Hausmann inglese

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Hist ory dat ing back more t han t wo cent uries The jewelry History dating back more than two centuries

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n Rome, time is transformed into history. And the Hausmann & Co. business, which boasts more than two centuries in the Eternal City, is no exception, insofar as the name – German in origin but Italian by

tradition – has become one of the most famous and prestigious among international watchmakers.


Palazzo Piombino and its shops. Print, c. 1890


Hist ory dat ing back more t han t wo cent uries The origins

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t all started in 1794, thanks to the initiative of

off. The bell-towers’ traditional role of marking the

Giovanni Romano Ricci, who opened his watch-

time of day – legend has it that there was one in

maker’s shop in the heart of Papal Rome, in Pa-

Rome for every day of the year – was coming to

lazzo Piombino. The position was excellent: right

an end.

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in the centre, in front of the Antonine Column, on the Via del Corso, which had already been the

In an age when watchmaking was a craft in the

city’s main street for a century.

true sense of the word, the master craftsman Romano Ricci won a reputation for skill in the making

This was the right moment and it was an imme-

and repairing of the delicate mechanisms of clocks

diate success: towards the end of the 18th cen-

and watches, and he soon became popular with

tury it was becoming more important to be able

the upper nobility and clergy. The shop on Via del

to check the time at any given moment, and the

Corso was also famous for the impressive range

habit of carrying a watch was beginning to take

of timepieces on offer: this was a time when inter-


Hist ory dat ing back more t han t wo cent uries The origins

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national trade was flourishing, making it possible

order to function. As a result of the increase in

to consolidate relations with the most prestigious

demand, and the high degree of technical innova-

master-clockmakers in Europe, particularly those

tion, the clock and watchmaker’s craft became an

in Geneva, with whom the Roman firm had some

industry, and the workshop a factory. The unique,

of the earliest business. The earliest commercial

privately commissioned pieces of the previous

document related to the Roman watchmaker con-

century gave way to mass produced models, and

tained in the Vacheron Constantin archives dates

the role of watch and clock retailer became more

back to 1854, suggesting that Hausmann & Co. is

important.

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their oldest still-operating representative.

Precision became a necessity with the progress of 19th century, particularly in view of the strict timetables on which the railways depended in


Milling cutter used to cut the teeth of the cogs. Brass, 19th century. Hausmann & Co. Collection


To the left, the store in Via del Corso 406, c. 1950. To the right, the notarized deed of purchase of the company, 1881


Hist ory dat ing back more t han t wo cent uries The jewelry

The Eternal City’s clock and watch shops

T

he clock and watch shop in Rome was inherit-

transformation as capital of the newly founded

ed by Romano’s son, Innocenzo Ricci. A man

Kingdom of Italy. Many neighborhoods, including

of substance with no heirs of his own, in 1870

the historic centre, were being rebuilt, and Palaz-

he took the decision to go into business with an

zo Piombino, the business’s original headquarters,

expert clock and watchmaker of German origin,

was demolished in the course of the broadening

drawn to Italy like so many of his countrymen

of Via del Corso. So in 1890 the Hausmann com-

by the allure of the Eternal City. Ernst Hausmann

pany moved to its current headquarters in Palazzo

was the right man for the new era. In 1881 he

Fiano, at Via del Corso 406.

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took over the business, consolidating its reputation under his own name, which became famous

The move was also an opportunity to develop the

in the sector as an ambassador of high-quality

workshop by using the best technicians available,

clock and watchmaking to the Eternal City.

capable of reproducing any given part of a clock or

In the same period Rome was undergoing major

watch entirely by hand and well versed in all the


In the foreground, Ernst Hausmann, to the right, and Hermann Frielingsdorf, to the left, with the technicians who restored the Planisphere Clock, c. 1905.


Hist ory dat ing back more t han t wo cent uries The Eternal City’s clock and watch shops

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technical developments of a sector in constant

as well as official supplier to the Royal House of

evolution. To this end, Ernst Hausmann teamed up

Savoy and to the Bank of Italy. For the Papal State

with a technician of rare accomplishment, a com-

it was also charged with the maintenance of all

patriot called Hermann Frielingsdorf who hailed

the clocks in the papal residences. It is probably

from the famous Kutter workshop in Stuttgart. The

also for this reason that Pope Leo XIII entrusted

arrival of this new partner was marked by the al-

Hausmann & Co. with the restoration of the fa-

tering of the company name to the current “Haus-

mous Farnese Planisphere Clock of Parma, an

mann & Co.” in 1895.

extremely complicated astronomical clock built in

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the early 18th century and still housed in the Vati-

Due also to its well established relations with the

can Museums.

most prestigious Swiss timepiece manufacturers, such as Patek Philippe and Vacheron Constantin,

The company continued to grow in prestige.

the firm became the most famous in the capital,

Shops were opened in Naples, in Via Santa Brigi-


The records contain the names of the noble clientèle from 1888 onwards


Hist ory dat ing back more t han t wo cent uries The Eternal City’s clock and watch shops

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da 7 (later moving to Piazza Trieste e Trento) and

(future foreign minister and head of government),

in Genoa, in Piazza de’ Ferrari, while the shop in

the poet Cesare Pascarella and the architect Gae-

Via del Corso reflected the tranquil prosperity of

tano Koch.

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the Belle Epoque, as can be seen in records and archive materials of the period, which have been

The city also bears the Hausmann stamp in the

carefully preserved over the years. Beautifully

many public clocks gracing the elegant palazzi of

traced in India ink are the names of all the royals

the historic centre, ever since the latter was re-

and Roman nobles, popes and cardinals, presi-

stored in the early 1900s.

dents and top politicians, and poets and musicians who have patronized the establishment. These

These years also saw the production of the first

include figures such as Queen Margherita of Sa-

Hausmann wrist-watches: mainly simple time

voy, the parliamentarian Antonio Salandra (later to

pieces, but some with more elaborate features

become Prime Minister in 1914), Sidney Sonnino

such as stop-watches (including monopusher


Hist ory dat ing back more t han t wo cent uries The Eternal City’s clock and watch shops

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chronographs), often ornamented with enamel dials. But most of the demand was for pocket

watches: products by Hausmann & Co. were sub-

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ject to the same quality control as the prized output of the most important Swiss manufacturers,

who were themselves suppliers of components

to Hausmann. Several models were created for the Royal Family, bearing the Savoy arms or the

initials of the kings Victor Emmanuel II, Umberto I and Victor Emmanuel III, and also for the nearby Holy See.

Spare parts for vintage watches. Hausmann & Co. Collection



Hausmann & Co. pocket stopwatch. Spiral tachymetric scale for measuring up to the third minute (red-green-black). Hausmann & Co. Collection


Hist ory dat ing back more t han t wo cent uries The jewelry

Acumen and tenacity in the period of the two wars

T

he years of the First World War were a diffi-

a somewhat awkward presence at the time. But

cult period for a German-named company, in

what destiny did not hold in store was their return

whose workshop many technicians of German or-

to Rome, and both Joe and Max Hausmann met

igin were employed. It was the generational tran-

their deaths under Austrian fire on Monte Grappa.

sition which saved the company from any hostili-

They now rest with their Silver Medals of Military

ty deriving from these circumstances, albeit at a

Valour at the Redipuglia military shrine near Gorizia.

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harsh price: the two eldest of Ernst Hausmann’s nine children, Joseph and Maximilian, who were

As a result of these losses, together with the dif-

Italian-born, both served on the Austrian front as

ficult economic conditions of the post-war period,

captains in the Sardinian Grenadiers. It was their

the company ceased its operations in Genoa. The

presence in the Italian uniform which persuaded

Naples branch was also sold on a few years later. It

the Romans to tolerate and accept as their own

was Aloys Hausmann, one of Max and Joe’s young-

those German insignia on Via del Corso, which were

er brothers, who helped Maurizio Frielingsdorf, Her-


Interior of the store in Via del Corso, c. 1950


Hist ory dat ing back more t han t wo cent uries Acumen and tenacity in the period of the two wars

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mann’s son, to run the business throughout these

land neutral, and what little stock managed to get

difficult years. Aloys was well known in Rome cul-

to Rome was thanks to the commercial “arts” of

tural circles, and in the ‘30s he managed to trans-

Maurizio Frielingsdorf, who was adept at bartering

form the Hausmann’s premises into a salon for

entire wagonloads of sorghum brooms, leather

artists and painters: regular guests included Cap-

pouches or flowers, in exchange for top-end watch-

ogrossi, Tamburi and Fazzini.

es. In this period employees’ wages were often

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It was under Maurizio Frielingsdorf and Franz Haus-

paid in kind, with sacks of flour or other foodstuffs.

mann, the youngest of Ernst’s nine children (and

Social commitment was to continue amid the hard-

Aloys’s younger brother), that the company arrived

ship: Maurizio Frielingsdorf together with his wife

at the threshold of the Second World War. Commer-

Maria Hausmann, Ernst’s daughter, helped a family

cial activity was to suffer greatly over the following

from Rome’s Jewish community to conceal itself,

years, especially at the higher end of the market.

thus earning the title of Righteous among the Na-

International trade was difficult, even with Switzer-

tions from the Yad Vashem memorial centre.


Benedetto Mauro demonstrates the mechanism of a vintage timepiece


Hist ory dat ing back more t han t wo cent uries Success

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t the beginning of the ‘60s leadership of

Research Council and a number of sporting ven-

the company fell to two brilliant youngsters:

ues). In addition, the production of watches under

Joe Frielingsdorf, who had graduated from Tech-

the Hausmann brand enjoyed renewed success

nicum at La Chaux-de-Fonds, the most important

in partnership with established manufacturers

modern watchmaking school of the time, and

like Ebel and Sarcar and thanks to the expertise

Ernesto Hausmann, with a degree in “Economie

of the watchmaker technicians employed in the

et Commerce” from the University of Neuchâtel.

workshop. This was the period of precious wrist-

Alongside its commercial activity the company

watches, with the cases and sometimes also the

also started distributing in Italy on behalf of Ebel,

bracelets in gold, platinum or silver, also featuring

and also IWC from the 70’s onwards. An internal

small complications.In 1969 came the right occa-

division of electronic timekeeping for industrial in-

sion to celebrate the successes of the postwar

stallations was opened (clients included the Italian

period, with the 175th anniversary of the founding

Navy for warships, Vatican Radio, Italy’s National

of Hausmann watchmakers. The Musée Interna-

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Hist ory dat ing back more t han t wo cent uries Success

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tional d’Horlogerie (MIH) in La Chaux-de-Fonds,

New York branch on Madison Avenue and 59th. This

which may be regarded as the most important in

was headed by Joe Frielingsdorf’s eldest daughter

the world in this field, took part in the celebrations

Carla and her husband Benedetto Mauro, an ex-

by organizing the exhibition “La montre, du XVIe

pert in mechanical engineering. Hausmann was

au XIXe siècle” at Villa Maraini, headquarters of

one of the first companies to export Italian style

the Swiss Cultural Institute in Rome. This was the

across the Atlantic: in addition to the big names in

first time in the museum’s history that some of its

Swiss watches, the branch also featured impor-

most beautiful exhibits had left the premises to

tant fashion brands of jewellery, including Pomel-

grace a private exhibition.

lato, introduced for the first time to the American

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It was 1966 when the Pelloni store in Via del Corso

market with an exclusive resale agreement. The

140 was taken over, marking the start of a partner-

interior décor was also determined by Italian taste,

ship with the Rolex company. The ‘70s were years

inspired by the facade of the church of San Miniato

of expansion, culminating in the opening of the

in Florence: the splendid wall in wood, decorated


Some of the models featured in the exhibition, in the photos of the brochure from that period


The Hausmann & Co. windows on Madison Avenue, New York



The interiors of the New York store, executed by Italian master craftsmen


Hist ory dat ing back more t han t wo cent uries Success

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by Italian ébénistes to match the church’s archi-

most highly regarded experts in mechanical

tectural motifs and marble decorations, could

watchmaking, both antique and modern. Consult-

even be seen from the street, through the store

ant to the Court of Rome and auction houses, and

windows.

distinguished author of many contributions to spe-

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cialist horological publications, he is still one of the

The New York adventure finished at the end of

most highly esteemed opinion leaders in the field.

1982. Joe Frielingsdorf’s health was failing, and sadly he died prematurely in the mid-80’s. It was

At the same time, Hausmann & Co.’s political and

he who appointed his son-in-law Benedetto Mau-

social commitment is embodied in Ernesto Haus-

ro as successor to lead the company, confident of

mann, who acts as an excellent representative at

his strong technical grounding: this has proved a

all levels, ranging from the sports sector (board

judicious decision, ensuring even now the pres-

member of the Italian Basketball Federation, vice

ence at Hausmann & Co. of one of the world’s

president of the exclusive Rome sports club Circo-


Hist ory dat ing back more t han t wo cent uries Success

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lo Canottieri Aniene, …) to the professional sector (president of the National Federation of Goldsmith

Retailers, president of the Rome Goldsmiths’ As-

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sociation, president of the Italian Consortium for High Watchmaking, member of the board of direc-

tors of the Bank of Italy, president of the World

S

TO R

GI

Jewellery Confederation CIBJO, …).

O IE DI OROL


Hist ory dat ing back more t han t wo cent uries The bicentenary

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n 1994 Hausmann & Co. celebrated the

with the city with a guide to some of the capital’s

two-hundredth anniversary (1794-1994) of its

many ancient and often forgotten clocks. Patek

foundation, thus becoming one of the longest-es-

Philippe also joined in the celebrations with the

tablished watchmakers in the world.

production of an exclusive model of the Ref. 5000

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The mayor of Rome, Francesco Rutelli, endorsed

in rose gold with a customized back, in a limited

the celebrations with a reception at the Capito-

series of 100 items. Twenty watches from the

line Hill, at which CEOs Ernesto Hausmann and

Patek Philippe Museum were also made available,

Benedetto Mauro presented the volume “RO-

for the first time ever in the world, for an exhi-

MA-MISURA DEL TEMPO” (“Rome-Measure of

bition at the store in Via del Corso entitled “The

Time”), commissioned from two historians from

seven arts of Patek Philippe: stylist, watchmaker,

the Marco Besso Foundation, Manlio Barberito

goldsmith, bracelet-maker, engraver, enameler,

and Antonio Martini. The book celebrates Haus-

jeweller”.

mann & Co.’s two-hundred year old relationship


Patek Philippe limited edition for Hausmann & Co.: Ref. 5000 in rose gold with an enamel face


Hist ory dat ing back more t han t wo cent uries The new millennium

T

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he new millennium heralded not only a peri-

quately structured both for the new scenarios of

od of growth for the company, but above all

world distribution and to ensure the maximum of

a strategic change in direction. The generational

efficiency in the next generational transitions.

transition of the ‘90s saw the entry into the com-

In 2001 the new company philosophy effected

pany of Francesco Hausmann, Ernesto’s son, who

its first “modernist” breakthrough: alongside the

had graduated with flying colours from the Fac-

historic shop in Via del Corso a new, prestigious

ulty of Economics and Business Administration

retail outlet was opened in the exclusive Via dei

at Rome’s Sapienza University. Thanks also to

Condotti. The contrast between the two points of

university research which he had undertaken into

sale is fascinating: indeed, Hausmann & Co. have

production and distribution in the luxury watch

chosen to combine tradition and history, sym-

industry, Francesco Hausmann made a decisive

bolized by the purple-red walls and the ticking of

effort towards a radical transformation of the fam-

pendulum clocks in the historic shop on Via del

ily business into a modern corporate group, ade-

Corso, with the modernity and technology of the

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Francesco Hausmann, left, and Benedetto Mauro, co-leaders of the Hausmann Group


Hist ory dat ing back more t han t wo cent uries The new millennium

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two-storey shop in Via dei Condotti, where a high-

cluding the refined shopping itinerary down Via

tech but refined atmosphere represents the ideal

dei Condotti and across Piazza di Spagna. Mar-

environment in which to exhibit the Hausmann &

ble floors decorated in black and white diamond

Co. masterpieces of timekeeping.

shapes and hand-crafted crystal chandeliers re-

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flect the interior style of the shop on Via del Cor-

In accordance with the family tradition of excel-

so, and symbolize the company’s long history. As

lence, expertise and innovation, the business’s

in the shop in Via dei Condotti, in perpetuation of

historic association with the capital was further

Aloys Hausmann’s passion for art, the beauty and

reinforced in 2010 with the opening of a third sales

workmanship of the works of timekeeping on dis-

point in Rome in the elegant Via del Babuino, on

play are set off with paintings by contemporary

the prestigious premises of the historic Palazzo

artists, in a fascinating juxtaposition.

Fabri Saraceni. This street, with its exclusive shop

The opening of the store in Via del Babuino coin-

windows, now represents a pleasant way of con-

cided with the appointment of the fifth generation


The store in Via del Corso and the team which runs it


Hist ory dat ing back more t han t wo cent uries The jewelry The Watches


The store in Via dei Condotti and the team which runs it



The store in Via del Babuino and the team which runs it



The people who make up the Hausmann & Co. Group. In the centre, Ernesto Hausmann


Hist ory dat ing back more t han t wo cent uries The new millennium

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in the families handing down the Hausmann tra-

sign, materials and colours, whose luminosity en-

dition, and it was also a chance to modernize the

chants the public both from the window displays

famous technical service workshop, which moved

and from the pages of glossy magazines.

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to new and more spacious premises on the top floor of the shop.

Taken as a whole, these initiatives, due to their deep strategic significance and the revolutionary

Passion, dedication and the search for perfection:

style with which they have been applied, repre-

it is in accordance with these values that an exclu-

sent the true nodal point in the recent history of

sive line of jewellery has been added to the his-

the company, which is becoming increasingly rec-

torical, established production of watches under

ognized as an important point of reference for the

the Hausmann & Co. brand. The refined, timeless

entire luxury goods industry, due both to its in-

style of its more classical products is accompa-

vestment in past tradition and its ability to predict

nied by creations which are more modern in de-

and preempt future scenarios.


Jewels by Hausmann & Co. Earrings from the “Drops” collection

Rings from the “Cinque Terre” collection


Hist ory dat ing back more t han t wo cent uries The new millennium

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This awareness led to the launching of a new sea-

young students of composition at Rome’s Santa

son of social commitment in 2013. The economic

Cecilia Academy. Over the next few years it will

difficulties experienced by this country led to the

reward talent in scientific and medical research,

decision to set up an award for young, talented

the humanities and the arts.

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Italians, based on the conviction that the luxury industry shouldn’t be cut off from society, but has

a responsibility to support it. The award, which is also funded by the prestigious Maison Patek

Philippe as well as the Roman company, aims to support talent and intellectual commitment whatever its form of expression, right across all the many fields of human endeavour. The first Hausmann & Co./Patek Philippe Award focussed on the


Hausmann & Co. high jewelry creations


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F

rom watches to jewels: the Hausmann & Co. experience has gained in value day by day. A value consisting primarily of trust, which its clients have accorded it since 1794.

The collections of Hausmann & Co. make no concessions to the ephemeral nature of fashion: they are the authentic expression of the union of all the classic characteristics of the art of jewelry, without stylistic limitations, but with the grace of having been able to span the generations. What is precious is not the diamond itself, but the hands of the master craftsmen as they bring each creation into being, one at a time. The hands which work the precious metal, pick out the purest and most accurately cut stones and round off the beauty of the design through the precision with which the gems are set.


The jewelry The Watches

This crafted work is the antithesis of mass production: the creations’ unique nature and authenticity bears witness to a long-established tradition. Indeed, each of the pieces made by Hausmann & Co. is stamped with the original hallmark “RM 12”, one of the earliest to have been registered in the City of Rome. A customized service is also available for clients to create the jewel of their dreams, or to remodel inherited pieces.

The Jewelry Manager, Mario Didone


Diamond is at the heart of the “Bridal” collection and of the unique pieces collection “1794”



The technical service workshop The relat ionship wit ht he cit y of Roma

The technical service workshop

T

he Hausmann & Co. Service Centre is the company’s star operation. Horological expertise has formed part of the Hausmann DNA for over two centuries, representing a factor of strategic value which is

guaranteed by the sizeable team of master watchmakers and polishers employed in the workshop, which

The Popes, t he Vat ican and Hausmann &

makes it probably the most famous independent watchmaking workshop in Italy.

The interest in the repair and servicing of watches cannot be defined as economic, as the stringent servic-

ing procedures laid down by the principal Maisons orient towards quality, with no expense spared in terms of time or spare parts.

Hist ory dat ing back more t han t wo cent ur



The technical service workshop The relat ionship wit ht he cit y of Roma

The company takes pride in ensuring reliable

standards: two machines for ultrasonic cleaning

watch repair for clients where necessary, but it

(one for the prewash and one for the final one),

will also, more simply, verify and adjust a watch’s

chronocomparators to test a watch’s rate, instru-

rate, polish the watch so that it is as good as new,

ments for the testing of water-resistance, both un-

or advise in the case of any difficulties experi-

der pressure and under water, polishing, lapping

enced in using the timepiece.

and sand blasting machines to restore cases and

The Popes, t he Vat ican and Hausmann & bracelets to their original splendour, an engraving

As is required for state-of-the-art servicing and

machine and – finally – integrated software for

in order to comply with the standards laid down

monitoring the entire overhaul process and sim-

by the principal brands authorizing repair work

plifying communication with clients. The master

on their watches, great attention is paid to the

watchmakers’ professionalism is guaranteed not

standards of workmanship. The machinery used

only by the name Hausmann & Co., but also by

is in line with the most advanced technological

the qualifications deriving from the training and

Hist ory dat ing back more t han t wo cent ur


The technical service workshop

The relat ionship wit ht he cit y of Roma development courses regularly attended at the

include the Office of the President of the Republic

principal watchmaking companies; for example,

of Italy, and the Holy See.

we are proud to say that our Chief Watchmaker is

currently one of the few watchmakers to have at-

With its considerable watchmaking expertise,

tained Patek Philippe’s level-3 certification, which

Hausmann & Co. harbours the ambitious goal of

means that he is qualified to work the company’s

consolidating and defending the culture of watch-

Popes, t he Vat ican and Hausmann & Co. highest-quality pieces featuring complications

care. This is one of the reasons why the “Diary”

such as world clocks and annual calendars.

section on the webpage www.hausmann-co.com includes suggestions and tips for using mechan-

The Hausmann & Co. service workshop numbers

ical watches, accumulated over the course of

several institutions among its clients, which have

years of experience and readily made available to

never ceased over the years to place their trust

enthusiasts and anyone interested.

in the watchmakers’ expertise and ability; these

st ory dat ing back more t han t wo cent uries



Joe Frielingsdorf and Pope John Paul II receiving a gift of the Atmos Jaeger-LeCoultre


The Popes, t he Vat ican and Hausmann & Co. Hist ory dat ing back more t han t wo cent uries

The Popes, the Vatican and Hausmann & Co.

h

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ausmann watches were already suppyling to illustrious members of the clergy in the 19th century. In 1902, the solidity and longevity of this relationship led Pope Leo XIII to commission the restoration of

the ancient Farnese Planisphere Clock housed in the Vatican Museums, better known as the Parma Planisphere due to its origins.

It was commissioned in the early 18 century from Italian clock-maker and mathematician Bernardo Facini of Parma by the Farnese Duchess of Parma, who desired a mechanical object which was unique in beauty and technical complexity.

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The Farnese Planisphere Clock, in photos of the period


The Popes, t he Vat ican and Hausmann & Co. Hist ory dat ing back more t han t wo cent uries

At the time, the Parma Planisphere Clock was one

from scratch. A logbook and 24 technical tables,

of the most complicated timepieces in existence,

hand-drawn by Clelia Frielingsdorf, Hermann’s

due to the number of temporal and astronomical

wife, bear witness to the enormous effort under-

readings that it could give. It provided 24 differ-

taken, and the technical skill which characterized

ent indications, including astronomical minutes

the project. The technical drawings occupy 24

and hours, the times of sunrise and sunset, which

pages of a manuscript which is still housed in the

could be regulated according to various latitudes,

Hausmann & Co. archives.

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and solar and lunar eclipses, to name but a few.

Hausmann and Frielingsdorf worked with a team

Thanks also to his extraordinary achievement of

of thirty expert technicians for three years to re-

restoring the Planisphere Clock, Pope Pius X made

kindle the complicated motions of this marvellous

Ernst Hausmann a knight of the Order of St. Syl-

mechanism, for which they had to redesign each

vester, and made Hausmann & Co. official clock

of the pieces and build the missing components

repairers to the Holy See. Hausmann & Co. still

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Original, hand-drawn technical tables of the Planisphere Clock


The Popes, t he Vat ican and Hausmann & Co. Hist ory dat ing back more t han t wo cent uries

has the honour of assisting the Holy See in the

dered, the cases engraved with the papal emblem

upkeep of the many clocks housed in the papal

or family arms.

apartments and pontifical palaces in Rome and at

This long collaboration has enabled Hausmann &

Castel Gandolfo. An expert technician is respon-

Co. to pass down several stories, including the

sible for the weekly care of over 70 pendulum

one about the pope who left a hand-written note

clocks, carriage clocks and ornamental clocks.

reading “noli tangere� (touch not) with reference

Another indicator of the close relationship be-

to the Atmos clock by Jaeger-LeCoultre housed in

tween Hausmann & Co. and the Roman papacy

his apartments, - a clock which was susceptible to

is the production of the silver pocket watches

the slightest jolt!

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commissioned by various popes during XIX and XX centuries. Pius X, Benedict XV and Pius XI

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were among those with the habit of making gifts of customized watches in return for services ren-


Exterior of the pharmacy on Corso Rinascimento

Palazzo dell’Unione Militare, largo Goldoni

Former Magazzini Zingone in Via della Maddalena


The relat ionship wit ht he cit y of Roma

The Popes, t he Vat ican and Hausmann & Co.

The relationship with the city of Roma

H

ausmann & Co. contributed to the restoration of Rome’s historic centre at the turn of the 20th century:

many public clocks were commissioned to adorn palaces and squares and as a point of reference for

passers by prior to the popularization of wrist-watches.

Hist ory dat ing back more t han t wo cent uries The jewelry


Newspaper kiosk on front of Palazzo Sciarra, on Via del Corso


The relat ionship wit ht he cit y of Roma

The Popes, t he Vat ican and Hausmann & Co.

The most noteworthy of these are the one on the

day-to-day lives, and the time of the clocks them-

Palazzo dell’Unione Militare (1906) in Largo Goldo-

selves, which mark moments in human history and

ni, which is crowned with a stately eagle, wings

the immeasurable time of the eternal, which we

spread, the one on the building of the historic

all perceive and measure deep down in our soul”.1

Magazzini Zingone in Via della Maddalena and the

one on the Farmacia in Corso Rinascimento, the

Hausmann & Co. contributes to the measurement

dial of which is unsigned. The historic newspaper

of the first with its public clocks. And it bears wit-

stand in front of Palazzo Sciarra on Via del Cor-

ness to the second, having accompanied develop-

so, adorned with a Hausmann & Co. clock and is

ments in the Holy City for over two centuries.

Hist ory dat ing back more t han t wo cent uries

unique for its unmistakeable Art Deco style.

“... because omnipotent Time has elected You from

“The clocks of Rome tell two times: the materi-

among all the cities to be its throne…”

ally visible and therefore measurable time of our

1

Wihelm von Humboldt, “Rome”

The jewelry

Barberito, Martini: “Roma – Misure del Tempo”, 1994. Published for the bicentenary of Hausmann & Co.



The Watches

The watches

H

ausmann & Co. proposes to its loyal customers fine watches from the most prestigious and exclusive firms. Our showcases exhibit pieces belonging to the collections of Houses that went down in

watchmaking history, representing today a reference point for all watch lovers in the world. Hausmann & Co. technical competency and long experience allow to offer a premium selection of the best brands and products in terms of mechanics, aesthetics and value.


Graphic design Carlo Audini Photo Marco Ravasini Print Tipografare srl - Rome


Hausmann & C. srl Via del Corso, 406 - Rome corso@hausmann-co.com Hausmann Condotti srl Via dei Condotti, 28 - Rome condotti@hausmann-co.com Hausmann Trident srl Via del Babuino, 63 - Rome babuino@hausmann-co.com

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