In Response to the Madness | Joel Thompson

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Joel ompson

In Response to the Madness for string quartet

4 May 2021


PROGRAM NOTE I only made one rule for myself: each time before sitting down to compose this piece, I had to ingest all the major news stories of the day. e result of this experiment in compositional process is a stream-of-consciousness response to the political mayhem, the massacres, the climate, and our seemingly futile attempts at trying to make things better. It is essentially a scream into the void — or perhaps into the mirror. What does this music do for all the chaos in the world? is craft to which I have dedicated my life cannot directly cool the planet, save lives, or reinstate civility and understanding into our government and society. e piece is merely a response to the madness — one to which I hope listeners can relate — but I also hope it gives voice to our current angst and perhaps inspires us to change our tune. With Love, Joel ompson March 2019

Commissioned by the Grant Park Music Festival Carlos Kalmar; Artistic Director and Principal Conductor

Duration: ca. 6 minutes


Commissioned by the Grant Park Music Festival Carlos Kalmar; Artistic Director and Principal Conductor

In Response to the Madness for string quartet Joel ompson Furious, unrelenting

Violin 1

                                   

    



Viola

               

 Violoncello

     

  

sub.

 

              

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     

 

     



 



 

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

  

                     

© 2021 by Blackmaninoff Publishing. All Rights Reserved

 

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

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

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

As before, business as usual

       

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    

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 

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



With hope

                      sub.

                      

 

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sub.



                               

 

5

sub.



 

             

   

Violin 2

(2019)

 = 108

    



 

   

       

 

 

 

 4 May 2021


In Response to the Madness

4 14

         

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3+2

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20

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17     

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      


In Response to the Madness

24      

    

 

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5

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                   

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     

    



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     

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

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      

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pizz.





   

     

With hope

32        

    

      

                 

          

 

27       

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     







    




In Response to the Madness

6

III

                      

40

II               

arco 37   pizz.            

  

 

 

                                                

arco                                                    

pizz.

              

  

41

      

    

 

 



   

arco

  

   

 

   

  

                                                                                                                

                 

  

  

     

  

   

45       





 

         

       

    

          

  

    

          

         

                    

                

         

         

        

 

      

  

 

 

 

 

 

 

 

 



 


In Response to the Madness

 

50

        

       

       

 

            

             



       

    



 

                           

   

 

 



 



   

     

 

 

     

             



               

      

                       

    0 

 0 

      0 

 

 

 0 

 

  

0





 

57

 

                          0

                                                                    

        

                                     

             



 53      

                   



         

 



7

0

           

         

               

  

         

 

               

    

     

   



 

59

    

 

 

    



 sub.



   

    

    







 sub.

 sub.

    

 sub.






In Response to the Madness

8

60     



         



 

    



 

 





     



    

 

 



 

 



 





 

  

            

       

        

         

 

  



 

  





  





  

 



       

              

63                 

 

                  

 

   

 

     

  66

           

 

   

                                 

 

        

  

                                         

 

      



    molto

 sub.

        

 sub.

  sub.

                               molto 

     


In Response to the Madness

9



                       70

 

 

 sub.

  

                                

 sub.



 

 

   

 



 

   

 



 

                                         sub.                                        sub.

   

73

Chaos!

      

 

  

      

 

        

 

            

76     

 

             

 

 



 

dim.

     dim.        

dim.

     

 

 

 

 

 

     

  

 

    

      

 

     

 



  

                  

dim.

 

                  

 

     

  

        

 

 

  autando

                        

          



 

 

   

 

    

autando                    

 

       

 



pizz.

  

 

       


In Response to the Madness

10

79       

      

  

  

  

arco autando

       

 

 

           

                                               

82   ord.     

ord.

    

   

 

  

                              

    

 

ord.                                                   

                                                        Full of despair, painfully slow  = 36–40 con sord.

rit.

86

    



   

  

                     

  

  

      

 

  

        90 IV

III

   

            

 

 



   

 

                

 

 

   

  

 

con sord.

           

 

      


(III)

92

        

    

In Response to the Madness

       

             

    

     

     

  



 

 

      

      

con sord.

      

     

    



97

senza sord.            

  

   

      

   

 

 

 

                  

 

 

104

           

           

    

     

   

 

  

 

 



 

 

 



  

  

 

   

 

  

 

      

      

       

 

  

 

 



    

  

  

             



 

  

 

senza sord.

   

senza sord.

       



 

         

           

            * if possible

senza sord.

                     

 Focused  = 112 

   

IV

      

con sord.



11

 

 

  

  

 





                                                      sub.  

           


In Response to the Madness

12

107    

  

        

 

 

      

 

                                 

     

   

 

    

 



 

    

        

  

    

       

113     

            

   

 

 

                             

 

 

 

   

 

  



                 

      

 

  

        

 

 

     

   

110                     



 

 

                      

 



  

  

             

     

 

 





 

 



        

vigorously

   




In Response to the Madness

116      



 



          

 

 









 

 

  

 

 

     

 

13

     

    

 



    





  

  

           

 

           

 

 



   



         



   

119

            



    

 

 

            



    

        





         

     

      

  

    

  



 

   

 ++

    

  

    

   







   

2 2 3    

     

        

         

    molto

           

              

  sub.

       

    

  

       



      

   



122            



 



  

 

  

 

  

   

     

   

 

 molto


In Response to the Madness

14

                                                   

125

          

molto

       

       

                            

                         

       

 

    

 

 molto

        

  molto

129    



      



                      

 

                     

 

  molto

 





       



 

                                                

                                                      

   

        

132

   

IV

  

       

IV

  

       

               

molto

                            

molto

  



   

 

  

           

 

 

    

molto

molto

                           



  

                   

        

  

non trem.

         

                           

II



non trem.

 

III

           





         

  

  

          

        

    

 

   


In Response to the Madness rall.

 136     

With hope…

   

 = 72

  

     

      





  







     



138 Scream into the void  = 120

 

  

        

molto

molto

                     

 

  

   

              

molto

                 

                    

 

                              



139

     

 

molto

         

15

 

   

          



   

   

      



                               



  

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