Thank you to our Supporters
Season Angels
Jane & Steve Akin
Patty & Jay Baker
Glenda & Rich Struthers
Season Benefactors
Karen & Gary Gregg
Sandi & Tom Moran
Susan Regenstein & Barry Frank
Ralph & Shelly Stayer
Season Ambassadors
Mary F. Drazan
Christine & Terrance Flynn
Nancy & Tom Gallagher
Marguerite Hambleton
Jenny & Rich Housh
George & Patricia Kraus
Pamela & Bob Krupka
James & Brigitte Marino
John & Carol Walter
Jane & Dave Wilson
E xecutive Producers
Anonymous
Mary & Phil Beuth
Lee & Peter Bewley
Richard & Jane Borchers
Patricia & Jim Bosscher
Cheryl & Randall W. Byrnes
Grampy’s Charities - Jim & Jonatha Castle
Bob & Laurie Champion
Robert & Joan Clifford
John & Patricia Cochran
Norman & Suzanne Cohn
Margaret Cox
Jim & Shirley Curvey
Kyla & Rich de Asla
Bobbi & David Drobis
Kathleen & Brendan FitzGerald
The Gialamas Family
Matthew Hagan
The Habbershon Family
Ken & Karen Heithoff
Vicki
Herche & Graeme Murray
Mitchell Hertz & Anne Carlucci
Jean & Leo Hertzog
Steven & Sarah Jackson
Sabrina & Craig Jensen
Liz & Jim Jessee
Sarah Johnson Catelyn Juliano & David Deutsch
Diane Landgren
Dolly & Jenny Lenz
Laird A. Lile
Jody & Gerald Lippes
Barbara K. Lupient
Simone & Scott Lutgert
Debra & Vince Maffeo
Phil McCabe
Carolyn & Don McCulloch
Gerry McGraw
Bettina McKee
Pat & Tony McMunn
Dan & Ann Meyer
Joanne & Jeffrey Miller
Kristin & John Miller
Geraldine Moss
Kimberly Moss & Bob Fisher
F.E. & Jack Nortman
Louise & Larry Ost
Joan & Mahendra Parekh
Gail Kern Paster
Anthony & Beverly Petullo
Ann Ratner
Dottie & John Remondi
DeAnna & Rick Rondinelli
Kathy & Ned Sachs
Pam & Fred Sasser
Cynthia & Mike Scholl
Alice & Charles Simons
Patricia Sweet & Bill Marsh
Janet & Peter Swinburn
Roberta & Rodger Taylor
Julie & Steve Vanderboom
The Vincent Von Zwehl Memorial Fund
Julie & Phil Wade
Kathy & Paul Weaver
Tereska & Jerry Whitson
Michael Wilens & Carolyn Longacre
Julie Wyman
Kristen & Michael Wynn
Joanne Wyss
Debbie & Bruce Yarde
Thank you to our Supporters
C orporate Season Ambassadors
Corporate Executive Producers
Grants and Endowments
Dear Friends,
As the Chairman of the Board, I am honored to welcome you to the 20242025 season on behalf of the entire Board of Directors. Whether you are a long-time supporter or a first-time patron, I am thrilled you are joining us for this most auspicious season, our first in the Baker Theatre and Education Center.
Thank you for being an essential part of our community. We look forward to sharing more magic with you in the seasons to come!
From attending performances to spreading the word about our productions, your enthusiasm and passion inspire us every day. It is your belief in the power of theater that drives us to push boundaries and strive for excellence.
Gulfshore Playhouse has accomplished an incredible feat both locally and nationally with the construction of this building. It is a stunning reflection of the dedication and support of this community. I look forward to seeing how its presence shapes our entire region in the years to come.
Producing theatre of this magnitude is no simple task; it has required significant growth of the budget, staff, and resources of the organization. Everyone at Gulfshore Playhouse works tirelessly to create exceptional theatrical experiences. All of it is made possible through the excellence of the organizational leadership, the knowledgeable, generous, and engaged Board of Directors, the incredibly talented and ever-growing staff, the generous donors, and the curious and dedicated audience who make it all happen.
You may also notice that this building’s name is the Baker Theatre and Education Center because it is home to not only staged productions but also an expansive and growing education department. Gulfshore Playhouse Education serves thousands of people both in our community and nationally each year, through a variety of theatre-based programs. If you are curious about opportunities for yourself or the children in your life, I would encourage you to see what is being offered this season.
This is a difficult time for the arts in our nation, so it is especially incredible to see Gulfshore Playhouse thriving, and that is thanks to your continued support. The arts are a vital part of a flourishing community both culturally and economically. The impact of the Baker Theatre and Education Center will be felt across Southwest Florida and our nation as the organization continues to grow.
I hope you find this season inspiring, entertaining, and healing. Thank you for your continued support of Gulfshore Playhouse.
Enjoy the show!
Sincerely,
Steve Akin Chairman of the Board
Sarah Corey as Salma and Margot White as Poppy in the Gulfshore Playhouse World Premiere production of The Refugees. Photo by Matthew Schipper.
The Annual Fund for Artistic Excellence
As a not-for-profit organization for the greater good, Gulfshore Playhouse relies on the support of generous donors.
With your support and passion, we hire exceptional talent to perform on our stage, foster new voices, and enhance the lives of the 80,000 patrons we welcome each year. Over 16,000 children engage in the art of theatre each year through our robust and ever-growing education department.
You play a vital role. By supporting Gulfshore Playhouse, you are transforming a region and transforming lives.
Have questions or wish to make a gift?
Contact Chief Advancement Officer, Lisa Halsey at lhalsey@gulfshoreplayhouse.org or call at 239.261.7529 ext. 203.
A letter from the COO & Managing Director
Dear Gulfshore Playhouse patrons,
It is my great pleasure to welcome you to this evening’s performance of Anything Goes, our very first production in the beautiful new Baker Theatre and Education Center! After years of planning, designing, and building, it is incredibly exciting to finally share this space with all of you. This milestone marks the beginning of a new chapter for our organization, and we are thrilled to have you here to help us celebrate.
This is my seventh season as the COO and Managing Director, and I am filled with pride and gratitude to see how far we have come. Being part of the design and construction process for this state-of-theart venue has been a deeply rewarding journey, and I could not be happier of the final result. This new theatre is not just a home for the arts, but a home for our community, a place where creativity and collaboration can thrive.
Thank you to our supporters, patrons, and generous donors whose contributions and belief in our vision have made this dream a reality. And to our incredible staff of managers, technicians, educators, administrators, and artists, your dedication and hard work have been instrumental in bringing this night to life.
We have an exciting season ahead, filled with unforgettable performances, educational programs, and community events. We can’t wait to share it all with you.
Thank you for being part of this historic moment with us.
Welcome to Gulfshore Playhouse. I hope you enjoy tonight’s show!
With gratitude,
Joel Markus COO & Managing Director
The cast of Lerner and Loewe’s Camelot Photo by Matthew Schipper.
2024-2025 SEASON
368 SEATS | BROADWAY-SIZED STAGE
January 16 - February 2, 2025
Previews: January 12, 14, & 15
Adapted by Jeffrey Hatcher
From the original by Frederick Knott
Directed by Jackson Gay
A fresh take on the edge-of-your-seat mystery.
125 SEATS | INTIMATE AND FLEXIBLE THEATRE
THE INAUGURAL SEASON
November 14 - December 15, 2024
Previews: November 10, 12 & 13
By Duncan MacMillan
Directed by Risa Brainin
Starring Jeffrey Binder
A poignant and unforgettable, immersive theatrical experience.
February 27 - March 16, 2025
Previews: February 23, 25, & 26
By Michael Frayn
Directed by Peter Amster
An evening of rib-aching laughter and feel-good entertainment from start to finish.
April 10 - May 4, 2025
Previews: April 6, 8 & 9
Book by Neil Simon
Music by Cy Coleman
Lyrics by Dorothy Fields
Directed and Choreographed by Dann Dunn
A sparkling Tony®Ⓡ- winning musical comedy about finding love in the Big Apple.
Don’t
January 30 - March 2, 2025
Previews: January 26, 28 & 29
By Stefano Massini
Adapted by Ben Power
Directed by Jeffrey Binder
A Tony Award®-winning epic play about a moment that changed the world.
March 20 - April 19, 2025
Previews: March 16, 18 & 19
By Lanie Robertson
Directed by Marshall Jones III
An unforgettable play about Billie Holiday’s ability to mine humor from hardship.
Scan here to get your tickets
Donor Spotlights
We thank you for your continued passion, generosity and support.
Patty & Jay Baker Season Angels
Over the past two decades, Patty and Jay Baker have played an instrumental role in creating the Naples we call home today. Their commitment to this community is evident not just through their philanthropy, but also in their active involvement in the organizations they support. The Bakers are pillars of the community and have positively impacted it in myriad ways. You can find their name attached to the Naples Community Hospital, the Baker Senior Center, Baker Park, the Humane Society, and numerous arts organizations. Gulfshore Playhouse is incredibly grateful to be among them.
“
It’s not about how much you give, but that you give and that you’re part of this valuable community asset.
-Jay Baker
Our new home, The Baker Theatre and Education Center, is a testament to their passion and commitment to theatre and to Gulfshore Playhouse.
The Bakers’ relationship with Gulfshore Playhouse first began in 2009, as early believers in founder Kristen Coury’s vision to create a permanent, iconic home for Gulfshore Playhouse.
In 2016, we publicly launched the Next Stage Capital Campaign by announcing the Baker’s vanguard $10 million matching gift. Not content to stop there, they pledged another $10 million matching gift in 2021, further galvanizing the entire community to join them in turning this dream into reality.
What sets the Bakers apart is not just the scale of their giving, but their active involvement in the causes they support. Patty and Jay believe in living their legacy and “feathering where they nest”. They have demonstrated their commitment to Gulfshore Playhouse in myriad ways. Patty has shared her experience as a Tony Award®-winning Broadway producer and serves on our Board of Directors. Patty and Jay chaired our annual Gala in 2022 and, over the years, have introduced countless friends and community members to Gulfshore Playhouse.
Their lives exemplify this philosophy in general. They are not just donors; they are true champions of the Naples community, fostering a culture of giving that will resonate for generations to come. Through their generosity and involvement, they have not only enriched the lives of countless individuals but have also ensured that the arts, healthcare, and community services in Naples will continue to thrive.
The Baker Theatre and Education Center stands as a symbol of their enduring legacy—a place where dreams come to life where magic happens and where their impact will be eternally felt.
Donor Spotlights
We thank you for your continued passion, generosity and support.
Sandi & Tom Moran Season Benefactors
We are honored to celebrate Sandi and Tom Moran, whose generosity and support are reflected in the name of the theatre you are currently sitting in—the Moran Mainstage. Their passion and commitment to enriching Naples’ cultural landscape aligns with our mission to produce world-class theatre and educational opportunities.
Sandi is a fifth-generation Floridian, a stalwart community supporter, and a multiple Tony Award®-winning producer. Her passion for theatre and the art of storytelling shines through in her dedication to Gulfshore Playhouse. In addition to their generous gift, the Morans served as Gala Chairs in 2023. Sandi sits on the Board of Directors and has provided invaluable leadership and guidance garnered from her own experience.
Both Sandi and Tom, the Chairman and CEO of Moran Wealth Management, are committed to impacting lives well beyond the professional stage through education and other causes that promote child welfare.
Sandi and Tom Moran are shining examples of how passion can make a difference, and Gulfshore Playhouse is grateful for their commitment to us and to the wider community. Their legacy will be felt for many generations to come.
John & Carol Walter Season Ambassadors
Longtime supporters John and Carol Walter, along with their Family Foundation, support growth and education in health, the environment, and the arts. They have left a lasting mark on Gulfshore Playhouse through years of devoted patronage and generosity, notably naming the Walter Escalier, located in the Grand Lobby.
John’s love for theatre shines through his involvement with esteemed institutions such as Chicago’s Steppenwolf Theatre, Northwestern University, and many civic, corporate, and international boards. He has an unwavering dedication to education, the environment and the arts. Locally, He has been extremely involved in several roles at The Conservancy of Southwest Florida, including most recently as Chairman of the Board and The Naples Children and Education Foundation. Carol is equally committed to philanthropy and serves on several boards. She is an active member of the Naples Children and Education Foundation Grant Committee, The Naples Botanical Garden, The Boys and Girls Club of Chicago, Northwestern University Women’s Board, Joffrey Ballet and the Field Museum Chicago. The Walter’s are also passionate in supporting animal welfare programs in Aspen, Naples and Chicago.
As Chairs of the 2025 Gala, John and Carol continue to play a pivotal role in the organization’s growth. They are deeply committed to enriching the communities in which they live, exemplified by their inspiring generosity and passion.
Dentons Cohen & Grigsby Corporate Season Ambassador
We are celebrating over a decade of Denton’s Cohen and Grigsby’s support of Gulfshore Playhouse. They became our first corporate sponsor, an early vote of confidence that sparked transformational growth in the years that followed. The firm’s unwavering dedication is not only apparent in their financial contributions over the years, but also through active involvement from their team members. Notably, Jason Korn, a partner at the Naples office, has served for 16 years on our Board of Directors and played a pivotal role in our growth. We are proud to partner with Denton’s Cohen and Grigsby whose belief in the power of arts and culture strengthens our entire community.
Music and Lyrics by
Cole Porter
Original book by
P.G Wodehouse & Guy Bolton and Howard Lindsay & Russel Crouse
New book by
Timothy Crouse & John Weidman
Starring
Sarah Bowden* Josh Canfield*
With (in alphabetical order)
David Baida*
Sarah Dearstyne*
Sara Esty*
Abbey Friedmann*
Kirsty Fuller*
Matt Guernier
Scenic Designer
Kelly James Tighe**
Stage Manager
Danny Kuenzel*
Fight Director
Brianna McVaugh
Director of Production
Ray Inkel
Miya Heulitt
Darrell T. Joe*
Jay Aubrey Jones*
Graham Keen*
Mike Labbadia*
Josh Levinson*
Lighting Designer Dalton Hamilton**
Intimacy Director Erica Mansfield
Alex Hayden Miller* Val Moranto
Kennedy Perez*
Michele Ragusa*
Kilty Reidy*
Rachel Revellese
Costume Designer Mary Folino
Vocal Coach Patrick Mulryan
Maya Santiago
Christian David Tinajero
Andrew Winans
Jack Wunsch
Sound Designer Victoria Deiorio**
Wig Designer Bobbie Zlotnik
Assistant Music Director Casey Reed Assistant Stage Manager Merit Glover* Casting by Michael Cassara, CSA
COO & Managing Director Joel Markus
Director & Additional Orchestrations
Trevor M. Pierce
CEO & Producing Artistic Director Kristen Coury
Director Dann Dunn
Choreographer Sara Brians
Director Kristen Coury
Show Sponsors: Timothy & Janine Dowdle, Heidi & James Kargman, Kristen & Michael Wynn, Moorings Park
ANYTHING GOES is presented by arrangement with Concord Theatricals on behalf of Tams-Witmark LLC. www.concordtheatricals.com
This version of ANYTHING GOES was adapted from the 1987 Broadway revival, originally produced by Lincoln Center Theater
(*) Denotes a member of Actors’ Equity Association, the union of professional actors and stage managers in the United States. (**) Denotes member of United Scenic Artists, Local USA 829
Cast of Characters
Reno Sweeney ...................................... Sarah Bowden
Billy Crocker .............................................. Josh Canfield
Moonface Martin ................................. Mike Labbadia
Hope Harcourt ............................................... Sara Esty
Erma Latour ........................................... Maya Santiago
Lord Evelyn Oakleigh ................................. Kilty Reidy
Evangeline Harcourt ........................... Michele Ragusa
Elisha Whitney ............................................ David Baida
Captain ............................................... Jay Aubrey Jones
Purser ..................................................... Matt Guernier
Spit/Ensemble ....................................... Josh Levinson
Ensemble ....................................................... Graham Keen Ensemble ................................................. Darrell T. Joe Purity ............................................... Abbey Friedmann
Chastity .................................................... Miya Heulitt
................................................... Kennedy Perez
...................................................... Kirsty Fuller
.................................................. Val Moranto Ensemble ........................................... Rachel Revellese
Swing/Dance Captain ........................ Sarah Dearstyne Swing .................................................... Andrew Winans
Dippy/Ensemble ................... Christian David Tinajero Ensemble ............................................ Alex Hayden Miller Ensemble ................................................ Jack Wunsch
Musicians
Piano/Conductor .............................. Trevor M. Pierce
Associate Conductor ................................. Casey Reed
Reed I ...................................................... Tereasa Payne
Reed II ................................................ Craig Christman
Trumpet Alternate ............................... Ryan Chapman
Trombone ........................................... George Mancini
Percussion .............................................. Shane Corwin
Band Contractor ........................................... Jim Dallas
Trumpet I ................................................ Mike Santiago Trumpet II ..................................................... Pete Davis
Understudies
Understudies never substitute for the listed performers unless a specific announcement is made at time of the performance.
Reno Sweeney ........................................... Kirsty Fuller
Billy Crocker .............................................. Jack Wunsch
Moonface Martin ...................................... David Baida
Hope Harcourt ................................... Rachel Revellese
Erma Latour ...................................... Abbey Friedmann
Lord Evelyn Oakleigh ............................. Josh Levinson
Evangeline Harcourt ................................. Val Moranto
Elisha Whitney .................................. Jay Aubrey Jones
Captain ................................................... Darrell T. Joe
Purser .................................... Christain David Tinajero Spit & Dippy ............................................ Graham Keen
S etting
The SS American, a luxury liner sailing from New York to London in 1934.
Runtime 2 hours and 30 minutes including a 15 minute intermission.
D irector’s Note
I am writing this on the eve of our first rehearsal for Anything Goes, and I am truly bursting with joy and anticipation. This will be the largest show we’ve ever produced at Gulfshore Playhouse in every way, and all of that is possible because we are now in the Baker Theatre and Education Center. I am looking forward to the rehearsal process immensely, utilizing our spacious and bright rehearsal rooms and seeing them full of dancers leaping and tapping up a storm. The set you will see on stage is double the size of anything we’ve ever done before, on top of moving scenery and gorgeous, “plane-free” acoustics!
It’s been an absolute delight to work on this show. It’s easy to think of Anything Goes as an “old chestnut” with no relevance in the modern world considering it was written 90 years ago. However, what this process has uncovered is just how familiar their lives and challenges are to us today. They are falling in love, worrying about whether their stock has risen or fallen, and they’re fascinated with celebrity criminals. “Times have changed” as Cole Porter writes in the titular song, but have they changed as much as we think?
Anything Goes is reminiscent of a vaudeville show or a musical revue, with quick scenes that build up to incredible numbers featuring songs you know and love, incredible dance routines, and phenomenal acting all the way. Because this is not only the largest production we’ve ever produced, it is also the largest show I’ve ever directed. I surrounded myself with the most amazing creative team of designers plus music director Trevor Pierce, choreographer Sara Brians, associate director Dann Dunn, and the wonderful Production Stage Manager Danny Kuenzel. All have lent their expertise and creativity to this effort in glorious fashion. Each are incredibly talented, driven, gracious, and full of good ideas. Their version of “good” is as close to perfection as I’ve ever seen and I consider myself lucky to work with them and this phenomenal cast. My biggest thanks go to the Gulfshore Playhouse staff who somehow moved us into the building, got the show onstage, and kept the boat afloat all with dedication and good humor.
I hope you enjoy watching it as much as we enjoyed creating it! All aboard as we set sail on our maiden voyage together!
Musical Numbers
Act I
“I Get A Kick Out of You” ................................................................................................. Reno Sweeney
“There’s No Cure Like Travel” ...................................................................................... Captain, Sailors
“Bon Voyage” ........................................................................................................... Sailors, Passengers
“You’re The Top” ...................................................................................... Reno Sweeney, Billy Crocker
“Easy to Love” .................................................................................................................... Billy Crocker
“The Crew Song” ............................................................................................................ Elisha Whitney
“There’ll Always Be a Lady Fair” ................................................................................ Quartet of Sailors
“Friendship” ..................................................................................... Reno Sweeney, Moonface Martin
“It’s De-Lovely” ....................................................................................... Billy Crocker, Hope Harcourt
“Anything Goes” ............................................................................................ Reno Sweeney, Ensemble Act II
“Public Enemy Number One” ............................................................... Captain, Purser & Passengers
“Blow, Gabriel, Blow” ................................................................................... Reno Sweeney, Ensemble
“Goodbye, Little Dream, Goodbye” .............................................................................. Hope Harcourt
“Be Like The Bluebird” ............................................................................................... Moonface Martin
“All Through The Night” .......................................... Billy Crocker, Hope Harcourt, Quartet of Sailors
“The Gypsy In Me” ............................................................................................... Lord Evelyn Oakleigh
“Buddie, Beware” ............................................................................................ Erma, Quartet of Sailors
Gulfshore Playhouse operates under agreements between the League of Resident Theatres (LORT), a consortium of regional theatres throughout the nation; Actors Equity Association (AEA), the union of professional actors and stage managers in the United States; the Stage Directors and Choreographers Society (SDC), an independent national labor union; and United Scenic Artists (USA), a union of scenic, costume, lighting and sound designers.
- Kristen Coury Director
The National Alliance for Musical Theatre, founded in 1985, is a not-for-profit organization serving the musical theatre community. The 165 organizational members and 75 individual members, located throughout 33 states and abroad, are some of the leading producers of musical theatre in the world, and include theatres, presenting organizations, higher education programs and individual producers.
Gulfshore Playhouse is a member of Theatre Communications Group (TCG), the national organization for the American Theatre.
Gulfshore Playhouse is an Associate Member of the National New Play Network.
Actors’ Equity Association (AEA) was founded in 1913 as the first of the American Actor unions. Equity’s mission is to advance, promote and foster the art of theatre as an essential component of our society. Today, Equity represents more than 40,000 actors, singers, dancers and stage managers working in hundreds of theatres across the United States. Equity members are dedicated to working in the theatre as a profession, upholding the highest artistic standards. Equity negotiates wages and working conditions and provides a wide range of benefits including health and pension plans for its members. Through its agreement with Equity, this theatre has committed to the fair treatment of the actors and stage managers employed in this production. AEA is a member of the AFL-CIO and is affiliated with FIA, an international organization of performing arts unions. For more information, visit www.actorsequity.org.
About the Authors
Cole Porter (Playwright) was born in Peru, Indiana in 1891 and died in Hollywood 73 years later. In between, he wrote some of the most memorable songs ever heard on stage or screen, among them “Night and Day,” “Begin the Beguine,” “You’re The Top,” “I Get a Kick Out of You,” “Love For Sale,” and “Just One of Those Things.” During the 1930s, his most productive decade, he provided a series of sparkling scores for such hits as Gay Divorce ; Anything Goes; Jubilee ; Born to Dance; and Red, Hot and Blue. Despite a crippling riding accident in 1937 which left him in constant pain, he achieved his greatest commercial success in 1948, with Kiss Me, Kate. His name remains synonymous with wit and sophistication to this day.
P.G. Wodehouse (Author) and Guy Bolton (Author) were both born in England. They were introduced by Jerome Kern, and he suggested they all work together. They did, tirelessly, and in the beginning of their collaboration wrote nearly one show per month: the famed Princess Theatre musicals. Bolton and Wodehouse went on to write more than 20 musicals together. Usually, they collaborated on the book, and Wodehouse wrote the lyrics. Both lived into their nineties, and both, together and individually, were astoundingly prolific. Bolton, with one collaborator or another, or on his own, had a hand in well over 100 musicals and straight plays as well as numerous film scripts and novels. Wodehouse wrote 97 books, most notably, the Jeeves novels and countless short stories, articles, essays and films. In 1975, he was knighted side by side with Charlie Chaplin. In addition to Anything Goes, their work together includes Have A Heart ; Oh, Boy!; Leave It To Jane; Oh, Lady! Lady!; Sitting Pretty ; Oh, Kay! and Rosalie. They remained friends and neighbors (in Remsenburg, New York) throughout their final days.
Howard Lindsay (Author) was an actor, stage manager, director and playwright before teaming up with Russel Crouse. Lindsay and Crouse’s partnership stands today as the longest collaboration of any writers in theatrical history, lasting for more than 28 years. The two men first joined forces in 1934, when the producer Vinton Freedley brought them together to rewrite the libretto for Anything Goes, which Lindsay directed. Two years later, they wrote another Cole Porter show, Red, Hot and Blue. Their first straight play, Life with Father, opened in 1936 and holds the record fir the longest running play on Broadway, at 3,224 performances. Lindsay and his wife, Dorothy Stickney, created the roles of Clarence and Vinnie Day, performing them for five years. Among other shows, Lindsay and Crouse also wrote The Sound of Music (score by Rodgers and Hammerstein), the Pulitzer Prize winning State of the Union, Call me Madam ,and Mr. President (scores by Irving Berlin); The Prescott Proposals and The Great Sebastians. They produced The Hasty Heart, Detective Story, and Arsenic and Old Lace
Russel Crouse (Author) was a newspaperman, a press agent for the Theatre Guild, the author of several books and a librettist before partnering with Howard Lindsay. Lindsay and Crouse’s partnership stands today as the longest collaboration of any writers in theatrical history, lasting for more than 28 years. The two men first joined forces in 1934, when the producer Vinton Freedley brought them together to rewrite the libretto for Anything Goes, which Lindsay directed. Two years later, they wrote another Cole Porter show, Red, Hot and Blue. Their first straight play, Life with Father, opened in 1936 and holds the record for the longest running play on Broadway, at 3,224 performances. Among other shows, Lindsay and Crouse also wrote The Sound of Music (score by Rodgers and Hammerstein), the Pulitzer Prize winning State of the Union, Call Me Madam ,and Mr. President (scores by Irving Berlin), The Prescott Proposals ,and The Great Sebastians. They produced The Hasty Heart, Detective Story, and Arsenic and Old Lace. In addition to his work with Lindsay, Russel Crouse later reproduced, in collaboration with his wife, Anna Erskine Crouse, a son, the writer Timothy Crouse, and a daughter, the actress Lindsay Crouse.
Timothy Crouse (Author) has been a contributing editor of Rolling Stone and The Village Voice, as well as the Washington columnist for Esquire, writing numerous articles for these other publications, including the New Yorker. He is the author of The Boys on the Bus, a classic account of the role of the press in presidential campaigns. With Luc Brebion he translated Roger Martin du Gard’s Lieutenant-Colonel de Maumort (Knopf, 2000). He is currently writing short stories, one of which, “Sphinxes,” was included in the O Henry Prize Stories 2005. He is the son of one of the original authors of Anything Goes, Russel Crouse.
John Weidman (Author) wrote the book for Pacific Overtures (Tony® nominations, Best Book and Musical), score by Stephen Sondheim, produced and directed by Harold Prince. He co-authored the Tony Award®-winning 1987 revival of Cole Porter’s Anything Goes and wrote the book for Assassins, score by Stephen Sondheim, directed Off-Broadway by Jerry Zaks and in London’s West End (Drama Critics’ Award for Best Musical) by Sam Mendes. Weidman’s other musicals include Big: The Musical, Contact, Road Show, and Happiness. Since 1986 he has written for Sesame Street, receiving seven Emmy Awards for Outstanding Writing. In 1996 he was awarded the Kleban Award and, from 1999 to 2009, he served as president of the Dramatists Guild.
About the Cast
Sarah Bowden (Reno Sweeney) is super excited to be playing this “Bucket List” role in Gulfshore Playhouse’s brand new theater! Career highlights in the USA: Nini in the First National Tour of Moulin Rouge after a wonderful run in the ensemble of the Broadway company! Cassie in A Chorus Line at The Hollywood Bowl and Pittsburgh CLO, Roxie in Chicago at The MUNY & Velma at Maltz Jupiter. A few Germany highlights include many shows and seasons at the Komische Oper in Berlin, Sally Bowles in many different productions of Cabaret and Esmerelda in the original Berlin and Munich productions of Hunchback of Notre Dame. Biggest thanks to the greatest team @DGRW. Connect with me on INSTA: @sarahbowden.de
Josh Canfield (Billy Crocker) appeared on Broadway, Off-Broadway, and at A.R.T., in the Tony Award®- winning production of Natasha, Pierre, and the Great Comet of 1812. The Great Comet marked his second Broadway show, following Doctor Zhivago, but he is perhaps most recognized from his season on CBS’ Survivor: San Juan Del Sur. Josh is also a writer/composer and his new musical ALIVE! is currently in negotiations for a run in London in 2025. Other select credits: Kinky Boots (Charlie, Riverside Theatre), Anything Goes (Billy, Ogunquit Playhouse), Cabaret (Emcee, Gateway Playhouse), Rocky Horror Picture Show (Rocky, Theatre Raleigh), Godspell (Jesus, Actors Playhouse). Josh received his MFA from the Royal Conservatoire of Scotland. @itsjoshcanfield @alivethezombiemusical
David Baida (Elisha Whitney, u/s Moonface) is honored to have been cast in the final show at the Norris Center (Sipos in She Loves Me) as well as the inaugural show at The Baker Theatre and Education Center! He was an original Broadway cast member of the Tony® nominated musical, On Your Feet (Broadway and 1st National Tour). He originated the role of Piragua Guy on the 1st National Tour of In The Heights, performing the show with Lin-Manuel Miranda in both Los Angeles and Puerto Rico. David was seen Off-Broadway in The Butcher Boy at Irish Repertory Theatre. Regional theaters include Kennedy Center, Goodspeed Musicals, Maltz Jupiter Theatre, Riverside Theatre, Alhambra Dinner Theatre, Sacramento Music Circus, Milwaukee Repertory, Ogunquit Playhouse, Paramount Theatre and Pioneer Theatre. His cabaret show, Unexpected Surprise, won the 2018 MAC Award for New York Debut-Male. David sings on the movie musical soundtracks of In The Heights, Dear Evan Hansen, Tick Tick Boom, and Vivo. TV: “Alternatino (Comedy Central),” “The Good Fight (CBS).” Love and thanks to Ben, my family, Michael Cassara and Dave Secor at Daniel Hoff Agency, Inc. www.davidbaida.com
Sara Esty (Hope Harcourt) is thrilled to be making her Gulfshore Playhouse debut! A former soloist with Miami City Ballet, Sara is a Princess Grace Award recipient for dance. She was most recently seen in the world premiere musical The Queen of Versailles. Other select theater credits: Crazy For You (Polly Baker - Asolo Repertory Theatre), The Phantom of the Opera (Meg Giry - Final Broadway company), An American in Paris (Lise Dassin - Broadway/1st National Tour), Brigadoon (Jean - NYCC Encores!), A Chorus Line (Maggie - Encores!, Cassie - Cape Playhouse), Alien/Nation (Williamstown Theatre Festival). Film/TV: Maestro, West Side Story (dir. Steven Spielberg), “Fosse/Verdon”, “EVIL”. Love to this team, my family, and BRS/Gage! @estygrl
Abbey Friedmann (Purity, u/s Erma) Gulfshore Playhouse Debut! Regional: A Chorus Line (Drury Lane); West Side Story (Graziella), Chicago, Footloose! (The Muny); Oklahoma Philharmonic Christmas Show (Featured Dancer, Civic Center Music Hall).
BFA: University of Oklahoma class of 2022. Unending gratitude to the Gulfshore team, Henderson Hogan, and her beautiful friends and family! @_flabigail_
Sarah Dearstyne (Swing, Dance Captain) Gulfshore debut! National Tour: Frozen, Bandstand. Regional: Crazy For You (Asolo Rep), 42nd Street (Goodspeed). Many thanks to my family and friends, our creative team, The Collective, and Sara Brians for this amazing opportunity. For my wonderful husband, Garrett. @sarah.dearstyne
Kirsty Fuller (Charity, u/s Reno) has performed internationally, most notably seen in the West End revival of 42nd Street (Swing/Understudy Anytime Annie). She also featured in the Up Next Gala at the National Theatre in London. U.S. Regional Theatre: Crazy for You at Asolo Rep Theatre (Follies Dancer, Understudy Irene, Patricia, and Lottie), 42nd Street at Goodspeed Musicals (Dance Captain/Swing), Beauty and the Beast (Associate Choreographer/Dance Captain/Silly Girl). UK Regional Theatre: White Christmas 2021 UK tour (Dance Captain/Understudy Martha), Sleeping Beauty (Dance Captain/Understudy Beauty). Concerts: Performed with the Chapel Choir at The Royal Albert Hall and in West End Has Faith. UK Television: Featured on BBC’s “Strictly Come Dancing: It Takes Two,” ITV’s “This Morning,” and BBC’s “The ONE” Show. Cruise Performances: Lead Vocalist and Dancer on Voyage of Discovery and Minerva. Kirsty is thrilled to join this company and be part of such a fantastic show. She extends her deepest thanks to her supportive family and loving husband. Matthew 22:37-39.
Matt Guernir (Purser) is thrilled to be making his Gulfshore debut with Anything Goes in this beautiful space! An Orlando native and ’22 UF grad (BFA & MS in Business Management) now based in NYC, he’s excited to be back in The Sunshine State for his FL pro debut. Most recently, Matt covered the role of Bert in Mary Poppins and other favorite credits include: Mike – A Chorus Line & Billy Lawlor – 42nd Street. He would like to thank God and his family for all their love, his friends and castmates for their support, his reps at Carson-Adler and Kristen, Sara, Trevor and Michael Cassara for this wonderful opportunity! @mattguernier | mattguernier.com | #gogata
About the Cast
Miya Heulitt (Chastity) is so excited to be revisiting one of her favorite shows here at Gulfshore! Recent credits include Rhoda in White Christmas (Tuacahn), Lorraine in 42nd Street (MTWichita), Silly Girl in Beauty and the Beast (MTWichita), Letters to the President (Goodspeed Festival of New Musicals) ,and 42nd Street (Theatre by the Sea). BFA in MT from The Hartt School. Endless thanks to the entire creative team and her friends (especially Miss Maggie Mae) and her team at MSA. Love to mom and dad always. @miyaheulitt
Darrell T. Joe (Ensemble, u/s Captain) As a big fan of Cole Porter, Darrell is “DeLighted” to finally do this show! Broadway: Monty Python’s Spamalot. Off-Broadway: Cheek to Cheek (York Theatre Company), The Time Machine (NYMF). National Tours: Jesus Christ Superstar 50th Anniversary, Damn Yankees. Favorite roles include Max in Stardust Road; Paul in Kiss Me, Kate; Bobby in A Chorus Line; and Fred in Smokey Joe’s Cafe. Selected Regional: Goodspeed Opera House, The MUNY, Bucks County Playhouse, Denver Center, Theatre Under the Stars, Riverside Theatre. www.darrelltjoe.com @darrelltjoe
Jay Aubrey Jones (Captain, u/s Elisha Whitney) is thrilled to be making his Gulfshore Playhouse debut. He has been seen on Broadway as Twimble and Womper in How to Succeed… and Old Deuteronomy in Cats. His Off-Broadway credits include David (AMT Theatre), A Child’s Christmas in Wales (Irish Repertory Theatre), Panama Hattie, Lolita, My Love, Take Me Along and Oh Captain! (York Theatre Company’s Musicals in Mufti Series). He made his Metropolitan Opera debut as the Crab Man in Porgy and Bess. His regional credits include Company (Larry, Arts Center of Coastal Carolina), MacGyver – The Musical (Helmut Heimlich– Stages Houston), Assassins (Bystander, Yale Repertory Theatre), The Drowsy Chaperone, Anything Goes ,and Gotham! (Underling, The Captain and The Tinker, Goodspeed Musicals), A Few Good Men (Colonel Randolph and Captain Whitaker, Bristol Riverside Theatre), and Boesman and Lena (Boesman – New Jersey Theatre Forum). Summer and Winter Stock audiences have seen him in Irving Berlin’s White Christmas (Ezekiel Foster and Mr. Snoring Man – Bucks County Playhouse), To Kill a Mockingbird (Rev. Sykes – Mountain Playhouse), A Little Night Music (Mr. Lindquist – Seaside Music Theater), Amahl and the Night Visitors (King Balthazar – Surflight Theatre). His film and television credits include Shortcut to Happiness, “Only Murders in the Building,” “Bull,” “To Tell the Truth,” “Gotham,” and “The Michael J. Fox Show.” He is the voice behind the Laurel vs. Yanny Internet controversy and a graduate of Syracuse University Drama Department. Mr. Jones dedicates his performance to the memory of his dear friend Joseph Parra.
Graham Keen (Ensemble, u/s Spit, u/s Dippy) is delighted to be making his debut at the Gulfshore Playhouse with Anything Goes! National Tours: Pretty Woman, White Christmas, and Young Frankenstein. Various Regional: Goodspeed, Broadway at Music Circus, TUTS, The MUNY, Ogunquit, Maltz Jupiter, Music Theatre West. TV: “Modern Love (Amazon).” Big thanks to Sean and Hybrid Agency. And endless love to Raina, the most beautiful beagle mix you’ve ever seen.
Mike Labbadia (Moonface Martin) is a New York based actor. Past credits at Gulfshore Playhouse include Saint Joan, as well as understudy tracks for The 39 Steps and Higher. Off-Broadway: Julius Caesar / Caesar & Cleopatra, Arcadia, Winter’s Tale, Hedda Gabler with BEDLAM and Strictly Dishonorable at the Flea. Other Regional credits include: Centennial Casting (Penguin Rep), Saint Joan (Alabama Shakespeare Festival), Hamlet (Alabama Shakespeare Festival), and Saturday Sunday Monday (Virginia Rep). As a producer and filmmaker his work has been screened on Short of the Week and at festivals like Bushwick Film Festival, Women in Horror, Oaxaca Film Festival and Picture Farm Film Festival, Big Apple Film Festival and Miami Web Fest. Proud company member of BEDLAM. BFA, UNCSA. Thanks to Kristen and Michael Cassara for the opportunity, Neen for her love and Mom and Dad for everything. Check out the Creative Risk podcast and follow him at @__labod__.
Josh Levinson (Spit, u/s Lord Evelyn) Gulfshore Playhouse debut! Favorite stage credits include West Side Story (Guthrie Theatre, Maltz Jupiter Theatre), A Chorus Line (Flat Rock Playhouse), Steam Heat (Mason Street Warehouse, world prem), Fiddler on the Roof (Beef & Boards Dinner Theatre), Disaster! and Double Trouble (Rocky Mountain Repertory Theatre). Josh was a member of the Resident Acting Company at the Barter Theatre, where he starred in 15 productions in just 2 years. Highlights include White Christmas (Phil Davis), Footloose (Willard), Big Fish (Karl the Giant), and The Cottage (Richard). TV/Film: Multiple appearances on “Saturday Night Live,” “Food that Built America,” “@JustaGirlonBroadway,” “Ruff & Tug,” “Diabolical.” Commercial: TD Ameritrade, Boost Mobile (currently running). BFA Music Theatre, Illinois Wesleyan University. Outside of acting, Josh has run his own professional photography company, jklphoto, for over 14 years. So many people to thank: the backstage crew, Kristen, Sara, Trevor, Dann, and my wonderful cast mates. Shoutout to my Samuel, my sweet loved ones, and the best team of reps on the planet. I’m dumb online, too: @ joshisacreature www.josh-levinson.com
Alex Hayden Miller (Ensemble) is a director/choreographer/actor with a BFA in Musical Theatre from the University of Michigan (2016) and a Master’s Degree in NonProfit Leadership with an arts administration focus from Oklahoma City University (2021). Gulfshore debut! Favorite credits include – Mary Poppins (Bert) Red Mountain Theatre, Newsies (Morris Delancey) The Muny, West Side Story (Action) Milwaukee Rep, Fun Home (Jeremy/Roy/Pete/Mark) Fulton Theatre, Anything Goes (Ensemble/
About the Cast
Quartet, Tenor 1) The Muny. Favorite choreographer credits include A Soldier’s Tale, Together We Celebrate, Fun Home , and Cinderella at the Fulton Theatre. Favorite associate director credits include the off-Broadway play Ferguson directed by Jerry Dixon and Cinderella directed by Marc Robin. Tap master class work includes the Joffrey Ballet School summer intensive and the University of Oklahoma. Alex hopes that his education in musical theatre and arts administration will help foster creative and inviting spaces that all people feel seen and represented by both on stage and in the audience. Special thanks to Mom, Dad and Elle for all the love and support, DGRW for connecting me with such incredible artists, and Sara Brians and everyone at Gulfshore for this wonderful opportunity. Thunder up and Go Blue! Insta - @thejackedtapper, YouTube – Alex Hayden Miller, alexhaydenmiller.com
Val Moranto (Ensemble, u/s Evangeline Harcourt) is thrilled to be making her Gulfshore Playhouse debut! Selected Regional & Tour: Kinky Boots (ACT of CT/Riverside Theatre in Vero Beach), Sunset Boulevard, Jesus Christ Superstar, The Secret Garden (ACT of CT), Sweeney Todd (Madison Lyric Stage: Broadway World “Best Actress in a Leading Role” nominee for Mrs. Lovett), The Who’s Tommy (International Tour), Les Miserables (Ogunquit Playhouse/Riverside Theatre in Vero Beach), Priscilla Queen of the Desert (Boston Premiere), Fiddler on the Roof (Ogunquit Playhouse/Fulton Theatre) , and Mary Poppins (Arts Center Coastal Carolina in Hilton Head). Val can also be seen on Season 16 of America’s Got Talent & singing with Josh Groban on his Summer Harmony Tour of 2022! Proud graduate of the Boston Conservatory of Music. She would like to thank Sara Brians, Kristen Coury, Trevor M. Pierce & Michael Cassara for this opportunity and her Husband Tj for his love & support!
Kennedy Perez (Virtue) is thrilled to be in her first show at Gulfshore Playhouse in this beautiful new space! Most recently, she performed in Empire the Musical OffBroadway. Other favorite credits include the World Premiere of Summer Stock, and the international tour of A Chorus Line. Much gratitude to the cast and crew and The Collective Talent!
and I (Anna); Gypsy (Rose); Thoroughly Modern Millie (Mrs. Meers); Lend Me A Tenor (Maria); Boy from Oz (Judy Garland); Bullets Over Broadway (Helen Sinclaire); Mame (Mame); Hello, Dolly! (Dolly); Company (Joanne); Annie (Hannigan); The Cottage (Marjorie); Boeing, Boeing (Gabriella); Spamalot (Lady of the Lake); Singin’ in the Rain (Lina Lamont); Sweeney Todd (Beggar Woman); Into The Woods (The Witch); Kiss Me, Kate (Kate); The Full Monty (Vickie); The Drowsy Chaperone (Chaperone); Memphis (Gladys); Grand Hotel (Grushenskya). Film/TV - Happyish (Showtime); “Law and Order SVU (NBC);” Heart Of Spider (NYU). She also headlines with symphonies across the country – including your very own Naples Philharmonic! www.micheleragusa.com / Instagram: mmmragu
Kilty Reidy (Lord Evelyn Oakleigh) is thrilled to be part of the inaugural production at the Baker Theatre and Education Center. He most recently played Dennis Dupree in Rock of Ages at The Sharon Playhouse. Broadway: The Drowsy Chaperone and In My Life. Tour and Regional credits: Come From Away (North American and Australian Tours), Vice Principal Panch in The 25th Annual... Spelling Bee (George Street Playhouse), Mr. Braithwaite in Billy Elliot: The Musical (National Tour), Mike Nulty in Irving Berlin’s White Christmas (Opirinal Cast/Tour), The Last Ship (Pioneer Theatre), Roger De Bris in The Producers (Kansas City Starlight), Crazy For You (PBS Great Performances), King of Hearts (Goodspeed Opera House), and Alfie Byrne in A Man of No Importance (B-Side). www.kiltyreidy.com
Michele Ragusa (Evangeline Harcourt) is thrilled to be in this, the inaugural production of the new theatre! She was seen previously at the Gulfshore Playhouse as Senex (the dirty old man) in Forum. She was last seen on Broadway in Flying Over Sunset at Lincoln Center, written and directed by James Lapine. Other BroadwayYoung Frankenstein (Elizabeth); Urinetown (Penny); Ragtime (Evelyn Nesbit); Titanic (Caroline); A Class Act (Mona); Cyrano. Other NY - Austen’s Pride - Mrs. Bennett (Carnegie Hall); The Butcher Boy (Irish Rep), Adrift In Macao - Corinna (Lortel/Drama League nom/Barrymore Award); Titanic-20th Anniversary Concert - Alice Beane (Alice Tully Hall); Disaster – Jackie (St. Lukes). Regional Theatre - 42nd Street (Maggie); King
Rachel Revellese (Ensemble, u/s Hope) is thrilled to be making her Gulfshore Playhouse debut! She is a New Hampshire born singer, actor, (tap) dancer and recent graduate of Syracuse University. Recent credits: 42nd Street (Peggy Sawyer) MacHaydn Theatre, Legally Blonde (Ensemble) Theatre Aspen, The Sound Of Music (Liesl) MacHaydn Theatre, The Little Mermaid (Swing u/s Scuttle) Syracuse Stage. Rachel is also a tap dance ambassador for the global dance brand SoDanca and can be found tapping all over Instagram. Gratitude to her reps at Bloc NYC and her endlessly supportive family. There’s always a rainbow on the other side of everything, if you reach for it. @rachel.rev
Maya Santiago (Erma) National Tour: On Your Feet! (Gloria cover, Swing). OffBroadway: Shooting Star. Regional: Sandy in Grease (Pittsburgh Musical Theatre), West Side Story (PCLO & Starlight), Disney’s Aida (STAGES St. Louis). Television: “Sprung” (Amazon Prime TV), “Macy’s Thanksgiving Day Parade” (NBC). Staten Island native. Proud Filipino-Puerto Rican. Endless thanks to The Mine Agency, Point Park University and her mom for all her wisdom and unconditional love. All glory belongs to God himself! @mayalsantiago
About the Cast
Christian David Tinajero (Dippy, u/s Purser) is so excited to be joining this cast for his first professional show out of college! Christian David recently graduated from the University of Oklahoma (Magna Cum Laude) and double majored in Musical Theatre Performance and Communications/Marketing, respectively, while being the president of Lambda Pi Eta. Christian David is also currently pursuing his MBA through his alma mater in Finance and Accounting. Some favorite houses Christian has performed at include the Lyric Theatre of Oklahoma, Shenandoah Summer Music Theatre, and The Muny. Favorite roles include Eugune in Crazy for You, Dolokhov in Natasha…Great Comet of 1812, Ernst in Spring Awakening, Michael Wormwood in Matilda, Angel in Kinky Boots, Tobias in Sweeney Todd, and Hipster Dork in Heathers! Special thanks to his friends, family, and agents at DGRW! All for the love of creating meaningful art. @christiandtinajero
Andrew Winans (Swing) New York City: City Center, Public Theatre, Players Theatre, AMT Theatre. National/ International Broadway Tours: A Chorus Line, 42nd Street. Select regional: North Shore Music Theatre, Pittsburgh Civic Light Opera, Gateway Playhouse, Maine State Music Theatre, ACT of Connecticut, American Theatre Group. TV/ Film: “Saturday Night Live,” “The Marvelous Mrs. Maisel,” Live by Night. Training: The Boston Conservatory (B.F.A. Musical Theatre), The School at Jacob’s Pillow. Proud faculty at STEPS on Broadway. Love and gratitude to this brilliant creative team and incredible husband, Danny. @andrewwwinans
Jack Wunsch (Ensemble, u/s Billy Crocker) is an Australian native who is thrilled to be joining his first production at Gulfshore Playhouse, He made his American debut this past year in Crazy For You at Asolo Repertory Theatre, where he understudied the leading role of Bobby Child. His most recent credits include Stuart in Tootsie at North Shore Music Theatre. In Australia, he performed in The Phantom of the Opera at the Sydney Opera House as the Solo Dancer, and originated the role of Mitch in the new Australian musical, The Deb, produced by Rebel Wilson. Jack toured Australia with the two-man cabaret Sugarbabies! and then went on to choreograph and perform in the subsequent production Scoundrels! His other notable credits include Adam/Felicia u/s in Priscilla, Queen of the Desert and Burn The Floor with NCL. jackwunsch.com @ jackwunsch
About the Creative Team
Kristen Coury (Director) is the CEO and Producing Artistic Director of Gulfshore Playhouse. She founded the Playhouse in 2004, after moving to Naples from New York City. Under her leadership, the Playhouse has grown to a staff of 56, an annual budget of $8.15M with no debt, and led the charge to create a $72M state-ofthe-art Theatre and Education Center at the gateway to downtown Naples, which will be open to the public in late 2024. As part of this project, Coury ignited a public/private partnership with the City of Naples, donating an acre of land upon which to build a public parking garage. While in New York, she worked on Broadway for Walt Disney Theatrical’s production of Beauty and the Beast, both nationally and internationally, and for Andrew Lloyd Webber’s company, The Really Useful Group, working on Sunset Boulevard and Joseph and the Amazing Technicolor Dreamcoat. Kristen made her feature film directorial debut with Friends and Family, a comedy starring Tony Lo Bianco, Anna Maria Alberghetti, and Tovah Feldshuh, which was released around the US and Europe. Kristen has directed several new works, produced a CD, and worked on a variety of musicals in various stages of development. Kristen is also a frequent investor in Broadway productions, most recently The Neil Diamond Musical: A Beautiful Noise. Kristen has directed over 40 productions for the Playhouse. Including a ten person, 2 piano My Fair Lady, world premieres, the world premiere of The God Game by Suzanne Bradbeer and The Butcher by Gwydion Suilebhan. Kristen was named one of the “Top 40 Professionals Under 40” by Gulfshore Life Magazine in 2008, a “Star in the Arts” by the United Arts Council of Collier County in 2011, and she was named one of the Men and Women of the Year by Gulfshore Life in 2013. She served two terms on the board of Theatre Communications Group, the national advocacy group for professional theatres. She is a member of the board of the Greater Naples Chamber of Commerce, and was named one of the Top 100 Most Influential Business Leaders in Collier County in 2022, 2023, and 2024. Most recently, she was appointed to Florida Council for arts and culture by Senate President Kathleen Passidomo.
Sara Brians (Choreographer) is a New York City based director, choreographer and educator. She is currently the US Associate Choreographer for The Hills of California on Broadway directed by Sam Mendes, and is thrilled to join the Gulfshore Playhouse family choreographing the new Baker Theatre’s inaugural production of Anything Goes. With a varied career, she has worked on Broadway (42nd Street, Billy Elliot, Matilda, White Christmas, The Terms of My Surrender, and After the Night and the Music), across the globe, and with prestigious institutions including The Radio City Rockettes, The Kennedy Center, New York City Center, Goodspeed Opera House, The 5th Avenue Theatre, Asolo Repertory Theatre, Theatre Aspen, and many more. She loves developing new musicals in addition to directing and choreographing revivals, and has also directed and choreographed numerous industrials, concerts, and entertainment events. Her recent work includes choreography for regional productions of Rock of Ages, Guys and Dolls, Sunset Boulevard, and Mary Poppins. For more, visit SaraBrians.com and @brianssarak on instagram.
Trevor M. Pierce (Music Director & Additional Orchestrations) a New York-based music director/ arranger/orchestrator, is thrilled to be returning to Anything Goes after touring with the 2011 Broadway revival starring Sutton Foster. Prior Gulfshore credits include: Winter Wonderettes (2023), Stompin’ At The Savoy (2024). NYC: BCEFA Broadway Backwards/Easter Bonnet, Broadway Dreams, Whiskey Pants (HERE Arts), Once Upon A Mattress (St Jean’s Theater), Green Gables (DR2), Fire Island (TheatreRow), concert series at GreenRoom42 & 54 Below. Tours/Int’l: Elf Nat’l Tour, Anything Goes Nat’l Tour, Celebrity Cruises. Regional: Goodspeed Opera House, Ogunquit Playhouse, Hartford Stage, Northern Stage, Kimmel Center, Gateway Playhouse, Argyle Theater, Arts Center of Coastal Carolina, Walnut Street Theater, Fire Island Performing Arts
Christian David Tinajero
About the Creative Team
Project, and others. Singing adjudicator for NYU Tisch Drama admissions. BA in Theater/Music, University of Pennsylvania. Proud 802 member. Love to Mom, Dad, and John. www.trevormpierce.com
Dann Dunn (Associate Director) has created and maintained professional works as a Director/Choreographer, Associate, Dance Captain, Educator, Producer, and Live Events Coordinator around the world. NYC: Sesame Street On Broadway (Madison Square Garden), Miracle On 34th Street (MSG), The Adventures Of Tom Sawyer (Symphony Space), First Date (Revised National Tour Workshop). National Tour: CATS, The Music Man, The Adventures Of Tom Sawyer, Sesame Street Live!. International: CATS, The Music Of Andrew Lloyd Webber, La Traviata. Regional: Fiddler On The Roof (w/ Eddie Mekka), Mame (w/ Lea Delaria, Bucks County Playhouse), Chicago (w/ Justin Guarini), Hello, Dolly! (w/ Andrea McArdle, Media Theatre), Spamalot (w/ Sally Struthers, Riverside Theatre), The Best Little Whorehouse In Texas (w/ Loretta Swit, Forestburgh Playhouse), Walnut Street Theatre, Delaware Theatre Company, Fulton Opera House, Arden Theatre, The Kennedy Center, The Kimmel Center, Ogunquit Playhouse, Cardinal Stage, Sierra Rep, Weathervane Rep, PEG, Totem Pole Playhouse, Jenny Wiley Theatre, Society Hill Playhouse, Resident Theatre Company (Barrymore Nomination), The Eagle Theatre (Barrymore Nomination), and Ocean City Theatre Company. Contributing Choreographer: Norwegian Cruise Lines, The Red Cross, Modell’s Sporting Goods, Merck Pharmaceuticals, The National Liberty Museum, Circus Circus Las Vegas, Sesame Street Workshop, Macy’s, and The X Games. Dancer: Mariah Carey, Mark Kanemura (Lady Gaga, Janet Jackson, “So You Think You Can Dance?).” TV/Film: “Good Morning America,” ‘The Today Show,” The Emmy Award-winning PA Cardiovascular Health Project, Macy’s Thanksgiving Day Parade, “Repetition Rhapsody.” Proud Member, Actor’s Equity Association.
Kelly James Tighe (Scenic Designer) Off-Broadway and national tour credits include Martin Luther on Trial, Shadowlands, The Most Reluctant Convert, The Great Divorce, The Fantastiks, Almost Heaven, Movin’ Out, Shear Madness ,and Cats. His regional theatre credits include Paper Mill Playhouse, San Jose Repertory Theatre, Laguna Playhouse, Center REPertory Company, SlowBurn Theater, Arts Center of Coastal Carolina, Sacramento Theatre Company, Gateway Playhouse, Broadway By the Bay, Contra Costa Musical Theatre, Diablo Theatre Company and Ray of Light Theatre. Kelly’s theatrical work is published in the textbook Scene Design and Stage Lighting and his work as an illustrator has been published in Mooseltoe, A Moose and a Dream. Awards and recognitions include the San Francisco Bay Area Theatre Critics Circle, DramaLogue and the Shellie Awards.
Dalton Hamilton (Lighting Designer) works around the country as a designer, associate, and programmer. He treasures coming to Naples to work with the wonderful people at Gulfshore Playhouse. His work has been seen on stage at the following Regional Theaters: Bay Street Theater, Gulfshore Playhouse, Tuacahn Amphitheatre, Ogunquit Playhouse, City Springs Theatre Company, Nashville Rep, FreeFall Theatre, and American Stage. Dalton has also been an Associate Designer for numerous theme park shows at Busch Gardens Williamsburg under Lighting Designer Ken Billington for the past 9 years. Other credits include The Prince of Egypt (US Assistant, West End) with LD Mike Billings, Rogers: The Musical, Hawkeye Series (Marvel Studios: Disney+) and The Twenty-Sided Tavern (Broadway Playhouse, Chicago) with LD Mike Wood. Proud member of United Scenic Artists, Local USA-829. daltonhamiltonlightingdesign.com | @dhlightingdesign
Mary Folino (Costume Designer) resides in Philadelphia and is currently Arcadia University’s Costume Shop Manager and resident costume designer, having previously worked as the Costume Shop Manager for the Walnut Street Theatre in Philadelphia, and as the Costume Director of the Milwaukee Repertory Theater. Favorite designs include Holiday Inn, Young Frankenstein, Rocky the Musical, Beautiful: The Carole King Musical (WST); The SpongeBob Musical, and Jersey Boys (Broadway Sacramento). Many thanks to the Gulfshore team, all my collaborators on this piece, and the amazing costume and wardrobe staff!
Victoria Deiorio (Sound Designer) is happy to be returning after designing She Loves Me and Barefoot in the Park - and to be a part of the opening of the new theatre. Off Broadway: Dracula: A Comedy of Terrors (New World Stages); Nine Circles (Sheen Center); A Christmas Carol (St. Clements); Two Point Oh with Active Theatre (Primary Stages); Arnie the Doughnut at the NYMTF (The Pearl); Cassie’s Chimera (Joe’s Pub-The Public); The Bluest Eye with Steppenwolf (The Duke Theatre); and others. Regional: Oregon Shakespeare Festival, The Old Globe, The Goodman, Steppenwolf Theatre, Hartford Stage, Long Wharf Theatre, Syracuse Stage, Cleveland Playhouse, Indiana Repertory, and many others. Victoria has won 7 Jeff Awards, 2 After Dark Awards, and a SALT Award. For more information visit bio.site/VictoriaDeiorio.
Danny Kuenzel (Equity Stage Manager) is honored and thrilled to no end to be stage managing the very first production to grace Gulfshore Playhouse’s brand-new Moran Mainstage. It’s de-lovely! (And so is every other room in this building. Have you seen this place!?!). Prior to this she’s managed GP’s Into the Breeches, Winter Wonderettes, Barefoot in the Park, Steel Magnolias, The 39 Steps, Another Revolution,and Bedlam’s Saint Joan. Other regional credits include: Saugatuck Center for the Arts, Mason Street Warehouse, Clarence Brown Theatre, Arkansas Repertory Theatre, Pioneer Theatre Company, Indiana Repertory Theatre, Weston Playhouse Theatre Company, Alley Theatre, Drury Lane Oakbrook, and the Contemporary American Theatre Festival. Danny is a proud 20+ year member of Actors’ Equity Association, the union for performers and stage managers.
Erica Mansfield (Intimacy Director) is thrilled to be back with the Gulfshore Playhouse family after her previous role as intimacy director of She Loves Me. Her career has given her the joy of performing in 11 Broadway shows including Mamma Mia, How to Succeed…, Evita, Pippin, On the Twentieth Century, On the Town, Finding Neverland, Bandstand, Kiss Me ,Kate, Mrs. Doubtfire, and Almost Famous. National Tours include A Chorus Line and Mamma Mia! Erica recently served as Associate director/choreographer and Lorraine for Jersey Boys at Casa Manana as well as Associate choreographer for Fiddler on the Roof at The Papermill Playhouse and at The Muny. TV credits include “FBI,” “Law and Order,” “The Marvelous Mrs. Maisel,” “The Best Man,” “That Damn Michael Che,” “Jimmy Fallon,” PBS “50 years of Broadway,” “SNL ,” and “The Kennedy Center Honors.” Erica is also a lactation education counselor, yoga instructor, pilates mat instructor and visual stylist. Her training as an intimacy professional comes straight out of the wonderful program of IDC.
Patrick Mulryan (Vocal Coach) is a queer director, actor, teacher, and voice and dialect coach based in New York City. As a Voice and Dialect Coach, he is currently represented on Broadway by Harry Potter and the Cursed Child (Lyric) and Yellow Face (Roundabout). Past credits include Corruption at Lincoln Center Theater, Lost in Yonkers at Hartford Stage (co-directed by and starring Academy Award nominee Marsha Mason) and Sweat at the Huntington Theater Company for which the cast received the Elliot Norton Award for Outstanding Ensemble. Directing credits include Indian Ink, Raison d’être: an Evening of Pirandello (also adaptor), and Goblin Market (JJewell Productions) which he directed in New York at 59E59 and abroad at the Edinburgh International Fringe
About the Creative Team
Festival. Acting credits include Menier Chocolate Factory (London), Roundabout Theatre, EST, Barrow Street/ TFANA, La MaMa, McCarter, Old Globe, Trinity Rep, and the Guthrie. Patrick is a member of the Voice and Speech faculty at the Juilliard School in the Drama Division. He received his MFA in Acting from Brown University/ Trinity Rep and is a certified teacher of Miller Voice Method (mVm). Patrick is also a board member of Colored Criticism, an organization that highlights the voices of artists, audiences, and professionals historically sidelined from cultural criticism.
Bobbie Zlotnik (Wig Designer) is excited to return to Gulfshore after designing wigs for many recent shows including: She Loves Me, Winter Wonderettes, Into The Breeches, and Steel Magnolias. Off-Broadway: Emojiland (Drama Desk Nom.), Ibsen’s Ghost, Gatsby Immersive, Fairycakes, Forbidden Broadway, and many more. Recent regional: Frozen - Regional Premiere (Tuacahn), La Cage Aux Folles (Barrington Stage), Waitress & Beautiful (The Cape Playhouse). Other regional: Pittsburgh CLO, Theatre Aspen, The Ordway, George Street, Syracuse Stage, and many more. www.BobbieZlotnik.com
Brianna McVaugh (Fight Director) is an EMC actor/singer/dancer and Florida local. She studied Theatre Performance at and graduated summa cum laude from the University of South Florida and also studied Musical Theatre at Santa Fe College. Brianna is an advanced actor combatant certified by the Society of American Fight Directors and a professional fight and intimacy coordinator working at theaters such as Florida Repertory Theatre, Jobsite Theatre, and The University of South Florida School of Theatre and Dance. She is so excited to be working with the incredible cast and crew of Anything Goes at Gulfshore Playhouse!
Casey Reed (Assistant Music Director / Associate Conductor) is a New York-based music director, pianist, and conductor for musical theatre. Select professional credits include Miss Saigon (Broadway), Half Time (Paper Mill Playhouse), Working (Berkshire Theatre Group), and Pharma Bro (Off-Broadway). Casey is also a dedicated educator and teaching artist, music directing at institutions like French Woods and youth programs around NYC. He recently received his Master’s in orchestral conducting from the University of Cincinnati CollegeConservatory of Music (CCM) where he was a graduate assistant in theatre music direction. For his undergrad, he attended Northwestern University where he received a B.A. in theatre and a minor in economics. He loves baseball, Nintendo, and his dog George, who was named after Sondheim’s masterpiece, of course! www.caseyrobertreed.com
Merit Glover (Assistant Stage Manager) (he/him) is an AEA Stage Manager originally from Berkshire County, MA. Recent productions include Boeing Boeing, English, Blues for An Alabama Sky (Barrington Stage Company), A Christmas Story: The Musical (Surflight Theater), Cambodian Rock Band, Stones in His Pockets, It Came From Outer Space! (TheatreSquared). Case Western Reserve University, B.A. in Theater Arts & Spanish.
Michael Cassara, CSA (Casting Director) casts theatre and film in New York City and is thrilled to return to Gulfshore Playhouse for a 16th season, having cast over 70 productions here since 2009. Recent credits include American Eclipse (Michael John LaChiusa, dir. Bill Rauch), An American In Paris (Int’l Tour, dir Christopher Wheeldon), Spamilton (NYC/Chicago/Pittsburgh CLO/tour), Forbidden Broadway (last five editions/albums), and over 750 plays and musicals since 2003. Regional credits include Weston Theater Company, Argyle Theatre, Hangar Theatre, Ogunquit Playhouse, Actors Theatre of Louisville, Denver Center, Asolo Rep, and many more.
Resident Casting Director for the National Alliance for Musical Theatre (NAMT) since 2013. Michael is a native Clevelander and serves on the BFA faculty at Wright State University. Member, Casting Society of America (CSA). BFA, Otterbein University. MichaelCassara.net / @michaelcassara
Joel Markus (COO & Managing Director) is thrilled to be in his seventh season as Gulfshore Playhouse’s COO & Managing Director. Joel enjoys working side by side with Kristen to produce Broadway caliber theatre while focusing on cultivating a great staff and culture. In his time at Gulfshore Playhouse, Joel has helped grow and quadruple the theatre’s budget, triple the staff, has co-managed the design and construction of the new $72M Baker Theatre and Education Center, new production shops construction project, has been instrumental in joining LORT (most recently, being on the negotiating committee for LORT and Actors’ Equity Association), and navigated and guided the organization through the pandemic and Hurricane Ian. Joel’s thirty year career has taken him to some of our nation’s leading professional regional theatres. He most recently spent seven seasons at America’s oldest theatre, Walnut Street Theatre in Philadelphia. Joel has played integral roles in the production of hundreds of plays over ten seasons at the Indiana Repertory Theatre, four years at Geva Theatre Center in Rochester, NY, five summers at the Weston Playhouse in Vermont, American Players Theatre in Spring Green, Wisconsin, and North Shore Music Theatre in Beverly, Massachusetts. Joel is a graduate of Indiana University and originally from Miami, Florida.
Anything Goes
Dramaturgical Notes
Anything Goes is about as classic as the American musical gets. In 1934, the year Anything Goes was first produced, the ‘book musical’ as we know it today was still a relatively new invention. In the early part of the 20th century, the United States— New York City in particular—was a melting pot, with many cultures blending together to create something entirely new. So too was the musical, an entirely new and uniquely American art form that emerged from a synthesis of other popular forms of entertainment such as vaudeville, minstrel shows, and operettas, combined with the distinctly American musical genres of jazz and ragtime that defined Roaring Twenties culture.
After a booming beginning, the still nascent Broadway hit its first major hurdle as the Great Depression sunk its claws into American life and nearly destroyed the industry. During the Depression, audiences sought out escapism and light-hearted fare so they were drawn to musical comedies. Few shows exceeded 500 performances (Anything Goes ran for 422). Spectacle, song, and dance were the top priorities of the 1930s musical comedy and the plot was usually a secondary focus, constructed primarily to move from number to number.
Anything Goes is the epitome of 1930s musical comedies, and it is certainly one of the most iconic. But the Anything Goes you will be seeing today isn’t exactly the same as the Anything Goes audiences nearly 100 years ago would’ve seen. It’s a Frankenstein of a musical; songs have been added and removed, lines deleted
and rearranged, characters’ names changed, and more.
Its shape-shifting nature feels fitting given how it was made. The story begins, naturally, at sea with a Broadway producer named Vinton Freedley. After years of successfully producing Broadway shows, he’d run aground with a Broadway flop called Pardon My English in 1933. Freedley laid low out in the middle of the Pacific Ocean to escape the creditors snapping at his heels. It’s said that this is where Freedley came up with the seeds of a story that eventually grew into Anything Goes.
At that time, Broadway producers typically recruited the stars of a musical before there was even a script. The script would then be shaped around their onstage personalities. Freedley was in desperate need of a guaranteed hit, so he recruited the most coveted names in show business: William Gaxton, Victor Moore, and Ethel Merman. To write the book, he chose P.G. Wodehouse and Guy Bolton. The Gershwins were his frequent collaborators, but they were committed to Porgy & Bess, so Freedley chose Cole Porter instead.
At that time, Cole Porter was on his own watery adventure, taking a luxurious cruise down the Rhine. Nevertheless, Freedley got an early script to him and just a few weeks later, they met at a hotel in London. Porter showed up with songs that Freedley “fell in love with” upon first hearing.
The original Wodehouse and Bolton script ultimately bears little resemblance to the show we know as Anything Goes, including its name which was not decided until late in the process. While the original story was set aboard a luxury liner, it featured numerous elements that did not make it. The largest lost storyline was a fake bomb threat, which was removed two days before the start of rehearsals after a reallife disaster: the Morro Castle, a pleasure ship, wrecked in the Atlantic, killing 132 people.
That was just the first of many challenges. Freedly was displeased with the script, so he recruited director Howard Lindsay and his writing partner, Russel Crouse, to rework it. The new story, which reportedly kept fewer than a dozen lines from the original, was structured around Cole Porter’s music. The ship setting remained because the set pieces were already built.
By the time rehearsals began, only a portion of the first act was completed, and the second act hadn’t been written at all. Everything was in such a state of flux that the show still didn’t have an ending by its Boston tryouts. Even just one of these issues might spell disaster, especially to us modern day theatremakers, but Anything Goes opened at the Alvin Theater on November 21, 1934 and was incredibly well-received.
The 1920s and 1930s were periods of major social upheaval in the United States sandwiched between two major global conflicts. Musicals of this period found a unique way to address the concerns of the day. Stanley Green wrote about
this era of musical theatre in his 1971 book Ring Bells! Sing Songs!:
“The musical theatre – the most opulent, escapist, extravagant, and unabashedly commercial form of the theatre – could not hide from what was going on. Of course, it could still provide relief from reality. It could still offer evenings of mirth and song and glamour. But it showed a growing awareness of its own unique ability to make telling comments on such issues of the day….It discovered that a song lyric, a tune, a wisecrack, a bit of comic business, a dance routine could say things with even more effectiveness than many a serious-minded drama simply because the appeal was to a far wider spectrum of the theatergoing public.”
While Anything Goes might seem on the surface like a purely light-hearted musical, it’s as full of satire and social commentary as it is of iconic music, thrilling spectacle, and outright hilarity. So much of it feels like it could’ve been written yesterday, so we continue to return to this sterling classic 90 years later and will continue to for many years to come.
- Audrey Zielenbach Line Producer
A 21st Century Guide to You’re the Top
The legacy of Anything Goes largely lives in its iconic Cole Porter score, many of the songs becoming national hits. Perhaps the most popular song from the show is “You’re the Top.” It was so popular at the time that hundreds of parodies were written about it.
There are a few references made in the song that might be unfamiliar to our modern ears. But have no fear! Here is a friendly guide to help put you in the shoes of a 1930s theatregoer.
You’re the top!
You’re the Coliseum.
You’re the top!
You’re the Louvr’ Museum
You’re a melody from a symphony by Strauss You’re a Bendel bonnet
Henri Bendel was a Manhattan department store. A bonnet (hat) from Bendel’s would’ve been the height of 1930s fashion.
A Shakespeare sonnet,
You’re Mickey Mouse
You’re the Nile
You’re the Tow’r of Pisa
You’re the smile on the Mona Lisa
I’m a worthless check, a total wreck, a flop; But if, baby, I’m the bottom
You’re the top!
Your words poetic are not pathetic
On the other hand, babe, you shine And I can feel after ev’ry line
A thrill divine
Down my spine.
Now gifted humans like Vincent Youmans
An American Broadway composer and producer who collaborated with all the greatest lyricists on Broadway.
Might think that your song is bad, But I got a notion
I’ll second the motion
And this is what I’m going to add:
You’re the top!
You’re Mahatma Gandhi
You’re the top!
You’re Napoleon brandy.
You’re the purple light of a summer night in
Spain
You’re the National Gall’ry
You’re Garbo’s sal’ry
After the success of Flesh and the Devil (1927), Greta Garbo demanded MGM raise her salary from $600/week to $5,000/week. Louis B. Mayer resisted, so Garbo sailed back to Sweden until he relented. In today’s dollars, this salary would equate to $4.6 million a year.
You’re cellophane.
Though commonplace to us today, it was considered a modern marvel 100 years ago.
You’re sublime
You’re turkey dinner.
You’re the time
Of the derby winner.
I’m a toy balloon that’s fated soon to pop; But if, baby, I’m the bottom, you’re the top!
You’re the top!
You’re an Arrow collar.
Arrow collars were detachable shirt collars manufactured by Cluett Peabody. They are especially notable for their iconic advertising campaign featuring “The Arrow Collar Man,” depicting rugged masculinity.
You’re the top!
You’re a Coolidge dollar.
This refers to the strong value of the dollar during Calvin Coolidge’s presidency, just before the Stock Market Crash of 1929.
You’re the nimble tread of the feet of Fred Astaire, You’re an O’Neill drama,
You’re Whistler’s mama,
A colloquial name for Arrangement in Grey and Black No. 1 by James McNeill Whistler, an 1871 painting of his mother.
You’re Camembert
You’re a rose,
You’re Inferno’s Dante,
You’re the nose
On the great Durante.
A comedian and performer Jimmy Durante is known for his distinctive gravelly speech, Lower East Side accent, comedy, and prominent nose, which he referred to as the schnozzola.
I’m just in the way, as the French would say “De trop,”
But if, baby, I’m the bottom
You’re the top
You’re the top!
You’re a dance in Bali. You’re the top!
You’re a hot tamale.
You’re an angel, you, simply too, too, too diveen, You’re a Botticelli,
You’re Keats, You’re Shelley, You’re Ovaltine.
You’re a boon,
You’re the dam at Boulder
You’re the moon over Mae West’s shoulder.
Mae West, referenced twice in Anything Goes, was a prominent American actress and sex symbol who was admired greatly by the Depression-era audience.
I’m the nominee of the G.O.P. Or Gop!
But if, baby, I’m the bottom, you’re the top.
You’re the top!
You’re a Waldorf salad
You’re the top!
You’re a Berlin ballad
to the work of Irving
You’re the boats that glide on the sleepy Zuider Zee. You’re an old Dutch master, You’re Lady Astor You’re broccoli.
You’re romance,
You’re the steppes of Russia, You’re the pants on a Roxy usher.
The Roxy Theatre, aka ‘the Cathedral of motion pictures’ in Manhattan, was known for its squad of trained ushers who acted and dressed like an army platoon. Their pants were known to be very tight.
I’m a broken doll, a fol-de-rol, a blop.
But if, baby, I’m the bottom, you’re the top!
Referring
Berlin, not the city.
Viscountess Nancy Witcher Langhorne Astor, a leading New York socialite known for her wit.
Playhouse production of She Loves Me
Photo by Matthew Schipper.
THE JOY IS OURS
Funding The Moran Stage at Gulfshore Playhouse Baker Theatre is so much more than a heartfelt investment. It’s the fulfillment of a dream that will live on for generations. The privilege—and the joy are ours.
Visit our vibrant Art District for a one-of-a-kind experience, where you can meet over 100 of our artists in person while strolling through their galleries and watching them work in their studios, each of them creating original fine art that is as unique as the District itself.
We are thrilled to announce our new Dining Partnership!
Enjoy an elevated evening pairing a stellar dining experience at handselected restaurants with a visit to Gulfshore Playhouse, your new home for professional theatre.
For a list of our Dining Partners with links to their websites, scan here Thank you to our Supporters
With your support and passion, we hire exceptional talent to perform on our stage, foster new voices, and enhance the lives of the 80,000 patrons we welcome each year. Over 16,000 children engage in the art of theatre each year through our robust and ever-growing education department.
You play a vital role. By supporting Gulfshore Playhouse, you are transforming a region and transforming lives.
To find out more about how to make an impact, please contact Lisa Halsey, Chief Advancement Officer at 239.261.7529 ext. 203 or lHalsey@gulfshoreplayhouse.org.
*Please visit our Dining Partner’s websites for any special offerings they may be crafting for Gulfshore Playhouse ticket holders.
Gulfshore Playhouse Education provides programs that enhance the lives of students of all ages through transformative theatrical experiences.
Pre-professional training through theatre productions, classes, and camps. Available for all ages.
The Wonderful Wizard of Oz (Ages 6 - 9)
Are your kids passionate about being on stage?
At the Conservatory at Gulfshore Playhouse, we offer preprofessional training through exciting theatre productions, engaging classes, and fun-filled camps for students of all ages.
Rehearsals: Mon. - Thurs., Nov. 4 - 21 at 5:30PM - 7:30PM
Performances Nov. 21 - 23
Tuition: $300
Story Explorers: Out of This World (Ages 5 - 7)
Wednesdays, Jan. 8 - Feb. 5 at 5:30PM - 7:30PM
Tuition: $150
Broadway Bootcamp: Golden Age (Ages 8 - 13)
Wednesdays, Jan. 8 - Feb. 5 at 5:30PM - 7:30PM
Tuition: $150
Designed specifically for our region, this program infuses theatre-based pedagogy with curriculum standards to enhance learning.
Our community partnership program strengthens the fabric of our region by bringing the transformative power of live theatre and education to communities.
A Year with Frog and Toad KIDS (Ages 8 - 13)
Rehearsals: Mon. - Thurs., Feb. 10 - 28 | 5:30PM - 7:30PM
Performances: February 27 - March 1
Location: Golisano Children’s Museum of Naples
Tuition: $300
Adult Classes
Paint ‘n Sip
Through acting classes, painting classes, vocal lessons, and lecture series, lifelong learners experience professional training and theatrical experiences that expand horizons and inspire artistic growth. Broaden your understanding of the work we do on stage while getting to know Gulfshore Playhouse and your fellow audience members.
Held once per month: January 3, February 7, March 7, April 4, 2025 at 6:00PM-8:00PM
Tuition: $100 (includes 3 drink tickets)
Founder Fridays
Offered once per month: January 10, February 7, March 7, April 4, and May 2, 2025 at 10:00AM-11:00AM
Tuition: $25
Adult Acting: Page to Stage
Two-session class: November 7 & 8, 2024 at 6:00PM-8:00PM, Six-session class: January 9, 16, 23, 30, February 6, 13, 2025 at 6:00PM-8:00PM
Wellness Offerings: Yoga
Monday - Thursday, Saturday at varying times
Flow, Sculpt and Beginner Yoga available
Tuition: $29
Zumba!
Mondays, November 4, 2024 - May 26, 2025 9:00AM-10:00AM
Tuition: $15 drop-in, 10-class package for $135
The Lecture Series
Explore the world of theatre with The Lecture Series at Gulfshore Playhouse – a monthly series of insightful discussions about theatre and the arts.
History of the Musical: Part I 20th Century
November 21, 2024 at 11:00AM-12:00PM
History of the Musical: Part II Golden Age
December 19, 2024 at 11:00AM-12:00PM
Introduction to Exploring Great Music
December 5, 2024 at 11:00AM-12:00PM
The Art of Scenic Design
January 16, 2025 | 11:00AM-12:00PM
Emerson Greenwald as Elsa in the production of Frozen JR Photo by Matthew Schipper.
The cast of The 25th Annual Putnam County Spelling Bee Photo by Matthew Schipper.
Community Partnerships
Gulfshore Playhouse Education is proud to forge community partnerships with other local cultural institutions such as the Holocaust Museum, Artis—Naples, and the Collier County Public Schools to bring unique theatrical experiences to thousands of students across Collier and Lee Counties.
Remember: The Story of Abe Price
Remember: The Story of Abe Price by Jeffrey Binder, an original play based on a true story, is brought to you in partnership with The Holocaust Museum and Cohen Education Center.
At just 16-years-old, Abraham Piasecki’s life is uprooted by the Nazi invasion of Poland. From living in the ghetto of Kielce to imprisonment at Auschwitz-Birkenau, Remember brings to life the harrowing true story of a Holocaust survivor who escaped Nazi captivity five times. This immersive, challenging, and ultimately captivating story of resilience brings us into one man’s memories and asks us to never forget.
So Much Drama: Midsummer
So Much Drama is a collaboration between Gulfshore Playhouse, the Naples Philharmonic, and Collier County Public Schools, offering free musical adaptations of Shakespeare classics to over 3,000 eleventh-grade students. This partnership enhances students’ understanding of Shakespeare’s work while providing them the rare opportunity to experience performances by professional actors and musicians.
Drama-Based Corporate Training
Led by skilled facilitators, our tailored sessions infuse dynamic drama techniques into corporate settings, enhancing team building, communication, leadership, and creative problem- solving. Unleash the power of drama in your workplace, equipping your team with practical skills through engaging, customizable workshops.
• Presentation Skills: The Art of Public Speaking
• Interpersonal Communication in the Workplace
• The Power of Teamwork: Ensemble Building
ThinkTheatre pairs core curriculum with performing arts education. By introducing theatre-based pedagogy, our professional teaching artists engage students’ creativity, encourage teamwork, and boost selfconfidence while enhancing their understanding of curriculum content. If you are seeking ways to energize your classroom through fun, creative, and learningfocused residencies.
John and Mary were very vested in their teaching and I as a teacher truly appreciated their enthusiasm as well as knowledge of what they were teaching!
Students always enjoy a break from the normal routines in their schedules. The work did not seem like work for them and some students really enjoyed working in groups.
We currently offer ThinkTheatre residencies for grades K-12 in the following subject areas:
• English/Language Arts
• Social Studies
• Science • Math If your organization is interested in creating a partnership with Gulfshore Playhouse, contact Director of Education, Steven Calakos at 239.261.7529 ext. 207 or scalakos@gulfshoreplayhouse.org.
Melissa Zizzo, Kindergarten, St. Ann School
Sarah Anzuelda, Eighth Grade, ICA
Jim Corsica, Victor Caroli, and Sue Schaffel in Remember: The Story of Abe Price
Photo by Matthew Schipper.
Carolina Miranda, Brian Nelson Jr., and Angie Janas in Midsummer Photo by Matthew Schipper.
Interested in volunteering at Gulfshore Playhouse?
Email any inquires to FOH@gulfshoreplayhouse.org
Visit our website at www.gulfshoreplayhouse.org /join-our-team/volunteer
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($25,000-$49,999)
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Toni Lachelle Pollitt and Lilian Oben in Mud Row Photo by Matthew Schipper.
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Spotlight Sponsors
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The Nancy Peery Marriott Foundation
Jennifer & David Miller
Mooring Park Group
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Gulf Coast International Properties,
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$5,000 - $9,999
Susan & William Brock
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Florida Gulf Coast University Foundation
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Karen Peakes as Truvy and Elisabeth Yancey as Shelby in Steel Magnolias
Photo by Matthew Schipper.
Create an indelible legacy
Join the Standing Ovation Society
We understand that the choice to designate a planned gift is a deeply precious and personal one, and we thank you for your consideration. When you become a member of the Standing Ovation Society, you are joining an ensemble of thoughtful and imaginative visionaries who believe, as you do, in the transformative power of world-class professional theatre and educational opportunities in our region. Your gift will touch the lives of all who walk through our doors and ensure our ability to carry out our mission.
Benefits of Joining:
Annual recognition in the Gulfshore Playhouse playbill
Invitation to periodic events honoring members of the Standing Ovation Society
Invitation to other Gulfshore Playhouse special events
Standing Ovation Society Members
Mary & Phil Beuth Kristen Coury Tom & Nancy Gallagher
Ms. Patricia Sweet & Mr. Bill Marsh
Jane & Dave Wilson
By including Gulfshore Playhouse in your estate plan, you are supporting Gulfshore Playhouse’s longterm fiscal stability and leaving a lasting legacy that will allow us to create, engage, and inspire for many years to come.
If you would like to notify us of your intent or discuss your options, please contact Lisa Halsey at 239.261.7529 ext 203. or lhalsey@gulfshoreplayhouse.org
November 14 - December 15, 2024
November 10, 12 & 13
Karen Peakes as Truvy and Elisabeth Yancey as Shelby in Steel Magnolias
Photo by Matthew Schipper.
Board of Directors
Steven Akin, Chairman of the Board
Rich Struthers, Vice-Chair
Patty Baker
Kristen Coury
David Drobis
Tim Habbershon
Mitch Hertz
Jenny Housh
Jason Hunter Korn
Pamela Krupka
Don McCulloch
Sandi Moran
Gerry Moss
Jack Nortman
Tony Panzica
Gail Kern Paster
Susan Regenstein
Rick Rondinelli
Cynthia Scholl
Tennille Sevigny
Pat Sweet
Ashley Smith
Dave Wilson
Joanne Wyss
Don J. Gunther, Emeritus
Bob Harden, Emeritus
Leadership & Staff
Leadership
Kristen Coury CEO & Producing Artistic Director
Joel Markus COO & Managing Director
Artistic & Education
CEO & Producing Artistic Director .............. Kristen Coury
Associate Artistic Director ................................ Dann Dunn
Director of Education .................................. Steven Calakos
Line Producer ....................................... Audrey Zielenbach
Executive Assistant to the CEO ........ Mackenzie Caraballo
Education Associates .......... Mary McGough, John Perine, Meredith Singleton
Education Assistant .................................. Emilie Baartman
Advancement
Chief Advancement Officer .............................. Lisa Halsey
Advancement Officer: Events & Donor Engagement ..........
....................................................................................... Sarah Owen
Advancement Officer ............................... Brandon Horwin
Associate Advancement Officer .................... Crystal Diggs
Donor Stewardship & Events Coordinator ....... Dave Blount
Advancement Coordinator .................... Ashleigh Jennings
Marketing
Chief Marketing Officer .......................... Rachel Applegate
Marketing Manager .................................... Heidi Overman
Graphic Designer ...................................... Ashley Martinez
Patron Services Manager ............................... Luke Matlock
Assistant Patron Services Manager ............. Helen Peppler
Patron Services Associate .................... Meghan Fitzpatrick
Patron Services Assistants ......... Timothy Coryell, Sara Ross
Finance & Administration
COO & Managing Director ................................... Joel Markus
Director of Finance .......................................... Alyson McCoy
General Manager ..................................................... Jim Dallas
Facilities Manager .............................................. Joe Salemme
Director of Events/Food & Beverage .................. Erin Burney
Assistant Events/Food & Beverage Manager ... Jeanette Persails
IT Manager .............................................. Lucas Chang Broker
Finance Associate ......................................... Maureen Devine
Front of House Manager ................................. Denise Vonada
Assistant Front of House Manager ......... Jocelyn Richardson
Company Manager ............................................. Abigail Greer
Assistant Company Manager ................. Chanda Hawthorne
Executive Assistant to the COO ...................... Allison Winkel
Office Manager/Bookkeeper ................................... Taylor Ho
Administrative Assistant ...................... Hannah Schumacher
Production
Director of Production .............................................. Ray Inkel
Assistant Production Manager ................................... Lila Sell
Technical Director ................................................ John Forton
Assistant Technical Director ................................... Alex Riggs
Scene Shop Supervisor ............................. Anthony Knudson
Carpenters ....................... Tom Gregus, Deborah Samuelson
Scenic Technicians ................. Jonathan Jensen, Bobby Julga
Deck Chief/Carpenter ....................................... Andrew Geier
Scenic Art Supervisor ........................................... James Allen
Scenic Artists ............ Katherine Burns, Larashleigh Wallace
Interim Properties Supervisor .................... Gwendolyn Rygg
Properties Artisan ............................................... Caleb Brown
Properties Technicians ........... Hunter Booth, Maxine Walby
Lighting Supervisor .................................. Elizabeth Knudson
Assistant Lighting Supervisor ............................. Lynn Slutsky
Lighting Assistant ....................................... Mackenzie Scales
Lighting Technicians .. John Barrera, Dennis Cheeks, Ray Ward
Sound Supervisor .................................................. Owen True
Assistant Sound Supervisor ............................... Max Heyliger
Sound Technicians ................ Kaleb Pecoraro, David Walters
Costume Shop Manager ............................. Jennifer Bronsted
Assistant Costume Shop Manager ........... Maya Faye Gordon
Lead Draper ................................................... Elizabeth Eaton
Draper .................................................................... Lana Grant
First Hands ............................... Katie Radford, Carolyn Schar
Costume Technicians ....... Dyna DeMerritt, Avonlea Yeakley
Wardrobe Supervisor ................................... Marissa Mascolo
Assistant Wardrobe Supervisor ..................... Emma Madden
Wig & Makeup Supervisor ............................... Rebecca Mack
Stage Management Production Assistants ... Kelly Jean Edwards, Dylan Gellett, Laura Swygert
