OBJEKT©INTERNATIONAL D17 by OBJEKT©International

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d17

INTERIOR DESIGN ART +

OBJEKT INTERNATIONAL LIVE THE DREAM

H A NS FON K

#D 17

OBJEKT© iNTERNATIONAL Living in Style no. D17, winter 2023 Published by HF Publications. Willemstad. Curacao Founder and editor-in-chief: Hans Fonk Editor-in-chief: Izabel Fonk Head Office the Netherlands Raadhuislaan 22-B NL-2451 AV Leimuiden - Netherlands t:+31 172 509 843 www.objekt-international.com Head Office Berlin, Germany Rneé Wilms Unique Company Group Oberwallstraße 14 D-10117 Berlin, Germany Head Office North America Alexander Sasha Josipovicz, Studio Pyramid Inc. Honorary editor in chief USA and Canada 1232 Yonge Street, Toronto, ON, M4V 1E4 sasha@studiopyramid.com OBJEKT International South Africa Hybrid Media Consulting Ltd. 54SonatanSquare, Jacaranda Avenue, Olivedale 2178 Johannesburg, South Africa OBJEKT International ASIA/CHINA Cora Feng Xi Tang Art Center. No 2. Xi Ba He Road, Chaoyang district, 100028 Beijing, China Contributing writers: Izabel Fonk, Sasha Josipovicz, Susan Grant Lewin, Milosh Pavlovic, Ruud van der Neut, Lorenza Dalla Pozza, Robyn Prince, Raphaëlle de Stanislas, Rene Wilms. Contributing photographers: Arelis Studio, César Belio, Ela Bialkowska, Maxime Brouillet, Erin Feinblatt, Adrian Gaut, Alaia Fonk, Hans Fonk, Aaron Leitz, Matthew Millman, Michael Moran, Gabriel Moses, Joyce Park, Kris Tamburello,

photo: Alaïa Fonk

Living with the arts has always been a main topic of OBJEKT© International and the D17 edition is no exception. A good interior is more than an accumulation of decorative objects and furniture pieces: it needs art in whatever form or capacity. In the D17 edition, we almost go to the extreme to show the afect of the arts on interiors and to the mood of life. Other OBJEKT©International topics are craftsmanship and cultural values. Against the global trend of ‘more of the same’, we value tradional crafs and culture in combination with modern design. From the creation by Ryue Nishizawa celebrating a bare Japanese style to the groundbreaking project by Anish Capoor in Palazzo Strozzi in Florence, Italy and from the modern classic J Craft yacht from Sweden to the Atuxuá cabinet by Fernando Campana and the Indian studio æquō. As ever, this edition of OBJEKT© International combines beauty and surprises.

Graphics: Hans Fonk Studio Art directors: Hans Fonk, Alaïa Fonk Video productions: Alaïa Fonk Illustrations: Eveline Puijk FACEBOOK: @OBJEKT.INTERNATIONAL INSTAGRAM: @OBJEKTINTERNATIONAL YOUTUBE: @OBJEKTINTERNATIONAL TWITTER: @OBJEKT_INT VIMEO: @OBJEKTINTERNATIONAL PINTEREST: @OBJEKT

INTERIOR DESIGN ARCHITECTURE ARTS, ANTIQUES GARDENS, YACHTS

Honorary ambassadors OBJEKT International OBJEKT USA-CANADA George Beylerian Eric Booth Martyn Lawrence Bullard Tony Chi Massimo Iosa Ghini Jacopo Etro Marva Griffin Wilshire Ralf Ohletz von Plettenburg Glenn Pushelberg George Yabu Rene Wilms

OBJEKT INTERNATIONAL DIGITAL PUBLICATION COVER : SOUTH OCEAN – PALM BEACH – PHOTO : KRIS TAMBURELLO

foreword

icons outfitted - the visionary lab

design miami paris

the giant flamingo

singapore designs

anish kapoor in florence

soho loft

modernist brazilian twist

redefining rail transportation

burberry rebranded

black ’n noire

hinoki house no.3

sculptor station

victor, baron horta

mas le gaudre

casa de la abuela

j craft

hale nukumoi

palm beach cool

ai weiwei - kunsthal rotterdam

off-grid guest house

josafat zalapa

massimo iosa ghini

kelly wearstler - ulla johnson

ceramic styles

estúdio campana and æquō’

le klimpt

objekt international info pages

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The Wire Chair Re/Outfitted by Hannah Brabon and the Panton Chair Re/Outfitted by Sarmite Polakova. Concept of The Visionary Lab, pre-used chair from Vitra, repurposed denim from Levi’s®.

Icons Re/Outﬁtted The Visionary Lab has challenged fashion designers and artists to to breathe new life into used Vitra chairs with recycled denim from Levi's.

Icons Re/Outﬁtted brought together icons from the fashion and furniture worlds. Designers were invited to redesign a number of used design master pieces from furniture brand Vitra. Creations by Charles & Ray Eames, Verner Panton and George Nelson were given a bold new look with pre-loved denim from Levi's, the denim brand that celebrated the 150th anniversary of the iconic 501 jeans in 2023.

These unique chairs were exhibited during Dutch Design Week, Eindhoven, The Netherlands, in an industrial woodworking workshop, encouraging to think differently about discarded materials.

In a time of ever-growing mountains of textile waste, it is crucial to ﬁnd creative ways to extend the lifespan of textiles.

new york city harbor

by HANS FONK

PHOTO printed canvas - painted with ancient pigments - 99x34 cm

Izabel Fonk on Impress Wynton x Osmium - Gelding, 2013

Fonk Sporthorses - Top Quality Horse Training and Breeding www.fonksporthorses.com

design miam paris L’Hôtel de Maisons, Paris, France was the center point of the premiere of Design Miami, coinciding with the first edition of Paris+ par Art Basel and proving that the grandeur to the past wonderfully blends in with modern creations. In a reflection of the historic beauty of Paris, the event exuded timeless elegance through the presentation of iconic masters of historic design, including museum quality works from some of the most defining names of the 20th century, and with strong representation from French galleries.

Right: Galerie Jacques Lacoste at Design Miami Paris 2023. Beside that: Paulin Paulin Paulin. Photos: courtesy of James Harris for Design Miami Paris.

Some of the world's leading design galleries presented historic and contemporary furniture, lighting and objets d’art, tracing the history of collectible design from the early 20th century to the present day, telling stories of influence and innovation through exceptional, rare and iconic objects from around the world. A number of the participating galleries organized in prominent places throughout the city presentations in direct dialogue with the magnificent historic surroundings some in harmonic conversation with the glory of the past, others in striking contrast. Design Miami’s expansion to Paris marked a natural evolution for the fair, following a long history of collaboration with established galleries and partners across the city. The debut of Design Miami/Paris exemplifies the fair’s continued commitment to cultivate a growing global design community and to contribute to the longstanding cultural heritage of Paris. L’Hôtel de Maisons, Rue Universtié, Paris, was created at the beginning o the 18th century and has a glorious history. Fashion designer Karl Lagerfeld lived in this vast hotel for a long time. The film ‘Intouchables’ is based on the true story of Philippe Pozzo di Borgo, one of the owners of the hotel, and Abdel Yasmin Sellou, his carer after his paragliding accident.

Below left: Galerie Meubles et Lumières and beside that Moderne Gallery at Design Miami Paris 2023. Top right: L’Hôtel de Maisons, Rue Universtié, Paris. (Photo: Fabrice Gousset). Below that: Galerie kreo.

The Giant Flamingo Urban Artivism at STRAAT Museum, amsterdam

Urban Artivism by STRAAT Museum, Amsterdam, the Netherlands, was all about raising awareness for climate changes. The highlight of the exhibition was the massive 7-meter-high ﬂamingo installation created by the famous Spanish street artist and 'artivist,' Dulk. With his artwork, the artist asked attention for the endangered habitats of ﬂamingos worldwide and particularly in the Albufera Nature Park near Valencia, Spain.

Antonio Segura (artist name Dulk), born in 1983, is one of the most prominent street artists from Valencia, Spain. He began his career with street art and murals and continued to reinvent himself by constantly exploring new media, including drawing, sculpture, and photography. Dulk is known for his portraits of endangered species. Through his works he shows a unique of a menagerie of creatures remarkably evolving to prevent the loss of their habitat, in a time where environmental stressors, caused by climate change, are altering the evolution of many species. Dulk has exhibited his work in various locations, including his home town Valencia, as well as in Rome, Los Angeles, Chicago, Vancouver, and Honolulu. He has also created a large number of grafﬁti works in more than 20 different countries. These pages: the giant flamingo by Spanish artist Dulk at the STRAAT Museum, Amsterdam. Photos: Hans Fonk

His giant ﬂamingo was the highlight of the exhibition Urban Artivism with climate change as the central theme. It was organized as a walking route along 15 artworks focused at creating environmental awareness. Urban Artivism was the second project realized by STRAAT under the sponsorship of ABN AMRO.

Organized by DesignSingapore Council (Dsg), Asia’s premier

Better by Design

design festival Singapore Design Week (SDW) returned at the

Singapore Design Week

end of September to the city state. The festival presented an extraordinary showcase of Singapore’s distinctive brand of creativity while celebrating Dsg’s 20th anniversary. To commemorate this milestone, SDW 2023 will bring to life Dsg’s motto “Better by Design” as the festival theme for this special edition. “Singapore design embodies a universal attitude – the desire to always seek to make lives better using design. The motto ‘Better by Design’ reﬂects DesignSingapore Council’s commitment to champion design and creativity that helps us to meet complex challenges and shape a better future. Marking our 20th anniversary, we adopt this resourceful spirit for Singapore Design Week 2023, coalescing design that is born from a strong sense of creative purpose and crafted for positive impact,” says Madeleine Ho, Festival Director of SDW 2023. The Singapore is more that a static show: it is an avalanche of design and design relayed events spanning to whole scope from the presentations of emerging talents to revelations about the future of design and from journeys into four immersive play scapes to FI&LD, a new philosophy in inclusive design based upon play and improvisation. To ﬁnd the scale of the event visit the website: here OBJEKT International shows some of the designs by Emerging Talents.

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Top left: creations by Alvin Tjitrowirjo and beside that by Saran Yen Panya, Center from left to right: designs by Panisa Khunprasert, Jasser Aguila, Chini Lichangco and Mutou. Bottom right: creation by Cindy Evangeline.

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anish kapoor Untrue Unreal palazzo strozzi Fondazione Palazzo Strozzi in Florenc, Italy, celebrated in its century old Renaissance Palazzo ‘Anish Kapoor. Untrue Unreal’. Curated by Arturo Galansino, Director General of the Fondazione, the show featured monumental installations, intimate environments and thought-provoking forms creating a dialogue between Kapoor’s art and the architecture of the Palazzo.

Void Pavilion VII 2023 by Anish Kapoor at the center of the courtyard of Palazzo Strozzi. mixed media, paint 750×750×750 cm Photos: Ela Bialkowska Okno studio. Courtesy of Fondazione Palazzo Strozzi.

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The Palazzo Strozzi, located in Florence, Italy, saw its construction initiated in 1489 under the guidance of Benedetto da Maiano, commissioned by Filippo Strozzi the Elder, a rival of the Medici family. Having returned to the city in November 1466, Filippo Strozzi desired a grandiose palace to assert his family's enduring prominence and, perhaps more significantly, to make a political statement about his own status. To make way for this new edifice, a significant number of existing buildings were acquired and subsequently demolished during the 1470s. Sculptor and architect Giuliano da Sangallo created a wooden model of the design. Tragically, Filippo Strozzi passed away in 1491, long before the completion of the construction in 1538. In that same year, Duke Cosimo I de' Medici seized control of the palazzo. It was only thirty years later that it returned in the Strozzi family. The palazzo remained the familial seat until 1937. Today, the palace serves as a venue for international art exhibitions, fashion shows, and various cultural and artistic events. ‘Anish Kapoor Untrue Unreal’ was blurring the boundaries of the old Renaissance Palazzo splendor and modern art. With a wide range of art works, including a new architecturally scaled work especially conceived for the courtyard of Palazzo

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Strozzi, it explored a world where the notice between true and false dissolve, opening the doors to the realm of the impossible. In Anish Kapoor’s art, the unreal merges with the untrue, transforming or negating the common perception of reality. One of the distinguishing features is the way Kapoor’s works transcend their materiality. Pigment, stone, steel, wax and silicone, to name only a few of the materials he works with, are manipulated – carved, polished, saturated and formed. Color in Kapoor’s hands is not simply matter and hue, but becomes an immersive phenomenon, containing its own spatial and illusive volume. Arturo Galansino, General Director of the Palazzo Strozzi Foundation and curator of the exhibition stated: “In the wake of our series of exhibitions dedicated to the leading ﬁgures of contemporary art, Kapoor has engaged in a direct dialogue with the Renaissance architecture. The result is entirely original, almost a kind of dialectical juxtaposition, where symmetry, harmony, and rigor are called into question, and the boundaries between material and immaterial dissolve. Amidst the rational geometries of Palazzo Strozzi, Kapoor invites us in this exhibition to lose and rediscover ourselves, prompting us to question what is untrue or unreal."

Below: the iconic work Svayambhu (2007), at the Piano Nobile. The title derives from the Sanskrit term denoting self-originated entities, akin to the Christian concept of acheropoieta, images not made by human hands. As this vast block of blood-red wax moves slowly along its track between two rooms of Palazzo Strozzi, it creates a dialectic between void and matter as its formless substance is shaped by the architecture it pushes through. Kapoor’s Endless Column (1992), red pigment sculpture that penetrates floor and ceiling to create an ethereal architectural physicality that stands as a link between earth and cosmos. The work references Constantin Brâncusi's iconic sculpture with the same title from 1937.

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Mirror by Anish Kapoor, (2018) stainless steel 195×195×25 cm at Palazzo Strozzi, Florence, Italy. The notion of boundaries and the duality between subject and object are central to Kapoor’s mirror works. Mirror (2018) is one of the mirror creations that pays homage to Constantin Brâncusi’s formal experiments. With their inverted reflections, the specular is thrown into the realm of the illusory in works that seem to defy the laws of physics. These large-scale sculptures reflect and distort the surrounding space, enlarging, reducing and multiplying it, creating a sense of unreality and destabilization while drawing the viewer into the indefinite space they emanate.

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soho sensation

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nestled within the heart of soho, new York City, the masterfully curated soho Loft, a brainchild of the visionary studio todd Raymond, unfurls as an awe-inspiring sanctuary where the legacy of yesteryears interlaces seamlessly with the avant-garde spirit of today's design ethos. each facet of this residence, from the enduring allure of a 1950s Vittorio Dassi sideboard to the meticulously selected fragrance that gracefully meanders through the sophisticated hVaC system, meticulously contributes to the overarching ambiance. inhabiting dual roles as both creator and dweller, todd Raymond envisioned a project where the very essence of the space's foundational aesthetic retained an unmistakable ‘traditional’ allure, while the interiors effused a distinctly contemporary panache: a synthesis that reverberates profoundly with todd's design philosophy. this creative vision came to fruition through the masterful incorporation of timeless elements around the perimeter, including ornate applied moldings and opulent materials like terrazzo, seamlessly juxtaposed with sleek, cutting-edge millwork in the kitchen, bathrooms, and bar. the residence is swathed in a richly nuanced color palette, where deep browns, inky blacks, creamy hues, and other calming neutrals form the backdrop, punctuated by invigorating accents of verdant green and warm cinnamon. todd sought to imbue the furniture with a sense of expansiveness and liberating openness within this capacious loft, an endeavor that entailed meticulous spatial planning and a keen sensitivity to spatial dynamics. among the standout pieces, a vintage 1960s Guillerme et Chambron cabinet takes center stage, delicately illuminated, alongside an extraordinary contemporary table sourced from a renowned Madrid gallery, and a meticulously hand woven tapestry of raw ﬂax linen, an artisanal creation personally displayed above the primary bed, adding a distinctive touch of bespoke elegance.

Previous pages: part of the living space with a sofa by Philippe Hurel, chairs by Newel Gallery in the style of Pierre Jeanerette. Fabric is an alpaca wool plaid by Sandra Jordan.The floor lamp is by Liaigre. The artwork is by artist Holly Addi and the vessels are by Alison Lousada. This page: living room with the Accent chair by contemporary South African artist Xandre Kriel and a vintage 1950’s sideboard by Vittorio Dassi.

Right: dresser in the primary bedroom with an artwork by Hunt Slonem. Below that: television room with a vintage 1960s Guillerme et Chambron cabinet with integrated light, a sofa by Paolo Ferrari and a floor sculpture by Hector Esrawe, Emiliano Godoy and Brian Thoreen with Nouvel Studio Right-hand page: custom bed/headboard and integrated nightstands by Studio Todd Raymond. The artwork above the bed is a custom-woven raw linen, dyed Olive Green and pinned by Todd Raymond. The entry foyer features art by Gary Simmons and a sculpture by Caroline Blackburn. Following pages: the loft seen from the kitchen. The light fixture is by contemporary French artist Joris Poggioli and the artwork by Max Boyd. The round artwork in the dining area is by Damien Gernay.

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Modernist Brazilian Twist Miami, United States - Strang Design

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Strang Design from Miami, USA, created a modernist home with a Brazilian twist. It is an unwavering dedication to 'environmental modernism' while perfectly reflecting the clients' cultural heritage and way of life.

The house designed by Strang Design is organized into an ‘H-shape allowing interiors to be flooded with natural light and to showcase views of the natural surroundings. Photos: Kris Tamburello

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These pages: the living room features a Janaina Tschäpe painting, Amir Nikravan sculpture, Jorge Zalszupin coffee table, and Jean Gillon armchairs. The designers blended materials and the tropical location with the owners' Brazilian-influenced art and furniture to evoke the essence of a South American home.

Top left de M other bed In the ki that: the

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Strang Design is know for its skills to create environmentally conscious homes with striking architecture and interior design. These kills were on full display in this project near Miami, United States, for a family of four from Brazil. Through the whole design process, the team paid careful attention to the clients' desires and their way of life, creating a warm and inviting atmosphere that reﬂects their cultural heritage. One of the primary design goals was to ensure that the home had a sense of connectivity, despite its size. Strang Design achieved this by creating comfortable spaces for gathering, yet still allowed for individual activities. The use of vintage, one-of-a-kind furniture reﬂected the clients' cultural background and added a unique touch to the design. A challenge for the team was sourcing materials that met the clients' needs, while also being environmentally friendly. The designers achieved this by

: the master bedroom with light fixtures by Apparatus and a painting by Marci Moraes. George Nelson benches serve as bedside tables. Beside that: one of the droom with a Togo pouf by Michel Ducaroy and an art work by Tammy Kanat. itchen, stools made from camel leather and linen soften the strong lines. Beside e design of the bar area pays homage to the clients' Brazilian heritage, with the vintage furniture and artwork that they have collected throughout the years. OBJEKT 37

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Top left: generous pops of color are provided by the home owners art collection like the Jonny Niesche piece in the seating room. Chairs are by Sergio Rodigues. Below that: the living room's expansive, floor-to-ceiling openings allow for multiple views onto the lush gardens and pool. Landscape consultant for the project was La Casona Garden.

using unfilled Travertine for both the interior and exterior flooring, and teak slatted ceilings and walls for texture and warmth. They also incorporated strong natural materials like rough-cut Jerusalem tiles for the exterior walls, exposed board form concrete, and teak millwork accents throughout the home. In addition to their focus on natural materials, Strang Design paid close attention to the landscaping, working with landscape architecture studio La Casona Garden. Together, they sourced many native species and designated a portion of the property as a Certified Wildlife Habitat by the National Wildlife Federation. The residence features a wide selection of material choices and brands for the interiors, including Mia Cucina for the kitchen design, Opustone for the stone materials, Apparatus Light Fixtures and appliances from Subzero and Wolf, as well as AV solutions from AVX. Max Strang founded Strang Design in 1998. The Floridabased architectural, interior design, and landscape design firm is respected for advancing the principles of Environmental Modernism in extraordinary locations around the world. OBJEKT 39

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These pages: the dining area is a mix of natural materials that blend seamlessly with the exterior's organic palette.

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REDEFINING RAIL TRANSPORTATION

Left-hand page The existing house in the North American woods designed by Olosn Kundig and the new two-story steel tower that serves as a studio and is mounted on a 15-foot-gauge railroad track. It can move from the house to the other side of the open space. It was also designed by Oldon Kundig and the team. Overleaf The studio as an island of tranquility.

The desire to redefine their family life led Lou and Kim Maxon to think outside the suburban box and to approach architect Tom Kundig, principle/owner of the Seattle based studio OlsonKundig for the design of their new home in Carnation, Washington State, USA in 2008. When Tom and project manager/project architect Edward Lalonde visited the heavily forested site, they were drawn to the steep slope overlooking the Tolt River Valley below. The slope inspired the home’s cantilevered design and the rectangular plan that maximizes the views of the valley. Complementing the home, he, created the Maxon’s studio, providing space for both production and reflection. Kundig designed a two-story steel tower, mounted on a 15-foot-gauge railroad track, allowing it to transition from a nested extension of the home’s living space to the other side of the open space. The project reflects the materiality and views of the original home, while translating the home’s horizontal proportions to a vertical arrangement

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The studio’s interior was also inspired by the legacy of the rail industry. Like a traditional caboose, the studio’s lower level is the main working space. The upper level is accessible via a steel ladder, with a small dumbwaiter to transport heavy or bulky items. It as envisioned as a calmer zone for creative exploration and restoration. Photos: Aaron Leitz Project Team: Tom Kundig, FAIA, RIBA, Design Principal; Edward Lalonde, Principal; Phil Turner, Gizmologist. Client and General Contractor: Lou Maxon. Key Consultants: Alpine Welding, Steel Fabrication; MCE Structural Consultants, Structural Engineer.

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Tom Kundig, principal and owner of the Seattle based studio Olson Kundig, is renowned for creating clever and technically innovative hand-held mechanisms and devices in his projects. Gears, pedals, pulleys, hand-wheels and counterweights are featured in many of his buildings, contributing to pivoting doors and windows, and ingenious shutter systems. In collaboration with Phil Turner, Olson Kundig’s resident ‘gizmologist’, Kundig created elegant solutions to a wide range of design challenges with intriguing mechanical contraptions. Often these mechanisms serve to connect the building to the landscape, the interior to the local environment. With the Maxon House, this inventive approach has been utilized to give the client the experience of commuting to his office, but without having to leave the property. Envisioned by both Kundig and the client, the concept of an office on wheels was made a reality, creating a one-of-a-kind studio space. Located on a 21-acre site in Carnation, Washington State, State, the initial house also designed by Olson Kundig, was designed to connect the family to the heavily forested landscape, with its humble proportions, raw materials and dynamic mechanisms. Inspired by the legacy of the rail industry in the local region, as well as steel cables and railroad spikes discovered on the site during excavation for the main house, a two story steel tower studio was added and mounted on a 15-foot-gauge railroad track. This unique infrastructure allowed it to transition from a nested extension of the home’s living space to an independent, detached studio. Maxon Studio reflected the materiality and views of the original home, while translating the home’s horizontal proportions to a vertical arrangement. This contrast created a dialogue with the existing building as well as a new experience of the heavily wooded site. The studio’s control panel, which was formerly installed in a Burlington Northern locomotive, has been rewired and adapted to manage electrical acceleration and braking.

The wooden railroad ties used are authentic to the industry, repurposed from a Great Northern Railroad relay line, though the steel tracks are a much larger gauge than is typically used. Informed by Japanese high-speed railways, the studio track also includes a stabilizing bar that will prevent the tower from tipping during an earthquake. The studio’s interior was also inspired by the legacy of the rail industry. Like a traditional caboose, the studio’s lower level is the main working space, with a built-in desk and numerous shelves for storage and display. A steel-clad wall allows the workspace to be surrounded by visually inspiring materials that can be easily replaced as creative themes and assignments change. The upper level is accessible via a steel ladder, with a small dumbwaiter to transport heavy or bulky items. Envisioned as a calmer zone for creative exploration and restoration, this level functions much like a cupola on a train’s caboose, a high vantage point to look out across the landscape. Subtle references and industry artifacts throughout the studio reference the influence of trains and railway design on the project. Lou Maxon: “The first instinct for me in my creative branding work is always deep recon. So I really immersed myself in the world of trains, which led me to start collecting model trains and researching graphic design on trains and taking vacations centered around trains. I was always learning and then applying that new knowledge to the project.”

Tom Kundig stated. “It’s a beautiful object, beautifully fabricated, but moving it along the track is another experience entirely. What Lou Maxon and Alpine Welding were able to achieve with reconfiguring the electronics of the control panel and elegantly allowing the electrical connection to unspool behind the studio is absolute brilliance. It’s a prime example of taking an idea 60% or 70% of the way, and then stepping aside to let an expert bring it fully to life.”

“When we started designing a studio for Lou Maxon, we talked about the importance of leaving the main house and having a commute as part of the experience. I said, somewhat jokingly, ‘Could we deploy Lou out into the forest? How cool would it be to take his ofﬁce and put it on tracks?’ It started as an offhand comment, but we quickly realized we all wanted to ﬁgure out how to make it happen.”

Tom Kundig, FAIA, RIBA, Design Principal studio Olson Kundig

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Hale Nukumoi

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Hale Nukumoi is the quintessential Hawaiian beach retreat: open and casual. And set amidst mature palm trees. Composed of a main house and guest house, the site features a large yard and pool, as well as beach access. The idea of indoor/outdoor living is exemplified by the home’s airy design with large sliding doors and walls, a custom twostory rain screen, and layered plantings balance connections to nature with privacy. The project was designed by Walker Warner Architects with interior design by Stone Interiors. The landscape design was by Lutsko Associates. The main house and adjacent guest house, both L-shaped structures, feature pigmented, board-formed concrete base structures, with dark timber cladding the upper portions. Low-pitched roofs reach out to provide deep overhangs offering semi-protected transition spaces between inside to outside. The main house is composed of a single-story pavilion adjoining a two-story volume. The home’s entrance is on axis with the pavilion. This opens up on both sides via window walls that physically and visually connect the house to the landscape, as well as to the pool and to the beach. The pavilion, and adjacent combination kitchen and dining areas provide space for gathering. The kitchen is equipped to support parties and large family gatherings. The living area furnishings, large sofas and side tables, are all on wheels, enabling them to be easily rearranged or shifted to the lanai or poolside for outdoor entertaining. A connected indoor-outdoor room provides space for an outdoor bar, sitting area, and outdoor grill. Furnishings are modest and comfy, providing ship-like efficiency. Sand colored floors and walls run through the interior, with ceilings and cabinetry clad in wood to match the ceiling beams. The two-story guesthouse features all of the functionality of the main house without duplicating spaces. Largely devoted to bedrooms, the living and kitchen areas are modest; the five bedrooms arrayed between the two floors. Upstairs, there’s also a recreation room with a pool table, bar, gym, and a covered porch. Outside, a copper mesh rain screen adds a layer of privacy on the park side of the home, while artfully helping to mitigate run-off from the roof. Sand, volcanic rock, and trees come together to establish a subdued and sophisticated palette of materials and colors respectful of the geological and cultural history of the islands.

These pages: the exterior and interiors of the Hale Nukumoi project on Hawaii by Walker Warner Architects with principal Greg Warner, senior project manager Thomas Clapper and architectural staff Aaron Zube, Rob Campodonico and Philip Viana. The interiors are by Stone Interiors and the landscaping is by Lutsko Associates. Builder: R.S. Weir General Contracting Lighting: Banks | Ramos Structural Engineers: GFDS Engineers Geothermal Engineer: JPB Engineering Mechanical Engineer: Mark Morrison PE Photos: Matthew Millman

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“Everything we designed grew out of the place, the architecture, and the desires of the clients. When we are able to work like this, we transcend trends and the place has its own personality. We were lucky to meet a local wood worker who told her about a large monkey pod tree that needed to come down. It was just up the road from the site and it was used to make the lanai bar top.” Stacy Stone Principal of Stone Interiors

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Stacy Stone, Principal of Stone Interiors: “Walker Warner Architects respected the location and created the structure so that it felt integral to the landscape. We followed the architect’s lead and integrated the interiors with the architecture, down to using some of the architectural finishes in the furnishings. Being here is all about the indoor, outdoor connection and approaching the project this integrated way kept the connection strong.” “The family had been coming to this area for generations. A large part of the program was about accommodating their large extended family and making sure everyone could have a comfortable spot in all of the gathering spaces.” “The house’s main space was like a Swiss army knife. Very simple with many ways to function. The dining table can extend to fill the entire length of the main room. Two large L- shaped sofas were designed on castors which allows for enlarging a main seating area indoors or a sunset area on the lanai. Large ottomans were used for lounging or outfitted with custom trays to use as cocktail tables. Everything we

designed grew out of the place, the architecture, and the desires of the clients. When we are able to work like this, we transcend trends and the place has its own personality.” Ron Lutsko, Jr. of Lutsko Associates : “The architecture and landscape were intended to be a singular experience. In this spirit, the same stone paving is used from inside to out and was selected to match the light-colored concrete building and site walls. In addition, black metal accents found in the architecture can be seen throughout the landscape in water features, handrails, and hardware. Even the chainmail rain feature attached to the main house’s roof spills into a circulating outdoor water feature that runs along the entry path, exemplifying the tight bond between the building and landscape. We felt it was important, that you could always sense the beach from anywhere on the property. Large apertures through and between buildings keep you connected to the ocean. Even within some of the more intimate courtyards, the coconut palms are a constant reminder of the beach.”

“We tried to be regional in terms of the choice of materials and what I would call understated, although it’s a big project. There are unique boardformed concrete walls. We used a white cement and coral so that it really felt as if the house was made of sand.” Greg Warner

AIA, Principal of Walker Warner Architects

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Above: the outdoor spaces of the Palm Beach villa were of immense signiﬁcance for the owner.The daily ritual of dining outside the breakfast room is a cherished moment, allowing them to savor the gentle breeze and the beauty of the surrounding scenery. Beside that: the entrance hall with a table by Vincenzo De Cotis, Carpenters Workshop Gallery and art by Damien Hirst. Photos: Kris Tamburello. 106 objekt

south ocean cool the project was called ‘South ocean’ and was the result of a longstanding relationship between the renowned design ﬁrm Pembrooke & Ives and their client of 10 years, who had entrusted them with crafting her third Palm beach home. the collaboration culminated in a harmonious oasis of luxury and artistry in Palm beach, USA: an opulent haven with 7 bedrooms and 14 bathrooms bathing in the arts. objekt 107

the collaboration of the owner and Pembrooke & Ives took center stage as the client's love for design permeated every step of the design process. Art became an essential element in the narrative of this home, with the client's curated collection which features renowned artists like Damien Hirst, Yayoki kusama and many more. Numerous notable artists and makers, including Niamh barry, Achille Scalvagni for Maison Gerard, Max, and Sami Mikaela, also participated in creating of the estate. Francis Nicado, Principal and Chief Creative officer of Pembrooke & Ives: “this project was for a legacy client of the firm, for whom we have designed homes in New York, the Hamptons and Palm beach. this is her third home in Palm beach in 10 years. When her Palm beach home of just a few years – the former kennedy Winter Whitehouse, which we also designed – was sold, she quickly managed to find another base for her and her family. She was looking for a home large enough for her and her extended family, some of whom live full time with her, but also with enough intimate spaces for hosting and entertaining.” the project was a Covid baby, moving the owner during the midst of the pandemic. the architects and designers were working virtually, ordering overseas from vendors at a time when lead times and closures and supply chain were all very unpredictable. Despite the unchartered conditions they completed the job in 18 months. one of their biggest challenges was to reuse some key pieces from the old home. they had to be creative on integrating items they had designed specifically for her pervious home into this new one, such as the erwan bolloud cabinets. It was like a jigsaw puzzle to find spaces that made these pieces feel like they belonged.

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Above: breakfast room with custom dining table and buffet by P&I, PIC and dining chairs by Palecek. Art: sides pieces by Vik Muniz (set of 8), and Roberto Bernardi (center piece). Chandelier is custom Chris Wolston Tropical Chandelier,The Future Perfect.

Following pages: dining room with dining chairs by Magni Home, side board by Paul Matheu, Ralph Pucci, mirror by Hubert le Gail, Lynx Interiors and sconces by Achille Salvagni, Maison Gerard. Ceiling light is Custom Galaxy Cluster in hand blown soda glass & brass by Jeff Zimmerman 2020, R & Company, wall paper is custom hand painted wall covering by MJ Atelier and the carpet is by Fort Street Studio.

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These pages: the living room of the Palm Beach villa with sofas by Troscan, vintage chairs and coffee tables from Fredrickson Stallard Silver & Gold Crush, David Gill. The sconces are by Niamh Barry, Maison Gerard, carpet is from Alt for Living and the side board is from Patrick Naggar Spinoza Chest, Ralph Pucci. On the left: above the bench by Chai Ming Studios and artwork by Damien Hirst.

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Francis Nicado: “the most collaborative part was working with the art. our client has an incredible collection that she has built alongside her art advisor and she is heavily involved in where this lives around the house. If there are certain rooms where she knows she wants to have very colorful works, we pulled back on using too much color in the furniture and fixtures. We also had the opportunity to commission artisans to create bespoke objects of design like the custom light fixtures throughout the house.” Stepping into the dining room, one is instantly captivated by a mesmerizing wallpaper that reinvents the classic palm leaf pattern. Created by a talented artist previously engaged by the firm, this larger-than-life motif injects an energizing atmosphere into the space. Complementing this visual feast, a magnificent custom hand-blown glass ceiling fixture and overscaled sconces cast a captivating glow, turning each meal into a magical experience. beyond the confines of the interior, the outdoor space assumed a vital role in the overall design. For the client and her family, the outdoor hold immense significance. the daily ritual of dining outside the breakfast room is a cherished moment, allowing them to savor the gentle breeze and the beauty of the surrounding scenery. “Great design has the power to change lives. this project is proof that design can make people feel and behave differently and that the true measure of a space is how it makes you feel. Spaces should be designed for living and living is meant to be comfortable, which is why everything we do welcomes people graciously. We create intuitive, visionary, one-of-a-kind spaces that aren’t just lovely to look at, but that elevate lifestyles of the people who use them’” according to Francis Nicado.

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Above: primary bedroom with chandelier by Salibello, bed by PIC and wall paper by Fromental with applied Lalique glass ﬂowers by Rune. Nightstands are vintage and chair & stool are by Edward Ferre. Carpet is from Beauvais, dresser from Jallu Ebenistes, Rune and the dresser lamps: are by John Prinster. Artwork by Donald Sultan. Right-hand page: primary bathroom. Chandelier from Bernd Goeckler Antiques, sconces from Magni Home Collection and custom made chair by Markus Haase,Todd Merrill.

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Left-hand page: primary bedroom sitting room with chandelier by Rosie Li Studio, desk by Sanyas et Popot France, 1930’s from Maison Gerard and bronze table lamps by Studio Palatin. The wallpaper is made of silk and embroidered and hand-painted by De Gournay Top: Primary Hall with console by Hervé Van Der Straeten, Ralph Pucci and art by Ugo Rondinoni. Below that: cabana with custom sofa and coffee tables by P&I. Chairs are by Edward Ferre and carpet is by Beauvais. Over the sofa an artwork by Julian Opie.

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In Search of Humanity ai weiwei, kunsthal rotterdam

In Search of Humanity, presented by the Kunsthal Rotterdam, the Netherlands, is the large-scale exhibition of one of the leading artists of this moment, human rights activist and critic of authoritarian power systems: Ai Weiwei. The event symbolized his most complete retrospective to date and offered an impressive overview of Ai Weiwei's career spanning more than four decades, with paintings, cultural ready mades, Lego works, sculptures, installations, photography and video art. The artworks reflected his continuous search for humanity and a better world. The exhibition In Search of Humanity provided insight into his life from the early childhood spent with his father in exile to the anti-rightist campaign and his imprisonment in 2011. In his work, Ai Weiwei criticizes the destruction of ancient cultures, the intimidation methods of the Chinese government and a society in which the individual has no freedom. As a sign of defiance, he raises his middle finger at monuments around the world that symbolize power. He breaks down existing objects, rebuilds them and give them a new, layered meaning. Left: part of the exhibition. Above: Ai WeiWei. Photos: Hans Fonk, courtesy of Kunsthal

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O ff - G r i d Located on one of California's last remaining undeveloped coastal areas, the modern guest-house resides on a wildlife preserve, exemplifying a successful balance of residential development and ecological preservation. The owner’s objective for this project was to preserve and to protect the natural environment. It was designed by architect Dan Weber. OBJEKT 121

Nestled into a steep hillside, the 1,800-square-foot residence was designed for low visual and environmental impact on the surrounding landscape. Disguised by its low proﬁle and green roof, the home invites sweeping 360degree views of the Paciﬁc Ocean and surrounding rolling hills through a generous amount of sliding glass and expansive decks, which cantilever over the steep, cliff rock face, providing a direct view of the canyon below. “Since the structure is located on a ridge top, it’s visible from a distance. We did not want it to stand out or draw attention. We aimed for it to have the smallest possible impact on the natural environment and improve the ecological integrity of the property rather than degrade it further,” according to architect Dan Weber. In an effort to blur the line between the built and the un-built, the house was designed like a glass peninsula, with three-way operable glass walls that summon various ocean and canyon vistas.

Above: the house, designed by architect Dan Weber, blends in into California's last remaining undeveloped coastal areas. photos: Erin Feinblatt.

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The house is built of basic materials like steel, concrete and glass. They integrate seamlessly with the landscape and the interior designed by Jessica Helgerson Interior Design.

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Dan Weber,Architect Project Team Architecture: ANACAPA Architecture in collaboration with Willson Design General Contractor: Curtis Homes Landscape Designer: Danielle Gaston Structural Engineer:Ashley & Vance Engineering. Civil Engineer: Braun & Associates

The house is elemental, made of materials like steel, concrete and glass, that integrate seamlessly with the landscape and that will weather and patina naturally over time. Rich walnut accents and custom ﬁxtures and furnishings add warmth and character to the space. The guest-house and the owner’s nearby main residence are completely off-grid out of necessity; there is no electricity available in this remote area. The home is 100% powered by a photovoltaic energy system. LED lighting and low-usage appliances were selected to reduce energy demands and usage. The complex has a private well and water treatment system; wastewater is directed to a septic tank and dry well. A combination of radiant ﬂoor heating, cross ventilation from the abundance of operable sliding glass, and an insulating green roof regulate interior temperatures. A green roof helps the home blend into its landscape while conserving water. The design includes a detached garage, which is also discreetly built into the hillside.

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Josafat Zalapa Josafat Zalapa is a culinary heaven harmoniously melding the culinary heritage and culture of Mexico with Oriental inﬂuences. The complex, designed by the architecture and design studio FMA, is located within a 19th-century building in the heart of Morelia City, Mexico. These pages: the historic building Morelia, Michoacán, Mexico, is the location of Josafat Zalapa designed by FMA. The corridor and gallery leading to a cloister adorned with various artworks along its perimeter. In the center, a sculptural piece featuring dead vegetation alludes to the passage of time in the building. Photos: César Belio.

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The concept of the restaurant is rooted in crafting a groundbreaking dining ambiance, inspired by the Japanese term Omakase. Through a unique dining encounter, patrons embark on a gastronomic voyage, engaging actively as they observe the crafting of their dishes. The experience begins at access to the historic building, with a corridor and a gallery leading to a cloister adorned with various artworks along its perimeter. In the center, a sculptural piece featuring dead vegetation alludes to the passage of time within the building. The design revolved around respecting the architecture of the place while subtly intervening in the interiors, achieving a timeless creation that integrates seamlessly with the historical layers of the building. The material selection remained essentialist, with wooden floors and pigmented cement coatings on the walls. During the construction, particular emphasis was placed on lighting design and furniture integration. This led to the custom design of each element: from the linear lamps that accompany the bar, to the chairs where diners will savor their meals. The architectural layout comprised of two rooms adjacent to the courtyard, flanked by baroque-style architectural elements. The main space houses a sculptural bar with twenty designer chairs and a second bar subtly displayed on one side. entering the restaurant, the massive stonewalls encase the project's centerpiece: an elongated bar where patrons gather around the chef, preparing for the culinary spectacle. The concept of the bar emphasizes the dishes prepared by the chef, while indirect lighting along the floor's edge frames the existing limestone walls. This lighting highlights the layers of history that have been preserved over time, accentuating their architectural value. Through interior design, the project achieved a balance between the architecture of the past and contemporary elements expressed in the furniture, decor, and Right-hand page:The main space of Josafat Zalapa with the sculptural bar.

materials. This approach created an introspective, elegant, and sober atmosphere. FMA is an architecture and design studio founded in 2018, headquartered in the city of Morelia, and led by ascending architect Francisco Méndez. Despite its

Architecture Office: FMA. Architect in charge: Francisco Javier Méndez Rodríguez Furniture: Axoque Studio

relatively short existence, the studio has embarked on a diverse range of projects, including commercial, hospitality, residential, and urban endeavors across Mexico.

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Above: Palazzo Nazario Sauro in the center of Bologna, Italy, recently internal redesigned by Massimo Iosa Ghini to create apartments in eight distinctive styles. Left: Milena Mussi, Hans Fonk and Massimo Iosa Ghini in the courtyard of the Palazzo.

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Palazzo Nazario Sauro Palazzo Nazario Sauro, constructed in the 17th century, changed its life after a transformation project resulting in 33 apartments each in a distinctive style and equipped with iconic and historical design pieces. The five stories building, with a view on the red roofs of the city of Bologna, is located at a stone’s throw from the Two Towers. The design of the project was by the famous architect Massimo Iosa Ghini for Club Real Estate.

Palazzo Nazario Sauro has an ancient origin. Its current configuration on Nazario Sauro Street is due to reorganizations in the seventies and the eighties. In 1994 an insurance company modified the internal structure of the building and in 2018 restoration works began to create a apartment complex for short term rental. Iosa Ghini: “Palazzo Nazario Sauro is an important statement for Bologna because it proves that short term rentals are the best tool to restore and recover the unused areas of our city. The Italian real estate is soaked in art, style and culture and our proposal is the solution to reach two targets at the same time: the conservation of beauty and the revamp of the economy.” Iosa Ghini created 33 apartments in eight different styles and different shape, size and atmosphere. In each apartment there are great classic masters of design such as Le Corbusier, Sapper,

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Jacobsen, Mollino and then the Castiglioni, Sottsass, Magistretti up to the contemporaries De Lucchi, Starck and Grcic together with an extensive collection of original drawings and lithography’s. Among the influences of the reproductions there is the Bologna school of the 80s and the 90s, which, with its cultural liveliness and propositional force, has contributed to the rise of postmodernism, thanks to the strokes of Igor Tuveri, Marcello Jori, Giorgio Carpinteri and Andrea Pazienza, the illustrations of graphics and music from the eighties from Kenny Scharf, Julian Schnabel, Keith Haring, Basquiat and reproductions of architects' drawings edited by Interni magazine. Iosa Ghin about the eight styles: "The Business style characterized by essential components recalling a Bauhaus aesthetic with rationalist

reference. The Industrial style has essential characteristics, but is personalized by raw and functional materials and finishes. Decorations that evoke floral environments refer to the Eco Chic style, bright and welcoming environments thanks to the use of natural wood in furniture, seats and lamps such as Leva lamp by Leucos or the historic seat by Carlo Mollino for Zanotta.” "Emilia-Romagna is the land of motors and high performance cars, hence the inspiration for multiple styles. It was the inspiration for the Red Racing style, with lacquered woods, hi-tech finishes of metals and precious leathers for the seats, as well as objects such as the ‘Alo’ stool, specifically designed by Iosa Ghini for Ferrari in 2006 and produced by Poltrona Frau.” He continued: “The Extreme-style apartments recall the dynamic lines of the most aggressive

Above: apartment in different styles in Nazario Sauro. From left to right: luxury style, International style and eco style. Furniture suppliers for the project Colombini Group Contract - Branded Apartments Collection, Design Iosa Ghini Aermec – fan coils Barausse - doors Gsg Ceramic Design – bathroom furniture Iguzzini Illuminazione - lighting Italcer Group (La Fabbrica, Ava Ceramiche) – floors and wall coverings Livoni – furniture MorbidLine – sofas Silvelox – armored doors Tecnografica - wallpapers

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automotive, with its sharp lines and the reference to the Pasadena School. The Elegant atmosphere evokes, in the use of materials, the style of the great classic car manufacturers, including the only one born in Bologna in Via de' Pepoli". On the top floor of the building, the Luxury-style reinterpret the timeless characteristics of the classical style in a modern way. Eighties & Bolidism apartments recall the style of

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80’s in its various aspects mixing designer items, such as the ‘Guizzo’ stool from the Dinamic collection produced by Moroso, from Memphis and Bolidism movements, and emphasizing the colors and shapes that have generated the postmodern aesthetic of those years.

Top left: Eighties & Bolidism style. Beside that the Luxury and Elegant style. Bottom: Eighties & Bolidism style and below Racing style.

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KELLY WEARSTLER DESIGNS ULLA JOHNSON’S FLAGSHIP WEST HOLLYWOOD STORE

Kelly Wearstler has partnered with esteemed fashion designer, Ulla Johnson on the design of her inaugural West Hollywood flagship store. Describing their meeting of minds as an effortless ‘pas de deux’, the stylish pair have placed Southern Californian style at the heart of the design, giving local makers and creators the center stage. To bring a residential feeling to the store, Wearstler used warm, tactile design elements from the ‘70s and ‘80s throughout the interiors, whilst commissioning modern works from some of her and Johnson’s favorite LA-based artists, staying true to her signature love of mixology. The design is all about openness: from the atrium imbued with a sunlit glow and soft color palette to the open-plan seating area. Wearstler and Johnson wanted to create a public space that acted as an ode to the West Hollywood community”: “it was important to work with artisans from around the world as well as makers who are local to the community, in order to create something that really spoke to LA.” Opting to draw upon the mountainous Californian landscape, visible from the store windows, themes of the natural world follow through to the interiors. A grand solarium lies at the rear of the store, filled with leafy plants sourced from local Malibu nurseries and a 16-foot Brachychiton tree spanning both floors. Interior highlights include a sculptural resin centrer-table by LA-based Ross Hansen, a collection of colorfully joined jigsaw tables by Canadian artist, Jeff Martin and a series of three sconces by Olivia Bossy. In traditional Wearstler style, these contemporary commissions are presented alongside a range of unique vintage finds, such as a set of 1970s Cornaro armchairs and Ingo Maurer’s Uchiwa wall lights.

Above: Kelly Wearstler. Photo: Joyce Park. Right: the Ulla Johnson ﬂagship store in West Hollywood. Photos: Adrian Gaut.

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Apavisa

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HARDCORE TILES AND BATHROOMS AT CERSAIE, BOLOGNA

production: OBJEKT International photos: Hans Fonk

The 40th edition of Cersaie, the International Exhibition of Ceramic Tile and Bathroom Furnishings in Bologna, Italy, offered a captivating glimpse into the future of surface design, bathroom furnishings, and related industries. Its global message was reinforced by a rich cultural and educational program, featuring conferences themed around "Building, Dwelling, Thinking," engaging discussions at the 'Press Cafés,' informative technical seminars, and live demonstrations at 'Tiling Town,' among other events.

A unique feature, Route40, unveiled four decades of remarkable progress and innovation and vividly showcasing the profound transformations in cultural, social, design, and production realms during this period. Route40 was curated by Davide Vercelli and designed by Dario Curatolo. Along this route, the monumental leap in evolution, particularly in the realm of ceramic tiles, was prominently displayed.

With its industrial center in the town of Sassuolo, a stone throw away of the factories of Italian icons like Ferrari, Lamborghini and Maserati, the Italian ceramic sector has propelled itself worldwide to ever expanding new creative and manufacturing fields.

Over the years, OBJEKT International, in its visits to Cersaie, has witnessed the tremendous evolution in the ceramics world. What was once a fairly traditional environment has now blossomed into a modern, dynamic realm, seamlessly marrying cutting-edge technology with timeless charm and practical advantages. Ultra thin and large slabs with motives that resemble real nature predominate together: the endless possibilities concerning form speak volumes.

Cersaie played host to 'Tiling Town,' a bustling hub for Italian and international tile-laying professionals. This event showcased the artistry of ceramic tile installation led by master craftsmen, alongside technical seminars delving into the installation of large slabs, tailored for architects and designers. In 'The Ideal City,' Mario Cucinella explored his contemporary vision of urban development, reflecting on Italian identity and the core values that underlie our culture. He envisioned a spatial concept deeply rooted in the traditions of piazzas, theaters, and gardens, guided by a pragmatic approach fostering genuine human interactions.

Taking center stage in the cultural program 'Building, Dwelling, Thinking' was Chinese architect Xu Tiantian, founder of the DnA Design and Architecture Firm based in Beijing. Hailing from Fujian, China, in 1975, Xu Tiantian has been deeply involved in the revitalization of rural areas in China. Her pioneering concept of ‘Architectural Acupuncture’ offers a holistic strategy for the social and economic rejuvenation of rural China, recognized by UN Habitat as an exemplary case study for Urban-Rural Linkages. Her architectural endeavors extend beyond mere construction, encompassing social design aimed at maximizing benefits for both the locality and its inhabitants. Recognizing the distinct cultural and economic contexts of rural areas, Xu Tiantian's approach integrates communities with their surroundings, elevating the quality of agrarian life in villages. OBJEKT International devoted extensive coverage to this remarkable production, providing a comprehensive overview of the highlights from this transformative event.

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Kale

Fincibec group

Fioranese

Cerrad

Apegrupo

Gemma

Edoné

Cerdomus

GAia

Lafaenza

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Imola

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south ocean cool the project was called ‘South ocean’ and was the result of a longstanding relationship between the renowned design ﬁrm Pembrooke & Ives and their client of many years, who entrusted them with crafting her Palm beach home. the collaboration culminated in a harmonious oasis of luxury and artistry in Palm beach, USA: an opulent haven with 7 bedrooms and 14 bathrooms bathing in the arts. objekt 107

the collaboration of the owner and Pembrooke & Ives took center stage as the client's love for design permeated every step of the design process. Art became an essential element in the narrative of this home, with the client's curated collection which features renowned artists like Damien Hirst, Yayoki kusama and many more. Numerous notable artists and makers, including Niamh barry, Achille Scalvagni for Maison Gerard, Max, and Sami Mikaela, also participated in creating of the estate. Francis Nicado, Principal and Chief Creative officer of Pembrooke & Ives: “this project was for a legacy client of the firm, for whom we have designed homes in New York, the Hamptons and Palm beach. this is her third home in Palm beach in 10 years.” “When her Palm beach home was sold a few years ago, she quickly managed to find another base for her and her family on the other side of the island. She was looking for a home large enough for her and her extended family, but also with enough intimate spaces for hosting and entertaining.” the project was executed during the midst of the pandemic. the architects and designers were working virtually, ordering overseas from vendors at a time when lead times and closures and supply chain were all very unpredictable. Despite the unchartered conditions they completed the job in 18 months. one of their biggest challenges was to reuse some key pieces from the old home. they had to be creative on integrating items they had designed specifically for her pervious home into this new one, such as the erwan bolloud cabinets. It was like a jigsaw puzzle to find spaces that made these pieces feel like they belonged. Francis Nicado: “the most collaborative part was working with the art. our client has an incredible

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collection that she has built alongside her art advisor and she is heavily involved in where this lives around the house. If there are certain rooms where she knows she wants to have very colorful works, we pulled back on using too much color in the furniture and fixtures. We also had the opportunity to commission artisans to create bespoke objects of design like the custom light fixtures throughout the house.” Stepping into the dining room, one is instantly captivated by a mesmerizing wallpaper that reinvents the classic palm leaf pattern. Created by a talented artist previously engaged by the firm, this larger-than-life motif injects an energizing atmosphere into the space. Complementing this visual feast, a magnificent custom hand-blown glass ceiling fixture and overscaled sconces cast a captivating glow, turning each meal into a magical experience. beyond the confines of the interior, the outdoor space assumed a vital role in the overall design. For the client and her family, the outdoor hold immense significance. the daily ritual of dining outside the breakfast room is a cherished moment, allowing them to savor the gentle breeze and the beauty of the surrounding scenery. “Great design has the power to change lives. this project is proof that design can make people feel and behave differently and that the true measure of a space is how it makes you feel. Spaces should be designed for living and living is meant to be comfortable, which is why everything we do welcomes people graciously. We create intuitive, visionary, one-of-a-kind spaces that aren’t just lovely to look at, but that elevate lifestyles of the people who use them’” according to Francis Nicado. 114 objekt

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the Le Klint store opened its doors in Copenhagen.

Model 153 with its many facets and sharp zigzagging folds. The 1970s were all about preserving craftsmanship, safe-

One of the first lamps was the Model 1, which was directly

guarding the good working conditions of the staff and keep-

based on the Klint family’s first foldings from 1901. It was

ing the Danish craftsmanship at Le Klint with its production

Tage that added a vital element to the lampshade: the

in Odense. The newly created Klint Fonden runs the company

unique collar that utilizes the elasticity of the lampshade to

and provides financial support to young people during their

attach the shade to the frame. The only thing that has

education, especially in handicrafts.

changed in the Model 1 since 1943 are the bulb and the socket.

Poul Christiansen designed the Model 172, also known as the Sinus Line and Flemming Agger created the Model 368

In 1944 the Model 101 was launched, also known as The

designed: a classic iconic lamp and still one of the best-

Lantern. Inspired by Japanese paper lanterns itbecame an

selling floor lamps. In the nineties Andreas Hansen designed

iconic lamp for Le Klint. It represented the unification of

The Model 314.

technique, craftsmanship and design, where a rectangular piece of paper was folded into a three-dimensional ball

The new decenium the company was modernized wit a

with a complicated structure.

greater influence of modern materials and young designers. In 2008 Sinja Svarrer Damkjær designed The Bouquet, a

Another iconic lamp from that period was the Sax lamp

chandelier with seven cross-plated lampshades. In 2017, the

new

lamp that could be extended and retracted.

culture and concert hall in Odense, the Odeon, requested a custom designed lamp for their foyer.

The sixties gave a more modern look with the focus on design and craftsmanship. The lamps were a hit in the USA,

The Carronade series, designed by the Swedish designer

and in 1960 ‘The Lantern’ became famous when it appeared

Markus Johansson introduced new materials like coated

in the Hollywood film ‘Let’s Make Love’ with Marilyn Monroe.

steel, wood, brass and aluminum.

Architect architect Andreas Hansen created in 1964 the

And in 2023, Le Klint celebrated its 80 years anniversary.

Above: The Bouquet designed by Sinja Svarrer Damkjær in 2008 and the unique collar of the Model 1, directly based on the Klint family’s first foldings from 1901. Right-hand page: the Le Klint Store at Store Kirkestræde 1 in 1943.

OBJEKT INTERNATIONAL THE WORLD STANDARD FOR STYLE

d 17 OBJEKT©International is the authoritative and bespoke title for the upscale urban modernist with a passion for interiors, art & antiques, modern design and outstanding architecture. Thanks to the general concept, unexpected topics, the selection of designers, and quality of the photos, OBJEKT©International has gained the highest authority in its field. The magazine was first published end of 1991.

WWW.OBJEKT-INTERNATIONAL.COM

PHOTO: HANS FONK

UNIQUE EXPERIENCES Selected Retreats for Family & Friends

WWW.UNIQUE-EXPERIENCES.CH

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