portfolio (english)

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hugo davide gois

Seidengasse 32/20

1070 Vienna 4th September 1993

+43 6649727883

hugo.davide.gois@hotmail.com from Portugal

I’m Hugo, originally from the southern coast of Portugal, and I came to Vienna a few years ago to work as a design engineer. Fortunately, I had the opportunity to “correct” my path and dedicate myself to the more humane field of architecture, where I feel more fullfilled than ever.

I have a tendency for interesting floor plans, nevertheless without forgetting the third dimension. Architecture should not only be about pretty buildings; its complexity feeds on culture, politics and power.

As for my future as an architect with an obsession for public and community-oriented spaces, I aspire to create close-to-ideal spaces that should be inclusive and safe for everyone.

10/2025 – now

10/2020 – 07/2024

EDUCATION

Technical University Vienna | Vienna

Master of Architecture

Bachelor of Architecture

Revit/Archicad (BIM-Planning), 2D & 3D

Creation of plans

Basic knowledge of the Vienna Building Code and OIB guidelines

09/2011 – 11/2016

University Beira Interior | Covilha, PT

Master of Aeronautical Engineering

Physics (dynamics, thermodynamics, fluid mechanics)

Aircraft performance (propulsion systems, structural analysis)

Aircraft design (technical drawing, CAD and FEM)

Quality management and assurance of aviation projects

PROFESSIONAL

03/2023 – 08/2023

AllesWirdGut Architektur ZT GmbH | Wien

Intern

Part of the competition team

Create concepts, plans and pictograms, computer-modelling and (physical) model making

05/2019 – 10/2021

Alten Austria Süd GmbH | Vienna

Engineering Consultant

Design and construction of various material components using parametric CAD tools (CATIA V5) in compliance with all given design guidelines

Creation of 2D technical drawings

10/2018 – 01/2019

Dottings - Industrial Design | Vienna

Design Assistent

Assisting with different tasks (packaging, sketching, stock management)

08/2017 – 04/2019

Brand Embassy Promotionagentur GmbH | Vienna

Brand Embassador

Promotion of luxury products, customer advice and inventory management

05/2016 – 08/2017

Decathlon | Faro, PT

Sports’ Consultant

Welcoming and advising customers, finding their needs and managing inventory

Resolving last-minute issues to meet customer needs

04/2015 – 09/2015

Testbirds GmbH | Online-Job

Software Tester

Test apps and websites to identify problems and errors

Record and communicate results through written reports to managers

PUBLICATION

Essay “Commoning Housing: Architecture as Response to Colonial Legacies“ 07/2024

Scientific research on the effects of colonialism (and subsequently capitalism) on (community) living

11/2016

Master’s Thesis “Impact Resistante of Adhesive Joints“

Investigating the behavior of adhesive joints applied in fiber-glass composites when subjected to impact

Hands-on laboratory experience - production of composites as well as machine handling during testing

SKILL

Digital Analogue

Languages

Revit, ArchiCad, SketchUp, Adobe Suite (Illustrator, Photoshop, InDesign), Enscape, CATIA V5

Hand drawing, model making, photography

Portuguese, German, English, French

A place of food preparation or storage

A place of food preparation or storage could be yard. In the “almeixar”, a place carrying the Islamic roots of the Algarve, a big quantity of figs would be left drying out, so they could be consumed during the year. Even though the yard was not used for that anymore, my grandmother still calls that place by its original name. As she remembers, food would be prepared more often outdoors. During the summer it would be common to grill or cook all kinds of dishes, including snails or the pig’s blood, on a fire pit. Besides that, food would be stored inside wooden boxes in “salmoura” (“brine”) or sausages would be simply smoked in the “fumeiro”.

A place of thermal relief

A place of thermal relief would be the kitchen. Given the mild climate in the South of Portugal, winters were not very harsh. Still, there would be times when one had to sit close to a fire. Usually, my great grandma would make a fire with wood on top of a metal plate. This plate was placed on top of a trivet (“trempe”) and positioned close to the furnace, protected by the arched wall that also served as a smokehouse, as the smoke was trapped and did not come out of the chimney so easily. To keep warm, the family would gather around this fire until it was time to sleep.

Lessons from Bernard Rudofsky
carpets and wheels

interdependence

Rainwater is harvested through an inclined roof.

Analogue to water, ramps guide the movement across the building, connecting both communal and retreated spaces, facilitating a supported living environment for both elderly and young.

As we navigate the dwelling, old and new meet at the shared greenhouse to grow fresh produce leading up to the public canteen, where the self-grown goods build community by collective cooking.

vertical brussels

forest / social + sacred space

type / forest of columns

context / brussels

program / multigenerational

KOGA PARK CAFÉ SANAA 1998
TRUNK
longitudinal cut

living 1:400

elevation 1:400

BOUÇA SOCIAL HOUSING / ÁLVARO SIZA / 1977
CASA DE VIDRO / LINA BO BARDI / 1951 Community - living outwards? Alienation living inwards?

atmosphere

A forest can be architecturally reinterpreted in different ways: we can think of columns that are randomly positioned, reproducing its natural disorientating effect; or when thinking in a bigger scale, that is, one building as one tree, a cluster of rooms is achieved.

In any way, we are unconsciously invited to explore an infinity of pathways, that can be influenced not just by an artificial landscape (made out of building or non-building elements), but also humans.

Unlike the city, where representative objects await focused spectators to consciously get pushed away out of a space, the forest stimulates our peripheral vision, forcing emotional engagement with the natural and historical settings, thus integrating us with space.

hugo davide gois

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portfolio (english) by hugo.gois - Issuu