE $
Pietro Mascagni
Intermezzo from Cavalleria rusticana
Johann Sebastian Bach
Air on the G String
Stolen for use in: TOP GEAR MAGAZINE $
Georges Bizet
Toreador Song from Carmen
Antonín Dvořák
Symphony No.9 ‘From the New World’, second movement
Stolen for use in: PAL DOG FOOD $
Richard Wagner
Ride of the Valkyries from Die Walküre
Jacques Offenbach
Barcarolle from The Tales of Hoffmann
Stolen for use in: VOLKSWAGEN TOUAREG $
Wolfgang Amadeus Mozart
Eine kleine Nachtmusik, first movement
Stolen for use in: AUDI QUATTRO $
Christoph Willibald Gluck
Che farò senza Euridice from Orfeo ed Euridice
Stolen for use in: TRATTORIO PASTA $
Giuseppe Verdi
La Donne è Mobile from Rigoletto
Edvard Grieg
Morning Mood from Peer Gynt Suite No. 1
Edvard Grieg
In the Hall of the Mountain King from Peer Gynt Suite No. 1
Stolen for use in: JOHNNY ENGLISH REBORN
Gioachino Rossini
Sinfonia (Overture) from The Barber of Seville
Stolen for use in: ADDAMS FAMILY
BUGS BUNNY EPISODE ‘THE RABBIT OF SEVILLE’
VITTORIA COFFEE $
The content of the segments referred to and displayed during the concert today are fully attributed to their creators without exception or condition. No financial benefit has been generated from their use.
Performance: Visual content created by Alex Dellaportas
Interval: Visual content created by D.C. Coleman. Vintage 35mm clips courtesy FT Depot YouTube channel –thanks to Brad Miller
Would you like to become a Friend of the CPO? Support the orchestra through an annual subscription or a lifetime membership.
Friends are provided with:
• early access to ticket sales including at least a 10% discount
• exclusive CPO Friends merchandise on initial sign-up
• regular updates on the orchestra
• photo opportunities at concerts
• an invitation to attend one rehearsal per concert
• the option to be acknowledged on the CPO website
Register your interest at www.cpo.org.au
Here’s something new for our treasured friends and supporters, both young and young-at-heart… FREE mini collector pins! We currently have limited stock of your favourite concert and character mini buttons from our massive 2022 Season events, and we’ll issue a new pin for each show this year. We also have an exclusive design available only to ‘Friends of CPO’ members.
How many will you collect? Visit our merchandise stand and kick off your collection today with a button for ‘Stolen Works of Art’!
Individual limits may apply.
Xylophone, glockenspiel, marimba, vibraphone… what’s the difference?
All these instruments belong to the tuned percussion family and consist of a series of horizontally laid bars that are struck with mallets to generate sound. The lengths of the bars are varied to produce different pitches.
The xylophone (‘xylo’ from the Ancient Greek for wood) uses wooden bars, whereas a glockenspiel uses metal ones. Marimbas (wooden bars) and vibraphones (metal bars) have added resonator tubes suspended perpendicularly below each bar which amplify certain aspects of the sound, producing fuller and richer tones. Spinning disks in the tubes of vibraphones create a vibrating, tremolo effect. It also has a sustain pedal similar to a piano, allowing notes to be muted or ring on. Click the YouTube links below to see and hear these instruments being played!
1. How many strings does a cello have?
2. In which city would you find the Royal Albert Hall?
3. The name of CPO’s last concert in 2022 was ‘Sorcerer’s…’?
4. True or false – a full-size viola is smaller than full-size violin.
5. Which family of instruments does the oboe belong to?
6. How many complete symphonies did Beethoven compose?
7. Who conducted CPO’s ‘Star Wars Extravaganza’ last year?
8. Which evocative piece by Samuel Barber featured heavily in the 1986 movie ‘Platoon’?
9. During which part of Handel’s ‘Messiah’ does the audience traditionally stand up?
Order now at www.cpo.org.au/cpo-store
Damien began playing cello in high school, but it wasn’t until he arrived at RMIT that his musical adventures really began, joining RMIT Music in 2008 and playing double bass and viola in the RMIT String Ensemble followed by bassoon with RMIT Concert Band in 2015. Damien is an integral longserving part of the student music scene at RMIT. As a prominent figure at RMIT Music serving as its President from 2015 to 2019, Damien has developed and grown the RMIT Chamber Orchestra to prominence, becoming its Music Director and Conductor.
Beyond RMIT, Damien currently plays viola for the Casey Philharmonic Orchestra, oboe/English horn
or bassoon with the Engineering Music Society at Melbourne University and with the Cardinia Civic Concert Band on bassoon and is Conductor of their Intermediate Band. A highlight in Damien’s music experience was touring eastern Germany in 2019 with the Cardinia Civic Concert Band.
Damien has a deep passion for early music. Recorder has become one of Damien’s favourite instruments to play. His favourite pieces are baroque/classical concertos featuring multiple instruments as the intertwining of different instrument textures draw mixed emotions. Damien has always tried to ensure that he continues playing as much music as possible even while working in the Aerospace Engineering sector.
Damien Melis VIOLA Pair of 310ml tumblers Pair of 250ml wine glassesKent is a composer, conductor, musical theatre director, arranger and music educator from Melbourne. He has a Masters of Music from Box Hill College of Music where he specialised in conducting. He also holds a Bachelor of Music (ACU) in classical piano and choral conducting as well as a Bachelor of Music in Composition (Box Hill).
Kent has musically directed and conducted over thirty musical theatre productions including Les Misérables, Titanic, Catch Me If You Can, Suessical, The Addams Family, The Boy From Oz and Legally Blonde.
Kent has been nominated multiple times for ‘Best Musical Director’ by the Lyrebirds and the Music Theatre Guild of Victoria, and has had a number of piano compositions in the ANZCA syllabus He also has written rock, jazz, gothic rock and heavy metal music, and was the keyboardist for Melbourne-based metal band Catwitch. Kent has been with Casey Philharmonic Orchestra since 2017 – he is currently the orchestra’s Vice President and was appointed CPO’s Resident Conductor in 2019. He is also the Music Director of youth dance company Spark Productions, and the Chief Conductor of the Melbourne Mandolin Orchestra.
Julia started learning the violin at the age of five. She received her Bachelor of Arts degree in China, Master of Music degree from ANU under the guidance of Tor Fromyhr, and Doctorate Musical Arts degree in the US. As a student, Julia won several competitions/scholarships including the National Orchestra Scholarship from ANU and graduate concerto competition during her doctoral study. She has performed with Adelaide Symphony Orchestra, Canberra Symphony Orchestra, Lincoln Symphony Orchestra (USA), and Chongqing Youth Symphony Orchestra (China), and played as concertmaster at Carnegie Hall and the National Centre of Performing Arts in China. Julia currently lives and works in Berwick.
Violin 1
Julia Chen (concertmaster)
Andrei Bacu
Beth Melton
Nandhinee Pragash
Viva Nguyen
Amaris Lee-David
Violin 2
Johnny Chen
Gerard Tan
Moya Cummings
Ana Monsanto
Katelyn Cai (Xiao)
Emily King
Viola
Damien Melis
Bill Wang
Rebecca Cottman
Leah O’Sullivan
Cello
Ben Nicholson
Michael Bonsall
Janek Kondzior
Cate-Linne Fraser
Sally Duff
Double Bass
Philip McCahy
Declan Coleman
Perren Bonsall
Mae Ovenden-Lloyd
Luke Holland
Flute/Piccolo
David Jones
Kristy Matheos
Judith Carpenter
Oboe/Cor Anglais
John Blyth
Samantha Jones Clough
Clarinet/Bass Clarinet
Belinda Bolger
Claire Rainey
Rosemary Smith
Bassoon
Hannah Hunt
Hannah Hine
Trumpet
Paul Berger
Brad Inman
Alex de Lacy
French Horn
Vicki-Ann Ware
James Coomans
Callum O'Connor
Sienna Machin
Trombone/Bass
Trombone
Quinn Kellock
Anthony Ware
Michael Couche
Tuba
Colin Harrison
Keyboard
Kristy Matheos
‘Cannon’
Pete Matheos
Timpani
Ethan Gallagher
Percussion
Perren Bonsall
Ethan Gallagher
Taysha Rankin
Sunday, 30th July 2023 - 2.30pm – Bunjil Place
CPO presents Halloween
Sunday, 29th October 2023 - 2.30pm – Bunjil Place
Casey Philharmonic Orchestra acknowledges the Boonwurrung Traditional Owners of the land on which we rehearse and perform, and we pay our respects to their Elders, past, present and emerging.