Seven Last Words of the Unarmed | SATB Chorus Score | Joel Thompson

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Dedicated to the victims and their families for SATB chorus and orchestra

Kenneth Chamberlain, 68 “Officers, why do you have your guns out?”

Of cers,

why do you have yourguns out? Of cers…

Of cers,

why do you have yourguns out? Of cers…

                                                                     Pesante ( = 58)                                                                                                                  3                                                                                                             - - -- - -             
 
 
 
                      S A T B          5
SevenLastWordsoftheUnarmed
22
2022
© 2022 by Joel ompson All rights reserved including, but not limited to, public performance, audio/visual capture and streaming, and copying of any kind.
February

Of cers why do you have your guns out?

Of cers why do you have your guns out?

Of cers why do you have your guns out?

                                                                                                                                                                     ---         
 
 
                  S A T B          8                                                                                                                           --- - -         Of cers?   Of cers?   Of cers?   Of cers,                 S A T B      10 2 Kenneth Chamberlain, 68

Of cers, why do you

have your gunsout? Of cers!

Of cers, why do you have

your guns out? Of cers!

Of cers why doyou have your guns

out? Of cers!

why do you have your guns out?

Of cers!

why

why do you have your guns out

why do you have your guns out?

why do you have your guns out?

why do you have your guns out?

                                                                                                       - -- - -- - --      
 
 
 
 
 
 
 
          S A T B    12                                                                                                                                                           
            S A T B (unis )         14 3 Kenneth Chamberlain, 68

Why? Why? Why? Why?

                                                               
S A T B            16                                                              S A T B       19 4 Kenneth Chamberlain, 68

Trayvon Martin, 17

“What are you following me for?”

                                           Nervous ( = 120)                                                                              4                                                                                           7                                                                                                     10                                                                                                            13 5

What are you What are you

                                                                                                         
S A T B 16                                                                                                   -- - -fol low ing me for? fol low ing me for? What are you fol low ing me for? What S A T B  18 6 Trayvon Martin, 17

What are you fol low ing me for?

What are you fol low ing me for? What are are you fol low ing me for?

---

What are you

                                                                                                                          
-
S A T B 20                                                                                                 -- - - - - - -you fol low ing me for What are What are you fol low ing fol low ing fol low ing fol low ing me for?What are you S A T B 22 7 Trayvon Martin, 17

you fol low ing me for? What are you fol low ing fol low ing me for? What are you fol low ing me for? What fol low ing me for? What are you

                                                                                                               - - -- - -- - -
S A T B   24                                                                                                   ---What are you fol low ing me for? What are me for? are you fol low ing me for? fol low ing me for? S A T B 26 8 Trayvon Martin, 17

you fol low ing me for?

-- -

What are you

What are you fol low ing me for?

What are

                                                                              
S A T B   28                                                                                         --- fol low ing me for? What are you What are you fol low ing me for? What are you fol low ing me for? What are you S A T B 30 9 Trayvon Martin, 17

fol low ing me for? What are you fol low ing me for? What are you fol low ing me for? What are you What are you fol low ing me for? What are

                                                                                               ----
S A T B    32                                                                                    ---- you fol low ing me for? fol low ing me for? fol low ing me for? you fol low ing me for? S A T B   34 10 Trayvon Martin, 17
                                                                                                 S A T B 36                                                                    yell yell yell yell  S A T B 38 11 Trayvon Martin, 17
                                         With calm ( = ca 72)                                                          Mom, I’m Solo         3                                               - go ing Solo         5                                               Mom, I’m Solo        7 * * e soloist may be drawn from any voice group; or may be a separate singer entirely. 12
Amadou Diallo, 23 “Mom, I’m going to college.”
                                              - go ing to       Solo         9                                                           - - - - - - - - col lege.             Solo        11                                                                  Mom Mom Mom Mom S A T B           13 13 Amadou Diallo, 23
                                                                            -I’m go ing I’m go ing I’m go ing I’m go ing S A T B           15                                                                               Mom Mom Mom Mom S A T B        17 14 Amadou Diallo, 23
                                                                         -I’m go ing I’m go ing I’m go ing I’m go ing S A T B           19                                                                                            - - - - - -- - - - - -- - - - - -- - - - - -to col     to col     to col     to col             S A T B     21 15 Amadou Diallo, 23
                                                                                -lege. to lege. to lege. to lege to             S A T B     23                                                                                                                                          - - -- - -- - - -- - -  col lege to col lege col lege to col lege col lege to col lege col lege to col lege S A T B        25 16 Amadou Diallo, 23
                                                                                                                                  rit. a tempo S A T B                   28                                                         - Mom,   I’m   go ing…         Solo      31                                                                             mm   mm   mm   mm       Solo S A T B         34 17 Amadou Diallo, 23

Michael Brown, 18

“I don’t have a gun! Stop shooting!”

I don’t have a gun! STOP!

I don’t have a gun! STOP!

I don’t have a gun! STOP!

I don’t have a gun! STOP!

I don’t have a gun! STOP!

                                                                                       Breaking news ( = 92–100)                                                                                               4                                                                                  7                                                                                                      10                                                                                                                                        
S A 1 2 T B        13 18
                                                                                                                  I I I I S A T B 16                                                                                                                                                                                            don’t have a gun! STOP! STOP! don’t have a gun! STOP! STOP! don’t have a gun! STOP! STOP! don’t have a gun! STOP! STOP! S A T B             19 19 Michael Brown, 18
                                                                                                                                                                             STOP! I don’t have a STOP! I don’t have a STOP! don’t have a STOP! I don’t have a S A T B   22                                                                                                                 gun!   Stop   gun!   Stop   gun!   Stop   gun!   Stop           S A T B             25 20 Michael Brown, 18
                                                                                                                                                                                                                                           - -- -- -- -    shoot ing! Stop shoot ing! Stop shoot ing! shoot ing! Stop shoot ing! Stop shoot ing! shoot ing! Stop shoot ing! Stop shoot ing! shoot ing! Stop shoot ing! Stop shoot ing! S A T B     28                                                                                                                                                             AH! AH! AH! AH! S A T B 31 21 Michael Brown, 18
                                                                                                                                    STOP! STOP! STOP! STOP! STOP! STOP! STOP! STOP! S A T B 34                                                                                                          STOP!   STOP!   STOP!   STOP!   STOP!   STOP!   STOP!   STOP!           S A T B   38 22 Michael Brown, 18

Oscar Grant, 22

“You shot me!”

You shot me! You shot me! You shot me!

You shot me! You shot me!

You shot me! You shot me!

You shot me! You shot me!

You shot me! You shot me!

                                             chest slap chest slap Stunned ( = 63) You shot me! You shot me! You shot me!         T B                                                                           
T 1 2 B     3                                                     
   T B   5 23
                                                              hum hum sempre non cresc.     You shot me!   You shot me!             S A T B * * * *  ca 40–45" 7                                                          ( = 63) You shot me!     You shot me!     ( )                 T B   8 24 * repeat freely and independently of one another Oscar Grant, 22

John Crawford, 22

                                                             Dolce ( = 66)             Soprano Alto Tenor Bass                                                                                   ah ah ah ah S A T 1 2 B     4 25
“It’s not real.”

John Crawford, 22

                                                                                                             ah It’s not It’s not S A T 1 2 B It’s not       7                                                                                                                                    It’s not real It’s not real real It’s not real real. It’s not real. real. It’s not real. It’s… S A 1 2 T 1 2 B real It’s not real.           10 26
                                                                It’s not not real It’s not not real It’s 1 2 T 1 2 B 13                                                                                                                      It’s It’s not real It’s It’s not It’s not.. It’s real It’s S A 1 2 T 1 2 B real It’s not real It’s    16 27 John Crawford, 22
                                                                                                         not     not…     not     real not…     real.             S A T 1 2 B not… real.  19                                                                                                                          oo oh oo oh oo oo oh oh oo oh S A T 1 2 B oo oh      22 28 John Crawford, 22
                                                                                                               ah ah ah ah S A T 1 2 B ah      25                                                                                                                                               It’s not It’s not It’s not real. It’s not It’s not real It’s not It’s not real It’s not S A 1 2 T 1 2 B It’s not real. It’s not      28 29 John Crawford, 22
                                                                                      real.     real     real     real     real.     real It’s             attacca S A 1 2 T 1 2 B    31                                                                 Painful ( = 63) I can’t breathe. I can’t breathe. breathe           Tenor 1 2 Bass   30 John Crawford, 22
Garner, 43 “I can’t breathe.”
Eric

I can’t breathe. I can’t breathe.

I can’t breathe. I can’t breathe.

I can’t breathe. I can’t breathe…

                                                                              
S A 1 2 T 1 2 B      7                                                                                                                      I   can’t breathe.   I   can’t breathe. I
’t breathe.   I   can’t breathe. I
’t breathe   I   can’t breathe     I
’t
  I   can’t breathe. S A 1 2 T 1 2 B              14 31 Eric Garner, 43
can
can
can
breathe.

I can’t breathe, can’t breathe, can’t breathe, can’t breathe, can’t

I can’t breathe, can’t breathe, can’t breathe, can’t breathe, can’t

I can’t breathe, can’t breathe, can’t breathe, can’t breathe, can’t

I can’t breathe, can’t breathe, can’t breathe, can’t breathe, can’t

I can’t breathe, can’t breathe, can’t breathe, can’t breathe, can’t

I can’t breathe, can’t breathe, can’t breathe, can’t breathe, can’t

I can’t breathe, can’t breathe, can’t breathe, can’t breathe, can’t

I can’t breathe, can’t breathe, can’t breathe, can’t breathe, can’t

                                                                                                                                                                      
1 2 S 1 2 A 1 2 T 1 2 B                                21 32 Eric Garner, 43

breathe, can’t breathe. breathe, can’t breathe breathe, can’t breathe. breathe, can’t breathe. breathe, can’t breathe. breathe, can’t breathe. breathe, can’t breathe. breathe, can’t brea(the)…

                                                                                                                                                                                   
1 2 S 1 2 A 1 2 T 1 2 B  26 33 Eric Garner, 43
                                                                                                      hum hum hum hum slowly close mouth hum      S A T 1 2 B     31                                                                            Pesante ( = 54)               S A T 1 2 B 37 34 Eric Garner, 43
                                                                                             S A T 1 2 B                 41                                                                          rit. S A T 1 2 B                        43 35 Eric Garner, 43
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