QP FASHION MAGAZINE - JULY 2025

FASHION and lifestyle MAGAZINE

QP JULY 2025

FASHION FIRST LINEUP OF DESIGNERS FOR PARIS FASHION WEEK

TRAVEL DESTINATION SINGITA LEBOMBO, SOUTH AFRICA

SHOPPING GUIDE VACATION MODE

INTERVIEWS THERESA GODDARD, ANTOINE VERGLAS, LARA DIZEYEE & AMIRA NOOR

MISHA

S KOVA

BY ANANDA MCCOY

Photo DANIELLE GREEN

The Sofisticate Collection

WWW.TESSMANNATELIER.COM

TEAM EDITOR-IN-CHIEF JOSE-MARIA JIMENEZ EDITORIAL PRODUCERs YASMINE KATEB KRYSTLE LINA AREZOO JALALI DARIA VALIGURAS JESSE GANT YVES BRIGHT MATTHEW SEIFNIA

FASHION EDITOR HILLARY STREITBERGER CONTENT CREATORS CLAUDIA LOMBARDO

SHARON JANE retouchers KUCHMA OKSANA BLUEMODE CREATIVE STUDIO

LETTER FROM THE EDITOR Dear readers, As we step into the vibrant warmth of summer, it’s my pleasure to welcome you to the July 2025 issue of QP FASHION MAGAZINE. This month, we are beyond thrilled to feature the incredible MISHA SKOVA on our cover— capturing the essence of sophistication and raw beauty in a way that only she can.

This issue is a true celebration of talent, with exclusive interviews from some of the most influential figures in the fashion world. We sit down with fashion photographer ANTOINE VERGLAS, whose stunning visuals continue to redefine the art of storytelling through imagery. We also have an intimate conversation with the mesmerizing THERESA GODDARD, a model whose career has been marked by both elegance and individuality. Fashion designer LARA DIZEYEE shares insights into her creative journey and how she’s pushing the boundaries of contemporary fashion. And, we’re thrilled to feature AMIRA NOOR, a multi-talented Indian model and singer, who discusses her growing influence in both the fashion and music industries.

For those dreaming of escape, our travel section takes you to SINGITA LEBOMBO, SOUTH AFRICA—an exquisite blend of nature, luxury, and unforgettable experiences. Whether you’re planning your next adventure or simply escaping into the pages, this destination is bound to inspire.

Our shopping guide, VACATION MODE, is your go-to guide for effortless summer style. From breezy outfits perfect for lounging by the pool to sophisticated pieces ideal for a night out, we've curated everything you need for your next getaway. And, of course, we’re excited to bring you an in-depth look at FASHION WEEK STUDIO, where we unveil the first lineup of designers for PARIS FASHION WEEK. A sneak peek at what’s to come on one of the most anticipated stages in fashion.

As always, thank you for being part of the QP FASHION MAGAZINE family.

Here’s to a season of beauty, creativity, and bold new horizons.

Warmly, JOSE-MARIA JIMENEZ

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Editor-in-Chief // QPmag 4

IN THIS ISSUE 8-23| 24-39| 40-49| 50-63| 64-81| 82-85| 86-95| 96-109| 110-115| 116-117| 118-129| 130-141| 142-155| 156-157| 158-169|

EDITORIAL: RADIANCE UNVEILED EDITORIAL: TIKA CAMAJ INTERVIEW: THERESA GODDARD EDITORIAL: DESERT ESCAPADE COVER: MISHA SKOVA TRAVEL: SINGITA LEBOMBO, SOUTH AFRICA EDITORIAL: EXQUISITE INTERVIEW: ANTOINE VERGLAS EDITORIAL: EXOTICA SHOPPING GUIDE: VACATION MODE INTERVIEW: LARA DIZEYEE EDITORIAL: PEACH DE LA CRÉME INTERVIEW: AMIRA NOOR FASHION: FASHION WEEK STUDIO EDITORIAL: CALL OF A SIREN

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MODEL: MISHA SKOVA @mishaskova PHOTOGRAPHER: ANANDA MCCOY @anandapictures makeup artist: ERIKA AVENDANO @muavisions HAIR STYLIST: ERIKA AVENDANO @muavisions 7

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RADIANCE UNVEILED PHOTOGRAPHER: KRYSTLE LINA @krystlelina MODEL: MARIE-LAURE @marielauretomas_ AGENCY: THE INDUSTRY MODEL MANAGEMENT LA @theindustryla HAIR & MAKEUP ARTIST: ASHLEY PEACHES @peachglam_

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TIKA CAMAJ

PHOTOGRAPHER: ANTOINE VERGLAS @antoineverglas MODEL: TIKA CAMAJ @tikacamaj AGENCY: GENETICS MODELS MANAGEMENT @geneticmodels photographer´s assistant: MICHAEL PUSHKARSKIY @pushkarskiy_dp PRODUCER: LERA LOEB @leraloebfilms

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INTERVIEW

THERESA GODDARD THE JOURNEY OF A MODERN MUSE Interview by JOSE-MARIA JIMENEZ

Theresa Goddard is more than just a familiar face in global fashion capitals—she’s a symbol of grace, ambition, and staying power in an everchanging industry. Born and raised in Australia, Theresa’s modeling career began when she was just a toddler, thanks to a mother who recognized her early potential. By 17, she had already signed with a top agency in Milan, and by 18, she was jet-setting across the globe, walking the runways of Sydney, New York, London, and Paris. With striking features and a professional drive that commands respect, Theresa has captivated editors, designers, and photographers alike, landing the covers of Harper’s Bazaar, MAXIM, and Playboy—and that’s only the beginning.

In this exclusive interview with QP FASHION MAGAZINE, Theresa opens up about the realities behind the glamour: the dedication it takes to succeed, the evolution of the modeling world, and how she stays grounded in a high-stakes career. She speaks candidly about her love of Old Hollywood style, her preference for privacy despite a strong social media presence, and her dreams beyond the lens. From fitness rituals to fashion obsessions, Theresa Goddard proves she’s not just walking the runway— she’s defining it.

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heresa, can you take us back to the moment you were first discovered? What was going through your mind at the time?

Well, I’ve been a professional model my whole life.

My mum put me into modeling classes when I was a baby—I think my first modeling job was when I was 2 years old! But I remember the first time I got a call from my agent saying I’d been signed with a very big agency in Milan. I’ll never forget that moment—that’s when it really hit me that I could actually become a successful international model. I was 17, and I left home Australia at 18 to travel the world for my career… and I’ve never looked back!

feeling. I remember thinking, “I’ve made it.”

Being Australian, how do you think your background has influenced your approach to modeling and the industry at large?

Being Australian has definitely helped me. There aren’t as many international Australian models compared to Americans or Europeans, so I feel like if you make a name for yourself in Australia, you can take on the world! We’re also one of a kind—not many people look like us, and very few have the personalities and drive we do!

You’ve modeled everything from streetwear to haute couture. Do you have a favorite style or type of shoot?

Yes, of course! I love doing sexy, glamorous, Old Hollywood– style shoots. That’s one reason I love working with Antoine— his photography reflects that style, which I absolutely adore.

I also love beauty shoots, bridal, swimwear, high fashion—and of course, lingerie is my favorite!

How do you mentally and physically prepare for highpressure events like fashion week or global campaigns?

I train every single day and do a lot of cardio to stay toned and slim. I’m vegan/vegetarian, so I’m very health-conscious and strict about what I eat— especially when I’m preparing for a big fashion show or an important photoshoot.

You’re known for your professionalism. What do you think sets a truly great model apart in this industry?

Definitely taking your career seriously— being on time, putting in maximum effort on every shoot or runway, and being respectful to everyone on set. It’s about being a good person and staying committed. You need to be dedicated and determined every single day.

In the age of social media, how do you balance personal authenticity with a curated public image?

To be honest, I don’t really post much about my personal life. I mostly use social media for

“I think

my image is very versatile.

I can do One of my most memorable commercial moments was being asked to work for Playboy magazine and modeling, but to be featured in MAXIM. And of course, being on the cover of I can also do Harper’s Bazaar, and walking in Mercedes-Benz Fashion high-end Week in Sydney, New York, and London—those are moments I’ll fashion.” never forget.

You’ve worked with some of the most iconic designers in the industry. What has been the most memorable runway or campaign experience for you so far?

Your look blends ethereal grace with a strong edge. How do you think that duality has shaped your career?

Oh yes—I think my image is very versatile. I can do commercial modeling, but I can also do high-end fashion. I’m very lucky in that way because I’m tall (5’10”), very skinny, but I do have some curves, which allows me to do both.

That versatility has definitely helped open more doors in my career.

What was the first major fashion week you walked in, and how did it feel stepping onto that stage?

It was for Mercedes-Benz Fashion Week in Sydney—and it was just the most amazing

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work—casting calls, meetings, training, etc. I don’t share who I hang out with or my family much. I try to keep that private.

What’s something surprising or unexpected about life as a fashion model that people might not realize?

That the modeling industry is extremely ruthless. You have to be a strong individual and really believe in yourself. The industry can chew you up and spit you out. But if you have a dream and you’re dedicated, you can absolutely make it come true.

Who are some photographers or designers you’ve particularly connected with creatively, and why?

Definitely Antoine (Verglas)—he’s an incredible photographer. He’s so creative, open-minded, and passionate about what he does. That really shows in the work we create together.

Have you faced any challenges breaking into the international fashion scene, and how did you overcome them?

Absolutely. Coming from a small city, there wasn’t much work, and I knew I had to go overseas as soon as I could. That was terrifying—I didn’t know anyone. Plus, there were so many more models to compete with. But I had a dream, and I was determined to chase it no matter what. You have to believe in yourself, know that you’re beautiful and unique, and just keep fighting for what you want.

What advice would you give to aspiring models in Australia who want to make it on the global stage?

Believe in yourself, never give up, and stay dedicated. Don’t take no for an answer. I’ve had so many rejections and setbacks, but I kept going. I’m so proud of how far I’ve come.

What role does fashion play in your personal life outside of work? Are you a minimalist, a trend-setter, or something else entirely?

OMG—fashion is my life! I’m obsessed with it.

I’d say I’m elegant, sexy, glamorous—a total trendsetter. I love to have fun with what I wear and feel amazing in it.

From your experience, how has the modeling industry evolved in terms of diversity and representation?

The industry has changed so much since I started as a teenager. I’m not sure it’s all for the better, to be honest—I feel like some of what made modeling so iconic has been lost.

But it’s good to see it becoming more open in some ways.

What’s your favorite city to work in—Paris, Milan, New York, or Sydney—and why?

Definitely New York, then Miami, London, and of course Paris. Those are my favorites.

You’ve been in the industry for a while now.

How do you stay creatively inspired and avoid burnout?

I have been in the money industry my whole life.

Ever since I was a baby I’ve been a professional model. Modeling is my passion. I wake up every day so grateful that this is my career. I stay inspired by being myself and seeing other women succeed—it reminds me why I started and where I want to go.

If you weren’t a model, what career do you think you’d be pursuing today?

Still something in fashion, for sure—maybe a fashion designer, makeup artist, or something in the entertainment industry like acting or TV presenting. Who knows? Maybe one day i will be!

Can you share a behind-the-scenes moment from a shoot or show that’s stayed with you?

When I did a TV commercial in Mexico—that was such an incredible moment! The location was absolutely breathtaking.

What’s next for you? Are there any upcoming projects or goals you’re especially excited about?

Yes! I have several upcoming magazine covers, campaigns, and runway shows in the works. I’m really excited about what’s to come—and who knows, I might even be living in a new country very soon. I’m excited for my future and what it holds!

“I feel like some of what made modeling so iconic has been lost.”

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DESERT ESCAPADE PHOTOGRAPHER: YVES BRIGHT @photos_x_yves MODEL: BREEJETTE @breejette AGENCY: GENETICS MODELS MANAGEMENT @geneticmodels STYLING: GOMEZ-GRACIA LONDON @gomezgracialondon

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COVER

MISHA SKOVA

DESIGNING FREEDOM & SOUL Interview by JOSE-MARIA JIMENEZ

From escaping Soviet-era Czechoslovakia as a child refugee to building a global brand rooted in intention and artistry, Misha Skova’s life reads like a modern-day heroine’s journey. Her mother’s act of courage—fleeing with a young Misha to California in search of freedom—planted the seed for a lifelong pursuit of meaning, resilience, and beauty. Today, that same spirit is at the heart of everything Misha creates: from luxe beachwear and soulful yoga mats to empowering platforms for female entrepreneurs.

A former model turned gemologist and serial entrepreneur, Misha has redefined what it means to build a conscious brand. With SKOVA and SKOVA SOUL, she merges her love of travel, sustainability, and storytelling into vibrant lifestyle products that do more than inspire—they invite ritual, reflection, and freedom. In this exclusive interview, Misha opens up about the early experiences that shaped her, the soul behind her creations, and the wisdom she offers the next generation of women ready to lead with purpose.

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MODEL: MISHA SKOVA @mishaskova PHOTOGRAPHER: ANANDA MCCOY @anandapictures makeup artist: ERIKA AVENDANO @muavisions HAIR STYLIST: ERIKA AVENDANO @muavisions 64

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isha, your journey from Sovietera Czechoslovakia to California is deeply compelling. How has that early experience of seeking freedom shaped your vision as a designer and entrepreneur?

My journey from Soviet-era Czechoslovakia to California was shaped by my mother's brave choice to seek freedom when I was just five years old. Even though I was so young, the experience of fleeing our home and living as refugees profoundly impacted me. Watching my mom's incredible courage and passion to build a better life is ingrained deeply within my heart. It's the core of who I am today, guiding every creative choice and entrepreneurial decision I make. That chapter taught me strength, resilience, and empathy, qualities I carry forward in everything I do, both personally and professionally.

When I first launched SKOVA in 2008, my core vision was simple yet heartfelt—to create uniquely beautiful jewelry pieces inspired deeply by my travels around the world. I wanted each design to tell a story, bringing to life the cultures, textures, and colors that had moved me. It was also incredibly important to me that everything was crafted ethically, right here in the USA. Over time, as the brand expanded into beach and lifestyle products, this vision naturally evolved to encompass a broader celebration of adventure, wanderlust, and the joy of living a vibrant, meaningful life. Today, SKOVA continues to reflect my original passion for travel and authentic storytelling, now embracing a lifestyle that inspires everyday luxury, connection, and exploration.

The SKOVA brand has become synonymous with luxury travel essentials. What inspired you to focus on vibrant towels, blankets, and umbrellas as signature pieces?

Living in California, especially by the beach, has been an endless source of inspiration. The sunshine, surf, and relaxed way of life here naturally influenced me to evolve SKOVA into a beach lifestyle brand. I wanted to capture that effortless California spirit in vibrant towels, beautifully designed umbrellas, and swim pieces that blend luxury with everyday ease. Each item is thoughtfully created to reflect the joy, freedom, and casual elegance of coastal living, helping people everywhere embrace their own moments in the sun.

You later introduced SKOVA SOUL, integrating wellness and spirituality. How do you balance business strategy with soulful intention in your product design?

I created SKOVA SOUL as its own unique entity, with the heartfelt intention to empower women through my brand and designs. It was deeply important to me to give women the opportunity not only to enjoy beautiful products but also to build their own businesses by selling pieces they genuinely connect with. Balancing

“Watching

my mom's incredible courage You began your career in front of the camera as a model. and What lessons from the runway informed your transition into passion brand building and design?

Starting my career as a model gave to build a me a front-row seat to creativity, storytelling, and the power of visual better life impact. The runway taught me how to confidently express myself and truly embrace authenticity. is ingrained It also showed me the incredible deeply detail and intention behind every successful brand—from within the importance of aesthetics and design to communicating a clear, my heart.” powerful message. Those lessons became the building blocks when I transitioned into creating my own brands. I learned that genuine connection, authenticity, and storytelling are everything. Today, I approach my designs with that same passion for storytelling, knowing that behind every product is a narrative waiting to inspire and empower.

When you first launched SKOVA in 2008 as a high-end jewelry line, what was your core vision—and how has it evolved with the brand’s expansion into beach and lifestyle products?

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business strategy with soulful intention came naturally because at the heart of SKOVA SOUL was always empowerment, community, and authenticity. Every decision and design choice reflects a commitment to uplifting others and providing meaningful ways for women to thrive personally, spiritually, and financially.

Your collaboration with LACAUSA and commitment to U.S.-based ethical production is powerful. What does true sustainability mean to you in the fashion world today?

My partnership with LACAUSA goes far beyond brand building, design, art direction, and leadership—it's deeply personal. What truly moves me about LACAUSA is its core mission: ethical production made right here in the USA, a passionate commitment to sustainability, and the thoughtful use of upcycled materials. To me, true sustainability in fashion means transparency, intentionality, and responsibility at every stage—from sourcing materials and production methods to how we engage our communities. It’s about creating beautiful, timeless pieces that respect our planet and uplift those who create them. Sustainability isn’t just a concept— it's a lifestyle and a commitment to making conscious, lasting choices that honor both people and the environment.

As a GIA-certified designer, how does your gemological background continue to influence your creative process, even beyond jewelry?

Being a GIA-certified designer means I carry a deep appreciation for detail, craftsmanship, and quality into everything I create—not just jewelry. My gemological background taught me precision, patience, and how to truly see and appreciate beauty in its purest forms. Whether I'm designing textiles, beach accessories, or lifestyle products, I still approach each piece as if it's a gem, thoughtfully considering every element from color and texture to structure and story. It has instilled in me an intuitive sense for elegance and authenticity, qualities that consistently guide my creative process across all my work.

La Vie Boheme Yoga revolutionized the yoga space with its artistic mat designs. What sparked the idea, and how did you balance aesthetics with functionality?

La Vie Boheme Yoga started from my passion for art, yoga, and self-expression. I wanted to create yoga mats that felt like personal canvases, inspiring people to connect deeply with their practice while also reflecting their own unique style. It was important to me that the mats weren't just beautiful, but genuinely functional and high-quality—providing comfort, grip, and durability. Balancing aesthetics with functionality meant carefully selecting materials, testing each design thoroughly, and listening to what yogis truly needed. My goal was always to empower people to feel inspired, grounded, and joyful on their mats, transforming yoga from a routine into an artistic and deeply personal ritual.

Your work spans multiple industries—fashion, wellness, activism, and branding. How do you stay grounded while managing such diverse creative ventures?

Staying grounded is essential for me, especially since I'm always juggling multiple passions across fashion, wellness, activism, and branding. Meditation and yoga have long been practices that keep me balanced and connected to myself, and recently, I've added Pilates every other day, which has been incredible for both my body and mind. Taking daily walks to the beach with my little dog Astro is something I deeply cherish—it brings me peace and joy.

I also just got back into running this year, reconnecting with a passion from my younger days when I ran competitively in cross country.

This summer, I completed two half marathons, and I'm so excited about my goal to race in one every month. When life gets especially busy, I love treating myself to massages, traveling to inspiring places, and enjoying detox getaways to reset. These rituals truly help me recharge, refocus, and stay aligned with who I am.

You’re a vocal advocate for refugees and female entrepreneurship. How does your

“Sustainability isn’t just a concept—it's

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a lifestyle and a commitment to making conscious, lasting choices that honor both people and the environment.”

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personal story inform your activism and the timelessness in your designs? causes you support?

In a world dominated by fast fashion and fleeting My personal journey deeply influences my trends, I believe the key to timelessness is staying advocacy because I've felt firsthand how true to uniqueness and authenticity, rather than precious freedom truly is, and I understand simply chasing what's trending. I often look how scary and disorienting life becomes when back into history, drawing inspiration from it's taken away. Growing up and being a refugee cultures and traditions that have stood the test of at a point in my life made me incredibly aware centuries. To me, it's important and meaningful that there are still so many people struggling to revive these rich, historical influences and in this world—people who don't have the translate them into fresh, modern designs that basic freedoms and opportunities we often resonate today. By blending past and present, I take for granted in developed countries. It's aim to create pieces that feel both timeless and heartbreaking that in places even close to deeply personal, carrying stories forward in a home, like Cuba or parts of Eastern Europe, beautiful, lasting way. communities still face oppression. Everyone How do you define "luxury" today—especially deserves a chance at a better life—to be able as it intersects with conscious living and to dream, grow, and thrive individually. My sustainability? experiences fuel my passion to advocate For me, luxury today goes far beyond elegance or fiercely for refugees and female entrepreneurs, exclusivity—it's deeply connected to conscious empowering them to reclaim their stories and living, mindfulness, and sustainability. True pursue lives filled with possibility and hope. luxury is about thoughtful creation, responsible Tell us about BrandBloom360. What gap did sourcing, and products crafted with intention you see in the industry that led to its creation, and integrity. It's choosing quality over and how are you using it to empower emerging quantity, investing in pieces that not only feel entrepreneurs? special but also make a positive impact on our I created BrandBloom360 because I saw planet and communities. Luxury, in my eyes, firsthand how challenging it could be for is aligning our values with what we wear and emerging entrepreneurs to bring their vision use every day, embracing beauty and comfort to life. There was a clear gap in the industry without compromising our commitment to for genuine, holistic support—from initial sustainability. concept and design all the way to launching Your aesthetic feels like a visual celebration of and scaling a brand successfully. My own freedom, wanderlust, and the sacred feminine. experiences taught me the importance of What are some of your biggest creative authentic storytelling, thoughtful branding, influences? and strategic marketing, and I wanted to share My aesthetic truly comes from my heart—it’s that expertise. BrandBloom360 empowers deeply inspired by freedom, adventure, and entrepreneurs by guiding them step-by-step, celebrating the beauty and power of the sacred giving them clarity, confidence, and practical feminine. My biggest creative influences have tools to make their dreams a reality. My goal always been the places I've explored during my is to uplift others, helping them bloom into travels, the incredible cultures I've immersed their fullest potential, and build brands that PHOTOGRAPHER: KENT @kentaveryphoto myself in, and the strong, inspiring women resonate deeply and authentically in AVERY the I've met along the way. Nature itself is one MODEL: CAITLYN MWENIFUMBO @bby_cai marketplace. of my greatestLA teachers—its colors, textures, AGENCY: THE INDUSTRY MODEL MANAGEMENT @theindustryla In a world of fast fashion and fleeting and rhythms deeply inspire my designs. I STYLIST: HANNAH @hannahkerrri trends, how do youwardrobe approach longevity and KERRI also draw from history, art, spirituality, and

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advocate fiercely for refugees and female entrepreneurs, empowering them to reclaim their stories and pursue lives filled with possibility and hope.”

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the empowering stories of women who’ve honestly, it's taught me so much about resilience, embraced their true selves fearlessly. Every patience, and staying true to my vision. Some creation of mine is a reflection of these of the toughest lessons I've learned are about influences, hoping to inspire others to live continuing forward, even when things feel authentically, boldly, and beautifully. overwhelming or uncertain. I've learned you truly can't ever give up—your passion is your What is your relationship with travel and strongest asset. If you deeply love what you're nature, and how do those experiences translate doing, it fuels you to push through challenges, into your collections? adapt, and keep evolving. Staying passionate Travel and nature are everything to me—they’re and authentic in everything I do has been the truly at the heart of who I am and deeply woven guiding force that's helped me grow personally into my soul. Exploring new places, meeting and professionally, even during the hardest different people, and immersing myself in moments. diverse cultures fills me with endless inspiration What advice would you give to young women and creativity. Nature grounds me; it gives me seeking to build a brand that is both profitable clarity, peace, and constant wonder. Whether and purpose-driven? it's the colors of a sunrise over the ocean, the textures of a lush rainforest, or the vibrant energy My advice to young women building a brand of bustling marketplaces, these experiences that's both profitable and purpose-driven is translate directly into my collections. My designs simple and heartfelt: stay authentic, trust your become stories of the places I've visited, each intuition, and never lose sight of your passion piece holding the essence of adventure, freedom, and values. Build something you're genuinely and connection. Through my work, I hope to excited about, and make sure it aligns deeply inspire others to explore, dream, and embrace with your personal purpose and the impact you the beauty around them. want to create in the world. Surround yourself with supportive, inspiring people, learn to Many of your products—yoga mats, towels, adapt and pivot when necessary, and always accessories—invite ritual and self-care. How stay open to growth and learning. Above all, do you hope your pieces are used in people’s remember your unique voice is powerful—let everyday lives? it guide you in everything you create.

I truly believe self-care and rituals are essential Looking ahead, what new directions or projects to feeling balanced and fulfilled. When I are you most excited about in your personal create yoga mats, towels, and accessories, my journey or through the SKOVA brand? intention is that these pieces become more than just beautiful items. I want them to be Looking ahead, I'm really excited about what's a part of daily moments where people pause, next—I’m currently rebranding SKOVA and reconnect with themselves, and cultivate inner have taken some time to step back, reflect, and peace. Whether it's practicing yoga, relaxing redefine the brand's vision. It's been amazing on a beach towel at sunset, or simply taking to reconnect with my core values and creativity. a moment to breathe, I hope my designs I'm especially thrilled about launching our new encourage mindfulness, joy, and self-love. My swim and beach lifestyle collection in 2026. wish is that each product brings comfort and This line is deeply inspired by the sunshine, inspiration, becoming a meaningful part of the ocean, and the free-spirited lifestyle that someone's daily journey toward wellness and I@kentaveryphoto cherish. It feels like the perfect next chapter, PHOTOGRAPHER: KENT AVERY self-discovery.and I can't wait to share it with everyone!passion MODEL: CAITLYN MWENIFUMBO @bby_cai to advocate fiercely for refugees and female Building a brand takes grit, patience, and AGENCY: THE INDUSTRY MODEL MANAGEMENT LA @theindustryla entrepreneurs, empowering them to reclaim clarity. What are some of the toughest lessons STYLIST: HANNAH KERRI @hannahkerrri their stories and pursue lives filled with you've learned as anwardrobe entrepreneur? possibility and hope.

HAIR AND Makeup ARTIST: KESHA @keshabyme Building a brand is an incredible journey, and

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TION:

“Travel and nature are everything to me,

they’re truly at the heart of who I am and deeply woven into my soul.”

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Vintage dress CUSTO BARCELONA Ring ONYX RING

BY ROBERT PROCOP

Finally, what does legacy mean to you, and how do you hope your story continues to inspire others in fashion, business, and beyond?

To me, legacy is about inspiring others to live with courage, passion, and purpose.

I'm deeply committed to growing my nonprofit, which is truly at the heart of my life's mission—supporting and empowering women and girls who have experienced human trafficking. Through this work, I hope to offer healing, strength, and opportunities for these brave survivors. I also hope that my journey in fashion, business, and activism others—especially women—to PHOTOGRAPHER: KENT AVERYmotivates @kentaveryphoto fearlessly pursue their dreams, trust their MODEL: CAITLYN MWENIFUMBO @bby_cai own voices, and create meaningful change AGENCY: THE INDUSTRY MODEL MANAGEMENT LAgreatest @theindustryla in the world. My wish is to leave wardrobe STYLIST: HANNAH KERRI behind @hannahkerrri something lasting that encourages authenticity, resilience, and compassion.

HAIR AND Makeup ARTIST: KESHA @keshabyme

LOCATION: DECLAN @5thletter

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Hat LACK OF COLORS Burned orange cashmere sweater HELMET LANG Shorts CHLOE Leather heels CHLOE

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“My greatest wish is to leave behind

something lasting that encourages authenticity, resilience, and compassion.”

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TRAVEL

SINGITA LEBOMBO LODGE SOUTH AFRICA

WILDERNESS, REDEFINED

BY JOSE-MARIA JIMENEZ

High above the N’wanetsi River in a private concession of South Africa’s legendary Kruger National Park sits a lodge unlike any other—Singita Lebombo. A place where cutting-edge design meets the wild African frontier, where lions roam freely below cantilevered glass suites, and where sustainability is not a side note but the very foundation of luxury.

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PHOTOS WWW.SABISANDSGAMERESERVE.COM

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ARRIVAL: INTO THE UNTAMED

Your journey begins with a bush plane landing on a private airstrip, followed by a welcome chilled rooibos infusion and warm smiles that feel anything but performative. As you are guided into the main lodge—a sleek architectural marvel suspended over the river—you realize immediately: this is not glamping.

This is nature, elegantly distilled.

The first fashion cue? Understated luxury.

Think Gabriela Hearst linen jumpsuits, Toteme neutrals, and handmade slides by Emme Parsons. You’ll need safari-ready comfort, but always camera-ready grace.

WHERE TO STAY: GLASS CUBES IN THE SKY

Singita Lebombo's 13 suites float like lanterns among cliffside trees, their glass walls blurring the line between inside and out. Minimalist yet warm, each suite features natural textures, woven textiles, and panoramic views that make you feel as though you're alone in the wilderness— yet wrapped in the arms of elegance.

Each suite opens to a private deck with a daybed where you might read, nap, or sip a sundowner while elephants pass below. Pack a neutral-tone cashmere wrap by Loro Piana and oversized Céline sunglasses for golden hour lounging.

MORNING GAME DRIVES

Dawn begins with soft knocks on your suite door and coffee delivered in a leathertrimmed tray. Soon, you're bundled into a Land Rover with a tracker and guide, setting off in search of lions, leopards, rhinos, and the elusive cheetah. Dress in safari tones—khaki, ivory, burnt orange— with pieces from Nili Lotan or Filippa K, and don’t forget a wide-brimmed straw hat.

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BUSH BREAKFASTS & MIDDAY LOUNGING

After the drive, dine alfresco on steel-cut oats with Amarula cream, or poached eggs and grilled pap. Midday is for lounging by the rock-fringed lap pool, a curated library, or booking a Sotho salt stone massage at the spa.

Style it down to a Zimmermann sarong, a bonded jersey swimsuit by Eres, and a woven tote from Dragon Diffusion.

EVENING DRIVES & BOMA DINNERS

The magic hour belongs to the bush—when golden light hits the grasslands and lions stir. As darkness falls, return for cocktails around a firepit, then feast under the stars in the traditional Boma, with dishes like wild game carpaccio and mopane worm hummus (surprisingly divine).

Dinner attire? Silk midi dresses from Johanna Ortiz, paired with artisan beadwork jewelry sourced from local cooperatives.

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SUSTAINABILITY IN MOTION

Singita Lebombo is a leader in sustainable tourism. From solar-powered operations and zero single-use plastics to a community culinary school that empowers local youth, every detail serves a deeper mission. The lodge is not only carbonneutral—it actively contributes to conservation across 33,000 acres of protected land.

Fashion-wise, this is the place to bring ethically sourced resortwear. Brands like Māsa Mara, Mara Hoffman, or Another Tomorrow blend beautifully with the lodge’s ethos.

FINAL THOUGHTS: A NEW KIND OF LUXURY

Singita Lebombo proves that luxury today isn’t about excess—it’s about meaning. It's about silence at sunrise, the thrill of eye contact with a lion, and the comfort of knowing your travel footprint nurtures the very land you admire.

You’ll leave with more than just memories—you’ll carry a softened pace, a richer perspective, and the lingering scent of marula wood and warm winds.

QP-APPROVED PHOTO MOMENTS TREEHOUSE-STYLE SUITE AT DUSK – sheer white dress, hair tied in a silk scarf, the bush in silhouette OUTDOOR SHOWERS – minimalist swimwear, bare feet, morning light GAME DRIVE JEEP SHOTS – classic trench, binoculars, and natural glam BUSH SUNDOWNER SETUP – hand-woven blanket, brass lanterns, glass of rosé, statement sunglasses

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White shirt MARCIANO Black shorts SPANX Black pumps MARCIANO Sunglasses VERSACE

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White shirt MARCIANO Black shorts SPANX Black pumps MARCIANO

EXQUISITE PHOTOGRAPHER: BELVA CHAN @belva_chan MODEL: KATIE BOZNER @realkatiebozner AGENCY: ASTON MODELS @astonmodels HAIR AND Makeup Artist: REYNA KHALIL @REYNAKHALIL

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White shirt MARCIANO Black shorts SPANX Black pumps MARCIANO Sunglasses VERSACE

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Long tan coat AVEC LES FILLES Snake skin dress REVOLVE X MICHAEL COSTELLO Clear strappy heels BEBE Sunglasses CHANEL

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Long tan coat AVEC LES FILLES Snake skin dress REVOLVE X MICHAEL COSTELLO Clear strappy heels BEBE Sunglasses CHANEL

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INTERVIEW

ANTOINE VERGLAS

THREE DECADES BEHIND THE LENS Interview by JOSE-MARIA JIMENEZ

From the sound stages of French television to the sunlit lofts of Manhattan, Antoine Verglas has spent over 30 years capturing beauty in its most honest form. Born and raised in Paris, Verglas’ early exposure to the world of modeling and celebrity interviewing laid the groundwork for a photographic approach that would later revolutionize fashion editorials in the 1990s. His now-iconic "Verglas Signature"—a blend of candid intimacy, sensual realism, and natural light—helped redefine the visual language of fashion by bringing vulnerability and authenticity to the forefront.

In this exclusive interview for QP, the celebrated photographer opens up about his journey from in front of the camera to behind it, the emotional depth of photographing his first muse, and why he still prefers a burst of backlight over studio strobes. Reflecting on his collaborations with supermodels like Claudia Schiffer and Cindy Crawford, and offering candid insights into how the digital age has reshaped the industry, Verglas also teases a major retrospective project and shares what continues to ignite his creative fire after decades at the top.

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rowing up in Paris and later working in television, how did those early experiences shape your eye for photography and storytelling?

Growing up in Paris doing a bit of modeling working with a lot of photographers in many different studios, leading me to do a bunch of TV commercials and then hosting a TV show on Channel 5 in France about music and movies, interviewing celebrities, really helped me in becoming a fashion and portrait photographer.

What was it like transitioning from being in front of the camera—as a model and TV host—to behind it?

My natural shyness definitely prefers the behind camera placement.

Your first muse was Catherine Ahnell. What did photographing someone so close to you teach you about intimacy in imagemaking?

“I fancy

unexpected moments that create memorable pictures.”

It makes it easier to start with someone you know really well. You can test and explore more, spend more time with your subject.

You’re known for pioneering a candid, naturallight style in fashion photography during the 1990s. What inspired you to break away from the heavily staged aesthetics of that era?

The lack of big budget when you start the proximity to the subject. not a big team around and the candid boyfriend close friend approach.

How would you define the “Verglas Signature” today, and has it evolved over time?

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A natural sensual beauty approach that never left me.

When capturing iconic supermodels like Claudia Schiffer or Stephanie Seymour, how did you build trust to reveal those unguarded moments?

Creating intimacy proximity humour.

What does your ideal shoot look like—from concept to execution?

There is no one ideal photoshoot, many of them depending on the team involved. I fancy unexpected moments that create memorable pictures.

How do you strike the balance between commercial direction and artistic freedom in your photography?

Always keeping a good mix as much as I can.

You often work with natural light. What do you find most powerful or symbolic about it?

It is true I really love daylight, sun backlight. Contrasty lighting for me its less contriving. It gives more flexibility and can create accidental great pictures when natural lighting changes abruptly.

In your view, what’s changed most about fashion photography since the 1990s, for better or worse?

First analog to digital, digital retouching, post production, e-commerce photography, cellular phones, Instagram , social media ….no more mystery …instant results. Everybody is a photographer …I miss the polaroids time, the development of films, etc…. and now AI…. that´s a total virtual new world.

Your work has been featured in Elle, Vogue, GQ,

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MELANIA TRUMP PHOTO: ANTOINE VERGLAS

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CINDY CRAWFORD PHOTO: ANTOINE VERGLAS

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Maxim, and Sports Illustrated. What makes a magazine collaboration stand out to you?

The report between an art director and the photographer. The trust between the 2 of them.

What do you think today’s fashion photographers can learn from the era of the supermodel?

It´s a different world …supermodels being replaced by models/super influencers. It is always good to know and revisit grand photography from the past and get inspired by it using the new technology of today.

You co-founded Calypso St. Barth, which grew into an international lifestyle brand. How did that experience inform your creative vision beyond photography?

My partner was the true DNA of that brand. I was just helping out in different areas.

You’re involved in ventures like Clic and Hudson Studios. What excites you most about the intersection of art, commerce, and space today?

I realised very early on that great or famous photographers were great businessmen. As a photographer you must create your own brand style that you need to market.

One of your photographs sold at Phillips de Pury for a record-breaking price. How does it feel to see your work enter the fine art world?

Fine art photography is defintely another route and strategy than commercial fashion

photography. I think it is importtant for every photographer to explore that route.

You split your time between Montauk, St. Barth, New York, and Paris. How do these places influence your aesthetic and energy as a creator?

Travelling is always a source of inspiration.

London, Milan, Paris, St. Tropez, Los Angeles, Marrakech, Mexico, etc are always a source of fashion inspiration through the streets, movies music, art, etc...

What keeps you inspired after decades in the business?

I just love what I do and I am always curious of what´s new in our industry.

Who are some contemporary photographers or creatives you admire right now?

Honestly, there are too many photographers I admire to list them all and I don´t want to omit so many of them. As a creative force of nature, I have always been a big fan of the multi-talented Fabien Baron.

If you could photograph any person—living or historical—who would it be and why?

I have always been a fan of Madonna for her ability to reinvent herself creatively.

What’s next for Antoine Verglas? Are there any new projects, exhibitions, or collaborations on the horizon?

An exhibition and a retrospective book for my 30 years in photography.

“I have always been a fan of Madonna for her ability to reinvent herself creatively.”

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ANGELINA JOLIE PHOTO: ANTOINE VERGLAS

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CLAUDIA SCHIFFER PHOTO: ANTOINE VERGLAS

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HEIDI KLUM PHOTO: ANTOINE VERGLAS

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GISELE BÜNDCHEN PHOTO: ANTOINE VERGLAS

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ANTOINE VERGLAS AT WORK

“As a photographer you must create your own brand style that you need to market.”

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Dress JESSICA BARA

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EXOTIC

PHOTOGRAPHER: OLLY VENTO @ollyvento MODEL: RASHMI @rashmirashmi FASHION STYLIST: CHRISTINA BARRON @christinamiamistylist Makeup Artists: LINA ZUNIGA @linazunigaofficial & NATALIA NOSOKAS @nataliiamakeupartist HAIR STYLISTS: YULIIA YEFREMENKO @juls.passion & NATALIA NOSOKAS @nataliiamakeupartist 111

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Red rumi coat & netting top HEIKE NY from CONFESSIONAL SHOWROOM MIAMI

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Gown CONFESSIONAL SHOWROOM MIAMI Jewelry CHANEL

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Faux leather square neck mini dress HDE

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Faux leather square neck mini dress HDE

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SHOPPING GUIDE

VACATION MODE RESORTWEAR PICKS FOR JET-SETTERS

Whether you’re bound for Capri, Tulum, or the Amalfi Coast, vacation dressing is no longer just about what looks good on the beach. Today’s jet-set wardrobe blends relaxed elegance with effortless glamour — think elevated cover-ups, chic co-ords, and accessories that scream “I don’t do economy.” From flowy linen sets to statement sunglasses, here are 10 handpicked pieces to pack in your carry-on (or checked Louis Vuitton trunk).

ZIMMERMANN SCARBOROUGH MIDI DRESS

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CULT GAIA SERITA CUT-OUT MAXI DRESS

Perfect for: Sunset dinners, beachfront soirées, and villa lounging.

Style Tip: Wear with nude sandals and a soft updo for a romantic silhouette.

Perfect for: Day-to-night transitions with zero effort.

Style Tip: Add platform espadrilles and a woven clutch.

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CELINE TRIOMPHE OVERSIZED SUNGLASSES

Perfect for: Blocking sun and paparazzi flashes alike.

Style Tip: Let them be the statement with a sleek bun and lip gloss.

STAUD JODIE RAFFIA AND LEATHER PLATFORM SANDALS Perfect for: Giving height on uneven cobblestones.

Style Tip: Wear with maxi dresses or wide-leg trousers.

$510

HUNZA G PAMELA SWIM – EMERALD

Perfect for: Bold beach days and layering under linen pants.

Style Tip: Treat it as a bodysuit—pair with a printed sarong and gold hoops.

SUMMER STYLE

$495

JOHANNA ORTIZ LUMINOSITY SKIRT

Perfect for: Evening strolls along the beach or dinner at a chic seaside restaurant.

Style Tip: Pair with a silk camisole and layered necklaces.

$240

JANESSA LEONE JUDE PACKABLE HAT

Perfect for: Maximum sun protection with a sleek, chic vibe.

Style Tip: Pair with a beach-ready linen dress or chic sunglasses.

$253

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INTERVIEW

LARA DIZEYEE

A COUTURE JOURNEY FROM KURDISTAN TO THE WORLD Interview by JOSE-MARIA JIMENEZ

In a world where fashion often rushes to the future, Lara Dizeyee looks inward—toward memory, emotion, and heritage. Born in Vienna, raised in the U.S., and now based in Erbil, the Kurdish designer brings a rare and layered perspective to couture. Her work isn’t just about garments—it’s about storytelling. With each collection, Lara weaves together the elegance of her culture and the complexity of her identity, creating pieces that feel like whispered histories worn with power.

In this exclusive interview with QP FASHION MAGAZINE, Lara opens up about the soul behind her designs—from the dreams that pulled her away from a career in oil and gas, to the fabric-laced tributes she crafts in honor of Kurdish resilience, womanhood, and memory. With her upcoming Milan show on the horizon, she reflects on fashion as both resistance and rebirth, and the responsibility of being a voice for a culture often unseen in global fashion narratives.

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ou’ve called your work “a tribute to resilience, beauty, and belonging.” How has your personal journey—born in Vienna, raised in the U.S., now based in Erbil—influenced the soul of your collections?

My collections are rooted in that duality: East and West, past and present, tradition and modernity. They speak to the part of us that wants to belong while still standing out, that has been through hardship but chooses to create beauty anyway.

Resilience, beauty, and belonging aren’t just words to me, they’re lived experiences. And through my work, I try to honor that journey, not just mine, but the collective story of those who carry culture in their bones and dreams in their eyes.

just unseen, is the depth of Kurdish identity.

People often associate us with struggle, politics, or conflict. But there’s so much more. There’s poetry. Elegance. Grace. Pride. There’s a quiet strength that lives in our women, and a fierce beauty that runs through our traditions.

In global fashion, we’re rarely portrayed as refined, modern, or powerful. But we are all of those things and more. Through my work, I try to show the world that Kurdish culture is not only resilient but also rich in artistry, emotion, and story. I want people to feel who we are, not just see us through headlines, but through hand stitched fabric, movement, and meaning.

Your collections are rich with symbolism and emotion. How do you approach the balance between honoring heritage and making it resonate with global, modern audiences?

It’s something I think about constantly, how to honor where I come from while speaking to the world in a way that feels current and alive.

For me, it starts with intention. I don’t just use cultural elements because they’re beautiful, I use them because they carry stories, emotions, memories.

Every stitch, every silhouette is a tribute to something deeper: our resilience, our pride, our history.

But I also believe that heritage is not something frozen in time.

It’s living, evolving. So I let it breathe. I translate it through modern cuts, luxurious fabrics, and a global lens, so that someone in Milan, New York, or Tokyo can feel it, even if they don’t fully understand it.

At the heart of it, I want my work to be a bridge between past and future, between my world and yours. Because I believe that when it comes from the soul, it will always find a way to connect.

How do you ensure authenticity while reinterpreting traditional Kurdish costumes for the runway?

For me, authenticity starts with respect. I don’t

“Leaving a

stable career What was the defining moment in oil and gas that made you transition from wasn’t easy, a successful career in the oil and gas sector to the world of haute couture? but this felt Honestly, I didn’t choose bigger than fashion, fashion chose me. The designs just wouldn’t leave me alone. They kept living in my me. It felt like imagination, whispering “Show purpose.” us. Let the world see us.”

I would close my eyes and see them, strong, bold, full of heritage and emotion. At some point, I realized I couldn’t ignore them anymore. I had to listen, to them, and to my own heart.

Leaving a stable career in oil and gas wasn’t easy, but this felt bigger than me. It felt like purpose. Like something I had to give life to.

So I followed the calling, and here I am.

You design with a deep sense of cultural storytelling. What aspects of Kurdish identity do you feel are most misunderstood or underrepresented in global fashion?

I think what’s most misunderstood, or maybe

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see Kurdish costumes as just inspiration, I see them as sacred. They carry generations of stories, craftsmanship, and identity. So when I reinterpret them, I do it with deep love, care, and responsibility.

I study the details, the textures, the symbols… and I ask myself, “What is the story behind this?

What emotion does it carry?” I’m not trying to modernize for the sake of trend, I’m trying to translate something ancient into a language the world can understand today.

My goal isn’t to change the essence. It’s to let it evolve, gracefully, proudly, without losing its soul. That’s what makes it authentic. Not because it looks exactly like the past, but because it honors the past in a way that keeps it alive.

What role does language—your fluency in five—play in shaping your multicultural design sensibility?

Language helps me connect, deeply and easily.

Being fluent in four languages allows me to understand different people, emotions, and ways of seeing the world. It opens doors, not just in conversation, but in feeling.

That connection naturally shapes my design sensibility. I can pull from many cultures, listen closely to their stories, and translate them into something visual and meaningful. It’s like speaking with fabric, each piece becomes a bridge between worlds.

Walk us through your design process. Where does a Lara Dizeyee couture piece begin: in history, in nature, in feeling?

It all begins with a feeling, and often, with a memory. Many times, it starts with my family, especially my grandmother. I carry her strength, her softness, and her quiet pride with me. I remember the way she wore her clothes, how every piece had meaning, how beauty and dignity were never separate.

From there, it grows. Sometimes it’s a piece of history that calls me, a story I feel needs to be

retold. Other times, it’s nature, how a mountain moves, how light hits fabric like a whisper. But always, it’s emotional. I design from the heart first, then the hand.

Each Lara Dizeyee piece holds something personal: a truth, a memory, a tribute. That’s why it resonates. Because it’s not just fashion, it’s a feeling you can wear.

Many of your pieces are described as poetic.

Do you write, sketch, or dream your collections into existence first?

I actually write to my designs, I speak to them, name them, and they start to come alive in my mind. Each one begins as a feeling, a scene, or even a sentence. They become like little souls to me. Sometimes I sketch them, sometimes I just see them so clearly in my imagination that I know exactly what they’re meant to be.

They’re never just clothes, they’re emotions.

That’s why people who wear my designs often tell me they feel different… confident, powerful, more beautiful even emotional.

And that’s the greatest gift to me, knowing that something I created from the heart could awaken something in someone else.

How do you source your fabrics and collaborate with artisans to preserve and elevate traditional craftsmanship?

In the past, I’ve sourced fabrics from local stores in Kurdistan and sometimes online, always searching for textures that speak to both heritage and modernity. It doesn’t always have to be a traditional Kurdish pattern. I love mixing old touches with fresh, contemporary fabrics to create something that feels timeless yet current.

For my Milan Fashion Show, I’ve had the pleasure of collaborating with Hezhin Boutique in Erbil, one of the leading fabric houses here. I truly admire their quality, and Mrs. Hezhin Barzani went above and beyond to help me find the exact fabrics I had envisioned for this collection.

When it comes to craftsmanship, I deeply value working with artisans who understand the soul

“Each Lara Dizeyee piece holds something personal: a truth, a memory, a tribute.”

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behind the work. It’s not just about preserving tradition, it’s about evolving it with intention and care. That collaboration between the past and the present is where the magic happens.

You incorporated a lot of traditional jewelry in your Paris show—what can we expect in terms of jewelry for your upcoming Milan show?

Yes, I used a lot of traditional Kurdish jewelry in my Paris show, but I also blended it with modern pieces to create contrast and depth.

For Milan, every piece of jewelry is custom-made to complement each design. I’ve collaborated with two incredibly talented jewelry artists.

The first is Al Azeez, a brand launching its official collection in October 2025. I’ve selected some of their bold statement pieces for my show, they’re fashion-forward, innovative, yet still rooted in the soul of Kurdish heritage.

The second is Muna Darman, who brought my vision to life through custom headpieces, brooches, and other exquisite accessories designed specifically for this collection.

I love collaborating with other artists, it’s a way to celebrate their craftsmanship and bring more dimension to the storytelling on my runway.

The Dream Collection was your debut. Looking back, what dream did that collection realize for you personally and professionally?

Every dream begins as a thought, and I’ve always been a dreamer by nature. But I’m also someone who believes in doing the work to bring that dream to life. The Dream Collection was deeply personal because it was exactly that: me stepping into my vision, turning a dream into reality.

Personally, it was about trusting my voice and finally sharing it with the world. It was emotional, vulnerable, and powerful.

Professionally, it proved to me that the journey of making your dream come true really does begin from within. Once you take that first

brave step, the rest unfolds, and the sky truly becomes the limit. That’s why I named it The Dream Collection, because it was more than fashion, it was a beginning.

With your Fire Collection, you paid tribute to the Women, Life, Freedom movement. What did designing that collection teach you about fashion as a form of resistance?

Fashion, to me, is a way of expressing what words sometimes can’t, a form of art that speaks through fabric, movement, and presence.

When I designed Women, Life, Freedom, I didn’t look at it as just a design. I was drawing a message. It had to be that, and it became that. It was no longer about aesthetics; it was about voice, truth, and memory. A statement. A tribute to courage, to pain, to hope, and to the unshakable belief that things will get better.

That collection taught me that fashion can be a form of resistance. It can carry the weight of a struggle and still shine with pride. It reminded me that even in the darkest moments, there’s power in not giving up, power in choosing to rise, to be seen, and to be heard.

The upcoming Milan Enchanted Collection is said to be mystical and modern. What stories or sentiments can we expect to see take shape on the runway in September?

The Milan Enchanted Collection is deeply personal, I’ve poured my whole heart into it.

It’s not just a collection; it’s a reflection of me.

It holds my joy, my sadness, my moments of strength, and my moments of doubt. Every piece is full of emotion, each one tied to something meaningful in my life or to symbols that carry the soul of Kurdistan.

It’s a tribute to our past, present, and future. To love and to loss. To resilience and rebirth.

This show is about storytelling, through fabric, through movement, through presence. My hope is that no matter where someone comes from, they’ll feel something. Because this collection

“The Milan Enchanted Collection is deeply personal, I’ve poured my whole heart into it. It’s not just a collection; it’s a reflection of me.”

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isn’t just about fashion, it’s about being human.

And I think that’s something we all share.

As the first Kurdish designer to present a culturally rooted collection in Paris, how did that milestone impact your sense of responsibility as a cultural ambassador?

It was an incredible honor, and a deep responsibility. Being the first Kurdish designer to present a culturally rooted collection in Paris wasn’t just a personal milestone; it felt like carrying the voices of so many with me. Our culture is rich, layered, and often misunderstood or overlooked. So I knew I wasn’t just representing myself, I was representing a whole people, a whole history.

That moment reminded me that fashion can be a powerful form of cultural diplomacy. It can educate, inspire, and shift perceptions. Since then, I’ve felt an even greater responsibility to tell our stories with honesty, dignity, and pride, and to do so in a way that invites the world in, while staying true to where I come from.

How do you want young Kurdish girls—seeing your success—to feel when they watch your runway shows or wear your designs?

I want them to feel seen. I want them to feel proud of who they are and where they come from. I hope that when they watch my runway shows or wear my designs, they feel a sense of belonging, that their culture, their story, and their dreams matter.

I want them to know that it’s possible to be both modern and deeply rooted… to walk into the world with pride in their identity and fire in their heart. That they don’t have to shrink themselves to fit in, that their voice, their beauty, their strength is enough.

If even one young Kurdish girl looks at my work and thinks, “If she can do it, maybe I can too,” then that’s the greatest success I could ever hope for.

What has been the most powerful or emotional response you’ve received from someone who connected with your work?

Honestly, the most powerful thing I hear, and I hear it often, is that once someone wears my design, they can’t wear anything else. My clients tell me it transforms them. That they see a version of themselves they didn’t know existed, powerful yet feminine, regal but soft, dominant and still deeply sensitive.

They say the design doesn’t just dress them, it awakens something in them. And what moves me most is that they all say the same thing, in different words. That emotional connection they feel… it’s the same one I pour into every stitch.

And in those moments, I feel less alone in what I’ve created. It reminds me that fashion isn’t just about how we look, it’s about how we feel in our skin, in our story, in our power.

How has the international fashion community responded to your vision of couture rooted in cultural identity?

It truly warms my heart to see the international fashion community respond the way they have.

I’m regularly approached by global and Local media, for interviews, features, or photos of my work, and it happens almost every month.

I think when people visit my website or come across my Instagram, they feel something.

There’s a soul in the work that speaks beyond language or borders.

That response makes me incredibly proud. It reminds me that staying true to your roots, while telling your story with honesty and beauty does resonate. And that there’s space for voices like mine on the global stage.

In a fashion world often driven by trends, how do you stay true to a slow, meaningful design philosophy?

I’ve always been drawn to the classics, there’s something powerful about timeless elegance.

But I also believe in evolution. I stay true to

“If even one young Kurdish girl looks at my work and thinks, “If she can do it, maybe I can too,” then that’s the greatest success I could ever hope for.”

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classy, refined silhouettes, but I constantly innovate within that space to keep my designs fresh, relevant, and emotionally resonant.

For me, it’s not about chasing trends, it’s about creating pieces with meaning, purpose, and soul. I want every design to feel like it belongs to a story, not a season. That balance between classic and innovation is where I feel most at home, and where my creativity thrives.

What does “luxury” mean to you, especially in the context of tradition and cultural legacy?

For me, luxury isn’t just about something expensive or exclusive. It’s about meaning. It’s about the emotion and story behind what you’re wearing.

When it comes to tradition and culture, true luxury is when something carries a piece of where we come from. It could be a fabric, a stitch, or a symbol, but it holds history, memory, and pride. It’s not mass-produced; it’s made with care, intention, and love.

To me, luxury is when a design feels personal.

When it connects you to your roots, and somehow, still feels modern and fresh. That’s what I try to create, pieces that feel timeless, soulful, and full of life.

What is your long-term vision for the Lara Dizeyee brand—not just in fashion, but as a cultural force?

My vision is for Lara Dizeyee to be more than just a fashion brand, it’s a voice. I want it to represent culture, identity, and strength. To inspire people, especially women, to feel proud of who they are. Long term, I see it as a global platform that tells our stories, preserves our heritage, and redefines how the world sees us.

I want people from all over the world to wear Lara Dizeyee not just because of the beauty of the pieces, but because of what they represent, pride, resilience, and heritage.

If you could speak to your younger self, before this journey began, what would you say to her?

I would tell her, never give up, no matter what your dream is. Even if it feels too big or too far away, hold onto it.

Work hard. Believe in your intuition. And always listen to that quiet inner voice, it knows the way.

I’d remind her that the impossible is always possible if you lead with heart and stay true to who you are.

And I’d whisper, you’re going to be okay. Better than okay. Just keep going.

“I want people from all over the world to wear Lara Dizeyee not just because of the beauty of the pieces, but because of what they represent, pride, resilience, and heritage.”

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PEACH DE LA

CRÉME

PHOTOGRAPHER: KRYSTLE LINA @krystlelina MODEL: DAISY CARDONA @ddaiiissyyy FASHION STYLIST: ASHLEY PEACHES @peachglam_ HAIR AND Makeup Artist: ASHLEY PEACHES @peachglam_

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INTERVIEW

AMIRA NOOR

A NEW FACE OF GLOBAL GLAMOUR Interview by JOSE-MARIA JIMENEZ

In an industry often defined by glossy surfaces and fleeting trends, Amira Noor brings something deeper—a quiet, intentional presence shaped by years of cross-continental experience. Born in Geneva, molded by the vibrant chaos of Mumbai, and creatively flourishing in Los Angeles, Amira is more than a model or actress; she’s a storyteller, a grounded dreamer, and a voice for nuanced representation in global fashion and entertainment.

With campaigns for L’Oréal and Netflix under her belt, and an emotionally charged music career unfolding in parallel, Amira moves fluidly between high fashion and heartfelt art, never losing sight of who she is beneath the surface.

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TALENT: AMIRA NOOR @amira__noor PHOTOGRAPHERS: ASH GUPTA @ashguptaslife & JOEL WICECARVER @jwicecarver PRODUCTION: 838 LA @838losangeles FASHION STYLIST: VENK MODUR @modur_style HAIR & Makeup Artist: MATTIE MARIE @mattiemariemakeup Videographer: KJ KUKADIA @kaajalkukadia COLORIST: SHUBHAM GOSALIA @shubhamgosalia LOCATION: MODI NOCHI @modinochi 142

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ou were born in Geneva and have worked extensively in Mumbai and now Los Angeles—how have these global experiences shaped you personally and professionally?

Being born in Geneva and working in Mumbai and Los Angeles has shaped me into a more adaptable and creative person. Geneva gave me discipline, Mumbai taught me resilience and hustle, and LA has allowed me to explore my artistic side more freely. Each place has pushed me to grow personally and professionally in unique ways.

What originally drew you to the world of modeling?

I’ve always loved being in front of the camera—even as a kid, I’d ask my friends and family to do fake photoshoots with me all the time. There was something about expressing myself visually that just felt natural. As I got older, that passion turned into professional modeling opportunities, especially when I moved to Mumbai and Los Angeles.

Can you describe a memory or moment when you first felt seen in your creative career?

“One

moment that really stands out was the first time I saw myself

One moment that really stands out was the first time I saw myself on TV—it was for a VIVO commercial I had shot in India. I remember sitting on the sofa, and suddenly, there I was on screen. It was such a surreal feeling.

After all the long days on set, the auditions, and the self-doubt that sometimes creeps in, seeing myself in that moment made it all feel real. It was the first time I truly felt seen as a creative professional—and it reminded me that I was on the right path.

You’ve modeled for major brands like L’Oréal and Vivo. What’s been the most impactful

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campaign you've been part of, and why?

The L’Oréal campaign was definitely one of the most impactful moments in my journey. It felt surreal—I still remember walking into the audition, not knowing what to expect, and then getting the call that I had booked it. L’Oréal is such an iconic global brand, and being part of that campaign made me feel like all the hard work was paying off. It was a turning point that gave me the confidence to dream bigger and trust my place in the industry.

How would you describe your personal style off-camera, and how does it differ from the roles you play or shoots you do?

Off-camera, my personal style is super relaxed and minimal. As a model, you're constantly in fitted clothes or styled head-to-toe, but in between shoots, I’m usually in a tank top—honestly, I own way too many now! Or I’m in oversized, baggy gym clothes. Comfort is key for me. I love wearing loose fits, zero makeup, and just letting my skin breathe. It’s the complete opposite of the polished, highglam looks I wear for work, and I think that contrast helps me stay grounded and connected to myself.

Have you encountered any cultural differences in the fashion industries of India, Switzerland, and the U.S.? How did you adapt?

Yes, I’ve definitely experienced cultural differences across the fashion industries in India, Switzerland, and the U.S. In India, the industry moves fast and there’s this incredible spontaneity and energy on set—it taught me to think on my feet and stay flexible. Switzerland, on the other hand, is very detail-oriented and structured, which helped me develop discipline and professionalism early on. In the U.S., especially in Los Angeles, there's a strong focus on personal branding and individuality, which encouraged me to embrace who I am more

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openly.

What do you love most about stepping into a character on set?

What I love most about stepping into a character on set is the escape—it’s like you get to press pause on your own life and fully live someone else’s. It’s such a powerful and freeing feeling.

I love diving into their thoughts, emotions, and body language—figuring out what makes them tick. It’s also incredibly therapeutic in a way. You get to express parts of yourself that you might not in real life, and sometimes even discover things about yourself through the character.

Working with brands like Netflix and ESPN involves storytelling—how do you approach short-form acting versus long-form roles?

Whether it's Netflix or ESPN, both involve storytelling—but the approach definitely shifts depending on the format. With shortform acting, like in commercials or brand campaigns, you have just a few seconds to convey a feeling, a story, or a character.

Every expression and movement has to be intentional and clear. It's all about impact and precision.

Long-form roles, like in films or series, give you time to really build a character. You can explore their layers, show growth, and create emotional depth over time. I love both forms— they challenge me in different ways. In shortform, it’s about capturing attention quickly and delivering emotion in an instant. In longform, it’s about taking the audience on a journey and living truthfully in every moment.

Are there any particular types of campaigns, projects, or creative roles you’re dreaming of

being a part of?

I’d love to be part of a major makeup brand campaign. It’s such a dynamic and creative space, and representing a brand that empowers confidence and beauty would be an amazing opportunity.

You're also a singer-songwriter. What inspires your lyrics, and how would you describe your sound?

My lyrics are inspired by real emotions— usually the things I don’t always say out loud.

A lot of it comes from personal experiences, relationships, moments of self-doubt, or growth. Sometimes it’s something as small as a sentence someone says, or a feeling that lingers after a conversation—that’s often where a song begins for me.

As for my sound, I’d describe it as emotional, moody pop with subtle influences from R&B and indie. I love using soft textures and minimal production that lets the vocals and storytelling shine through.

Is there a particular song you’ve written that feels like your most vulnerable or empowering work so far?

Yes, my song “Tried” feels like one of my most vulnerable and empowering works so far. It’s really personal and reflects a lot of emotional honesty—about giving your best in relationships and life, even when things don’t always work out. Writing and performing it was a way for me to embrace vulnerability and strength at the same time. I hope it resonates with others who have faced similar struggles and remind them that trying is itself a powerful act.

“My lyrics are inspired by real emotions— usually the things I don’t always say out loud.”

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Do you find that music offers a different kind of emotional release than acting or modeling?

Absolutely, music offers a very different kind of emotional release compared to acting or modeling. Modeling and acting are often about stepping into someone else’s story or vision, expressing emotions through physicality and performance. But music—especially songwriting—is much more personal and introspective. It’s where I can lay my own feelings bare, process my experiences, and connect directly with my emotions in a way that feels raw and authentic.

What has your experience been like navigating the entertainment and fashion industries as a woman of color from Europe working internationally?

Navigating the entertainment and fashion industries as a woman of color from Europe has been an exciting and enriching experience. I feel fortunate that my diverse background has allowed me to bring a fresh perspective and authenticity to my work.

Working internationally has opened so many doors and helped me connect with a wide range of people and cultures, which has been invaluable for my growth both personally and professionally.

I see my identity as a strength that adds depth to the stories I help tell and the brands I represent. Overall, it’s been a rewarding journey full of opportunities to celebrate diversity and creativity.

Have you found it difficult or empowering to move between traditionally “glamorous” roles and more grounded, emotional work?

I actually find it really empowering to move between glamorous roles and more grounded,

emotional work. Each side brings out a different part of me creatively. Glamorous roles let me play with style, confidence, and presence, which is exciting and energizing. But the more emotional, raw work challenges me on a deeper level—it pushes me to be vulnerable and authentic.

What’s your process when preparing for a runway show?

My process usually starts with stress and a little bit of panic—honestly, that’s just part of it! But then I take a moment to calm down, get focused, and center myself. I usually listen to some music that pumps me up or helps me relax, and I make sure to grab my favorite coffee to keep me energized. From there, I go over my walk mentally, visualizing success. It’s all about shifting from nerves to confidence.

How do you stay grounded between projects, especially in such high-pressure industries?

In such high-pressure industries, staying grounded can be tough, but for me, it always comes back to remembering why I chose this path. Whenever I start to stress or feel overwhelmed, I think of what my mother used to say: “But you chose to do it.” That simple reminder helps me pause, reflect, and reconnect with my purpose. It keeps me consistent, confident, and focused on the bigger picture—even when things get challenging.

Is there a creative you dream of collaborating with?

One creative I’ve always dreamed of collaborating with is designer Sabyasachi. I’ve always loved his beautiful, elegant outfits and the way he honors tradition while bringing a modern touch to his designs. Working with him would be an incredible opportunity to

“I see my identity as a strength that adds depth to the stories I help tell and the brands I represent.”

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blend storytelling through fashion and create something timeless and inspiring.

Are there any upcoming projects you’re especially excited to share?

I’ve got a bunch of exciting projects coming up, but I’m keeping things under wraps for now! Can’t wait to share them with everyone soon—stay tuned!

What's a piece of advice you always carry with you?

A piece of advice I always carry with me is: if it’s meant to be, it will be. It reminds me to trust

the process, stay patient, and keep faith that things will work out the way they’re supposed to.

What’s something fans or followers might be surprised to learn about you?

Something fans might be surprised to learn about me is that I’m British by citizenship, thanks to my mum who lived in the UK and got US citizenship. I also spent a lot of my childhood there, and most of my family is based in the UK, so it’s a big part of who I am—even though I was born elsewhere.

“trust the process, stay patient, and keep faith that things will work out the way they’re supposed to.”

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FASHION

FASHION WEEK STUDIO UNVEILS FIRST LINEUP OF DESIGNERS FOR PARIS FASHION WEEK

This season, Fashion Week Studio returns to the opulent Shangri-La, Paris, bringing the vision of independent designers to life in the Salons Historiques. On 3rd and 5th October, press, buyers, influencers, celebrities, and diplomats will gather for an intimate showcase of global talent – with standout collections from an exciting group of designers.

HARUKA AYA: A Japanese designer who launched

her eponymous brand in 2017 after a journey through artisanal sewing and doll clothing design.

Specialising in custom-made wedding dresses and stage costumes, she gained recognition all the way to the Milan Collection in 2023.

LEJDA TROCI: Founder of A Tangerine Design,

a luxury label born from her motherhood journey.

Inspired by the magic of childhood and the elegance of timeless silhouettes, she creates refined pieces for little girls - and now, women - set to the nostalgic rhythm of Sinatra’s “Tangerine.”

MORITA-SAN: Founder of MEE DRESS, started

sewing by chance. What was once a bittersweet love turned into a passion - for her, fashion is freedom, beyond body types or life’s constraints. She blends self-expression with functionality to empower everyone to be who they want to be.

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IKUMI YANAKA: Founder of the Japanese brand

moa. Ikumi travels the world to realise her vision. Her designs, born of divine inspiration, reflect a creative lineage rooted in her late greatgrandmother. Today, her pieces are among the most elusive and coveted in Japan.

ALKETA: She created her brand, Class by Alketa, in

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her own image: bold, elegant, and deeply personal.

Inspired by her Albanian heritage and her journey between Paris and Milan, she designs pieces that blend modernity, craftsmanship, and feminine strength.

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KATHERINE ANDELMAN: She brings her dreamy vision to life with Peach and Penny - a feminine, fairytale-inspired brand where each airy dress is as unique and delicate as the little fashionista who wears it.

A Japanese specialist in custom-made stage outfits and idol costumes, oversees every step of the process - from design to styling - with precision and passion.

NORIKO KIKUCHI:

NORA PARADA: A Mexican designer based in

Hermosillo, Sonora, presents a collection inspired by the elegance of the 18th century and the world of Marie Antoinette. Her designs feature ethereal silhouettes, delicate embroidery, and soft pastel tones - a romantic homage to femininity and the beauty of nature.

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ELIZABETH MUÑOZ: A Peruvian designer and

founder of Elizabeth Muñoz Atelier, will present her bridal collection “Musa” at Paris Fashion Week.

The collection celebrates the essence of the modern woman, blending timeless elegance, sophistication, and femininity. Each piece is a work of art, reflecting the versatility and natural grace of today’s bride.

MELISA POULTON: A Namibian designer and

founder of House of Poulton, presents a collection inspired by the four elements of nature. Known as the “queen of ruffles,” her designs feature delicate fabrics, bold prints, and feminine silhouettes that celebrate freedom, strength, and independence.

This season marks her Paris Fashion Week debut, supported by the National Arts Council of Namibia.

GREGORY MATHIS: Founder of RUEMONGE

DE SEINE, brings a bold fusion of streetwear and luxury tailoring to Paris Fashion Week. Known for his dynamic runway shows and celebrity collaborations, his upcoming collection continues to blur the lines between high fashion and urban culture. With a global audience and a distinctive voice, RUEMONGE DE SEINE stands at the forefront of modern fashion storytelling.

PEACH AND PENNY - KATIE ANDELMAN

FASHION WEEK STUDIO “Our mission is to spotlight designers whose work speaks to the cultural moment,” says CEO Nathanielle Poitus “From the USA to Namibia, these are creatives with a point of view – and we’re proud to bring their collections to the Paris stage”. at the forefront of modern fashion storytelling.

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CALL OF A SIREN

PHOTOGRAPHER: MATTHEW COOKE @cooketv MODEL: ALEXIS GARCIA @alexisyalissa AGENCY: ASTON MODELS @astonmodels WARDROBE STYLIST: ANGELIQUE CERNIGLIA @angelmakeup45 MAKEUP ARTIST: ANGELIQUE CERNIGLIA @angelmakeup45 FASHION HOUSE: WEAR THE FUTURE @wear_thefuture

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Denim jacket JENDUE One-piece swimsuit ZARA Cowboy hat CODY JAMES

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JULY 2025

AMIRA NOOR

BY ASH GUPTA & JOEL WICECARVER

FASHION and lifestyle MAGAZINE

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