YEHUDI MENUHIN
1916-1999
Musician and Visionary
Laura
& Eduard Schmieder, Founders of iPalpiti
In 2023, after 25 seasons of local and international accolades, and naming the festival “…one of the highlights — in some years, THE highlight — of the summer here,” iPalpiti festival transitions into biennial production.Presenting interim mini-festivals allows organization to focus on grants and awards to the artists, catalogue and digitize massive historical recordings and materials, and, also allow iPalpiti’s Maestro Eduard Schmieder to take on other summer engagements.
In this 28th season, we bring you our Stellar Alumni: Austrian violinist Yury Revich, Canadian violist Juan-Miguel Hernandez, Ecuadorian cellist Francisco Vila, and American-Russian pianist Svetlana Smolina. We are fortunate that all four were able to be free from their worldwide concert schedules to gather in LA and create an amazing array of programming during the short few days. In less than 24 hours after their arrival, the audiences will be treated to a “freshly prepared” selections, from Yury’s own compositions to Martinu˚’s violin/viola duo to Brahms’ piano quartet, and more.
We are proud of our alumni – over 400 in 59 countries to date – becoming leading soloists, concertmasters, orchestral and chamber players around the world, carrying the continuity of the great traditions of classical music along the mission of Love, Humanity, and PEACE. Deep ties have been forged, spanning nations; new festivals and celebrations around the world have been born, spreading the spirit of iPalpiti around the globe. In this brochure we share with you our alumni achievements, their take on iPalpiti being part of their musical and personal journey, and about iPalpiti history.
With your support, iPalpiti has built the network of lifetime associations that transcend the conflict of our times.
From the early reviews “Exhilaration, thrills and awe conquer audiences faced with the irrepressible virtuosity and musical achievement of emerging young performers. These are the stock in trade of Young [iPalpiti] Artists International.” (Daniel Cariaga, LA Times, 2000) and through the decades “…an invigorating world-class performance by young players with technique to burn and a palpable desire to live every note.” (Mark Swed, LA Times 2010) iPalpiti remains a testament of new discoveries, new music, and another great week in summer classical cultural life in LA.
Enjoy their music-making. As always, you will be inspired and uplifted!
Director, iPalpiti Artists International, Inc.
Music Director & Conductor, iPalpiti orchestra
Distinguished Carnell Professor of Violin & Chamber Music | Artistic Director for Strings Temple University, Philadelphia, USA
“UNITED
NATIONS OF CLASSICAL MUSIC”
STELLAR ALUMNI
July
Beverly Hills
From la Reine Fabiola, Queen of Belgium
“Her Majesty strongly supports the aim of the iPalpiti Artists International and especially the purpose of creating a spiritual contact with the audience. Her Majesty really hopes that the classical music played by these young musicians will bring together different cultures and promote peace and unity”
“iPalpiti will always hold a special place in my memory, both personally and musically. The environment created by the Schmieders is a unique combination of hard work and fun, and I created lasting friendships with some of my fellow iPalpitians. I hope the festival and its spirit will continue on for many years to come!”
—Karina
Canellakis
Chief Conductor, Netherlands Radio Philharmonic Orchestra
Principal Guest conductor, London Philharmonic Orchestra
Principal Guest conductor, Rundfunk-Sinfonie-Orchester Berlin
Dear Music lovers and iPalpiti family -
I will always cherish the amazing musical and personal experiences I have gathered in my many years of playing in iPalpiti! Even though I won’t be able to be there in person this summer, my spirit will always be there with you and I wish both the musicians on stage and the fantastic California audiences many unforgettable musical moments and memories! All the best,
—Kian Soltani
Deutsche Grammophon artist “a soloist of the highest level among the new generation of cellists”
I will always be grateful to Maestro Schmieder who offered me the opportunity to be part of his chamber orchestra “iPalpiti” in the early 1990s and learn so much!
I met amazing musicians with whom I developed very strong friendships. It was so motivating to share this experience with them, each summer for many years...
I wish a long life to iPalpiti, and from the bottom of my heart, thank you to Laura and Dr. Schmieder for making this dream come true. Love and big hug,
—Liza Kerob
Concertmaster of the Monte Carlo Philarmonic Orchestra. Violinist, Trio Goldberg.
“Exhilaration,
Austrian violinist/composer
Yury Revich
Canadian violist Juan-Miguel Hernandez
Ecuadorian cellist Francisco Vila
Russian-USA pianist Svetlana Smolina
“Los Angeles County is honored indeed to host [iPalpiti events]… Please join me in welcoming iPalpiti Artists International and savoring their contribution to the artistic life of our community.”
–Hon. Zev Yaroslavsky, Supervisor, Los Angeles County, 1994-2014
Music is a chain reaction that reaches down through the generations. Musicians are its links. It is wonderful to know that young musicians have a hand held out to them that they, in their turn, will reach out. Bravo iPalpiti Artists International.
The international press is unanimous in writing about iPalpiti and its artists. A leitmotif resonates through the distances year after year:
“…For one evening in July, the iPalpiti Orchestra, the flagship of the region’s Festival of International Laureates, holds its annual Grand Finale concert in Walt Disney Concert Hall, and it has become one of the highlights - in some years, the highlight - of the summer here.”
— Richards Ginell, American Record Guide (2015)
“Eduard Schmieder’s art is all about communicating energy through glorious sound.”
— Rick Schultz, Los Angeles Times, July 2014
“The international ensemble’s playing at Walt Disney Concert Hall, led by conductor Eduard Schmieder, proves to be world-class…sensational… This was an invigorating world-class performance by young players with technique to burn and a palpable desire to live every note.” – Mark Swed, Los Angeles Times (2013)
“… [led] by conductor Eduard Schmieder with passion, intelligence, refinement and imagination, iPalpiti demonstrated an almost uncanny unanimity of sound and vibrato, a quality repeated again and again throughout the evening... It was especially remarkable to hear such a wide variety of individual tones emerge and then slip back into those fabulous unisons…” — Bill McLaughlin, The Strad (June 2009). Review on the Carnegie Zankel Hall concert of March 5, 2009
“…[under Mr. Schmieder’s direction] iPalpiti sprang to life as a single, singing voice. It was the natural, “vocal” quality that stayed with me long after the final notes of the concert were sounded… “
— John Ardoin, Music Critic, Dallas Morning News
“… an astounding demonstration of seamless and beauteous string playing… memorable, luminous, deeply moving performance…”
— Daniel Cariaga, Los Angeles Times (2000)
“…the ensemble was particularly noteworthy for its unity of purpose and blend. It was as if the musicians’ hearts were beating to the same buoyant rhythm…lustrous, polished tone and graceful phrasing.”
— Vivien Schweitzer, New York Times (2007)
“..rich sonorities [of iPalpiti ] audibly took the audience’s breath away - especially whenever concertmaster Peter Rainer, whose technically immaculate tone throughout the night was sweet and thrilling, had a few bars to play - showed that iPalpiti had charms to soothe a hall well filled with music lovers of all ages.” —STRINGS Magazine (2005)
“Eduard Schmieder transforms the young professional players of his iPalpiti orchestra into tomorrow’s first-rank musicians.”
— The Strad Magazine (2004)
“iPalpiti played with striking unity and spirit and had an infectious way of making music...”
— The Strad Magazine (1999)
“[iPalpiti ] performance can be called righteously overwhelming…” — Noord Holland Dagblad (1996)
“When one hears these musicians play, one realizes there is a connection between the title and the musical outcome… when it comes to 24 very talented string players … and a conductor who leads them with great musicality, the result is naturally captivating and exciting.”
— Ora Binur, Ma’ariv Daily, Jerusalem (2006)
“…astonishing musical odyssey…elegant Maestro Eduard Schmieder at the helm, conducting this world-class group with a brilliant sense of balance, tension and phrasing.” — Beverly Hills Outlook (2004)
FRIDAY, July 18, 7:30 p.m.
Greystone Mansion, Beverly Hills
STELLAR ALUMNI
Yury Revich, Violinist
Juan-Miguel Hernandez, Violist
Francisco Vila, Cellist
Svetlana Smolina, Pianist
Maurice Ravel (1875–1937)
Celebrating the Year of Ravel
Sonata for Violin and Piano (1923 to 1927) inspired by forms of American jazz and blues 16’ Allegretto Blues. Moderato Perpetuum mobile. Allegro
2025 is being celebrated as Maurice Ravel’s 150th birthday year by musicians and music institutions worldwide. This commemoration acknowledges the sesquicentennial of his birth in 1875 and celebrates his significant contributions to 20th-century music.
Bohuslav Martinu˚ (1890–1959)
Three Madrigals H 313 (1947) 16’ Poco Allegro. Poco Andante. Allegro Vivo.
Considered a violin prodigy in his Bohemian hometown, Martinu˚ moved to Paris in 1923 to study composition. His symphonic career began when he emigrated to the United States in 1941, fleeing the German invasion of France. Three Madrigals were inspired by a performance of Mozart Duos by his friends, the brother-sister duo Joseph and Lilian Fuchs, to whom he dedicated the Madrigals.
Franz Lizst (1811–1886)
Mephisto Waltz N 1, S. 514 (1856-1861)
“Der Tanz in der Dorfschenke” (The Dance in the Village Inn)
A visionary piano superstar, Lizst composed several top-class virtuoso pieces for piano, including the four Mephisto Waltzes. No. 1 is the most famous of the four and remains one of the most frequently performed. The literary template for the program comes from the verse epic “Faust. Ein Gedicht” by Nikolaus Lenau. In the “Dance” episode, Faust and Mephisto enter a village tavern. Mephisto grabs a musician’s violin, tunes the instrument and plays a wild dance on it – while Faust disappears into the forest with a harlot. Liszt transfers this scene to piano in rich detail: violin’s voices as empty fifths, the infernal dance and finally the song of a nightingale in the forest.
Pablo de Sarasate (1844–1908)
Carmen Fantasy, Op. 25 12’
Violinist-composer Pablo de Sarasate gave the premiere of his hugely demanding Carmen Fantasy in Paris in 1883 – the dramatic hit tunes of Bizet’s Carmen, a tragic tale of love and jealousy.
Yury Revich (1991– )
“Choriner Wald” (Forest of Chorin) (2023) 6’
Commisioned by Choriner Sommer Festival and Berlin Symphony Orchestra, Yury arranged the piece for the piano quartet for this US premiere.
Johannes Brahms (1833–1897)
Piano Quartet No.1 in G minor, Op.25 (1861) IV. Rondo alla Zingarese: Presto 12’
In 1862, the 29-year-old composer and pianist Johannes Brahms settled in Vienna, the capital of the western musical world. He introduced himself to that city’s musical elite with his Piano Quartet in g minor, the first of his eventual three. Members of the Hellmesberger Quartet, one of Vienna’s leading chamber ensembles, read the work with the composer at the piano; at its conclusion, the violinist Joseph Hellmesberger leapt from his chair, enthusiastically proclaiming, “This is the heir of Beethoven!”
Quartet will be performed in its entirety at Sunday’s concert.
The remembrences of the AMAZING time we spent in last month are with me everyday. You can’t even imagine how many things I learned. I miss iPalpiti so badly!!! You gave me wonderful opportunity and chance, I will never forget that. Contact with Maestro enriched me enormously and gave me new power and understanding for music. I send greetings and words of biggest respect for You and Maestro,
Robert Kowalski (iPalpiti member 2005 -2015) Violnist, Szymanowski Quartet.
Former: First Concertmaster, Radio Orchestra in Lugano, Switzerland
SATURDAY, July 19, 8:00 p.m.
Petit Ermitage, West Hollywood
ROOFTOP SOIRÉE
By Invitation Only
Program announced from stage.
At Petit Ermitage hotel, home of the Festival for many seasons, iPalpiti musicians enjoy the hospitality and artistic atmosphere of this unique landmark, give rooftop soirée and dine on chef’s selections.
SUNDAY, July 20, 3:00 p.m.
Municipal Gallery, Beverly Hills
DOHNÁNYI & BRAHMS
Yury Revich (1991– )
Ernst von Dohnányi (1877 -1960)
Johannes Brahms (1833 – 1897)
Prelude 3’
The Velvet Violet 3’
Serenade in C major, Op. 10, for string trio 20’
I. Marcia: Allegro
II. Romanza: Adagio non troppo
III. Scherzo: Vivace
IV. Tema con variazioni: Andante con moto
V. Rondo (Finale): Allegro vivace
Piano Quartet No.1 in G minor, Op.25 (1861) 40’
I. Allegro
II. Intermezzo: Allegro ma non troppo – Trio: Animato
III. Andante con moto
IV. Rondo alla Zingarese: Presto
Dohnányi and Brahms shared a significant musical connection, beginning with Dohnányi’s early admiration for and influence from Brahms.
• Brahms’s Influence on Dohnányi: Dohnányi greatly admired Brahms, as evident in his early compositions, such as his first piano quintet. Brahms himself praised this work and helped arrange for its premiere.
• Late Romantic Style: Dohnányi’s music, especially his early works, is firmly rooted in the Romantic idiom, specifically the late Romantic era. Brahms IS a prominent figure of the Romantic era.
• Piano Virtuosi: Both were exceptional pianists who also composed.
• Structure and Form: Dohnányi, while influenced by Brahms, demonstrated an appreciation for established forms similar to Brahms’s approach, who is often seen as a traditionalist breathing new life into classical forms.
While influenced by Brahms, Dohnányi developed his own personal style and, though his work sometimes incorporates elements of Hungarian folk music, Some of his later works become more modern and individual.
Johannes Brahms, born in Hamburg (Germany), spent much of his professional life in Vienna, Austria. Considered one of the most important composers of the Romantic era, he became a leading figure in Vienna’s musical scene, contributing to its rich cultural heritage.
CONCERTS
MONDAY, July 21, 12:00 p.m.
Beverly Hills Hotel
Rotary Club of Beverly Hills Meets iPalpiti
Program as announced.
In a tradition since the early years of the Festival, iPalpiti artists are invited to Rotarians’ new Presidential installation meeting. The international missions of iPalpiti—“dedicated to the artistic career advancement of exceptionally gifted young professional classical musicians and to promotion of peace and understanding through music”—and the Rotary—“provide service to others, promote integrity, and advance world understanding and peace through our fellowship of business, professional, and community leaders”—resonate; this special annual event unites both through personal interactions and musical performance.
MONDAY, July 21, 7:00 p.m.
Meet the Artists Night | Private Estate, Beverly Hills
An annual social event to honor iPalpiti musicians
Patrons meet iPalpiti artists in person
Wine & Dine
Performance
iPalpiti has been festival-in-residence of the City of Beverly Hills since 1998
Thank you to the City of Beverly Hills for continuing support since 1998:
Art & Culture Community Services Department: Patty Acuna, Matthew Brown, Stephanie Harris, Sara Scrimshaw
Mayor: Hon. Sharona R. Nazarian • Vice Mayor John A. Mirisch
City Council Members: Craig A. Corman, Lester Friedman, Mary N. Wells
Cellist Jonathan Karoly, now member LA Philharmonic
Pianist Valentina Lisitsa, international soloist, Decca Recording Artist
Pianist Robert Thies, concert soloist, Director Concert Series Southbay
Violinist Boris Brovtsyn, international soloist, Prof. Yehudi Menuhin School of Music, London
Violinist Alexandru Tomescu, State Soloist of Romania
Violist Fumino Ando, Principal Portland Symphony
MEET THE ARTISTS
JUAN-MIGUEL HERNANDEZ / CANADA
Violist
The Washington Post has praised violist Juan-Miguel Hernandez as having “… the sweetest, most sonorous tone…” (Charles T. Downey). The Atlanta Journal Constitution describes him as “…tender, lyrical, loaded with personality” (Pierre Ruhe).
Performances as soloist and chamber musician have seen Juan-Miguel Hernandez on some of the world’s leading halls, including Carnegie Hall, Concertgebouw (Amsterdam), Disney Hall (Los Angeles), Salzburg Mozarteum, King’s Place (London), Hamburg Elbphilharmonie and The White House.
As a soloist Juan-Miguel has made appearances with orchestras, including the Rochester Philharmonic, San Fransisco Chamber Orchestra, the Chicago Sinfonietta, iPalpiti Orchestra, as well as the Colorado and Atlanta Symphonies. As a chamber musician he has collaborated with distinguished artists such as Lynn Harrell, Ralph Kirshbaum, Kim Kashkashian, Gérard Caussé and Itzhak Perlman.
Chamber music being at the forefront of his career, Juan-Miguel was a founder and member of the Harlem Quartet from 2006 to 2012 after which he joined the legendary Fine Arts Quartet from 2013 until 2018. He is also a founder and member of the “Trio Virado” (Flute, Viola, Guitar) as well as the “Boreal Trio” (Clarinet, Viola, Piano), both specializing in the creation of new repertoire.
Festival and program appearances as guest artist and pedagogue include the Festival Pablo Casal (Prades, France), the Festival Des Arcs (France), the Amalfi Coast Music Festival (Italy), Stellenbosch International Chamber Music Festival (South Africa), the Brevard Summer Institute (USA), the Mozaic Festival (USA), Festicamara (Colombia), Montreal Jazz & Panama Jazz Festivals and Musica Mundi International Festival (Belgium), Borromeo (Switzerland) & Madeline Islands (USA) Chamber Music Festivals and the Festival Del Lago (Mexico).
Juan-Miguel has been featured on radio airwaves and television broadcasts throughout Canada, and the United States including NBC’s Good Morning America, The Today Show, NPR radio, PBS and the Telemundo Network. His recordings were released by Cedille records, the White Pine, Navona and Naxos music labels.
Born in Montreal, Canada, he began his musical studies at the age of seven. Among his teachers were Jean MacRae, Paul Coletti at the Colburn Conservatory and Kim Kashkashian at the New England Conservatory. He also worked with Dimitri Murrath, Paul Neubauer, Karen Tuttle, Steven Dann, James Dunham, Barbara Westphal and Pinchas Zukerman.
First Prize at the International Johannes Brahms Competition (Austria) added to other top prizes won at the National Canadian Music Competition, and the 9th National Sphinx Competition, presented by JPMorgan Chase. He was honored with the medal of the National Assembly of Quebec for his significant international achievements.
His strong commitment to educate and engage new audiences all around the globe have brought him to reach young musicians and various communities through art convoys in South Africa and Venezuela, various music festivals in South America and outreach projects in Europe and North America.
In 2016 Juan-Miguel was appointed as a professor at the Royal Academy of Music (London). He was invited to serve on the Jury of the 2017 Johannes Brahms International Competition/Austria and the 2018 Sphinx Competition/USA.
Beyond his extensive classical repertoire, he has regularly performed with Jazz living legends Gary Burton, Stanley Clark, Paquito D’Rivera and Chick Corea. Currently, he is working on a project to feature classical repertoire for viola and analog synthesizer with Yamaha artist Merlin Etorre. Further collaborations include Nora Jones’ album “Broken Little Hearts” as well as the album “Hot House” playing alongside Chick Corea and Gary Burton for which a Grammy was awarded.
Juan-Miguel Hernandez plays on a 2008 Miralles viola from Altadena, CA and is a recipient of the Sphinx Organization’s MPower Artist Grant. iPalpiti member since 2004.
Soon after graduating high school, I vividly remember my first time joining iPalpiti—already 21 years ago, in 2004—as if it were yesterday. It was my first international music festival far from home, and I found myself surrounded by a stellar group of musicians representing at least a dozen countries. I felt immense pride at having been selected, along with a sense of overwhelm. I couldn’t believe the sound, the musicianship, and the passion that emanated from these incredible souls—many of whom I’m still privileged to call friends to this day. Over the many years I participated in this wonderful collective, I absorbed so much from my colleagues, and from the deeply passionate man who led the iPalpiti ensemble, Maestro Eduard Schmieder.
From the shores of the Red Sea in Israel to the freshwater lakes of Slovenia, the enchanting forests of Taos, New Mexico, and the glamorous streets of Beverly Hills, I’ve had the immeasurable privilege of seeing and experiencing some of the world’s most beautiful places—sharing music and culture with remarkable people, alongside some of the brightest musicians. I owe many thanks for these magical experiences to the Schmieders and to the supporters of the extraordinary vision that is iPalpiti.
I was fortunate to call Los Angeles home for nearly ten years, and it brings me great joy to be back performing in what I consider one of the greatest cities on earth. Although we are a more intimate version of the iPalpiti ensemble, without Maestro Schmieder at the helm, the spirit formed through the collective’s remarkable vision and history lives on—through us, and through the hundreds of exceptional musicians across the globe who have been, and will always be, part of the iPalpiti family.
Royal Academy of Music - London
Guest Professor of Viola
Festival Del Lago
Associate Artistic Director
Former: Fine Arts Quartet, Harlem Quartet
www.jmhernandez.com
MEET THE ARTISTS
YURY REVICH / AUSTRIA
Violinist
“Full-blooded authority, fleet-fingered dexterity, innate musicality, and substantial accuracy...” — The Strad Magazine
Yury Revich is an Austrian Stradivari violinist and composer, internationally celebrated for his unique artistic voice, innovation, and musical depth.
A winner of the ECHO Klassik Award and the International Classical Music Award, his recording of Saint-Georges’ concertos entered the US Billboard Top 100 Classical Chart in 2021. He is UNICEF Austria Ambassador.
He has performed at major venues including Carnegie Hall, the Golden Hall of Vienna Musikverein, Teatro alla Scala in Milan, Salle Pleyel in Paris, Berlin Philharmonie, BOZAR Brussels, Alte Oper Frankfurt, and Tonhalle Zurich.
Violinist with a Global Stage Presence: Born in Russia into a family of violinists dating back to the 19th century, Yury began violin studies at age five and made his Carnegie Hall debut at 18 alongside Daniil Trifonov. He later performed Tchaikovsky’s Violin Concerto at La Scala and has appeared as a soloist with orchestras such as La Verdi Milano, Tonkünstler-Orchester Niederösterreich, Deutsche Staatsphilharmonie Rheinland-Pfalz, Royal Philharmonic Orchestra, and Zagreb Soloists.
Yury studied with his father, Alexander Revich, Galina Turchaninova, Viktor Pikayzen and in Vienna Conservatory (MUK) with Pavel Vernikov and has worked with renowned conductors including Mikhail Pletnev, Lionel Cottet, Duncan Ward, Johannes Schlaefli, Sebastian Weigle, Stanislav Kochanovsky, and Zhang Xian.
As a composer, Yury creates music that spans classical, neo-classical, cinematic, and electronic genres. His compositional debut began with cadenzas as a child and evolved into large-scale works such as:
• Symphony No. 1 “Kaleidoscope”, premiered in London (2023)
• Violin Concerto “Awakening”, premiered in Salzburg (2022)
• premiere of the EP “OLARIO” at his Salle Pleyel solo composer debut, Paris (2024)
• Musikverein Vienna, Golden Hall - “UNITY” original work for Choir, Piano Trio and Solo Violin(2023)
• Main stage of World Expo Dubai, composer/director (2021)
• Works with Berlin Symphony and Munich Symphony Orchestras
• Commissions for Liszt Festival, Grafenegg and UN Earth Day, and many others.
His work frequently appears in international films, art festivals, and streaming platforms. In 2021, he co-wrote music (Top 20 German charts) for Michael Schulte and YouNotUs. Yury’s recordings were featured in Netflix’s “Bridgerton”, projects by the United Nations Environment Program, UNICEF, and various film soundtracks. He scored projects for Oscar-nominee Oren Moverman, Colin Vaines, and Quentin Delcourt.
His artistic curiosity leads him to collaborations across genres and media. Classical collaborations include: Martha Argerich, Daniil Trifonov, Andrea Bocelli, Paul Badura-Skoda, Sumi Jo, Steven Isserlis, Ramon Vargas; in contemporary: William Orbit, Toby Gad, Pixie Lott, Azekel, YouNotUs, Michael Schulte; in theatre, dance, art and film: Ute Lemper, Rupert Everett, Amos Gitai, Christiane Hörbiger, Cornelius Obonya, Gérard Depardieu, Sunnyi Melles, and others.
In 2015, Yury founded Festival Nights, a groundbreaking, multidisciplinary cultural platform merging music with visual art, dance, theater, technology, and immersive experience. Originally launched in Vienna, Festival Nights has evolved into an international format celebrated for its bold artistic experimentation and social commitment.
Recent highlights include Art Basel Paris+ (2023) where Yury curated and performed immersive concerts featuring digital painting feat, AI tech curation, dance, and music; commission by Galerie Thaddaeus Ropac (2025) where he created a choreographed performance involving acoustic instruments, electronics and reactive elements. Currently he is developing a major new work for the Bergson Kunstkraftwerk Munich innovative arts space — an immersive production combining original music and multimedia performance. Festival Nights supports humanitarian causes, children in need and Autism, including through the Dreamland series in
collaboration with UNICEF Austria. He participated as composer in the innovative project RESISTRUMENTS—a collaboration with ArtHelps, which earned a prestigious WEBBY Award. Yury joined initiatives celebrating peace and European values such as Oslo Freedom Forum and EuropaNova.
Media & Recognition: Yury Revich’s work has been featured by Vogue, Forbes, The Times, ORF, ZDF, Puls4, Die Zeit Magazin etc. From 2016–2022, he performed on a 1709 Stradivarius; he currently plays an Alain Carbonare custom-made instrument. iPalpiti member since 2015.
It brings me immense joy and a deep sense of gratitude to return to the iPalpiti Festival after many years since my very first participation. This festival has always held a special place in my heart—not only for the extraordinary level of artistry, but also for the profound sense of community it fosters among musicians from all around the world.
I feel truly honored to once again collaborate with the exceptional duo of Maestro Eduard and Laura Schmieder. Maestro Eduard is a remarkable inspiration—not just for violinists, but for all musicians and every listener fortunate enough to experience his vision. His musical wisdom is matched only by his generosity of spirit. Together with Laura, whose tireless devotion and empathy have touched so many, they have created a rare and beautiful environment where talent is nurtured with both excellence and compassion.
At iPalpiti, the main language we all speak is Music. It transcends borders, languages, backgrounds, and beliefs. In a world often divided by difference, this festival reminds us that music is the most universal language—a language of the soul that unites us in ways nothing else can. Whether we come from Tokyo, Tel Aviv, Vienna, or Los Angeles, here we are one ensemble, one voice, one heartbeat.
To be part of this global musical family once again is a true gift. I look forward to every note, every rehearsal, every moment of shared creation with friends old and new.
ECHO Klassik and International Classical Music Awards Winner
UNICEF Austria Ambassador
Eco-Conscious Musician and Artist.
office@yuryrevich.com | www.yuryrevich.com
MEET THE ARTISTS
SVETLANA SMOLINA / RUSSIA-USA Pianist
“…an outstanding pianist with luxuriant tone” — Los Angeles Times, Mark Swed,2011
Svetlana has performed with orchestras and given recitals worldwide – with the New York Philharmonic at Avery Fisher, Mariinsky Orchestra at Carnegie Hall, St. Petersburg Philharmonic, Orchestre National de France, Salzburg Festival at Mozarteum, Hollywood Bowl in Los Angeles, Ravinia Rising Stars in Chicago, White Nights in Saint Petersburg, Maggio Musicale Fiorentino, Mikkeli Festival Finland, Ruhr Klavier in Germany, Moscow Easter Festival, Rotterdam Philharmonic, at the Stresa Festival, Hanoi Opera House, London’s Royal Opera Covent Garden, Tchaikovsky Conservatoire Moscow and Rome’s Accademia Santa Cecilia.
Her discography includes a solo album, Romantic Journey, currently recording a second album (featuring Rachmaninoff’s Piano Concerto No. 3) with the Czech National Symphony Orchestra, scheduled to release in May 2025. Both produced and recorded by Luca Rustici for L’n’R Productions/Universal Music. Other notable recordings include a Chopin album for iTunes, a Scriabin project on Pentatone, and a live concert performance with Christopher O’Riley in Montana, live recording at Walt Disney Concert Hall in Los Angeles for BCM+D records. Her performances have been broadcasted on NPR, WQXR, BBC, PBS, RAI, Kultura TV, and other major networks. Her recording of Stravinsky’s Les Noces with Valery Gergiev received an International Classical Music Award (ICMA).
Recent performances include a tour to China with Dublin Philharmonic with Derek Gleeson, concerts with Orquesta Sinfonica Nacional Juvenil in Lima, Peru, at Carnegie Hall in NYC, Symphony Hall/Buenos Aires in the “Best Pianists of the 21st Century series,” at the Classical Tahoe Festival with Maestro Joel Revzen, at the festival in Ushuaia, Argentina, and at Cremona International Summer Festival.
Svetlana collaborated in chamber concerts with Vadim Repin, Ida Haendel, Narek Hakhnazaryan, Kian Soltani*, Gyehee Kim*, Alexander Knyazev, Enrico Dindo, Pavel Sporcl*, Roberto Cani, Julian Milkis, Dr. Subramaniam and many others. With Vadim Repin, Svetlana gave duo recitals in Bogota at Teatro Colon, Teatro Lirico di Cagliari, in Bangalore and Mumbai for XXV Global Music Festival, Koerner Hall in Toronto, Salle Garnier de Monte Carlo for Prince Albert’s Monaco Foundation, Trans-Siberian Art Festival in Novosibirsk, Washington DC, London and New York.
Most recent performances included New Year Eve Gala with Shanghai Philharmonic and Harbin Symphony, recital at Taihu Art Festival, China Shanghai Int Arts Festival, duo concerts with Vadim Repin at NCPA Beijing, Shanghai Concert Hall, Shenzhen Concert Hall Belt & Road International Music Festival, debut solo recitals at Dellarte Concert Series in Sao Paolo and Rio de Janiero, Brazil; concert in Osaka, Japan with Kazuhiro Takagi*, recital in Megaron Concert Hall Thessaloniki with Jannis Georgiadis, at Megaron Chamber Hall in Athens for the Piano Plus Festival, Kimmel Center Music Academy in Philadelphia, recitals in France, at the White House in Leipzig, Germany and a concert recording for Steinway & Sons at the LangLang /Black Diamond Limited Edition at Starý Kliž.
Svetlana is a frequently invited Artist for iPalpiti Festival of International Laureates after making her solo debut with iPalpiti Orchestra / Maestro Eduard Schmieder at Walt Disney Concert Hall in 2011, where they recorded live Britten’ Young Apollo to a high critical acclaim.
Grand Prix winner of Italy’s Citta Di Senigallia International Piano Concorso, Murray Dranoff 2 piano and many other competitions, since 2011 Svetlana has directed the piano program at the Philadelphia International Music Festival and on the piano faculty at Irvine Valley College and London Performing Academy of Music.
* denotes iPalpiti alumni artists
Each time I reunite with iPalpiti — whether through the creation of music or simply in shared presence — I am gifted a new heartbeat. It is a feeling like no other: a deep, resonant joy that grows stronger with every rehearsal, every performance, every embrace of our beloved iPalpiti family.
At the very heart of this experience are Eduard and Laura Schmieder— mentors, visionaries, and tireless supporters whose boundless dedication to music and us ~ their artists have opened countless musical doors for me. Through their passion and generosity, they have woven together an extraordinary tapestry of international musicians, creating what can only be described as an interstellar musical family—one that I am endlessly grateful to be part of since day one.
If I were to describe iPalpiti in just two words, they would be: mutual love and mutual heartbeats. These are the core of what makes this festival organization so magical.
Through music, iPalpiti artists form unique, enduring friendships that transcend time and distance. No matter how many days or months pass between festivals, the connection never fades—it only deepens.
The musical and life lessons I’ve learned under Maestro Eduard’s guidance are truly priceless. His musical wisdom and genius artistry continue to inspire and shape me as a musician and as a human being. I am forever thankful to have crossed paths with both Eduard and Laura, whose presence in my life has been nothing short of transformative.
Concert Pianist
Director, Piano program at the Philadelphia International Music Festival
Faculty: Irvine Valley College and London Performing Academy of Music
www.svetlanasmolina.com
MEET THE ARTISTS
FRANCISCO VILA / ECUADOR Cellist
“Vila brought out the fervour and vitality … consummate projection.”
— The Strad Magazine, April 2012
Francisco Vila is a soloist and chamber musician known for his sensitivity, penetrating sound and technical mastery of his instrument. His performance career spans Asia, Europe, and the Americas, where he has captivated audiences with his artistry, depth and unique sound.
Francisco’s collaborations highlight his versatility and dedication to musical excellence, performing alongside celebrated artists such as Gary Hoffman, ChoLiang Lin, Maria João Pires, Nobuko Imai, and members of the Juilliard String Quartet, among others.
His artistic journey has been shaped under the mentorship of iconic musicians, including Gary Hoffman at the prestigious Queen Elisabeth Music Chapel in Belgium, and the legendary cellist Janos Starker at Indiana University. Making his orchestral debut at the age of 14, he has appeared as a soloist with renowned orchestras worldwide, including the Houston Symphony, the Simón Bolivar Symphony Orchestra, the Liège Royal Philharmonic, the Royal Chamber Orchestra of Wallonia, Aalborg Symphonyorkester, Denmak (where he also was a Principal Cellist), Mexico National Orchestra, the Santander Festival Orchestra, and all principal orchestras in his native Ecuador, among others.
His career includes a fellowship at the prestigious Ravinia Steans Music Institute and guest artist appearances at festivals such as the Beaumaris International Music Festival, the Santander Music Festival, the Stavelot Music Festival, and the iPalpiti Festival of International Laureates.
As iPalpiti artist since 2009, he has performed at Zankel Carnegie Hall, Philadelphia’s Kimmel Center, the Walt Disney Concert Hall, the Los Angeles County Museum of Art in radio broadcasted recitals, Mozarteum Salzburg, and on international tours.
Aside from performance, Vila views teaching as an important aspect in music-making. In 2015, he founded the first International Music Festival of Esmeraldas (Ecuador), his hometown – supported by a grant from iPalpiti Artists International - social project of free master classes to young talents from Central and South America. In its inaugural 2015 season, iPalpiti alumnus violinist Daniel Austrich was among its international guest artists.
Francisco mentors include Andrew Mark, Janos Starker, who described him as “an exceptionally talented young cellist and musician. He is heading for an important place in the world of music,” Sharon Robinson, Menahem Pressler and Gary Hoffman at the Queen Elisabeth Music Chapel where he earned an Artist Diploma. In 2012, he became the winner of the second prize of the Sphinx Competition in Detroit, Michigan.
Vila also performed the premiere of the cello concerto “Espejos en la Arena” of the Mexican composer Arturo Márquez, in the United States. Through his expansive career and commitment to musical excellence, Francisco has solidified his position as one of the preeminent performers of his generation, captivating audiences across the world’s most illustrious stages. He performs on a cello made by Vincenzo Panormo in 1790 and the “ex-Janos Starker” Edward Tubbs bow.
iPalpiti has played an important role in my musical life since I was 19. I met the Schmieders at the sommerakademie in Salzburg and, on recommendation of Gary Hoffman, my professor there, was invited to participate in the festival in Los Angeles.
It was the first time I had been in a group with musicians of the highest caliber from all around the world. I remember this edition fondly. It opened my eyes to the flexibility, the power of intimacy in sound and the way a string orchestra can sound like no other under the direction of a true artist like Maestro Schmieder. This and all following seasons being in LA with my colleagues has felt like coming back to my musical home each time.
It will remain in my memory as the best music-making in a string orchestra that I’ve ever experienced.
Cellist
Founder/Artistic Director: International Music Festival of Esmeraldas (Ecuador) www.franciscovilacellist.com
Francisco and Svetlana after Greystone Mansion performance, 2015
Enjoy iPalpiti music year-around CDs available for purchase after the concerts, online: www. iPalpiti .org, CDBaby.com, Amazon.com, and at iTunes.
- AVAILABLE FOR SALE AFTER CONCERTS -
LOOK FOR NEW RELEASES ON
iPalpiti’s alumni have become leading soloists, concertmasters, and orchestral and chamber players around the world.
While the accomplishments of all 400+ alumni would be too lengthy to list, here are some highlights:
Roman Patkoló ( Slovakia) - Double Bass Soloist under Columbia Artists Management. Leader, Bassonia Amorosa. Member, Zurich Opera. Collaborates with Anne-Sofia Mütter, including performance with the Boston and London Symphonies in the premieres of Previn’s Double Concerto.
“I’ve never heard such a fantastic player,” said Previn.
“...[Patkoló] certainly lived up to his billing as a sensational soloist...” - Strad Magazine
Alexandru Tomescu (Romania) - State Soloist of Romania, international soloist. Performs on Stradivarius violin from the State collection. Records four CDs annually. Winner of 28 international awards, and recognized as a “violin superstar” by the prestigious Strad (UK) and Classica (France) magazines.
Pavel Sporcl (Czech Republic) - Ranks among the foremost representatives of today’s young generation of violinists. Frequent guest of TV and radio programs; exclusive Supraphon artist, awarded Gold & Platinum albums.
Valentina Lisitsa (Ukraine - France) - Compared by critics to the legendary artists Horowitz and Rachmaninov. Collaborates with Lynn Harrell, Ida Haendel, Cho-Liang Lin, Vadim Repin, and Hilary Hahn. IMG Artists.
Sayako Kusaka (Japan) - First Concertmaster of Konzerthaus Orchester Berlin (formerly Berlin Symphony Orchestra founded by Kurt Sonderling). “Best Musician of the Year” award from Critic’s Association of Japan (2005), Idemitsu Music Prize (2009). Top prizes in the most prestigious competitions. Solo engagements in prestigious series in Europe and Japan.
Luiza Borac (Romania) - Concert pianist. BBC 2007 award for the best solo CD recording of the year. (Avie Records) “… pianist of enviable professionalism”- Gramophone. Featured covers & reviews in Fanfare and Gramophone and other major international publications. Faculty, Hanover Hochschule.
Cameron Carpenter (USA) - Multiple Grammy nominee. “Maveric Organist” –New York Times. Multi-album record contract with TELARC® Digital.
Karina Canellakis (USA) - Chief Conductor Netherlands Radio Philharmonic Orchestra starting 2019 season. Principal Guest Conductor, London Philharmonic Orchestra. Principal Guest Conductor, Rundfunk-Sinfonie-Orchester Berlin
Latonia Moore (USA) - Performs with Dresden, Covent Garden and Houston Opera companies in leading soprano roles. Winner of the Metropolitan Opera’s National Auditions. Recorded Mahler 2nd Symphony with Deutsche Grammophon. Laifer Artist Management.
Boris Brovtsyn (Russia) - Soloist and Chamber ensemble violinist, IMG Artists. Former: Concertmaster, Kremerata Baltika, Royal Coventgarden. Prize-winner of international violin competitions. Professor, Yehudi Menuhin School of Music, UK.
Svetlana Smolina (Russia - USA) - Performs with orchestras and in recitals worldwide, including Mariinsky Orchestra at Carnegie Hall, New York Philharmonic at Avery Fischer, St. Petersburg Philharmonic, Orchestra National de France. iPalpiti debut at Walt Disney Concert Hall in 2011.
Daniel Austrich (Russia - Germany) - Violinist and member of the Michelangelo Quartet – the youngest to play alongside such renowned artists in a classical international world as violist Nobuko Imai, cellist Frans Helmerson, and violinist Michaela Martin.
Qing Yung Yu (China) - Associate Concertmaster of the Chicago Symphony.
Vadim Tchijik (France) - Award and recording contract with Harmonia Mundi, recital engagements and festival performances in Europe. Professor at Rameau & Satie conservatories in Paris.
Lisa Kerob (France) - Concertmaster of the Monte Carlo Symphony, Monaco.
Peter Schoeman (RSA) - Leader of the London Philharmonic Orchestra.
Robert Kowalski (Poland) - Violinist, Szymanowski Quartet. Former: First Concertmaster at the Radio Orchestra in Lugano / Switzerland.
Catharina Chen (Norway) - iPalpiti Ambassador. Soloist. First Concertmaster, Norway National Opera Theater. Leader: Oslo Camerata, Norway Chamber Orchestra. Member of iPalpiti since 2004.
Conrad Chow (Canada) - Soloist Faculty, Royal Conservatory of Music. Jury, international competitions.
Peter Rainer (Germany) - Concertmaster, Kammerkademie Potsdam; Leader, Persius Ensemble; guest soloist. Professor, Unversitat der Kunste Berlin and Hanns Eisler Hochschule fur Musik.
Juan Miguel Hernandez (Canada) - Concert violist. Professor, University of Montreal. Professor, Royal Academy of Music, London. Former: Violist, Fine Arts Quartet.
Julia Sakharova (Moldova) - Violinist, Arianna String Quartet. Assistant Professor of Violin, University of Missouri, St. Louis. Former: Associate Concertmaster, Alabama Symphony Orchestra.
Daniel Turcina (Slovakia) - Concertmaster, Trondheim Orchestra and Soloists, Norway. Artistic leader, Chamber Philharmony.
Alexander Snytkin (Lithuania) - Dallas Symphony Orchestra. Former: Concertmaster, Bergen Philharmonic, Norway.
Vladimir Dyo (USA) - Founder, Global Music Partnership. Former: Faculty, Boyer College of Music, Temple University, Philadelphia. Concertmaster, Capital Philharmonic, New Jersey.
Vesselin Demirev (Bulgaria) - Concertmaster, Aalborg National Symphony, Denmark.
Yamei Yu (China) - Concertmaster, Bavarian State Orchestra in Munich. Professor chair for violin at the Robert Schumann Hochschule Dusseldorf.
Eugenia Pikovsky (Israel) - Principal violinist, Israel Philharmonic. Former: Concertmaster, Bern Symphony, Switzerland; Concertmaster Jerusalem Symphony.
Ryo Mikami (Japan) - Co-Concertmaster, Sapporo Symphony. Former: Member, Lausanne Soloists (Swiss).
Misa Yamuro (Japan) - 1st violinist, Berlin Radio Symphony; former, Munich Philharmonic (Zubin Mehta, Director).
Catherine Leonard (Ireland) - Leading violinist in Ireland. Director, music festivals.
Miroslava Ivanchenko (Ukraine) - Tours as soloist and chamber musician throughout Europe and the U.S. Dayton Philharmonic, assistant principal. Former: Alabama Symphony, Concertmaster New World Symphony (Michael Tilson Thomas, conductor).
Lauraine Desgrees De Lou (France) - Chamber musician, 1st violinist, Paris opera.
Michael Arlt, Philipp Bonen (Germany) - Violinists of the Berlin Philharmonic.
Xinlai Jiang (Hong Kong / China) - Principal Bass, Hong Kong Philharmonic.
Thibault Vieux (France) - Assitant Concermaster, Paris Opera.
Peter Danis (Slovakia) - Concertmaster, Malaysia National Symphony.
Ken Aiso (Japan) - Violinist/violist, chamber musician, Former: Leader of the Orchestra of the Age of Enlightenment in London. Faculty - Royal Academy of Music.
Eliah Sakakushev (Bulgaria) - Artistic Director of Villa Seligmann of Hanover - Germany’s only full time organization for Jewish Music and Jewish Sacred Music. Artistic Director, Musikfest Schloss Wonfurt, Germany. Former: Director of the Jewish Music Festival in Madrid. Principal, Auckland Symphony, New Zealand. Member of the cello faculty, Kronberg Academy (“cello capital of the world”) in Germany.
Pedro Carneiro (Portugal) - Recognized as one of the world’s foremost solo percussionists, performs frequently in Europe, the Far East and the USA, and a guest soloist with numerous orchestras. Solo recordings.
Alexander Dzyubinski (Moldova) - Principal, 2nd Violins, Aalborg Symfoniorkester, Denmark.
Fumika Yamamura (Japan) and Gabriel Bussi (Uruguay) - Violinists, members of Orquestra de Sinfonia de Galicia, one of Spain’s premier orchestras.
Robert Ashworth (Canada) - Member of Auckland Philharmonic, New Zealand.
Timo-Veikko Valve (Finland) - Principal Solo Cellist, Australian Chamber Orchestra; founding member, Helsinki Cello Ensemble.
Emmanuel Held (Germany) - 1st violin section, Dresden Staatskapella.
Janna Dimont (Israel / Cyprus) - Concertmaster, Cyprus Chamber Orchestra.
Dennis Posin (Germany) - 1st violin section, National Mannheim Opera.
Dmitri Ratush (Israel) - Violist, Israel Philharmonic. Former: Principal Violist, Bern Symphony, Switzerland; Israel Camerata.
Raushan Akhmedyarova (Kazakhstan) - 1st violinist, San Francisco Symphony; former: Concertmaster of New World Symphony.
Alex Akimov (Russia) - Violist. Member, Moscow State Orchestra. Winner, Brahms International Competition (Vienna, 2004).
Kazuhiro Takagi (Japan) - Soloist. Concertmaster Dallas Chamber Symphony. Former: Concertmaster Tokyo Symphony Orchestra, Osaka Symphony Orchestra.
Eldar Saparaev (Kazakhstan) - Soloist/Chamber musician. Director, Festivals Switzerland.
Peter Dènes (Hungary) - Violist, Salzburg Camerata.
Isabelle Lambelet (Switzerland) - 1st violinist, Tonhalle Orchestra, Zurich.
Maria Machowska (Poland) -Concertmaster, Warsaw Philharmonic [Sinfonia Varsovia].
Sukeyuki Iwatani (Japan) - Concertmaster, Kansai Symphony Orchestra
…iPalpiti has become part of my life. And a huge part. From initial email almost 5 years ago, to the friendships I’ve made (for life), the invaluable time spent with maestro Dr. S, and the lessons learnt from you Mrs. S in building festivals/sponsors/professional relationships. …Peter, Conrad, Lars, Kian, Catharina, Nora, Marie, etc. etc. etc. the list goes on – all iPalpiti family that I continue to work with on each season: each of us introducing each other to other contacts, sharing beautiful concerts together, travelling around to meet each other informally too – iPalpiti is a real family. It’s unique. The supporters and benefactors of iPalpiti - such kind and generous people is invaluable to my emotional health, and gives me such strength knowing the support I have the other side of the world.
…Hearing Peter play that first rehearsal back almost 5 years ago sticks in my memory… his solos, grace, attitude has taught me many things: especially how to cope with situations professionally. And what a player......... Any time on rehearsal or performance with him is just 100% joy.
…The time with Dr. Schmieder - both in rehearsal/performance and out. The things I’ve learnt – and the inspiration is impossible to measure. I think he is without doubt, one of the biggest influences on my musical development in the last 5 years since I met him. And he will continue to be for many years to come. And the things that he has opened my mind to play SUCH a role when I teach. Even my students, when I start the phrase “you know, Dr. Schmieder told me........,” immediately sit up and know that what I am about to say comes directly from my innermost feelings.
…I just had a great tour in Toronto with Conrad [Chow]. Such a mature artist – and one on the most warm people I’ve ever met – preparing concerts (recital and Brahms double) in Canada with him was an unforgettable experience.
…This season several iPalpiti coming to my own festival. Socially, meeting numerous ones all over the world, as our touring paths cross. …I could go on - iPalpiti as you must know, is deeply installed in my life.
All my love, very warmest and best wishes, Jacob.
JACOB SHAW/Cellist UK-Denmark: Founder of the Scandinavian Cello School, director of his own festival in South France, solo artist…
Over than 15 years, I have been a participant in the iPalpiti festival, which can undoubtedly be called the jewel of the annual music seasons in California. Unfortunately, the situation this year has changed the traditional plans for musical summer highlights. But musicians all over the world still need audience members with whom to share a piece of our soul and heartfelt music from the stage. Everyone believes in the speedy end of this difficult period and we look forward to the genuine joy when we can meet again on the big stage and give our art, share new masterworks and accept the warm love of our listeners.
ARTEM CHIRKOV
St.Petersburg Philharmonic Principal Bass|Bradetich Foundation Board Director
DoubleBass World Festival President|Bassiona Amorosa ensemble member
iPalpiti Artists International has a special place in my heart. I was fortunate and privileged to be a member of this wonderful group from 2004 to 2013, including tours in Northern California and Israel. I always looked forward to make music with the iPalpiti family under Maestro Schmieder’s baton and perform in beautiful concert halls such as Walt Disney Hall, Carnegie Hall and Kimmel Center. Maestro Schmieder inspired all of us during rehearsals and on stage to perform in “one heartbeat.” One of the special moments for me was the performance of Tchaikovsky’s String Serenade at Disney Hall when everyone played in one breath from the beginning to the end.
All of this wouldn’t be possible without the support of iPalpiti benefactors and devoted audiences. Thank you from the bottom of my heart Maestro Schmieder and Mrs. Schmieder for your guidance and for creating this opportunity for young musicians from all over the world. In these unprecedented times I wish iPalpiti to stay strong and continue to have successful seasons!
AISHA DOSSUMOVA
DMA|Artist-in-Residence at Boyer College of Music and Dance, Temple University, Philadelphia.
I became a member of iPalpiti in the Summer of 2016 and joined the Israel tour in Fall 2017. The tour to Israel changed my life. Not only did we get to play incredible music, including Tchaikovsky’ Souvenir de Florence, we got to see the most amazing historical sites in Israel thanks to the extraordinary planning by director Laura Schmieder. I met so many remarkable people that I continue to be in contact with, and will treasure these memories for the rest of my life. I’m thankful to iPalpiti for bringing us all together to make music, even when that might be very difficult. I wish Dr. Schmieder, Laura Schmieder, all current and former iPalpitians, as well as our beloved audiences good health during this incredibly difficult time.
JULIA CLANCY, Violist/USA | SSG, the U.S. Army Band “Pershing’s Own” since 2024 Staatskapelle Berlin, Konzerthaus Orchester Berlin
I had the honor to join the iPalpiti Orchestra in 2014. Many thanks to Maestro Dr. Schmieder and Laura Schmieder for allowing me to share my talent in the viola section. The immense talent of each musician in iPalpiti and world-class music making is abundant. With a unique pool of international talent, iPalpiti brings together musicians from all walks of life for an experience you won’t find anywhere else. I urge anyone who supports the arts to offer their support to this ensemble.
While we live in such a dark time in our world history, music has always been a way for each and every one of us to escape. The current state of affairs have placed many performing artists in a difficult place. Live performances have been either canceled or postponed with no potential date in sight. Besides it affecting our income, it also prevents us from expressing ourselves musically and gifting that expression to our beloved audiences.
I remain hopeful that one day, all artists will be able to take the stage once again. I look forward to seeing iPalpiti continue to heighten the artistic lens of the classical community in Los Angeles, and the world, for many years to come.
STEFAN L. SMITH, Violist & Composer | Hollywood Bowl Orchestra
TESTIMONIALS
Still under the spell of last night! Pure magic. Elegy was out of this world experience. Spellbound! Beethoven – absolutely remarkable. Vivaldi – refined fun. Congratulations! No borders for our admiration and love. You are unique gifts in our lives.
—
Yana & Roman
Words fail to say how much we enjoyed that excellent concert! Everything about the evening was just perfect. The music was a real revelation—composers and pieces you thought you knew in a completely fresh and unexpected light. The joy and camaraderie of the musicians was truly infectious.
— Donald G. M.(Pres., Downey
Symphonic Society)
It was a magical night. The program was marvelous - each piece was a delight. Our only complaint was that the time went so fast! Please congratulate from us Maestro Schmieder for the painstaking research he did for the Beethoven etc. And that is before one considers the exquisite playing of the orchestra members, with their usual precision and musicality. We love them all. I think this was the finest of all the iPalpiti finales that we have attended.
— Irene W.
What an incredible concert! The program was indeed really special. It moved me deeply! The orchestra and Maestro always find a way to be even better every year that passes. Please thank him again for his gift to us all. I hope you get to relax now and enjoy the fruit of a great work. You are amazing by making all that happen so beautifully!
— Theresa V.
What an exceptional concert, it was great fun to be a part of it. We were so inspired by the evening, we donated to iPalpiti when we arrived home. It must be a wonderful feeling to know how your efforts have reached people, with the wonderful musicians and a nearly packed house being inspired. It is annual event we have enjoyed very much.
— Larry Z.
The concert was a huge hit, in fact, I heard people saying that this was the best concert ever. Today I spoke with the other of one of the children from the summer camp. She’s Mexican and speaks very little English. She told me that the concert was one of the best experiences she’s had since coming to the US. So, thank you on behalf of those children.
— Ariane D., ELF
…captivated…the program was extremely rich in content, touching on a whole series of memories/emotions, with the acute execution of iPalpiti once again proving the brilliance of this ensemble concept. The (nearly?) uniquely exposing acoustic of Disney Hall revealed the results -- the myriad sound spaces a string ensemble can achieve. Magnificent!
— Mark Evans, Delos Records/OWN TV
What a phenomenal ensemble! Thank you again for one of the most enjoyable evenings we’ve ever had listening in classical music and once again reiterate how incredible the orchestra was last night. We still can’t get over how your orchestra sounds like “one big soloist.” … extraordinary performance.
— Karen Benjamin [noted soprano] & Alan Chapman [host KUSC-FM, pre-concert lecturer at LA Phil]
Year after year you give us a gift of the best concert in town. Impeccable Dvorak!
— Dennis Bade [LA Phil program writer, musicologist]
What a magnificent concert last night at Disney Hall; truly remarkable. You are without doubt one of the most gifted musicians I have ever encountered in my life. And one of the few conductors in the world who understands how to elicit character from the musicians’ performance. In short, I was blown away.
— Derek Gleeson [conductor & music director of Dublin Philharmonic]
“After this concert one wants to live again”– Let this gratitude enter the flow of gratitude coming to you from myriad of hearts, and sustain you in continuity of the noble task you and Eduard have taken upon yourself. Congratulations to you and your extraordinary musicians on the success of the festival. Listening Mahler I received answers to my questions. How right Eduard is: music helps to pray without words. Impressions overcame all expectations.
— Galina Stolina, Journalist, Almanac Panorama
It was so magical and fantastic. The energy and passion was tremendous. We gave many standing ovations to the musicians. Thank you so much,
— MaryJane Mitchell
I am on the Expo Line back home after an evening of amazing music at the Walt Disney Concert. I am enamored by iPalpiti. Thank you for the opportunity of this once-a-year experience.
— Nora O’Connor
Once more we want to tell you how amazed and grateful we are each time and each time more when we come to the Grand Finale of all your talented musicians. What a standing ovation… and they deserved it all! Thank you for giving so much to this world!
— Ulrika & Douglas
Thank you for the wonderful opportunity to see and hear the great iPalpiti Orchestra perform. The maestro was truly mesmerizing not only for us but for the rows upon rows of his enthralled audience who were standing, waving and cheering so deafeningly. Again, thank you so much.
— George, Clark and Katya
You have to check out this [iPalpiti] concert. I have been there 3 years in the row and it is by far the best classical music I have ever heard.
— Goldstar Audience
TESTIMONIALS
Our favorite excerpt “reviews” from young audiences
7th graders from Berendo Middle School:
Dear Maestro Schmieder, …You conducted iPalpiti beautifully. The music that iPalpiti played was not only wonderful but entertaining as well. I think you kept the group on key and in unison… — Matthew Ramos
Dear iPalpiti Orchestra and Maestro Schmieder, …I had a great time and would like to go anytime again. It sounded really great how you put all your energy into playing the instruments. It sounded actually a lot like a rock concert. It sounded like that, since all the musicians played the instruments really fast. In my opinion the only difference was that it was more classical. It was really amazing of how you could hear the music loud without any speakers…. I got used to liking this type of music which is classical. — Juan Augusto
Dear Conductor Schmieder, When I first went in I thought it was going to be really boring, but it was the complete opposite… It was very nice music. It was different kind of listening to the music, because I do not hear that kind of music at home. My friend next to me also liked it as much as I liked it. … It was a really fun experience to hear music that I don’t listen to at home. Thank you for letting us students listen to this beautiful music. — Francisco Avalos
From Youth-at-Risk:
Dear orchestra iPalpiti, I, Shetara Marie Sheard, greatly appreciate the tickets that you donated to my placement. I made my own dress especially for this evening. I have much respect for the people who are willing to help children in need. I highly appreciate this evening generosity and can’t wait to hear this wondrous opportunity.
Allowing Youth-at-Risk to experience the “Arts” is a great thing. Your giving makes a difference. The group learned to appreciate classical music and were speechless. Thank you for sharing your beautiful music. — Kimberly McKinney, Deputy Probation Officer
Dear Orchestra, …we really don’t get these opportunities but once in a life time, your generosity has uplifted and changed my life in such a genuine way. Thank you, I will remember this night always. — Ashley Crawford
Dear Orchestra, Thank you for the tickets and giving us the opportunity to see the world. For most of us aren’t that fortunate but your consideration and kindness have given us a chance. THANK YOU! — Lucy Malveaux
From the Rescue Mission:
… it was a phenomenal performance, thank you so much and G-d bless. …it was one of a kind night …being a musician at the mission I was so happy and astounded at the level of the performance …thank you for the fabulous and inspiring time…words are not sufficient to express our gratitude.
— Rescue Mission
[an emergency shelter for homeless families with children – a room for 40 with sleeping cots]
FOUNDERS & ARTISTIC ADVISORS
“Young Artists International is an organization that consists of active and participating musicians following the dictates of their conscience; i.e. their responsibility to the younger generations. I endorse it with all my heart.” (1997)
-Lord Yehudi Menuhin
Founding Member, In Memoriam
Eduard Schmieder Carnell Distinguished Professor violinist, conductor / USA
Martin Chalifour
Ida Haendel, CBE* Great Dame of the Violin United Kingdom/Canada
Artistic Advisors
Karina Canellakis
Gidon Kremer
Vadim Repin
Romero
*Founding Advisors, in Memoriam:
Lynn Harrell
Igor Oistrakh
Schmieder & Lord Menuhin Vladimir Ashkenazy Cho-Liang Lin
Dame Ida Haendel
Menachem Pressler
Ruggiero Ricci
Board of Directors
Mikhail Gershfeld, Chairman
Mary Levin-Cutler, Founding Chairman
Ada Sands, Vice Chair
Theodore Bikel, In Memoriam
Stefan Ashkenazy
Lauren Dani
Jim Gilliam
Director
Laura Schmieder
Community Advisory Board
Thomas Backer, Ph.D.
Ariane David, Ph.D
Dr. Jim Eninger
Monte M. Lemann II, Esq.
Harold Schloss, The Schloss Group of Merrill Lynch
Wanda Presburger, Community Liaison
Jonathan Steinberg, Chairman Emeritus
Anna Volkoff, CPA
Hon. Zev Yaroslavsky
International Council
Directors, International Competitions
Count Yvan De Launoit - Vice President
Queen Elizabeth International Competition (Belguim)
Kaija Saariketu - Director, Sibelius International Competition (Finland)
Mihai Constantinescu - Director, George Enescu International Competition & Festival (Romania)
Festival Staff
Tatiana Kuznetsova
Hillel Smith - Graphic Design
ALUMNI AMBASSADOR
“I have heard of different similar organizations. All of these things are so often promised, but so seldom seen. iPalpiti has done it for me and I shall always remember that; therefore, I consider that its future development is vital for young musicians and for saving classical music.
Alexandru Tomescu, State Soloist of Romania/International soloist/Recording Artist
One of the six original iPalpiti soloists in 1998 inaugural festival
Dedicated to the artistic career advancement of exceptionally gifted young professional musicians and to the promotion of peace and understanding through music.
We invite you to Give LIFE to iPalpiti for this 28th season and future years, and, in return receive the “music from the heart” which iPalpiti is so known for. You, our Audiences and Supporters, mean the world to the musicians and the Maestro.
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ARTISTS
1125 N. Fairfax Ave., POB 462117 • Los Angeles, CA 90046-9998 (310) 205-0511 • www.iPalpiti.org • email: info@iPalpiti.org 501 (c)(3) non-profit organization EIN: 95-4618040 PLEASE REMEMBER US IN YOUR END OF THE
CONTRIBUTORS
MAESTRO CIRCLE
($50,000 - $100,000)
Joyce & Aubrey Chernick
LAUREATE CIRCLE
($5,000 - $18,000)
Mary Levin Cutler
Anita Lorber
County of Los Angeles Arts Commission
Laura & Eduard Schmieder
Jonathan Steinberg & Dr. Buf C. Meyer
BENEFACTORS ($1,000+)
Hon. Judge Chistine Byrd
Nell Cady-Kruse
Beverly Hills Rotary Foundation
Lauren Dani Chung
Ariane David
Valerie Field
Susan & Charles Avery Fisher
Dr. Bernard Franklin
Mikhail & Tonia Gershfeld
Jenny Grigor & Boris Grinshteyn
John Harkrider
Jonathan Kaufelt & Holly Corn
Monte Lemann & CC Pulitzer-Lemann
Raphael De Marchena Huyke Foundation
Ada Sands
William Schneider
Hon. Judge Harold Shabo
Ali Vahdani
Annette & Herb Wolas
PATRONS ($500+)
Anna & Vladimir Levin
Lambert Orkis
Ellen Walker Rienstra
Dale Seltzer
Hugh & Barbara Smith
Yana & Roman Shukman
Anna Volkoff & Norman Rachitsky
iPalpiti VIBES $250 +
Nathan Gershfeld
James Gilliam
Larisa Krichevsky
Patricia Kuper
Fred Manaster
Regina Rogers
Natalia & Marat Rosenberg
Yael & David Rosen
Peter Schlesinger
Harold & Lennie Schloss
Thereza Verboon
Stephen & Julie Webber
PARTNERS ($100+)
Lori Barnett
Sherry & Victor Bardak
Robert Barnes
Phylaine Bemel
Dr. Ludmila Bess
Dr. Guita Balakhane
Veronika Dubrovskaya
Leonid Frayman
Erica Galimurza
Mike & Susan Garson
Irina Gershman
Elizabeth Grigor
Franchesca Hecht
Esfir Lebovich
Dr. Nina Levy
Jay Lite
Paniz Motamedi
Joanna & Ronald Odrich
Stephen Palitz
Poppy Paulos
Irene Red
Howard Sands
Nancy Scanlan
Leah Saffian
Hellena Shahrabani
Michael Shaw
Rita Sher
Dr. Charles & Brenda Solomon
Peter & Elizabeth Spielman
Michael Steinfeld
Galina Stolina
Abby Suckle
Joseph Tartakovsky
Andrea Trento & Morgan Grams
May Volkman
Mark Volkov
Nicola Walter
Rosy Williams
FRIENDS & ASSOCIATES
($75 & UNDER)
Robert Aronson
Elena Barengolts
Wilhelmina de Bock
Roman Baron
Veronica Bejarano
Alyssa Ceto
Lara Day
Kim Devane
Vera Chernobylsky
Ekaterina Evdokimova
Alla Feldman
Elizabeth Feldstein
Leon Fine
Edward Fisher
Victoria Floyd
Kimberly Freed
Michael Gendler
Sima Goldberg
Feliks Goltsman
Jan Charles Grey
Erroll Hackner
Cathrin Howarth
Flora Ira
Jill Isaacs
Dina Kancepolsky
Michal Katz
Tatiana Kaltgrad
Amanda Kofsky
Fred Konigsberg
Amy Korngiebel
Joseph Kovalik
Marina Levin
Felix Lebovner
Chiara Mai
Roderik Menzies
Vanessa Morgenstern
Mojgan Nividbackhsh
Stefan Ashkenazy | Petit Ermitage
Severyn Ashkenazy & Princess
Irina Sayn-Wittgenstein | Host
Walter Pearson
Margaret Peck
Igor Persidsky
Ann Marie Pocklembo
Stephane Prock
Linda Rose
Anne Rice
Ilya Ramlav
Negar Rasmi
Lida Sandera
Kent Sayler
Carol Sofer
Jill Straus
Angela Su
Zian Sun
Wing Sing Tang
Neal Weinberg
Sara Wick
Helen Youngblood
July 2024 – June 2025 Every effort has been made to ensure the accuracy of this list. Any omissions are sincerely regretted.
IN-KIND
Thomas Backer, PhD | Consultant
City of Beverly Hills
Jenny Grigor & Boris Grinshteyn | Host
Vladi Khiterer Inc. | Legal Semyon Losmakov | IT
VOLUNTEERS
Rotary Club of Beverly Hills Sands & Associates LLC
Harold Schloss | IT support Flo Selfman | PR, Editing Thereza Verboon | Host Anna Volkoff, CPA
We are grateful to all who dedicated support over the years and in future seasons!
Linda Bame
Alla Feldman
Esfir Lebovich
Flo Selfman
Galina Vaisman
Vlad Vexler
Wonderful dedicated people who give their talent, time, knowledge and experience so generously help us make it all possible. In our goals to unite the future generation of musicians internationally, we are also building a social group of supporters at our home base in Los Angeles. Many of our volunteers are young professionals who make it even more exciting. Volunteers are vital part of iPalpiti Artists International. Join us!
HISTORY
Dedicated to the artistic career advancement of exceptionally gifted young professional musicians and to the promotion of peace and understanding through music.
With the blessing and support of the late Lord Yehudi Menuhin — after years of collaboration, friendship, and conversations about the future of classical music with Eduard and Laura Schmieder — Young Artists International was born in 1997.
In 2008, we became iPalpiti Artists International. (ee-PAHL-pit-ee is Italian for “heartbeats.”) From the beginning, our mission has been to discover and support post-conservatory musicians, whose talents were destined to make them the leading classical musicians of their generation. Sometimes referred to as a “Musical Peace Corps,” iPalpiti has created an international network of classical artists, forging lifetime associations that transcend the conflicts of our time. Our mission attracted the attention of a group of the world’s leading classical musicians, who joined as Artistic Advisors, with the Great Dame of the Violin Ida Haendel, CBE as Honorary President. With their support and keen ear for talent, we have been able to promote the most exceptional young professional musicians from around the globe.
Our program grew from a six-artist festival in 1998 into an annual production of international significance, centered on the iPalpiti Orchestral Ensemble of International Laureates with Maestro Eduard Schmieder as conductor. In addition to the iPalpiti Festival of International Laureates at our home base in Los Angeles, iPalpiti has been an invited ensemble-in-residence in Japan, France, Italy, Holland, Belgium, Korea, Austria, Slovenia, and Israel, performing to sold-out audiences in venues from the Concertgebouw in Amsterdam to Carnegie Hall in New York.
Since 1998, iPalpiti Artists International has:
• Presented awards and scholarships to over 400 outstanding young musicians in 59 countries.
• Presented more than 600 private and public concerts promoting young exceptional artists nationwide, including international tours.
• Presented annual “Benefactors Concert Series” throughout the years in private estates.
• Released 25 CDs of iPalpiti Orchestra & Soloists in live performances.
• Created the Mentor Program and Student Coalition for the Arts for 7-12th graders to nurture the growth of interests, personal confidence and building a future audience.
• Released three short documentaries about iPalpiti and its Festival.
In 2007, iPalpiti celebrated its 10th anniversary with a New York Carnegie Hall debut to a rave review in the New York Times . Now a bi-coastal presence in the US, iPalpiti is an ensemble-in-residence at Temple University in Philadelphia, with “iPalpiti Musicales” has been presented in New York at the home of Susan & Charles Avery Fisher since 2007. In 2009, iPalpiti expanded its festival to the East Coast, with performances in Philadelphia (Kimmel Center), a finale concert at Carnegie Hall, and returned to the East Coast in 2011.
iPalpiti’s Festivals have been featured in publications such as the STRAD magazine (1999, 2004, 2013), Strings magazine (1998, 2004) and the Los Angeles Times (1998, 2003, 2010, 2012, 2013, 2017), calling the Festival’s performances “world-class” and “take-your-breath-away demonstrations of musicianship and technique.”
iPalpiti Artists International is a non-profit, humanitarian organization that stands on the belief that “music is the spiritual factor which brings people together and unites them irrespective of religion and culture, appealing to sublime senses.”
Please extend our thanks by patronizing our supporters. Let them know that you noticed their support of iPalpiti Artists International.
They take diversity and make harmony. If the world only understood how important that is.
Roman Genn salutes iPalpiti & the Maestro!
Roman Genn is a contributing editor for the National Review. His work appears regularly in leading publications nationwide, such as the Wall Street Journal, Washington Post, and the Los Angeles Times.
iPalpiti Artists International
If you would like to learn more, be a part of, or support the programs of iPalpiti Artists International, please fill out and mail page 31.
select pages from
magic cloud
through the eyes of Dana Ross, iPalpiti photographer since 1998
iPalpiti 2011 in Beverly Hills
Violinist Daniel Turcina / Slovakia, soloist in Klezmer Dances by Syrian composer Kareem Roustom at The Music Center’s Walt Disney Concert Hall (2011)
Maestro Eduard Schmieder contemplates during a rehearsal break
