Halil İbrahim Zeytinci
15’ - 19’
P O R T F O L I O
curriculum vitae
experiences 2020
Workshop of Karagümrük Participant of workshop with students of Karagümrük Primary School, Creatures and Their Habitats
2019
Ytong Archıtectural Idea Competition Participant with Sıla Avar and İsmail Sarı, Plan B: Akıntıya Karşı Bir Mimarlık Okulu
2019
Diorama Workshop | Maria Jose Marcos Participant of workshop with Collective Imaginations Studio, Institute of Everyday Life
2019
Mimed Student School Project Prizes Participant with 2 projects in 2nd year category
2019
Geoçözüm Zemin Araştırmaları ve Çözümleri Ltd. Şti. Internship in building site Contemporary Istanbul | Aydın Hasan Polatkan Workshop and exhibiton participant, Reinterpreting of ‘La jetée’| ‘subconscious’
HALİL İBRAHİM ZEYTİNCİ 25.08.1997, İzmir contact| hibrahim.zeytinci@gmail.com zeytinci15@itu.edu.tr +905542440981
2017
15’ - 19’
languages Turkish English Italian
native upper-intermediate beginner
education Istanbul Techical University Departmen ofArchitecture GPA: 3,10 2015İzmir Kız High School High School 2011-2015
2017
9. Fotoğraf Buluşmaları Organization team, denemeler, yanılsamalar “merak dürtüsü nasıl biçimlenir?”
2016
8. Fotoğraf Buluşmaları Organization team, [özbellek]
2015- ITU Photograph Community 2017
Board membership
dijital skills skills | interests Collage works Sketching Free hand drawing Analog photography Mapping
AutoCAD Rhinoceros SketchUp Adobe Photoshop Adobe Illustrator Adobe InDesign Adobe Premiere Microsoft Office Brackets
table of contents
1
5 4
2 3
İstanbul | mapping of project areas
15’ - 19’
table of contents architectural projects
01
fall 19’
Public spaces in Everyday Life | E[ko]operatif
2-7
02
fall 19’
Trials of microstucture : Gülhane 19.5
8 -11
03
spring 19’
Institute of Everyday Life | Time-out Institute, Yenikapı Excavation Collective Imaginations Studio,
12 - 17
Ceci n’est pas une toilette | non-Toilet, Collective Imaginations Studio,
18 - 21
Peacing Stories | Roads - inn, Yolgeçen Hanı, Collective Imaginations Studio,
22 - 25
Bomonti.
Gülhane Park.
Yenikapı.
04
spring 19’
Taksim Square.
05
fall 18’
Tarlabaşı.
other works
06
fall 18’
‘Other Worlds’ Lecture | immortalityisreality
26 - 27
07
spring 19’
‘Free Hand Drawing in Architecture’ Lecture Deviant Drawing
28 - 29
1
01
Public space*
Public Spaces in Everyday Life | E[ko]operatif
*1. An area within a building to which there is free access by the public, such as a foyer or lobby. 2. In some codes, an area or piece of land legally designated for public use.
Architectural Design V Prof. Dr. Gülçin Pulat Gökmen, Araş. Gör. Erenalp Büyüktopcu
1
1. project area 2. textile manufacturing and showroom area 3. bomonti beer factory, beer garden in 1900s | Bomontiada nowadays, 4. market place
Public space are important for the city dwellers. In the dynamic, changing use of the city, public spaces are places that can exist with this flow and meet people’s changing programs. These places, which enable people to be involved in the city, are important venues that will bring together the citizens of the city as they create different moments of encounter and collective situations within the city. *public space. (n.d.) McGraw-Hill Dictionary of Architecture and Construction. 2003.
fall 19’
5. Kurtuluş ‘Tatavla’ district
6. Piyalepaşa Bostanı (garden)
large scale analysis of area In this project, it was worked in the area where the textile factories and showrooms [2] of the Bomonti region are located. The area stands out with its production and commercial identity. There are workshops and sales offices rather than residences around the field. The research process started by examining the production, consumption and sales practices of the area. The introverted, closed system of the region has been reconstructed based on the common needs of people. It is aimed to organize a space that is open to the public, cyclical production, consumption and to allow these practices to be taught. The program, which is based on the production, processing and consumption process of food, which is a common need in this direction, is handled in a more layered way.
2
With Bomonti Brewery Factory [3], Bomonti had an important place in production and consumption. With beer gardens, it started to be considered as a social area. With the closure of the factory and beer gardens and the opening of privatized factories and workplaces [2], the area has partially lost its public identity outside the market area [4]. In the Kurtuluş district [5], it was found that production and consumption were processed collectively, as opposed to the Bomonti. Another example of these practices is Piyalepaşa Garden [6], which has a centuries-old history, still continues to produce and consumption first-hand. These collective production and consumption practices in the Kurtuluş district are processed on the field [1] in the Bomonti, and it is aimed to make the area available to the public through common needs.
[3]
Public Spaces in Everyday Life | E[ko]operatif
public space
[1,2]
[2]
fall 19’
Production and consuption practices As the workplaces are privatized, they do not establish any connection with the outside and do not allow public relations. The selected area is in a position to be considered as the middle of all these businesses. The practices produced here are intended to make the space available to the public. [1,2]
[6] [7]
production and consuption practices
3
fall 19’
settlement in area
Cooperative* *1. Involving mutual assistance in working towards a common goal. 2. A farm, business, or other organization which is owned and run jointly by its members, who share the profits or benefits. Contrary to today’s individualized practices, it aimed to direct people to collective production and consumption practices. The spaces that work with the logic of cooperative give as much product as the people participate in the spaces, that is, the spaces will continue to operate with the participation of people. In this way, while the organization exists in an organic way in the area, it is aimed to produce places where people can spend time socially with the public programs it contains, while ensuring that people can access the food they need in a cheap, direct and healthy way.
re-functioning of the unused building as a car park [ad.0.01]
re-functioning of unused building as logistic area [ad.]
delivery of nutrients to the area [0.01]
planting [2.01]
compost wastes become food for plants with water [0.01]
experimental planting in the laboratories [0.03, 0.04] filtering and reusing wastewater [0.05]
collection of wastes from market [0.s2]
storage of produced [0.s1] use of products in common kitchens [0.06]
explaining new practices to habitants [1.04] sale of products in the market [1.03]
process of the production system
4
Public Spaces in Everyday Life | E[ko]operatif
The production cycle in the cooperative begins with the collection of compost waste [0.01]. While some of the plant growing areas [2.01] are used by the organization, some are used for those who want to participate in the production process. For this, they can grow their own food according to the amount of compost waste they bring. Crops produced here are stored in storages [0.s1, ad.2.s3] and processed individually or collectively in common kitchens [0.01]. From here, it goes on sale in the market area [1.03]. People can get involved in this system from any step. Those who want to enter the chain of consumption can be directly involved in the market [1.03], while those who want to partici_bitkilerin yetiştireleceği alanlar, pate in production can also be _su deposu, bitki_bitkilerin deposu,yetiştireleceği involved in the process. alanlar,
[0.01] water tank and compost area
[0.s1] storage
[0.02] administration [0.03] labs [0.05] service systems
[0.04] library
_organik atık toplama
[ad.2.03] administration [ad.2.02] common kitchen [ad.0.01] carpark [1.01] information [2.01] planting area [1.02] open spaces
_ortak mutfaklar, _tuvaletler,
_ortak mutfaklar,
[1.03] market area
_yönetim mekanı _açık alanlar
[1.04] meeting for explaining new practices to habitants
_yönetim area mekanı
fall 19’
alanları,servis alanları Planting operations are labaratuvarlar, carried denendiği _bitki yetiştirme yöntemlerinin denendiği labaratuvarlar, _bitki yetiştirme yöntemleriyle out in a way that enables new ilgili kaynakların bulunduğu _bitki yetiştirme yöntemleriyle kütüphane, technological developments, ilgili kaynakların bulunduğu kütüphane, -belli günlerde kentliye bu üretim pratiklerinin anlatıldığı unlike traditional agriculture. It -belli günlerde kentliye bu toplanma alanı üretim pratiklerinin anlatıldığı toplanma alanı is a source for cyclically used water and compost plants. The water coming as waste is used again [0.05]. The system also follows a cyclical practice economically. The techniques of growing plants with new systems are also examined in laboratories [0.03], and people are told about the innovations and benefits of the system in the information area [1.01] and at the meeting point [1.04]. They also contain analog and digital recordings in the library [0.04] for
people’s own research.
[0.s2] storage
[ad.2.s3] storage
_pazar yeri , _tuvaletler, _organik atık toplama _su deposu, bitki deposu, _açık alanlar_pazar yeri , alanları,servis alanları _bitki yetiştirme yöntemlerinin
[0.06] common kitchen
layered spaces model
researches on program and structure through sections
5
20
25m
Layers of structure light structure formed with knitted mesh cover with high light transmission thanks to ETFE coating Aluminum composite shell, which will provide opaque surfaces in places where there will be agriculture without light, is transported with a tensioning
fall 19’
15
system with durable, high-tech columns.
AA’ section
BB’ section 5
0
5
10
15
20
25m
5
0
5
10
15
20
25m
Structural system
4. Common kitchen [0.06],
In the structural system, where the stability of the columns is ensured by the tension system, the heights of the columns are differentiated and the opaque and transparent shells on it are intended to form an artificial topography on the structure. Iit is aimed to create a dynamic structure in the area by layering the program and structure, which will contrast against the static situation of the surrounding built environment. sections
6
5
0
5
10
15
The food grown can be processed by the users in the common kitchen and made ready for consumption. the use here can be either individually or by employees in the organization of the venue, and can be used for sales in the market, in this way it ensures that the cooperative remains in economic cyclical.
Public Spaces in Everyday Life : E[ko]operatif
Kazım Orbay St.
A
A’
B
B’
+3. 00m
+6. 00m
Feriköy Fırın St.
+0. 00
5
0
5
10 15
plans
fall 19’
01. Transition from Kazım Orbay Street to
02. The entrance area,
E[ko]Operative,
The system, which operates in a cooperative
03. Food growing area [2.01],
It provides the opportunity to directly join the
manner, provides a cyclical production and
With composted wastes and water provi-
production system with the possibility of direct
consumption in itself, with the contribution of
ding organic nutrients for plants, an urban
transition from street level to the venue.
people to take something from the space,
cultivation area is created. According to the
as the collected compost waste is used for
top cover that forms a shell according to the
the growth of plants.
light need, people can grow the plants they want to use and use the products.
5. Market area [1.03],
Open public spaces [1.02],
Seminar- meeting area [1.04],
This area is organized in order to reach the
For people who do not want to participate
In this place where new production tech-
food with a cheap and reliable source for
in the production and consumption practi-
nologies and practices, are transferred to
the city. People who do not participate in
ce, they can only use spaces to spend their
people on some days during the week, it is
the production process can participate in
spare time, and for people within the busy
aimed that this production space is not only
the rapid consumption practice with the sale
business centers, they will rest, spend time,
a practice in the Bomonti locality but also
of some of the products produced by the
socialize, and breathe in the city.
an activator that can be applied in different
organization.
parts of the city.
sequences
7
02
Public Spaces in Everyday Life, Microstructure Trials | Gülhane 19.5
Architectural Design V Prof. Dr. Gülçin Pulat Gökmen, Araş. Gör. Erenalp Büyüktopcu
observation tower g.5
exhibiton area g.4
fall 19’
2
project area and Gülhane Park
Gülhane park is one of the most important public spaces of Istanbul. There are fields that are not defined and whose program is left to the users in park. In addition to these, there are also many areas that are not preferred according to their settlements in the park and, on the contrary, are used much. Based on these points, the project aimed to spread the park experience in Gülhane to the whole park, not as a point. For this reason, different points were intervened in the park rather than a single point intervention. Structures that are produced for this aim, made both structurally and in order to provide park experience constitute a similar language.
8
Public Spaces in Everyday Life, Trials of Microstructure | GĂźlhane 19.5
bird watching tower g.3
bicycle parking lot g.1
plant info area
g.2
Cognitive map mapping flows in the region, uses of areas, node points, sign elements and experience in the field fall 19’
observation tower where people in the park can relate to the sea, [g.5]
exhibition area where is showed the historical texture of the park, [g.4]
bird watching towers where various bird species can be observed, [g.3]
plant info area that promotes the variety of plants in the park, [g.2]
bicycle parking lof for accessibilty of cyclists, [g.1]
modules
9
fall 19’
Spaces in Everyday Life, g.3 Public Microstructure Trials | GĂźlhane 19.5 | Birds Watching Tower
Each unit located in different places in the park provides a variety of programs by using the physical facilities of its location, at the same time, the structures created in the same language aim to provide a total experience within the park. The g.3 module settles in the area behind the cistern in GĂźlhane Park, in the field where the bird density is high. The structure in which the observations of birds can be made in the natural environment of the people in the upper elevations is in the form of a tower.
Until the top level reached, different stopping and observation points were created and the experience of the space was expanded.While the upper elevations of the building fulfill an observation tower program, the lower elevations are intended to become a place suitable for daily public use and the definition of use is left to a little more people. Structural system the structure did not increase massively to lower the carbon footprint. tied to the ground with thin steel coloumns. knitted carbon fiber is used on the structure surface and wood is used in the flooring layered structural system
10
Public Spaces in Everyday Life, Trials of Microstructure | GĂźlhane 19.5
fall 19’
settlement in area
+
+
+
+ Carbon fiber knitting carbon fiber mesh that strengthens its stability and provides light transmission is used on the façade of the building, and wood is used in the floors.
+
isometric view and section
+
+
+
carbon fiber coating is applied by knitting from the connection points in the steel structure.
usage of space
11
03
Institute of Everyday Life | Time-out Institute: Yenikapı Excavation
with different traces from different times
Architectural Design IV, Collective Imaginations Studio, Assoc.Prof.Dr. Aslıhan Şenel, Seçil Yatan, Burçe Karadağ, Nida Ekenel, Tildem Kırtak
throught different layers of time
spring 19’
3
route from Şişhane Park to Yenikapı Metro St. and project area
Project process started with the analysis of daily life activities, flows and circulations around in Yenikapı. The project area was used to transport, gather and distribute people. Also, the excavation area was of great importance in terms of uncovering history and connecting metro station and Langa Bostanları Street. In this area it was observed that people only crossed over to reach a place, but there was no program to spend time on the site.
it is started with this route
stage 01
stage 02
stage 03
stage 04
The structure is intended not to interrupt the human flows in this area, on the contrary, it preserves the purpose of transportation and creates different circulations within itself. It was designed to reveal the findings of different layers of time and also to create and modify the entire excavation process. It is aimed that people can associate to excavation process. For this purpose, structure provides access between street and metro station and also to excavation area when there is a historical finding and protects it by shelling it to be exhibited. It was aimed to include programs such as documentation, exhibition and eating-drinking and resting for the excavation workers between the two buildings.
12
reverse excavation
stage 05
As the excavation proceeds, the structure grows and moves downwards into the dig, between the findings.
Institute of Everyday Life | Time-out Institute : Yenikapı Excavation
reached to yenikapı
....
to the carried e site it s o p p o
d.. turne shell road a to in
er cov n atio d to e ll u to st p hed c a re e
researched exhibited
spring 19’
to between two buildings
com
s be arm ll e to sh
y ed b knitt shell ic arms t robo ted ava exc eeply me o c d s be arm ll e to sh
mapping starting from Şişhane Park to Yenikapı Metro Station according to discover trace of different time layers
13
Layers of time : YenikapÄą Excavation
spring 19’
We can constantly see the traces of time in our daily lives. These traces usually do not only tell us a period. Because none of them remain as they were first used. They become part of everyday life by carrying the traces of different layers of time. The process of revealing the historical findings adds another layer to that time layer. For this reason, this process was put into daily life and all layers of time and time were presented together. Spatial organizations diversified with various spatial patterns and excavation process were considered for this.
layer of time | linol print and sketching for researching on topographical potentials of excavation area
layers of time : YenikapÄą Excavation
According to the excavation process, articulated arms can gain functions such as ramp, ladder, shell, road. And depending on the depth of excavation, these modular arms can grow and shrink. In the space between the two buildings, the flexibility of use was tried to be provided by the panels that separated from each other for forming open space or that joined together for creating closed space according to the space need.
14
folded settledinbetween2buildings and
hanged
Settling | articulations
they become differen articulations
Institute of Everyday Life | Time-out Institute : Yenikapı Excavation
Longa Bostanları Street Connection. was designed for findings that can go from the excavation area to the research and exhibition areas. It was made from the upper level by using carrier robotic arms and no flow was stopped at street level.
01. rest areas and common kitchen for excavation workers
02. research and exhibiton area
03. street
04. excavated area and articulations for knitting
spring 19’
Spatial organizations While connecting the excavation area street and metro station, the works and on-site exhibition continues. There are research and exhibition areas for the finds leading to the spaces between the two buildings.There are also places such as a shared kitchen, rest rooms for the workers in the excavation.
05. excavation area
spatial organizations | different scenes from structure
ram
ps paths structure
s arm
s
s ta i r s
ir
structure ells
ramps sh
s
ramps structure
s
m
ar
that explore the time
a
st
lls shells
she
ic arm
ot
b ro
betweentwobuildings
nt
under the surface
settling | arcticulations
15
+
+ s0.
s1. tran for exh
s2. she
s3. pull
s.4 tran excava
plan of the excavated area
+
spring 19’
+
+
+ +
+
s1. pulling to cover become stairs to reach down
Settling process Excavated area connects metro station and Langa BostanlarÄą Street, so it is aimed that structure should keep the circulation between these and exist with this flow.
s2. reaching to in between to buildings, knitting of pieces for storage and exhibiton
s3. reaching to in between to buildings, knitting of pieces for storage and exhibiton
settling process
16
s4. transport to both sides of excavated area
Institute of Everyday Life | Time-out Institute : YenikapÄą Excavation
+
+
nsport and knitting hibiton
elling to cover
ling to cover become stairs
nsport to both sides of ated areas
+
articulations and carbon fiber knitting | material detail
+
spring 19’
Articulations and carbon fiber knitting | material detail In detail , structure consists of sugmented arms. In this way, it allows the structure to be shaped according to the desired function such as ramp, ladder, shell, or just a surface that is used for walk away. When excavate process is over, robots in the area knit through perforated profiles on the arms to cover to findings.
sequential sections
17
04
Institute of Everyday Life | Ceci n’est pas une toilette: non - Toilet
ited
nd ou ar
er a ited w lked to h a w
wa
Architectural Design IV, Collective Imaginations Studio, Assoc.Prof.Dr. Aslıhan Şenel, Seçil Yatan, Burçe Karadağ, Nida Ekenel, Tildem Kırtak
ed
turn
t ee ym e h
t
4
project area, Taksim Square
Mapping of flows in Taksim Square
spring 19’
Project started with the analysis of stories and flows in the taksim square and creating a cognitive map. After selecting a part of Taksim Square, it is analyzed such as flow routes, meeting points, dense regions, user profiles on map. Despite the crowd of Taksim Square, the chosen project area between the subway entrance and the elevator is a lower density in terms of human density, but it is determined that transportation vehicles such as taxi are waiting and the user dynamics are constantly changing.
The publicity and privacy of the culture of the toilet was investigated in this project which is a 2-week preliminary project. The fact that the project land is crowded and has a diverse human profile has led us to think about how to provide privacy and publicity together in one place. In order to be a place to process these concepts together, firstly, flows, actions, crowds, stories were gathered and it was investigated how the space functioning toilet could produce spatial functions publicly in the square.
18
Ceci n’est pas une toilette | non-Toilet
saw
the b
ird s,
c
e
c came
a
m
c s lo
r, watched
e
to er
are ab crowded ame ec
n dow
they laughed while walking
ed away police called to him, he mow
tax
i driver,b
ergained
er
wit h
spring 19’
talked
siren sounds were heard from police
luggages to baggage
left h
y
n walked awa
sat
or at
o ma
ev el
w
rested
th e
lo s
birds flew away
mapping of flows of Taksim Square
sequences from model
19
spring 19’
historical change of toilet culture
Structure Steel profiles are placed at the points determined
By creating spaces that can change constantly accor-
in the structure plan. It is aimed to create different
ding to different privacy needs, a contrast is formed
toilet spaces according to different privacy needs
with the static concrete landscape in the Taksim Squ-
by hanging the fabric dividers attached to these profiles at different points of the profiles.
settling in area
20
Different spaces according to different privacy needs
are, and it is aimed to obtain various intimate or public uses in and outside the toilet organically in the region.
Ceci n’est pas une toilette | non-Toilet
Historical change of toilet culture The privacy and publicity of the toilet has changed over time, depending on the cultures. While the toilets were regarded as social and public spaces long ago,then they started to become more privatized afterwards, as privacy entered into human life. However, although there are ‘public’ toilets today, most of these toilets do not offer a democratic use as they can only serve men, and at this point it is wrong to call these toilets ‘public’.
Different stages of structure There are many people from many cultures in the square, and they all thought that their privacy needs would be different. For this purpose, a structure was designed to create their own privacy spring 19’
according to their needs.
different stages of structure
production of flows through prototypes of spaces
21
05
Peacing Stories | Roads - inn, Yolgeçen Hanı
Architectural Design III, Collective Imaginations Studio, Assoc. Prof.Dr. Aslıhan Şenel, Seçil Yatan, Burçe Karadağ,
‘Tarlabaşı began to fall and all street life disappeared with demolition. Goverment was occupying streets of Tarlabaşı.People on the streets began to retreat and they stucked in Ömer Hayyam Street. Then they saw that the place was not occupied yet. They moved the street life to there. In there, spaces were changing according to use. In this way it becomes a place that exist with different people. It was growing as people entered it, it was changing. It was the place of the occupation against the occupation of goverment.’
fall 18’
5
project area, Tarlabaşı The project process started in Tarlabaşı by searching for peace stories, objects, characters and places. It is continued by analyzing the meeting , sharing moments and places of daily lives of people in Tarlabaşı. The changing dynamics of Tarlabaşı, which is at the center of urban transformation, have been examined socially and spatially. Based on Nur Horsanalı’s ‘Halletme Pratikleri’ research which is exhibited in the ‘Schools of School’ themed 2018 Istanbul Design Biennial, it was explored how these practices were spatially processed in Tarlabaşı.It was observed that some people in Tarlabasi occupied some unused private properties and shaped them, changed these places according to their needs and uses. These were visualized with diagrams and turned into usable data for the project. In the “Roads-inn”, the spatial transformations of the natives based on the “handling practices” were intended to be used and an unstable, developing, increasing, decreasing structure was proposed.With the changing flow and dynamics of Tarlabaşı, the proposed space was aimed to establish a life with the same character in itself.In the structure proposed for this, columns are located in a gridal system. Some surfaces on this gridal system are stabil but some surfaces can change on different axles according to use. In this way diversity of use provided.
22
project area, Ömer Hayyam Avenue, Tarlabaşı Inhabitants of place In Tarlabaşı, there are a lot of squatters. They settle in unused private property and they change this placed according to their own use. In ‘roads-inn’ it is aimed that create a place that is changeable according to different use of locals [squatters] in daily life of Tarlabaşı. Structure and settling process _A changible structure with the rapidly changing dynamics of Tarlabaşı_ _Not a stabil place,a place where other users can change, leave traces, and see traces of other people_ habitants of place and settling process
Peacing Stories | Roads - inn, Yolgeçen Hanı
occupation of Tarlabaşı ‘Halletme(k)* Pratikleri’ |Handling Practices
evinin önündeki merdivenlere oturdu, hem sokağı izledi, hem evini gözledi
attı çamaşır ipini karşıya , astı çamaşırları boşluğa, başladı dedikoduya
ateş yakacak yer aradı, iki bina arasındaki boşluğa sızdı
sağa sola baktılar, oyun oynayacak alana, sokakları yaptılar kendilerine halı saha yağmur yağarken korur oldu, evdeyken onu gizler oldu
sabah çıkarken kilidini açtı, akşam dönerken istifini yaptı
*Turkish word ‘halletmek’ is used for “solving , figuring out, dealing with,handle” in daily use.
fall 18’
In Tarlabaşı, people find various spatial solutions for their problems in daily life. They seem to be an instant solution , but they rediscover the city every time they face needed spatial problem and solve it.
sat at the stairs in front of the house, watched the street, observed home
throwed the rope across, hanged clothes to space, started to gossip
looked for somewhere to make a fire, leaked into space, between two builgings
looked around for a place to play, streets become playgrounds
protected when it rains, hided when at home
opened lock on the way for work, packed up when on the way back from work
23
movement of surfaces
transcripts
different routes in place
It started with settle of some people in Tarlabaşı and it is continued with mobile florist Mustafa, and then woodcutter Bekir, Liana came to the place. They used and changed the place. Place was growing when people came in. Everyone came to place, change the place, left a trace, face with anyone’s trace.
Structural system
fall 18’
_gridal system and surfaces that provide a variety of uses_
Surfaces are located at different heights, with this way it let surfaces movement provides variety of useofbetween diferent heights. The panels attached to the columns allow a certain amount of movement and can be changed according to the usage requirement. Thus, the movement space weave is constantly of surfaces changing. The scaffolding system allows the size of the structure to change. Periodically, the building can grow and shrink depending on the need for use.
movement of surface
After a while ‘roads-inn’ invaded Tarlabaşı, established differents lives in itself..
*Bir süre sonra ‘Yolgeçen hanı’ Tarlabaşı’nı yuttu, tüm hayatları kendi içinde kurdu..
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scenes in route
Peacing Stories | Roads - inn, Yolgeçen Hanı
Mobile florist Mustafa | saw the police, packed her stuffs, hid somewhere, went up, watched the cops Woodcutter Bekir | carried woods, looked for somewhere to hide, lit some and warmed, went up and watched the city Liana | looked somewhere above the place, started to climb up, hanged clothes, lay down until clothes were dried
fall 18’
es
movement of surfaces
structural system
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06
“What am I?
Other Worlds Lecture | Permutation City by Greg Egan, immortalityisreality
Doç. Dr. Kerem Yavuz Arslanlı, Lecturer Ervin Sezgin
fall 18’
immortalityisreality ‘immortalityisreality’ is a blog-site project. The social elements of science fiction books discussed within the scope of the course were evaluated through the books that everyone chooses individually. These evaluations were also published online through selected presentation techniques. ‘immortality is reality’ is a publication in which collages and texts produced inspired by a book which is Permutation City published by Greg Egan in 1984 . Publication consists the images and texts that evoked by the events in mind while reading the book. Concepts such as simulated reality, artificial intelligence, cyber space are covered in certain characters. In the publication, it was aimed to create narratives by visualizing the events experienced by these characters and the concepts considered on these events. You can review the website at this address: https://immortalityisareality.wordpress.com/
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The data? The process that generates it? The relationships between the numbers?”
Other Worlds | Permutation City by Greg Egan, immortalityisreality
fall 18’
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07
Free Hand Drawing in Architecture Lecture Deviant Drawing
spring 19’
Assoc.Prof. Dr. Aslıhan Şenel, Araş.Gör. Buse Özçelik
Censored with Sıla Avar and Yağmur Çil @taşkışla In this work we builded a structural collage that questioned the censor in ancient times through now. we placed some coloums that censored with hands in the base. but censor does not work because of the transparency of the material. after building the structure we made trials with light. with different perspectives, different angles we tried to explore some spatial connections. when the shadow and model itself combined, they made a different model that produces different elements.
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Free Hand Drawing in Architecture Lecture | Deviant Drawing
Imperfection @beyoğlu, taksim streets in this exercise we followed a route and made a continuos drawing while walking . I tried to consider to continuous building elements and how they interact with each other. it was difficult to draw while walking but it lets me see how the environment, building elements, spaces change and how they connect with each other.
spring 19’
Settling into moment @taşkışla in this work we worked as a group, we use the sections of the movie ‘kill bill’. we tried to make a con tinous drawing by projecting and moving the view on the paper. in the movie different scenes shows different perspectives of spaces and characters con tinuously with movement of camera. with this way different characters and spaces link with each other and the movement of the characters and spaces let us read the whole space.
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2019
Thank you. hibrahim.zeytinci@gmail.com +905542440981