My Dungeon Shook | Joel Thompson

Piano

Joel Thompson

My Dungeon Shook ree American Preludes

20 August 2020

commissioned by Benjamin Hopkins

My Dungeon Shook Three American Preludes

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





(2020)

     

Steady

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       

   

4

Joel Thompson

 = 108

Totentanz

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              

 

                  

 





               

              

       

     

10

     

         

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© Copyright 2020 by Blackmaninoff Publishing

      

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             

                                 

                                                                                 

7

 



    

                    

     

 

                  

20 August 2020







 

    

Totentanz



                             

13

  

  

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                    

   

                                                                                                          

16

   

20

    

     

     

             

                               

23

   

26

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       

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  

             

    

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

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3

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             



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                 

 

               

                                                                            

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   

        



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4

   

29

   

Totentanz



                                                                              

                                              

32

        

35

sub.

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 39          



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sub.

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            

                

 



                       

            

    

 

              

              



                      



                         



      

    





                 

   

                                

rall. molto                    

      

 

 

 

                   









 

   42                             [43]                                 

Totentanz

5

                                                                                                             sempre                      46                                                                                                                 49                                                                                                             [50]                                                                                                                        Aggressive

 = 80

 







molto rall.        vulnerable  53                                                                                                  Tempo I  = 108 57                                                                                 61                                        cresc.                                                             65                                                                                                                        68                                                                                                                       6

Totentanz





 

        

72

 

                

        

Totentanz



          

7

         

  

                              

     76                                                                                                                    

80

    

83

 

 

          

   

 

                  

 

   

      

        

            

   

          

               

                     

 



                       



  

with forearm

8

 







 



Numb, yet feeling



 = 74

Lacrimosa 











                                    

              5                                                                        

                                                                  

9

 

13

 

 





  



              

poco rit. A muted cry

      

 

                                                           

19

Tempo I

 = 74

 = 60



             

               

                       



 

        



  

Lacrimosa

9

       

                                                                  

23

     



27

 





  



  

 



  



         

                                      

32





   

       

                    

             

  

  











              

                                                              

36

          

 

 

10







                                                                                                                    6                                                                                                                                         11                           sub., dazed                                        Patriotically

 = 60







L’homme agenouillé



17

 

20

 



 

          

 



                                                       

                                                                         



 

 

      

23

 

violent

   

                     

29



 

 

  

   

L’homme agenouillé

       

11

                                      

                                                                 

         

rit.  

      

   

   



  VI- * Steady  = 108                                                                                      

33



38



       

   

   

  

 



   

   



* The performer may choose to cut to m. 50

    

rall.

  

      

                                         

44



-DE

hold until sound dies completely