INTELLECTUAL INK ISSUE 27

TREE HOUSE BOOKS' LITERACY SUMMER STUDIO IS CONNECTING STUDENTS TO THE WORLD OF STORIES, TEXTS, AND WORDS. AT THE LITERACY SUMMER STUDIO, WE FOCUS ON LANGUAGE ACQUISITION, RECREATIONAL READING, CRITICAL THINKING AND CREATIVE WRITING. MOST IMPORTANTLY, LITERACY COACHES MAKE BOOKS FUN AND RELEVANT TO THE MOST RELUCTANT READERS AND ENCOURAGE ESTEEM AND SELF-REGARD THROUGH WRITING, ARTS, AND ENRICHMENT THE SUMMER WILL ALSO FEATURE A HANDFUL OF FIELD TRIPS AND ACTIVITIES TO FURTHER ENGAGE OUR YOUNG READERS AND BRING THE STORIES THEY READ TO LIFE. MONDAY - THURSDAY | 9AM - 3PM | LUNCH INCLUDED! FOR ANY ADDITIONAL INFORMATION PLEASE EMAIL OUR MANAGING DIRECTOR TANGIE WILSON AT TANG@TREEHOUSEBOOKS.ORG

Intellectual Ink Editor in Chief

Julia Press Simmons

Creative Director

Charlotte Young-Foye

Arts & Entertainment Opinion Columnist Book Reviews Graphic Design Flash Fiction ~ Contemporary Health & Wellness

Haikeem Stokes Erick S. Gray Diane P. Rembert Lamont Press Epiphany Hightower Shonda Mayes

Events

Author Untamed

Cultural

Karen E. Quinones Miller

Song of the Shadows

Phoenix Kabali

Photography

Alexandra Foye

Copyright & Disclaimer The information in this magazine and on our site is for information purposes only. Intellectual Ink Magazine LLC. assumes no liability or responsibility for any inaccurate, delayed or incomplete information, nor for any actions taken in reliance thereon. The information contained about each individual, event or organization has been provided by such individual, event organizers or organization without verification by us. The opinion expressed in each article is the opinion of its author and does not necessarily reflect the opinion of Intellectual Ink. Therefore, Intellectual Ink Magazine llc. carries no responsibility for the opinion expressed thereon. Comments are welcome, but they should be on-topic and well-expressed. Abusive, antisocial or off-topic comments will be deleted by web administrators. Any form of reproduction of any content on this publication and website without the written permission of the publisher is strictly prohibited. Copyright by Intellectual Ink llc; all rights reserved.

Black History facts from Wikipedia and britannica.

ONLINE ISSN 2833-7220 Julia Press Simmons ~ Julia@IntellectualInk.com Charlotte's Closet ~ Charlotte@IntellectualInk.com Haikeem Stokes ~ Haikeem@IntellectualInk.com Diamond Literary Reviews ~ DLR@IntellectualInk.com Erick S. Gray ~ Erick@IntellectualInk.com Karen E. Quinones Miller ~ Karen@IntellectualInk.com Phoenix@IntellectualInk.com Submissions ~ Submit@IntellectualInk.com PHILADELPHIA, PA. INTELLECTUALINK.COM

Editors' note

PAGE 03

Welcome to Issue 27 of Intellectual Ink Magazine!

In this edition, we are thrilled to present a rich tapestry of features celebrating the intersection of literature, film, and cultural retrospectives. Our cover story, FROM PAGE TO SCREEN, offers an insightful interview with the talented Tu-Shonda Whitaker, who shares her journey of translating written words into compelling visual narratives.

We also spotlight the prestigious American Black Film Festival, highlighting its impact on the industry and the incredible talent it showcases. Charlotte's Closet on Location: Miami brings you the latest in fashion and style from one of the most vibrant cities in the world.

For our aspiring writers, Write News with Chris Renee & Julie Ojeda Nin offers invaluable insights and tips on navigating the world of writing, publishing, and filmmaking. Meanwhile, Erick S. Gray's Foreseeing the Future: Movies as Prophets of Reality explores the uncanny ways in which films predict real-life events.

Our Arts & Entertainment piece, United Kingdom: A Retrospective of Michael Jackson & Prince by Haikeem Stokes, pays homage to two of the greatest icons in music history. And for those looking to bridge the gap between literature and film, Editor-in-Chief provides a comprehensive guide on how to Turn Your Book into a Screenplay.

This issue is packed with inspiring stories, practical advice, and thought-provoking articles designed to ignite your passion for storytelling in all its forms. We hope you enjoy reading it as much as we enjoyed putting it together.

Happy reading!

Charlotte Young Foye CREATIVE DIRECTOR

Julia Press Simmons EDITOR-IN-CHIEF

CONTENTS 2. EDITOR'S NOTE 44. THE LITERARY GEM AWARDS

BY UNTAMED 8. PHOPHETS OF REALITY ERICK S. GRAY 12. TURN YOUR BOOK INTO A SCREENPLAY ~ JULIA PRESS SIMMONS 16. BLACK CINEMA TAKES CENTER STAGE: THE RISE OF THE AMERICAN BLACK FILM FESTIVAL 40.FROM PEN TO PODIUM: CHRIS RENEE ON WRITING, RESILIENCE, AND RAISING WOMEN'S VOICES 44. AUTHOR JULIE OJEDA NIN: A JOURNEY FROM THE SOUTH BRONX TO LITERARY PROMINENCE 48.DLW REVIEW ~ THE AMERICAN QUEEN BY VANESSA MILLER 50. FINDING STRENGTH IN STORIES: AN INTERVIEW WITH AUTHOR CHARLOTTE HOPKINS

30.FROM PAGE TO SCREEN: CRAFTING UNIVERSES WITH TU-SHONDA WHITAKER

54. UNITED KINGDOM ~ A RETROSPECTIVE OF MICHAEL JACKSON & PRINCEBY HAIKEEM STOKES

21. CHARLOTTE'S CLOSET ON LOCATION: MIAMI

60. FLASH FICTION ~ LOVE ON FIRE BY EPIPHANY HIGHTOWER

The Literary GEM Awards were founded by Karen Renee, owner of K. Renee Presents Publishing Company. This award event was created to honor Black creatives within the literary community.

This year's 2024 celebration was a threeday event that honored Black authors across various literary genres. The Literary GEM Awards took place from May 31st through June 2nd at the Le Méridien Hotel in New Orleans, Louisiana. The event kicked off with an author-reader meet and greet on Friday, followed by an urban book expo on Saturday morning. On Sunday, the event concluded with a reader brunch.

The highlight of the event was the prestigious awards ceremony highlighting authors, bloggers, readers, legends, publishers, and podcasts who all represent Black excellence in the literary world.

The awards were hosted by celebrity guests, comedian Correy B (Mo'Nique's, Mo'Nique and Friends on Showtime, and Kevin Hart's LOL Network) and Tyler Lepley (Diamond on STARZ's P-Valley).

Opening the event was the Big 6 Brass Band, who ushered the divas and dons into this beautiful evening, and closing out the show were the Zulu Tramps dancers, providing everyone with an authentic New Orleans-style festive affair. With over 45 awards categories and honorary Sapphire awards, it was truly a star-studded event to remember.

Next year's Literary GEM Awards are slated to take place in Atlanta, GA. We can’t wait to see what surprises and awards are in store. To learn more, please join The Literary GEM Awards Facebook Group.

THE LITERARY GEM AWARDS

INTELLECTUAL INK MAGAZINE

PROPHETS OF REALITY WHAT THE “EFF” IS GOING ON?

BY ERICK S. GRAY Someone once said, "They will tell you the truth in movies but lie to you in real life."

Facts. I agree with this. I've watched so many movies and TV shows years ago that subtly predicted the future, which I see is coming to fruition today. And let's not mention "The Simpsons." That's an article I need to write by itself. Movies and television are a form of entertainment to help us escape from our realities. We come home from work and school and turn on our televisions to catch up on our favorite shows. That's what it was like for me growing up. The television (and the

newspaper) connected us to what was happening in the world in the 80s, 90s, and early 2000s. TV has become irrelevant due to social media, streaming services, and platforms like YouTube, TikTok, and Google.

But TV for me, growing up, your TV was social media. I fell in love with shows and movies like Star Trek, The Simpsons, The Truman Show, The Minority Report, Back to the Future, Terminator, etc. Back then, I saw it as entertainment. But when I look at these movies and TV shows today, I'm shocked at how they accurately predicted the future.

For instance, let's begin with the Truman Show. This movie came out in 1998 and predicted reality TV. Reality TV. has been a factor since the late 80s with shows like Cops and MTV The Real World. Still, I remember watching The Truman Show and was amazed at how they had Jim Carey's character Truman Burbank's entire life publicized for viewers' entertainment since his birth. It stirred an appetite for people's lives, from the good to bad, to unfold for viewers' entertainment. The fact that the character had no clue was creepy. Star Trek predicted Bluetooth headsets and Universal Translators. It featured many ideas that have managed to make their way into reality.

The Terminator movies predicted Military Drones, A.I., self-aware machines, etc. Today, drones are everywhere, playing a prominent part in conflicts across the globe. In "The Minority Report," throughout the film, we see self-driving cars and personal advertisements, which we see today as targeted ads. That film gave us an insight into the loss of privacy we deal with today, especially with social media. In one of my favorite films, "The Cable Guy," which came out in 1996, Jim Carey's character stated, "Soon every American home will integrate their television, phone, and computer." He hit it on the nail twenty-eight years ago. Also, that film mentions shopping from home and playing video games online in another country. I can go on and on with different films from twenty, thirty, forty years ago that predicted today's event. Look at "Idiocracy," which projected our world today. A dystopian society run by corporations, where evolution has made humanity stupid because the benefits of technology made it unnecessary for people to be intelligent and physically fit to survive. People will get dumber in the future.

And then we have "They cloned Tyrone." This movie, I feel, is telling us Black folks directly to our face how they're targeting Black communities through mind-altering substances and cloning. The cloning part might be a bit far-fetched, but is it? I do feel there are industry plants and certain products out there that want to keep us unhealthy and distracted and decimate our culture, self-awareness, and growth. Why are there so many Sexyy Red, Sukihana, Megan Thee Stallion, and others out there primarily promoting promiscuity, "to get that bag," having a high body count, and sexual liberty over family and dignity? It's assimilation to distraught and corrupt the Black Community at its finest.

My conclusion to this article is this: a movie is coming out in a few weeks called "Civil War." The premise of this movie is about a Second American Civil War that has engulfed the entire nation, between the American government and the separatist "Western Forces" led by Texas and California. Now, you all might look at this as simply a movie. Still, if you've read this article correctly, you might see this film as another prediction of what's coming. And it's scary.

With the rise of these Trump Supporters and the polarizing views for America, life, and society are two fragile things. They both can come to an end quickly via dystopian, partisan extremism and dictatorship.

I always said, "It's easy to predict the future because history always repeats itself.” And that's what the "Eff" is going on.

facebook.com/authorerick.gray instagram.com/egray28/

BOOK BOOKOF OFTHE THEMONTH MONTH

VETERAN URBAN AUTHOR ERICK S. GRAY WEAVES A TALE OF COLLEGE STUDENTS EXPLORING LOVE IN RELATIONSHIPS THAT ARE EXCITING BUT MIGHT END UP BEING MORE DANGEROUS THAN THEY REALIZE. Nea and Amber are two college freshmen attending Clinton Hill University in South Carolina. The roommates come from different worlds: Nea is from Brooklyn, New York, and Amber is from a small town called Tyron, North Carolina. They build a friendship in the first semester of school but take different directions regarding love. Nea is coming off the death of her boyfriend, who was murdered before her eyes two weeks before her first day of classes. She meets Van, a wealthy white boy and talented painter who becomes enamored by her, and she becomes his muse. Nea believes it’s love. However, everything isn’t what it appears.

Amber is engaged to Henry, her hometown boyfriend from high school.

However, when she meets Homando, an African American student at her school, she begins to doubt her relationship.

Homando is intelligent, charismatic, outgoing, and different from what she’s used to—but he also sells drugs to support his way through school. The two create a bond, both sexual and mental, and she falls in love with Homando and becomes engrossed in his world. But some forces are against their interracial relationship and will stop at nothing to ruin Homando’s future and end their sexual tryst by any means necessary.

And then there’s Tiffany, a rebellious student. Tiffany comes from a strict, religious family, and now that she is in college, her liberated, promiscuous side has come out to play. She begins a series of affairs, including one with her middle-aged professor. Tiffany juggles these three men in her life like she’s in a carnival act, forgoing her family and spiritual relationships because she’s having too much fun. But the same thing that makes you laugh will eventually make you cry.

BUY THE BOOK HERE

TURN YOUR BOOK INTO A SCREENPLAY FACEBOOK.COM/JPSBOOKS INSTAGRAM.COM/AUTHORJPSIMMONS

FROM BELOVED NOVEL TO CAPTIVATING FILM Have you ever dreamt of seeing your cherished novel come alive on the silver screen? Adapting a book into a screenplay can be a daunting task. Still, with careful consideration and a focus on translating your story's essence visually, it can be an incredibly rewarding experience. This article equips you with the knowledge to embark on this exciting journey, drawing inspiration from successful adaptations like The Shining, The Color Purple, and The Secret Life of Bees.

From Text to Action: Capturing the Core The first step is understanding the key differences between novels and screenplays. Novels unfold through rich descriptions and internal monologues, while screenplays rely on action, dialogue, and visuals to tell the story. The challenge lies in distilling the essence of your novel – its characters, themes, and plot – into a format that thrives on what the audience sees and hears.

Shining a Light on Horror: The Case of The Shining Stanley Kubrick's adaptation of Stephen King's The Shining offers a masterclass in translating psychological horror onto the screen. The film condenses the expansive novel, focusing on the chilling isolation of the Overlook Hotel and Jack Torrance's descent into madness. Iconic scenes like Danny's tricycle ride through the deserted hallways or the blood flooding from the elevator shaft wouldn't have the same impact as written descriptions – they are terrifying precisely because they are visual. This highlights the power of using visuals to heighten emotional resonance.

Finding the Voice on Screen: Adapting The Color Purple Alice Walker's Pulitzer Prize-winning novel, The Color Purple, presented a unique challenge for screenwriters.

Celie, the protagonist, narrates the story in a raw, poetic voice. Screenwriter Menno Meyjes successfully captured this essence by translating Celie's internal monologue into powerful dialogue and narration. While condensing the novel's lengthy passages, the film prioritizes key moments in Celie's journey, ensuring her voice and story remain central to the narrative.

Balancing Beauty with Pacing: The Secret Life of Bees Sue Monk Kidd's lyrical prose brings the South Carolina Lowcountry to life in The Secret Life of Bees. Adapting this novel required striking a balance between capturing the book's beautiful imagery and ensuring a smooth cinematic flow. Screenwriter Bill Horberg achieved this by preserving the essence of the coming-of-age story while streamlining some subplots. The film retains the power of the novel's themes of community, forgiveness, and the strength of women, proving that beautiful prose can be translated into a captivating visual narrative.

Turning the Page: Your Adaptation Journey Begins The case studies explored above demonstrate the importance of staying true to your characters and themes while making necessary adjustments to the visual medium. Here are some key takeaways to guide you: Identify the Core: Distill the essence of your novel: characters, plot, and themes.

Focus on Visual Storytelling: Think about how key scenes and visuals can convey emotions and propel the narrative.

Embrace Condensation: Streamline subplots and condense lengthy passages while preserving the core story.

Find Your Celie's Voice: Ensure your characters' voices resonate in the screenplay format.

Remember, adapting your book is a creative process.

Embrace the challenge, experiment, and most importantly, trust your vision. With dedication and a focus on the core of your story, you can turn your beloved novel into a captivating screenplay.

BOOK BOOKOF OFTHE THEMONTH MONTH

FROM THE AUTHOR OF STRAWBERRY MANSION COMES THE TALE OF BEGONIA BROWN. RAISED IN THE UNFORGIVING STREETS OF NORTH PHILADELPHIA, BEGONIA IS UNDOUBTEDLY A PRODUCT OF HER ENVIRONMENT: YOUNG, RUTHLESS, AND CRIMINALLY MINDED. Begonia's carefree world has been turned upside down. Forced to become the head of her household, she has to trade her paintbrush in for a switchblade and her love of art into a love affair with the hood.

Lying, stealing, and turning tricks, Begonia will do any and everything she can to protect her sisters from the ugliness of the world. However, it just isn't enough...

Begonia is caught between the hard knocks of the streets and the nightmare of her home life. Her younger sister, Violet, desperate to escape the hell her life has become, is seduced by an up-andcoming corner boy. Meanwhile, their baby sister Daisy is riddled with a disease that could be fatal if not cared for. Come along for Begonia's journey as she picks up the pieces of a life in shambles.

Failed by a mother who decided that crack was more important Begonia took to the streets to try to raise her sisters by any means necessary. I really enjoyed this story

by Julia Press Simmons and can't wait to add Violet's story to my collection. To anyone who has been effected by Crack, this is a must read. And, let's face it all of us have been in someway. Kudos Ms. Simmons for a story well told. This is definitely a five star read

BUY THE BOOK HERE

Black Cinema Takes Center Stage: The Rise of the American Black Film Festival For over two decades, the American Black Film Festival (ABFF) has been a shining light in the entertainment industry. Founded in 1997 by Jeff Friday, the ABFF emerged from a simple yet powerful desire: to create a space where Black filmmakers could showcase their talents and stories.

The festival's debut in Acapulco, Mexico, set the tone for its vibrant and international atmosphere. From the very beginning, the ABFF's mission was clear: celebrate Black culture and push for greater diversity on screen. In those early years, the festival became a haven for independent filmmakers and rising stars, offering a platform for their voices to be heard.

As the ABFF grew in popularity, it moved to the U.S., first to Miami and then to other major cities. This shift brought the festival closer to the heart of Hollywood and broadened its reach.

Over time, the ABFF evolved beyond just screenings. Panels, workshops, and networking events became integral parts of the experience, creating a comprehensive celebration of Black entertainment.

Here are some key moments that mark the ABFF's incredible journey: 1998: The festival relocates to Miami, putting it on the map and closer to Hollywood's center.

2002: A partnership with HBO elevates the ABFF's prestige. The HBO Short Film Competition becomes a launchpad for new filmmaking talent.

2004: The "Rising Icon Award" is introduced, highlighting the achievements of up-and-coming artists.

2009: The ABFF celebrates a decade of success, a testament to its impact on Black cinema.

2013: ABFF Ventures LLC is formed, solidifying the festival's commitment to expanding its influence.

2016: The move to Miami Beach further cements the ABFF's status as a major cultural event.

The ABFF's legacy is undeniable. It has been a launchpad for countless filmmakers, actors, and writers. Films like Ava DuVernay's "I Will Follow" and Ryan Coogler's "Fruitvale Station" found their audiences after premiering at the ABFF, going on to critical and commercial acclaim. The festival's focus on networking and professional development has bridged the gap between aspiring creators and industry veterans.

More than just showcasing films, the ABFF has been a champion for diversity and inclusion. The festival consistently emphasizes the importance of seeing Black stories reflected both on screen and behind the camera. The ABFF's advocacy for inclusive casting and storytelling has been a driving force towards positive change in Hollywood.

Today, the ABFF stands tall as a beacon for Black creativity and excellence. A diverse community gathers at the festival – from seasoned industry veterans to wide-eyed newcomers. Screenings, masterclasses, industry panels, and networking events make the ABFF a powerful and influential force in the world of film and television. Intellectual Ink Magazine felt truly blessed to attend. Be sure to visit the magazine website for news and reviews about the movies screened at the festival!

The American Black Film Festival's story is one of remarkable growth and unwavering dedication. From its international beginnings to its status as a major cultural event, the ABFF has consistently championed Black voices in cinema. As it looks to the future, the festival is sure to continue its legacy of empowering Black storytellers and shaping the entertainment landscape for generations to come.

ABFF.COM/MIAMI ABFF FACEBOOK ABFF INSTAGRAM ABFF X ABFF YOUTUBE

Welcome to Charlotte’s Closet On Location: Miami

THE LOOKS INTELLECTUAL INK MAGAZINE

Hey... hey... and mo hey, Closet Crew!

Oh, how I have missed you! As always, I’m loving the crew, and you guys know how I do. It's been a minute, but I’m back like I never left. As the creative Director and Roving Reporter of intellectual ink, I never know where I might pop up, and which outfit the scene may call for.

Our most recent adventure found us in Miami for the 28th annual AMERICAN BLACK FILM FESTIVAL And baaaaabbbby, we hit the ground running! We were in full swing, and not even the freak storm that touched down at the same time as we did, could slow us down. We might’ve been delayed, but not denied

Day One found us at the convention center to grab our passes and get a feel for the week of events ahead. The energy was everything. There were beautiful smiling faces of all colors and shades, and everybody was dressed!

Thursday day rolled into Thursday evening, which required a quick change. A good Girl Scout always travels with at least two to three changes of clothes per day when we’re attending a multi-day event. You never know when you’ll have to step!

We slid out for an authentic Cuban dinner and then made our way to the Cadillac Lounge, for some music and motion.

We slid out for an authentic Cuban dinner and then made our way to the Cadillac Lounge, for some music and motion. The talented and sensuous, Lucky Daye, and kept us entertained, but I think the highlight of my evening had to be when I found myself occupying space with the goat, and someone who truly inspires me to be great.

The embodiment of Black Girl magic and the 2024 Creative director of the ABFF; Issa m'effin Rae! At one point she even gave up her seat, so that someone who didn’t have one could enjoy the show. If that ain’t humility… Kendrick Sampson, who plays Nathan on the show was also there with her, but that’s a conversation for another time.

INTELLECTUAL INK MAGAZINE

Back to Lucky Daye. His stage presence and the way he connected with the crowd, gave me a whole new respect for him as a performer. He gave a soulful performance that ended with him shirtless.

From there we pushed to the Let Out, which took place in the bar of the Fillmore. We mixed and mingled with an eclectic crowd of creative minds. Shout out to the young up-and-comers who left that event with either a check or a look, because it was definitely a space to get discovered in. We also ran into Jason Louder, who plays Remy in BMF, who turned out to be nothing like the character he portrayed. I had to get a flick with him and that welcoming smile.

Blue jeans Target (get the name House of Tinks, Telfar earrings belt and Bag) and good ole Air Force Ones for walking — gotta get the steps in.

INTELLECTUAL INK MAGAZINE

Same night, but a different outfit found me and photojournalist extradite, Alexandria, at the legendary ABFF White party. It didn’t not disappoint. It was held at M2, and the location was just as beautiful as the people who attended.

We were all looking rather Godly in our whites; looking good and feeling better. I played it cool for the most part, but you know when they played that Frankie Beverly, I had to get out on the floor. Rapper NLE Chopper was a pleasant surprise. I swagged and surfed well into the night with some of the brightest stars, and some whose light just hasn’t been noticed yet – but in due time.

Meagan Goode didn’t come to play with any of y’all, rocking her white fedora. Corey Hardwick was also in the building. They were promoting their new Tyler Perry movie “Divorce in the Black scheduled to be released on July 11, 2024 It was definitely all black at the white show. We partied so hard that it felt like we had stepped into the “Sugar Shack” painting from Good Times. Truly High Vibrations Closet Click White pearl dress Fashion Nova Akira heels Vivienne Westwood jewelry Bag from a now-closed vintage store in Brooklyn

facebook.com/charlottescloset instagram.com/charlottes__closet__/

Friday morning found us at the beach just being grateful soaking up the sun. Looking and feeling good and taking advantage of all the sunny moments in between the raindrops Closet Click Fashion Nova Bathing Suit and shoes, beach Bag Femininity by Charlotte's Closet An hour to rest redress and onward to Hoorae House. Hoorae House was the place to be: A gorgeous space set up at the fabulous Betsey Hotel by Hoorae Productions, which is of course headed by Issa Rae. For her supporters they went all out providing a beautiful space, resplendent with oohs, ahhs, treats merch plenty of photo ops.

ViaRae, Issa’s new prosecco,

flowed freely and free of charge all night.

I'm proud to be a Hooligan. Issa Rae’s Raedio company, was spinning and a photographer captured it all. It was a truly magical event.

This led us to the next moments in Miami flying down Collins Avenue with the top down ending the night with divine sushi and lychee martinis.

Fit check House of Tinks kimono. Jeans from the back of Charlotte's Closet, trusty Nikes, and Telfar accessories.

Saturday our last night led me and our resident photojournalist – Alexandria - to the premiere of the Luther Vandross Biopic: “Never Too Much” which was produced by Jaime Fox and Foxhole.

You know I love me some Luther, and this movie tapped into layers of body shame bias and colorism that is still prevalent in the industry today. So much shame and struggle, which I as a plussize woman can identify with. Still, he fought through it and gave us the gift of his voice. I can’t wait for you guys to see this flick!

We celebrated a productive work/play week in Miami at Jaya at the Setai dubbed one of the most beautiful restaurants in Miami. We enjoyed a fabulous floor show, good music, and exquisite eats and toasted to crossing this trip off of my 2022 Vision Board MIAMI and the ABFF owe us absolutely nothing well maybe the one Air Force - that I lost on the way back. Charge it to the game. it was truly an amazing uplifting experience for this Creative and I had to share it with my Crew Fit check orange set Fashion Nova vintage bag trusty Air Force - One. Rip to Grammy awardwinning Luther Vandross and my sneakers.

BOOK BOOKOF OFTHE THEMONTH MONTH

IN THIS GRIPPING FOLLOW-UP TO THE RELUCTANT KING, THE "MONARCHY" OF NEW YORK CITY'S FIVE POINTS IS IN TOTAL DISARRAY, GIVING WAY TO A BLOODY BATTLE FOR THE CROWN AFTER THE ARREST OF CHANCELLOR KING and the murder of his eldest son and heir, Ghost, the King family and the streets of New York City are thrown into chaos. The throne of Five Points is without a sitting king for the first time since its inception. The vacancy doesn't last long, however, as Chancellor's older brother, Chapman, takes the opportunity to usurp the crown, breaking the line of succession and stepping over his nephew Shadow. Chapman's first act as the new king is to banish what remains of his broken family, branding them enemies of the crown.

The coronation of a new king promises to bring back balance to the Monarchy, but there are some who question Chapman's claim to the throne and refuse to kneel to before a "false king." What follows is a war between different factions of the Monarchy, each with its own agenda, and the crown of Five Points as the prize.

Stripped of all wealth and power, Maureen King and her son Shadow

are forced to vacate their family estate and end up back where it all began for them:the slums of Brooklyn. Maureen refuses to sit idle while her brother-in-law reaps the spoils of what she and her husband built. In the raging conflict that ensues, Maureen places a seemingly impossible task on the shoulders of Shadow―to reclaim what was stolen from their family and take back the crown.

BUY THE BOOK HERE

TU SHONDA -

FROM PAGE TO SCREEN CRAFTING UNIVERSES WITH TU-SHONDA WHITAKER

WHATEVER IT TAKES

In this insightful interview with Intellectual Ink Magazine, TuShonda Whitaker, a versatile and prolific writer, shares her journey through the realms of literature and screenwriting.

Known for her captivating novels and dynamic screenplays, Whitaker discusses her creative process, character development, and the inspirations behind her diverse body of work. Join us as she offers a glimpse into her world, revealing the challenges and triumphs of storytelling across different mediums

Your body of work spans both literature and screenwriting. What draws you to express your creativity across these different mediums?

Your novels often explore themes of love, ambition, and betrayal. How do you approach character development to make these themes resonate with readers?

I love to tell stories! And whatever life the characters who come to me want to live, is the story I strive to tell.

Literature offers me the space to intricately explore characters’ minds and worlds. While screenwriting allows me to transform my storytelling into visual experiences that can touch audiences in different, yet equally powerful ways.

I’m a big believer in honing your craft, so I dedicate time to study writing. I immerse myself in the works of literary giants like Baldwin, Hurston, Hughes, Morrison, Walker, Giovanni, McMillan, Angelou, and many others. This helps me understand different styles and deepen my approach to the art form of character development.

Ultimately, whether my stories are on

I strive to create characters who are not

the bookshelf or the television screen, my desire to express my art remains the

just figures in a story but are reflections of real-life complexities. They are

same: to tell stories that love, challenge, entertain, and stand the test of time.

flawed, dynamic, and fully human. They love, they win, they lose, and again.

"Imani" delves into the realm of military intrigue, while "Haus of Vicious" explores the glamorous yet cutthroat world of fashion. What inspired you to tackle such diverse subject matters?

I’ve always believed that a writer should be able to write anything, and that’s a challenge I embrace wholeheartedly for myself. Working on 'Imani' and 'Haus of Vicious' was a test of that belief, diving into the worlds of military intrigue and high fashion.

Despite the stark differences in setting, at their core, the characters in these stories are surprisingly similar. They’re all searching for something—love, identity, victory. This commonality is what I love to explore, no matter how varied the plot might be. It’s about finding the universal human experiences in any story I tell.

As a bestselling author, you've garnered a dedicated readership. How do you balance meeting the expectations of your audience while also pushing the boundaries of your storytelling?

While I deeply value the connection with my readers, my primary focus when I sit down to write is on telling stories that resonate deeply with me. I strive to stay true to myself and my artistic vision.

FACEBOOK.COM/TUSHONDA.WHITAKER INSTAGRAM.COM/TUSHONDA

Issue 27 | 234

INTELLECTUAL INK MAGAZINE

This approach allows me to push the boundaries of my storytelling, exploring new themes and delving into complex characters without being constrained by a specific formula or worrying about external expectations. Ultimately, it’s about forging a genuine and engaging path that satisfies both my readers and my creative desires.

ROLE PLAY

Your pseudonym, Risqué, is associated with your erotic novels. How do you navigate the creative differences between your mainstream and erotic writing?

Switching between my mainstream writing and my erotic novels involves a

When I wrote the novella 'Whatever It Takes' about twenty years ago, it was for

shift in mindset to match the story I'm telling. Risqué allows me to be bolder and more explicit, pushing the boundaries of erotic storytelling.

Meanwhile, my mainstream books tend to focus on broader themes like love and personal growth. Whether I’m writing as Tu-Shonda Whitaker, Risqué, or Ni-Ni Simone (my YA line of fiction), my goal is always to deliver stories that captivate the heart.

a holiday anthology celebrating the New Year. I was captivated by the idea of exploring the dynamics between an older woman and a younger man, especially with the twist of her being friends with his mother. The song 'Whatever' by Jill Scott also inspired me, adding to the sensuality of the story.

"Whatever It Takes" centers around the complexities of female friendship and love during the holiday season. What drew you to explore these themes, particularly within the holiday context?

There’s something about the holiday season that intensifies our feelings of desire, regret, and connection. I thought it would be both fun and meaningful to explore the courage it takes to pursue happiness, regardless of the stakes.

"Haus of Vicious" has been renewed for a second season on BET+. What can viewers expect in terms of character development and plot twists in the upcoming season?

This season is everything! Viewers can expect even more twists and turns, heartbreak, and scandal. The characters you've come to know will face new challenges that test their limits and reveal hidden layers of their personalities. All I can say is buckle up!

You've received prestigious awards for your fiction writing. How does recognition, such as the Ella Baker and W.E.B. Dubois International Award, influence your approach to storytelling?

Recognition, such as the Ella Baker and W.E.B. Du Bois International Award, inspires me to delve deeper into my narratives. It fuels my commitment to continuous improvement, pushing me to explore new themes and techniques while remaining true to the essence of storytelling and writing from the heart.

Living in New Jersey with your family, how does your personal life influence the narratives you create?

Living in New Jersey with my family significantly influences my writing, but I also draw inspiration from all over.

Whether it's family stories full of laughter

INTELLECTUAL INK MAGAZINE

or heartbreak, a quiet town in North Carolina, or the bustling energy of Trinidad, all these places and moments feed into my stories. I find ideas everywhere—each one enriches my writing.

As a writer and screenwriter, what advice do you have for aspiring storytellers looking to break into the industry and make their mark?

Breaking into the industry as a writer or screenwriter requires understanding that writing is not just a creative endeavor—it's also a business. Educate yourself about industry standards, know your rights, and always have an attorney look over any contracts. Above all, write passionately and persistently, network smartly, and remain dedicated to honing your craft.

WRITE NEWS

From Pen to Podium: Chris Renee on Writing, Resilience, and Raising Women's Voices FACEBOOK.COM/CRYSSERICA

In the competitive world of contemporary literature, Chris Renee stands out as a beacon of creativity and resilience. From her debut novel to winning the prestigious Power 100 Game Changer Award, Renee's journey is a testament to her talent and determination. Today, we discuss the pivotal moments that shaped her career, the inspirations behind her emotionally rich stories, and her transition from writing to podcasting. Join us for an insightful conversation with Chris Renee, a literary powerhouse whose voice continues to inspire and uplift.

Your journey from writing your first novel to receiving the Power 100 Game Changer Award sounds incredible! Can you share some standout moments or turning points that shaped your career?

Twitter! It was how I found my publisher. I took a chance and sent Tressa a DM, and two weeks later, we discussed signing. She was an amazing teacher who helped me tighten up my craft.

My first book "Wealthy & Wicked" was nominated for Breakthrough Author of the Year by AAMBC. It was a big boost to my pen because it made me feel like people recognized my gift of storytelling.

Your stories cover such a wide range of emotions and themes. What gets you fired up to explore these topics, and how do you make sure your storytelling connects with your readers on a personal level?

I know it’s fiction that I write, but I try to be authentic with my pen. My target audience is women. I am a woman before anything. I’ve been through the fire, I’ve been in love, I’ve been devastated, I’ve dealt with so many things that should’ve killed me, so I tell those stories, and I believe readers connect more when you and your pen are relatable.

Your novel "Kiss of Death" was adapted into an amazing movie. How did that whole process feel for you? Seeing your story come alive on screen must've been wild!

I still can’t believe that this little girl from the Westside of St. Louis. A teen mom with just a few college courses under her belt was able to write a book that’s now a movie. It’s beyond my wildest dreams. It truly is. I thank God for his many blessings.

Collaborating with other authors from St. Louis sounds like a blast. How did those partnerships come about, and what cool stuff did you learn from working with other creative minds?

The three of us are so close. We’re always on the phone. Reading/writing connected us, and even though all of our pens differ, our sisterhood allowed us to collaborate in a way that was just natural. Working together was a good experience to sharpen my pen because we bounced the craziest plots off each other.

Moving from writing for magazines to doing podcasts is quite the shift! What made you get into podcasting, and how does it allow you to connect with your audience differently?

Winning the Power 100 Game Changer Award must've been a huge moment for you.

How do you plan to use your platform and influence to keep inspiring others, especially folks from your hometown who dream of making it big?

LAVENDER TEA & HONEY ON SPOTIFY LAVENDER TEA & HONEY ON APPLE PODCAST

Honestly, I never wanted to write novels. I’ve always loved journalism. My goal was to enter the field, but I had my son at sixteen, and everything shifted so I could focus on him.

Podcasting is natural for me because everybody knows I love to talk. LOL! Being able to speak with listeners is so intimate, and I enjoy it.

Your podcasts seem to focus on lifting women's voices and having real talk about important stuff like equality. Why do you think these conversations are crucial, and what do you hope your listeners take away from your shows?

Growing up, I was constantly told, “Girls should be seen and not heard”. I was young, but I immediately knew that was B.S. Women must let their voices be heard freely. I want every woman to know that they matter. Their voice matters. Never shy away from telling it like it is. Especially at the expense of being liked. Being liked by humans is overrated because their expectations are way too high.

Standing on that stage and watching my parents cheer me on will always be the best moment of my life. I felt like I made all my wrongs right and them being proud was the greatest reward. I pray I am a positive example for every little black girl, teen mom, or woman who has lost her way. Anyone who has watched my journey knows that it has not been easy. However, I am still here and living the hell out of this life. I hope I inspire everyone to stay the course, stay encouraged, stay rooted in God, and remember that delay will never equate to denial.

Growing up, I was constantly told, “Girls should be seen and not heard”. I was young, but I immediately knew that was B.S.

WRITE NEWS

Author Julie Ojeda Nin FACEBOOK.COM/AUTHOR.NIN INSTAGRAM.COM/JULIEOJEDANIN

A JOURNEY FROM THE SOUTH BRONX TO LITERARY PROMINENCE In this captivating interview, Intellectual Ink Magazine sits down with Julie Ojeda Nin, an acclaimed author whose powerful storytelling has resonated with readers around the globe.

From her challenging upbringing in the South Bronx to her evolution into a celebrated literary figure and filmmaker, Julie shares her incredible journey. She delves into the inspirations behind her seminal works, including the beloved "Friends Till the End" series, and her bold foray into the horror genre with "El Cuco." Join us as we explore the heart and soul behind Julie Ojeda Nin's writing, her transition to the stage and screen, and her invaluable advice for aspiring writers and filmmakers.

Can you tell us about your journey from growing up in the South Bronx to becoming a prominent literary figure, particularly how writing became an integral part of your life?

I learned the depth of my strength while growing up in the South Bronx. I was exposed to crime, drugs, and a dangerous lifestyle. But, where I came from, there was no see and say. I had to hold feelings of pain inside, so I turned to writing. It was my voice, and I learned to express myself and invite others into my world to gain knowledge of things I witnessed.

“Friends till the End" seems to hold significant importance in your literary career. Can you elaborate on the inspiration behind this series and how it has evolved?

"Friends Till The End" holds significant importance to my literary career because it is my first book. It was inspired by true friendship, strong bonds, real love, lots of tragedy, and many good times. My personal, private emotional feelings were shared with the public.

Your transition from writing books to creating a stage play with "Friends Till The End" is quite intriguing. What motivated you to bring your work onto the stage, and what was that experience like?

"Friends Till the End" was a book that readers wanted more of, and when I wrote "Friends Till the End Part Two," it still wasn’t enough. The readers continued to ask for more, so that inspired me to show them my story—to have the characters come alive on stage. That would be something many could take pleasure in. The experience was great; I learned to direct and produce the play "Friends Till The End."

"Young Love" is also personal to me because it’s a love story; emotions, and life decisions that fit into the urban hardcore street literary style that I’m known for.

Your latest endeavor, turning "Young Love" into a movie script and directing the film, must be exciting.

"El Cuco" marked a departure from your previous works, venturing into the horror genre. What drew you to explore this genre, and how was the reception compared to your earlier works?

"El Cuco" was the book that told me I had other stories in me. I changed to a horror genre to challenge myself; I dared myself to do something different. The reception was successful, and readers are asking for a part two.

Is "Young Love" a departure from the urban hardcore street literary style you're known for? How do you see it fitting into your body of work?

"Young Love" is also personal to me because it’s a love story; emotions, and life decisions that fit into the urban hardcore street literary style that I’m known for.

Looking back at your career so far, what has been the most rewarding aspect of being a writer and now a filmmaker? Additionally, are there any lessons or advice you'd like to impart to aspiring writers and filmmakers, especially those from similar backgrounds as yours?

My most rewarding aspect of being a writer and now a filmmaker is seeing the project come alive. My advice to anyone interested in this career is to love what you do. Have fun doing it.

Believe in your story. You have the power for words to be seen, from books to films.

Diamond's Literary World Reviews

Title:The American Queen Author: Vanessa Miller Publisher: Thomas Nelson Genre: Historical Fiction Format: Paperback and E-book Rating: Five Diamonds

BUY THE BOOK DIAMONDSLITERARYWORLD.COM

Luella Montgomery, a former slave, often dreamed about a happy place—a place where the residents live a cohesive life and conquer any oncoming obstacles together. After dangerous situations arise, Luella and her husband, William, lead a group of fifty on a journey to find such a place. A year later, that number swelled to two hundred, and they embarked upon acres of land between North and South Carolina to fulfill that dream. Each person used their unique skills and abilities to make Luella’s dream a reality. Crowned King and Queen, William and Luella ruled the kingdom fairly, and all appeared well until jealousy reared its ugly head.

What I loved most about *The American Queen* is that it’s a beautifully written story based on true events that give the reader a sense of pride. I also love that the author provided resources that allowed the reader to do their own research. My favorite character is Queen Luella, and my least favorite is King Robert. You’ll have to read the book to understand why.

Did I mention that this page-turner by Vanessa Miller will tap into your emotions and leave you wanting more? Or that it reminds me of my all-time favorite book Jubilee by Margaret Walker? I highly recommend this book. It has solidified a spot on my Best Books of 2024 list!

DIAMOND'S DESIGNZ Black Girl Magic Affirmation Journal A 200 page, digital affirmation journal that was designed to consent with a statement or request, concerning your personal and professional life. It is important for Black Women to speak positivity into our lives and the lives of our loved ones, as a part of our daily routine. Remember...when you receive the positive energy and thoughts, you also need to release the negative ones.

You can upload to a journal app (GoodNotes is my favorite) or print it out at your leisure.

You will get a PDF (92MB) file

https://payhip.com/DiamondsDesignz

INTELLECTUAL INK MAGAZINE

WRITE NEWS

FINDING STRENGTH IN STORIES: AN INTERVIEW WITH AUTHOR CHARLOTTE HOPKINS

CHARLOTTE HOPKINS

Intellectual Ink Magazine speaks with the versatile author Charlotte Hopkins. Her journey from an early love of books to a diverse writing career is marked by resilience and a passion for storytelling. With a background in social work and teaching, Hopkins brings a unique depth to her work, from practical parenting articles to heartfelt memoirs. As the founder of Kannyn Books, she supports emerging writers in navigating the indie publishing world. Her latest book, "The Face in the Mirror," continues to inspire and empower readers. Join us as we explore the experiences and insights of this remarkable author.

What inspired you to pursue a career in writing, particularly freelancing, and how has your background in social work and teaching influenced your writing style and topics?

From a young age, I knew I wanted to be a writer. Books like "The Biggest Bear" by Lynd Ward and the Peter Rabbit series ignited this passion. Despite being discouraged by others due to the challenges of getting published, my high school journalism teacher, Mrs. McVey, believed in me. Her encouragement led me to a journalism scholarship at Point Park University. However, personal struggles caused me to leave after two months.

INTELLECTUALINK MAGAZINE

Even during challenging times, I kept writing.

When my daughter was born in 1991, I started writing my first book. My background in Human Services, teaching, and social work significantly influenced my writing. These experiences inspired articles for parents, such as “10 Things Your Babysitter Should Know” and “Traveling with Children.”

Your portfolio includes a diverse range of writing, from feature pieces to children's books to deeply personal memoirs. How do you navigate shifting between different genres and tones, and what challenges and rewards do you find in this versatility?

I write across various genres, starting with nonfiction, driven by my passion for teaching and helping others. Inspired by childhood hero Don Cannon, an ABC reporter, I aimed to write stories that educate and assist. My upcoming book, "And Then I Stepped in Gum," is a life skills guide for teens. I also ventured into fiction with my book "Secrets of Flower Mound" and children’s books featuring Pixie Trist and Bo. Switching genres allows me to avoid writer’s block and continuously produce new content. My versatility is rooted in the belief that writers should not limit themselves to one genre.

Your experiences as both a writer and a parent of two authors offer a unique perspective. How has your role as a mother influenced your approach to storytelling and your involvement in the literary world?

Reading to my children and encouraging their literary interests has been a profound influence.

My son’s book, "Twisted Tales of a Diseased Mind," and my daughter’s, "Going Home to Cherry Valley," reflect their talents. Inspired by working with my children, I started "Shooting Stars," a group for young aspiring writers.

I AIM TO SHOW READERS THAT THEY CAN HEAL FROM THEIR PAST AND CHOOSE KINDNESS OVER CRUELTY. FACEBOOK.COM/CHARLOTTEHOPKINSAUTHOR

As the founder of Kannyn Books, you've played a pivotal role in assisting other writers with publishing, editing, and PR. Could you share some insights into the challenges emerging writers face today, and how your company aims to address these challenges?

Kannyn Books helps authors transition to indie publishing by teaching them the ropes of formatting, cover creation, and marketing. One major challenge is marketing, so I provide resources like a list of 50 marketing strategies and podcast interview setups through Podcast Connections. Additionally, Kannyn Books offers publishing services and has a line of notebooks and journals.

Your upcoming book, "The Face in the Mirror," is a follow-up to your memoir detailing your experiences with abuse. Can you speak to the process of writing such deeply personal and potentially triggering material, and what message or impact do you hope your story will have on readers?

My memoir, "From the Dark Tunnel," details the abuse I endured from ages 9 to 13. Writing it was a therapeutic yet painful process, taking five years to complete. The book ends on a hopeful note with tips on protecting children and teens.

"The Face in the Mirror" follows my journey of healing. The title reflects the trauma my stepmother inflicted by making me look at my bruised face in the mirror. Over time, with the help of a therapist, I overcame these haunting memories. I aim to show readers that they can heal from their past and choose kindness over cruelty.

UNITED KINGDOM

A RETROSPECTIVE OF MICHAEL JACKSON & PRINCE

BY HAIKEEM STOKES This debate is more preposterous than the one between Poland Spring and Deer Park.

It’s impossible to choose a definitive winner.

In my opinion, neither has a clear advantage over the other. Both Michael Jackson and Prince were fantastic dancers who dazzled audiences with their creativity, choreography, endurance, wardrobe, and stage presence. Prince had incredible vocal ability and range, and sang in multiple keys, as did Michael. Prince Rogers Nelson even acted in two major motion pictures, Purple Rain and Under the Cherry Moon.

Meanwhile, Michael Joseph Jackson appeared in two movies as well, The Wiz and Captain EO. M.J. did music on the

soundtrack for the movie Ben, and The Artist Formerly Known As (The Symbol Era) did the soundtrack to a Batman movie. In other comparisons, both Michael and Prince absolutely epitomized dance moves from none other than The Godfather, James Brown. Watching either artist dance made audiences instantly appreciate, even more, Mr. Brown’s contribution to the entertainment industry. It was a true testament that greatness begat greatness.

With James as an initial blueprint, both Michael and Prince went on to innovate the dance world with moves other performers could only dream of duplicating, especially while simultaneously singing.

Lest we forget the multitudes that Prince and M.J. have influenced worldwide.

Although most would argue that Michael Jackson had more mainstream appeal and Prince ruled the underground, both artists had legions of loyal fans. I believe most Prince fans would agree that his racy lyrics, risqué apparel, and unwillingness to conform may have kept him off many folks’ radars, but it’s what made us love him all the more. However, Michael’s clean-cut, charming, and almost bashful demeanor made us love him even more.

Not that anyone can compare to Prince Rogers Nelson or Michael Joseph Jackson, but there are a few individuals who directly benefitted from dancing in the Purple Rain: Sheila E., Lenny Kravitz, Martin Luther, and Bilal. Those who were motivated to get Off

the Wall are Usher, Chris Brown, Ne-Yo, and, as of late, The Weeknd. Countless artists have paid tribute to these two trailblazers as well as dispensed accolades. Still, imitation will forever be the sincerest form of flattery, yet never duplicated. Not that anyone can compare to Prince Rogers Nelson or Michael Joseph Jackson, but there are a few individuals who directly benefitted from dancing in the Purple Rain: Sheila E., Lenny Kravitz, Martin Luther, and Bilal. Those who were motivated to get Off the Wall are Usher, Chris Brown, Ne-Yo, and, as of late, The Weeknd. Countless artists have paid tribute to these two trailblazers as well as dispensed accolades. Still, imitation will forever be the sincerest form of flattery, yet never duplicated.

It’s maddening that the infamous “They” must always have our icons at odds, in an

effort to control the narrative, or is it simply to control period; liken to the theory of divide and conquer? Oddly enough, both men were on the same mission, which was to manifest their own destinies. Imagine if Michael and Prince had become friends and put their capital and catalogs together and become one powerhouse entity.

Perhaps they were cronies all along and devised a scheme to keep their banks overflowing, like Tupac and Biggie or Brandy and Monica. What if they figured out that if you keep the public enthralled in controversy, your record sales will never deplete? Would that have been genius or disingenuous?

Both Michael and Prince worked tirelessly on every aspect of their business, which made them perfectionists and, sadly, sheltered. While they were revered as the greatest that ever did it, the time spent writing, producing, rehearsing, practicing, and finally performing kept them away from family and friends. You become a prisoner of your own doing when you are consumed, but this is why they will live in infamy. One would question such sacrifice, but alas, thus is the price.

FACEBOOK.COM/HAIKEEM.STOKES INSTAGRAM.COM/ASOPHILABOOKS

ASOPHILA MERCH

ASOPHILABOOKS.COM

DEVOUR

LOVE ON FIRE FLASH FICTION

BY EPIPHANY HIGHTOWER

Midnight Meeting As Idris walked towards her, he felt a skip in his heartbeat, something that had never happened to him when approaching women. When she saw him, her lips twisted into a breathtaking smile.

"Funny seeing you here," Idris said.

"Same here, I hear they have some really great cocktails," Monalisa replied.

"I see, are you waiting for somebody?"

"No, what about you?"

"Nope, just here by my lonesome," Idris laughed.

Monalisa felt a tinge of satisfaction, even though she shouldn’t care if he had a girlfriend.

"Monalisa, what's your story?" he asked.

"I'm from New York, Long Island," she said, crossing her legs, drawing his attention to them.

"What about you?" she asked.

"I'm from Rochester," he replied.

Their conversation continued about various topics such as sports, life, their professions, and their common passion for poetry. She took a brief glance at her phone and saw that it was 3 AM. "Wow, I did not mean to stay up this late," she said.

"Yeah, me neither, but I enjoyed every minute of it," he said, smiling.

"Me too."

"Could I get your number so we can do this again sometime?" Idris asked.

"Sure," she said hesitantly as she put her number in his phone.

Idris then texted her his name so she could have his number. "Text me to let me know you made it home safely," he said as he stood up and grabbed her hand to help her off the bar stool. Even in her heels, he towered over her. "Thanks," she said, standing up straight, then turned around and walked out. Idris’ eyes were glued to the way her hips swung back and forth. "Lord help me," he whispered silently as he began to follow her out the door.

When they stepped outside, the valet brought her car around first. They gave each other a hug, and at that moment, Monalisa smelled his cologne and thought to herself how much she loved it.

"Goodnight," she said as she got into her car.

"Goodnight," he replied as she closed her door and started her car. They took one last look at each other and waved goodbye.

A flurry of thoughts rushed through Monalisa’s mind as she headed back to her apartment. She arrived and parked her car along the street, then made her way inside while texting Idris to let him know she got home safely. After she made it up the stairs, she opened her door immediately, and as soon as it closed, she began to undress rapidly, then made her way to the shower. The warm water caressed her body and reminded her of a certain warmth she felt with Idris. She got out and put her pajamas on just as quickly as she got undressed, hopped on her bed, and checked her phone to see if Idris had replied. He did. "Great, have a good night, I will talk to you tomorrow." She smiled and turned her phone off as her mind wandered about many different things as she drifted off to sleep.

No matter what she thought about, there was one name that kept coming up: Idris. **Love Jones** Monalisa.

It was my day off, so I decided to visit Maya at her boutique and tell her about last night. As I stepped in, I was captivated by the near-endless selection of clothing presented in this small building. I made my way down the aisles until I saw her, standing there arranging more clothes in such inviting patterns, it was easy to see why she owned her boutique. As I drew closer, she turned around to look at me, her light-brown eyes blending flawlessly with her caramel complexion.

"Hey there, girl," she shouted, "What brings you to my humble lil' shop?"

I greeted her back and told her everything.

"Sounds like you had a bunch of fun," she said in a playful tone as she continued to put clothes on display.

"It was! But I didn’t just come here to tell you that." I smirked and turned around to face the dresses she already had out. "I need a little red dress."

Maya glanced at me, surprised. "Oh my, what's the occasion?"

"I'm just having a little get-together with Idris on Friday and I want to make an impression."

"Say no more, girl. I have just the dress for you. Follow me." I followed her as she began walking towards the back of the boutique. When we got to the far back, there was a door with a simple warning on it: "Don't open this door." Maya opened the door and signaled for me to come in. There was not much in the room, mostly just boxes and empty clothes racks. Before I could finish inspecting this forbidden area, Maya already had a dress in her hands, eagerly pushing me to try it on. I took it to the dressing room immediately and could not believe what I saw. I had become a completely different woman. As I walked out, Maya sent a barrage of compliments my way, causing me to reveal a slight blush. "Girl, you look good," she said compassionately, "You'll definitely blow him away." I smiled and thanked her as I headed back into the dressing room to put on my original

set of clothes. After I finished changing, Maya told me not to worry about the price and to just get ready for Friday. I thanked her again and headed out the door. As I got home, a feeling of anxiety overcame me. How was Friday going to play out? What would Idris think of me? I bombarded myself with questions before I hopped on my bed and dozed off.

Friday night eventually came, and I was there, wearing that little red dress Maya had given me, eagerly waiting for Idris to pick me up. I got a text telling me that he was outside, so I made my way outside. "You look gorgeous," he told me as he opened his car door, allowing me to get in.

"So where are we going?" I asked curiously.

"It's a surprise," he smiled as we made our way down the busy streets. We eventually pulled up to a nice little area with a building surrounded by many individuals wearing fancy outfits. "We're here," he said as he got out of the car and opened my door. I thanked him, and we walked towards the crowded building. Behind a group of people, I could see a moderately-sized sign that read Nuyorican Poet’s Café. My heart fluttered as we made our way through the crowd into the building.

As we took our seats, a soft hand rested gently on my kneecap, the warmth radiating through my skin, down to my bones. The quiet whispers amongst the crowd were inaudible as others shuffled indoors, stripping off their jackets to reveal their ageless attire as they looked for an area to rest before the poetry slam had a chance to begin.

Silence fell throughout the room as the host, a man of small stature dressed in an outfit mimicking those around, took the stage. He smiled warmly before addressing the crowd, his voice low with a slight husky undertone, "Good evening, ladies and gentlemen, and welcome." He paused a moment, his bright smile competing with the lights illuminating the stage, as those who appreciated his appearance began to snap rhythmically in unison. I lifted my fingers to snap along, my own smile gracing my face. "Before we begin, I want to take the time to acknowledge an old acquaintance of mine who has decided to bless us with his presence which has been long overdue." The crowd looked around for this mystery guest, and I felt Idris shift uncomfortably in his seat, his lips twisted in a coy smile, his eyes playful. I glanced up at him, our eyes connecting momentarily – the butterflies in my stomach dancing their illustrious dance – before he returned his attention to the middle-aged host whose gaze was practically unavoidable. I had to stifle a small laugh.

"This old friend found a new profession, but I see he still returns to his old roots. So before we officially begin, I would like Mr. Taylor to come show us how it's done."

Idris sighed playfully, patting my knee before eventually releasing me to join the man on the stage.

He walked with such grace, a confidence emanating from his aura that captivated the crowd which he naturally towered over. Reaching the podium, he gave the man a brief hug before accepting the microphone that was being handed to him. "Well…" he paused, his eyes scanning the audience, "I didn't quite expect to be put on the spot here," he said with a soft chuckle, his voice low but powerful. The host shrugged unapologetically, his own smile offering a youthful playfulness, before hopping off the stage. Idris took a deep breath, his eyes closed as if gathering his thoughts. When they reopened, the staggering pair of greyish-blue eyes were staring straight at me, as though the crowd had dispersed and all that was left was the two of us. I felt my face flush, and my cheeks burn

as I listened intently to the words that began to flow effortlessly from his lips.

"I'd like to call this: Lady with the Smile.

Who is this lady with the smile?

The mystery behind her eyes, The sweetness of her heart, The softness of her lips, Who is this lady with the smile?

Does she believe in love at all?

I sure hope so Because I'm already captivated By the lady with the smile."

He placed a weighted emphasis on the last two lines, his demeanor seemingly unfazed by the snapping admiration that the listeners awarded him. Instead, it seemed that his attention was focused entirely on me, and I sat frozen, unable to show my appreciation for such an eloquent poem. Eventually, I was able to move my fingers in the rhythmic motion that was started by the others, allowing my subconscious to take control. Idris smiled politely, offering a quick thanks, while he exited the stage, allowing the charismatic MC to regain his original post so that the official show could begin. I felt the familiar warmth return as Idris sat down next to me, replacing his hand where it once sat nestled against my knee.

"I thought your poem was very beautiful, Idris," I managed to say, my voice soft, barely above a whisper. I moved a stray curl behind my ear, as I returned my attention back to the show where a poet was commanding the stage. Idris said nothing, but he offered me his alluring smile – as though to confirm my unspoken question: I was the girl with the smile.

Epiphany A Hightower is a twenty-six-year-old from Georgia.

She loves to read and has a passion for all things Black love. She discovered her passion for writing while she is in college.

Music, fashion, traveling, watching, films and writing are some things she likes to do in her spare time. You can follow her on Instagram epiphany_anette Kennedi James is a contract lawyer who just turned thirty and got engaged to the man of her dreams--you know, the same Ivy League she comes from, from a great family, and also a lawyer. She thinks she loves him, and he is a guy that any woman should be lucky to have.

But why is it that the closer the wedding day gets, the more nervous she gets, wondering if she is making the right decision?

Julian Knight is twenty-five years old and works for a towing company called Caves. He is young, sexy, and living his free life. Who would have thought that one fateful night of him working on the road would cause him to collide with the sexy, smart, and engaged Kennedi James? He usually does not take women or relationships seriously, but will a fateful rainy night have them both second-guessing what is and what shouldn't be? Everyone will be surprised that it is someone like you who could take my breath away.

BUY THE BOOK

Intellectual Ink Magazine

CALL FOR SUBMISSIONS

FLASH FICTION, SHORT STORIES, & POETRY INTELLECTUALINK.COM/SUBMISSIONS