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HATTILOO BOARD
OF DIRECTORS & STAFF
BOARD EXECUTIVE COMMITTEE
Faith Morris, CEO, cultureLift Inc. Freedom Award Managing Director/Producer; Hattiloo Chair
Cynthia Collins, Managing Director of Litigation, FedEx; Hattiloo Secretary
Vernon Stafford, Senior Executive Vice President, & Chief Audit Executive, First Horizons; Hattiloo Treasurer
STAFF
EkundayoBandele,Founder&CEO
PatriciaSmith,ProductionManager
Jarrod Walker,TheatreManager
RosannaSmith,OfficeManager
NajwaWatson,EngagementCoordinator
P.A.Bomani,HouseManager
HatshepsutBandele,CustomerService Coordinator
MEMBERS
CarolynBishop,Director,On-Campus Living,LeMoyne-OwenCollege
MichaelCampanaro,VicePresident, InformationTechnology,AutoZone
TabrinaDavis,VicePresident-Marketing, CommunicationsandWebStrategy, MethodistLeBonheur
EdithKellyGreen,Principal,KGRGroup
JocelynHenderson,AnAttorney CardellOrrin,ExecutiveDirector, StandforChildren
AmySimpson,ChiefCommunications Leader,InternationalPaper
LindaSmith,CommunityVolunteer
MackWeaver,CFO,MemphisinMay
ABOUTHATTILOO
Hattiloo is a 501(c)3 mission non-profit organization. Its mission is "to develop a Black theatre that is accessible to, relevant to, and reflective of a multicultural community." It produces shows that depict Black life and that transcend their entertainment value by giving audiences an authentic, cultural experience Its program The Self-Identity Theatre Camp helps Black youth acquire tools to care for their emotional selves in inequitable and discriminatorysituations.
As the largest Black theatre in the Mid-South andoneofafewfree-standingBlacktheatresin the country, Hattiloo is a hub for national Black theatre training and convening, and our youth programssharethisfocus.
EKUNDAYO
I remember the day I opened Hattiloo. It was a dream realized, a testament to the power of Black artistry. Yet, a nagging question persisted: Why were so few Black voices echoing through from the stages in Broadway and LORT theatres? It seemed a glaring omission, a systemic oversight.
I journeyed to a number of these predominantly white institutions, impressed by their grandeur and resources. But they lacked a certain soul, a raw authenticity that resonated with the heart Allthesame,manyBlackartistsyearnedforaseatatthetable,avoiceinthe narrative.Itwasaconstantstruggle,abattleforrepresentation.
WhileIappreciatetheeffortstodiversifythesespaces,truesuccess,inmyeyes,lies beyondtokenism.ItliesintheproliferationofBlack-foundedtheatres,spaceswhere Black stories can flourish without compromise, unfiltered by the white gaze. These spaceslikeHattilooarevitalculturalhubs,wherewehavethefreedomtoexplorethe nuances of the Black experience, to delve into the complexities of our history and culture.Wecanchallengestereotypes,subvertexpectations,andcelebratetherichness ofourheritage.
The summer of 2020 was a watershed moment, a catalyst for profound change. The brutalmurderofGeorgeFloydignitedafirestormofprotestandintrospection,forcing institutions across the nation to reckon with their complicity in systemic racism. The theatreworldwasnoexception.The"WeSeeYouWhiteAmericanTheatre"movement emerged,demandinggreaterrepresentationforBlackartists.Forme,itwasaclarion callformoreagencyandsupportforBlacktheatreartists,ademandfortheresourcesto developandproduceourownstoriesoutsidetheconfinesofthepredominantlywhite theatrestructure.
Broadway responded with a historic season, featuring seven plays written by Black playwrights.Amongthemwas"ThoughtsofaColoredMan,"apoignantexplorationof theBlackmaleexperience.Tome,aseasonedperformerandspokenwordartist,the playevokedtherawenergythatIexperiencedthroughthe90sintheBrooklynMoon, thePattiHutinAtlanta,andPreciousCargoinMemphis—hallowedspaceswhereBlack
voices soared. I saw myself in those characters, their bravado, vulnerability, humor, and pain.
For those unfamiliar with the vibrant world of Black performance, "Thoughts of a Colored Man" is a revelation. It offers a glimpse into a cultural tapestry, a barbershop philosophy, a brotherhood forged in shared experiences. It was a triumph, no doubt. Yet, a sense of unease lingered in me. Was this progress, or a mere spectacle? A curated experience, packaged and sold for mass consumption?
The play's success, both critical and commercial, raised questions about the equity, diversity, and inclusion bandwagon. Had the very movement that sought to amplify Black voices inadvertently led to their exploitation? I don't have the answers. But one thing is certain: the fight for representation continues. As we strive for a more equitable theatre world, we must remain vigilant, ensuring that our stories are told on our own terms.
EKUNDAYO BANDELE Founder/CEO
HOUSE NOTES
Ifyouexitthetheatreduringtheshow,youmaynotbeabletoreturntoyourseat. Talkbackperformances–Sunday,March16thand30th,2025 (5minutesaftercurtain).
Camerasandrecordingequipmentarestrictlyforbiddeninthetheatre.Patrons withcellphonesoranyelectronicdevicethatmakesnoisearerequestedtoeither turnoffthedeviceorcheckitwiththehousemanagerpriortocurtain.
CYD TRICE
Sound/Video Designer Stage Manager
LAUREN THOMAS Lighting Designer
MARSENA SELLERS Costume Designer
DIEGO TREJO Master Carpenter
DAVID GALLOWAY Scenic Designer
CAST
SYNOPSIS
Dawn breaks in Brooklyn, and seven black men rise to meet the day. One of them, a finance director, leaves his luxurious condo to jog around their rapidly gentrifying neighborhood, just as a grocery store clerk is starting another soul-crushing shift. At the bus stop, two best friends debate the intricacies of modern dating, while a basketball coach at the youth center grapples with his unrealized potential. At the hospital, a teacher and his father-in-law welcome a new life. At the barbershop, the whole group meets for cuts and conversation as sparks fly over questions of identity and community. Through the storytelling style of SLAM Narrative, THOUGHTS OF A COLORED MAN celebrates the hopes, ambitions, joys, and triumphs of black men in a world that often refuses to hear them.
MEET THE PLAYWRIGHT
Keenan Scott II Keenan Scott II, a playwright, poet, actor, director, and producer from Queens, NY, has had his work developed at theaters like National Black Theater, NYTW, Arena Stage, and Woolly Mammoth. His play Thoughts of a Colored Man premiered at Syracuse Stage (2019-20) before its Broadway debut (2021-22), where Scott also made his acting debut. A 2021 TED Fellow, Scott's new musical, The Return of Young Boy, is slated for a regional premiere in the 2025-26 season. He also has numerous film and television projects in development. In 2020, Scott founded Project Toys Entertainment, a creative studio spanning theatre, TV, film, and visual art, dedicated to bringing joyful and thoughtprovoking content to audiences of all ages.
CAST BIOS
P.A. Bomani, I am a Storyteller and actor with stand-up roots. I started comedy and acting almost simultaneously in 1999. Following my 1st open mic set I competed in a comedy contest, came in 3rd, and was hired as emcee. I hosted there for 2 years until they closed. For 5 years I was on-air personality with 103.5 Morning Soul Patrol. My duties included gathering news and producing original show content.
I began Storytelling in 2015 after winning Grand Master Storyteller. Improv troupe, one-man show, and stage plays are all in my acting portfolio. Since 2018 l have been House Manager at Hattiloo Theatre. I am the 2024 Ostrander Award winner for "Behind the Scenes". My humor is based on family a lil’ pop culture and politics. My mission is to "make stomachs hurt from laughter and heads swim with thought "
Adrian Kennard is a Memphis, TN native with a deep admiration for theater and a vibrant stage presence. Although he has always been drawn to the performing arts, it wasn't until recently that he embraced acting as a pursuit. His talent was recognized with a nomination for an Ostrander Award for Best Supporting Actor in a Division II play for his role in "A Stubborn Holiday," written and directed by Mary Ann Washington at The Actors Renaissance Theater at Theater Works. He was recently in "A Motown Christmas"(Hattiloo).
Emmanuel McKinney is a Memphis, TN native, a graduate of the University of Tennessee at Knoxville, and a very passionate actor. He has been part of several productions, mostly in Memphis at Hattiloo. He has been part of many productions at Hattiloo including, Hurt Village, Detroit ‘67, The Mountaintop, and most recently A Raisin In The Sun Emmanuel's other passion is working with the youth He is currently the Principal at The Soulsville Charter High School where he enjoys positively impacting the local youth, a career he has been in for 17 years.
ADRIAN KENNARD Happiness
EMMANUEL MCKINNEY Passion
MATTHEW "ESTEIS"
Esteis is performing in his third Hattiloo play in a little over a year. The Brooklyn native is a poet, author, educator, and coach who starred in Carmen Jones and Take a Soul Train Ride Through Christmas. The blend of music, poetry, riveting dialogue, and powerful narratives in theatre captivated the former athlete and has become a new medium for the storyteller's imagination to roam freely.
ROBRECUS PARKER
R brecus Parker has been so blessed to be part of the hattiloo ly. Robrecus thanks GOD daily because acting has opened a of him that he didn't know was available. Being very broken he inside, acting allows him to escape his problems and be eone else/character for just a moment. Robrecus has only e 3 shows in his whole year and a half acting career, 2 of those g hattiloo shows but it's nothing like being on the stage at home (Hattiloo). Robrecus also received an Ostrander nominee for his role of Odyssey the dog in Father Comes Home From The Wars directed by one of his now mentors Garry Yates. Yates was one of the first people that told Robrecus to be himself on the stage and it has got him very far
Robrecus is a nursing major at Southwest TN Community College and was introduced to theatre by the great Thomas King just a year and a half ago. Robrecus also thanks Ekundayo Bandele for the opportunity, always listening, and always letting hattiloo be a home. Special thanks to the family and Alamyu (PA).
RODNEY SAULSBERRY
Rodney Saulsberry II began acting in high school and quickly found his love for storytelling. After graduating from Mississippi State with a BBA in Finance, he continues to hone and explore his creative passions. Alongside acting, he has recently taken a dive into poetry as another form of creative expression. He was recently seen as Asagai in Hattiloo Theatre’s production of A Raisin in the Sun and Duarte in Cazateatro’s production of River Bride. He hopes you are moved in more ways than one!
Timothy Woods is a native Memphian and lover of the arts and mathematics. He is passionate about finding the intersection between language, movement, and emotional expression in performance. He has enjoyed theater and performing arts since a young boy, and he’s grateful to have received excellent training through productions at the Hattiloo Theatre since 2022. This will be his third production as an actor for the Hattiloo Theatre, and he’s honored to grace the stage with other talented black men across the mid-south. He hopes this show is transformative for all those in attendance.
TIMOTHY WOODS Depression
(2025-2026)
CYDNIETRICE SoundDesigner
n Thomas is a professional Lighting Designer and Stage ger and is so excited to be back at Hattiloo. Recent credits e ASM: La Boheme & La Calisto (Opera Memphis) Little Shop rors & All Shook Up (Cumberland County Playhouse); Lighting ner: Finding Nemo Jr. & SpongeBob the Musical Jr. berland County Playhouse) She would also like to thank her friends, family, and fiancée as well! They hope you enjoy the show! Lftdesigns.com
Cydnie Trice has been working in theatre productions for over twenty-five years. Since she first began her career, she has taken on various roles from director, designer, and actor to prop master, videographer, and stage manager. During her Undergrad at MIT, Cydnie was a part of Uncle Vanya, La Casa de Bernalda Alba, and the Gilbert & Sullivan Player’s musical Trial By Jury Since returning to the Mid-South, Cyd has worked on over three dozen shows with Theatre Memphis, The Harrell Theatre, Hattiloo Theatre, Germantown Community Theatre, New Moon Theatre, Stage 88 Productions, Playhouse on the Square, and Opera Memphis. She’s excited to be a part of Hattiloo’s premier of Thoughts of A Colored Man.
MEET THE HATTILOO STAFF
EKUNDAYOBANDELE
(HattilooFounder&CEO)isaplaywrightandtheaterdirector whoseworkhassignificantlyimpactedtheAmericantheaterlandscape.Hehasdirected three plays by August Wilson and served as an assistant to Tony Award-winning director/actor Ruben Santiago Hudson. His plays, including "Judas Hands" (Karamu Playhouse),"IfScroogeWasaBrother"(ETACreativeArtsFoundation),"TaketheSoul TraintoChristmas"(JubileeTheatre),and"I,TooAmAmerica"(EnsembleTheatre),have beenproducednationally.In2006,hefoundedHattilooTheatreinMemphis,TN,where heservesasCEO.Between2012and2016,Bandelesuccessfullyleda$10million capitalcampaigntobuildandexpandHattiloo,resultinginastate-of-the-artfacilitythat openedwithnodebtandasubstantialendowment.HisimpactextendsbeyondMemphis, withinternationalinitiativessuchasatheatermanagementcourseatOmdurmanIslamic UniversityinSudanandacclaimedproductionsinMilan,Italy,includinghisown"Mahalia: QueenofGospel"HehasstudiedIndigenousstorytellinginRwandaandIrishtheaterat theUniversityofLimerickinLimerick,Ireland.HeisaPhiBetaKappaandsummacum laudegraduateofMorehouseCollege,wherehefoundedtheMorehouseCollegeTheatre Ensemble,andaDeVosArtsManagementFellowattheUniversityofMaryland.In2022, heestablishedtheaccreditedHattilooBlackTheatreStudiesprogramatLeMoyne-Owen College Hehasservedonnumerousboardsandcommittees,includingafoundingboard memberoftheAfricanAmericanPerformingArtsMuseum,chairmanoftheMemphis OfficeofYouthServices,andacurrentadvisorycommitteememberattheUniversityof Tennessee’sOzmoInstituteforNeuroaesthetics.
HATSHEPSUT BANDELE (Customer Service Coordinator), is passionate about celebratingandpromotingBlackartandculture.WorkingatHattiloobringsherjoyasshe wholeheartedlybelievesinthepowerofthearts.Inherrole,sheiscommittedto ensuring that each visitor feels genuinely welcomed and well-informed about the upcomingplaysandeventsatHattiloo.Handlingticketsalesandsubscriptions, she strivestodelivercustomerservicethatreflectsmyappreciationandprideineverything Hattiloorepresents.
PATRICIA SMITH (Theatre Production Manager) has an extensive resume which includeshermostrecentperformanceasJudgeDunbaronNBC'sBluffCityLaw.She performedinAin'tMisbehavinandAsst.DirectedLadyDayatEmerson'sBarandGrill, bothinMilan,Italy.ShedirectedHattiloo'sBlackNativitywiththeMemphisSymphony Orchestra.Shehasmanycreditsperforming,directing,andcostumingshowshereat Hattiloo Theatre, however, most recently she directed and costumed "Lady Day at Emerson'sBarandGrill"and"MarieandRosetta" Shewaslastseenperformingin "Raisin"themusicalasLenaYounger.
ROSANNA SMITH (Office Manager) a Tennessee native from southwest Memphis, is the eldest of nine children born to Rev. J. W. Smith, Sr., and Lillie B. Smith. She graduated from Mitchell High School in 1967 and attended the University of Tennessee at Martin. Her career began in 1970 as a Reservationist at American Express, followed by a role as an Office Manager at Murphy Oil Company.
Rosanna earned an Associate Degree in Accounting and Data Processing from Memphis School of Commerce in 1973 and worked as an assistant bookkeeper at Goodwill Industries before joining Kroger in 1974. She served as an accounting clerk and office manager at Kroger until her retirement in 2002. After retirement, she worked at Katz Worldwide Logistics and the Shelby County Health Department until late 2013.
In her religious community, Rosanna was an Administrative Assistant and Church Clerk at Tabernacle Missionary Baptist Church for 33 years and held various educational roles at Kimbrough Chapel Missionary Baptist Church in Lamar, Mississippi. She has received numerous awards and certificates for her contributions to Christian education and community service.
JARROD WALKER (Theatre Manager) an imaginative trailblazer, is fueled by an inherent passion for creativity. Jarrod has immersed himself in event coordination, theater direction, and product launches for over two decades Whether orchestrating weddings, plays, or other significant life events, his ability to infuse creativity into every project is the driving force behind his success.
As an accomplished event professional, administrative assistant, and theater director, he is dedicated to crafting unparalleled experiences for his clients and audiences. From providing essential administrative support to executing productions, he has played a pivotal role in turning clients’ dreams into tangible realities. For Jarrod Walker, the possibilities are boundless when creativity takes center stage, and his journey continues to be a testament to the transformative power of artistic innovation.
NAJWA WATSON (Engagement Coordinator) a Memphis native of Jamaican descent, brings over 14 years of administrative expertise to her role at Hattiloo Theatre. Her commitment spans nearly 15 years, reflecting a profound dedication to community and service. Najwa excels in organizing, project support, delivering exceptional customer service, and coordinating special events. Hattiloo is not just her workplace but her second home, where she contributes proudly as a professional, performer, and creative force. With gratitude and honor, she will consistently embody Hattiloo's values through her endeavors.
THANK YOU FOR YOUR GENEROUS SUPPORT
Please email najwa.watson@hattilootheatre.org if your donor info needs to be updated or revised
$50,000+
Community Foundation of Greater Memphis
Hyde Family Foundation
Memphis Tennessee Arts Commission
TN Arts Commission
$25,000+
ArtsZone
FedEx Arts
Kite Foundation
Shubert Foundation
Thomas R. & Ellen M. Prewitt
Chairman's Circle
AIM High
ArtsFirst
ARTSmemphis
Edith Kelly-Green
Jeniam Foundation
Miller Dental Health, Inc.
NIKE, Inc.
Overton Square, LLC
Shelby County Government
Turley Foundation, Inc.
Producer
Bowden Internal Medicine, PLLC
Dr. Marcia Bowden
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Irene Jones
Hohenberg Foundation
Thrive Grant
Becky Wilson
Director
Percy & Regina Baker
Michael Campanaro
Cynthia Daniels
Deep Water Media, LLC.
Gilbert Noble
Commodore & Emma Primous
William & Ann Schultz
Vernon H Stafford, Jr
Clinton Woods
Designer
Alpha Kappa Alpha Sorority, Inc , Phi Lambda
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Jarrod Walker
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Elaine D Taylor
Telesa Taylor
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Maria Todd
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Rorie Trammel
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Lois Williams
Sharon Renee Williams
Janiece Williamson
Alisa Wilson
Gueilar Wilson
Vontyna Winfrey
Joy Yancy
Mae Yancy
Lisa Young
Tonya Young
Ensemble
Sallie A. Boyd
Rita J Cowans
Michael Detroit
Norman Dodson
Cheryl Forbes
Angela Ford
Patricia Haley
Patty Hanna
Patricia Hewitt
Stefanie Johnston
Beulah Kasselberg
Mary Layton
Melvin & Margaret Lee
Morris Lipson
Timika Sholar Mattox
Dorothy Mayse
Methodist EAP Team, in memory of Gwen Goodwin
Lynette Miller
Tina Milstead
Brandi Nicole
Linda Phillips
Karren Porter
Erlie Pruitt
Carol A. Risher
Wayne Risher
Melodye Ruby
Jacqueline Sneed
Dana Stith-Gray
Janet Sutton
Kelvin & Collete Vaughn
Valencia Washington
Harold Williams
Amy Wilson
ON STAGE NEXT
