G70_Ukulele Museum Booklet

The Ukulele Museum G70 × Hawai’i State Archives x The Ukulele Foundation

© 2024 G70. All rights reserved.

The Ukulele Museum Honoring Heritage, Uniting Communities, Inspiring Journeys

THIS PAGE INTENTIONALLY LEFT BLANK

Hawai’i as the Birthplace

The Ukulele Experience

Legacy through Community

The museum honors the legacy of The Royal Bungalow that once graced ‘Iolani Grounds and represents the cultural fusion of Hawaii.

Being located near Chinatown, it symbolically bridges past, present, and diverse cultures.

Through interactive exhibits and workshops, we aim to create a dynamic and passionate environment where visitors of all ages and skill levels can immerse themselves in the rich tapestry that is the world of the ukulele.

We strive to serve as a vibrant cultural hub, illuminating not only the ukulele’s rich history but also create a sense of community and shared appreciation for this beloved instrument, its history, and its legacy.

© 2024 G70. All rights reserved.

1

2

3

4

5

6

RESEARCH

SITE ANALYSIS

OVERVIEW

DETAILS

DESIGN ITERATIONS

APPENDIX

© 2024 G70. All rights reserved.

1 RESEARCH

Figure 1.1

© 2024 G70. All rights reserved.

Architectural Legacy Reimagined: The Royal Bungalow

The Vision of the Ukulele Foundation of Hawaii

Our museum draws inspiration from the elegance and historical significance of The Royal Bungalow, offering visitors a glimpse into Hawaii’s royal past through the timeless beauty and cultural heritage that once graced the ‘Iolani grounds.

To honor the legacy of the ukulele, support its continued relevance in music and education, and inspire future generations to embrace this iconic instrument by establishing the world’s first Ukulele Museum in Hawaii, celebrating its history, cultural significance, and impact on music and community

© 2024 G70. All rights reserved.

2 SITE ANALYSIS

Figure 2.1

© 2024 G70. All rights reserved.

Vicinity Map A. B. C. D. E.

IOLANI PALACE HAWAII STATE CAPITOL OLD ARCHIVE KANA’INA BUILDING HAWAII STATE LIBRARY IOLANI BARRACKS

A.

et

tre sS

E.

rd ha

B.

c

A.

C. et

D.

St re

ng

St re

C.

ik e

Ki

et

ke L

S

D.

Li

Ri

B.

et

tre lS

w

bo

h nc

Pu

1” = 300’

E.

© 2024 G70. All rights reserved.

Site Analysis

Figure 2.2

scale

© 2024 G70. All rights reserved.

Sun & Shadow Study

7:00am Maximum Shadow

9:00am Opening Time

THIS PAGE INTENTIONALLY LEFT BLANK

11:00am

1:00pm Minimum Shadows

3:00pm

5:00pm Closing + Performance Time

© 2024 G70. All rights reserved.

3 OVERVIEW

Figure 3.1

© 2024 G70. All rights reserved.

Site Plan STATE CAPITOL

IOLANI BARRACKS

HAWAII STATE LIBRARY OLD ARCHIVES BUILDING

IOLANI PALACE

1/32” = 1’ 0”

© 2024 G70. All rights reserved.

Exterior Facade Figure 3.2

The exterior facade is a tribute to the original Royal Bungalow. The facade incorporates mashrabiya screens and stained glass to allow people from inside to see out while still providing protection from the sun. © 2024 G70. All rights reserved.

Basement Level The basement level invites visitors into a captivating journey through time, with vignettes on the walls depicting scenes from old Chinatown, celebrating the birthplace of the first ukulele makers. These historical murals set the stage as visitors make their way to the vault, a secure and revered space housing the museum’s most valued and rare collection of ukuleles.

A. B. C. D. E.

THE VAULT OLD CHINATOWN VIGNETTE OFFICE AREA MEETINGS ROOMS MECHANICAL ROOMS E.

D. C.

B.

A.

1/16” = 1’ 0”

8’

4’

0’

8’

16’

© 2024 G70. All rights reserved.

A. THE VAULT

B. CHINATOWN WALL VIGNETTE

The vault establishes a secretive and valuable collection of artifacts safely secured in the underground exhibition.

Figure 3.3

Vignettes of old Chinatown reminisce of the birthplace of the ukulele while leading visitors to the vault.

Figure 3.4

© 2024 G70. All rights reserved.

Ground Level This floor welcomes visitors into the heart of the exhibit, signalled by the Donor’s tree, a tribute to those who have supported the museum. On this floor, guests can explore the the luthier lab, archives room, interactive displays, and endless showcases of historical music pieces.

A. B. C. D. E. F. G. H. I. J. K.

ENTRY DONOR’S TREE INTERACTIVE AREA DISPLAY AREA EXHIBIT ROOMS ARCHIVE ROOM LUTHIER’S LAB BATHROOMS STAFF ROOM GIFT SHOP AMPHITHEATER

D. E.

E.

G.

C.

B.

I.

F. K. H.

H. A.

1/16” = 1’ 0”

8’

4’

0’

8’

16’

© 2024 G70. All rights reserved.

A. ENTRY

B. DONOR’S TREE

The view as visitors enter into the grand double-height ceiling space of the museum.

The donor tree is decorated with leftover ukulele hole cutouts that are repurposed as plaques to show thanks.

Figure 3.5

Figure 3.6

© 2024 G70. All rights reserved.

C. INTERACTIVE AREA

D. DISPLAYS

An interactive display at the heart of the museum completes the Ukulele shape.

Figure 3.7

The exhibit rooms will contain a rotating collection of ukuleles and music artifacts.

Figure 3.8

© 2024 G70. All rights reserved.

G. LUTHIER’S LAB

F. ARCHIVE ROOM

The archive room allows the public to access to historical records and instruments to study and play.

The luthier lab will allow students and enthusiasts alike to witness the craft of the instrument.

Figure 3.9

Figure 3.10

© 2024 G70. All rights reserved.

K. AMPHITHEATER

J. GIFT SHOP

The gift shop offers visitors a chance to take a piece of their experience home with them.

Figure 3.11

The outdoor amphitheater will welcome performances outside of museum hours, for local and global artists.

Figure 3.12

© 2024 G70. All rights reserved.

Second Level This floor welcomes visitors into the heart of the exhibit, signalled by the Donor’s tree, a tribute to those who have supported the museum. On this floor, guests can explore the the luthier lab, archives room, interactive displays, and endless showcases of historical music pieces.

A. B. C. D. E. F.

LEARNING AREAS ARCHIVE STORAGE WALL OF UKULELES HISTORY WALL KEIKI AREA MAINTANENCE

C. D.

F.

A.

B.

A.

B.

E.

1/16” = 1’ 0”

8’

4’

0’

8’

16’

© 2024 G70. All rights reserved.

A. LEARNING AREAS

C. WALL OF UKULELES

These areas will serve as classrooms, for guided learning sessions, located between the archive storage.

Figure 3.13

The wall of ukuleles showcases the impressive permanent collection of the museum.

Figure 3.14

© 2024 G70. All rights reserved.

E. KEIKI AREA

D. HISTORY WALL

The history wall engages visitors to learn more about the instrument and its significance in Hawaii.

Figure 3.15

The keiki area serves as an engaging and educational space for young visitors.

Figure 3.16

© 2024 G70. All rights reserved.

Rooftop Level The rooftop level of the Ukulele Museum offers a serene and inspiring gathering space with a breathtaking view of ‘Iolani Palace. This open-air area provides visitors with a place to rest, reflect, and enjoy the museum’s tranquil surroundings.

A. B.

SNACK STANDS GATHERING SPACE

B.

B.

A.

1/16” = 1’ 0”

8’

4’

0’

8’

16’

© 2024 G70. All rights reserved.

8’

4’

0’

8’

16’

Figure 3.17

© 2024 G70. All rights reserved.

4 DETAILS

Figure 4.1

© 2024 G70. All rights reserved.

Archives Room Ground Level Total Sqft: 1160 Occupancy: 24

The materiality of the reading room is selected to enhance comfort while mitigating noise from the adjacent sound booths.

Carpet

Wood Vinyl

Rubber Mats

#D8CFC4

#A67B5B

#C97C5D

This room also benefits from ample natural light filtered through the shading of majestic banyan trees, where the color palette complements the dappled light to enhance a tranquil atmosphere without being too dark.

A. Sound Booths B. Reading Desks C. Computer Desks D. Archivist Reference

Figure 4.2

© 2024 G70. All rights reserved.

Luthier Lab Ground Level Total Sqft: 310 Occupancy: 6

A.

Viewing Benches

D.

Rack/Shelf

B.

Workbench

E.

Wood Steamer

C.

Cutting Station

F.

Staff Room

The Luthier Lab is designed with materials that reflect both functionality and aesthetic appeal, utilizing finished concrete, wood, or tile. The color scheme is chosen to enhance the workspace without distracting from the beauty of the ukuleles; this palette creates a warm and inviting atmosphere that complements the natural tones of the ukuleles.

Finished Concrete

Wood Vinyl

Tile

#E5D5B6

#9D593A

#50573D

Figure 4.3

© 2024 G70. All rights reserved.

Keiki Area Second Level Total Sqft: 1,510 Occupancy: 43

Carpet

#DB481D

Figure 4.4

Foam Tiles

#008A83

Rubber

The materiality of this space should consider the safety and comfort of young visitors, as well as the need to minimize noise transmission to the rest of the building. With this palette, the keiki area becomes a dynamic and educational space where children can engage, learn, and have fun in a visually stimulating environment.

A. Seating Area

C. Playset

B. Musical Wall

D. Open Play Area

#E2BA62

© 2024 G70. All rights reserved.

5 DESIGN ITERATIONS

Figure 5.1

© 2024 G70. All rights reserved.

Figure 5.2

© 2024 G70. All rights reserved.

I.

Image and Drawing Credits

Figure I-1: The Ukulele Museum Cover drawing by Gemma Allegra Halim, 2024 Figure 1.1: Research drawing by Gemma Allegra Halim, 2024 Figure 2.1: Map of Downtown Honolulu drawing by Gemma Allegra Halim, 2024 Figure 3.1: Overview drawing by Gemma Allegra Halim, 2024 Figure 3.2: The Ukulele Museum Exterior drawing by Hitoshi Hida, 2024 Figure 3.3: The Vault by Gemma Allegra Halim, 2024 Figure 3.4: Chinatown Wall by Gemma Allegra Halim, 2024 Figure 3.5: Entry by Ken Nukui, 2024 Figure 3.6: Donor’s Tree by Noah Larson, 2024 Figure 3.7: Interactive Area by Gemma Allegra Halim, 2024 Figure 3.8: Exhibit Rooms by Gemma Allegra Halim, 2024 Figure 3.9: Archive Rooms by Gemma Allegra Halim, 2024 Figure 3.10: Ukulele Gift Shop by Gemma Allegra Halim, 2024 Figure 3.11: Luthier Lab by Gemma Allegra Halim, 2024 Figure 3.12: Amphitheatre by Gemma Allegra Halim, 2024 Figure 3.13: Learning Areas by Gemma Allegra Halim, 2024 Figure 3.14: Ukulele History Wall by Gemma Allegra Halim, 2024 Figure 3.15: Keiki Area by Gemma Allegra Halim, 2024 Figure 3.16: Wall of Ukuleles by Gemma Allegra Halim, 2024 Figure 3.17: Perspective Section of Ukulele Museum by Noah Larson, 2024

THIS PAGE INTENTIONALLY LEFT BLANK

Figure 4.1: Ukulele Details drawing by Gemma Allegra Halim, 2024 Figure 4.2: Archives Room by Gemma Allegra Halim, 2024 Figure 4.3: Luthier Lab by Gemma Allegra Halim, 2024 Figure 4.4: Keiki Area by Gemma Allegra Halim, 2024 Figure 5.1: Design Iterations drawing by Gemma Allegra Halim, 2024 Figure 5.2: Design Iterations drawing by Gemma Allegra Halim, 2024

© 2024 G70. All rights reserved.

IV.

Research on The Royal Bungalow 4.1

Entrance to The Royal Bungalow

Entrance to The Royal Bungalow

Taken before Charles Hastings Judd’s resignation in 1886. Pictured are King Kalakaua, Queen Kapiolani, Col. Charles H. Judd, and Mrs. Antoinette Swan.

A snapshot from the 1895 Counter-Revolution in Hawaii, captioned “The President and His Aide, Camp.” Pictured are Sanford B. Dole, a Hawaii-born lawyer and jurist who advocated the westernization of Hawaiian government and culture, and group.

© 2024 G70. All rights reserved.

The Royal Bungalow Entrance and Garden

The Royal Bungalow Interior

The Bungalow was demolished in 1919, and replaced with the Iolani Barracks.

King Kalakaua once lived in the Royal Bungalow, also known as the Hale Akala.

© 2024 G70. All rights reserved.

The Ukulele Museum G70 × Hawai’i State Archives x The Ukulele Foundation Disclaimer: This document is put together by G70 voluntarily to help visualize the vision of The Ukulele Foundation and State Archives.

G70, State Archives and The Ukulele Foundation are not responsible for the content included in this document. The views and ideas expressed in this document are those of the designers or authors and do not necessarily reflect the views and opinions held by the City & County of Honolulu.