Katalog sa izložbe slika "Stvaranje svetla" Ivone Pleskonje

IVONA PLESKONJA

STVARANJE SVETLA NEŽNI SMO ROĐENI

STVARANJE SVETLA NEŽNI SMO ROĐENI

Nakon momenta prosvetljenja sledi iskonsko buđenje bića. Ovo je priča o svetlosti iz dubine Svemira, svetlosti koja nas obasjava - rastvarajući dubine mraka, ona donosi anđele. Pre buđenja ovih stvorenja moramo se zapitati ko je onaj ko ih je stvorio? Ko je Ivona? Umetnica koja istražuje samo biće i njegovu suštinu, koja ima priču za svaki predstavljeni lik kome gotovo sinestetički udahnjuje život uvodeći boju, oblik, reč i zvuk. Ona stvara živu sliku.

Kroz cikluse koje razvija, prisutna je izuzetna težnja za skladom - alegoričnost predstave, kontemplativnost momenta, ispitivanje fenomena prosvetljenja, monumentalnost kao način komunikacije i konačno filantropija kao zaboravljena veština. Duboko intuitivna, autorka istovremeno jača i ogoljuje svoja bića smeštajući ih u dubinu, za šta koristi najtamnije tonove plave. Simbolički to je boja intelekta, duhovnosti i introspekcije. Dubinom postignutom samo plavom autorka ostvaruje vanvremešnost, univerzalnost i metafizičku dimenziju kojom briše prostorne i vremenske okvire. Ona spaja arhetipe, iskonske i drevne, koje pronalazi u prošlosti i arhajskom i buduće, novo, snažno i mudro biće koje će se ovaplotiti kao najbolja verzija sopstva. Svako biće koje se nalazi pred nama rođeno je iz izvora, ideje i vizije, divovskih je razmera i androginog izgleda. Deo je kosmosa ali istovremeno čitav kosmos nosi u svom pogledu ili položaju tela.

“Prema nekim mitovima i Kosmos i Prvobitni čovek nastali su iz Svetlosti dakle u osnovi kao Svetlost. Jedna druga tradicija objašnjava kako se odigrao preobražaj Čoveka – Svetlosti u ljude kakvi postoje na Zemlji. U početku su ljudi bili bespolni i nisu imali polnih želja; oni su u sebi imali Svetlost i zračili su. Sunce i Mesec nisu postojali”.¹ Buđenjem polnog nagona i stvaranjem polova ugasila se svetlost koju su nosili ljudi, tada se svetlost sklonila sa planete Zemlje, a na nebu su se pojavili Sunce i Mesec. Ivona nas vraća korak nazad donoseći svetlost na Zemlju rađanjem savršenog, univerzalnog stvorenja.

Blještava svetlost koja se probija kroz ova bića ne bi se pokazala u svojoj snazi da nema dubine, tame, introspektivnog povlačenja. Ivona je slikarka buđenja; svi anđeli koji izranjaju iz tame doživljavaju rast, duhovnu spoznaju i susret sa vlastitim sopstvom koji je krajnja realnost. Fenomen mistične svetlosti jedan je od punktova gde umetnica posebno usmerava svoje interesovanje i ostvaruje još jedan vid komunikacije na neverbalnom, duhovnom nivou kroz profanu umetnost utemeljenu na ličnoj spiritualnosti.

¹ Mirča Elijade, Mefistofeles i Androgin, prevod Slavica Miletić, (Beograd: Gradac, 1996), 29.

„Rađanje svetla“ se dogodilo nakon „Dece Sunca“. Bitno je napomenuti da su „Deca Sunca“ Ivonin utopistički osvrt na bolji svet, koji dobija nakon predviđanja brojnih kataklizmi koje neposredno prethode prosperitetu i novoj eri. Ovo se fenomenološki može poistovetiti sa brojnim mitovima i duhovnim uverenjima. “Prema jednoj tradiciji (...) pošto je svet uništen u njemu su ostala samo sjajna bića (...) ona su imala eterična tela i letela su kroz vazduh zračeći sopstvenu svetlost i živela su beskonačno dugo”.2

Ivonini radovi nisu klasični portreti, oni su kompleksne studije duše koju možete da čujete i osetite, a čija telesnost traži proučavanje i posvećenost. Umetnica se samo oslanja na ikoničko predstavljanje koje svojim gabaritom pruža snagu i mir. Njena bića u sebi nose kosmičku ljubav.

U jednom od svojih romana koji ujedno predstavlja jedno od najznačajnijih književnih dela koje obrađuje temu androginije Balzak predstavlja to savršeno, uzvišeno biće – alegoriju serafimske ljubavi, koje je osamljeno, melanholično, erudita i u koje se zaljubljuju i muškarac i žena jer ono predstavlja savršeno, „potpuno stvorenje“.

U pesmi „Reči Stalkera“, Tarkovski ističe – slabost je velika stvar, a sila je ništavna

„Kada se čovek rodi on je slab i lomljiv, a kada umire, jak je i čvrst.

Kada drvo raste nežno je i savitljivo ali kada je suvo i tvrdo tada umire.

Tvrdoća i snaga su saputnici smrti. Ranjivost i nejakost su izraz svežine postojanja.

Jer, nešto što je očvrsnulo nikada neće pobediti“.

Ova divovska stvorenja personifikuju svežinu postojanja i čistotu i ranjivost novorođenog. Ona su nejaka, na njima nema tragova očvrslosti, okoštalosti ili grubosti koju čini vreme i iskustvo. Ivona predstavlja šest celina. Teži da nas vrati na početak i pokaže tu nežnost iz koje smo izronili u svet koji nas je promenio. Ona skida sve oklope koje je čovek stvorio kako bi se zaštitio i opstao. Pokazuje suštinu, a to je ljubav i nežnost koja je u korenu svakog od nas. Kroz svoj antropološkofilantropski pristup ona običnom čoveku daje snagu božanko-nebeskog stvorenja, predstavljajući ga kao te inicijalne tvorevine koje u sebi poseduju oba pola, emociju i razum. Vizuelizovanjem duhovnog i bukvalnog buđenja života, ona sugeriše na snagu nežnosti čije posedovanje stvara svetlost potpunog bića.

2 Mirča Elijade, Mefistofeles i Androgin, prevod Slavica Miletić, (Beograd: Gradac, 1996), 21.

Ana Kršljanin, istoričar umetnosti

CREATING OF LIGHT WE ARE BORN TENDER

A primordial awakening of the being follows the moment of enlightenment. This is a story of a light from the depths of Universe. It is the light that illuminates us - dissolving the depths of darkness. It brings out angels. Before awakening these creatures, we must ask ourselves - who created them? Who is Ivona? She’s an artist who explores the very being and its essence. She has a story for each represented character. She almost synesthetically breathes in the breath of life into them, by introducing color, shape, word and sound. She creates a living painting.

In her series of paintings, the artist strives for harmony - through allegorical performance, by contemplating the moment, by examining the phenomenon of enlightenment, with monumentality as a way of communication and finally with philanthropy as a forgotten skill. Deeply intuitive, the author simultaneously empowers and exposes her creatures, by placing them in the depths. To attain that, she uses the darkest tones of blue. Symbolically, blue is the color of intellect, spirituality and introspection. By using only the color blue, the author brings about depth, timelessness, universality and a metaphysical dimension that erases space and time. The primordial and ancient archetypes, found in the past and in the archaic, are fused with a being of the future - a new, strong and wise one that will incarnate as the best version of the self. Every creature that we see before us, was born from a source, from an idea and from a vision. It is of gigantic proportions and is androgynous in appearance. It is part of the universe, but at the same time it carries the entire universe in the gaze of its eyes or in the position of its body.

“According to some myths, both the Universe and the Primordial Human were created from Light, therefore basically they are Light themselves. Another tradition explains how a transformation of Light People into ordinary people, as they exist on Earth, took place. In the beginning, people were sexless and had no sexual desires; they had the Light in them and they radiated. The sun and the moon did not exist”.¹ With the awakening of the sexual drive and the creation of the sexes, the light that people carried within was extinguished. It disappeared from the planet Earth, and the Sun and the Moon appeared in the sky. Ivona takes us a step back by invoking the light back to the Earth through creation of a perfect, universal creature.

¹ Mirča Elijade, Mefistofeles i Androgin, translation Slavica Miletić, (Beograd: Gradac, 1996), 29.

The dazzling light that shines through these beings would not be visible in all its power without the depth, the darkness and the introspective withdrawal. Ivona is a painter of awakening. All angels who emerge from the darkness experience growth, spiritual realization and an encounter with their own self which is an ultimate reality. The phenomenon of a mystical light is of the artist’s particular interest. She achieves another form of communication on a non-verbal, spiritual level through profane art based on personal spirituality.

The series of paintings, the “Birth of Light” was painted after the “Children of the Sun” series. It is important to note that “Children of the Sun” series represents Ivona’s utopian vision of a better world, which comes after the prediction of numerous cataclysms that immediately precede prosperity and a new era. This can be phenomenologically identified with numerous myths and spiritual beliefs. “According to one legend (...) since the world was destroyed, only lustrous beings remained in it (...) they had ethereal bodies and flew through the air radiating their own light and they lived eternally”.2

Ivona’s artworks are not typical portraits. They are complex studies of a soul that one can hear and feel, and whose physicality demands study and dedication. The artist relies only on an iconic representation that provides strength and peace with its dimensions. Her beings carry cosmic love within them.

In one of his novels, which is at the same time one of the most significant literary works dealing with the theme of androgyny, Balzac presents a perfect, sublime being - an allegory of seraphim’s love. It is solitary, melancholic, erudite, and both men and women fall in love with it because it represents a perfect, “complete creature.”

In the poem “Words of Stalker”, Tarkovsky indicates that - weakness is a good thing, while strength is nothing.

“When a man is just born, he is weak and flexible. When he dies, he is hard and insensitive. When a tree is growing, it’s tender and pliant. But when it’s dry and hard, it dies. Hardness and strength are death’s companions. Pliancy and weakness are expressions of the freshness of being. Because what has hardened will never win.”

2 Mirča Elijade, Mefistofeles i Androgin, translation Slavica Miletić, (Beograd: Gradac, 1996), 21.

These giant creatures personify the freshness of existence and the purity and vulnerability of a newborn. They are frail, there are no traces of hardness, ossification or roughness caused by time and experience. Ivona has six segments on display. She seeks to bring us back to the beginning and to show the tenderness from which we have emerged into the world - which has changed us subsequently. She takes off all the armor that a human being has created in order to protect itself and survive. She shows the essence - the love and tenderness that are at the core of each of us. Through her anthropological and philanthropic approach, she gives ordinary human beings the strength of divine, heavenly creatures, presenting them as primordial creations that possess both sexes, emotion and reason. By visualizing the spiritual and the literal awakening of life, the artist implies the power of tenderness required to bring forth the light of a complete being.

Ana Kršljanin, art historian

IV 2 x 2 m, Akril na platnu / diptih

IV 2 x 2 m, Acrylic on canvas / diptych

GABRIEL I PAN 2 x 7.5 m, Akril na platnu / poliptih

GABRIEL AND PAN 2 x 7.5 m, Acrylic on canvas / polyptych

STVARANJE ŽIVOTA

2 x 3.15 m, Akril na platnu / triptih

CREATING LIFE

2 x 3.15 m, Acrylic on canvas / triptych

NEBO NAD PANAMOM

2 x 3.15 m, Akril na platnu / triptih

SKY OVER PANAMA

2 x 3.15 m, Acrylic on canvas / triptych

MAHAVATAR BABAJI

2 x 1.5 m, Akril na platnu

MAHAVATAR BABAJI

2 x 1.5 m, Acrilyc on canvas

STVARANJE ANĐELA

2 x 1.5 m, Akril na platnu

CREATING ANGELS

2 x 1.5 m, Acrilyc on canvas

STVARANJE SVETLA NEŽNI SMO ROĐENI

Ideja o ovom ciklusu slika nastala je tokom slikanja monumentalne kompozicije DECA SUNCA, 2014. godine, kao predstava nastavka promena, rasta i transformacija koje se dešavaju usled prosvetljenja koje sam tada slikala. Moja namera je da predstavim publici šta se dešava nakon bljeska misteriozne blještave bele svetlosti iz svemira na planetu Zemlju, nakon što sva bića na našoj planeti dožive prosvetljenje.

Ciklus slika STVARANJE SVETLA / NEŽNI SMO ROĐENI predstavlja proces kreiranja svetlosti iz tame. Svetlost probija kroz tamnu materiju i stvara Anđele.

U ovom ciklusu slika predstavljam 6 slika:

1.IV

Autoportret kojim predstavljam sebe u trenutku prekretnice u svom životu, koja mi se dešavala 2015. godine. U ovom trenutku stojim uspravno, prihvatam istinu i doživljavam preobražaj.

2.GABRIEL I PAN

Ova monumentalna kompozicija predstavlja blagovesti koje Arhangeo Gavrilo donosi svetu. Na dubljem ličnom, kao i dubljem kolektivnom nivou, ova slika predstavlja susret sa samim sobom, susret Svetog duha sa našim srcem.

3.STVARANJE ŽIVOTA

Rađanje misteriozne, nežne a jake ženske energije. Devojka koju slikam zove se život, zove se Vida. Vida je spremna da se uskoro probudi / rodi, ustane i krene u svet.

4.NEBO NAD PANAMOM

Mladi čovek leži okrenut ka nebu sa punim poverenjem u Nebo i više sile, dok ga svetla panamskog neba, u svim bojama opčinjavaju. Zagledan u svetlost, on je u stanju potpunog blaženstva.

Ova slika nastala je u mom umu 2019. godine na panamskom aerodromu, dok je sunce grejalo atmosferu.

5.MAHAVATAR BABAJI

Portret Mahavatara Babađija nastao je kroz telepatsku komunikaciju sa ovim velikim kosmičkim učiteljem, uz nameru da kroz ovaj sveti lik približim i svetu i sebi istine Univerzuma. Istine se mogu osetiti gledanjem u Babađijeve zenice. Sve je zapisano u njegovom oku.

6.STVARANJE ANĐELA

Svetim prahom posuto lice upravo stvorenog Anđela, koji dolazi u ovaj svet da bude među ljudima.

CREATING OF LIGHT WE ARE BORN TENDER

The idea for this series of paintings arose while I was painting the monumental compositions CHILDREN OF THE SUN in 2014. It represents the continuation of changes, growth and transformations that occur due to enlightenment, which was the subject of my paintings at the time. My intention is to present to the audience what happens after a flash of mysterious brilliant white light from space onto planet Earth, when all beings on our planet experience enlightenment.

The series of paintings CREATING OF LIGHT / WE ARE BORN TENDER represents the process of creating light from darkness. Light breaks through dark matter and creates Angels. From this series I am exhibiting 6 pictures:

1.IV

Self-portrait painted at a turning point in my own life, which happened in 2015. At that moment, I stand tall, accept the truth, and experience a transformation.

2.GABRIEL AND PAN

This monumental composition is a representation of the Announcement that Archangel Gabriel brings to the world. On a deeper personal level, as well as on a deeper collective level, this is an encounter with oneself, the encounter of the human spirit with the heart.

3.CREATING LIFE

The birth of a mysterious, gentle and at the same time strong female energy. The girl I painted is called Life - her name is Vida. Vida is ready to wake up soon / to be born, to get up and go out into the world.

4.SKY OVER PANAMA

A young man lies facing the sky with full trust in Heaven and a higher power. The lights of the Panama sky, with all the colours, enchant him. Gazing into the light, he is in a state of complete bliss. This image was created in my mind in 2019 at the Panama airport, as the sun warmed the atmosphere.

5.MAHAVATAR BABAJI

The portrait of Mahavatar Babaji was created through telepathic communication with this great cosmic teacher, with the intention of bringing the truths of the Universe closer to the world and to myself through this holy figure. Truths can be felt by looking into Babaji’s pupils. It is all written in his eye.

6.CREATING ANGELS

The holy dust on the face of the newly created Angel, who comes to this world to be among people.

IVONA PLESKONJA

Rođena 16.10.1974. godine u Beogradu, Jugoslavija.

Fakultet likovnih umetnosti u Beogradu upisala 1993. kao redovan student u klasi profesorke Anđelke Bojović, Odsek slikarstvo.

Diplomirala 1998. Magistrirala 2001. na Fakultetu likovnih umetnosti u Beogradu, Odsek slikarstvo, kod iste profesorke. Doktorirala 2017. na Fakultetu likovnih umetnosti u Beogradu, Odsek slikarstvo, kod profesora

Dimitrija Pecića.

Bila stipendista fonda Madlena Janković kao mladi talenat.

Član ULUS-a sa statusom slobodnog umetnika od l998. godine.

NAGRADE

2016. III nagrada Novembarskog salona, Kraljevo

2007. Telenorova nagrada za idejno rešenje

2002. III nagrada za fotografiju, iz Fonda BS Procesor, Beograd

1997. Nagrada za najbolji crtež iz Fonda FLU

1994. Nagrada za najbolju studiju iz Fonda FLU

SAMOSTALNE IZLOŽBE

2023. Galerija Štab, Stvaranje svetla Nežni smo rođeni, Beograd

2022. Galerija Štab, 11 Snaga, Beograd

2020. Zgrada Sky Line / spoljna fasada / mural, Life, Beograd

2019. Nacionalna galerija, 11 Snaga, Beograd

2019. Izlog FLU, 11 Snaga, Beograd

2019. Galerija Centra za grafiku FLU, 11 Snaga, Beograd

2018. Muzej i Galerija Tivat, Deca Sunca, Tivat

2016. Likovna galerija Doma Kulture, Jaki ljudi, Prijepolje

2015. Galerija Kulturnog centra, Deca Sunca, Požega

2015. BLOK Galerija, Vremenske stanice, Beograd

2014. Likovna galerija Kulturnog centra, Deca Sunca, Beograd

2014. Galerija Centra za grafiku FLU, Deca Sunca, Beograd

2012. Likovni salon Kulturnog centra, Duh, Novi Sad

2011. Galerija ULUS, Duh, Beograd

2009. Galerija Arte, Jedan Svet, Beograd

2007. Galerija Rothamel, Belgrade Double, Erfurt, Nemačka

2007. Nacionalna Galerija, Izvor, Beograd

2007. Galerija Beograd, Heroji, Beograd

2003. Galerija školskog internacionalnog centra “Jelena Anžujska”, Le Soleil, Pariz

2002. Galerija Pesak, Zimska Čarolija, Beograd

2001. Galerija FLU, magistarska izložba Pogled, Beograd

2000. Galerija FLU, Prvo Svetlo, Beograd

1998. Izlog FLU, Taki, Beograd

GRUPNE IZLOŽBE

2020. Galerija 73 Čukarički likovni salon, Beograd

2020. Galerija X Vitamin, Akt, Beograd

2019. Majska izložba grafika beogradskog kruga, ULUS Galerija, Beograd

2018. INTERBIFEP, Tuzla

2018. Bijenale Minijature, Gornji Milanovac

2017. OUTSIDE THE LINES, New Moment Galerija, Beograd

2017. Jesenji Salon, Paviljon Cvijeta Zuzorić, Beograd

2017. Akvizicije Ministarstva kulture, Sportsko – kulturni centar, Obrenovac

2016. Novembarski salon, Kraljevo

2016. ART MARKET, Budimpešta

2015. ART MARKET, Budimpešta

2015. Kolonija Mileševa, Dom Kulture, Prijepolje

2014. EX YU Grafika, Nacionalna Galerija, Beograd

2013. Dani Mađarskog Slikarstva/Srpki Paviljon/srpsko savremeno slikarstvo, Budimpešta

2013. Izložba 2, Galerija opštine Vračar, Beograd

2013. Majska izložba grafika beogradskog kruga, Galerija Grafički kolektiv, Beograd

2013. Sopoćanska viđenja, Mala Galerija Medija Centra Odbrana, Beograd

2012. Kolonija Sopoćanska viđenja, Novi Pazar

2012. Jesenja izložba, Paviljon Cvijeta Zuzorić, Beograd

2011. Umetnost Prvi Dah Života, Narodni Muzej, Beograd

2011. Objekti i Radovi na Papiru III, Galerija Beograd, Beograd

2010. NAF, Niš

2008. Balkan Art Fluxion, Amsterdam

2007. Objekti i Radovi na Papiru II, Galerija Beograd, Beograd

2007. Bijenale Crteža i Male Plastike, Paviljon Cvijeta Zuzorić, Beograd

2006. Kolonija Sv. Rafailo Deronjski, Deronje

2005. Revijalna izložba članova ULUS-a, Paviljon Cvijeta Zuzorić Kalemegdan, Beograd

2005. Izmeštanje, Galerija Zvono, Beograd

2005. “Aukcija” u organizaciji Madl’Art, Paviljon Cvijeta Zuzorić Kalemegdan, Beograd

2005. Amazonke, Galerija SKC, Beograd

2005. Total Art Sale, Galerija SULUJ, Beograd

2005. Vino, Paviljon Cvijeta Zuzorić Kalemegdan, Beograd

2004. Imaginarni Grad, Reed Collage, Portland, USA

2004. BELEF, Kalemegdan, Beograd

2004. Izmeštanje, Kolonija Kalenić

2004. Jesenji Salon, Paviljon Cvijeta Zuzorić Kalemegdan, Beograd

2003. BELEF, Kalemegdan, Beograd

2002. Vaterpolo, Galerija ULUS, Beograd

2002. Evinost, Galerija “Pesak”, Beograd

2002. Voda Vazduh, Klub “Skalar”, Beograd

2002. V jugoslovenski likovni bijenale mladih, Vršac

2002. Izložba fotografija, galerija ARTGET KCB, Beograd

2001. aukcija slika, Skupština grada Beograda, Beograd

2001. prodajna izložba članova ULUS-a, Galerija ULUS, Beograd

2001. Novembarsko Proleće, Galerija “Paleta” KCB, Beograd

2001. majska izložba Sartid, Galerija muzeja, Smederevo

2000. Insomnija, Galerija SULUJ, Beograd

2000. IV jugoslovenski likovni bijenale mladih, Vršac

1999. Paviljon Cvijeta Zuzorić, Beograd

1999. XXXII Hercegnovski zimski salon, Herceg Novi

1999. Portret, NU Braća Stamenković, Beograd

1999. novoprimljeni članovi ULUS-a, Paviljon Cvijeta Zuzorić, Beograd

1999. izložba u okviru slikarske kolonije, Pinakoteka, Lamia, Grčka

1998. 27. izložba crteža studenata FLU, Galerija Doma omladine, Beograd

1998. III Jugoslovenski Likovni Bijenale Mladih, Vršac

1998. XXXIX OKTOBARSKI SALON, Beograd

1997. 26. izložba crteža studenata FLU, Galerija Doma omladine, Beograd

1997. izložba nagrađenih studenata FLU, Galerija FLU, Beograd

1996. Telo, Galerija FLU, Beograd

1996. 25. izložba crteža studenata FLU, Galerija Doma omladine, Beograd

1996. Matićevi Dani, Dom VJ, Ćuprija

1995. Izložba u okviru Međunarodne slikarske kolonije, Didimoteihon, Grčka

1995. 24. izložba crteža studenata FLU, Galerija Doma omladine, Beograd

1994. izložba nagrađenih studenata FLU, Galerija FLU, Beograd

1994. Kolonija akvarela, Ečka

KOLEKCIJE

2020. Privatna kolekcija Uroš Medan

2018. Privatna kolekcija Milan Beko

2017. Narodni muzej Zaječar

2016. Kulturni centar Obrenovac

2015. Kolekcija hotela Marriott

2015. Kulturni centar Požega

2009. Kolekcija Galerije Arte, Beograd

2007. Kolekcija FITEX, Beograd

2006. Kolekcija Muzeja grada Beograda, Beograd

1999. Kolekcija Pinakoteke, Lamia, Grčka

Fotografija: Helga Goran

IVONA PLESKONJA

Born on 16 October 1974 in Belgrade, Yugoslavia. Graduated from the Faculty of Fine Arts in Belgrade in 1998 as a full-time student in the class of professor Anđelka Bojović, Painting department. Holds an MA degree from the same Faculty since 2001, Painting department, class of professor Anđelka Bojović. Received her PhD in 2017 at the Faculty of Fine Arts in Belgrade, Painting Department, under the mentorship of professor Dimitrije Pecić. She was a scholarship holder of the “Madlena Janković” Foundation as a young talent. She is a member of the ULUS artists’ association, with the status of a freelance artist since 1998. The work “Amazons” has been in the collection of The Belgrade City Museum since 2006. Participated in many solo and group exhibitions in Serbia and abroad.

SOLO EXHIBITIONS

2023. Štab Gallery, Creating Light, We Are Born Gentle, Belgrade

2022. Štab Gallery, 11 Snaga, Belgrade

2020. SkyLine building / outer facade / mural, Life, Belgrade

2019. National Gallery, 11 Snaga, Belgrade

2019. Izlog Gallery FLU, 11 Snaga, Belgrade

2019. FLU Graphics Center Gallery, 11 Snaga, Belgrade

2018. Tivat Museum and Gallery, Children of the Sun, Tivat

2016. Dom Kulture Art Gallery, Strong People, Prijepolje

2015. Cultural Center Gallery, Children of the Sun, Požega

2015. BLOK Gallery, Weather stations, Belgrade

2014* Children of the Sun, Art Gallery of the Cultural Centre, Belgrade

2014* Children of the Sun, Center for Graphic Arts and Visual Researches, Belgrade

2012* Spirit, Art Salon of the Cultural Centre, Novi Sad

2011* Spirit, ULUS Gllery, Belgrade

2009* One World, Arte Gallery, Belgrade

2007* Belgrade Double, Rothamel Gallery, Erfurt, Germany

Origin, National Gallery, Belgrade

Heroes, Belgrade Gallery, Belgrade

2003* Le Soleil, Centre scolaire international “Hélène d’Anjou”, Paris

2002* Winter Magic, Sand Gallery, Belgrade

2001* Look, Academy of Fine Arts Gallery , Belgrade

2000* First Light, Academy of Fine Arts Gallery, Belgrade

1998* Taki, Window of Academy of Fine Arts, Belgrade

GROUP EXHIBITIONS

2020. Gallery 73, Čukarički likovni salon, Belgrade

2020. Vitamin X Gallery, Nude, Belgrade

2019. May exhibition of prints by Belgrade circle, ULUS Gallery, Belgrade

2018. INTERBIFEP, Tuzla

2018. Miniatures Biennial, Gornji Milanovac

2017. OUTSIDE THE LINES, New Moment Gallery, Belgrade

2017. Autumn Salon, Cvijeta Zuzorić Pavillion, Belgrade

2017. Acquisitions by the Ministry of Culture, Sports and Cultural Center, Obrenovac

2016. November Art Salon, Kraljevo

2016. ART MARKET, Budapest

2015. ART MARKET, Budapest

2015. AiR Mileševa Monastery, Dom kulture Gallery, Prijepolje

2013* Hungarian Painting Days, Budapest

2013* Exhibition 2, Vracar Gallery, Belgrade

2013* May Exhibition of the Print Art, Grafički kolektiv Gallery, Belgrade

2013* Sopoćani, The Media Centre “Odbrana” Gallery, Belgrade

2012* Art Colony Sopoćani, Novi Pazar

2011* L’ArteIl Primo Soffio Di Vita, National Museum, Belgrade

2011* Objects and Works On Paper III, Belgrade Gallery, Belgrade

2010* NAF, Nis

2008* Balkan Art Fluxion, Amsterdam

2007* Objects and Works On Paper II, Belgrade Gallery, Belgrade

2007* Biennial of Drawings and Small Plastics, Cvijeta Zuzorić Pavilion, Kalemegdan, Belgrade

2006* Colony St. Rafailo Deronjski, Deronje

2005* Dislocation, Zvono Gallery, Belgrade

Amazons, SKC Gallery, Belgrade

Total Art Sale, SULUJ Gallery, Belgrade

2004* BELEF- Belgrade Summer Festival, Kalemegdan, Belgrade

Imaginary City, Reed College, Portland, Oregon

Dislocation, Colony Kalenić

2003* BELEF- Belgrade Summer Festival, Kalemegdan, Belgrade

2002* Evinost, Sand Gallery, Belgrade

5th Yugoslav Biennial of Young Artists, Concordia, Vršac

Exhibition of photographs, ARTGET KCB Gallery, Belgrade

2001* Auction of paintings, Assembly of the City Belgrade, Belgrade

Sartid, Gallery of Museum, Smederevo

2000* Insomnia, SULUJ Gallery, Belgrade

4th Yugoslav Biennial of Young Artists, Concordia, Vršac

1999* 32nd Winter Saloon, Herceg Novi

Art Colony, Pinakotheke, Lamia, Greece

1998* 3rd Yugoslav Biennial of Young Artists, Concordia, Vršac

39th October Salon, 25th May Museum, Belgrade

1996* The Body, Academy of Fine Arts Gallery, Belgrade

1995* International Art Colony, Didimoticho, Greece

1994* Art Colony, Ečka, Serbia

AWARDS

2007* Belgrade, Telenor Award

2002* Belgrade, BS Processor III Award for Photography

1997* Belgrade, Academy of Fine Arts Award for the Best Drawing

1994* Belgrade, Academy of Fine Arts Award for the Best Drawing Study

COLLECTIONS

2020. Uroš Medan private collection

2018. Milan Beko private collection

2017. National Museum of Zaječar

2016. Cultural Centre Obrenovac

2015 Marriott Hotel Collection

2015. Požega Cultural Center

2009* Collection of the Arte Gallery, Belgrade

2007* Collection FITEX, Belgrade

2006* Collection of the Museum of Belgrade City

1999* Collection of the Pinakotheke, Lamia, Greece