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BOARD EXECUTIVE COMMITTEE
Amy Simpson, Chief Communications Leader, International Paper; Hattiloo Chair
Faith Morris, CEO, cultureLift Inc. Freedom Award Managing Director/Producer; Hattiloo Vice-Chair
Cynthia Collins, Managing Director of Litigation, FedEx; Hattiloo Secretary
Vernon Stafford, Senior Executive Vice President, & Chief Audit Executive, First Horizons; Hattiloo Treasurer
MEMBER
JocelynHenderson,AnAttorney
TabrinaDavis,VicePresident-Marketing, CommunicationsandWebStrategy, MethodistLeBonheur
MackWeaver,CFO,MemphisinMay
CarolynBishop,Director,On-Campus Living,LeMoyne-OwenCollege
MichaelCampanaro,VicePresident, InformationTechnology,AutoZone
EdithKellyGreen,Principal,KGRGroup
LindaSmith,CommunityVolunteer
CardellOrrin,ExecutiveDirector, StandforChildren
EkundayoBandele,Founder&CEO
PatriciaSmith,ProductionManager
Jarrod Walker,TheatreManager
RosannaSmith,OfficeManager
NajwaWatson,EngagementCoordinator
P.A.Bomani,HouseManager
HatshepsutBandele,CustomerService Coordinator
Hattilooisa501(c)3missionnon-profit organization.Itsmissionis"todevelopaBlack theatrethatisaccessibleto,relevantto,and reflectiveofamulticulturalcommunity."It producesshowsthatdepictBlacklifeandthat transcendtheirentertainmentvaluebygiving audiencesanauthentic,culturalexperience Its programTheSelf-IdentityTheatreCamphelps Blackyouthacquiretoolstocarefortheir emotionalselvesininequitableand discriminatorysituations.
AsthelargestBlacktheatreintheMid-South andoneofafewfree-standingBlacktheatresin thecountry,HattilooisahubfornationalBlack theatretrainingandconvening,andouryouth programssharethisfocus.
ently found myself in a friendly debate with end over the merits of Motown versus Stax. e I was busy championing Hattiloo Theatre’s uction of A Motown Christmas, my friend firmly planted in the Stax camp. We even a playful exchange where I jokingly referred ur show as a “Staxtown Christmas” to owledge both legendary music labels.
Of course, I chose to produce this musical because it’s a guaranteed way to provide a festive gathering place for families and friends. But beyond the box office appeal, there’s a deeper, more personal connection to Motown for me. It’s not just the music, though that’s undeniably fantastic. It’s the story of a group of Black people coming together, fueled by talent and ambition, to create something truly extraordinary. It’s a story that resonates with me deeply, especially as someone who grew up in a household that celebrated Motown’s legacy.
When I founded Hattiloo Theatre in 2006, I drew inspiration from the spirit of the open mic scene. I remember those nights, packed with hopeful artists, eager to share their work with a supportive audience. We’d gather at the Jack Robinson Studio; a modest space just blocks away from the National Civil Rights Museum and create magic. No one was paid, but the rewards were immeasurable. We were building community, fostering creativity, and laying the groundwork for future generations of artists.
The Speakeasy, an open mic night I founded and hosted at the studio, was a cornerstone of this movement. It was a place where poets, musicians, and performers could experiment, grow, and connect with their audience. It was a microcosm of the Motown dream a group of talented individuals coming together to create something special.
As we approach the holiday season, we all need a little magic in our lives. A Motown Christmas is that sprinkle of magic, a reminder of the power of human creativity and the enduring impact of great music. It’s a chance to relive the golden age of Motown, to feel the joy and excitement of those early days, and to experience the transformative power of music
EKUNDAYO BANDELE Founder/CEO
Created & adapted by
RALPH CALHOUN Sound Engineer
Nate Jacobs
Directed by Patricia Smith
CLEAVON MEABON IV Assistant Director
PATRICIA SMITH Costume Designer
CYD TRICE
Projection & Sound Designer
ANGELINA CLARK Choreographer
KAYI NORTSRON Asst. Costume Designer
DIEGO TREJO Master Carpenter
FALLON WILLIAMS
Lighting Designer
DAVID GALLOWAY Scenic Designer
KEENAN SHOTWELL Musical Director
CYD TRICE Stage Manager
Ifyouexitthetheatreduringtheshow,youmaynotbeabletoreturntoyourseat.
Talkbackperformances–Sunday,November24thandDecember8th,2024 (5minutesaftercurtain).
Camerasandrecordingequipmentarestrictlyforbiddeninthetheatre.Patrons withcellphonesoranyelectronicdevicethatmakesnoisearerequestedtoeither turnoffthedeviceorcheckitwiththehousemanagerpriortocurtain.
MARY ANDRUS
Carmine
Ariel
A Motown Christmas - Step back in time to the golden era of Motown, a period of soul-stirring music and cultural revolution. A Motown Christmas invitesyouonanostalgicjourneythroughthehitsandheartofthisiconicera.
Join a group of 14 friends as they transform into legendary Motown artists, bringing to life the timeless classics that have shaped generations. From the soulful crooning of Smokey Robinson to the energetic performances of The Temptations, every note and every dance move will transport you to the heart ofDetroitandtheAmericanBandstandTelevisionera.
FilmedandeditedbyNikitaStudios
The play’s stunning set, designed by David Galloway, features the iconic Hitsville U.S.A. house, a symbol of Motown’s legacy. As the characters perform, they’ll be surrounded by the festive spirit of the holiday season, drawing inspiration from three beloved Motown Christmas albums “Jackson 5 Christmas Album,” “Merry Christmas from Motown,” and “A Motown Christmas.”
Get ready to sing along, dance, and relive the magic of Motown as our friends takeyouonaheartwarmingandunforgettablejourneyorchestratedbyPatricia Smithandtheproductionteam. Learn more about
Guests will be transported through time while viewing curated exhibits, the actual apartment Berry Gordy lived in with his family during the label’s earliest days, along with original recording equipment and the legendary Studio A. Each tour is led by a knowledgeable guide, who will share the interesting history, fascinating anecdotes and captivating stories that all took place at Hitsville U.S.A.
Mary Andrus is a proud Memphian, she has been with Hattiloo Theatre since 2006 and is extremely excited to delve into the art of singing. She wants to thank her family and friends for always supporting her and hopefully with this musical they leave with joy intheirhearts
JabriaChanel is excited to make her debut on the Hattiloo stage, but she is not new to performing. Jabria started singing at age six and performing at age nine. She was seen as Dorothy in The Wiz at Bartlett Performing Arts Center in 2011 Most recently she’s been working behind the scenes honing in on perfecting her skills in set design & creative direction. After a long time away from the stage she’s excited to join the Hattiloo family in their production of A Motown Christmas. She would like to thank the director Patricia Smith, the production team, and everyone who took part in the creation of this production. She would also like to thank all ofyouforcoming!
Zan Edwards is a native of Bruce, Ms, and a graduate of the University of Mississippi where she earned a BA in Theatre Arts with a minor in Sociology. Credits include: Lorrell in Dreamgirls, Oklahoma, Dionne in Hair, Tina Turner in The Wedding Singer, Chiffon in Little Shop of Horrors, Dynamite in Hairspray, Kinky Boots,andLadyinGreeninForColoredGirls.Formally,shewasa member of Mississippi: The Dance Company for two years. Her screen experience comes from her participation in Christmas at Graceland, Texas Heart, and Young Rock She is more than excited to use this production of Motown Christmas as a springboard to furthering her performance career. Always thanking God, she would also like to thank her family and friends fortheirloveandsupport.
Justin Raynard Hicks was born in Dallas, TX. After moving to Memphis, TN at 7, Justin began studying singing, acting, and dance. At the age of 15, Justin performed the Isaac Hayes' Oscar award-winning hit "Theme from Shaft", at the 2011 TvOne Trumpet Awards in Atlanta, GA in honor of Richard Roundtree for hisroleinthe1971film"Shaft".Sincethen,Justinhasperformed nationally and internationally at venues such as the Apollo Theater, Lincoln Center, Smithsonian Folklife Festival, Kennedy Center,andTheGibsonShowcaseMuseuminBerlin,Germany.
Since 2016, Justin has starred in over 5 productions at Hattiloo Theatre, Dreamgirls at Playhouse on The Square as “Wayne” as well as his Memphis’ Ostrander nominated role in "Fences" at Theatre Memphis, where he portrayed "Gabriel" Justin is excited tobebackontheHattiloostage
Grant Kee is a native of Memphis. He is a proud member of the Hattiloo Company. Recently starred in plays such as Carmen Jones (Hatiloo Theatre), Mirandy And Brotherwind (Hatiloo Theatre), Uncorked (Netflix Film), Cats (Theatre of Memphis), Sly Fox (Play House on the Square), Porgy & Bess (Hatiloo), The Scottsboro Boys (Play House on the Square), The Color Purple as Harpo ((Hatiloo)has driven Grant to showcase more of his true raw effortless talents. A graduate of Lane College, Grant finds interest in starring in roles that provide outstanding theatrical experiencetoenrichthelivesoftheaudience.
Adrian Kennard is a Memphis, Tennessee native with a deep admiration for theater and a vibrant stage presence. Although he has always been drawn to the performing arts, it wasn't until recently that he embraced acting as a pursuit His talent was recognized with a nomination for an Ostrander Award for Best Supporting Actor in a Division 2 play for his role in “A Stubborn Holiday,” written and directed by Mary Washington at The Actors Renaissance Theater at Theater Works. This marks Adrian's excitingdebutatHatilooTheater.
Raven Martin is honored to work with Hattiloo Theatre in her second musical. She has a long-standing acting career working with Memphis theatre companies such as Bluff City Tri-Art Theatre Company and Art With a Heartbeat Productions. Raven won her first Ostrander for Best Supporting Actress as Maima in “Eclipsed” at Hattiloo Theatre. Special thanks to D’vonna Taylor and Gerald Morgan for always pulling the best out of her in vocal lessons. She thanks her family and friends for their love and continued support. In loving memory of Anwar Martin Sr. and RoslynGuest,towhomshededicatesherperformance.
CleavonMeabon,IVisnativetoWynne,Arkansas,andgrewupin the mid-south, including Memphis. He attended Howard University as a musical theatre major. Since then, his career in entertainment has extended to theatre, television, film, and radio forover10years Heismostnotableasawriteranddirectorafter producing productions in Atlanta, G,A and Washington, DC. Most recently, he founded AUD - an artistic advocacy collective and platform.Heisverypassionateaboutsocialjusticeandequity.He is very excited to be performing again and hopes to collaborate withmoreMemphians.
Kylan Owens is so thrilled to be apart of his first production with Hattiloo! He was recently in the production of Grease as Johnny Casino while also playing REN McCormack in the production of Footloose with Desoto Family Theatre. Being able to make someone’s day with his talents and bring stories to life is what he lives for and he’s super thankful to God for his gifts and talents. He wants to say thank you to Ms Pat & her team for trusting him with this role and leadership as Dance Captain & he hopes you thoroughlyenjoythisshow!
DejaPattonisaproudMemphisnativeexcitedtomakeheracting debut at the Hattiloo Theatre! She is an alumna of Austin Peay State University, a licensed cosmetologist, a part-time vegan, and amultipotentialite!
Taylor Simms, a vocal recording artist and songwriter has been performing since the age of six She is a graduate of Soulsville Charter School and an alumna of Stax Music Academy. Her experience includes stage concerts, private events, and supporting roles in plays such as Rent and Hairspray. She is honoredtojoinHattiloo'sproductionofAMotownChristmas.
Justin Allen Tate is a native of Memphis, TN. He has been a Professional Actor/Singer & Dancer for 20+ years. National BroadwayTourCreditsinclude:SmokeyJoe’sCafe,Flashdance& CirqueDreams.Hisfavoriteregionalcreditsinclude:KinkyBoots( Lola ) , Ragtime ( Coalhouse ), Hello Dolly (Cornelius). Justin has been a Lead Featured Vocalist for Royal Caribbean International andHollandAmericaLineforfiveyears.ABackgroundVocalistfor BlakeShelton,GeneSimmonsofKISSandK.Michelle.T.V.
DONALD THOMAS
Derric
Appearances: Wedding at Graceland ( Hallmark ), The Deuce ( HBO), ELLEN ( NBC ) & Dick Clark's New Year's Rockin’ Eve. He is a former member of the USO Show Troupe of NYC entertaining our military and their families around the world including tours in Hawaii&SouthKorea HeisagraduateoftheAmericanMusical& Dramatic Academy in New York City. He is a Four-Time Ostrander AwardNomineeforhisworkinMemphis.justinallentate.com
Donald Thomas: Native Memphian a product of Memphis City Schools and also an employee of Shelby County Schools is no stranger to the stage. Studied Music Theory at Tennessee State University also Vocal Pedagogy at LeMoyne-Owen College. Performed nine seasons with the Opera Memphis Chorus in several productions such as Carmen, Turandot, Porgy and Bess, and Macbeth to name a few. Performed at Hattiloo Theatre’s Once on This Island, Aida, The Wiz, and at Playhouse on the Square in The Color Purple and the Gospel at Colonus. Mr. ThomashasalsoworkedwithartistssuchasthelateNatalieCole, Edwin and Walter Hawkins, Daryl Coley, and Memphis’ own Kirk Whalum,alongwithPeaboBryson.
NICHOLAS WEAVER
Ensemble
Nicholas Weaver, originally from Tacoma, WA, made his theatrical debut on Hattiloo’s stage and is excited to be back. Professionally, he’s a healthcare advocate addressing health needs through grantmaking. He’s a lover and student of the arts. He’s no stranger to music. He sang background for Jennifer Hudson and various indie artists. Nicholas is excited to be a part of this amazing show and dedicates his performance to the memoryofbothhisfather,Wendell,andbrother,Ryan.
EKUNDAYO BANDELE (Hattiloo Founder & CEO) founded Hattiloo in 2006. Among his directing credits are August Wilson’s “Joe Turner’s Come and Gone” and Katori Hall’s “Hurt Village.” From 2012 - 2014, he spearheaded a $4.3M capital campaign that resulted in the construction of Hattiloo’s 14,000-square-foot venue that opened debtfree in 2014 Also, in 2014, he worked as an assistant to Tony Award-winning director Ruben Santiago Hudson at the Williamstown Theatre Festival’s production of “Paradise Blue.” In 2017, he co-led, with Teresa Eyering, Theatre Communication Group’s executive director, a theatre management course at the University of Orduman in Khartoum, Sudan. In 2019 he produced “Ain’t Misbehavin” at Spazio Teatro No'hma in Milan, Italy. In 2020, Hattiloo returned to Milan with “Lady Day at Emerson’s Bar and Grill,” and again in July 2023 with “Mahalia: Queen of Gospel Music.” Ekundayo is a Fellow at the DeVos Institute of Arts Management at the University of Maryland. He is a recent graduate of Morehouse College
HATSHEPSUT BANDELE (Customer Service Coordinator), is passionate about celebrating and promoting Black art and culture. Working at Hattiloo brings her joy as she wholeheartedly believes in the power of the arts. In her role, she is committed to ensuring that each visitor feels genuinely welcomed and well-informed about the upcoming plays and events at Hattiloo. Handling ticket sales and subscriptions, she strives to deliver customer service that reflects my appreciation and pride in everything Hattiloo represents.
Sulaiman Mausi Jr. (Resident Theatre Associate) is a recent graduate of Morehouse College in Spring 2023. He received his Bachelor's degree in Theater Performance and has been helping out at Hattiloo Theater ever since. He has recently starred as Steve Harrison in Hattiloo Theatre’s Succession and is excited to be a part of more productions in the future.
PATRICIA SMITH (Theatre Production Manager) has an extensive resume which includes her most recent performance as Judge Dunbar on NBC's Bluff City Law. She performed in Ain't Misbehavin and Asst. Directed Lady Day at Emerson's Bar and Grill, both in Milan, Italy. She directed Hattiloo's Black Nativity with the Memphis Symphony Orchestra. She has many credits performing, directing, and costuming shows here at Hattiloo Theatre, however, most recently she directed and costumed "Lady Day at Emerson's Bar and Grill" and "Marie and Rosetta". She was last seen performing in "Raisin" the musical as Lena Younger.
ROSANNA SMITH (Office Manager) a Tennessee native from southwest Memphis, is the eldest of nine children born to Rev. J. W. Smith, Sr., and Lillie B. Smith. She graduated from Mitchell High School in 1967 and attended the University of Tennessee at Martin. Her career began in 1970 as a Reservationist at American Express, followed by a role as an Office Manager at Murphy Oil Company
Rosanna earned an Associate Degree in Accounting and Data Processing from Memphis School of Commerce in 1973 and worked as an assistant bookkeeper at Goodwill Industries before joining Kroger in 1974. She served as an accounting clerk and office manager at Kroger until her retirement in 2002. After retirement, she worked at Katz Worldwide Logistics and the Shelby County Health Department until late 2013.
In her religious community, Rosanna was an Administrative Assistant and Church Clerk at Tabernacle Missionary Baptist Church for 33 years and held various educational roles at Kimbrough Chapel Missionary Baptist Church in Lamar, Mississippi. She has received numerous awards and certificates for her contributions to Christian education and community service.
JARROD WALKER (Theatre Manager) an imaginative trailblazer, is fueled by an inherent passion for creativity. Jarrod has immersed himself in event coordination, theater direction, and product launches for over two decades. Whether orchestrating weddings, plays, or other significant life events, his ability to infuse creativity into every project is the driving force behind his success.
As an accomplished event professional, administrative assistant, and theater director, he is dedicated to crafting unparalleled experiences for his clients and audiences. From providing essential administrative support to executing productions, he has played a pivotal role in turning clients’ dreams into tangible realities. For Jarrod Walker, the possibilities are boundless when creativity takes center stage, and his journey continues to be a testament to the transformative power of artistic innovation.
NAJWA WATSON (Engagement Coordinator) a Memphis native of Jamaican descent, brings over 14 years of administrative expertise to her role at Hattiloo Theatre. Her commitment spans nearly 15 years, reflecting a profound dedication to community and service. Najwa excels in organizing, project support, delivering exceptional customer service, and coordinating special events. Hattiloo is not just her workplace but her second home, where she contributes proudly as a professional, performer, and creative force. With gratitude and honor, she will consistently embody Hattiloo's values through her endeavors
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