UDM Portfolio 2025

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16921 adaptive reuse

two hundredth porta e fonte di docciola

libero nello spazio alabaster sculpture

cornucopia business incubator

content a place with no name joe louis greenway

“16921”

Course: Public Interest Design

Term: Winter 2024

Professors: Ceara O’Leary & Joshua Budiongan

Team: Sofia D’Arienzo & Jacob Lampi

Typology: Adaptive Reuse

Location: Detroit, Michigan

The relationship between a community and their built environment are essential to foster a prosperous growth. The physical development of neighborhoods has a vital impact on the people within its boundaries. Residents in the vicinity of the University of Detroit Mercy have been longing for a landmark representative of their neighborhood. On the corner of McNichols and Livernois, lies 16921, a space currently barren and bleak. However, this adaptive reuse project aims to serve as a unifying purpose for community members and students alike, creating a greater connection between campus and community. The resurgence of the building across the campus will provide a space for conversing among peers and promote learning in a comfortable environment for people of all ages to thrive in.

Preserve Window Placement

Maintain Entrance Height

Keep Column Alignment

Commercial vs. Residential Screen

Bring Back Windows

Playful Aesthetic

Views from Study Room to Social Space

Solar PV Panel Generating Electricity
CAFE
Farm to Market Cafe
“Rooms where night classes can be held and taught to people with day jobs.”

Adaptive Reuse

Honoring while respectfully integrating the existing form and construction practices

Pedestrian Oriented

Promoting transportation on Livernois with a university bus system and increasing pedestrian foot traffic

Arched Arcade

Inviting walk-throughs encouraging dynamic engagement and interactions

“Be able to study on or around campus late and be undistracted while also being safe.”

Extruded Study

Maximizing the learning environment of students with a cultural landmark

“More greenery and a spot for the community to feel connected to the UDM students.”

Green Plaza

Expanding the community space beyond the boundaries with a focus in sustainability

1st Floor

Entrances into building with large social space and connection to other programs

2nd Floor

Floor dedicated to learning with atrium overlooking the first floor

“two hundredth”

Course: Study Abroad Studio

Term: Summer 2023

Professor: Kris Nelson

Team: Sidny Hessem

Typology: Installation

Location: Volterra, PI, Italy

The primary staircase out of the three located just beyond the entrance “porta e fonte di docciola,” consists of 199 steps. This proposal provides a deliberate 200th “step” at the bottom, or central node between the three staircases or axis points. The space currently lacks the accommodation of its “stay-ers”. The stair layout of its final descent denies users views to the existing and beautiful pool of water below. To counteract, an amphitheaterstyle staircase allows users the freedom to stay in a covered area as long as they’d like, with new and improved eyeline views to the pool. To bring attention and a sense of delightful fascination to the rework of a smallerscale piazza, a scaled-down replica of the arch is added in front of the pool. An additional arch consists of a rain wall that creates an “indoor” or more personal interaction with the existing pool. These new features transform the space into an intentional, yet natural congregation area that meets the needs of all its users: the “stay-ers” and “go-ers”, while enhancing its natural sensorial experiences.

Amphitheater-style seating for leisure, inspired by the historic Teatro Romano in Volterra.

The slope of the staircase is adjusted on axis with the fountain to allow views of the mini piazza while meandering.

Original stairs serving solely circulation purposes.

The expanded landing creates a larger node, with the first step repositioned to align views towards the fountain.

The redesigned staircase allows stay-ers and go-ers to freely engage with the space.

Walking up the northwest staircase

Standing at the enlarged node with views towards the fountain

People-watching at the mini piazza

“libero nello spazio”

Course: Aesthetic of Geology

Term: Summer 2023

Professors: Jacopo Fabbri & Cristiano Sabelli

Team: Individual

Typology: Alabaster Sculpting

Location: Volterra, PI, Italy

Alabaster, a fine-grained, translucent stone, is prized for its soft, luminous quality and has been used in artistic and architectural creations for centuries. This calcium-rich material, often found in white or subtly tinted shades, is highly regarded for its malleability, making it an ideal medium for intricate carving. The process of shaping alabaster involves careful chiseling, sanding, and polishing, as its softness allows for delicate detail but demands precision to avoid fractures. The piece derives inspiration for its name from the master sculptor Velio, a celebrated artist from Volterra known for his extraordinary alabaster works. Recognized for his ability to capture movement and emotion in abstract forms, Velio saw the fluid, freeform design of the sculpture as a reflection of boundlessness. His perception of its essence inspired the evocative title, libero nello spazio—”free in space.” The sculpture is captured in the photograph with a moon as the backdrop, accentuating its ethereal quality and further underscoring the idea of freedom, as though the artwork itself drifts weightlessly through space.

Using a

riffler rasp or a “raspa” in Italian to shape the sculpture
Shaping my alabaster while referencing my clay model

“cornucopia”

Course: Integrative Design Studio

Term: Winter 2023

Professors: James Leach & Kris Nelson

Team: Sofia D’Arienzo

Typology: Office Incubator

Location: Detroit, Michigan

The Cornucopia business incubator aims to create a sense of community that promotes and indulges in referencing context, levels of porosity, and sustainable functionalities. Referencing the material palette of Shed 2 in Eastern Market and implementing wood, steel, and brick within the building was crucial. The structure derives from the industrial aspect within Eastern Market and the factories nearby that follow a specific geometric grid pattern. Shading devices and porosity levels within the building are visible from a distance and at a more personable height. Additionally, porosity is integrated into the interior space, which has been purposely designed to provide optimal collaboration between colleagues for the best outcomes. A modular design of 16’x16’x16’ cubes are utilized on the top three levels to achieve efficient onsite construction. Ultimately, this central hub for sustainability is rooted in the site’s prime location on the Dequindre Cut and the values instilled by the Eastern Market community, which are brought to life through the design.

1/2 = 1’-0” Scale

Dequindre Cut
Division St.

Reference to Context

Materials Palette

Brick Steel Wood

Photovoltaic System Mounted at 42° Cardinal South

Stacked
Greenroof
Brick Thermal Mass
Greenhouse Rainwater Storage
Geothermal GSHP
WheeltoAluminum
Steel Cable Cross Bracing
Aluminum Frame with Wooden Panel
16’ x 16’ Timber Frame Construction
Aluminum Track

Roof Assembly

1 - 1/2” Pre-Vegetated Sedum Mat

3” Growing Medium

1/4” Water Retention Filter Fleece

3/4” Drain Mat

Root Barrier

R-40 Mineral Wool Insulation

Greenhouse Assembly

6” Steel Columns

Tempered Glass

Roof Vent

Sloped Floor for Drainage

Outer Assembly

Slat Louvers

Solid Panel

Wheel System

Aluminum Track

Armatherm

Curtain Wall System

Wall Assembly

1” Cladding

1” Furring

1/2” Air Barrier

1/16” Thermal Barrier

5” Insulation

1/16” Vapor Barrier

3/4” Plywood Sheathing

3 - 1/2” Stud

Floor Assembly

Carpet

Radiant Heating

Raised Floor Pedestals

2” Poured Concrete

1/8” Acoustic Mat

6” Beam

1’ Column

E/W Section

RADIANT HEATING + DOAS ADVANCED BUILDING SENSORS

DivisionSt.

PVT PANELS

GEOTHERMAL GSHP

THERMAL MASS WALL

GREENROOF

STACKED VENTILATION IN ATRIA 11.24 94%

DequindreCut

“a place with no name”

Course: Architectural Design V

Term: Fall 2022

Professor: Mikolaj Gomolka

Team: Mahmmoud Eljammali, Jake Lampi, & Ryan Lemke

Typology: Urban Planning & Design

Location: Detroit, Michigan

Barren land accompanied by abandoned buildings has left this community with little to no hope of seeing improvements. Having been stripped of most amenities, such as, schools, parks, housing, retail stores, and a downtown district, has put a dejected feeling on the future. Residents of this place with no name have been yearning for a revitalization of their once thriving community with a strong history. The establishment of the Joe Louis Greenway is promised to resolve these issues. This recreational pathway will unify this area of Detroit to its other surrounding neighborhoods by way of equitable space. The importance with the redevelopment of this once neglected region is to be shared equally via all demographics. Paving the way for new opportunities is essential for growth and allows local residents to establish their own story. Overall, some might say that a place is defined by its characteristics, such as its location or the natural features of its landscape. Others might say that a place is defined by its history, or the culture and traditions of its inhabitants.

Greenway Map
Minor on-going construction of the Joe Louis Greenway
Grand River Avenue and Oakman Boulevard central node with landmarks
Urban Composition Map

Residential homes adjacent to industrial businesses Existing Zoning Map

Abandoned buildings & overgrown vegetation

Vacancy & Vegetation Map

GRANDRIVERAVE.

Proposed Master Site Plan

Proposed Plot IV Site Plan

Key

Proposed Structures

Existing Structures

Public Spaces

Greenbelt

Walking Paths

Industrial Zone

Water Retention Pond

Greenway

Full Group Site Model | 1:1000 Scale

Plot IV

Scan Me!

View the entire book, “A Place With No Name - Establishing an Urban Identity” which is the urban proposal for the Joe Louis Greenway in Detroit. It is the collective work done by 12 students from the University of Detroit Mercy along with the leadership and supervision of visiting Polish professor, Mikolaj Gomolka. Editors of the studio book include: Sofia D’Arienzo, Sidny Hessem, and Giovanni Zora (also author of all general text).

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