International Martial Arts Magazine Vol. 1 - No. 4

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MAGAZINE

TORIAL

PROUD TO ANNOUNCE

A New Dawn for Martial Arts Enthusiasts --- In an electrifying development,

INTERNATIONAL MARTIAL ARTS MAGAZINE is thrilled to elevate its presence in the martial arts community. With a remarkable surge of enthusiasm from over 35,000 readers spanning the globe, our publication embarks on a transformative journey, transitioning to a MONTHLY issuance of our beloved magazine.

This pivot mirrors the vibrant spirit and unwavering passion of our expanding readership. At the heart of our magazine's ethos, regular columns by esteemed martial arts luminaries such as Bohdi Sanders, Frank Dux, Joe Miller, and Gary Dill continue to inspire and educate. These segments have become a cornerstone of our content, celebrating the wisdom and legacy of martial arts

In a move that propels our commitment to diversity and depth, we are honored to introduce Sumiko Nakano to our family of contributors. A formidable figure in MMA and a resonant voice on Onna Musha, Nakano’s contributions promise to enrich our narrative with compelling and thought-provoking articles

Her unique perspective not only signals our magazine’s expansion in content but also exemplifies our dedication to amplifying voices from across the martial arts spectrum.

Our mission to assemble an unparalleled roster of writers and martial arts aficionados stands unwavering. Each issue aims to weave a rich tapestry of history, philosophy, and evolving practices that define the martial arts world

From historical retrospectives to the latest developments, our magazine serves as a beacon for enthusiasts, scholars, and practitioners alike. As we pledge to bring ground-breaking articles and exclusive stories from corners far and wide,

INTERNATIONAL MARTIAL ARTS

MAGAZINE remains a testament to the dynamic and inclusive nature of martial art globally.

Embark on this exciting journey with us where every punch, kick, and kata tells a story of resilience, artistry, and unity.

Looking ahead for our future we are also working toward something BIG. We can’t say exzactly what it i sat this point but be assured it wil rock the martial arts community and make history It is what we are all about here at INTERNATIONAL MARTIAL ARTS MAGAZINE.

We want to bring the world of martial arts t your doorstep with each and every issue

Join us in this monthly journey of exploration, as we uncover the stories, individuals, and innovations that continue to shape the martial arts community around the world.

MARTIAL ARTS GUIDE TO SUCCESS

Soke Michael DePasquale Jr & Shihan Allen Woodman bring you a true perspective and practical business sense to open, run and effectively manage a martial arts school.

With over 80 years combined knowledge in owning, managing and instructing martial arts schools nationwide

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Learn how to attract students and keep them.

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Earning more money, doing the same things you do now.

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Language-English

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That's a really good book Picture, text, Everything is so detailed

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Great text to add to your library

Learn the ancient art of shiatsu massage and its healing abilities Relieve stress and aches while healing the body naturally through the Japanese art of acute finger pressure through this insightful and useful guide. With full-color photos and artwork of the human anatomy and step by step practice guides to instruct you from student to fully certified practitioner. In Japan, the practice of finger pressure massage known as Shiatsu is a highly respected, professional skill that uses the meridians and blood flow to naturally heal the body Shiatsu can reduce tension and even alleviate health issues. Includes Test out portions of the text to gain full credentials in this amazing healing method from Asia.

Language : English

Paperback : 299 pages

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WARRIOR WISDOM

Bohdi Sanders, Ph.D.

Fighting with Honor or Fighting to Survive

Whenever I write an article about fighting, it always seems to spark a debate about whether one should fight with honor or fight to win by any means necessary. Of course, true martial artists want to live a life of honor and integrity, but where does one draw the line between living with honor and fighting with honor?

Be that as it may, this is a debate that is centuries old. Even during the 1600s, the samurai were disgusted with Miyamoto Musashi because he refused to fight by the samurai’s strict rules of engagement. They claimed that Musashi had no honor because of his tactics in his sword duels.

There is an easy answer to that question. Fighting with honor is only applicable in the dojo or in competition. Sparring in the dojo or in a tournament is not the same as being in a real fight. This is a point that most martial artists understand, but many are still confused about when it comes to the question of fighting with honor.

I have heard many martial artists say that one should always fight with honor, whether in training or a real fight. While this is an honorable idea, the reality of this philosophy is that it will get you badly hurt or even killed This is primarily a philosophy held by those who have never been in a real fight.

Musashi refused to play by the samurai’s rules, instead choosing to walk away from every sword fight victoriously. He would show up late, insult his opponent, show up early to get an advantage, or even throw sand or dirt into his opponent’s eyes.

The samurai considered these tactics fighting dirty and with no honor, but Musashi considered them nothing more than survival and good strategy. Did Miyamoto Musashi lack honor because he fought by his own rules? Absolutely not! The 20th principle of Musashi’s Dokkodo states, “You may abandon your own body, but you must preserve your honor.”

While the samurai, and Musashi’s other opponents, were concerned about etiquette and man-made rules; Musashi was only concerned about survival and winning by any means necessary. We all know whose philosophy led to victory and whose philosophy led to defeat.

Miyamoto Musashi understood the reality of a life-or-death fight. When it comes to a real fight, you must use anything and everything to walk away victoriously. Honor plays no part in that situation; the only thing that matters is walking away with your life intact.

When your life is on the line, there is no such thing as fighting with honor; there is only fighting to survive and walk away with as few injuries as possible. You must use whatever you need to survive, whether that is a weapon, a brick, or throwing sand in your enemy ’ s eyes.

That said, every true martial artists know that he or she must do everything possible to avoid a fight Try your best to de-escalate the situation and walk away if possible. The only reason for a true martial artist to fight is to protect someone else or if he has no other choice.

An honorable martial artist has no desire to use his or her martial arts skills to hurt another person He has no problem walking away from an explosive situation, even if it appears to others that he is a coward. After all, he is not concerned with the opinions of others; he is only concerned with living according to his code of honor. What others think or say about his actions is meaningless.

This was obviously Musashi’s attitude as well. He did not care that the samurai considered his tactics dishonorable. Musashi, like every true warrior, had a purpose behind everything he did. That said, every true martial artists know that he or she must do everything possible to avoid a fight. Try your best to de-escalate the situation and walk away if possible. The only reason for a true martial artist to fight is to protect someone else or if he has no other choice.

He knew that if he could anger his opponent or get into his opponent’s mind, that the fight was pretty much over. His actions were not dishonorable, but rather a specific strategy to defeat his opponents.

Think about it. If you were in a fight to the death, would you be concerned about whether you survived the fight, or what your opponent thought about your tactics? The samurai were worried about saving face; Musashi was focused on survival. It is obvious who had the correct mindset in those circumstances!

The truth of the matter is, trying to deescalate a volatile situation and walk away from a fight is the honorable action of a true martial artist. But when you are forced to fight, you should not be focused on honor, but on survival by any means necessary.

I have seen many martial artists who claim that is an act of cowardice to use a weapon during a fight or to fight dirty. These people live in a fantasy world, and most likely have never been in a real fight in their lives This philosophy will get you put in the hospital or killed!

If you must fight, fight to win, period. That is not the time for philosophy or debating whether or not your tactics are honorable. That is the time to destroy your attacker. There is no such thing as fighting dirty in a real fight, only doing what is necessary to survive.

Bohdi Sanders is a 5th degree black belt in Shotokan Karate and a bestselling and award-winning author of 16 books, most on martial arts and warrior philosophy. Dr. Sanders’ books are available from his website, thewisdomwarrior.com and on Amazon

DUX PUTUPYOUR DUX

By The Real Frank Dux

The True Warrior

Before cultures moved from being isolated feudal societies to the new paradigm of a modern, industrialized nation state, anyone engaged in devoting themself to warfare was referred to as “warrior.”

A person who similarly shows or had shown great vigor, courage, or aggressiveness as happens in politics or sports was not.

The term Warrior is honorific, reserved and in various cultures they may represent an entire social cast as in the case of feudal Japan’s infamous Samurai.

With the introduction of industrial revolution and mass media, its marketers hijack speech. This is overtly evident when athletes are conceived to be “warriors” by legions of their fans.

The term warrior is appropriated, overused and under-appreciated.

Dare visit a battlefield to experience the sounds of agony, fear, wake up to the smell of burning flesh and rotting corpses to look into eyes that have a 1000-mile stare that conveys they are hardened by the experience, veterans have every right to feel slighted when the honored title “warrior” is trivialized.

For instance, while well intentioned when you call a person a warrior to make someone feel better when a health or other unwelcome personal tragedy invades a life, warriors choose to put themselves in harm’s way as it is not chosen for them by fate and circumstance.

As a lion recognizes a “pussycat” trained itself to roar like a lion, so do authentic warriors, martial artists, recognize a “role player” playing at it; comfortably delude themselves into believing they are “a lion.”

The term warrior is appropriated, overused and under-appreciated. Dare visit a battlefield to experience the sounds of agony, fear, wake up to the smell of burning flesh and rotting corpses to look into eyes that have a 1000-mile stare that conveys they are hardened by the experience, veterans have every right to feel slighted when the honored title “warrior” is trivialized.

Their bravado ends past a keyboard or camera lens. Anyone experienced in the murderous violence of war recognizes all too well what type of deluded soul I am talking about or perhaps, even whom, comparatively, being born with a penis and growing into adulthood does not automatically make you a “man” in any conservative traditional usage of the word.

Likewise, not all martial artists who have a martial art lineage should ever be worthy of being thought of or called a “warrior.” Their self-image ends abruptly if a Hemmingway’s moment of truth arrives for them.

Authentic warriors, martial artists, recognize “A role player, playing at it; comfortably deludes themselves into believing they are a lion.”

For instance, while well intentioned when you call a person a warrior to make someone feel better when a health or other unwelcome personal tragedy invades a life, warriors choose to put themselves in harm’s way as it is not chosen for them by fate and circumstance. But are as ferocious as a baby sheep trapped neck high in mud.

There is no birthright, no grant of inheritance, NO MENKYO KAIDEN (license of transmission) that makes you a bona fide “warrior.” This honorific term once had interchangeable meaning with the term Martial Artist. That meaningful interconnectivity ending in confusion over how social boundaries are nonexistent and most anyone is free to call themselves a martial artist without ever touching hands with another person.

“The warrior embraces and perfects violence to accomplish the mission with specific ends and within the context of serving a higher purpose - opposed to feeding an insatiable ego”.

A warrior is an instrument of destruction that trains to be so, relentlessly; is pressure tested; “tastes bitterness” as the Shaolin say. The warrior embraces and perfects violence to accomplish the mission with specific ends and within the context of serving a higher purpose opposed to feeding an insatiable ego. The later, being your certificate swapping trophy chasers in the martial arts community.

Sadly, I look around me and I witness the word warrior along with martial art titles arbitrarily awarded, granted, and purchased! Selfishness corrupts the meaning and prestiege.

“Warrior” is a mantle that must be taken through affliction and ratified by contribution. In an of itself struggle and suffering does not make an authentic warrior, a martial artist.

“Those who know and honor truth, grow and prosper! Those who do not, historically, perish at the hands of those who do”.

Warriors do not need to put on airs as they recognize wars aren’t fought and won by grandstanding, lone individuals. A kitchenhand is as vital and valuable as a rifleman who depends on the kitchen hand to keep him fed, to continue to kill the enemy.

General Patton’s legendary address to the 3 rd Army Group corroborates this reality. While there may co-exist many visions of what the journey looks like only one true path can be traveled down to arrive at and know the true meaning of the honorific title -“warrior.”

Since, there is nothing unique about struggle and suffering. Each of us spends our lives in struggle and suffering. There is no escaping it for anyone.

To suggest enduring these experiences qualifies you to call yourself a warrior trivializes those who willingly wrote the ultimate check for their nation. Made apparent on my nation’s Memorial Day dedicated to honoring it’s fallen warriors.

Warriors are those who went to or prepare themselves for war. That’s it in a nutshell. And yet, we hear words justice and social warriors riding on the coattails of brave men and women. This is done to make the movement appear just as noble… in whose eyes?

Are these “justice warriors” any different from those advertising martial art home study courses promising to transform adolescent children into the “Ultimate Warrior?” With “role players” serving as the industry luminaries. The kind of person whose most traumatic experience is being rejected by someone they ask to be their prom date, still brooding.

No distinction can ever exist between the warrior class and citizens if class struggle and suffering is the criteria. From the moment we all come into this world we cried our tiny lungs out until our needs are met.

A repetitive pattern of behavior that continues for some well into adulthood. Therefore, logically, enduring struggle and suffering alone is not a determining qualifier. Why would it be?

Warfare is not a contest where the greater the challenges you face in this life the more transformed or relevant you are valued in being a warrior.

Problems defining one’s relevancy maybe acceptable in women’s sewing circles. Not in the company of men or women that face or tasted the sting of real battle.

Responsibilities and capabilities define the classes amongst authentic warriors. A warrior is many things and, unmistakably, the destroyer of other’s worlds by way of being skilled in the application of the military arts. They can be a life coach, unlicensed psychologist, or glorified babysitter.

Since, part of their duty is to uplift those who may not be able to do it for themselves. Even if that is being an example for others to follow.

Why there exist the warrior ethos that defines a warrior from the barbarian or terrorist that fancy him or herself, a warrior.

A warrior, a bona fide martial art expert, is nothing short of someone capable of raining down absolute hell. But the real warrior keeps it under control until justified to do so.

Someone, so skilled at neutralizing a threat they perform at lightning speed. Likewise, in the blink of an eye a warrior is capable of great personal sacrifice. They connect with and uplift others. They enjoy a brother and sisterhood experience.

A warrior will throw themselves on a grenade to spare the lives of their comrades while a soldier in combat stands there frozen at the prospect of death. While sacrifice and bravery helps define who is a warrior from whom is not this act by itself, is not good enough.

Unveiling the truth about ourselves is the only means to defeat the internal and external enemy of us needed before any battle is fought and this trait is the earmark of a warrior.

The notion showing bravery in the face of great adversity makes you a warrior is derived out of how in becoming a warrior one must endure what I call: “The Furnace of Affliction.”

The term stems from Isaiah 48:10, NIV: “See, I have refined you, though not as silver; I have tested you in the furnace of affliction.”

The context of the “furnace of affliction” that Isaiah is referring to, is one where our spirit is tested; we either give up and become cowardly, bitter, and resentful or we look inward -- find the strength to keep believing we shall overcome even though all outcomes look unfavorable.

An experience of great affliction helps to create our definitive shape, from where we come to know ourselves, formulate, our character. Being subjected to afflictions makes us able to compare ourselves to our enemies.

Making comparisons dictates tactics by which to defeat others. Men understand the value of undergoing such harsh experiences. You cannot become a man without it. Boys never knowing a furnace of affliction, coddled by their mothers, never grow into men.

Mentoring by men helps boys and us understand how while criminals are capable of great violence, invariably, they fall short of transformation into being warriors.

They have no context provided them in navigating violence that must be instilled by others this is carried out with a sense of defining purpose; where it is warriors and men forge and shape in their Furnace of Affliction uncompromising terms that defines them to themselves.

Being capable of violence used in a meaningful purposeful way is what defines and separates a good man from a coward and a warrior from a homicidal maniac.

Violence in and of itself cannot define the warrior, and neither, a genuine practitioner of traditional Asian martial arts.

Therefore, be careful if you aren’t what you say you are. Tread very lightly as you may not survive a “Furnace of Affliction” you make and toss yourself into by being a snarky-shit poser, trivializing, diluting the honored term “warrior.”

The title warrior and the warrior culture itself have and will always be defined by its vitally important role in how it prepares, protects and/or expands the goals of their society.

Contributions to society in the form of perfecting violence is why a warrior is not limited to the male gender.

But violence does separate out the authentic from those who are a “role-playing” glorified entertainer, babysitter.

Along with those who think showing some form of bravery allows them the right to appropriate to them the term of honor, “warrior.” Who will dare to wear all the trappings of a genuine martial artist without really earning rank or having all the measurable skill sets of one?

Nothing but a wanton desire to “maintain the peace” in their own life prevents any genuine warrior from decimating the life of anyone who offends their sensibilities in their presence.

About the Author

Frank Dux is best known as the creative mind of the hit blockbuster film “Bloodsport” and “The Quest”. He has written the book “The Secret Man,” Published originally by Haper Collins publishers.

He currently heads up the new Black Dragon Fighting Society and lectures and teaches tactical techniques to law enforcement.

Frank is currently working on the finishing touches of his newest book, “Ninjas Are Bullshit.” A new enlightening account of the true origins and understanding of Ninjutsu and his involvement with the real history of its use.

Frank Dux is a monthly columnist to International Martial Arts Magazine, where you can find his interesting perspective on the martial arts and the martial arts community.

Japanese Women Warriors

H E

RT2 ONNA MUSHA T

CONTINUED FROM OUR MAY ISSUE ONNA MUSHA PART 1...

Nakano Takeko’s death did not signify the end of her impact on Japanese culture and history. Instead, she became a symbol of female bravery, her story inspiring generations of Japanese women and warriors. A monument was erected at the Hokai Temple in Aizu, where her head was respectfully interred, serving as a pilgrimage site for those who wish to honor her memory.

Takeko’s legacy is multifaceted, embodying the courage of onna-musha, the tragedy of the Aizu domain’s last stand, and the profound changes Japan underwent during the Meiji Restoration. Her life and actions during the Aizu Rebellion continue to be celebrated in festivals, literature, and the arts, ensuring that the spirit of Nakano Takeko a warrior who transcended the limitations of her time to forge her own path remains a beacon of strength and determination in the face of adversity.

The terms “onna-musha”and “ onnabugeisha”are often used interchangeably to describe female warriors in Japanese history, yet they encapsulate distinct roles and societal positions within the context of Japan’s martial traditions.

“Onna-bugeisha” directly translates to “ woman warrior” but is more specifically used to refer to women within the samurai class These women were trained in martial arts and engaged in combat, primarily to protect their households and honor in the absence of male samurai. Their training was part of a broader education that included literature, calligraphy, and the tea ceremony, embodying the ideal of the wellrounded samurai.

The onna-bugeisha were most active during times when their clans faced threats. They wielded a variety of weapons, with the naginata being the most iconic.

This long polearm was effective for keeping opponents at a distance, its blade capable of delivering lethal slashes and stabs. Onnabugeisha also used the kaiken – a short dagger – for close combat, especially in indoor settings.

Their societal position was relatively high due to their noble birth and their roles as custodians of their families’ honor and protectors of their homes. However, the visibility of their martial contributions varied over time, with certain periods and regions of Japan offering more recognition than others.

The term “onna-musha” encompasses a broader category of female warriors, including but not limited to the onnabugeisha. Onna-musha could be of samurai birth, but the term also extends to women warriors outside the samurai class who took up arms. This distinction is crucial in understanding the diverse roles women played in warfare across different periods of Japanese history.

Onna-musha participated in battles alongside male warriors, sometimes forming units of female archers or naginata wielders Their involvement in warfare was not limited by their societal status, allowing for stories of remarkable bravery and skill to emerge from various strata of Japanese society.

While onna-bugeisha were predominantly from the samurai class, focusing on defending their households and upholding their family’s honor, onna-musha represents a more inclusive term, recognizing the contributions of all women warriors regardless of their social standing.

Both onna-bugeisha and onna-musha shared similar martial training, emphasizing the importance of the naginata. Their roles in society, however, differed based on their class and the historical context. The onna- ugeisha’s duties extended into managing estates and participating in political affairs, whereas onna-musha might have engaged in direct combat more frequently, especially during periods of widespread conflict.

The portrayal of onna-musha and onnabugeisha in Japanese literature, art, and moder media varies, with some periods romanticizing their contributions and others minimizing their roles.

In recent years, there has been a resurgence of interest in these female warriors, with historical research and popular culture highlighting their bravery, skills, and the impact they had on Japanese history.

The stories of onna-musha and onnabugeisha, from Nakano Takeko’s leadership in the Aizu Rebellion to the daily vigilance of a samurai woman guarding her home, reflect the multifaceted roles of women in Japan’s martial history.

They challenge the perception of the samurai era as solely the domain of male warriors, showcasing the strength and resilience of women in the face of societal and battlefield challenges

June 2024 / Vol. 1 - No. 4

The legacy of female samurai, such as Nakano Takeko, and their profound impact on modern martial arts, particularly those practiced by women, underscores a fascinating intersection of history, culture, and physical discipline.

These historical warriors not only exemplify the martial virtues of courage, honor, and skill but also serve as enduring symbols of strength and resilience in contemporary martial arts communities worldwide.

Modern martial arts disciplines, ranging from judo and kendo to Brazilian jiu-jitsu and mixed martial arts (MMA), have been influenced by the ethos and techniques of the samurai, including those practiced by onna-bugeisha and onna-musha. The samurai’s dedication to constant improvement, mastery of their art, and living by a code of ethical conduct resonates within these disciplines, forming a bridge between the past and present

For women in martial arts today, the stories of onna-musha could serve as a source of inspiration and empowerment They exemplify how martial prowess is not confined by gender and how the warrior spirit transcends societal norms and expectations.

This is particularly relevant in disciplines like judo and kendo, which emphasize respect, discipline, and the perfection of technique values deeply rooted in samurai tradition

The legacy of female samurai has also played a role in increasing female participation and leadership in martial arts. Schools and dojos worldwide now often feature women instructors and competitors, reflecting a growing acknowledgment of women ’ s capabilities and contributions to these disciplines. This shift towards inclusivity can be seen as a reflection of the broader societal changes towards gender equality, with the stories of historical female warriors reinforcing the idea that martial arts are for everyone, regardless of gender.

In contemporary practice, the naginata has seen a resurgence as a martial art (Naginatajutsu or Atarashii Naginata), with women prominently participating in its practice and competition.

This modern adaptation of a traditional weapon used by onna-bugeisha underscores the direct influence of these warriors on presentday martial arts

The discipline combines phys the artistry and philosophy in the samurai, offering a tangib to the legacy of female samur

Moreover, in mixed martial a women fighters often embody onna-musha through their de and determination.

Figures like Sumiko Nakano, w direct inspiration from their s ancestors, demonstrate the on relevance of these historical w

By excelling in a highly comp physically demanding sport, t the legacy of female samurai context, challenging stereoty inspiring a new generation of martial artists.

For those intrigued by the his musha and the legacy of fema Japanese culture and martial wealth of resources is availab deeper exploration.

The following list includes a s books, historical documents, articles that provide a compre of these formidable women, t society, and their enduring in

1. “Samurai Women, 1184–187

2 “Women Warriors of Japan: the Arms-Bearing Women in History” by Ellis Amdur

3. “The Female Samurai: Warr in Japanese History” by Hann

4. “Reimagining the Samurai: of Aizu and Nakano Takeko’s by Laura Nenzi

5. “Shadows of the Naginata” by Sumiko Nakano

June 2024 / Vol. 1 - No. 4

About the Author:

Sumiko Nakano, a modern embodiment of the spirit and legacy of the onna-musha, is a vivid representation of how historical heritage can shape and inspire a contemporary career in both martial arts and literature. Her lineage to Nakano Takeko, a renowned female samurai, infuses her life’s work with a profound sense of purpose and connection to the past.

Sumiko’s career in mixed martial arts (MMA) is a testament to the enduring relevance of the samurai spirit. Her approach to martial arts, characterized by discipline, perseverance, and respect for her opponents, echoes the virtues of the samurai code, bushido. This connection is not merely symbolic; it influences her training regimen, fighting style, and the mental fortitude with which she faces challenges inside and outside the octagon

The embodiment of her heritage in her martial arts career serves as a bridge between the valor of historical onna-musha and the modern arena of competitive fighting, demonstrating that the principles of bushido remain relevant and powerful in the contemporary world

In her literary work, Sumiko Nakano delves deeper into the legacy of the onna-musha, using the power of narrative to explore and celebrate the contributions of female warriors throughout Japanese history.

Her book, “Shadows of the Naginata,” is a notable example, offering readers a window into the life and times of her ancestor, Nakano Takeko, and the broader context of female samurai. Through her writing, Sumiko not only pays homage to these warriors but also brings their stories to a new audience, ensuring that their legacy is not forgotten.

"Shadows of the Naginata" - An Epic Tale of Courage and Honor

Prepare to embark on a breathtaking journey through the annals of history, as we unveil "Shadows of the Naginata," a gripping historical novel that immerses you in the remarkable life of Nakano Takeko, a fearless and indomitable female warrior of 19thcentury Japan

At its core, "Shadows of the Naginata" thrusts you into the heart of the tumultuous Boshin War, a defining period in Japan's history. This was an era marked by seismic shifts, where traditional samurai values clashed head-on with the unstoppable march of modernity. It's a tale of courage, honor, resilience, and the enduring legacy of the samurai spirit.

But what truly sets this story apart is the extraordinary journey of Nakano Takeko herself. Starting as a spirited young girl with a thirst for adventure, she evolves into a formidable martial arts master. Her path leads her to a momentous decision to assemble an all-female combat unit, the Joshitai. In a world dominated by men and stifling tradition, Takeko's unwavering determination to defend her homeland becomes the driving force behind this captivating narrative.

TAIZAN RYU The Peaceful

TSU System

Written by Allen Woodman

Photograpahs provided by Joe Miller

the heart of Hachioji, Japan, nestled the outskirts of bustling Tokyo, lies a o that is not just a space for martial s training but a sanctuary where the losophy of peace and protection ertwines with the discipline of selfense.

s is the world of Soke Joe Miller, the nder of the Taizan Ryu Taiho Jutsu the "Peaceful Mountain System."

nowned for its innovative approach martial arts, this system was birthed 1984 at the Yokota Air Force Base, marily designed for the United tes Air Force.

was a time when the need for a mbat system that prioritized minimal ce yet maximized effect was ramount, particularly for police prehension techniques.

The Taizan Ryu, with it embedded in the shuha proficiency across vario was the answer.

Soke Miller’s journey in spans over six decades, dedication and passion evolving the martial ar the Air Force base in 19 Ryu first demonstrated to his dojo in Japan, Mi dedicated to the perfec dissemination of his cra

Unlike traditional mart Taizan Ryu was tailored specific operational nee air police, marking a sig military and law enforc paradigms.

Now, years after its inc continues to expand th Ryu, adapting it for wo in a world where the im empowerment through cannot be overstated.

Residing in Hachioji wi

Soke Miller is not just a instructor but a prolific contributions to the lite include two seminal wo Taiho Jutsu" and "The H Complete," the latter de of shiatsu a reflection not only to the physica healing arts.

Peaceful Mountain System defense against a front knife thrust defense

Taizan Ryu

Peaceful Mountain System defense against a round house punch attack

Taizan Ryu

The story of Soke Joe Miller is one of passion, dedication, and continuous learning. It is a narrative that inspires not only martial artists but anyone aspiring to make a positive impact in their community and beyond. His life, teachings, and books serve as invaluable resources for those interested in the realms of martial arts, self-defense, and healing arts.

Soke Joseph Miller has received accolades and awards throughout his long career, including the Instructor of the Year Award from the USA Martial Arts Hall of Fame, the Healing Arts Instructor Lifetime Achievement Award at the Masters in Action events, and many others too numerous to mention in a single article.

As we follow his journey, we are reminded of the profound impact one individual can have on the lives of many, echoing the timeless value of martial arts in fostering peace, health, and harmony within ourselves and our society

Join us in exploring the essence and evolution of Taizan Ryu, a martial arts system that epitomizes the balance between might and mindfulness, a testament to Soke Joe Miller’s enduring legacy.

Follow Joe Miller here in each issue in his monthly Column “The Healing Touch. For more information please contact Soke Joe Miller via facebook @ Soke Joseph Miller or through his website ww.peacefulmountainsystemtaizanryu.si te

Satoshi Nagata

Headlock defense

Peaceful Mountain (TaizanRyu) Law Enforcement Technique

90 pages English Publication date February 7, 2011 6 x 0.21 x 9 inches

POLICE APPREHENSION & SELF-DEFENSE PROGRAM

Taizan Ryu Taiho Jutsu founded by Soke Joe Miller, a 50 year veteran of martial arts, 9th degree black belt and the leading authority and founder of Taizan Ryu Taiho Jutsu system. This complete manual has all 18 techniques that have been patented by the U.S. Government to train both Civilian and military police in correct apprehension and arrest procedures and techniques that are both effective and useful in the field.

PLUS a instructional DVD available now!

THE

KARATEKA

it endured those who rs praise it. erstood by t effective?

efense and for maybe ds of years. time when en the only ion before Stone Age. ts used are marter way defensive why does it ey may be evelops the of training. what is also s ” that are ted should tive, right? it requires something tment. Yes, ething that m so many hundreds echniques ot commit o an action.

In life we must commit in so many ways. We commit to a job, to a marriage, to a religion, to a retirement, or to so many things; the list is long. The difference sometimes is as simple as freezing up and not responding to something that should have immediate action.

Since we all have the same body parts, pretty much, the only difference may be physical or mental prowess We can alter our physical bodies with hard work if we are young enough or determined enough at an elevated age.

So, does this mean that your ability to defend yourself has a shelf life? At what age do you become inept? When do you stop being able to fight back against aggressive or dangerous attacks?

I always tell my students, karate must work for everyone, not just the big and strong. If you make the outcome better, then your karate is good.

For karate to be good it must be rehearsed in the form of kata, bunkai and tuite’. Kata becomes the foundation that if done properly and, with the right mindset to see the meaning of each move, can be a life changing thing

To move out of the way, to put your arm up, to respond in kind and to stop the attack, is a commitment. Karate only works if used at the right time for the right reason.

Every kata that one learns, gives the karateka more lessons regarding reaction and counters. Every kata gives more rules of the way the mind and body need to be effective.

What many don’t understand about kata is that all the movements in all the katas can be combined in any order to form an effective waza. This means that a proper karateka has an almost infinite number of waza.

Every time the karateka does kata, it must be done with emotion, since emotion plays an important role in everyone ’ s life. If you let fear take over, you give your power to the attacker.

You must practice using emotion, to conquer each emotion that can impede your outcome in a hostile situation. I tell my students that we teach self defense against a locomotive, as the train is tons of mass moving down the tracks, that can crush all in its path, yet if you are not in front of it, it can’t hurt you. That I refer to is redirection.

You can redirect the object or yourself by moving. Fighting smarter and not harder, is an important concept of karate You must never fight another’s fight. Once you do that, you are destined to lose. If there is one rule implemented, it is no longer karate.

Karate has no rules. To strike the throat, eyes, and other vulnerable areas, is fair game when your life is at stake.

So, I must agree that karate does not work well if you only know how to play in a tournament for a trophy. Tournaments have a role, perhaps an important role in the development of karate, as it teaches the practitioner how to overcome the fear of being in the spotlight and being judged by others

There are those who do compete in forms, that have no idea why they do any of the moves as they a void of meaning. The movements are more in line with dance than defense Those who watch and cheer provide fuel to the continuing belief that the individual is a superstar and amazing martial artist. It may be that these events create a false sense of security.

I must say that there are those who do both tournament competitions and the real practice of powerful karate, using the unity of mind and body. So, it is a good thing to compete for the positives that come from it. Don’t be discouraged if you lose out to those others because a trophy is not the reason you train; it is simply a byproduct In conclusion, proper training means training your mind and body to come together to create the karateka to become complete.

We call it practice because we never stop learning through the repetitive actions required in the art of karate. In the 66 years, I have been continuously training, I still see new applications in the old movements that I have done from the beginning of my journey.

There are those who do compete in forms, that have no idea why they do any of the moves as they a void of meaning. The movements are more in line with dance than defense. Those who watch and cheer provide fuel to the continuing belief that the individual is a superstar and amazing martial artist It may be that these events create a false sense of security.

I must say that there are those who do both tournament competitions and the real practice of powerful karate, using the unity of mind and body. So, it is a good thing to compete for the positives that come from it Don’t be discouraged if you lose out to those others because a trophy is not the reason you train; it is simply a byproduct. In conclusion, proper training means training your mind and body to come together to create the karateka to become complete.

We call it practice because we never stop learning through the repetitive actions required in the art of karate. In the 66 years, I have been continuously training, I still see new applications in the old movements that I have done from the beginning of my journey.

About The Author

Grandmaster Dan Tosh has been training in shorin-ryu karate since 1958. He began his studies at the Coffeyville, Kansas Boys Club, continued his training in Oklahoma and finally California in 1967 under the direction of Sensei Joe Spriggs. In 1966, Tosh was promoted to Shodan (1st degree Black Belt)

In 1998 to 9th degree Black Belt by Professor Sig Kufferath, 10th degree Black Belt and friend of Miyagi from Hawaii. Sid Campbell, a shorin-ryu master, was a board member and authenticated the quality of Tosh’s kata and technique. It was long ago decided by Miyagi, that on the celebration of Tosh’s 40 years in shorinryu, he was to become Hanshi or Soke; the official grandmaster of this interpretation of shorin-ryu.

On January 13, 2007 at the WOSKKA annual gathering, Dan Tosh was promoted to 10th degree Black Belt by the Black belt council chaired by Great Grandmaster Al Novak. This honor was bestowed on Dan Tosh in the presence of several Great Grandmasters and Grandmasters including such dignitaries as Bob Wall, Sid Campbell, Al Novak, Carlos Navarro, Eric Lee, Bob Maschmeier, Ernie Reyes, Sr., Tony Thompson, Harry Mok, John Oliver, Gary Lee, Mark Gerry, GregLon Lee and Max Pallen. Grandmaster Dan Tosh is known for his incredible speed of both hand and foot He is an authority in tuite and kata application. Dan Tosh has been involved in choreography, movie production, stunt work, workshops and tournament competition for many years.

JEET KUNE DO THE SYSTEM WITHOUT A SYSTEM

up of the complete system. Everything from Warm Up exercises to self defense techniques ranging from beginner to advanced. You will find it all in this one large manual of the Complete system of Jeet Kune DO A System Without a System.

For the disciples of Ted Lucaylucay, Temujin was more than just a set of techniques to be mastered; it was a philosophy of life.

The art's emphasis on adaptability and fluidity transcended the realms of physical combat and instilled in its practitioners a mindset capable of overcoming life's multifarious challenges.

The impact of Lucaylucay's teachings was profound, creating not just skilled martial artists but individuals imbued with resilience and the wisdom to navigate the vicissitudes of existence.

What sets Temujin apart from other martial arts is its holistic approach to combat and self-defense While most systems specialize in either striking or grappling, Temujin stands as a testament to the power of hybridization, seamlessly integrating aspects of both.

Its training methodology, steeped in practicality, encourages students to confront and adapt to the unpredictable nature of real-world confrontations, making it a formidable art in the sphere of self-defense.

As the years have passed, the seeds sown by Ted Lucaylucay have blossomed into a thriving lineage of martial artists who continue to uphold and propagate the tenets of Temujin.

Starting at the tender age of ten with the basics of boxing under the watchful eyes of his father and younger brother Bob, Chuck's journey into the martial arts was nothing short of remarkable.

His early boxing lessons, given by his father who once boxed for extra money in Chicago, laid down the foundation of discipline and strength that would guide him through his life.

Through their dedication, Lucaylucay’s uniquely crafted art endures, evolving with each generation yet firmly rooted in the principles espoused by its founder. In the grand annals of martial arts history, the story of Temujin emerges as a beacon of innovation and adaptability, a testament to the enduring legacy of Ted Lucaylucay and his unparalleled contribution to the world of combat arts.

As Chuck grew, his martial arts training expanded under the tutelage of Freddy Rumitikada at age 13, diving deeper into the world of boxing. Rumitikada, who was Ted Tabura's uncle and a revered figure in the martial community, introduced Chuck to a new realm of possibilities.

This era marked the beginning of Chuck's exploration into various martial arts disciplines, absorbing knowledge from his uncle by marriage, Moses Pacaldo, who introduced him to kendo, and Gilbert, who imparted judo techniques.

There are very few stories that resonate as vividly as that of Chuck Gonzaga, a relentless pursuer of combat knowledge and technique. 51 July 2024 / Vol. 1 - No. 4

Chuck's service in the Air Force from January 1963 to 1966, meeting Ralph Kaalikai Oliver, his first Kung Fu instructor, Chuck expanded his horizons into Kung fu San Soo. The rich blend of martial arts continued as he ventured into Taekwondo and Sebekka, a unique mix influenced by Wing Chun, Taekwondo, Judo, and Shotokan, taught by the Egyptian Gamel Selim

However, it was Chuck's encounter with Ted Lucaylucay that significantly shaped his path. Discovering that Lucaylucay was teaching in Bakersfield in 1987, Chuck was quick to seek him out, absorbing the intricacies of a blend of Kali, Arnis, and Escrima - combined with his father's teachings on Panantukan "Filipino boxing."

Chuck's dedication was unparalleled, commuting with his wife from Bakersfield to Pasadena for rigorous three-hour sessions, showcasing a commitment that few could match

Chuck's mastering of Lucaylucay's teachings led to a milestone moment in 1990 when he became one of the first among a hand full of students to be certified as Temujin instructors. Witnessed by Lucky Lucaylucay, this certification was a testament to Chuck's dedication, skill, and unwavering spirit.

is journey didn't stop at becoming an instructor; he continued to train with Ted Lucaylucay until his passing in March of 1996, embodying the essence of martial arts - a never-ending pursuit of excellence

Chuck's story was immortalized in 1992, gracing the cover of The Pocket Stick video, a fitting tribute to a martial artist whose journey wasn't just about mastering techniques but about the relentless pursuit of knowledge, discipline, and the indomitable spirit of martial training

BECOMETHESOLUTION

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JKD GARY DILL

The Old WAY

Monthly Column from a true legend in the art. Professor Gary Dill talks about the old ways

SDS HOMELAND COMBATIVES (HC) was initially developed for our military troops Then it was adopted by a Homeland Security Training and certification organization as their official CQC training program. And now this exclusive CQC program is available to the public. Since 9/11, I have been actively teaching anti-terrorist training based on my previous experience.

Homeland Combatives is a program of strictly pure combat training, no sport, no fancy techniques or high kicks. It is a combination of old-school hand-to-hand combat, Jeet Kune Do techniques and concepts, and my personal experience

I served in the military (Vietnam veteran) for several years, as special agent with NCIS, in US Navy Intelligence and had 10 years in law enforcement (working homicides, narcotics, and organized crime) on a federal and state level.

I have never been a dojo ballerina, I have experienced real combat more than once I have stared into the eyes of people whose only objective at that moment in time was to destroy me.

To me, the martial arts have always been a vehicle for survival, not recreation. This is not a politically correct training program, there are technique that will result in serious injury or "termination" of the enemy. Like I said, this program was formulated for the battlefield, not for some tournament ring.

Because they knew of my anti-terrorist training program, and east coast "security company" approached me to develop a close quarters combat training program for the 3rd Special Forces Group out of Ft. Bragg, which was dropping the "Army Combatives" and wanted their own program that would fit their special operations needs and missions.

My program was developed to follow the guidelines that were stipulated in their contract bid for a new combat system They wanted it to focus on stand-up fighting, using hands feet, and weapons; techniques that were simple and quick to learn, but extremely effective... thus HC was born.

I was contracted by this same "security group" to teach this program to the new special operations units of the US Air Force headquartered out of McGuire AFB.

They like it so much that we had several return sessions. I have had individual members of the Army Special Forces (18 Delta), as well as individual Navy Seals, come to me for specialized CQC training in this program.

When I was putting on a demonstration of this military CQC, it was observed by the head of a Homeland Security organization (CHS), which trained and certified personnel in the military, especially personnel who were connected to Homeland Security He said that he and his staff had searched for 2 years to find a suitable CQC program to have in their training curriculum.

Two weeks later, he contracted me to head up their new CQC program and to personally teach their "clients," as well as develop other instructors for expansion of the program.

My program was now called HOMELAND COMBATIVES.

About the Author:

Professor Gary Dill is one of the original JKD students (1971-72) of James and Bruce Lee’s Oakland school. He has been active in JKD for 53 years and taught thousands of students. He was appointed in 1986 to the JKD Society Board of Directors along with Linda Lee, Dan Inosanto, Taky Kimura, Richard Bustillo, and other original students.

Dill is the founder and chief instructor of the Jeet Kune Do Association which is the longest standing JKD organization in the world (1991-present.) He spent ten years in the military and served in Vietnam. He also worked another ten years as a federal and state criminal investigator working mainly narcotics, homicides, and organized crime.

Professor Dill is a full time martial arts/JKD instructor and teaches seminars across the US and Internationally as well as giving private classes. He can be contacted at email: pdilljkd@aol.com.

Website: www.jkd-garydill.com

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FILM MOVIE & Review

By Philip Cable

THE CLONES OF BRUCE LEE

In 1971 Bruce Lee mad his first martial arts movie and it took the world by storm. By the time of his death in 1973 he had become a legend So much so that ruthless filmmakers would not let him rest in peace In fact, a whole new genre had begun called Bruceploitation.

The most expoitive of this new genre was the movie THE CLONES OF BRUCE LEE, a Cantonese/Korean co-production, made in 1980.

The basic plot is as follows: When actor/martial artist Bruce Lee dies a mad scientist takes samples of the Bruce’s blood and brain tissue That scientist uses those samples to create three clones of Bruce Lee. They are Bruce Lee 1 (Irina Shevchenko, aka Dragon Lee), Bruce Lee 2 (Bruce Le), and Bruce Lee 3 (Bruce Lai)

e clones split up to fight organized crime ought the orient. One fights a corrupt movie oducer and the other two fight against etal zombies out to rule the world.

timately, one of the clones is murdered by e scientist who created him only for that ientist to be caught by the other two ones.

e fact is, that this movie is a mess! The plot

nvoluted and the acting atrocious. Worst of the kung fu is not good and the clones look thing like Bruce Lee.

three clones are only rarely seen together, e to Dragon Lee’s scheduling problems, hich sort of defeats the purpose of the title.

r the fans of Bruce Lee it was a sad way to nor his ovie legacy. Very sad indeed.

ere was only one Bruce Lee and despite hat many producers try to suggest there will ver be another.

Never!