HARSHITHA S

ARCHITECTURAL PORTFOLIO

HARSHITHA S

I’m Harshitha, dedicatedwith a keen interest in architecture, art and design. Looking forward to gain more experience and exposure as well as improve technical and design knowledge. Main goal is to seek position where my skill set can be completely utilised and improved . I can work as a team in a challenging situations by enhancing my skills and gaining new experiences in conjunction.

E-Mail : harshithasubramanya17@gmail.com

Phone No : +918762149218

DOB : 17.06.2001

Address : #10466, ‘Hridya’,Hightension road Vijayanagar 4th stage, second phase Mysuru, 570017

Nationality : Indian

Languages : Kannada, English, Hindi

Others : Professional Bharatanatya Dancer (Vidwat)

Hobbies : Dance, Music, Movies

EDUCATION

Schooling : Mahajana Public School, Mysuru

Pre - University : Sadvidya Semi-Residential College, Mysuru B.Arch : Wadiyar Center For Architecture, Mysuru

Experience :

InternshipField Atelier, Goa 16 weeks

Freelance - Design of Shop - Residence , Danvangere - Mood board for Gym Interiors

Competation

2016 2016 - 2019 2019 - 2024

CPK Trophy I NASA ANDC Design Trophy I NASA ZONASA Dance Trophy I NASA

I Sem Set Designing II Sem Tiny House III Sem Interpretation center IV Sem Housing - Extended Family V Sem Library VI Sem Alternative School VII Sem Kishkinda Industry - Sustainability VIII Sem Urban Design - Madikeri IX Sem Thesis - Rangamandira Skills Manual Skills Hand Drafting Diagramming Measure Draw Basic Model making Drafting - Software AutoDesk AutoCAD 3D Modeling - Software SktechUp Rhino - Basic Blender - Basic Rendering - Software Enscape for SketchUp V-Ray for SketchUp Adobe Suite Illustartor Photoshop Indesign MS Office Presentation Excel Word Others AutoDesk Sketch Book Procreate Google Earth Andrew Marsh

Design Exposure

CONTENT

The Library Sem V

Alternative School Sem VI

Kishkinda Trust Sem VII

Madikeri - Urban Design Sem VIII

Thesis - Rangamandira Sem IX

Negotiation of spaces

Internship Work Sem X

Measure draw RSP

Competations Year 2022

Miscellaneous Selected work

V Sem - Public Relm

BRIEF -

The intent of the semester is to have an understanding of the human interactive and publicness of a project. This also includes understanding the context in city basis.

The town context chosen, Srirangapattana, is an island surrounded by river Kaveri, having a historical imporatnace and a tourist attraction very closely located to city Mysuru.

The intent of the studio is to create a public library to hold and spread the importance of the town along with being a guide. The design path taken is a precedent study from which inspiration is drawn and is interpreted in own ways.

Location - Srirangapatana, Mandya Site Area - 1,800 sq.m

THE LIBRARY

Faculty - Asso. Prof. R Kiran Kumar

Lobby Cafeteria

Reading Public Reading Study Kids Reading

Relax

ALTERNATIVE SCHOOL

VI Sem - Institutional Relm

BRIEF -

The semester focuses on architectural design of institution scale. The working, organisation, publicness, and the contribution of people to an institution is understood and catered.

The institution considered is an Alternative school in an urban setup following the phylosophical idealogies of Jiddu Krishnamurthy, catering children of age 6-16 years. The school id considered as non-residential and for dayschoolars of the neighborhood with a strength of 40 per class and proportional number teachers.

The school caters for all the interests students, right from dancee, music, art to cooking and baking along with following ICSE syllabus for higher classes. The institution belives in freedom to think, no hierarchy and to live with Faculty - Asst. Prof. Ryan Thomas

Location - Nasik, Maharashtra

Site Area - 8,000 sq.m

Plan at -3.0 M Section

KISHKINDA TRUST

VII Sem - Industrial Relm - Sustainability

Faculty - Prof. Anand Krishnamurthy

BRIEF -

The intent of this semester is to understand the word “sustainability” and its essence when it comes to architecture. This studio’s focus calls an industrial building and will explore three vanables, human comfort, climate responsiveness and resource efficiency.

The intent of the studio is to create a better and unified working condition for woken and also create and platform for new generation to learn and take forward the handycraft The founst attraction to the project should also be considered

Location - Anegundi, Karnataka

Site Area - 10,000 sq.m

THE KISHKINDA TRUST-

Established in 1997 by Shama Pawar, TKT has been empowering the local community of Anegundi through crafts, heritage restoration, upskilling of locals and education in performing arts. They aim to develop a model village that is economically, socially and environmentally sustainable.

MADIKERI - CULTURAL CENTER

VIII Sem - Urban Relm

Faculty - Adj. Prof.

Anand Chalawadi

BRIEF -

The semester focuses on urban structure, design and fabric of a town, Madikeri, a hill town. The students are expected to form a brief and vision for the town of madikeri as part of development agenda or problem solving proposal.

The main ring around the Madikeri fort is considered as the potential sites, group of students work together towards the choosed vision.

VISION

STATEMENT -

‘Unfolding the Theatrical experience of Madikeri town’

There is an entry and there is an exit. The inbetween sets the scene. The focal points narrate their own plot twists and unfolds the theatrical experience of Madikeri .

Embedding visual drama into the focal points of the town, the spectators become the actors. They interpret, they experience, they contemplate and exit. They interpret, they enact and they react.

To ‘SEEN’ & To ‘BE SEEN’

Key pointers -

- Build less - to cater the act of viewing - Clear division of pedestrian - Vehicular - Cycle path -using the topograpghy to create visual connects

Location - Nasik, Maharashtra

Site Area - 8,000 sq.m

SECTION FF’ SCALE - 1 : 200 ROAD - 12.0 M KODAVA SAMAJ ENTRANCE - 12.0 M STAGE - 12.0 M TERRACE - 9.0 M ADMIN - 9.0 M ROOM & TOILET - 12.7 M TERRACE - 9.0 M DINING - 12.85 M COURTYARD - 12.0 M DINING - 6.0 M GALLERY - 9.0 M MULTIPURPOSEROOF PLAN SCALE - 1 : 500 2800

(282 X 428 mm)

Manglore Tile Roof Cladding

mm)

RCC Sloping Roof Slab (200 Concealed Gutter (300 x

250 mm)

Overhang (750 mm) RCC Beam (500 x 230 mm) Stone Coping (40 mm) Exposed Brick masonry (230 mm) Stone Flooring (50 mm) Plinth Beam (150 mm) Rubble Mansonry Retaining Wall (1000 mm)

mm)

Outdoor Stone Paving (50 Retained Earth

+0.15 M -3.0M

PLAZA

TUNNEL

TUNNEL - LANDSCAPE HARSHITHA

S 4CM19AT025

- LEVEL CONNECTION HARSHITHA S 4CM19AT025 RAMP WALKWAY PLAZA RAMP WALKWAY -6.0 M - 3.0 M -6.0 M 2.8 M 0.3 M 1.05 M 1.5 M EDGE CONDITION HARSHITHA S 4CM19AT025 1.5 M ROAD - 18.0 M - 17.0 M STAIRWAY ROAD - 18.0 M LANDSCAPE 2.0 M 1.8 M 1.5 M MULTIPURPOSE 11.85 M LANDSCAPE - 10.0 M WALL SECTION SCALE - 1 : 20 200 500 1050 150 1250 3000 500 50 100 1000 750 1250 3000 22.5 750 250 500

PLAZA PLAZA

WORKING DRAWING

VI Sem - Housing Layout

Faculty - Asso. Prof. Thyagarajan C

The studio looked at the need for clear and accurate drawings that would make execution of work on site easier. The need for well thought of details and skill of representing that through drawings was the objective.

The semester takes up a housing project designed within the semester on a desirable location of site.

- Mysuru, karnataka

drawing

1 3 5 7 8 9 10 44 43 35 34 19 17 20 22 24 25 23 21 32 31 1 4 3 MB DB 6 30 18 13 33 26 4 2 16 28 74 27 29 SB-1 SB-6 SB-2 SB15a SB-3 SB-8 SB-5 SB-4 SB-9 SB-11 SB-13a SB-14 SB-12 SB-17 SB-18 LAN TV G SB-13b FOYER LIVING LAUNDRY TOILET BEDROOM 1 BEDROOM 2 BALCONY X 2X X 2X X X X 2X X X 2X X X X X X X X 2X 2X X X X X 2X X

Location

Site Area - 2,600 sq.m 3100 2700 4420 4420 1820 4120 1920 2000 4920 3100 2700 4620 1720 4190 5620 A B C D E F G H 1 2 3 4 5 6 7 8 9 10 11 I J LIVING ROOM BED ROOM BED ROOM KITCHEN TOILET LAUNDRY UTILITY BALCONY TOILET TOILET TOILET TOILET KITCHEN UTILITY BALCONY BALCONY BED ROOM BED BED ROOM BED ROOM BED ROOM LIVING ROOM LIVING ROOM TOILET LAUNDRY DINING DINING FOYER FOYER FOYER WD II DRAWING TITLE LOCATION STRUCTURAL CONSULTANT DESIGN CONSULTANT CLIENT DATE PROJECT NO SCALE ACCEPTED BY DRAWN BY GENERAL NOTES LEGENDS BY MR. ____________ MR. ____________ MR. ____________ Ph.no. ___________ Ph.no. ___________ Ph.no. ___________ Thyagrajan WCFA Mysuru 1 50 01 14.01.2022 Idukki Kerala KEY PLAN 2700 4620 1720 4190 5620 4420 4420 1820 4120 1920 2000 4920 2700 4620 1720 4190 5620 A B C D E F G H 1 3 4 5 6 8 10 11 12 13 14 1200 1400 1200 1400 1200 1000 1300 1920 1300 1425 1200 1000 1200 1000 900 1600 1000 1200 1200 1000 1200 1400 800 800 800 818,8 1300 1570 1331 3220 7 9 2400 2400 1200 1400 2400 2400 1200 2400 2400 1200 2400 1200 2400 2400 1200 2400 2400 1200 2400 2400 1200 2400 1200 2400 1200 1000 1200 2400 2400 2400 1400 2400 1400 2400 1400 2400 2400 2400 1000 2400 2400 1200 2400 2400 2400 1200 1400 2400 1200 2400 1200 1000 2400 2400 2400 2400 2400 2400 2400 2400 2400 2100 2000 1100 1300 2000 C2 C3 C15 C19 C20 21 C22 C 30 C 31 C 36 33 C 34 35 C 40 C42 F F 1 1 4520 4550 1400 1200 15 1200 1000 1200 1720 TYPICAL FOOTING PLAN T10@125C/C T10@125C/C 4420 4420 1820 4120 1920 2000 4920 1720 4190 5620 A C D E F G H S3 S4 S11 S17 S27 S26 S25 S38 Typical Floor Layout

Excavation Slab - Beam drawing

Electrical Layout

Distribution

Project : ‘Ikya’ Housing Location : Vijayanagar ,

Client : Accepted by : Wadiyar Center for Architecture

All

in MM

Dimensions are

Architects Aishwarya S, Bhavya Shree, Harshitha S, Sanjana S

General Notes : Drawings Listed : NORTH 4620 1720 4190 5620 14 15 DRAWING TITLE : LOCATION : PROJECT TITLE CLIENT : ACCEPTED BY : DRAWN BY GENERAL NOTES CHECKED BY : MR. ____________ Ph.no. ___________ WCFA Mysuru Kalyaninagar, Mysore DATE PROJECT NO SCALE 1 : 50 01 10.06.2022 REV DESCRIPTION DATE 12 13 TOILET TOILET TOILET TOILET KITCHEN KITCHEN UTILITY UTILITY BALCONY BED ROOM BED ROOM BED ROOM BED ROOM LIVING ROOM DINING DINING FOYER 3100 2700 4620 1720 4190 5620 3100 2700 4620 7 10 11 12 One Way slab Two way slab S1 S2 S5 S6 S7 S8 S9 S10 S12 S18 S19 S22 S21 S20 S31 S32 S33 S45 S14 S13 S35 S29 S36 S28 S30 DRAWING TITLE LOCATION STRUCTURAL CONSULTANT DESIGN CONSULTANT CLIENT GROUND FLOOR PLAN ACCEPTED BY DRAWN BY GENERAL NOTES CHECKED BY MR. ____________ MR. ____________ MR. ____________ Ph.no. ___________ Ph.no. ___________ Ph.no. ___________ Harshitha S Sanjana WCFA Mysuru Kalyaninagar, Mysore WD II DATE PROJECT NO SCALE 200 01 20.05.2022 REV DESCRIPTION DATE MB DB LAN TV AC G G SB-1 SB-2 SB-7 SB-8 SB-9 SB-11 SB-10 SB-3 SB-4 SB-5 SB-6 SB-28 SB-27 SB-26 SB-25 SB-24 SB-23 SB-22 SB-20 SB-21 SB-14 SB-15 SB-16 SB-17 SB-18 SB-19 SB-12 SB-13 1 2 3 4 5 6 16 9 8 7 15 10 11 12 13 23 22 21 20 2 1 17 18 24 27 26 25 29 28 30 31 35 34 32 33 63 55 56 57 4 60 59 58 64 62 61 53 54 52 51 50 41 40 45 46 47 3 44 43 42 38 39 37 36 14 19 48 49 FOYER FOYER DINING KITCHEN TOILET BEDROOM 2 TOILET BEDROOM 1 UTILITY BALCONY SB-29 X X X X X X X 2X X X X X 2X 2X X X 4X X X X 4X X 4X X X 2X 2X X X W WM X 2X 2X X 2BHK ELECTRICAL LAYOUT 65 DRAWING TITLE LOCATION PROJECT TITLE CLIENT ACCEPTED BY DRAWN BY GENERAL NOTES CHECKED BY MR. ____________ Ph.no. ___________ SANJANA S WCFA Mysuru Kalyaninagar, Mysore WD II DATE PROJECT NO SCALE 01 10.07.2022 REV DESCRIPTION DATE ELECTRICAL LAYOUT HARSHITHA S Switch board

SB-08 Hieght From FFL. 1350 1350 450 1350 450 450 1350 1050 SB-09 SB-10 SB-11 SB-12 SB-13 SB-14 SB-15 SB-16 450 1350 1350 1350 1350 1050 SB-17 SB-18 SB-19 SB-20 SB-21 SB-22 1350 450 450 1350 1350 1350 SB-23 SB-24 SB-25 SB-26 SB-27 1350 1350 1350 1350 450 1350 Ceiling Fan point01 (2W )-4 (2W)-03 (2W)-03(2w) 2--33 , 34-2BHK ELECTRICAL SCHEDULE 26 17-18 , 25-27 15 19-20 , 21-22-36-38 , 37 43-46 (2W) ELECTRICAL SCHEDULE Ceiling light point 01 (2W) 01 (2W) , 0261 , 62 ,65 56-59 (2W) 55-57 60-62 56-59 (2W)51-53 42-44 , 45-47 43-46 (2W) 30-31 Wall / beam light point 03 16 52 14-50 ,5439 48 23 28 , 29-32 (2W) 24 1 x 5A 1 x 5A 1 x 15A 2 x 5A 2 x 5A 1 x 5A 2 x 5A2 x 15A 2 x 5A 4 x 15A 2 x 5A Plug point Misc. Symbol1 x 5A 2 x 5A 1 x 5A 2 x 5A 2 x 5A TV , LAN SB-XX----GEYSERWATER PURIFIEREXHAUSTCCTV Camera CALL BELL Wall light point Fan point Beam light point Ceiling light point Switch board

point LAN point AC point

point

machine point

point

purifier point

point under sink

bell

Mysuru

SB-01 SB-02 SB-03 SB-04 SB-05 SB-06 SB-07

Television

Telephone

Washing

Geyser

Water

Crusher

Door

box Meter board

Light

LEGEND2 x 5A - 3 x 5A - 4-7 , 5-8 , 6-9 -63 , 64 AC - 2 x 5A - 2 x 5A 4 (2W)GEYSER--- 40 ,41CHANDELIER 2 x 15A 2 x 5A 1350 2 x 15A 2 x 5A SB-28 SB-29 1350 - 10-12 , 11 - 1 x 5A 1350- 32 (2W) 1 x 15A 2 x 5A WASHING MACHINE 01 (2W )1 x 5A 1 x 15A 1 x 5A A housing complex on a site of 2,600 square meter in area, rising to a height of 16 m with G+1 frame structure. It consists of units with one to three bhk houses, with four units per floor with centeral service core and an underground parking lot. - Typical Floor layout - Excavation drawing - Slab - Beam layout - Electrical layout of a unit - Electrical schedule WD II PARK SITE (62 42 M) Site Context drawing

Chandelier

Description

Electrical

Schedule

H LVL -3000 mm LVL +3300 mm LVL +6400 mm LVL +9600 mm LVL +12780 mm LVL +150 mm BALCONY LVL +13830 mm BALCONY BALCONY BALCONY H BASEMENT GROUND FLOOR FIRST FLOOR SECOND FLOOR THIRD FLOOR TERRACE 2950 200 2950 200 2950 200 2950 200 2950 200 1000 175 1675 1500 900 150 2075 2950 2075 2950 2075 2950 2075 2950 2950 150MM RCC SLAB COMPACT EARTH VDF FLOORING 50 MM 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB 50 MM WATER PROOFING 12.5 MM THICK PLASTER COPING STONE (50 X 175 MM ) 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 125 56 25 12 100 12 COPING STONE PLASTER 12.5 MM PARAPET WALL GROOVE 75 FLASHING 200 12.5 12.5 225 50 20 150 600 450 100 7 33 200 MM CONCRETE BLOCK MASONRY 12.5 MM THICK PLASTER 100 MM SKIRTING TITLE GRANITE TILE 600 X 600 X 20 MM) SLATE TILE FLOORING (300 X 300 X 7 MM) CEMENT BED 15 MM RCC SLAB BEAM (200 X 600 MM) 200 MM CONCRETE BLOCK MASONRY 100 125 888 775 450 203 7 33 150 BEAM (200 X 600 MM) SLATE TILE FLOORING (300 X 300 X 7 MM) 100 MM BRICK JAALI WALL BALCONY BALCONY BEDROOM EXTERIOR WALL SECTION DETAIL 2 - WALL SLAB JUNCTION DETAIL 1 - PARAPET COPING 10 MM TILE DROP 1 3 2 CEMENT BED 150MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB H LVL -3000 mm LVL +3300 mm LVL +6400 mm LVL +9600 mm LVL +12780 mm LVL +150 mm BALCONY LVL +13830 mm BALCONY BALCONY BALCONY H BASEMENT GROUND FLOOR FIRST FLOOR SECOND FLOOR THIRD FLOOR TERRACE 2950 200 2950 200 2950 200 2950 200 2950 200 1000 175 1675 1500 900 150 2075 2950 2075 2950 2075 2950 2075 2950 2950 150MM RCC SLAB COMPACT EARTH VDF FLOORING 50 MM 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB 50 MM WATER PROOFING 12.5 MM THICK PLASTER COPING STONE (50 X 175 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 125 56 25 12 100 12 COPING STONE PLASTER 12.5 MM PARAPET WALL GROOVE 75 FLASHING 200 12.5 12.5 225 50 20 150 600 450 100 7 33 200 MM CONCRETE BLOCK MASONRY 12.5 MM THICK PLASTER 100 MM SKIRTING TITLE GRANITE TILE ( 600 X 600 X 20 MM) SLATE TILE FLOORING (300 X 300 X 7 MM) CEMENT BED 15 MM RCC SLAB BEAM (200 X 600 MM) 200 MM CONCRETE BLOCK MASONRY 100 125 122 203 7 33 150 SLATE TILE FLOORING (300 X 300 X 7 MM) 100 MM BRICK JAALI WALL BALCONY BALCONY BEDROOM EXTERIOR WALL SECTION DETAIL 2 - WALL SLAB JUNCTION DETAIL 1 - PARAPET COPING 10 MM TILE DROP 1 3 2 CEMENT BED BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB DRAWING TITLE LOCATION : PROJECT TITLE CLIENT ACCEPTED BY : DRAWN BY CHECKED BY : MR. ____________ Ph.no. ___________ HARSHITHA S WCFA Mysuru Kalyaninagar, Mysore WD II DATE PROJECT NO SCALE 01 10.07.2022 REV DESCRIPTION DATE WALL SECTION HOUSING FOR TECHIES, MYSORE AISHWARYA S LVL -3000 mm LVL +3300 mm LVL +6400 mm LVL +9600 mm LVL +12780 mm LVL +150 mm BALCONY BALCONY BALCONY BALCONY H BASEMENT GROUND FLOOR FIRST FLOOR SECOND FLOOR THIRD FLOOR TERRACE 2950 200 2950 200 2950 200 2950 200 2950 200 1000 1675 1500 900 150 2075 2950 2075 2950 2075 2950 2075 2950 2950 150MM RCC SLAB COMPACT EARTH VDF FLOORING 50 MM 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 150 MM RCC SLAB GRANITE TILE FLOORING 12.5 MM THICK PLASTER 50 MM WATER PROOFING 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 100 MM BRICK JAALI WALL FLOORING 50 MM 200 12.5 12.5 225 50 20 150 600 450 100 GRANITE TILE 600 X 600 X 20 MM) 100 125 888 122 450 203 BALCONY BEDROOM

WALL SECTION DETAIL 3 - BALCONY RAILING DETAIL 2 - WALL SLAB DETAIL 1 - PARAPET 3 2 BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB BEAM (200 X 600 MM) 150 MM RCC SLAB A B C D E F G 2520 4420 1820 4120 1920 1900 BASEMENT TERRACE COMMON AREA STAIRCASE PORTICO 3150 3150 3150 3150 TOILET COMMON AREA STAIRCASE PORTICO FOYER COMMON AREA STAIRCASE PORTICO TOILET COMMON AREA STAIRCASE ENTRANCE FOYER A B C D E F G 18763 15763 3512 29545 35000 1963 1050 3100 D1 W2 W2 W2 D3 D3 D3 D3 W1

Section AA’

EXTERIOR

Exterior Wall Section

All Dimensions are in MM

Accepted

Center for Architecture General Notes : Drawings Listed : NORTH - Exterior Wall section - Sectional Detail - Sections GENERAL NOTES : 7 33 200 MM CONCRETE BLOCK MASONRY 12.5 MM THICK PLASTER 100 MM SKIRTING TITLE SLATE TILE FLOORING (300 X 300 X 7 MM) CEMENT BED 15 MM RCC SLAB BEAM (200 X 600 MM) 200 MM CONCRETE BLOCK MASONRY 775 BEAM (200 X 600 MM) SLATE TILE FLOORING (300 X 300 X 7 MM) 100 MM BRICK JAALI WALL BALCONY RAILING JUNCTION COPING 10 MM TILE DROP CEMENT BED 150MM RCC SLAB DRAWN BY : GENERAL NOTES HARSHITHA S REV DESCRIPTION DATE LVL -3000 mm LVL +150 mm BASEMENT GROUND FLOOR 100 MM BRICK JAALI WALL FLOORING 50 MM 125 888 122 775 450 203 BEAM (200 X 600 MM) SLATE TILE FLOORING (300 X 300 X 7 MM) 100 MM BRICK JAALI WALL BALCONY SECTION DETAIL 3 - BALCONY RAILING CEMENT BED 150MM RCC SLAB DRAWING TITLE LOCATION : PROJECT TITLE CLIENT ACCEPTED BY DRAWN BY GENERAL NOTES : CHECKED BY : MR. ____________ Ph.no. ___________ AISHWARYA S WCFA Mysuru Kalyaninagar, Mysore WD II DATE PROJECT NO SCALE 01 10.07.2022 REV DESCRIPTION DATE KEY PLAN SECTION H 6820 LVL -3000 mm LVL +3300 mm LVL +6400 mm LVL +9600 mm LVL +12780 mm LVL +150 mm BALCONY LVL +13830 mm BEDROOM BALCONY BALCONY BEDROOM BALCONY HARSHITHA S H 2420 LVL +15730 mm BASEMENT GROUND FLOOR FIRST FLOOR SECOND FLOOR THIRD FLOOR TERRACE 1 2 4 7 9 12 BEDROOM BEDROOM BEDROOM BALCONY TOILET COMMON AREA COMMON AREA BEDROOM BEDROOM BEDROOM BALCONY TOILET COMMON AREA COMMON AREA BEDROOM BEDROOM BEDROOM BALCONY TOILET COMMON AREA COMMON AREA BEDROOM BEDROOM BEDROOM BALCONY TOILET COMMON AREA COMMON AREA LIFT SHAFT 2300 5620 6000 9200 2400 9120 48500 3150 3000 3000 3000 3000 3000 18900 1 2 4 7 9 12 PROJECT TITLE CLIENT : ACCEPTED BY : DRAWN BY : GENERAL NOTES : CHECKED BY : MR. ____________ Ph.no. ___________ AISHWARYA S WCFA Mysuru REV DESCRIPTION DATE KEY PLAN H 6820 LVL +3300 mm LVL +6400 mm LVL +9600 mm LVL +12780 mm LVL +150 mm BEDROOM BALCONY LVL +13830 mm BEDROOM BALCONY BEDROOM BALCONY BEDROOM BALCONY HARSHITHA S 2420 LVL +15730 mm GROUND FLOOR FIRST FLOOR SECOND FLOOR THIRD FLOOR TERRACE Section BB’

Architects : Aishwarya S, Bhavya Shree, Harshitha S, Sanjana S Project : ‘Ikya’ Housing

Location : Vijayanagar ,

Mysuru

Client :

by : Wadiyar

LVL +3300 mm LVL +6400 mm LVL +9600 mm LVL +12780 mm LVL +150 mm 3500 1000 650 4620 1050 1000 1500 4620 1500 2920 1830 7860 1800 5120 1000 1500 650 1000 11055 1830 +0.0 M +0.0 M +0.0 M +5.0 M +5.0 M +5.0 M +5.0 M +5.0 M +0.0 M +0.0 +10.5 M +10.5 M +9.2 M +10.5 M +10.5 M +10.5 M +10.5 M +10.5 +10.5 M +16.15 M +18.55 M +18.55 M +18.55 M +18.55 M +18.55 M +16.15 M +16.15 M BRICK JAALI DARK GRAY LIGHT GRAY METAL RAILING 1000 650 1500 1500 1650 1650 1500 29520 9040 1650 1650 1650 1500 1500 1500 1500 LEGEND GROUND FLOOR DRAWING TITLE LOCATION : PROJECT TITLE CLIENT : ACCEPTED BY : DRAWN BY CHECKED BY MR. ____________ Ph.no. ___________ HARSHITHA S WCFA Mysuru Kalyaninagar, Mysore WD II DATE PROJECT NO SCALE 01 08.07.2022 REV DESCRIPTION DATE WEST ELEVATION KEY PLAN FIRST FLOOR SECOND FLOOR THIRD FLOOR TERRACE WEST ELEVATION 15900 BHAVYA SHREE 200 200 2130 2680 2500 2080 350 300 2683 252 2512 500 377 1670 55 55 100 200 40 340 150 WD II DRAWING TITLE LOCATION STRUCTURAL CONSULTANT DESIGN CONSULTANT CLIENT DATE PROJECT NO SCALE ACCEPTED BY DRAWN BY GENERAL NOTES LEGENDS CHECKED BY MR. ____________ MR. ____________ MR. ____________ Ph.no. ___________ Ph.no. ___________ Ph.no. ___________ WCFA Mysuru 01 14.01.2022 Idukki Kerala KEY PLAN : 100 2400 2080 1580 3000 1580 3000 100 C 38 C 26 C 31 C 32 C 27 C 33 C 34 1780 4480 3000 1780 1780 1780 340 1580 100 100 40 55 FRAMING LAYOUT - 01 FRAMING LAYOUT - 02 SLAB LAYOUT BEAM - A BEAM B BEAM - C BEAM D 340 1780 1780 1580 KEY PLAN SECTION DETAIL AT A C 38 C 26 C 31 C 32 C 27 C 33 C 38 C 26 C 31 C 32 C 33 DETAIL AT B DETAIL AT C DETAIL AT D DETAIL AT E DETAIL AT F DETAIL AT A BEAM - E BEAM - F BEAM - A BEAM - B BEAM - C BEAM - D BEAM - E BEAM - F STEPS RECTANGLE SECTION OF 200X100 (THY- 10 MM) RECTANGLE SECTION OF 200X100 (THY- 10 MM) RECTANGLE SECTION OF 200X100 (THY- 10 MM) L SECTION OF 55X55 (THY- 5 MM) 4035 STEEL SECTIONS DETAIL B DETAIL - E DETAIL - C DETAIL - D DETAIL F BHAVYASHREE. R L STEEL SECTION 55X55MM (THY- 5MM) STEEL MESH RECTANGLE SECTION OF 200X100 (THY- 10) CONCRETE SLAB (THY- 50MM) BASE PLATE BOLTING WELDING WELDING WELDING BOLTING WELDING BOLTING INTERIOR ELEVATION PLAN INSIDE OUTSIDE WINDOW W2 SHUTTER 57 X' X 1500 433 50 434 50 433 1400 1350 1250 1150 200 25 50 433 50 50 433 1500 100 50 50 36 7 7 5 10 57 75 25 100 MULLION CLEAR GLASS MM 57 X 25 MM MULLION DETAIL DRAWING TITLE LOCATION PROJECT TITLE CLIENT ACCEPTED BY DRAWN BY CHECKED BY MR. ____________ Ph.no. ___________ SANJANA S WCFA Mysuru Kalyaninagar, Mysore WD II DATE PROJECT NO SCALE 01 10.07.2022 REV DESCRIPTION DATE WINDOW DETIAL HARSHITHA S EXTERIOR ELEVATION PLAN INSIDE OUTSIDE 1200 1000 1265 2133 2100 1917 300 1570 82.5 200 MM DOOR SHUTTER DOOR HANDLE PEEP HOLE 1000 1200 225 225 MAIN FRAME DOOR D1 West Elevation Staircase Detail Window Detail Door Detail

Client : Accepted by : Wadiyar Center for Architecture

All Dimensions are in MM

Architects Aishwarya S, Bhavya Shree, Harshitha S, Sanjana S Project ‘Ikya’ Housing Location Vijayanagar , Mysuru

General Notes : Drawings Listed

- West Elevation - Stairway detail - Window Detail - Door Detail - Toilet Plan & Elevations - Kitchen Layout - Kitchen Cabinet detail SECTION AT XX' INSIDE OUTSIDE MAIN FRAME DETAIL SHUTTER FRAME DETAIL 1350 1250 200 CLEAR GLASS SHUTTER FRAME 50 25 MM 25 50 57 30 35 15 75 25 9 5 CLEAR GLASS 57 X 25 MM WOODEN BEADING 30 5 MM MASONRY WALL SHUTTER FRAME MATERIAL FRAME ROSE WOOD (100 MM BLOCK) CLEAR GLASS 5 MM SECTION AT XX' INSIDE OUTSIDE 3000 1917 300 2100 900 150 DETAIL MAIN FRAME DETAIL Toilet Plan Elevation D Elevation C Elevation A Elevation B Kitchen Floor Plan Kitchen Cabinet Detail

: NORTH

Undergraduate Thesis

IX Sem - Art & Architecture

Guide - Adj. Prof. Madhuri Rao

ABSTRACT -

Starting point of this thesis, is with the understanding of ‘Architecture is a form of performing arts’. The thesis intends to explore the act of negotiation through architectural, programmatical and spatial aspect. To develop and sustain a symbiotic relation between two contrasting approach of an art institution.

The thesis, explores architecture as a tool of storytelling through program, space and material. The publicness of a building is understood and a new perspective is evolved. The thesis deals with a private creative intuition ‘Rangayana’ and a government performing center ‘Karnataka Kalamandira’, situated in heritage city Mysuru known for its rich history of performing arts like theatre and dance.

Location - Mysuru, karnataka Site Area - 28,330 sq.m

PREMISE -

The buildings and the user together create an almost kinetic experience; a symphony of planes, openings, moldings, accents, textures, light, sound, and views. Isn’t that art itself? Artist that reside within Architects create space that not only serves a purpose but exists to communicate an idea or evoke a feeling.

Both Architecture and performing arts are a medium expression. Where architecture expresses itself through built forms, structure and volume, performing arts utilizes parts of body as the medium of expression.

In the end both are form of art which changes with time and both have a spatial quality in them. Both are experienced by human, with some being the part of the act as performers, some as a mere spectators.

We have been taught that the word "architect" comes from the Greek and means "master builder". But perhaps it is not that simple. The term "architect" also occurs in Greek drama, where it describes someone who leads others in ordering actions.

Architects today still largely see themselves as the profession was defined in the 19th century. But architecture is not about producing images. It is a performing art.

- Alberto Pérez-Gómez

- Architecture, a Performing Art Two Analogical Reflections

Architecture being a form of art, is a way of expression or storytelling using, space as the medium. It is very similar to another form of art (performing art) – Theatre or Drama. Analyzing the inter-dependency of the forms of art and the relation it builds between a person (performer) and his/her surrounding is the basis for the thesis.

The intent is to redevelop and open up the ‘home ground’ of theatre, Rangayana to theatre enthusiastic and common public. And to negotiate the influence of a Government institute on a creative art organization.

Intent -

- Revive the importance of theatre culture through Rangayana in Mysuru

- Use of architecture as a tool of storytelling

- Enhance or bring in a symbiotic relation between Kalamandira and Rangayana

- Open up the theatrical experience to public

- Exploring the relation between audience and performer

Mysuru

Mysuru ,’Heritage city of Karnataka’ is also known for its encouragement for many art forms like dance, ivory inlay, bamboo art work, sandalwood carving and many more.

One of which is drama theatre. Theatre culture in Mysuru was catered from the ages of Wadiyar kings and now the initiation is taken up by Government and other private repertories and theatre artists.

Issues -

- ‘Tucked - in’ Rangayana

- Dominating Govt building - Kalamandira over an creative organization

- Diminishing art form

- Lack of infrastructure

- Foreground landscape is becoming a dead space

Architectural Propostion -

- Exploring the idea of ‘Architecture’ as a medium of storytelling either through circulation, narrative, materiality or through programmatical and spatial sequencing.

- Publicness of a building is explored and is determined through spatial quality rather than just the treatment of the facade.

- Relationship between a performer and his/ her audience. Idea of a performance space is explored.

‘Karnataka Kalamandira’, a performing art center owned by the government, stands as the testimony for Mysuru being the breeding ground of performing arts. Kalamandira has become a landmark and also a core memory for all the artists, art enthusiastic and Local.

Yet, being the identity of performing arts of Mysuru, it has not continued to be relevant with time. It follows the old traditional approach of a public space with colonial elemental façade, monumental scale of mass, dead landscape foreground, maintaining its hierarchy from the rest of the public.

Statement - Intent

Exsisting Programs -

Calender of Events -

Hunsur Road Vinoba Road Walkway Railway line Baden Powel School Kukkerhalli Lake

View from Parking Lot View from Entry point View from Entry Plaza

View of Landscape during Events View of Landscape during Events View of Landscape during Events

Residence Corridor AV Room Workshop Library Library

Courtyard Corridor Road Pedestrian Pedestrian Public Plaza Lobby Entry Plaza Road Pedestrian Pedestrian Parking Lobby Public Plaza

Kalamandira

CC’

DD’ Scale - 1 : 200 Scale - 1 : 200 Scale - 1 : 200 Scale - 1 : 200

Kirurangamandira

Sec�on AA’ Sec�on BB’ Sec�on

Sec�on

Graphical Scale 0 M 5 M 15 M 25 M 50 M Public Plaza Road Pedestrian Pedestrian Railway line Public Plaza Road Pedestrian Pedestrian Railway line Library Art Workshop Public Plaza Bund Towards Lake Kalamandira Admin Theatre Studio Bund Towards Lake AV Room -3.0 M 0.0 M +4.5 M +9.0 M -3.0 M 0.0 M +4.5 M +9.0 M +13.5 M +7.5 M -3.0 M +1.5 M +4.5 M +9.0 M +13.5 M -3.0 M +0.5 M +3.5 M +9.0 M +13.5 M

16 weeks - Field Atelier, Goa

Prin. Architects - Teja Anmolkar & Yatin Fulari

ABOUT -

FIELD ATELIER is an architectural practice established in 2015 by Yatin Fulari and Teja Amonkar. The studio is based in Panaji, Goa.

Internship

SB 1A SB 2C SB 2B SB 2A SB 3C S A B B SB 3A SB B SB C SB 4D SB 5A SB 5C S 5B

Drainange scheme Siolim residence - Staff Block - Plumbling & Electrical drawings Siolim residence - Door Detail Siolim Masonry Plan Roof Plan Sections Siolim residence - Staff Block - Plan & Roof Sections Siolim residence - Door Detail Nachinola residence - Door Detail

Neel Residence - Electrical Layout

SB 3B SB 3A SB C SB 4D SB 4E SB 4A SB 4F SB 4C SB 4B SB 3C SB 6A SB 6C SB5A SB 5B SB 5C SB 5D SB 5E SB 6B SB 6D SB 7A SB 7B SB 7C SB 7D SB 7E

Nachinola - Window Render Iterations CORJUEM - Swimming Pool SurfaceTile typeNo. of tiles5% wastage TotalTileSurfaceArea5% Wastage Option - 01 StepsTrim-CV18110 191 RegularRisers0.740.037 0.777 RegularTile5x5cm Curve edge stairs Trim-CX855 90 Treads0.90.045 0.945 Covecorner-CV101 11 Wall1.720.086 1.806 WideCorner-CV81 9 Total 3.528 Sq.M WideCorner-CX21 3 WalledgeTrim-CV523 55 Code:413-V1 Option - 02 StepsBullnose905 95 RegularRisers1.110.0555 1.1655 Bullnose edge stairs Treads1.10.055 1.155 Trim-CV4x5cmTrim Wall1.960.098 2.058 Total 4.3785 Sq.M Option - 01 SeatingTrim-CV955 100 RegularWall1.40.07 1.47 Curve edge Seating Trim-CX754 79 Base1.380.069 1.449 Covecorner-CV21 3 Total 2.919 Sq.M WideCorner-CV21 3 Code:413-V1 Option - 02 SeatingBullnose614 65 RegularWall1.650.0825 1.7325 WideCorner-CV-4cmWide Bullnose edge Seating Base1.540.077 1.617 Total 3.3495 Sq.M Option - 01 BaseTrim-CV57629 605 RegularBase43.852.1925 46.043 Pool with curved edge CoveCorner-CV41 5 Wall39.261.963 41.223 WallTrim-CV1206 126 Total 87.266 Sq.MCode:413-V1 Option - 02 RegularBase452.25 47.25 CoveCorner-4cm Pool without curved edge Wall43.692.1845 45.875 Total 93.125 Sq.M Total Tile Type Corjeum - Swiming pool - Tile BOQ

Bullnose-5x5cm Code:413-V1 cmTrim-CX-4x5cm Code:413-V1 4cmWideCorner-CX-4cm Code:413-V1 Code:413-V1 Type

Corjeum - Plumbling layout Corjeum - Plumbling layout - Site

Measure Draw

RSP- in between semester

ABOUT -

The intent of this exercise is to help students to relook and access thier drafting skills, post lockdown. This is a exercise conducted inbetween semester break, to give the students on site experience of measuring and drawing.

The selcted project is a hundred years old residential building owned by the ancestral royal family. It is a house in a site area about 100 square meter, in city center. The house contains four bedrooms with a living area, kitchen and a dining area. The house also has a dense garden in front with variety of plant species, out which is a huge Margosa tree, hence the house getting the name ‘MARGOSA HOUSE’.

The architectural elements are captured in the drawings on site. Different drawing styles are also introduced, on order to improve the speed and technique of hand drawing.

The excerise mainly focuses on the on site skills that an architect has to have, which unfortunately was missed out due to no related program study for the batch during covid time.

Faculty - Asst. Prof. Pallavi Dhomse Location - Krishnaraja Boulevard, Mysuru Site Area - 100 sq.m

CP Kukreja Design Trophy

NASA Competation Entry - 2022

Group of 3

BRIEF -

NASA Competation Entry

Group of 3

While we commemorate the glorious history and culture of India and celebrate 75 years of the country’s independence, NASA reaches the same time stamp in a decade. Since its independence, India has gone through tremendous change that has contributed to the world culturally, academically and technologically. As one of the most youthful nations, India continues to aim for positive change and with that spirit, contribute your proposals to suggest how you would celebrate this spirit through design. Our ways of adapting to current world issues can be shown and decoded through design. Proposing an installation at a location that celebrates a building/ public space of cultural or historical significance while also keeping in mind the present day urban issues of the area that would need fixing. To represent a new Indian community that is well connected and contributes to a vision of a brighter tomorrow.

BRIEF -

DESIGN BRIEF

Take your pick at an edifice or public space of pivotal importance and suggest how a design intervention can help encourage public interaction and conversations. The design must limit itself to a maximum of 75 feet (23 meters) in height, length and breadth.

DESIGN BRIEF

The Last Square

The intervention

Mumbai, Maharashtra, India

The Gateway during the monument of King George on their visit The Gateway Apollo Bunder Marg in South After its construction symbolic ceremonial colonial personnel. the last British of the Somerset Gateway with on 28 February and hence The monument Mahal of Mumbai, attraction. locals, street services. The the Taj Mahal in 1903. In the monument, the Maratha the Mughal the 17th century. gateway is monk who introduction as Vedanta

References :

History

Tretyakov

Gallery Pavilion, Russia

Gateway of India is an arch monument built 20th century in Bombay, India. The was erected to commemorate the landing George V and Queen Mary at Apollo Bunder visit to India in 1911.

Gateway of India is located on the waterfront at Bunder area at the end of Chhatrapati Shivaji South Mumbai and overlooks the Arabian Sea. construction the Gateway was used as a ceremonial entrance to India for important personnel. Following Indian independence, British troops to leave India, the First Battalion Somerset Light Infantry, passed through the with a 21-gun salute, as part of a ceremony February 1948, signaling the end of the British Raj the name “The Last Square”.

monument has also been referred to as the Taj Mumbai, and is the city’s top tourist

The gateway is also a gathering spot for street vendors, and photographers soliciting The Gateway stands at an angle, opposite to Mahal Palace and Tower Hotel, which was built the grounds of the gateway, opposite the monument, stands the statue of Shivaji, Maratha warrior-hero who fought against Mughal Empire to establish the Maratha Empire in century. The other statue in the locality of the that of Swami Vivekananda,[an Indian is credited as a key figure in the introduction of Indian philosophies such Vedanta and Yoga to the west.

Concept Views

The area in front of the Gateway is now used as a loose space for gathering. The main idea of the design is to centralize and give a shape to the functions happening around.

The form is based on a Rubik’s cube, with movable panels and an outer frame (each unit 2 x 2 x 2 m).

Keeping it light, tectonic and dynamic in contrast to the bulky, predominant monument in front.

The height of the design is purposefully limited to 4m so that the visual connection with the gateway is maintained.

Since it is a very happening and functional space used by all kinds of people, the movable panels involves users in forming spaces. Some of the surrounding petty shops can also be tucked in the intervention creating more chances for human interaction.

These panels are of 3 types a) opaque, b) translucent, c) porous signifying the British time, fight for struggle and the after independence. The panels running on the grooves could be moved by the public, as well as signifying the struggle for freedom.

It’s about their efforts. Smaller panels of nine grids are used as puzzles in the interior part of the design, solving which gives a images of any freedom fighters or moments of history. A seating and clear view towards the Gate way is given from interior.

The roof panels given on the top act as rain shelters whereas the higher grid act as shade from harsh sun.

The steel frame is illuminated with strip lights during nights.

with giving a dynamic effect to the space

Entire form works similar to as a Rubik's cube

2 x 2 x M cube as basic unit.

65CPK-70 History & Significance

Night View – strip lighting The colorful light fabric, gain attention of the user group along The cubical enclosure The flexible seating by the use of elements like steel frame and hammock

ANDC Design Trophy

NASA Competation Entry - 2022

BRIEF -

The assignment aims to target a zone (building to street level) which has high significance in society/ community. Places lost in time, places lost to ‘Development’, places lost from our daily lives, these are the ones which need us promptly. These places are not always neglected, but need solutions which are tailored for it and is integrated and grounded to the local context. The fine line between seeing a hawker and seeing an encroacher in the same people, place and time is what delineates the virtue missing in coeval day and age.

The solution to be offered has to be complete in inferring through time, eliminating the deficiency of today and also to deliver in future by understanding the transformations at a holistic level. Delineating the identified zones, identification and earmarking the scope for Architectural Intervention, contextual selection of appropriate materials, techniques and knowledge systems will also be an integral part of an important part of the overall solution.

The size of the site, identified core zone to be limited to 2.0 (Two) acres (± 20%), however the impact zone can extend beyond the identified core zone. The students can conduct the study first hand (refer annexure for data collection formats) and can take reference from secondary resources, acts, schemes, policies and schemes.

CONSIDERED SITE

NATURE OF SITE

The site is long linear path held between main road and fascade

MAJOR ROADS

Roads connect to a major around about KR circle and also the city bus stand.

DESIGN

Break down the linear site with grid lines extended from the fascade for zoning

LOCATION - Lansdowne Building, Mysuru City Group of 6 Embracing the fascade of Lansdowne builidng

RESTORED Proposed FOOD REPLACEMENT ORNAMENTATION

POSSIBILITIES

Proposed Design

BOUNDARY BETWEEN FOOTHPATH AND THE SITE RESTORED UNIT

COURT

REPLACEMENT OF PURLINS RAILING DETAIL ORNAMENTATION

ARCHIEVE BUILDING

Sem III GROUND FLOOR PLAN 10 5 3 0 GRAPH CAL SCALE N KALA GARMENT ARCH TECTURAL DRAWING GROUND FLOOR GARMENT SHOP PROJECTDRAWINGSHEET TITLE - SHEET NO.DATE01/04 01 09 2023 REMAR SREV ON - 01 - 01 9 23 FIRST FLOOR PLAN KALA GARMENT ARCH TECTURAL DRAW NG FIRST FLOOR RESIDENCE PROJECTDRAW NGSHEET T TLE - SHEET NO.DATE - 01 UP LIVING HALL LANDING UTILITY LANDING UP SKYLIGHT TOILET BEDROOM 1 SECOND FLOOR PLAN 06"1'3' 5' 10' GRAPHICAL SCALE TOILET 55' 6'-9" 1' 9' 7'-11" 2'-5" 2'-6" 2'-6" 2' 2'-8" 6'-10" 1'-6" 4'-6" 2'-9" 2' 2' 5'-6" 5' 9' 4'-7" 2'-3" 4'-7" 3' 7'-11" 8'-4" 3' 2' KALA GARMENT ARCHITECTURAL DRAWING SECOND FLOOR _ RESIDENCE PROJECT DRAWING SHEET TITLE - SHEET NO.DATE03/04 01.09.2023 REMARKS REVISION 01 01.09.23 Freelance Work - Davangere Garment & Residence

0 6 GRA N 02/04 09 2023 M V ON - 0 - 1 9 23 N

Bamboo Workshop - Hands On Freelance - Gym Interior Mood Board Freelance - Illustrations UD Poster - Jane Jacobs

HARSHITHA S

8762149218

harshithasubramanya17@gmail.com +91