Portfolio | 15'-20' by HALİL İBRAHİM ZEYTİNCİ

15’ - 20’

P O R T F O L I O Halil İbrahim Zeytinci

curriculum vitae

experiences 2020

Workshop of Karagümrük Participant of workshop with students of Karagümrük Primary School, Creatures and Their Habitats

2019

Ytong Archıtectural Idea Competition Participant with Sıla Avar and İsmail Sarı, Plan B: Akıntıya Karşı Bir Mimarlık Okulu

2019

Diorama Workshop | Maria Jose Marcos Participant of workshop with Collective Imaginations Studio, Institute of Everyday Life

2019

Mimed Student School Project Prizes Participant with 2 projects in 2nd year category

2019

Geoçözüm Zemin Araştırmaları ve Çözümleri Ltd. Şti. Internship in building site Contemporary Istanbul | Aydın Hasan Polatkan Workshop and exhibiton participant, Reinterpreting of ‘La jetée’| ‘subconscious’

HALİL İBRAHİM ZEYTİNCİ 25.08.1997, İzmir contact| hibrahim.zeytinci@gmail.com zeytinci15@itu.edu.tr +905542440981

2017

15’ - 19’

languages Turkish English Italian

native upper-intermediate beginner

education Istanbul Techical University Departmen ofArchitecture GPA: 3,29 2015İzmir Kız High School High School 2011-2015

2017

9. Fotoğraf Buluşmaları Organization team, denemeler, yanılsamalar “merak dürtüsü nasıl biçimlenir?”

2016

8. Fotoğraf Buluşmaları Organization team, [özbellek]

2015- ITU Photograph Community 2017

Board membership

dijital skills skills | interests Collage works Sketching Free hand drawing Analog photography Mapping

AutoCAD Rhinoceros SketchUp Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Premiere Microsoft Office Brackets

table of contents

3 7

1 İstanbul | mapping of project areas

table of contents 15’ - 20’

architectural projects

fall 20’

Construction Project | Housing for A Family

2-5

spring 20’

Projects on Happiness | Water Democracy

6 - 25

fall 19’

Public Spaces in Everyday Life | E[ko]operatif

26 -31

fall 19’

Trials of Microstucture : Gülhane 19.5

32 - 35

spring 19’

Institute of Everyday Life | Time-out Institute, Yenikapı Excavation Collective Imaginations Studio,

36 - 41

Ceci n’est pas une toilette | non-Toilet, Collective Imaginations Studio,

42 - 45

Yeşilköy. Haliç.

Bomonti.

Gülhane Park.

Yenikapı.

spring 19’

Taksim Square.

fall 18’

Peacing Stories | Roads - inn, Yolgeçen Hanı, Collective Imaginations Studio,

46 - 49

Tarlabaşı.

other works

fall 18’

‘Other Worlds’ Lecture | immortalityisreality

50 - 51

spring 19’

‘Free Hand Drawing in Architecture’ Lecture Deviant Drawing

52 - 53

fall 20’

‘Topographical Practises’ Lecture Narrative Generating Signs

54 - 55

Dwelling by the Sea in Yeşilköy| Housing for a Family

Construction Project Prof. Dr. Leyla Tanaçan, Res. Asst. Rukiye Tüter

fall 20’

While designing the building, the prevailing wind direction and insolation conditions of the region were taken into consideration. Using the shadows of the adjacent buildings, an atirum for the ground floor and a wide terrace for the first floor are planned. The use of greenery in the building has been envisaged by making use of the flora of the region. For this, an atrium that allows the flora in the garden to enter and provides natural ventilation has been planned on the ground floor. By using the dominant wind direction, a plan scheme was created to ensure natural air flow between the north and south sides. While one axis of the ground floor is planned as a service corridor, the other axles are planned as fluid spaces that provide air flow. In order to ensure privacy, the rooms of the living users are located on the upper level. The area planned as a modelling and painting atelier was defined by a large terrace on the upper floor. SCENARIO Family of 4: painter mother, The father who produces models, Two children, 12 and 18 years old + nature-human relation + landscape element + production item

Basement Floor

Housing for a Family

fall 20’

Ground Floor

1st Floor

The atrium emphasized in building planning was also associated with the kitchen and the staircase. A transparent facade has been created between the kitchen and the atrium. Light and natural ventilation can also be provided from this section. With only one design in the kitchen, large working areas were designed and it was aimed to establish a relationship with the atrium.

The staircase is also planned to give a facade to the atrium. In this way, it is predicted that the staircase will create a better atmosphere by getting light from a bright surface. In addition, the stairwell, which receives light from the atrium, creates a natural ventilation and light source for the basement.

fall 20’

In the entrance system, a veranda is planned as a more open entrance space. By keeping the entrance axis wide, a fluid spatial orientation was tried to be provided to the axles inside. At the upper level, a balcony has been planned to connect to the same opening. Joinery stands out in the building. For this purpose, adequate transparency ratios and order have been tried to be created by choosing an aesthetically and structurally appropriate joinery.

Housing for a Family

fall 20’

Projects on Happiness | Water Democracy of Haliç

Architectural Design VI Assoc. Prof. Dr. Nurbin Paker Kahvecioğlu, Res. Asst. Hande Nur Güleçoğlu

1.1

1.2 1.3

1.4

spring 20’

1.5

1.6

1.7

About coastal axis of İstanbul

water structures in urban collective memory,2020

2020

The water culture in Istanbul loses its value by closing the access to the coastal axes and limiting its use. It has been envisaged that water will be difficult to access and democratically accessible today and in the future. Based on the fact that water is seen as a source of infrastructural and direct physical happiness on the city and the city, it is explored how happiness this resource will create through different architectural programs. The typologies and program mechanisms of the water structures coming from the past to the present day are considered as collectors and it is aimed to make these collectors an entirely territory of water culture and experience.

Projects on Happiness | Water Democracy of Haliç

1950’s

1930’s

1920’s

spring 20’

different uses of coastal axles

Sa’dâbâd mutlu eden, mamur yer happy place Entertainment, promenade areas in Kağıthane Green, undefined areas current not well organized

Pierre Loti Historical hill where people can watch the famous panorama of Haliç MiniatürkMuseum

Structured and natural elements of with small scale models tourist attraction independent of th Haliç Congress Center Sütlüce Slaughterhouse, which is precioulsy left large amount of waste to the sea and then Haliç Congress Center, which was built to turn Haliç into a cultural region

Feshane

spring 20’

Factory used in conjuction with industrialization of Haliç and used to produce fez Now, the place where various events and congresses are organized as Feshane Congress Center

Historical Galata Bridge The bridge that connects the two shores of Haliç Now, very small part of it is left on the shore.

Kadir Has University Previously used as Cibali Tobacco Factory and later transformed into an educational institution by alloctaion to Kadir Has University

Projects on Happiness | Water Democracy of Haliç

Urban memory of Haliç After researching the coastal axes in the city, the water structures in the city and their typologies started to be investigated. The locations, quantities, functions and places in the city memory of these structures, their sectional, organizational or formal relations with water were examined and their typologies were documented according the route of water.

Bilgi University Allocation of Silahtarağa Power Plant to Bilgi University and turning it into a university camous

Production spaces in Haliç Changes in prodcution practises with factories increasing after Industrial Revolotion

Later, researches focused on how water can offer program variations through these typologies documented in the city, and they tried to interpret the water experience not over a single place but over a part of the city. In this context, the past state of the Haliç was investigated and the elements that make up the water culture were determined. Based on these typologies and elements, the settlements of the programs that water can diversify on the Haliç were decided.

f İstanbul are exhibited

he Haliç culture

spring 20’

Rahmi Koç Museum The museum, exhibiting the histor of industry transportation and communucation that are importants ins urban memory Haliç, Camialtı and Taşkızak Shipyards The shipyards located on the shore of Haliç and carrying the culture of thr region’s commercial and production practises to the present, which is now being tried to be detached from the public with rantual struggles

mapping of urban memory of Haliç

collage of different programatic scenes of water

spring 20’

Projects on Happiness | Water Democracy of Haliç

1.water research center +laboratory and recyling area where are studied on algae that can also work with Bilgi University +study research areas for students +seminar and graduation ceremony area +clean and dirty water collectors

2.public pool +water collector +bath +shower +pool +diving tower +observation areas +common areas +event area +service +storage

3.water sports space +water collector +pier +changing rooms +showers +common kitchen +lockers +storage +common areas +sunbathing areas

4.urban farming +water collector

spring 20’

+farming space +common kitchen +storage +common spaces

5.Haliç observation tower +observation spaces +toilets +common areas

6.fire station +water collector +garage +common kitchen +shower +common area +storage +sea water intake pier

7.shower area +water collector +showers +changing rooms +common areas +lockers +toilets

spring 20’

07. shower area 06. fire station

02. public pool and baths

01. wa

Projects on Happiness | Water Democracy of Haliç

spring 20’

settlement tipologies

05. observation tower

ater research center

03. water sports centre 02. public pool and baths

04. urban farming

views of the modules from the Haliç

01. Water Research Center This unit, where Bilgi University meets with Golden Horn, aims to use the dynamics of water, artificially producing, transforming and using the dynamics of water research. It is aimed to bring new practices to the city and the city through the recycling of the water consumed in addition to the naturally found water. For this purpose, algae treatment is planned using nature itself, except for mechanical water reduction systems that consume high energy and reduce the sustainability of the environment, even if it is for recycling purposes. With this system, which provides less energy and costs less, the reuse process of water is planned together with the public, with an environmental approach both over water and consumption.

spring 20’

In this context, there are libraries and study areas that can be used for researchers who come here as well as the water research unit, such as primary treatment tanks, algae tanks, plumbing rooms, algae research laboratories, samples from the Golden Horn water, which are included in the water treatment process. These units are also aimed to spatially connect with a public cistern after the water is recycled. The foyer area, which is planned to be placed on the amphitheater of the graduation ceremony, is also planned as an area that experiences the Golden Horn from many different levels of water and also observes the entire water treatment process, and it is thought that it can be an optical part of the graduation ceremony with its shadow.

service systems at top level +8.00m

low weight shell material; translucent and light facades

surfaces at +4.00m and +8.00m

Bilgi University stell structure

car entries

graduation ceremony area

circulation, water treatment process tanks, algae ponds at +0.00m

Projects on Happiness | Water Democracy of Haliç

01. gray water harvesting tank 02. service systems located on the roof

04. high rated algae ponds

03. primary treatment tanks 05. floating tanks 06. clean water and sea water harvesting tank

spring 20’

01. gray water harvesting tank

03. primary treatment tanks

04. high rated algae ponds

05. floating tanks

06. clean water and sea water harvesting tank

spring 20’

top view

7,5 15

Projects on Happiness | Water Democracy of Haliç

spring 20’

+8.00m

7,5 15

spring 20’

+4.00m

7,5 15

Projects on Happiness | Water Democracy of Haliç

spring 20’

-4.00m

+0.00m

7,5 15

01.

02.

01 .

03. 07.

04.

05.

spring 20’

02.

04.

Projects on Happiness | Water Democracy of Haliç

01.

03.

01. The entrance / foyer The entrance to the Water Research Center, which is one of the modules that form water democracy in Haliç, is provided by the axis of Bilgi University on the coast. The foyer area is located first in the part of the building that creates a route. In this area, while a observation space is established on the Haliç, exhibitions and seminars about water and its future are held . At the same time, Bilgi University also creates an organization that can be used in graduation spring 20’

ceremonies. 02. public algae farming / landscape Algae ponds used in water treatment not only provide water recycling in an ecological way but are also used as a landscaping element. The urban space around the area is also defined as a green area and is open to public and flexible use. 03. route / foyer entrance It is the route that defines the places on the land. Access to the foyer area in the first part of this route is via low incline ramps or stairs.

05.

04. public space / coast The public space starting at the entrance extends to the sea. Thus, the public space also defines the circulation between the road and the sea and its flexible use has been increased. 05. water harvesting / research / experience

+12.00

The part of the building extending to the sea has many common uses vertically.

+8.00

In the part of the building located in the sea, researches are carried out by storing the water of the

+4.00

Golden Horn at certain intervals. There is a public archive and exhibition area at the upper level.

+0.00

Storage of the changing water of the Golden Horn is used as an exhibition object and offers an interactive experience. At the upper level of the water tower structure, there is an area where the cleaned water is stored. The structure used as a water tank also offers a circular route in itself and it is aimed to observe the Golden Horn at different elevations.

06.

spring 20’

09.

07.1

07.2

06. +12.00

06. route There is a mutualist relations-

+8.00

hip between places and the route. the route physically

+4.00

connects all places. locations also allow to define the route.

+0.00

Thus, the places attached on the route both create a circulation physically and offer a total experience.

07. interior lanscape An interior atrium was produced at the intersection of the route . This is an inner space where employees can rest, also it is place who come for exhibiton or just pass by. A more permeable public production space has been created with a water and plant landscape formed by clean water produced by algae.

07.1

Projects on Happiness | Water Democracy of Haliç

12.2 08. 12.1

11.

08.

10.

spring 20’

7,5

07.2

08. +12.00

+8.00

+4.00 +0.00

08. intersections The part of the building extending into the sea is the point that connects the whole route. provides access to the archive, exhibition, research department from ground level. It creates an interior landscape [8] with the water produced and connects to the laboratory with a public staircase, creating a common space where the users can use all of spring 20’

the spaces at the same time.

09.

09. facade Translucent and lightweight material was used on the facades of the building to increase its relationship with the outside. A light façade open to public use is targeted against heavy spaces of traditional factories and production centers. Thus, production has been turned into a observable experience even from the route outside.

10. 10. bridge and waterway The route devoted to the production space extends to the Sadabad region. Thus, it increases its publicity by combining the region with other places. In addition, the water produced here is transported by creating a waterway to the 04. urban agriculture area, which is one of the modules that form water democracy of Haliç

7,5

Projects on Happiness | Water Democracy of Haliç 12. total spaces Total spaces are produced

12.1

within the production space. In this way, while increasing flexible and productive working environments, various common spaces are produced among the working spaces. In general, one horizontal layer of the building contains tanks related to water treatment, while the other layer contains offices and research areas. The publicly produced middle axle turns into a more dynamic organism by establishing various circulation networks between these two layers.

12.2

spring 20’

11. water democracy / Haliç silhouette This space, which aims to create water democracy, also includes common typologies with other modules. The water tower, route and shell it contains have taken various forms in accordance with the venue programs. Typological and spatial solutions have been produced in the Golden Horn silhouette, which, along with other structures, manifest themselves and form a common language.

Public space*

Public Spaces in Everyday Life | E[ko]operatif

*1. An area within a building to which there is free access by the public, such as a foyer or lobby. 2. In some codes, an area or piece of land legally designated for public use.

Architectural Design V Prof. Dr. Gülçin Pulat Gökmen, Res. Asst. Erenalp Büyüktopcu

1. project area 2. textile manufacturing and showroom area 3. bomonti beer factory, beer garden in 1900s | Bomontiada nowadays, 4. market place

Public space are important for the city dwellers. In the dynamic, changing use of the city, public spaces are places that can exist with this flow and meet people’s changing programs. These places, which enable people to be involved in the city, are important venues that will bring together the citizens of the city as they create different moments of encounter and collective situations within the city. *public space. (n.d.) McGraw-Hill Dictionary of Architecture and Construction. 2003.

fall 19’

5. Kurtuluş ‘Tatavla’ district

6. Piyalepaşa Bostanı (garden)

large scale analysis of area In this project, it was worked in the area where the textile factories and showrooms [2] of the Bomonti region are located. The area stands out with its production and commercial identity. There are workshops and sales offices rather than residences around the field. The research process started by examining the production, consumption and sales practices of the area. The introverted, closed system of the region has been reconstructed based on the common needs of people. It is aimed to organize a space that is open to the public, cyclical production, consumption and to allow these practices to be taught. The program, which is based on the production, processing and consumption process of food, which is a common need in this direction, is handled in a more layered way.

With Bomonti Brewery Factory [3], Bomonti had an important place in production and consumption. With beer gardens, it started to be considered as a social area. With the closure of the factory and beer gardens and the opening of privatized factories and workplaces [2], the area has partially lost its public identity outside the market area [4]. In the Kurtuluş district [5], it was found that production and consumption were processed collectively, as opposed to the Bomonti. Another example of these practices is Piyalepaşa Garden [6], which has a centuries-old history, still continues to produce and consumption first-hand. These collective production and consumption practices in the Kurtuluş district are processed on the field [1] in the Bomonti, and it is aimed to make the area available to the public through common needs.

[3]

Public Spaces in Everyday Life | E[ko]operatif

public space

[1,2]

[2]

fall 19’

Production and consuption practices As the workplaces are privatized, they do not establish any connection with the outside and do not allow public relations. The selected area is in a position to be considered as the middle of all these businesses. The practices produced here are intended to make the space available to the public. [1,2]

[6] [7]

production and consuption practices

fall 19’

settlement in area

Cooperative* *1. Involving mutual assistance in working towards a common goal. 2. A farm, business, or other organization which is owned and run jointly by its members, who share the profits or benefits. Contrary to today’s individualized practices, it aimed to direct people to collective production and consumption practices. The spaces that work with the logic of cooperative give as much product as the people participate in the spaces, that is, the spaces will continue to operate with the participation of people. In this way, while the organization exists in an organic way in the area, it is aimed to produce places where people can spend time socially with the public programs it contains, while ensuring that people can access the food they need in a cheap, direct and healthy way.

re-functioning of the unused building as a car park [ad.0.01]

re-functioning of unused building as logistic area [ad.]

delivery of nutrients to the area [0.01]

planting [2.01]

compost wastes become food for plants with water [0.01]

experimental planting in the laboratories [0.03, 0.04] filtering and reusing wastewater [0.05]

collection of wastes from market [0.s2]

storage of produced [0.s1] use of products in common kitchens [0.06]

explaining new practices to habitants [1.04] sale of products in the market [1.03]

process of the production system

Public Spaces in Everyday Life | E[ko]operatif

The production cycle in the cooperative begins with the collection of compost waste [0.01]. While some of the plant growing areas [2.01] are used by the organization, some are used for those who want to participate in the production process. For this, they can grow their own food according to the amount of compost waste they bring. Crops produced here are stored in storages [0.s1, ad.2.s3] and processed individually or collectively in common kitchens [0.01]. From here, it goes on sale in the market area [1.03]. People can get involved in this system from any step. Those who want to enter the chain of consumption can be directly involved in the market [1.03], while those who want to partici_bitkilerin yetiştireleceği alanlar, pate in production can also be _su deposu, bitki_bitkilerin deposu,yetiştireleceği involved in the process. alanlar,

[0.01] water tank and compost area

[0.s1] storage

[0.02] administration [0.03] labs [0.05] service systems

[0.04] library

_organik atık toplama

[ad.2.03] administration [ad.2.02] common kitchen [ad.0.01] carpark [1.01] information [2.01] planting area [1.02] open spaces

_ortak mutfaklar, _tuvaletler,

_ortak mutfaklar,

[1.03] market area

_yönetim mekanı _açık alanlar

[1.04] meeting for explaining new practices to habitants

_yönetim area mekanı

fall 19’

alanları,servis alanları Planting operations are labaratuvarlar, carried denendiği _bitki yetiştirme yöntemlerinin denendiği labaratuvarlar, _bitki yetiştirme yöntemleriyle out in a way that enables new ilgili kaynakların bulunduğu _bitki yetiştirme yöntemleriyle kütüphane, technological developments, ilgili kaynakların bulunduğu kütüphane, -belli günlerde kentliye bu üretim pratiklerinin anlatıldığı unlike traditional agriculture. It -belli günlerde kentliye bu toplanma alanı üretim pratiklerinin anlatıldığı toplanma alanı is a source for cyclically used water and compost plants. The water coming as waste is used again [0.05]. The system also follows a cyclical practice economically. The techniques of growing plants with new systems are also examined in laboratories [0.03], and people are told about the innovations and benefits of the system in the information area [1.01] and at the meeting point [1.04]. They also contain analog and digital recordings in the library [0.04] for

people’s own research.

[0.s2] storage

[ad.2.s3] storage

_pazar yeri , _tuvaletler, _organik atık toplama _su deposu, bitki deposu, _açık alanlar_pazar yeri , alanları,servis alanları _bitki yetiştirme yöntemlerinin

[0.06] common kitchen

layered spaces model

researches on program and structure through sections

25m

Layers of structure light structure formed with knitted mesh cover with high light transmission thanks to ETFE coating Aluminum composite shell, which will provide opaque surfaces in places where there will be agriculture without light, is transported with a tensioning

fall 19’

system with durable, high-tech columns.

AA’ section

BB’ section 5

25m

Structural system

4. Common kitchen [0.06],

In the structural system, where the stability of the columns is ensured by the tension system, the heights of the columns are differentiated and the opaque and transparent shells on it are intended to form an artificial topography on the structure. Iit is aimed to create a dynamic structure in the area by layering the program and structure, which will contrast against the static situation of the surrounding built environment. sections

The food grown can be processed by the users in the common kitchen and made ready for consumption. the use here can be either individually or by employees in the organization of the venue, and can be used for sales in the market, in this way it ensures that the cooperative remains in economic cyclical.

Public Spaces in Everyday Life : E[ko]operatif

Kazım Orbay St.

A’

B’

+3. 00m

+6. 00m

Feriköy Fırın St.

+0. 00

10 15

plans

fall 19’

01. Transition from Kazım Orbay Street to

02. The entrance area,

E[ko]Operative,

The system, which operates in a cooperative

03. Food growing area [2.01],

It provides the opportunity to directly join the

manner, provides a cyclical production and

With composted wastes and water provi-

production system with the possibility of direct

consumption in itself, with the contribution of

ding organic nutrients for plants, an urban

transition from street level to the venue.

people to take something from the space,

cultivation area is created. According to the

as the collected compost waste is used for

top cover that forms a shell according to the

the growth of plants.

light need, people can grow the plants they want to use and use the products.

5. Market area [1.03],

Open public spaces [1.02],

Seminar- meeting area [1.04],

This area is organized in order to reach the

For people who do not want to participate

In this place where new production tech-

food with a cheap and reliable source for

in the production and consumption practi-

nologies and practices, are transferred to

the city. People who do not participate in

ce, they can only use spaces to spend their

people on some days during the week, it is

the production process can participate in

spare time, and for people within the busy

aimed that this production space is not only

the rapid consumption practice with the sale

business centers, they will rest, spend time,

a practice in the Bomonti locality but also

of some of the products produced by the

socialize, and breathe in the city.

an activator that can be applied in different

organization.

parts of the city.

sequences

Public Spaces in Everyday Life, Microstructure Trials | Gülhane 19.5

Architectural Design V Prof. Dr. Gülçin Pulat Gökmen, Res. Asst. Erenalp Büyüktopcu

observation tower g.5

exhibiton area g.4

fall 19’

project area and Gülhane Park

Gülhane park is one of the most important public spaces of Istanbul. There are fields that are not defined and whose program is left to the users in park. In addition to these, there are also many areas that are not preferred according to their settlements in the park and, on the contrary, are used much. Based on these points, the project aimed to spread the park experience in Gülhane to the whole park, not as a point. For this reason, different points were intervened in the park rather than a single point intervention. Structures that are produced for this aim, made both structurally and in order to provide park experience constitute a similar language.

Public Spaces in Everyday Life, Trials of Microstructure | Gülhane 19.5

bird watching tower g.3

bicycle parking lot g.1

plant info area

g.2

Cognitive map mapping flows in the region, uses of areas, node points, sign elements and experience in the field fall 19’

observation tower where people in the park can relate to the sea, [g.5]

exhibition area where is showed the historical texture of the park, [g.4]

bird watching towers where various bird species can be observed, [g.3]

plant info area that promotes the variety of plants in the park, [g.2]

bicycle parking lof for accessibilty of cyclists, [g.1]

modules

fall 19’

Spaces in Everyday Life, g.3 Public Microstructure Trials | Gülhane 19.5 | Birds Watching Tower

Each unit located in different places in the park provides a variety of programs by using the physical facilities of its location, at the same time, the structures created in the same language aim to provide a total experience within the park. The g.3 module settles in the area behind the cistern in Gülhane Park, in the field where the bird density is high. The structure in which the observations of birds can be made in the natural environment of the people in the upper elevations is in the form of a tower.

Until the top level reached, different stopping and observation points were created and the experience of the space was expanded.While the upper elevations of the building fulfill an observation tower program, the lower elevations are intended to become a place suitable for daily public use and the definition of use is left to a little more people. Structural system the structure did not increase massively to lower the carbon footprint. tied to the ground with thin steel coloumns. knitted carbon fiber is used on the structure surface and wood is used in the flooring layered structural system

Public Spaces in Everyday Life, Trials of Microstructure | Gülhane 19.5

fall 19’

settlement in area

+ Carbon fiber knitting carbon fiber mesh that strengthens its stability and provides light transmission is used on the façade of the building, and wood is used in the floors.

isometric view and section

carbon fiber coating is applied by knitting from the connection points in the steel structure.

usage of space

Institute of Everyday Life | Time-out Institute: Yenikapı Excavation

with different traces from different times

Architectural Design IV, Collective Imaginations Studio, Assoc.Prof.Dr. Aslıhan Şenel, Res. Asst: Seçil Yatan, Burçe Karadağ, Nida Ekenel, Tildem Kırtak

throught different layers of time

spring 19’

route from Şişhane Park to Yenikapı Metro St. and project area

Project process started with the analysis of daily life activities, flows and circulations around in Yenikapı. The project area was used to transport, gather and distribute people. Also, the excavation area was of great importance in terms of uncovering history and connecting metro station and Langa Bostanları Street. In this area it was observed that people only crossed over to reach a place, but there was no program to spend time on the site.

it is started with this route

stage 01

stage 02

stage 03

stage 04

The structure is intended not to interrupt the human flows in this area, on the contrary, it preserves the purpose of transportation and creates different circulations within itself. It was designed to reveal the findings of different layers of time and also to create and modify the entire excavation process. It is aimed that people can associate to excavation process. For this purpose, structure provides access between street and metro station and also to excavation area when there is a historical finding and protects it by shelling it to be exhibited. It was aimed to include programs such as documentation, exhibition and eating-drinking and resting for the excavation workers between the two buildings.

reverse excavation

stage 05

As the excavation proceeds, the structure grows and moves downwards into the dig, between the findings.

Institute of Everyday Life | Time-out Institute : Yenikapı Excavation

reached to yenikapı

....

to the carried e site it s o p p o

d.. turne shell road a to in

er cov n atio d to e ll u to st p hed c a re e

researched exhibited

spring 19’

to between two buildings

com

s be arm ll e to sh

y ed b knitt shell ic arms t robo ted ava exc eeply me o c d s be arm ll e to sh

mapping starting from Şişhane Park to Yenikapı Metro Station according to discover trace of different time layers

Layers of time : Yenikapı Excavation

spring 19’

We can constantly see the traces of time in our daily lives. These traces usually do not only tell us a period. Because none of them remain as they were first used. They become part of everyday life by carrying the traces of different layers of time. The process of revealing the historical findings adds another layer to that time layer. For this reason, this process was put into daily life and all layers of time and time were presented together. Spatial organizations diversified with various spatial patterns and excavation process were considered for this.

layer of time | linol print and sketching for researching on topographical potentials of excavation area

layers of time : Yenikapı Excavation

According to the excavation process, articulated arms can gain functions such as ramp, ladder, shell, road. And depending on the depth of excavation, these modular arms can grow and shrink. In the space between the two buildings, the flexibility of use was tried to be provided by the panels that separated from each other for forming open space or that joined together for creating closed space according to the space need.

folded settledinbetween2buildings and

hanged

Settling | articulations

they become differen articulations

Institute of Everyday Life | Time-out Institute : Yenikapı Excavation

Longa Bostanları Street Connection. was designed for findings that can go from the excavation area to the research and exhibition areas. It was made from the upper level by using carrier robotic arms and no flow was stopped at street level.

01. rest areas and common kitchen for excavation workers

02. research and exhibiton area

03. street

04. excavated area and articulations for knitting

spring 19’

Spatial organizations While connecting the excavation area street and metro station, the works and on-site exhibition continues. There are research and exhibition areas for the finds leading to the spaces between the two buildings.There are also places such as a shared kitchen, rest rooms for the workers in the excavation.

05. excavation area

spatial organizations | different scenes from structure

ram

ps paths structure

s arm

s ta i r s

structure ells

ramps sh

ramps structure

that explore the time

lls shells

she

ic arm

b ro

betweentwobuildings

under the surface

settling | arcticulations

+ s0.

s1. tran for exh

s2. she

s3. pull

s.4 tran excava

plan of the excavated area

spring 19’

+ +

s1. pulling to cover become stairs to reach down

Settling process Excavated area connects metro station and Langa Bostanları Street, so it is aimed that structure should keep the circulation between these and exist with this flow.

s2. reaching to in between to buildings, knitting of pieces for storage and exhibiton

s3. reaching to in between to buildings, knitting of pieces for storage and exhibiton

settling process

s4. transport to both sides of excavated area

Institute of Everyday Life | Time-out Institute : Yenikapı Excavation

nsport and knitting hibiton

elling to cover

ling to cover become stairs

nsport to both sides of ated areas

articulations and carbon fiber knitting | material detail

spring 19’

Articulations and carbon fiber knitting | material detail In detail , structure consists of sugmented arms. In this way, it allows the structure to be shaped according to the desired function such as ramp, ladder, shell, or just a surface that is used for walk away. When excavate process is over, robots in the area knit through perforated profiles on the arms to cover to findings.

sequential sections

Institute of Everyday Life | Ceci n’est pas une toilette: non - Toilet

ited

nd ou ar

er a ited w lked to h a w

Architectural Design IV, Collective Imaginations Studio, Assoc.Prof.Dr. Aslıhan Şenel, Res. Asst: Seçil Yatan, Burçe Karadağ, Nida Ekenel, Tildem Kırtak

turn

t ee ym e h

project area, Taksim Square

Mapping of flows in Taksim Square

spring 19’

Project started with the analysis of stories and flows in the taksim square and creating a cognitive map. After selecting a part of Taksim Square, it is analyzed such as flow routes, meeting points, dense regions, user profiles on map. Despite the crowd of Taksim Square, the chosen project area between the subway entrance and the elevator is a lower density in terms of human density, but it is determined that transportation vehicles such as taxi are waiting and the user dynamics are constantly changing.

The publicity and privacy of the culture of the toilet was investigated in this project which is a 2-week preliminary project. The fact that the project land is crowded and has a diverse human profile has led us to think about how to provide privacy and publicity together in one place. In order to be a place to process these concepts together, firstly, flows, actions, crowds, stories were gathered and it was investigated how the space functioning toilet could produce spatial functions publicly in the square.

Ceci n’est pas une toilette | non-Toilet

saw

the b

ird s,

c came

c s lo

r, watched

to er

are ab crowded ame ec

n dow

they laughed while walking

ed away police called to him, he mow

tax

i driver,b

ergained

wit h

spring 19’

talked

siren sounds were heard from police

luggages to baggage

left h

n walked awa

sat

or at

o ma

ev el

rested

th e

lo s

birds flew away

mapping of flows of Taksim Square

sequences from model

spring 19’

historical change of toilet culture

Structure Steel profiles are placed at the points determined

By creating spaces that can change constantly accor-

in the structure plan. It is aimed to create different

ding to different privacy needs, a contrast is formed

toilet spaces according to different privacy needs

with the static concrete landscape in the Taksim Squ-

by hanging the fabric dividers attached to these profiles at different points of the profiles.

settling in area

Different spaces according to different privacy needs

are, and it is aimed to obtain various intimate or public uses in and outside the toilet organically in the region.

Ceci n’est pas une toilette | non-Toilet

Historical change of toilet culture The privacy and publicity of the toilet has changed over time, depending on the cultures. While the toilets were regarded as social and public spaces long ago,then they started to become more privatized afterwards, as privacy entered into human life. However, although there are ‘public’ toilets today, most of these toilets do not offer a democratic use as they can only serve men, and at this point it is wrong to call these toilets ‘public’.

Different stages of structure There are many people from many cultures in the square, and they all thought that their privacy needs would be different. For this purpose, a structure was designed to create their own privacy spring 19’

according to their needs.

different stages of structure

production of flows through prototypes of spaces

Peacing Stories | Roads - inn, Yolgeçen Hanı

Architectural Design III, Collective Imaginations Studio, Assoc. Prof.Dr. Aslıhan Şenel, Res. Asst: Seçil Yatan, Burçe Karadağ

‘Tarlabaşı began to fall and all street life disappeared with demolition. Goverment was occupying streets of Tarlabaşı.People on the streets began to retreat and they stucked in Ömer Hayyam Street. Then they saw that the place was not occupied yet. They moved the street life to there. In there, spaces were changing according to use. In this way it becomes a place that exist with different people. It was growing as people entered it, it was changing. It was the place of the occupation against the occupation of goverment.’

fall 18’

project area, Tarlabaşı The project process started in Tarlabaşı by searching for peace stories, objects, characters and places. It is continued by analyzing the meeting , sharing moments and places of daily lives of people in Tarlabaşı. The changing dynamics of Tarlabaşı, which is at the center of urban transformation, have been examined socially and spatially. Based on Nur Horsanalı’s ‘Halletme Pratikleri’ research which is exhibited in the ‘Schools of School’ themed 2018 Istanbul Design Biennial, it was explored how these practices were spatially processed in Tarlabaşı.It was observed that some people in Tarlabasi occupied some unused private properties and shaped them, changed these places according to their needs and uses. These were visualized with diagrams and turned into usable data for the project. In the “Roads-inn”, the spatial transformations of the natives based on the “handling practices” were intended to be used and an unstable, developing, increasing, decreasing structure was proposed.With the changing flow and dynamics of Tarlabaşı, the proposed space was aimed to establish a life with the same character in itself.In the structure proposed for this, columns are located in a gridal system. Some surfaces on this gridal system are stabil but some surfaces can change on different axles according to use. In this way diversity of use provided.

project area, Ömer Hayyam Avenue, Tarlabaşı Inhabitants of place In Tarlabaşı, there are a lot of squatters. They settle in unused private property and they change this placed according to their own use. In ‘roads-inn’ it is aimed that create a place that is changeable according to different use of locals [squatters] in daily life of Tarlabaşı. Structure and settling process _A changible structure with the rapidly changing dynamics of Tarlabaşı_ _Not a stabil place,a place where other users can change, leave traces, and see traces of other people_ habitants of place and settling process

Peacing Stories | Roads - inn, Yolgeçen Hanı

occupation of Tarlabaşı ‘Halletme(k)* Pratikleri’ |Handling Practices

evinin önündeki merdivenlere oturdu, hem sokağı izledi, hem evini gözledi

attı çamaşır ipini karşıya , astı çamaşırları boşluğa, başladı dedikoduya

ateş yakacak yer aradı, iki bina arasındaki boşluğa sızdı

sağa sola baktılar, oyun oynayacak alana, sokakları yaptılar kendilerine halı saha yağmur yağarken korur oldu, evdeyken onu gizler oldu

sabah çıkarken kilidini açtı, akşam dönerken istifini yaptı

*Turkish word ‘halletmek’ is used for “solving , figuring out, dealing with,handle” in daily use.

fall 18’

In Tarlabaşı, people find various spatial solutions for their problems in daily life. They seem to be an instant solution , but they rediscover the city every time they face needed spatial problem and solve it.

sat at the stairs in front of the house, watched the street, observed home

throwed the rope across, hanged clothes to space, started to gossip

looked for somewhere to make a fire, leaked into space, between two builgings

looked around for a place to play, streets become playgrounds

protected when it rains, hided when at home

opened lock on the way for work, packed up when on the way back from work

movement of surfaces

transcripts

different routes in place

It started with settle of some people in Tarlabaşı and it is continued with mobile florist Mustafa, and then woodcutter Bekir, Liana came to the place. They used and changed the place. Place was growing when people came in. Everyone came to place, change the place, left a trace, face with anyone’s trace.

Structural system

fall 18’

_gridal system and surfaces that provide a variety of uses_

Surfaces are located at different heights, with this way it let surfaces movement provides variety of useofbetween diferent heights. The panels attached to the columns allow a certain amount of movement and can be changed according to the usage requirement. Thus, the movement space weave is constantly of surfaces changing. The scaffolding system allows the size of the structure to change. Periodically, the building can grow and shrink depending on the need for use.

movement of surface

After a while ‘roads-inn’ invaded Tarlabaşı, established differents lives in itself..

*Bir süre sonra ‘Yolgeçen hanı’ Tarlabaşı’nı yuttu, tüm hayatları kendi içinde kurdu..

scenes in route

Peacing Stories | Roads - inn, Yolgeçen Hanı

Mobile florist Mustafa | saw the police, packed her stuffs, hid somewhere, went up, watched the cops Woodcutter Bekir | carried woods, looked for somewhere to hide, lit some and warmed, went up and watched the city Liana | looked somewhere above the place, started to climb up, hanged clothes, lay down until clothes were dried

fall 18’

movement of surfaces

structural system

“What am I?

‘Other Worlds’ Lecture | Permutation City by Greg Egan, immortalityisreality

Doç. Dr. Kerem Yavuz Arslanlı, Lecturer Ervin Sezgin

fall 18’

immortalityisreality ‘immortalityisreality’ is a blog-site project. The social elements of science fiction books discussed within the scope of the course were evaluated through the books that everyone chooses individually. These evaluations were also published online through selected presentation techniques. ‘immortality is reality’ is a publication in which collages and texts produced inspired by a book which is Permutation City published by Greg Egan in 1984 . Publication consists the images and texts that evoked by the events in mind while reading the book. Concepts such as simulated reality, artificial intelligence, cyber space are covered in certain characters. In the publication, it was aimed to create narratives by visualizing the events experienced by these characters and the concepts considered on these events. You can review the website at this address: https://immortalityisareality.wordpress.com/

The data? The process that generates it? The relationships between the numbers?”

Other Worlds | Permutation City by Greg Egan, immortalityisreality

fall 18’

Free Hand Drawing in Architecture Lecture Deviant Drawing

spring 19’

Assoc.Prof. Dr. Aslıhan Şenel, Res. Asst. Buse Özçelik

Censored with Sıla Avar and Yağmur Çil @taşkışla In this work we builded a structural collage that questioned the censor in ancient times through now. we placed some coloums that censored with hands in the base. but censor does not work because of the transparency of the material. after building the structure we made trials with light. with different perspectives, different angles we tried to explore some spatial connections. when the shadow and model itself combined, they made a different model that produces different elements.

Free Hand Drawing in Architecture Lecture | Deviant Drawing

Imperfection @beyoğlu, taksim streets in this exercise we followed a route and made a continuos drawing while walking . I tried to consider to continuous building elements and how they interact with each other. it was difficult to draw while walking but it lets me see how the environment, building elements, spaces change and how they connect with each other.

spring 19’

Settling into moment @taşkışla in this work we worked as a group, we use the sections of the movie ‘kill bill’. we tried to make a con tinous drawing by projecting and moving the view on the paper. in the movie different scenes shows different perspectives of spaces and characters con tinuously with movement of camera. with this way different characters and spaces link with each other and the movement of the characters and spaces let us read the whole space.

Topographical Practises Lecture Narrative Generating Signs

Assoc.Prof. Dr. Aslıhan Şenel, Res. Asst. Öykü Şimşek

+ mapp�ng of s�gns, walls that turn �nto s�gnboards and moments of encounter�ng s�gns on the route and the changes they have created �n the�r route, transformat�ons and the routers of the urban space �n my ne�ghborhood [Kadıköy, İstanbul] u nd e r

tree

the scaffold�ng protected

fall 20’

JUST CATS AND DOGS ALLOWED!!

n d t he b arr �e

rs a

stan

Couldn't SIGNBOARDS

SIGNBOARDS

SIGNBOAR- SIGNBOARDS DS even f�nd the entrance because SIGNBOARof the SIGNBOARDS DS

saw the t�ny to�let door

not�ced the basket h a n g� n g from above at the last moment

went aga�nst the mark

BETWEEN ADVERTISEMENTS

the scaffold�ngs

BETWEEN ADVERTISEMENTS

u nd e r

BETWEEN ADVERTISEMENTS

D ED BA PECT EX UN

L L! SME

BETWEEN ADVERTISEMENTS

not a garage door

u nd e r

�ers barr d the

DEAD END

TRASH IS FORBIDDEN!

NO PARKING!! FOR JUST CAR?

aro

Narrative Generating Signs «How difficult it is . . . to refrain from replacing the thing with its s ign , to keep ‘the object alive before us instead of killing it with the word. » « If we cannot understand a particular phenomenon,, we m ust learn to make fuller use of our senses a nd ‘to bring our intellect into line with what they tell. »

wall T Turn�n urn�ng g ��N NTo To S�g S�gnn wall wall wall T Turn�n urn�ng g ��N NTo To S�g S�gnn wall Turn�ng �NTo S�gn

Goethe’s Way of Science ,

HUGE G A P S for C A R S and somet�mes for ART

A Phenomology of Nature

under

Some of the most perceived objects in daily life are many symbols, signs imaginary and sensorial codings in spaces. Most of them are actually located near the ground floors. And can these codes, which are close to our eye level and perceptions while walking around the city, actually mapped and establish a relationshipwith the public?

HUGE G A P S for C A R S not for humans

under

HUGE G A P S for C A R S not for humans

under under

BETWEEN ADVERTISEMENTS

under

There was no s�gn of the BAD SMELL!! of the garbage

n d

s barr� e r the

u nd e r by read�ng the post�ngs

by read�ng the post�ngs

the scaffold�ngs

met the car block�ng the road r�ght �n front of the CAN NOT PARK s�gn

fall 20’

According to Goethe’s delicate empiricism, the way we understand the phenomenology of environment is to experience it one on one. So how do we experience our surroundings in the city, in our neighborhood. How do we perceive spaces while experiencing one on one experiences by walking in our neighborhood.

u n the scaffold�ngs, d e r walked a r o u nd the barr�ers

How occupancy and gaps they create in the route I walked and in the built environment ? While some of them stay fixedtogether with the places, we obey or do not obey the rules by adapting to them, and some of them establish a set of invisible instructions and we create our route accordingly with our perception of our walk. In this way, we can actually experience the city by walking with some instructions on that route.

2021

Thank you. hibrahim.zeytinci@gmail.com +905542440981 linkedin.com/in/halilibrahimzeytinci