BODYTRAFFIC Digital Program by The Joyce Theater Foundation

BODYTRAFFIC APR 15-20, 2025

Season Sponsor:

The Joyce Young Leaders Circle

The Young Leaders Circle offers regular gatherings for dance enthusiasts to connect with the artform and each other.

To learn more, scan the QR code or contact the Development office at ceng@joyce.org

June 24 - July 13, 2025

Pictured: Pilobolus

Photo by Hibbard Nash

The Joyce Theater Foundation presents

ARTISTIC DIRECTOR

Tina Finkelman Berkett

THE COMPANY

Chandler Davidson, Donnie Duncan Jr., Katie García, Pedro Garcia, Anaya Gonzalez, Alana Jones, Joan Rodriguez, Jordyn Santiago

President

Creative Partner

Executive Consultant

Director of Creative Operations

Director of Education and Community Engagement

Director of Development

Technical Director

Rehearsal Directors

COMPANY REPRESENTATION

Margaret Selby, Selby/Artists Mgmt

212.382.3260 mselby@selbyartistsmgmt.com

Gillian Wynn

Trey McIntyre

Lucinda Lent

Dora Quintanilla

Julie Opiel

Megan Lane

Michael Jarett

Katie García and Joan Rodriguez

PRESS AGENT

Michelle Tabnick PR 646.765.4773 michelle@michelletabnickpr.com

BODYTRAFFIC wants to thank its incredible Season Sponsors: Perenchio Foundation and Elaine P Wynn and Family Foundation

Special thanks to Lois Chiles for generously underwriting student tickets for our performances.

Leadership support for The Joyce Theater Foundation has been received from the LuEsther T. Mertz Charitable Trust.

Champion support for The Joyce’s annual programming has been provided by Howard Gilman Foundation and The Shubert Foundation.

Major support for The Joyce has been provided by Booth Ferris Foundation, The Harkness Foundation for Dance, MacMillan Family Foundation, The Jerome Robbins Foundation, and The Fan Fox & Leslie R. Samuels Foundation.

The Joyce gratefully acknowledges the Doris Duke Foundation for its generous endowment funding to support dance performances at The Joyce Theater. Additional support has been provided by the Lila Wallace-Reader's Digest Endowment Fund to encourage the performances of out-of-town companies.

A NOTE FROM THE ARTISTIC DIRECTOR

There’s nothing like coming home, both to NYC and to The Joyce. This moment feels especially significant as I am proud to present our strongest company yet, performing works that I believe in deeply.

Tonight, BODYTRAFFIC explores the power of memory—how it can spark unexpected emotions, connect us across time, and shape our sense of self. This Reminds Me of You dives into this theme through three extraordinary new works: Mayday , Trey McIntyre’s joyful and bittersweet tribute to the life and music of Buddy Holly; I Forgot The Start , Matthew Neenan’s poetic exploration of memory’s fluidity; and Incense Burning On A Saturday Morning: The Maestro , Juel D. Lane’s celebration of Ernie Barnes’s soulful artistry.

As BODYTRAFFIC enters its 18th year, we reflect on our journey while forging new paths, building toward our 20th anniversary in 2027. We are grateful to have you with us on this journey and to continue our partnership with The Joyce, a place that holds many cherished memories for us.

I am filled with gratitude for our extraordinary dancers, our dedicated team, our board, Gillian, Margaret (and the SELBY/ARTISTS MGMT team), everyone at The Joyce, and the unmatched NYC audiences who make this stage feel like home. Finally, a special shout out to Guzmán and my greatest loves, Jack and Sofia, who serve as the ultimate inspiration, and our endlessly supportive parents who make it all possible.

Thank you for being here. Great evenings of dance always remind us of you.

Big apple love, Tina Finkelman Berkett

Photo by Trey McIntyre

ABOUT THE PROGRAM

BODYTRAFFIC PRESENTS: THIS REMINDS ME OF YOU

MAYDAY (2024)

Choreography: Trey McIntyre

Music: Buddy Holly, written by Charles Hardin Buddy Holly, Jerry Allison, Ellas McDaniel, Joe B. Mauldin, and Norman Petty

Lighting Design: James F. Ingalls

Costume Design: Karen Young

Costume Construction: Victoria Bek

Prop Design/Construction: Cody Richardson and Rob Byerly

PERFORMED BY Chandler Davidson, Donnie Duncan Jr., Katie García, Pedro Garcia, Anaya Gonzalez, Alana Jones, Joan Rodriguez, Jordyn Santiago

Premiere: The Wallis Annenberg Center for the Performing Arts, Beverly Hills, CA, 2024

"Using the timeless music of Buddy Holly, "Mayday" explores the looming specter that life can be cut short at any moment. We are seemingly dancing on a tightrope that could render any of our plans useless. Yet we still dance, we still move toward love, and we still plan, create, and live as if infinity lies before us."

Mayday was generously underwritten by Virginia McGehee Friend. This work was made possible in part by a creative residency at Argyros Performing Arts Center in Sun Valley, Idaho. Mayday’s costumes were underwritten by Mark and Judi Aronchick.

- INTERMISSION -

Photo by Guzmán Rosado

I FORGOT THE START (2024)

Choreography: Matthew Neenan

Music: In this Heart by Sinéad O’Connor, Machu Picchu by Heather Christian & The Arbonauts, Paka Ua by Ozzie Kotani & Daniel Ho, Anthems For a Seventeen Year Old Girl by Broken Social Scene, and Flint by Sufjan Stevens

Lighting, Set, and Video Design: Christopher Ash

Costume Design: Márion Talán de la Rosa

Costume Construction: Victoria Bek

PERFORMED BY

Chandler Davidson, Donnie Duncan Jr., Katie Garcia, Pedro Garcia, Alana Jones, Joan Rodriguez, Jordyn Santiago

Premiere: Annenberg Center at University of Pennsylvania, Philadelphia, PA, 2024

It's the same outside, Driving to the riverside. I pretend to cry, Even if I cried alone. I forgot the start.

Use my hands to use my heart. Even if I died alone.

- FLINT by Sufjan Stevens

"I Forgot The Start" walks the line between joy and grief to illuminate the sheer relentlessness of hope. The work is an honest exploration of resilience in the pursuit of connection, despite life’s uncertainties. We are reminded that there is no light without dark.

I Forgot The Start was generously supported by Ali Long. This work was co-commissioned by Penn Live Arts, with support provided by the Penn Live Arts Accelerator Program. This work was made possible in part by a creative residency at Argyros Performing Arts Center in Sun Valley, Idado.

INCENSE BURNING ON A SATURDAY MORNING: THE

MAESTRO (2024)

Choreography: Juel D. Lane

Original Music Composition: Munir Zakee

Lighting Design: Michael Jarett

Video Design: Yee Eun Nam

Costume Design: Jarrod Barnes

Costume Construction: Victoria Bek

PERFORMED BY Chandler Davidson, Donnie Duncan Jr.,Katie Garcia, Pedro Garcia, Anaya Gonzalez, Alana Jones, Joan Rodriguez, Jordyn Santiago

Premiere: The Wallis Annenberg Center for the Performing Arts, Beverly Hills, CA, 2024

Set against the vibrant backdrop of Ernie Barnes’s iconic depictions of life, Juel D. Lane’s new work pays tribute to his legacy. Lane weaves ensemble and partner work that mirrors the narratives and energy of Barnes’ art, including the enigmatic woman in the yellow dress who appears in his paintings. With movements guided by ancestral rhythms, the work emphasizes resilience and serves as a poignant reminder of our shared humanity.

A huge “thank you” to The Ernie Barnes Estate, for their incredible generosity and collaboration. The Sugar Shack and In Rapture by Ernie Barnes, along with his photographs are used with permission by artist's estate. Incense Burning on a Saturday Morning: The Maestro was made possible in part by support from Renae Williams Niles & Greg Niles.

ABOUT THE COMPANY

BODYTRAFFIC , an internationally-renowned dance company from Los Angeles, has been a dynamic force in contemporary dance since its founding in 2007 by Artistic Director Tina Finkelman Berkett. Known for their technical prowess and versatility, BODYTRAFFIC expertly masters a repertoire that spans ballet, contemporary, modern, Afro-Cuban, and hip hop. The company thrives on a collective of diverse perspectives and styles, bringing to life the innovative visions of accomplished choreographers like Kyle Abraham, Trey McIntyre, Ohad Naharin, and Micaela Taylor. By seamlessly blending local and global perspectives, BODYTRAFFIC reflects the rich diversity of their home city while pushing the boundaries of dance.

Bringing the spirit of Los Angeles to audiences worldwide, BODYTRAFFIC has performed across 30 states and 20 countries. During its 10th anniversary season (2017–2018), BODYTRAFFIC embarked on an extensive tour, including performances at the CONTEXT Diana Vishneva Festival and The Holland Dance Festival in The Hague. These experiences deepened the company’s commitment to cross-cultural exchange while refining its mission to foster creativity and cultural understanding across the globe. This dedication is further demonstrated through a passion for education, as BODYTRAFFIC mentors and uplifts over 700 students annually through various programs, ranging from youth-focused movement workshops to professional development for established artists. This holistic approach underscores the company’s belief in the transformative power of dance as a vehicle for personal and collective growth.

At the heart of everything BODYTRAFFIC does are the values of challenge, passion, empathy, inclusion, and growth. It aims to champion both established and emerging voices, serving as a home for a diverse range of styles and perspectives that tell vital stories. The goal is simple: get the world moving. After all, without movement, nothing changes.

Please visit www.BODYTRAFFIC.com to learn about upcoming performances and programs, and to join the company’s mailing list.

WHO'S WHO IN THE COMPANY

TINA FINKELMAN BERKETT (Founding Artistic Director) is a visionary leader in contemporary dance, known for curating original, compelling repertoire and redefining the art form across the U.S. and internationally. Tina grew up in New York City, attending Stuyvesant High School of Math and Science and graduating Summa Cum Laude from Barnard College, Columbia University, with a double major in Mathematics and Economics. Her love of dance was ignited by her teacher and mentor, Michele Cuccaro Cain. Tina’s professional dance career began at Aszure Barton & Artists, a distinguished contemporary dance company, where she quickly became a featured dancer and then Barton’s assistant, teaching both in the U.S. and abroad. A true highlight of Tina's career was being a founding member of Mikhail Baryshnikov's Hell's Kitchen Dance and touring internationally alongside Mr. Baryshnikov himself. Tina began her interest in arts administration when she served as the company's dancer liaison. In 2007, Tina relocated to Los Angeles and launched BODYTRAFFIC with Lillian Barbeito. In 2020, she became the company's sole Artistic Director. Under Tina’s leadership, BODYTRAFFIC has become a beacon in the global dance community, known for its innovative choreography, world-class dancers, and powerful performances. Through her curation and vision, Tina continues to foster a vibrant artistic community that captivates and inspires audiences around the world. Tina would like to acknowledge her family for serving as her greatest sources of love and inspiration: her parents, Guzmán, Jack, and Sofia.

CHANDLER DAVIDSON (Dancer), from Greensboro, North Carolina, is currently pursuing a Bachelor of Fine Arts (BFA) in Contemporary Dance at the University of North Carolina School of the Arts (UNCSA), with the privilege of learning from an esteemed faculty including Brenda Daniels, Dayna Fox, Laura Martin, Angelina Sansone, Sean Sullivan, Abigail Yager, Ming-Lung Yang, and Jennet Zerbe. Their mentorship has played a pivotal role in refining his technical proficiency and nurturing his artistry. As he approaches the end of his studies at UNCSA, Chandler stands poised to make his mark on the dance world. His journey thus far is a testament to his dedication, boundless creativity, and insatiable thirst for artistic exploration. This is Chandler’s first season with BODYTRAFFIC.

DONNIE DUNCAN JR (Dancer) began his dance training in Southern Illinois until he moved on to Webster University in St. Louis, MO, where he studied dance and received a Bachelor in Fine Arts. After which, he went on to join the acclaimed Netherlands Dans Theatre and continued to perform works by the most sought-after contemporary choreographers of the century. Upon leaving NDT1, Duncan joined Madonna on her “Celebration Tour,” where he continued his work as a dancer and eventually settled in Paris to pursue his freelance career as an interdisciplinary performing artist.

KATIE GARCÍA (Rehearsal Director/Dancer) is a dynamic force in the dance world, known for her expertise as both a performer and educator. A graduate of The Juilliard School, she has trained at premiere institutions such as New World School of the Arts, Dance Town Studios Miami, San Francisco Conservatory of Dance, and Springboard Danse Montréal. Following her graduation, she became a key member of Parsons Dance, where she performed for two and a half years while also expanding her portfolio with freelance and collaborative projects. After joining BODYTRAFFIC, she served as assistant choreographer to Joan Rodriguez's commissioned work Bloquea'o. Katie’s influence extends into academia, where she has led master classes at elite colleges and universities. Her passion for community engagement is evident in her work with outreach programs like GLUCK, TAP for Life, and Dance for Parkinson’s Disease, through which she has brought movement and healing to hospitals, wellness centers, and communities in both New York City and Miami. Internationally, Katie has made her mark by co-leading a project in Botswana, providing dance education and movement therapy to children with physical, cognitive, and developmental disabilities. Her creative endeavors reach beyond live performance; she has co-produced dance films with Joan Rodriguez, featured at festivals such as the Blacktinx Dance Festival, Solo Duo Dance Festival, and Dumbo Dance Festival. Additionally, her work has been showcased in collaboration with mixed media artist Anna Khachatryan at a prominent NYC SOHO art gallery. Katie’s career exemplifies her dedication to the transformative power of dance, both as an art form and as a tool for education and healing. This is Katie’s fourth season dancing with BODYTRAFFIC, and her first season as Rehearsal Director.

PEDRO GARCIA (Dancer) began his studies at the National Conservatory of Lisbon, working with teachers including Mikahall Zavialova, Irina Zavialova, Catarina Moreira, and José Luís Vieira, among others. In 2014, he won the 3° prize at Tanzolymp Competition in Berlin. He received his diploma in 2015 and continued on to earn a degree from School Superieure de Danse de Cannes Rosella Hightower. Pedro joined the junior ballet Rosella Hightower DNSP3 for one year and then went on to join the Ballet Nacional de Marseille, where he worked with Emio Greco and Pieter C. Scholten until 2018. In 2019, he joined Companhia

Portuguesa de Bailado Contemporaneo, under the direction of Vasco Wellenkamp. Pedro has worked with choreographers Nelia Pinheiro and André Mesquita and joined Quórum Ballet for one season, where he worked with Daniel Cardoso and Lior Tavori. This is Pedro’s fourth season with BODYTRAFFIC.

ANAYA GONZALEZ (Dancer) is originally from Ohio and is currently a Contemporary Dance Major at the University of North Carolina School of the Arts (UNCSA) to receive her BFA. During her time at UNCSA, they have worked and performed pieces by notable choreographers such as Darrell Moultrie, Rena Butler, Trey McIntyre, film work with Ashley Lindsay, and more. She has also been studying some of the core techniques of modern dance, such as Cunningham, Alexander, Limón, and Horton, along with classical and contemporary ballet.

ALANA JONES (Dancer) is a Houston native. She is a founding member of Vitacca Dance Project under the direction of Kelly Ann Vitacca and trained under Ballet Master Phillip Broomhead while attending the High School of Performing and Visual Arts. In 2014, Alana was accepted on scholarship and trained with American Ballet Theatre and Dance Theatre of Harlem. After that, Alana was accepted on scholarship to SUNY Purchase Conservatory of Dance, where she received her BFA. While at Purchase, she was invited into the ballet concentration, where she performed and studied works by George Balanchine, Norbert De la Cruz, Michelle Ulerich, and Colby Damon. She has also trained with Ballet X, Complexions Contemporary Ballet, Hubbard Street Dance, and Arts Umbrella. Alana earned her BFA and began her professional career with Visceral Dance Chicago. This is Alana’s fourth season with BODYTRAFFIC.

JOAN RODRIGUEZ (Rehearsal Director/Dancer) is a Cuban-born dancer, choreographer, and educator known for his dynamic versatility, seamlessly blending Afro-Latin, contemporary, and multimedia styles. He graduated from the prestigious Escuela Nacional de Arte, earning the “Best Graduate of the Year” award, and began his career with DanzAbierta and Malpaso Dance Company. In 2016, after relocating to the United States as a political refugee, Joan moved to Arizona, where he focused on creating, teaching, and producing multimedia projects in collaboration with museums and as Guest Faculty for Arizona State University. His journey continued in New York with Parsons Dance, where he choreographed an original work for the 2018 GenerationNow fellowship. He later created an original work for Connecticut Ballet, while serving as Guest Artist in Residence at various universities and arts centers across the U.S. Joan plays a pivotal role at BODYTRAFFIC as the master teacher in education and outreach, Social Media Manager, and lead content creator. His acclaimed commissioned work, Bloquea’o, has toured the U.S., and he is now preparing for a second commission. Joan’s passion lies in building community through dance, sharing movement across diverse settings, and pioneering innovative intersections between performance and media. This is Joan’s fourth season dancing with BODYTRAFFIC, and his first season as Rehearsal Director.

JORDYN SANTIAGO (Dancer) is originally from North Carolina and is a dancer, teacher, and choreographer currently based in Los Angeles, CA. Jordyn grew up training at The Dance Theatre of Jacksonville, under the direction of Debra Baile. She has traveled and trained across the United States as well as abroad in Israel and Europe. Jordyn has studied with artists such as Danielle Agami, Jiri Pokorny, Medhi Walerski, Adi Salant, Bryan Arias, Diana Matos and Melissa Jackson. Jordyn has toured as a backup dancer with Los Angeles based band Half Alive. She had the opportunity of dancing for the motion picture production In The Heights with Warner Brothers Entertainment. Jordyn has performed at the Lincoln Center in Washington D.C in an Opera titled Prism under the direction of Beth Morrison Projects. Jordyn has danced in music videos for Griffin Matthews, Zolita, and Buzz’s newest single Soul. She has also taught at several well-regarded institutions and collectives, including Peridance Capezio Center, Broadway Dance Center, Brick House NYC, Marymount Manhattan, The University of the Arts, and University of North Carolina Greensboro. Jordyn had the opportunity of presenting her first solo work All There Is in Los Angeles for an all Queer Artist showcase. This year, she also has the opportunity of setting a work on her fellow company members of BODYTRAFFIC. This is Jordyn’s fourth season with BODYTRAFFIC. She is incredibly grateful to get to travel the world alongside such a dynamic group of artists and is looking forward to sharing more of her personal work with audiences of all kinds.

JUEL D. LANE (Choreographer, Incense Burning on a Sunday Morning: The Maestro) is an Atlanta native who honed his artistic talents at Tri-Cities High School, The Youth Ensemble of Atlanta, and The University of North Carolina School of the Arts. Dance Magazine recognized him as one of their "25 to Watch," and his captivating performances have enthralled audiences worldwide. He's shared the stage with luminaries like Ronald K. Brown/ Evidence, member of the acclaimed Bessie Award-winning Camille A. Brown & Dancers, and member of The Black Acting Methods Studio. Lane's choreography has graced Ailey II, Dallas Black Dance Theater, Atlanta Ballet, Carolyn Dorfman Dance Company, and various universities. He's also performed in productions such as The Metropolitan Opera's Fire Shut Up In My Bones, Amazon Prime's series Harlem, and NBC's Jesus Christ Superstar Live. Lane received the Bronzelens Film Festival award for his remarkable dance film, The Maestro, and showcased his directing and choreography talents in the captivating music video Only-1 with Roc Nation artist Dixson. Lane is currently the director of The University of North Carolina School of the Arts Choreographic Institute.

TREY McINTYRE (Choreographer, Mayday) was born in Wichita, Kansas, and studied at the North Carolina School of the Arts and the Houston Ballet Academy. In 1989, he was appointed Choreographic Apprentice to Houston Ballet, a position created especially for him, and in 1995, he became the company’s Choreographic Associate. He has worked for more than 30 years as a freelance choreographer, producing more than 100 pieces during the span of his career so far. He also did a bunch of other cool things, including working with a lot of amazing companies such as The Stuttgart Ballet, American Ballet Theatre, Queensland Ballet, Hubbard Street Dance Chicago, New York City Ballet, Oregon Ballet Theatre, BalletX, The Washington Ballet, Ballet Memphis, and San Francisco Ballet. He has won numerous awards and honors, such as the Choo San Goh Award for Choreography, a Lifetime Achievement Award from The National Society of Arts and Letters, two personal grants for choreography from The National Endowment for the Arts, and is a United States Artists Fellow. In 2019, he won the Isadora Duncan Award for Outstanding Achievement in Choreography for his work Your Flesh Shall be a Great Poem, which he created for San Francisco Ballet for their Unbound

Festival. He was named one of Dance Magazine's "25 to Watch" in 2001, one of People Magazine's "25 Hottest Bachelors" in 2003, and one of Out Magazine's 2008 "Tastemakers." In 2005, he founded his dance company, Trey McIntyre Project, achieving great audience and critical success. McIntyre created over 23 original works for the company, as well as numerous film projects, interactive site-specific works, and photography collections.

MATTHEW NEENAN (Choreographer, I Forgot the Start), described as “one of America’s best dance poets” by The New York Times, began his dance training at the Boston Ballet School and with noted teachers Nan C. Keating and Jacqueline Cronsberg. He later attended the LaGuardia High School of Performing Arts and the School of American Ballet in New York. From 19942007, Matthew danced with the Pennsylvania Ballet (now the Philadelphia Ballet), where he danced numerous principal roles in the classical, contemporary and Balanchine repertoire. From 2007 – 2020, Matthew was the Choreographer in Residence at the Pennsylvania Ballet, where he created 20 original ballets. Matthew’s choreography has been premiered and performed by The New York City Ballet, Pacific Northwest Ballet, The Washington Ballet, Ballet West, Ballet Met, Colorado Ballet, Ballet Memphis, Milwaukee Ballet, Oregon Ballet Theatre, Tulsa Ballet, OKC Ballet, Kansas City Ballet, Nashville Ballet, Parsons Dance, BODYTRAFFIC, Juilliard Dance, and USC Kaufman School of Dance, among many others. He has received numerous awards and grants for his choreography from the National Endowment of the Arts, Dance Advance funded by the Pew Charitable Trusts, the Choo San Goh Foundation, the Independence Foundation and four fellowships from the Pennsylvania Council on the Arts. In 2006, Matthew received the New York City Ballet’s Choreographic Institute’s Fellowship Initiative Award. In October 2009, Matthew was the grand-prize winner of Sacramento Ballet’s Capital Choreography Competition and was also the first recipient of the Jerome Robbins NEW Program Fellowship for his work At the border for Pennsylvania Ballet. In 2005, Matthew cofounded BalletX with fellow dancer Christine Cox. BalletX has toured and performed Neenan’s choreography in New York City at The Joyce Theater, NY City Center, The Skirball Center, Symphony Space and Central Park Summerstage, The Kennedy Center, Vail International Dance Festival (where he has created 5 world premieres), Jacob’s Pillow Dance Festival, Segerstrom Center, Laguna Dance Festival, Spring to Dance Festival in St. Louis, as well as several venues internationally. His ballet The Last Glass was listed in The New York Times Top 10 in 2013.

ABOUT THE JOYCE THEATER FOUNDATION

The Joyce Theater Foundation ("The Joyce," Executive Director, Linda Shelton), a nonprofit organization, has proudly served the dance community for more than four decades. Under the direction of founders Cora Cahan and Eliot Feld, Ballet Tech Foundation acquired and The Joyce renovated the Elgin Theater in Chelsea. Opening as The Joyce Theater in 1982, it was named in honor of Joyce Mertz, beloved daughter of LuEsther T. Mertz. It was LuEsther’s clear, undaunted vision and abundant generosity that made it imaginable and ultimately possible to build the theater. Ownership was secured by The Joyce in 2015. The theater is one of the only theaters built by dancers for dance and has provided an intimate and elegant home for over 475 U.S.-based and international companies. The Joyce has also expanded its reach beyond its Chelsea home through off-site presentations at venues ranging in scope from Lincoln Center’s David H. Koch Theater, to Brooklyn’s Invisible Dog Art Center, and to outdoor programming in spaces such as Hudson River Park. To further support the creation of new work, The Joyce maintains longstanding commissioning and residency programs. Local students and teachers (1st–12th grade) benefit from its school program, and family and adult audiences get closer to dance with access to artists. The Joyce’s annual season of about 48 weeks of dance now includes over 300 performances for audiences of over 100,000. Visit Joyce.org for more information.

FUNDERS

Many Thanks to The Joyce's Institutional Funders for Keeping Us Moving Forward

An abundance of gratitude to Senate Majority Leader Charles E. Schumer, Senator Kirsten Gillibrand, Representative Jerrold Nadler, and Representative Nydia M. Velázquez for their visionary leadership that established the Shuttered Venue Operators Grant program, which made the reopening of The Joyce Theater in 2021 and the reemergence of many dance companies possible.

Leadership support for The Joyce's year-round programs and services:

LuEsther T. Mertz Charitable Trust

Season Sponsor:

Champion support for The Joyce's annual programming:

Major support for The Joyce's operations and special initiatives:

Booth Ferris Foundation

THE FAN FOX & LESLIE R. SAMUELS FOUNDATION

ABOUT THE JOYCE THEATER FOUNDATION

VISION STATEMENT

The Joyce Theater Foundation is committed to fostering and supporting a diverse and inclusive environment, both on and off stage. We embrace and celebrate diversity in all its forms, and value the rich experiences and perspectives that arise from differences in race, ethnicity, socio-economic status, religion, age, sexual orientation, gender identity and expression, and cognitive and physical ability.

We strive to counteract the social injustices and racism that exist within our communities, our nation, and our world. Our aim as an organization is to embody the principles of diversity, equity, inclusion, and justice.

To achieve this, we will:

• Create and implement proactive diversity, equity, inclusion, and justice initiatives;

• Establish and maintain a culture of safe sharing, intentional listening, learning, and growth;

• Engage with and support disenfranchised communities by sharing information and resources and ensuring accessibility;

• Develop metrics and conduct regular reviews of our programs and policies to hold ourselves accountable and shift as neededs.

With these goals in place and our Vision Statement in mind, we are dedicated to the continued learning and growth needed to foster an inclusive environment for all. This is an ongoing process and by nature will be an evolving statement.

EXECUTIVE DIRECTOR

LINDA SHELTON

Executive Assistant and Community Engagement Manager........

....................................................................................................Ayo Janeen Jackson

ADMINISTRATION

General Manager Huong Hoang

Associate General Manager................................................Katy Myers

Director of Human Resources Sharonica Williams

Receptionist.......................................................................................Gilbert Balasa

Senior Director of Development Kirsten Munro

Director of Institutional Giving.........................................Jean M. Ross

Director of Individual Giving and Development Operations ...

.........................................................................................................................Meg White

Director of Special Events and Board Relations............Jesse Chin

Individual Giving Manager.................................................Catherine Eng

Institutional Giving Manager................................................Marisa Davis

Special Events Associate........................................................Maeve Brady

Development Coordinator...............................................Rachel Fontenot

Development Intern...............................................................Tah-Janay Hayes

Director of Programming Danni Gee

Programming Manager.............................................Noa Rui-Piin Weiss

Artist Services Manager..........................................................Barb Domue

Director of Dance Education & Family Programs Heather McCartney

Dance Education & Family Programs Manager.....................................

.............................................................................................................Joyce Laoagan

Education Intern.............................................................................Alexia Quispe

Director of Marketing Andy Sheagren

Associate Director of Marketing Strategy......................Anjali Amin

Associate Director of Creative & Design..............Julia Thorncroft

Marketing Manager........................................................................Annie Marx

Marketing Assistant..............................................................................Dezi Tibbs

Director of Finance Margaret Hollenbeck

Finance Associate.............................................................Savá M. B. Martin

Finance Clerk..............................................................................Xavier DelValle

Database Administrator..........................................................Jim Seggelink

PRODUCTION

Director of Production................................................................Jeff Segal

Lighting Supervisor..........................................................................Kelly Atallah

Assistant Production Manager...........................................Olivia Brown

Head Audio........................................................................................Sean Mullins

Lighting Board Operator................................................Alexander Symes

Head Carpenter.......................................................................Web Crittenden

Head Electrician..................................................................Brittany Spencer

Stage Technicians.......................................Fabrizio Caputo, Edward Hill

The Joyce Theater is a member of APAP, Dance/NYC, and Dance/USA.

LAND ACKNOWLEDGEMENT

The Joyce Theater operates on the Lenape island of Manhahtaan (Mannahatta) and acknowledges that it was founded upon the stolen land and erasure of many Indigenous communities. This acknowledgement demonstrates our institution’s commitment to the process of dismantling the legacies of colonialism and cultural imperialism.

We acknowledge the ongoing violence towards Indigenous people through systemic inequality. We pay our respect to the Indigenous peoples who lived and continue to live upon this land, and whose rich history, artistic practices, and spirituality are tied to this land. It is within our responsibility as a cultural institution and our commitment to diversity and inclusion to embody a commitment to Indigenous rights and cultural equity.

We sincerely invite you as an audience member to take a moment to reflect on the history and legacy of displacement, migration, and settlement.

It is our intention to work with local Native American arts councils to better inform our land acknowledgment practices and anticipate that it will evolve over time.

JOYCE THEATER PRODUCTIONS

Producer Ross LeClair

FRONT-OF-HOUSE

FOH Operations Manager Samantha Fernandez

House Manager .Drew O'Bryan

Assistant House Managers.........Gilbert Balasa, Chikako Iwahori, Di’Shai Oquendo, Utafumi Takemura, Nicholas Thomas

BOX OFFICE

Box Office Manager Lisa Gendell

Supervisors.............................................................Beth Miller, Vanessa Moton

Box Office Associates.......................................................................Imu Aghahowa, Valencia Lombardi-Chisholm, Kelly Collins, Robert Craddock, Tatiana Gomez, Yulidal Hernandez-Kin, Ashley Kail, Roy Odom, Jeremy Scharf, Kate Thackaberry

OPERATIONS

Director of Operations Lou Albruzzese

Studio Operations Manager (NYCC&D)............................Tamika Daniels

Studio Operations Rentals Associate...............................Lauren Marcolus Studio Operations Associates (NYCC&D)....................Kristin Maugeri, Calvin Osorio, Cameron Pelache Studio Facilities................................................Stephon Bines, Daniel Hartnett, Ricardo Hernandez, Lori Write-Huertas

FACILITIES

Facilities Manager

Jimmy Ortiz Maintenance Staff...............................................................Madelin Estrella, Pablo Rodriguez, Jonathan Singh

SPECIAL SERVICES FOR THE JOYCE THEATER

Schulte Roth & Zabel LLP....................................................................................

Sara E. Solfanelli (Special Counsel for Pro Bono Initiatives), Debra R. Anisman (Special Counsel), Howard B. Epstein (Of Counsel), Gregory P. Pressman, Esq. (Of Counsel), Cristina Giappone, Esq., Andrew B. Lowy, Esq., Sabrina Singh, Esq, Steven M. Appel, Esq., Gordon W. VanWieren III, Lance M. Kodish............................................................................................................. Frankfurt Kurnit Klein & Selz PC................................................................ ................................................................................Kimberly M. Maynard, Esq. Stephanie Grassi, Esq. P.C...........………..Stephanie Grassi, Counsel Troutman Pepper Hamilton Sanders LLP............................................... .........................................................Aaron Abraham, Matthew Giacobbe Hogan Lovells………..................................................................Ross Moskowitz Accounting...........................................................................................Lutz & Carr Digital Marketing Firm...............................................Capacity Interactive Publicity.................................................................................................Billy Zavelson Printer...........................................................Direct Printing Impressions Inc.

Gym U NYC is the Official Gym Sponsor of The Joyce Theater.

Donald J. Rose, MD Director, Harkness Center for Dance Injuries at NYU Langone Health is the orthopedic and dance medicine consultant for The Joyce Theater Foundation.

THE JOYCE THEATER FOUNDATION, INC.

BOARD OF TRUSTEES

Charles M. Adelman, Chair

Madelyn Wils, Vice Chair

Monica F. Azare, Vice Chair

Stephanie R. Breslow, Treasurer

Jane E. Goldberg, Secretary

Kerry Clayton, Chair Emeritus

Virginia A. Millhiser, Chair Emerita

Amit Wadhwaney, Chair Emeritus

R. Richard Ablon

Rob Ashford

John M. Basnage de Beauval

Ajay Bhandaram

Alan Cumming

Keane Ehsani

John Philip Falk

Michael Feller

Melina Fisher

IN MEMORIAM

Theodore S. Bartwink (Trustee 1993-2014)

Tracy Brown (Trustee 2020-2023)

R. Britton Fisher (Trustee 1999-2020)

David D. Holbrook (Trustee 1994-2023)

Richard Lukins (Trustee 1998-2011)

Anh-Tuyet Nguyen (Trustee 2007–2020)

Richard Shea (Trustee 2015-2022)

Monica B. Voldstad (Trustee 2016-2023)

Stephen D. Weinroth (Trustee 1996-2022)

Ronald Gumbaz

Toni Hoover

Robert Musiker

Meryl Rosofsky

Saul Sanders

Linda Shelton

Lauren E. Shortt

Cathy Weinroth

Founders and Trustees Emeriti: Cora Cahan and Eliot Feld

ENDOWMENT CAMPAIGN

The Joyce honors the following individuals, corporations, and foundations for their visionary support of our mission of advancing the vibrant and extraordinary art of dance. Funds contributed to the endowment campaign will allow The Joyce to continue its support of the dance community and to commission new work.

$1 Million and above

LuEsther T. Mertz Charitable Trust

Lila Wallace-Reader’s Digest Endowment Fund

Stephen and Cathy Weinroth Charitable Trust

$500,000 and above

Doris Duke Charitable Foundation

Richard B. Fisher and Family

R. Britton Fisher and Family Rockefeller Brothers Fund

$250,000 and above

David & Andrea Holbrook

Richard A. Lukins & Karen Fry

Saul & Mary Sanders

Susan Fawcett Sosin

$100,000 and above

Anonymous (1)

Alphawood Foundation

Kerry Clayton & Paige Royer

The Horace W. Goldsmith Foundation

The Estate of Dorothy Lefkof

The William Randolph Hearst Foundations

Lynne & Richard Pasculano

Michèle & Steve Pesner

The Fan Fox & Leslie R. Samuels Foundation

The Starr Foundation

$50,000 and above

R. Richard & Margery Ablon

Apollo Management, L.P.

Stephanie Breslow & Paul Watterson

The Coca-Cola Foundation

Ronald Gumbaz & Juliet A. Cozzi

JPMorgan Chase Foundation

Jerome A. and Estelle R.

Newman Assistance Fund, Inc.

Rudolf Nureyev Dance Foundation

$25,000 and above

Jane E. Goldberg

Cecilia & Jim Herbert

Jane Kendall & David Dietz

Elysabeth Kleinhans

Arnie & Susan Scharf

Richard Shea

Jennifer & Jonathan Allan Soros

Fiona J. Tilley & Gürhan Orhan

Dave Waks & Sandy Teger

Chris & Lonna Yegen

Carol Yorke & Gerard Conn

$5,000 and above

Anonymous (3)

Barbara & Robert Berkley

Philanthropic Fund

Barbara Berliner & Sol D. Rymer

The Cory & Bob Donnalley

Charitable Foundation

Jim & Linda Ellis

Mr. & Mrs. Ira Haupt, II

The Lawton W. Fitt & James I. McLaren Foundation

James H. Ottaway, Jr.

Kathleen A. Scott

Linda Shelton

Ferne Goldberg Sperling & Allan Sperling

JOYCE THEATER FOUNDATION DONORS

The Joyce Theater appreciates the generosity of its supporters listed below as well as its many other supporters too numerous to include on these pages. List as of February 3, 2025..

Platinum Benefactors

($500,000 and above)

John & Jody Arnhold

Elysabeth Kleinhans

Virginia & Timothy Millhiser

LuEsther T. Mertz Charitable Trust

Gold Benefactors

($100,000 and above)

Deborah & Charles Adelman

Kerry Clayton & Paige Royer

Howard Gilman Foundation

Ronald Gumbaz & Juliet Cozzi

The Harkness Foundation for Dance

Leanne Lachman

New York City Department of Cultural Affairs

Robert Pollock

Rockefeller Brothers Fund

The Fan Fox & Leslie R. Samuels Foundation

Saul & Mary Sanders

The Shubert Foundation

Dance Reflections by Van Cleef & Arpels

Amit Wadhwaney

Madelyn & Steven Wils

Silver Benefactors

($50,000 and above)

Anonymous

Stephanie R. Breslow & Paul Watterson

Catskill Mountain Foundation

Ann & George Colony

Margaret & John Falk

Nancy & Michael Feller

National Endowment for the Arts

New York State Council on the Arts

Michèle & Steve Pesner & Setpheap (“Peace”) San

The Jerome Robbins Foundation

Meryl Rosofsky & Stuart Coleman

Lauren E. Shortt

SHS Foundation

Denise Littlefield Sobel

TD Bank/TD Charitable Foundation

Conrad Voldstad

Cathy Weinroth

Benefactor's Circle

($25,000 and above)

Anonymous (2)

Jeff & Susan Campbell

The Gladys Krieble Delmas Foundation

Melina Fisher

Jane E. Goldberg

Elzbieta Grove

Heartfelt Wings Foundation

Henry and Lucy Moses Fund

Bob & Sharon Musiker

President's Circle

($15,000 and above)

Jen Ablon

Sarah Arison

Citizens Private Bank

Robert Goldberg & Betsy MacIsaac

Aimee Haydinger

Henry Luce Foundation

National Dance Project of the New England Foundation for the Arts

Ms. Sharon Patrick

Tatiana Piankova Foundation

Karen Roth

Kathleen A. Scott

Joseph LeRoy and Ann C. Warner Fund

Vicente Wolf

Impresario’s Circle

($10,000 and above)

Anonymous (2)

Rick & Nurit Amdur

Ms. Monica Azare

Cornelia T. Bailey Foundation

John Basnage de Beauval

Dr. John Bonavita-Goldman

Bloomberg Philanthropies

Suzanne Hall & Valentino Carlotti

Leslie & Richard Curtis

Ms. Susan Dickler & Mr. Sig Van Raan

Linda & Martin Fell

Gregg & Jean Frankel

Charles and Joan Gross

Family Foundation

Sharon B. Gurwitz

Judith M. Hoffman

Toni Hoover

Illuminated Foundation

Christine Knuth

Andrew Martin-Weber

Mr. James McLaren & Ms. Lawton Fitt

Linda & Ed Morse

Nō Studios of Milwaukee

Nancy Sands

The Scripps Family Fund for Education and the Arts

Linda Shelton

Irene Shen

Leslie Siegel

Barbara Madsen Smith

Jean & Gene Stark

Johanna Weber

Producer’s Circle

($7,500 and above)

Neme Alperstein

Office of City Council Member

Erik Bottcher

The FGK Foundation

Con Edison

Dr. Peter & Mrs. Eszter Friedman

Melanie Coronetz & Bruce G. Miller

Cherrie Nanninga

Ellen Rosen

Michael Sekus & Bianca Russo

Margaret Stern

Advocates

($5,000 and above)

Anonymous (2)

R. Richard Ablon

Alpern Family Foundation

Rob Ashford

The Barbara Bell Cumming Charitable Trust

Andrew & Froma Benerofe

Ajay Bhandaram

Marty & Louise Bickman

Judi Rappoport Blitzer & David M. Blitzer

Donya & Scott Bommer

Robert Brenner

Donna B. Case

Ms. Georgina Cullman

Carol Davis & Joel Marcus, M.D.

Jeffrey Davis & Michael T. Miller

Ms. Patricia Dugan

Mr. Keane Ehsani

Judith R. & Alan H. Fishman

Robert J. Fraiman Jr. & Melanie Harris

Ania Fryszkowska

Owls Fund at the Triangle Community Foundation

Emi Gittleman

Robert Greenberg

The Randall and Mary Hack Foundation

Elizabeth Anne Hartman

Olivia Howard & Greg Griffith

Christopher Jones & Deborah McAlister

Alan & Gail Koss

Jonathan Levinson

Uttara P. Marti

Ronay & Richard Menschel/ Charina Foundation, Inc.

Consulate General of the Kingdom of The Netherlands

New Music USA

Val Holley & Joseph Plocek

Rajika & Anupam Puri

Nina B. Quigley

Mr. Stephen Kroll Reidy

Lawrence Safran & Romulo Aromin, Jr.

Susan & Arnie Scharf

Robert A. Schulman

Deborah Selch

Christopher Soule

Linda Strumpf

Theresa Alessandra Russo Foundation

Ms. Patricia E. Vance

Barbara Wybraniec

Director’s Circle ($2,750 and above)

Anonymous (2)

Joel & Rhela Aragona

Anne-Victoire Auriault

Australian Consulate General in New York

Barbash Family Fund

Sandra Berger

Barbara Berliner & Sol Rymer

Ms. Deanna Bittker

Edward Brill

Jeffrey Bruce & Ingrid Steffensen

Capezio/Ballet Makers Dance Foundation

Cathleen Collins

Jane Comer

Chris Coulthrust

The Cowles Charitable Trust

Trisha & Patrick Duval

Christopher M Elmore

David L. Fanger & Martin Wechsler

Andrew and Claire-Marine Ferguson

Jeffrey Olund & Silvia Furia

Consulate General of the Federal Republic of Germany

Dorothy Goodman

Elisabeth Hefti

Carolina Hernandez

Jonathan Kanovsky

David Kernahan

Diana Korsh

Kathy Krall

Vasili Krishnamurti

Joe Lanteri, New York City Dance Alliance Inc.

Rosanne Leshner

Jayne Lipman & Robert Goodman

Johnny Mendoza & Mark Littman

In memory of John MacDonald

Karen & Martin McDonald

The McNamee McHugh Family Fund

James Musiker

Warrie Price & James David Price

Donald J. Rose & Victoria Lasdon Rose

Fran Schulman

Mr. Vernon Scott

Rena Shagan

Craig Snyder

Consulate General of Spain in New York

Wendy & Alex Stanton

Stephens Foundation

Susan Ulick

Alex Z. Wang

Arlene Weinberg

Alexandra Wheeler & Rocky Rukan

Michelle D. and Claude L. Winfield

Irving & Elaine Wolbrom

Ralph Womble & Ashley Edwards

Billy F.B. Wong & Stephanie Gordon

Carol Yorke & Gerard Conn

In honor of Billy Zavelson

Ms. Barbara Zuckerberg

Leaders

($1,000 and above)

Anonymous (6)

Adrienne Albert

Robert Allyn

Gerry & Hank Alpert

Ms. Linda Andrews

Aybars Asci

James Asci & Josh Schulteis

Mr. & Mrs. Ira Asherman

Christina Back

Ali Baum

Harvey & Stephanie Benjamin

Cheryl Bergenfeld

Bloomberg LP

Ms. Lisa Bonifacic

Mr. & Mrs. Sheldon Bonovitz

Nissan Boury

Ms. A. Bozzi

Barbara & Gary Brandt

Carol & Bob Braun

Ms. Joan Breibart

Madeline Brine

Gerri Brioso

Mr. Matthew Brodlie

Daniel & Elaine Brownstein

Dr. Amy Buchman & Ms. Vicki Haupt

Lisa Jo Reimer-Byrne

Ralph & Martine Calder

Doug & Lisa Caldwell

Joseph and Linda Camardo

Mr. Joel Camche

Mr. Scott Caplan

Karen Carozza

Ms. Cheryl Carruthers

Cengiz Cemaloglu

Julia Chambers

Peri & David Clark

Mike Coffin

Pamela Cook

Ms. Edrie Cote

Paul & Caroline Cronson

Greg Darnieder

Irene Rosner David, in Memory of Dr. Raphael David

Diana Davies

Christopher Delong

Jan, Dick and Nora Demenus

The Cory & Bob Donnalley

Charitable Foundation

Miriam & David Donoho

The Dorothy Fund

Ms. Domitilia M. Dos Santos

Benjamin Duster

Suzanne B. Engel

Erin Feely-Nahem & Isaac Nahem

Ms. Audrey Feldman

Marion Ilene Fischer

Judith & Walter Flamenbaum

Pamela Frankel

Judith Z. Friedman

Mark Friedman & Veronique Bogliolo Friedman

Tony & Carol Frischia

Clio Garland

Swapna Ghanta

Barrie Gillies & William Drummy

Ms. Diane Gooch

Carole Gottlieb

Minda Gralnek

Mason & Kim Granger

Pam Green

Mr. & Mrs. Glen Gunsalus

Alexandra L. Harper

Laurie and Jack Heflin

Sheila Heimbinder

Mr. Ronald Hellman & Mr. Stephen Roberts

Janet L. Henner

Ms. L Kathy Herre

Mrs. Alixandra Holloway

Emma Hood

Karen Brooks Hopkins

Lynn Hopkins

Ms. Lisa Huertas

David H. Hughes, Jr.

Mary & David Iles

Jasteka Foundation

Rebecca Josue

I. Michael Kadish

Kenneth S. Kail & Ivy Hwang

Margaret Kaplen

Mr. Matthew Karas

Ms. Jane Karol

Jane Kendall

John Kirby

Ed Krugman & Ethel Klein

Murray & Sylvana Klein

Eric & Sandra Krasnoff

Bette Lacombe

Mr. Richard Lanahan

Ilene H Lang

Nancy Lashine

Mr. Julius Leiman-Carbia

Michael Lemle

Howard & Elaine Leventhal Charitable Fund

Judith Lewis

Dorothy Lichtenstein

Robert & Dorina Link

Ms. Mary Loftus

David Long

Jonna Mackin

Mr. & Ms. Mangini

Joseph M. Marger

Edwin Maynard

Lorraine J. Meeker

Jeff Melvin

Joyce F. Menschel

Ms. Mary Meyer

Diana and David Milich

Miller Khoshkish Foundation

Mr. Wayne & Mrs. Barbara Miller

Mr. Conte Moore & Ms. Barbara Jones

Mr. Michael Mulligan

Jane & Michael Murphy

Judith Musiker

Judy Musiker

Ms. Eve Mykytyn

James Neisloss

Ms. Molly Nozyce

Omomuki Foundation

Mr. Conor O'Neil

Aaron Singer & Bart Oosterveld

Mrs. Trisha Ostergaard

Rachel Ostry, MD

Candace and Simon Owen-Williams

John Owen

Leonard Pack & Adele Weisman

Mercedes Paratje

David Pasterski

Ms. Amy Penner-Walker

Edith C. Penty

Mrs. Roxanne Permesly

Flora Perskie

Doug and Teresa Peterson

Carl Pforzheimer III

Larry & Barbara Pitsch

The Plimpton-Shattuck Fund

Judith J Plows

Donna & James Pressman

Ms. Karen Provost

Soula Proxenos

Rainbow Sandals Foundation

Betty P. & Michael H. Rauch

Frances A. Resheske

Philip W. Riskin Charitable Foundation

Ms. Ayodele Roach

Mary Jo Robertiello

Donald W. Roeske, Jr.

Ann Sahid Rosche

Felicia Rosenfeld

Jane K Royal and John C Lantis II

Alina Roytberg

Ty Rugman

Xiomara & Charles Scheidt

Mark Schumer

Jesse & Carol Schwartz

Margaret E. Selby

Martha Sherman

Barbara Jean Sinclair

Mr. Irving Sitnick

Elizabeth Sledge

Marilyn Sobel

Leon Sokol

Michael Solomon

Daniel Spence and Marcelo Mesquita

Marianne Stegeland

William Stern

Judy Stewart

Mr. & Ms. Justin Stewart

Linda Stocknoff

Abbie M. Strassler

Ms. Alicia Suarez

Douglas Szlompek

Yael Mandelstam & Ken Tabachnick

Jon Teeuwissen & Welz Kauffman

Jim Tharp

Deirdre Towers

Lucy Vasserman & Brendan Finnegan

Holly Wallace & Edwin Baum

Arlene Weinberg

Ms. Adele Weisman

Peter & Deborah Winograd

Elly Karp Wong

Cora Yamamoto

Ms. Bonnie Zamosky-Roth

Mr. Christian Zimmermann

Investors ($500 and above)

Anonymous (7)

Mohamed Abdirahman

Dr. LaRue Allen & Ebonya Washington

West Jersey Youth Ballet, Joanna & Elena Andriopoulos

Debra R. Anisman

Rebecca Aronson

Jane Barr

Joan & Ira Berkowitz

Jan Berris

Ms. Helga Borck

Ms. Valerie Jo Bradley

Maria M Branco

Lize Burr

Robert Calderisi

Lynn Canaan

Mark Carbone

Andrea Chernyk

Amy Cho

Melinda DeChiazza Cloobeck

Eileen & Michael Cohen

Galois Cohen

Robert Conkey

Victoria Cowles

Mary E Craig

John and Nada Culver

David de Weese

The DiChristina Family

Richard G. Dudley, Jr.

Jorge Durand

Mr. Charles Forma

Mr. Leroy Fortcher

Sarah Fox and Steven Lofchie

Steven Fox

Pierre Frinault

Nicia Fullwood

Ms. Irna Gadd & Ms. Helen Fosbery

Tom & Nina Geller

Samara Gerard

Karen Gershowitz

Ronald Gilliam & Akram Hélil

David Glaser

Ms. Geraldine Glassman

Elysa Goldman

Nita Silverman & Chuck Goodgal

Ms. Nancye Green

Dr. Susan Ross Green

Lawrence W. Greene

Charles & Carol Grossman Family Fund

Jane Groveman

Mia Haber

Elaine & Chuck Harris

Laurie Hart

Kathy and Scott Hawley

Ms. Maureen Hayes

Mr. Edward Henry & Ms. Susan Monk

Jonathan Hiltz

Gregory Ho and Linda Sanchez

Thomas Hollingsworth

Alicia Dhyana House

Ralph & Lynn Huber

Daphne Hurford & Sanford Padwe

Stephanie Joel

John Kalish & Susan Niederman

Scot Karr

Ethelle Katz

Mr. Stephen Lane

Sydnie Liggett

Mitch Lowenthal

Susanna Lowy

Waiming Man

Jennifer Markovitz

Mr. William Marraccini

Judy Mauer

Linda and Max Maxwell

Wendy A. McCain

Alexis McCormack

Mrs. Rachel Meidan

Israel Meir & Steve Rivera

Victoria Melendez

Tanya Melich & Noel Silverman

Robert Mihalik

Bertram Moody

Joe Morra

Richard J. Moylan

Deb Murnin

Jake Musiker

Drs. Benjamin Natelson & Gudrun Lange

Stuart Nordheimer & Barbara Miller

Joyce O'Brien

Mrs. Anita Orlin

Olivier Pechou

Andy Peters

Denae Peters

The L.E. Phillips Family Foundation, Inc.

Toniann Pitassi

Brian H. Polovoy

Charles Ragland

Stephanie Goldson & Stephen Rappaport

Lindy Shuttleworth & Arthur Reichstetter

Mr. Albert Reid

Sallie Gouverneur & John Riley

M Felicity Rogers-Chapman

Jean M. Ross

Lainie and John Ross

Elsa & Marvin Ross-Greifinger

Marilyn & Alan Rothstein

Lori Rotskoff

Sally and Peter Rudoy

Deborah Sale and Ted Striggles

Ariane Schaffer

Amy Schulman

Drs. Dorry Segev & Sommer Gentry

Neal Sheorey

Tony Weiss and Tara Sherman

Sheetal & Tokumbo Shobowale

Nancy Sibell

Edward Siegel

Joseph Small

Andrew & Jennifer Smith

Robin Smith

Jeanne Smythe

Joan and Laurence Sorkin

Jim Stiles & Randy Bird

Harriet Stollman

Dr. Pavur Sundaresan

Gary Tannenbaum & Helen J. Mills

The Winkler Prins Charitable Fund

Rachel Theilheimer

Jennifer Tipton

Dana Troetel & George Papageorge

Ronald Walcott

Gregory V Ward

Joan Waricha

Ebonya Washington

Michael Wehman

Carol Weil

Kate Weil

George S. Werner & Li Werner

Migs Woodside

Mai Yee

Gregory Youdan Jr.

Eloise Zeller

JOYCE PROGRAMS ARE MADE POSSIBLE WITH PUBLIC FUNDS FROM:

Joyce programs are made possible by the National Endowment for the Arts; the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature; and the New York City Department of Cultural Affairs, in partnership with the City Council with special thanks to Council Member Erik Bottcher.

FACILITIES & SERVICES

Box Office (212-242-0800): Open Monday thru Sunday, 12pm - 6pm. On days when there is a performance, the box office is open through curtain time; advance sales stop ½ hour prior to curtain time (including matinees). Closed on major holidays. For Hearing Impaired call (TDD) 212-245-2904. To report Lost & Found items, please see an usher or call 212-691-

EMERGENCY RESUSCITATION EQUIPMENT

Resuscitation masks and latex gloves are located in the closet next to the drinking fountain in the Upper Lobby. AED is located downstairs in the reception area. LEARN CPR. For more information, contact the American Red Cross, the American Heart Association.

FIRE NOTICE: The exit indicated by a red light and sign nearest to the seat you occupy is the shortest route to the street. In the event of fire or other emergency, please walk —do not run— to that exit. WARNING: The use of any recording device, either audio or video, and the taking of photographs, either with or without flash, is strictly prohibited within the auditorium. Violators will be punished with confiscation of recording device or ejection from the theater, and may be held liable for money damages.