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DISPLAY DOMINATION

One Box that Checks All the Boxes

The DTP3 CrossPoint Series of configurable presentation matrix switchers deliver high-performance matrix switching with HDMI and DTP3 inputs and outputs, audio DSP with AEC, Dante®, a power amplifier, and a control processor, all in a single box. Other professional capabilities include Vector™ 4K video scaling on all outputs, seamless switching, logo keying, signal extension up to 330 feet (100 meters) over shielded CAT 6A cable, and more. The DTP3 CrossPoint® Series is the industry’s first matrix switcher line to feature assignable twisted pair inputs and outputs. Select DTP3 ports can be assigned as inputs or outputs, enabling one unit to support multiple matrix sizes to suit the unique needs of each project. These powerful products provide flexible input/output configurations to match a wide range of system applications.

Features

• All-in-one 4K/60 switchers with selectable matrix conﬁgurations, scaling, audio DSP plus AEC, audio power ampliﬁer, and control processing

• Integrated DTP3 inputs and outputs

• Supports video resolutions up to 4K/60 with 4:4:4 color sampling

• Conﬁgurable USB audio interface

• Dante® audio networking and AES67 support provides a wide range of expansion capabilities

• Remote powering of DTP3 and DTP transmitters and receivers

• Available with integrated IPCP Pro 360MQ xi control processor

• Available energy efﬁcient Class D ampliﬁer with selectable output power modes

• 100 watts stereo into 4 ohms or 8 ohms

• 200 watts mono into 8 ohms

• 200 watts mono into 70 V or 100 V

• Available with built-in ShareLink® Pro presentation system on select models

DTP3 CrossPoint Matrix Switchers are available in four sizes

DTP3 CrossPoint 642

Conﬁgurable from 6x6 to 8x4

DTP3 CrossPoint 622

Conﬁgurable from 6x4 to 8x2

DTP3 CrossPoint 884

Conﬁgurable from 8x12 to 12x8

DTP3 CrossPoint 662

Conﬁgurable from 6x8 to 8x6

DISPLAY DOMINATION

The Cornhuskers have installed a massive amount of Pro AV solutions in the new Osborne Legacy Complex. By Wayne Cavadi

20 Executive Q&A

C2G’s Mark Plummer celebrates the company’s 40th anniversary of connectivity.

By Mark J. Pescatore

22 Executive Q&A

CEO Kalle Hvidt Nielsen talks about big changes at DPA Microphones.

By Mark J. Pescatore

28 Carousel of Content

The Village of McFarland has a digital signage network across three buildings.

By Jennifer Guhl

30 Blueprint for Success

How can you find the balance in cybersecurity between people and technology?

By Mathew Newfield

Technology

32 What HDMI 2.2 Means for Pro AV

With double the maximum data rate, how will the new specification impact the industry?

By David J. Danto

34 Cloud Power

Cybersecurity challenges abound when you migrate your AV infrastructure to the cloud.

By Dave Van Hoy

36 Power to ‘The People’s House’

A new multimedia experience is providing an in-depth tour of White House history.

By Michael Grotticelli

42 Welcome to the New Era

The events industry has been reshaped by both necessity and opportunity. By Mel Baglio

Please Protect Your Hearing

About a year ago, I lost most of my hearing in my left ear. It was only temporary, but I didn’t know that at the time and I didn’t take it well.

I figure I’ve always had good hearing, mostly because other people have regularly said, “You can hear that?” Back in my production days, I was the guy who wouldn’t lock up the control room because I could hear that a VTR or some other machine somewhere in the equipment rack was still on. Even now, as I write this, I can hear the steady hum of my laptop’s fan—and through the closed hurricane impact window in my office, there’s the whining of a leaf blower the kid across the street is using to clean the pine needles off his driveway.

But last year, when I got sick, it was as if my ear was completely clogged. Suddenly, my hearing was just gone. I made a beeline to the local ENT specialist for an examination and a hearing test. Turned out I had mild-to-moderate sensorineural sloping hearing loss in my left ear. Even to the untrained eye, a review of my audiogram showed a sudden, unmistakable drop in hearing level for my left ear in the high frequencies (from 3-8 kHz).

That evening, I walked onto my front lawn, listening for the sound of crickets. Once I located the little buggers using my right ear, I covered it and turned toward the noise with my left ear. Nothing. Looking back, I’m not sure I want to know what the neighbors would have thought had they seen me conducting this aural experiment.

A few nights later, I could hear them again … at least a little bit. My hearing slowly improved, but my ear still felt clogged when I returned to the ENT a week later. It felt like someone had shoved something—maybe a Brazil nut or a Matchbox car—into my left ear canal, but there was no congestion to be found.

Thankfully, the follow-up test revealed only a normal-mild sensorineural sloping hearing loss, while my right ear remained normal. Through both tests, I scored 100% word recognition in both ears, which was a relief. Eventually, the clogged feeling went away, and I haven’t experienced another sudden loss of hearing in either ear. I’ve also gone online and listened to a few high-frequency test tones; I’m still good at almost 12 kHz, but anything higher and I’m going to have to take your word for it (pretty normal for my age).

There are all kinds of reasons for hearing loss, and an internet search can do an excellent job of scaring the ever-loving decibels out of you. So, how do you protect your hearing in an industry that caters to live events, post-production headphone use, and other potential auditory minefields? Thankfully, several companies in our industry stand ready to help.

For example, Sensaphonics has its dB Check Pro in-ear sound level analyzer. Developed for the music industry, it’s an in-line device that provides real-time data on how loud you’re listening to your earbuds or headphones—and it also tracks ambient noise levels and reports safe audio exposure times. Dr. Michael Santucci, president of Sensaphonics, said the dB Check Pro is like a “speedometer for your ears,” because it lets you know when you’re exceeding exposure limits based on government (OSHA and NIOSH) guidelines. My temporary hearing loss wasn’t the result of too many concerts or hanging out with jackhammer operators or even operating colonial cannons at Revolutionary War reenactments without protective cans. Still, it reminded me of the importance of protecting your hearing, especially in a professional field that places such an important emphasis on sound.

This year, the World Health Organization’s World Hearing Day is March 3. Maybe Pro AV companies should recognize this occasion by scheduling some hearing tests and exploring solutions to prevent hearing loss. Please, make it happen—this is one time where I don’t want to hear crickets.

CONTENT

Content Director Mark J. Pescatore, Ph.D. mark.pescatore@futurenet.com

Senior Content Manager Wayne Cavadi

Contributors Mel Baglio, James Careless, Mónica Fernández Bové, Michael Grotticelli, Jennifer Guhl, Mathew Newfield, Dave Van Hoy Art Editors

Rob Crossland, Sam Richwood

Production Managers Nicole Schilling, Heather Tatrow

SALES

ADVERTISING

Managing Vice President of Sales, B2B Tech Adam Goldstein, adam.goldstein@futurenet.com, 212-378-0465

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Debbie Rosenthal, debbie.rosenthal@futurenet.com, 212-378-0468

Zahra Majma, zahra.majma@futurenet.com 845-678-3752

Andi Tureson, andi.tureson@futurenet.com, 646-544-0007

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LICENSING/REPRINTS/PERMISSIONS

SCN is available for licensing. Contact the Licensing team to discuss partnership opportunities. Head of Print Licensing Rachel Shaw licensing@futurenet.com

MANAGEMENT

SVP, MD, B2B Amanda Dawrman-Allen

VP, Global Head of Content, B2B Carmel King MD, Content, AV Anthony Savona VP, Head of US Sales, B2B Tom Sikes Managing VP of Sales, B2B Tech Adam Goldstein VP, Global Head of Strategy & Ops, B2B Allison Markert VP, Product & Marketing, B2B Andrew Buchholz Head of Production US & UK Mark Constance Head of Design,

Tools like the Sensaphonics dB Check Pro in-ear sound level analyzer can help reduce the risk of damaging your hearing.

VuWall Acquired by Naxicap, Aligns with G&D and Tritec

In January, VuWall announced its acquisition by Naxicap, a private equity firm that previously acquired Guntermann & Drunck (G&D) in 2020 and Tritec Electronic in 2022. Now, the three companies are positioned to elevate command and control environments worldwide with complementary technologies.

The strategic alignment under Naxicap allows the companies to leverage each other’s technology, workforce, and market presence. It is expected to bring together best-of-breed solutions to mission-critical control room operations across key industries, including public safety, transportation, security, utilities, state and local government, and more.

Combining VuWall’s software development expertise with G&D’s and Tritec’s hardware development, the partnership is expected to foster collaboration and interoperability. Customers should experience faster response times, streamlined operational workflows, and increased system reliability through seamlessly integrated video wall and KVM solutions.

As part of this new collaboration, Thorsten Lipp, CEO of G&D, will now also serve as the CEO of VuWall. Meanwhile, Paul Vander Plaetse, founder of VuWall, will lead the global marketing strategies for VuWall, G&D, and Tritec as chief marketing officer. Markus Müller-Heidelberg will remain managing director of Tritec Electronic.

“The combination of G&D’s world-class KVM technology with VuWall’s innovative IP-based video wall solutions is paving the way for unprecedented market growth and technological advancements for control room environments,” said Lipp. “Our customers will benefit from seamlessly integrated solutions that not only simplify operations but also significantly enhance security and boost efficiency.”

“The integration of G&D’s world-class KVM technology with VuWall’s innovative IP video wall solutions is a game changer for command and control environments,” added Plaetse. “This partnership will allow us to deliver a truly seamless experience, enhancing operational efficiency and situational awareness for our customers.”

Rise AV Launched to Promote Industry Inclusivity

Rise, an advocacy group for gender diversity in the media technology sector, has announced the launch of Rise AV, which will build on the success of Rise Women in Broadcast (WIB) that was established in 2017. With more than 3,000 members worldwide, Rise has supported many women, advocates, and companies in technical, engineering, operations, marketing, sales, and executive roles through its programs.

The mission of Rise AV is to create an inclusive AV industry where gender diversity thrives, inspiring innovation, equity, and opportunity for all. It will focus on attracting and retaining talent, education and awareness, mentorship, and partnerships.

Rise AV was founded by Rise’s founder and CEO, Sadie Groom, and Rachael Hamilton, who will become managing director. Hamilton has worked in the AV sector for 18 years and previously founded IAR, a business and marketing consultancy. Supporting Rise AV will be an advisory board made up of industry leaders known for their knowledge, expertise, and passion for change. The Rise WIB non-executive board will also support the business.

“It is a great time to launch Rise AV and bring all that we have learnt and given to the media technology sector,” Groom said. “The global community that we have built and nurtured is much needed in the AV sector, and I look forward to seeing how it evolves and how many careers and lives we can change.”

CTI Continues Expansion, Acquires Delta AV

CTI has acquired Delta AV of Gresham, OR, which has been serving clients in and around the Portland area for almost 30 years. CTI serves customers worldwide as a member of the PSNI Global Alliance and across the United States, with locations from Michigan to Texas and New Jersey to California.

“It’s easy to admire the business Delta AV has built over nearly three decades in AV design, integration, and service,” noted John Laughlin, CEO

of CTI, “but I believe the only way CTI can successfully integrate a company is if our cultures match up well. Delta’s focus on building long-term relationships with clients and dedication to finding—and growing—talented people stands out. I am honored to be trusted to take this team into the future, and I look forward to seeing what they can do with CTI’s resources behind them.”

CTI has been busy the past 12 months. In February 2024, it acquired Vistacom of Allentown, PA. Last June, the company made two acquisitions: Advanced Systems Integration serving the Minneapolis area and Digital Technology Solutions in San Antonio. Delta AV is the company’s 39th U.S. location, providing expanded coverage of the Pacific Northwest to Portland Metro Area.

DN-300 Series

The Ultimate AVoIP Platform

The Future of AV Distribution is Here

The DisplayNet DN-300 Series delivers an unprecedented level of AVoIP performance, versatility and reliability— at a price point that defines the industry benchmark for value. Based on the latest SDVoE technology, the DN-300 Series provides 4K/60 (4:4:4) video distribution with limitless scalability, zero-frame latency and zero image artifacts.

These units offer unique features that provide system designers with exceptional versatility:

 Switchable Transmitter / Receiver operation

 Bi-directional Transceiver mode (DN-300T)

 Dual (copper / fiber) 10G network interfaces

 Long Range: 100 meters (copper), 30 km (optical)

 Auxiliary H.264/5 video output streams

 Powerful network security features

 PoE+ support

 Silent, fanless operation

 Ultra-compact, rackmountable case

 Versatile KVM Routing

 DN-300H: USB HID device instant switching

 DN-300T: full-bandwidth USB 2.0 routing

DisplayNet also provides software-defined MultiViewer and Advanced Video Wall engines that power a wide range of applications without the expense and complexity of ancillary products. A highly intuitive web-based UI and API greatly simplifies setup and installation, as well as integration into third-party control systems.

ZERO COMPROMISE – INFINITE POSSIBILITIES

sales@dvigear.com

(888) 463-9927

www.displaynet.com

Metinteractive Leads Major AV Overhaul at Sacred Heart University

The William H. Pitt Center—the three-level, 141,000-square-foot facility that is home to Sacred Heart University men’s and women’s basketball, volleyball, wrestling, and fencing— underwent a major Pro AV renovation with the help of Metropolitan Interactive. It comes one year after Metinteractive enhanced the sports engagement technology at the Fairfield, CT-campus’s new Martire Family Arena, which houses the men’s and women’s NCAA Division I hockey programs, as well as the university’s nationally ranked figure skating team, men’s club ice hockey team, and women’s club program.

Metinteractive returned for the Pitt Center renovations, which coincided with the SHU Pioneers’ transition from the Northeast Conference to the Metro Atlantic Athletic Conference (MAAC), a move that connects the university with a growing national presence and media following. The new arena inside the Pitt seats 2,000 and features an innovative broadcast control center and three giant videoboards.

The renovations also deliver a high-quality fan experience with the addition of a mezzanine for VIP seating and events sound systems and lighting. In addition to sports, the Pitt Center hosts concerts, lectures, convocation ceremonies, and other events. The SHU Athletics Department is housed on the upper level, while the lower level boasts an aerobics room, weight training facility, locker rooms for varsity teams and members, the Pioneer Wrestling Room, and offices for the varsity football staff.

“All of the renovations are designed to enhance the fan experience,” said Rich Gold, CTO and engineer at

Metinteractive. “The project was very much in our wheelhouse. We knew all the players, so that made it easier to coordinate the other trades and reduce the stress level associated with any renovation of this size.”

“The Pitt Center offered some unique challenges, particularly with designing a full-featured system which was also compatible with the physical constraints presented in the project,” noted Rhys Dawson, Metinteractive’s lead field engineer on the project. “The experience which comes from working on a wide range of projects has allowed us to exercise a greater degree of flexibility when custom-tailoring solutions for our clients.”

Metinteractive provided the PA system in the arena and built the broadcast control room plus a separate control room for broadcast audio. They created separate components’ setups on the scoring tables at the

sidelines of the court to handle sound for the warmup show, broadcast announcers, and video feeding the Daktronics displays. Metinteractive also completed all the wiring for AV, broadcast, and videoboards; junction boxes were installed around the arena for plugging in cameras, fiber optic cabling, and the displays.

A 74x8-foot ribbon-shaped display runs above the bleachers, while two separate 18x9-foot displays at the other end of the court hang at opposite corners, angled toward the court. All run live video, advertising, scoring, and statistical content. Daktronics control equipment drives some of the content, new shot clocks, and scoring.

The PA system features d&b audiotechnik C7-TOP loudspeakers and subs and d&b 30D amplifiers. The arena sound digital mixing console is an Allen & Heath SQ-5 with an SQ-6 in the broadcast control room. All sound is Dante.

Shure microphones fulfill a range of functions. Beyond ULX-D digital wireless mics, there are MX391 boundary mics flat on the floor to capture sneaker squeaks, MX183 lavs in the padding behind each net so fans can hear the ball swish, and VP89 shotguns overhead, at each basket, and along the sidelines. Communication is facilitated with ClearCom digital and wireless intercoms.

The broadcast control room has a Ross Video Ultrix router and Carbonite production switcher, gear that is similar to that in the Martire Arena’s hockey control room. “We wanted to provide a familiar working environment for operators,” Gold explained. “The university has a graduate sports broadcasting program, so students are able to learn the tools and handle different sporting events on a content level.”

Six Hitachi broadcast cameras include one with an ABonAir wireless system for extra video signal transmit and receive capabilities. Each basketball backboard has a Panasonic PTZ camera, and four more are mounted in ceiling trusses for a high-angle perspective of the game, primarily for the DVSport replay system used by the referees. Plus, the broadcast control rooms at the Pitt Center and the Martire Arena are ready for a proposed renovation to the football facility that would make a campus-wide tie-in of all the control rooms an efficient next step.

Sacred Heart University’s Pitt Center has been renovated with new displays. Metinteractive built the broadcast control room for the Pitt Center.

Digital Signage Enhances Lincoln Park Zoo Experience

Founded in 1868, Chicago’s Lincoln Park Zoo has always focused on preserving wildlife while enhancing the visitor experience. To modernize its guest communications and provide more dynamic wayfinding solutions, the zoo partnered with Peerless-AV to implement an innovative digital signage solution that optimizes the visitor experience while integrating seamlessly into the zoo’s environment.

The project, launched in Summer 2023 and completed last August, included the installation of outdoor kiosks and indoor display mounts, designed to deliver high-quality, flexible content across the zoo’s high-traffic areas. The zoo had relied on traditional, static signage for wayfinding, events, and educational content, but as the guest experience continued to evolve, the need for a more adaptable, engaging, and informative digital solution became clear.

As with many historic sites, Lincoln Park Zoo faced the challenge of modernizing its infrastructure without sacrificing the integrity of the location or overwhelming the natural environment. Additionally, given Chicago’s extreme weather conditions—ranging from frigid winters to humid summers—the zoo required a signage solution that was not only adaptable but also durable enough to withstand the area’s environmental challenges.

Lincoln Park Zoo received a grant to enhance the guest experience, including funding for installing digital signage technology that would optimize the communication of venue and programming information across the zoo via digital signage. Peerless-AV was selected as the manufacturer and integrator based on its ability to deliver highperformance, weather-resistant outdoor digital signage solutions and its strong existing relationship

with the zoo.

The outdoor kiosks and displays used in the installation are designed with enhanced durability and brightness, which allows for optimal visibility in all lighting conditions, from bright summer mornings to cloudy winter afternoons. Working closely with Lincoln Park Zoo and the team at CDW, Peerless-AV provided a comprehensive range of solutions to address the zoo’s needs.

Installation teams designed a plan to implement these digital solutions at key locations throughout the zoo, which gave rise to another challenge: ensuring the installation did not disrupt the natural lighting patterns of animal enclosures to avoid impacting the well-being of the animals, while also optimizing communication for guests.

The zoo’s IT team was also involved in the planning, ensuring the existing Wi-Fi infrastructure was robust enough to support the content management system (CMS). Peerless-AV worked with the zoo to ensure the system was easy to update remotely, facilitating quicker adjustments to content, event promotions, and other important messaging.

Peerless-AV also worked with the zoo’s project managers, providing technical assistance, engineering expertise, and on-site support during installation. The collaborative approach and problem-solving skills were especially valuable in overcoming site-specific challenges like the placement of the displays in busy and environmentally sensitive areas.

“It’s great to see zoos embracing digital signage as a more efficient and effective alternative to traditional printed posters. Installing in these unique environments requires careful consideration and respect to ensure zero disruption to its inhabitants,”

said Rob Meiner, technical sales engineer, Peerless-AV. “Walking round the zoo grounds, I’ve seen how people are now engaging with the kiosks and displays, helping them to navigate around the enclosures, locate amenities, learn about upcoming attractions, restaurant offers, conservation efforts, and more. Using our digital signage solutions allows the zoo to adapt quickly to changing information and communication needs, and it’s rewarding to see how these solutions can make a significant impact in improving guest engagement.”

The indoor Searle Visitor Center installation included four 75-inch Samsung landscape displays and a 55-inch Samsung display, all secured with Peerless-AV SmartMount Universal Flat Wall Mounts. The outdoor East Gate area installation included three Peerless-AV Smart City Kiosks with 55-inch Xtreme High Bright Outdoor Displays fixed to concrete pedestals, each equipped with a Wi-Fi antenna, BrightSign media player, and two Peerless-AV 75-inch Xtreme High Bright Outdoor Displays and Outdoor Flat Wall Mounts with corrosion resistant coating and stainless-steel hardware.

Not only has the digital signage installed by Peerless-AV transformed the visitor experience, but it has increased revenue opportunities by promoting multiple types of content, encouraging greater participation in zoo activities and growth in on-site spending. Thanks to the centralized CMS, communication has become streamlined for quick content updates, reducing the time and resources spent managing static signage.

Lincoln Park Zoo is now able to deliver timely, engaging, and relevant content to visitors, all while maintaining the integrity of its iconic and historic Chicago location. “Our new audiovisual installations have transformed the visitor experience,” said Hyson Gibbon, project manager. “The displays are well positioned at strategic locations; they are also vibrant and crystal clear to be eye-catching and augment our natural exhibits by bringing our educational programs to life.”

Several displays were installed in the Searle Visitor Center.

The new outdoor kiosks at Lincoln Park Zoo allow for optimal visibility in all lighting conditions.

Is Google Making a Digital Signage Move? Painted Pickle Automates AV Experience for Employees

By Mónica Fernández Bové

Recently, Google unveiled its latest innovations for ChromeOS, expanding its capabilities in AI, security, and sustainability. While ChromeOS has traditionally been associated with laptops and desktop devices, its evolution now hints at new applications in kiosks and digital signage displays. But does this mean ChromeOS could become a dominant player in the digital signage industry?

In an industry largely dominated by operating systems like Android, Tizen, and WebOS, ChromeOS is trying to carve out its niche with promises of robust security, ease of management, and a connected ecosystem. Additionally, with the introduction of ChromeOS Flex, Google is enabling the software to be deployed on existing hardware. This approach reduces the need for new equipment and extends the life cycle of devices—an attractive proposition.

So far, ChromeOS devices for digital displays are still a novelty. Widespread adoption in digital signage remains untested. For ChromeOS to establish itself as a viable alternative, leading display manufacturers like Samsung and LG would need to integrate it into their system-on-chip (SoC) platforms or offer it as a native option in their displays. At the moment, the market continues to favor well-established, flexible platforms in digital signage.

For digital signage providers, the current approach to ChromeOS might best be described as “wait and see.” Fully ensuring compatibility with ChromeOS requires a significant investment, and the decision to move forward will depend on adoption trends among key manufacturers and demand from specific sectors. A tipping point for ChromeOS adoption could come if major display manufacturers align with Google or if key industries begin specifically requesting ChromeOS solutions.

The future of ChromeOS in Digital Signage will depend on how it manages to position itself as a viable alternative in this competitive landscape. Caution is advisable, with companies closely monitoring developments and responding to market demand as it unfolds.

Mónica Fernández Bové is the managing director of nsign.tv.

There is no denying the growing popularity of pickleball, as new venues seem to be popping everywhere. Perhaps no venue captures the sport better than the Atlanta-based Painted Pickle, where guests enjoy an “unbeatable recreational experience,” thanks to the help of ADI | Snap One and Sunbelt Technology.

The AV and automation features integrated into the professional-grade pickleball “compeatery” marked Sunbelt Technology’s third project with the Painted Hospitality group. Its familiarity and experience with ADI | Snap One brands Control4, WattBox, Luma, OvrC, and Araknis gave the team a good feel for the client’s expectations, as well as the systems and features required for a seamless experience.

Music and video throughout, plus top-notch surveillance, fast, reliable Wi-Fi access, and a simple means of managing and monitoring the facility has worked well at Painted Hospitality’s two other compeateries. So, Sunbelt Technology stuck with the winning formula for the 30,000-square-foot indoor/ outdoor pickleball venue, which opened last April. Besides being familiar to the owners, the Control4 platform allows them to monitor all three properties from a single app, enhancing convenience and operational efficiency.

Sunbelt Technology integrated a sophisticated multi-zone AV system at the Painted Pickle. The goal was to ensure music and video enhanced every aspect of the experience on and off the courts, from competition to relaxation. The team strategically installed roughly 50 pendant-style, commercial-grade speakers, suspended from the rafters to avoid disrupting play on the pickleball courts.

With pickleball as the main attraction, the facility’s 10 courts are active daily, offering a variety of events, from open play to specialized tournaments and clinics. In other areas, like the restaurant, sushi bar, cocktail bar, putt-putt course, and shuffleboard court, Sunbelt Technology tucked Episode speakers flush with the ceiling surface to maintain a clean aesthetic.

A Control4 system delivers audio to every speaker, a task simplified by the touch of an “All On” button on a Control4 touchpad. The same command also activates more than 20 TVs, including Samsung displays inside and SunBrite TVs outside.

To provide a tailored entertainment experience,

Sunbelt Technology arranged the TVs and speakers into several distinct zones, enabling independent volume adjustments and source selection via any of three Control4 touchpads or a custom app on employees’ smartphones. Another app assigned to the 16 Luma surveillance cameras lets employees view live and recorded footage, enhancing the security and management of the venue.

“Our goal from the onset was to integrate and automate for simplicity,” said Sunbelt Technology’s Wes Bradshaw. “Just like the other facilities under the Painted Hospitality Group umbrella, it was imperative the system must be easy for all employees to operate.” However, things happen, devices need rebooting, software needs updating, and automation schedules need adjusting. Any downtime for alterations was out of the question. “With Control4’s Composer Pro software, we can log in and make changes from our office, or anywhere else, at any time,” Bradshaw explained.

The team can also reset the systems remotely by accessing the project’s many WattBox IP controllable power distribution units. Every electrical outlet was fitted with a WattBox unit featuring Snap One’s remote monitoring platform, OvrC, which enables Sunbelt Technology to initiate an automatic reset at 3 a.m. every Sunday.

The facility also hosts many non-competitive social events. However, recognizing the diverse needs of the venue, Sunbelt Technology ensured that the Pro AV elements would also support noncompetitive events. It equipped a dedicated theater space with a high-performance projection system and immersive surround sound, making it ideal for movie screenings and live on-stage performances. Audio and video from the main entertainment area can be distributed to the speakers and displayed elsewhere via Control4, so everyone at the Painted Pickle can enjoy the main attraction.

A solid, reliable Wi-Fi connection helps keep things running smoothly at The Painted Pickle, too. It’s essential not only for the management and control of the AV technologies on site, but the operation and security of the facility’s point-of-sale (POS) system. “The Araknis IP switches and WattBox power distribution units are crucial, as they allow us to log in, reset the POS system, or change IP settings if necessary,” Bradshaw said.

Atlanta’s new Painted Pickle pickleball venue uses ADI | Snap One solutions to simplify AV control for its employees.

Mónica Fernández Bové

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Winners Announced for SCN Best of Show at

ISE 2025

Every year, Future publications contracts with AV industry experts to evaluate products submitted by manufacturers exhibiting at ISE for its Best of Show awards. This year, the Best of Show awards are presented by nine of Future's industry publications, including Systems Contractor News

Our expert judges were meticulous in their review of the products chosen for them to evaluate. While we can tell you the judges are your peers, AV/IT managers, directors, engineers, or industry consultants and integrators, their names, as always, remain anonymous.

And the winners are:

Clear-Com, FreeSpeak ICON

What the judges said: “The Clear-Com Freespeak system is the most versitle professional grade wireless intercom on the market today because you can interface with matrix and IP systems. The new Icon Beltpack further distinguishes the product line from the competition with easy placement of remote transceivers and a scalable number of beltpacts. The refined beltpack has an improved display and additional programable keys pulling from the existing Edge design. Integrators needing a robust solution for complicated environments should feel comfortable free-speaking with Clear-Com.”

Crestron, Crestron AirMedia Connect Endpoint

What the judges said: “The AirMedia Connect Endpoint builds on Crestron’s history of supporting wireless collaboration adding wired connectivity and the ability to operate independently of the network. Overall, the new form factor looks more professional.”

Episode, Episode Extreme

Environment In-Ceiling Speaker

What the judges said: “Episode creates installerfriendly hardware solutions that survive harsh outdoor environments to provide high-quality acoustic performance. Episode Extreme

Environment In-Ceiling Speakers are well built and with their controlled distribution model, they help protect integrators from others poaching system designs.”

LEA Professional, Connect Series Touch

What the judges said: “The Connect Series Touch controllers from LEA are visually stunning and easy to configure and effortless to use. Audio quality matters but so does the user control experience. The LEA Connect Series Touch experience leverages their network-centric model and displays a commitment to the customer experience that is second to none.”

LED Studio, EDGEi

What the judges said: “I’m impressed by the quality of the LED color reproduction and color gamut. Clear and crisp image quality. The sustainability aspect of lower power consumption is innovative in the market and backed up with facts. The idea of an all-in-one LED to replace LCD and have the same resolution in the same size is interesting and a first move for replacing LCD video walls. It’s the first time an LED manufacturer adds a player to the screen. The all-in-one is easy to use for digital signage, and the market has been waiting for this type of product to replace the flat panels with the right size and resolution—and higher lifetime.”

LUMA, Luma 4K Hybrid Turret Varifocal Camera

What the judges said: “The Luma 4K Hybrid Turret Varifocal Camera adds significant value for integrators with the quick OvrC configuration and active deterrence capabilities that will help end

users minimize the chances of becoming a victim of crime.”

MAXHUB, MAXHUB XBoard V7 Series

What the judges said: “MAXHUB’s XBoard V7 Series is an exceptional interactive display system with its integrated camera and beamforming microphones. The camera’s intelligent framing, tracking, and focus capabilities steal the show due to the 50MP, but the panels impressive color reproduction is another reason this display is top of the class.”

Shure, Microflex (MX) Loudspeakers

What the judges said: “Microflex (MX) Loudspeakers are the next progression in conferencing audio solutions from Shure. Integrators will appreciate the ability to select a networked MXN5W-C in-ceiling speaker or use the MXN-AMP with onboard DSP utilities to drive up to four passive speakers. With four speaker options to choose from there is bound to be an option that best fits your next project or you can use the MXN-Amp to leverage existing hardware.”

WolfVision, VZ-2.UHD Visualizer

What the judges said: “WolfVision makes the highest performing document cameras on the market, and the new VZ-2.UHD Visualizer brings value to the table without sacrificing quality. The ability to pivot the camera to switch from image to presenter capture capability increases optionality for users and the refined control interface makes it a breeze to operate.”

ISE 2025 Analysis: Trends from the Show Floor

By Mark J. Pescatore

ISE 2025 is in the books. Built around a theme of “Connection Restored,” it was a four-day, Barcelona-based blur of eye-catching displays, packed exhibit halls, and a sizable program of educational sessions.

Before I drill down on a few trends, let’s look at the scorecard. According to ISE show officials, the 2025 show was the most successful ISE to date,

crushing records left and right. Co-owned by AVIXA and CEDIA, ISE 2025 hosted a record 1,605 exhibitors across a show floor that expanded by about 12% in size. There were 85,351 unique verified visitors (up 15%) from 168 countries.

“ISE 2025 has surpassed all expectations, setting new milestones in both attendance and innovation,” said Mike Blackman, managing director of Integrated Systems Events. “The energy and engagement from our attendees and exhibitors have been truly remarkable. From the dynamic show floor and impactful exhibitor showcases to a content-rich program, this year’s edition has delivered an unmatched experience.”

I’m inclined to agree. Similar to last year, there was no Next Big Thing on the show floor, but there were plenty of refinements to existing solutions. Yes, AI is still the buzzword du jour, but isn’t the only topic that was generating interest at the show.

Sensors are working overtime. I think we’ll be talking about return to office for years, and I don’t think it’s going to become any less important. Part of that return is making sure office space is being used productively and efficiently, and sensors are part of the equation.

But it’s not just about keeping track of room usage. Some of these sensors are providing environmental data as well, such as room temperature and CO2 levels. That’s right, folks, Pro AV solutions are helping employers take better care of their employees—or at least monitor working conditions to maximize productivity, depending on your level of cynicism.

One of the biggest examples of sensor integration, literally, was Logitech’s new Rally Board 65, an all-in-one videoconferencing board. Among its bells and whistles are built-in occupancy sensors that work with the Logitech Sync device and space management software. The company also introduced Logitech Spot, a standalone occupancy and environmental sensor that also feeds its data back to Sync.

Humly is known for its hardware and software solutions for booking anything from a desk to an office to a parking spot. Now, it offers occupancy

sensors that detect when a person enters a phone booth-style meeting space, triggering the space’s Humly Booking Device to “booked” mode (and changing its color from green to red). Another sensor measures environmental conditions including air quality, humidity, and more. That data can be seen on the Humly Room Display or monitored within the Humly Control Panel.

Videobars are getting bigger by getting … smaller.

Following InfoComm 2023, I wrote that videobars were one of the hottest product categories in Pro AV. That showed no signs of changing at ISE 2025.

As Boom Collaboration’s Chris Widocks reminded me, convenience is a compelling selling point. Videobars provide an all-in-one solution, with built-in video cameras, microphones, and speakers. Just add a display and you’re ready to go. You can also accessorize your videobar; in fact, Boom offers expansion microphones, so you can make sure that quiet CEO on the far end of the conference table can be heard by the satellite office attendees.

But what I didn’t see coming for 2025 was an influx of smaller videobars.

For example, Jabra unveiled its PanaCast 40 VBS, which will be available later this year. Significantly smaller than the PanaCast 50 VBS, the new Androidbased videobar was specifically designed for smaller collaborative spaces, such as huddle rooms. Of course, it’s still a Jabra, so you’re getting plenty of features, including dual cameras for a 180-degree field of view and six microphones so the folks on the other end of the videoconference will hear every word.

HP Poly had its own big/small news with the Poly Studio V12, a sub-$1,000 entry that sports a 4K, 20 MP camera, four mics, and stereo speakers. At the

Dynascan showed a 75-inch full color epaper display for outdoor signage applications.

ISE 2025 shattered exhibitor and attendee records.

The new Rally Board 65 all-in-one videoconferencing board from Logitech includes integrated occupancy sensors.

New videobars, such as Jabra’s PanaCast 40 VBS, are targeting huddle rooms and other smaller collaborative spaces.

show, I talked with Andie Mace, senior manager, hybrid systems. She said the new videobar was developed specifically to increase penetration in smaller rooms. “Our goal is to be able to offer that premium, second-generation audio and video experience but in a simpler space at a lower cost,” she added.

Prediction: Here comes epaper. Since I’m feeling pretty good about my videobar track record, it’s once again time to test my powers of prognostication: Between sustainability efforts and improving technologies, the proverbial stars are beginning to align for epaper.

Martjin van dar Woude, VP of global business development and marketing at Philips Professional Displays, admitted sales have not been great to this point; high prices and a lack of well-defined use cases have certainly impeded its progress. But all that is about to change. Epaper options were all over ISE (yes, I saw you, Avocor), and that tells me prices are going to start dropping.

As far as use cases go, let’s talk about Dynascan. The company showcased a 75-inch full color epaper display tucked away safe and sound in its Dynascan Kiosk, so it’s ready for outdoor digital signage

applications. It uses E Ink’s Kaleido 3 technology, and I will concede that it fails to reproduce colors as brightly as, say, the smaller epaper solutions in the Philips booth driven by Spectra 6 or Gallery technology, depending on the model. But did I mention it was 75 inches and, ahem, no one in their right mind is going to install it next to a full-motion 4K LED in the field?

Meanwhile, Sharp had its own wicked smart epaper outdoor signage demo. The company announced its first epaper solutions at ISE, three models of various sizes. Then, it took four of its midsized displays and stacked them 2x2 in a solarpowered outdoor signage kiosk. The result was a multi-window epaper digital signage solution. Change each of those displays at staggered intervals and suddenly you have a dynamic digital bulletin board, one that’s not drawing any power but is drawing interest from foot traffic.

Remember, epaper as a digital signage solution is still in its infancy. This is the worst it’s ever going to look—and it already looks pretty good. Plus, panels are only going to get larger, more vibrant, and more capable. We’re even starting to see some very creative use cases, at least on the trade show floor. Expect a breakthrough in the next two years.

Sharp combined four of its new epaper displays to create a solar-powered, multi-window digital signage solution.

Rep Report

LEA PROFESSIONAL announced its partnership with Queensland, Australiabased manufacturer’s representative GLOBAL AV SALES. This partnership will bring LEA’s technology catalog, featuring advancements in intelligent IT solutions, DSP, and smart power management, to the APAC, Middle East, and EMEA residential markets. For more than 12 years, Global AV Sales has been a trusted partner for international manufacturers, representing companies across more than 60 countries. This partnership will allow Global AV Sales to offer LEA Professional’s Network Connect series of professional amplifiers and companion Dante Connect series featuring Dante and AES67 connectivity.

LISTEN TECHNOLOGIES has partnered with manufacturer representative firm IMAGE MARKETING WEST to bring Listen Technologies’ audio solutions to customers and end users in Northern California, Northern Nevada, the Pacific Northwest, Alaska, and Hawaii. Image Marketing West sells and recommends Listen Technologies’ full suite of audio solutions, including Ampetronic Hearing Loops, ListenIR, ListenRF, ListenTALK, and its audio over Wi-Fi-based assistive listening system, ListenWIFI. Image Marketing West will also sell Auri, an Auracast broadcast audio-based assistive listening system that Listen Technologies co-developed with Ampetronic.

NUREVA announced a new distribution agreement with INGRAM MICRO, an IT distributor. The agreement will broaden the availability of Nureva’s HDL pro series—including the HDL310 and HDL410 audio systems—across the United States as part of Ingram Micro’s Meeting Room Management Services offering. Powered by patented Microphone Mist technology, Nureva’s full line of audio conferencing systems provide full-room microphone coverage, ensuring clear and consistent communication for both in-room and remote participants. The systems offer a simple, scalable

ACT ENTERTAINMENT is marking two promotions and a retirement in the company’s technical service department.

CTO Mario Collazo retires from the firm while RYAN KANAREK has been promoted to director of technical services and DUSTIN BARNES has been elevated to the role of software support manager. Barnes, who joined ACT in August 2021 to bolster the team’s grandMA3 software support and has more recently

solution without the common costs and complexities of traditional Pro AV systems, making them easy to deploy and manage at scale.

ATLONA has announced MIDWEST AV as its latest manufacturer’s representative for the Midwest region including Nebraska, Iowa, Wisconsin, Illinois, and Minnesota, effective immediately. Based in Illinois, Midwest AV will drive Atlona’s presence in the education and corporate verticals across the Midwest region by bringing Atlona’s collaboration, connectivity and control products to a broader spectrum of systems integrators and end users.

STARIN announced a new partnership with ABSEN. This strategic collaboration marks a significant step in expanding Starin’s product portfolio and delivering advanced LED solutions to the North American market. Starin’s deep expertise in providing innovative AV solutions positions it perfectly to meet the growing demand for LED technology. Together, Starin and Absen are poised to meet the increasing demand for LED technology, providing customers with innovative solutions, superior support, and a commitment to excellence. This partnership underscores Starin’s dedication to the AV industry and addressing the evolving needs of its clients.

UC TECHNOLOGY PARTNERS (UCTP) now represents DRAPER PRO AV products throughout Connecticut, Massachusetts, Maine, New Hampshire, New York, Northern New Jersey, Rhode Island, and Vermont. UCTP was recently founded by Aaron Chisena and Rob Leclerc, industry veterans with more than 50 years of collective experience working directly for manufacturers, integrators, service providers, and end users. The Draper Pro AV portfolio of products and solutions includes a wide range of projection screens and fabrics, including the TecVision surfaces, as well as projector lifts, fly cage stacking frames, and AV mounts and structures (AVMS) supporting the latest video wall technologies.

become a zactrack product specialist, steps into the software support manager post previously held by Kanarek.

AVPRO GLOBAL has appointed LOEL WHEELER as VP of sales for Murideo, the company’s test and measurement tools division. This strategic move aims to expand AVPro’s global reach in high-performance electrical test equipment designed for professional use in the AV industry. In his new role, Wheeler oversees the worldwide expansion of Murideo products, including

the latest innovative STIX Ecosystem of compact signal transmission and data reception verification devices. Wheeler brings two decades of sales experience in video testing and AV connectivity to his new position, holding certifications such as CTS, ISF, ISF-C, HAA, and DSCE.

Cablecast Community Media has formed a new executive team to lead the business following president Steve Israelsky’s retirement on December 31. Tightrope co-founder and CEO JJ Parker is taking a more active role as CEO of Cablecast Community Media. He will continue in his capacity as Tightrope CEO, where he oversees the company’s Cablecast Community Media and Carousel Digital Signage businesses. DANA HEALEY, who was named Cablecast’s VP in January 2022, brings 23 years of community media experience across multiple disciplines to her new role of COO and RAY TILEY, with 15 years of engineering experience at Cablecast, including seven years as VP of engineering, joins the leadership team to manage Cablecast’s technology functions as CTO.

EMG/GRAVITY MEDIA has appointed NARINDER BALL as technology director. In her role, Narinder is responsible for overseeing the company’s technology strategy, driving innovation, and leading its technical teams to deliver solutions that support EMG / Gravity Media’s continued growth and success. She brings more than 25 years of experience in the tech industry, having previously held various leadership positions at the BBC, where she was instrumental in leading the technical aspects across many of the most high-profile sporting events including Wimbledon, the FA Cup, and the London Marathon, among others. She also oversaw complex workflows for major events such as the Commonwealth and Olympic Games.

OTHER WORLD COMPUTING has appointed MATT DARGIS as chief revenue officer. As CRO, Dargis is responsible for driving OWC’s global revenue growth and expanding its market presence across both commercial and consumer channels. He oversees the company’s sales and channel strategies, ensuring alignment with OWC’s mission to deliver the highest performance and most trusted

Dana Healy

Ray Tiley

Narinder Ball

Matt Dargis

Ryan Kanarek

Dustin Barnes

Loel Wheeler

technology solutions that provide the greatest value and ROI. Additionally, Dargis focuses on building and scaling high-performing teams, optimizing go-to-market initiatives, and enhancing customer experiences to meet and exceed evolving market demands.

POWESOFT appointed CRISTIANO TRAFERRI as a house account professional leader. With more than 25 years of industry experience across AV, commercial, and power electronics sectors, Traferri brings a wealth of expertise to strengthen client relationships and drive growth with increased emphasis on sustainable products and practices. Throughout his career, Traferri has held key roles in marketing, key account management, and business development, collaborating closely with clients worldwide across diverse industries, such as IT, ICT, lighting, industrial automation, and telecom.

PPDS appointed long-serving TP Vision employee, LUTZ HARDER, as the company’s new global product manager–interactive displays. Lutz brings a wealth of knowledge and experience to the PPDS product management team, with an accomplished career in AV and technology spanning more than two decades. Lutz plays an integral and strategic role in the growth and development of PPDS’ evolving interactive display portfolio and business. He is now working closely with global R&D, sales, and business management teams to identify new market growth opportunities to drive the development of both existing and future generations of interactive display products and software solutions.

PSNI GLOBAL ALLIANCE appointed KENT CAWTHORNE as vendor program manager. With nearly 40 years of experience in the audiovisual industry, Cawthorne brings a wealth of expertise in sales, marketing, and business development, having worked with Sony, Kramer, and Legrand | AV. In his new role, Cawthorne works closely with PSNI’s director of vendor programs, Tom Roberts, to oversee and enhance the Preferred Vendor Partner (PVP) program. He will focus on building and strengthening relationships between technology manufacturers and PSNI’s global network of Certified Solution Providers (CSPs).

SALAMANDER DESIGNS announced SCOTT SROLIS, previously senior VP of sales and marketing, has

SMPTE Has a New President and Executive Director

SMPTE welcomed RICHARD WELSH as president after being elected by its membership. Welsh served as SMPTE EVP for the two years prior to his election. His term will extend two years to Dec. 31, 2026. Welsh is currently the SVP of innovation at Deluxe. He has been on the SMPTE board for more than 10 years. He has also served as SMPTE’s VP of education and as governor for EMEA, Central/South America. Welsh is also on the board of IBC and the chair/ co-founder of the volumetric asset management company Volustor.

Welsh began his career at Dolby Laboratories as a film sound consultant, working his way up to director of digital cinema services in the 12 years he spent there. He later became the head of

been promoted to company president. While making the announcement, Salvatore Carrabba, who founded the firm more than 30 years ago, shared he will be taking the role of CEO and remain actively involved in the business as Srolis takes the daily reins. For more than eight years he has been involved in the decision making that guides company product direction, promotional campaigns, and overall strategy.

SOUNDTUBE ENTERTAINMENT appointed ANDERS OLSEN as European manager. Since 2007, he has held key international roles with DNH, Cambridge Sound Management, Apart

operations of Technicolor’s digital cinema, localization, and sound services department.

SMPTE also welcomed SALLY-ANN D’AMATO as executive director after acting as interim executive director since October 2024. D’Amato joined the SMPTE family in 2001, working as an administrative assistant. She was promoted to executive assistant in 2003, and again promoted to director of operations in 2005. In 2016, she became director of events and governance liaison. In this role, she was responsible for planning and executing events and was also responsible for working with the board on issues of Society governance and board activities. In October 2024, she became the interim executive director.

During her time at SMPTE, D’Amato helped enact the current bylaws and operations manuals. She also has been responsible for producing the Media Technology Summit since 2005, and even produced a virtual version of the event during the COVID-19 pandemic.

Audio, Biamp, and Blaze Audio. In his new role, Olsen leverages his expertise to expand SoundTube’s presence in international markets, with a particular focus on Europe. His goal is to strengthen existing partnerships, develop new business opportunities, and drive growth for the SoundTube brands.

Cristiano Traferri

Lutz Harder

Scott Srolis

Anders Olsen

Kent Cawthorne

Richard Welsh

Sally-Ann D'Amato

Custom Cables and Beyond

C2G’s Plummer Celebrates 40 Years of Connectivity

By Mark J. Pescatore

SCN: How long have you been with this company, and what are your responsibilities?

Mark Plummer: I’ve been with Legrand for 10 years, and the VP and general manager of C2G since July 2024. I am responsible for the connectivity and structured wiring business at Legrand | AV under the C2G and On-Q brands.

SCN: How has the C2G brand evolved over the years?

MP: C2G started out as a custom cable manufacturer. We made the first cable that connected a Sony monitor to a Commadore computer. Over the years, we have continued with this custom focus but have expanded our offerings to become one of the top connectivity vendors in the IT channel. Several years ago, C2G moved to the AV division of Legrand, where we have continued to expand our expertise into the AV channel. We not only support our other Legrand brands with connectivity, but we strive to provide compatibility with the most popular brands in the market. We also work to continue to bring out innovative products.

SCN: How is C2G celebrating its 40th anniversary?

MP: Press releases, swag, decorations in the office … now we just need to finish planning our party!

SCN: C2G offers Performance Series HDMI Cables— what are the differences between premium cables and standard cables?

MP: The Premium HDMI Cable Certification Program requires additional and more rigorous cable testing at authorized test centers, along with a comprehensive authentication and verification process. This program is designed to provide consumers with confidence, ensuring the cables meet the 18 Gbps specification. In

our Performance Series, we offer both Premium Certified cables and a selection of high-quality non-certified cables. While our non-certified cables are made from the same premium materials and undergo stringent in-house testing, the Premium Certified cables provide an added layer of assurance, ensuring reliable performance and peace of mind for our customers. We also offer standard HDMI cables for applications where 1080p resolutions are acceptable and budgets are tighter.

SCN: How popular are your HDMI Adapter Rings and where are they being used?

MP: HDMI Adapter Rings are very popular, especially in conference rooms and classrooms where BYOD is allowed. By installing an HDMI Adapter Ring, any laptop can connect to the monitor. They are also used in desktop applications for companies with hotdesking or desk sharing. Our color-coded adapters make it easy for users to identify the correct adapter. Additionally, our HDMI Adapter Rings on retractors are popular for lecterns.

SCN: Has USB-C surpassed HDMI in sales?

MP: Not yet. USB-C is a fantastic cable, offering data, video, and power over a single connection. However, its length is limited to 9 feet, making it suitable primarily for desktop applications. In contrast, passive HDMI cables can reach up to 25 feet, making them more practical for conference rooms, classrooms, and digital signage. HDMI connections remain more common on monitors and TVs. While more monitors with USB-C are emerging, widespread deployment will take time.

SCN: Conversely, what older cable formats might surprise us because they are still being produced?

MP: We still sell VGA cables, which have defied

Mark Plummer

Position: VP and General Manager Company: C2G

Overtime: I enjoy spending time with my beautiful wife and daughters—and allowing my Minnesota sports teams to break my heart.

predictions of an analog sunset for the past 15 years. DVI and DB9 cables are also still in demand, which may come as a surprise.

SCN: Is there an optimum length for most cable types?

MP: This varies by cable type, resolution/bandwidth, and the quality of the cable. As mentioned, a passive HDMI cable can typically reach 25 feet. A passive USB 3.2 Gen 1 cable can reach 9 feet. When you need to go longer distances, we carry active cables as well as active extenders. The active extenders consist of a transmitter and receiver connected with a category cable. This allows you to extend your USB or HDMI cable up to 328 feet.

SCN: There are a lot of inexpensive docking stations in the market, so what makes C2G’s offerings worth the extra investment?

MP: As the saying goes, you get what you pay for. Compatibility is one of the biggest challenges in the market. We conduct extensive testing with the most popular devices to ensure that whatever you plug in, it works. The price of the docking station depends on the features required. For basic needs, an inexpensive solution may suffice. However, for multi-monitor setups or applications requiring high resolution, high bandwidth, or Ethernet, investing in a quality docking station is necessary.

SCN: How can systems contractors better position themselves to profit from products and/or services you have to offer?

MP: Cables and connectivity are often overlooked at the start of a project, leading to last-minute scrambles to get the necessary products. Specifying these items earlier allows us to offer bid pricing and avoid costly air shipment charges. Additionally, consolidating your connectivity business with C2G can result in better volume pricing.

SCN: Any new products we can expect to see later this year at InfoComm?

MP: Yes, we have a new Conference Room Docking Station with Extension, a suite of TAA Cables—HDMI, Category, and DisplayPort—bulk Category cable, and new HDBaseT extenders. We will also be showcasing our new Superbooster USB 3.2 Gen 1 Extenders over Category Cable.

Big Changes at DPA Microphones

New CORE+ Technology Leads Surge of Activity and Product Introductions

By Mark J. Pescatore

SCN: How long have you been with this company, and what are your responsibilities?

Kalle Hvidt Nielsen: I joined DPA Microphones as CEO in September 2016. Having previously held the role of CEO at Bang & Olufsen and Brüel & Kjær Sound & Vibration Measurement, I came to DPA with extensive knowledge of high-quality audio solutions. In my role as DPA CEO, I strive to create an environment and company culture that inspires my team to deliver products, services, and support that satisfy the most demanding pro audio customers.

SCN: What was the thinking behind the recent acquisition of Austrian Audio?

KHN: Both DPA Microphones and Austrian Audio have a deep understanding and passion for very precise and high-quality microphone design. Our product lines are complementary—DPA excels in miniature microphones and AA’s key focus is large diaphragm microphones and headphones. Each has a very strong engineering team that, when combined, can push the limits of what is doable within physics, acoustics, and electronics to bring microphone design and performance to a new level. We are one group, but the brands will maintain their individual identities.

SCN: DPA recently announced its CORE+ technology. How does it improve microphone sound?

KHN: We are very proud of CORE+ by DPA. Our development team has been refining this patentpending technology for several years in an effort to further improve the original CORE amplifier technology introduced in 2017. CORE+ is an entirely new, groundbreaking concept that eliminates measurable distortion across the entire dynamic range and is a revolutionary leap ahead in the world of condenser microphones. It’s all about creating clean, clear, and precise audio for an extraordinary sound experience, whether recording or amplifying content.

SCN: How will implementing CORE+ impact the DPA microphone product line, and how long will it take?

KHN: Deploying CORE+ requires redesigning our microphone capsule, so the process will take us some time. To start, we launched CORE+ in our

omnidirectional 4061 lavaliers and 4066 and 4466 headsets. Next, we will focus on our miniature cardioids and other omnidirectional options, which should all be completed by the end of the year. But we don’t want to stop there; we’re exploring the possibility of implementing CORE+ beyond our miniatures. This is a longer-term project that will require more extensive R&D resources.

SCN: You also announced a new MicroLock connector. What makes it different from your established MicroDot connector?

Kalle Hvidt Nielsen Position: CEO Company: DPA Microphones

instrument mics, which have many different clips and mounts for a wide array of instruments, are equally well-regarded for both live performances and recording applications. Since launching the 2028 Vocal, 2017 Shotgun, and 2012 and 2015 Pencil microphones, we have seen an increase in the popularity of our microphones in these categories as well.

KHN: As its name implies, MicroLock adds a locking mechanism to the connector that is quick and easy for users to attach securely and protects against accidental disconnection during use. I think users will love hearing the satisfying clicking of the lock. MicroLock is also compatible with the existing MicroDot connectors, so you can connect the plug or socket of one to the opposite on the other.

SCN: Between MicroLock and last year’s AIR1 universal fur windscreens, is DPA consciously working to reimagine the basics?

KHN: DPA Microphones’ company philosophy is about creating the best sound possible through easy, robust, and safe microphone solutions. Clear, transparent audio that genuinely reflects the sound being captured falls on the quality of the microphone, but it also depends heavily on having high-quality accessories.

DPA wants to make sound engineers’ jobs less difficult. Both AIR1 and MicroLock are key pieces of the audio kit, designed specifically to help engineers capture the best audio they can, easily and confidently.

SCN: Is interest in immersive audio solutions growing?

KHN: Yes, without a doubt. I think immersive audio technology will still largely be focused on the TV, film, and music production industries in the coming years, but there is definitely a place for it in the installation market as well.

SCN: DPA offers microphones in a lot of different form factors, but what are your popular models?

KHN: That really depends on the application and audio engineer. We sell many miniature microphones, headsets, and lavaliers, which are popular in theaters and live event settings as well as broadcast and film. Our

SCN: What’s the secret to building an effective shotgun mic?

KHN: Shotgun mics are extremely complex; it all comes down to the interference tube design that needs to be perfectly fitted to an optimally designed directional microphone capsule. The interference tube should be so extensive that it efficiently creates audio wave cancellation. Some angles and frequencies will be more attenuated than others, which leads to inconsistencies in the sound that are unrealistic and incorrect. To reduce this, DPA has put significant effort into minimizing phase cancellation shifts and off-axis peaks and dips. This makes DPA one of the few shotgun mic manufacturers that can make off-axis audio sound natural and authentic.

SCN: DPA Microphones maintains Mic University, an extensive audio resource, on its website. Why the emphasis on education?

KHN: DPA is all about helping the audio engineer capture the best sound they can. Most do not have time to experiment, so we find it important to share our experiences in theoretical acoustics, as well as practical sound capture and microphone usage.

SCN: What’s next for the pro audio market?

KHN: At DPA Microphones and Austrian Audio, we are focused on continuing to deliver high-quality solutions that allow our users to expand on their creativity and produce content that we’re all excited to experience.

At ISE 2025, DPA launched the new N-Series wireless microphone system, which is a dedicated wideband solution that offers genuine reliability, flexibility, and clarity in an easy-to-use package with true diversity, digital, and wideband functionalities. This new product line represents the largest new product release in the history of DPA and marks a major milestone for the brand. We hope it will help many sound engineers in their daily work.

Nebraska Athletics Displays Winning Message

Cornhuskers Bring Pro AV to New Osborne Legacy Complex

By Wayne Cavadi

The University of Nebraska has a storied history when it comes to college football. What it didn’t have was a centralized location for its current Big 10 football operations. Take SCN Top 50 systems integrator ECC—and a $165 million construction budget for the new Osborne Legacy Complex—and that is no longer the case. Based in Lincoln, NE, ECC has a longstanding 30-year relationship with its hometown college and was the easy choice for the latest addition to campus.

The Osborne Legacy Complex dons the name of College Football Hall of Fame coach Tom Osborne, who was a big part of that storied history, leading Big Red to three national championships from 1994-97. Now, the 315,000-square-foot facility is home to Huskers football’s entire football operations. This includes a

wide array of football offices, meeting rooms, and walkthrough areas, as well as the Ndamukong Suh Strength and Conditioning Center, main studentathlete dining and academic center for all 22 sports, and the Hall of Champions curated experience.

“We will point back to the completion of this facility as a landmark event in everything that happens going forward,” Nebraska athletics director Troy Dannen posted on X to commemorate the official opening of the complex last September.

Less Complex Operations

The complex was a necessity to make things, well, less complex. Prior to the Osborne Legacy Complex, football operations were housed throughout the Huskers football venue, Memorial Stadium, and made simple

tasks like coaches’ meetings an ordeal that sometimes required walking from one of the interconnected complexes to another.

“The Osborne Legacy Complex was built to invest into one of the most comprehensive student-athlete experiences in the country and bring the Nebraska football program operations under one single, accessible facility,” explained Mark Allen, account manager for ECC.

To make the Osborne Legacy Complex come to life, ECC installed a smorgasbord of Pro AV. However, per Allen, one of the earliest challenges was “meeting the stringent project schedule required to complete such a large-scale project and coordinating the system implementation with the various construction teams’ schedules that directly affected the

implementation process.”

Construction began in January 2021 and ECC received its project order for the AV systems in July 2022, with the installations process beginning later that fall. All systems were go for this past college football season.

Big AV for Big Red

There is AV aplenty throughout the complex, ranging from high-tech audio, visually stunning displays (like the wall-to-ceiling video wall in the primary locker room), and digital signage systems primarily showing off Husker football promotional content from both current day and historical programs and players.

The video walls were one of the more challenging pieces of the equation. There are a variety of Samsung displays throughout the complex, like the massive

The new 315,000-square-foot Osborne Legacy Complex brings all Huskers football operations under one roof.

The primary locker room features a wallto-ceiling video wall.

The Ndamukong Suh Strength and Conditioning Center includes Fulcrum Acoustics loudspeakers.

BUSINESS CAMPUS AV

85-inch 4K display in the football equipment rooms and the 98-inch commercial 4K display in the offense and defense staff conference rooms selected by engineering and technical services firm Salas O’Brien.

“The biggest driving piece behind the selection process for the complex’s video walls and displays was due to the product availability in alignment with the project’s timeline,” Allen said. “As the project was extremely complex with multiple moving parts, the availability of products began to change based on the timeline at hand, which required strategically changing to some other manufacturers that still achieved the desired high-end quality.”

As Allen explained, the audio systems were also a bit tricky as there is not one unified system throughout the complex. Like the displays and projectors, the audio systems were designed and selected by Salas O’Brien and include loudspeakers from Fulcrum Acoustics, subwoofers from JBL, a Holosonics audio spotlight system, and a variety of products from Shure, just to name a few. The systems encompass the entirety of the complex in the Hall of Champions, Ndamukong Suh Strength and Conditioning Center, Hawks Outdoor Practice Field, Athletic Medicine Area, Howard and Rhonda Hawks Gaming Theatre, Brook Berringer Players’ Lounge, Frank Solich Locker Room, Walkthrough Room, Team and Position Meeting Rooms, Bruce Grewcock Family Head Coach’s Office and Lounge Area, and Ricketts Family Football Team Auditorium.

“The bigger systems have interconnection through the QSC Q-SYS Core processors that they operate on—and as such can be interconnected—but these usually run as standalone systems in typical use cases,” Allen explained. “The smaller audio systems run exclusively as standalone systems. If there’s a need to, audio can be pushed from the Memorial Stadium core audio system into the core Osborne Legacy Complex audio system utilizing networked QSC

Q-SYS Core processors.”

Each space has QSC touchscreen displays while Mersive’s Solstice wireless sharing allows for content sharing via BYOD devices. Each touchpanel controls AV settings like volume as well as gear, such as Panasonic PTZ cameras.

A prime example of where all the technology comes together is the Brook Berringer Players’ Lounge. Here a Samsung 2x4 video wall and JBL loudspeakers are used by players for entertainment. A theater, located inside, employs a single-display video wall and Fulcrum Acoustic loudspeakers that are powered by a Dolby Atmos and DTS:X home theater processor and QSC power amplifiers.

Now, how about those projectors? Both Christie and

Barco projectors were used in different spaces. The Walkthrough Room, for example, uses five 25,500lumen Barco laser video projectors that are “blended together across a 99.6-inch-long Da-Lite video projection wall to create an interactive space for coaches and players to walk through game plans and simulate real game situations at a 1-to-1 scale,” Allen said. ECC turned to Crestron NVX AV-over-IP technology as the Pro AV control system infrastructure behind the complex’s systems. Barco video wall processors power both the Experience Lobby video wall and the locker room’s ceiling video wall to deliver engaging 3D, high-performance content. Multiple Extron switchers were also being used behind the scenes to bring the AV experience altogether.

A blended projection wall details workout info to help drive performance.

Digital signage is used extensively across the Osborne Legacy Complex.

Sign(age) of the Times

With all these massive video walls and 3D displays, digital signage is found throughout the complex. As Allen explained, digital signage drives the overall experience at the Osborne Legacy Complex.

“Some of the digital signage for this content is tailored to the specific space,” Allen explained. “For example, the Hall of Champions serves as the front door to Husker football using interactive displays to tell the story of Husker football.”

Another shining example is in the Ndamukong Suh Strength and Conditioning Center, where digital signage details the weekly workout leaders to help the team push each other to excel. A built-in Nutrition Station includes digital signage to communicate the nutritional offerings available to the athletes.

“Outside of this area, there’s a blended projection wall marked the ‘ONE PERCENT’ that details historical performance and workout statistics to help drive top-tier performance,” Allen added. “The Jackson Family Recovery Center features two 1x5 SkyVue outdoor-rated video wall systems that communicate detailed recovery information.”

Behind the signage, a Four Winds Interactive CMS, which was already familiar to the in-house technical teams, is used for the more interactive and demanding content. For content that’s more informational, Allen explained, Triple Play serves as the CMS, while doubling as the IPTV system throughout the complex.

“The digital signage and AV systems are operated by an in-house, professional team for Husker football that solely manages and creates content for the facility, with additional management and content creation done by Husker Vision, which is the in-house technology team for all of Husker athletics,” Allen said. “The technology is primarily utilized by coaches, student athletes, and in some cases by the studentathlete tutors.”

ECC and Nebraska hope that they are both

revolutionaries in what has been created on campus. But ECC is not done just yet: Several “add-on options” were proposed. And now that the dust has settled, ECC will help implement them to enhance the already strong core systems and make them more efficient.

“ECC always designs and engineers our solutions

with future-growth in mind, and the AV systems at the UNL Osborne Legacy Complex are no different,” Allen concluded. “The Pro AV and audio systems are built on Crestron NVX and QSC Q-SYS control systems, which are inherently scalable and will both allow for easy scalability in expanding on these systems.”

The Walkthrough Room uses five Barco projectors and a Da-Lite screen to create a lifesize interactive space.

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Village Enhances Government Campus Communication with Digital Signage

By Jennifer Guhl

The Village of McFarland, a community of more than 9,500 residents located just southeast of Madison, WI, sought to enhance communication efforts on its government campus. The goal was to help all residents visiting these facilities easily access local updates on programs, events, and other important information concerning government services.

Partnering with long-term collaborator, Carousel Digital Signage, the village established a comprehensive digital signage network that includes the E.D. Locke Public Library and the McFarland Municipal Center, home to WCMF, McFarland’s municipal cable TV channel, along with the village’s Community and Economic Development, Senior Outreach Services, and Administration departments. Recently, the network expanded into the 56,000-square-foot Public Safety Center, which opened in August 2023 and houses the Police and Fire & Rescue departments and Municipal Court. With the addition of the Public Safety Center, the network now encompasses nine locations across three buildings.

“It was one of those things where the Public Safety Center was built; they needed messaging, and it was like a no-brainer,” said Ben Becs, media producer for the Village of McFarland. “We already have this. We have extra licenses. We can just put a TV in the public safety center and use Carousel Cloud to play digital signage for people attending court or looking for

where they are in the building.”

At the McFarland Municipal Center, employees had long used Carousel Cloud to create bulletin board TV content integrated into WCMF’s broadcast schedule. When the Village of McFarland began using Carousel Cloud, they knew it had the opportunity to support some bigger plans in the future, especially with the ease it provides to design, publish, and manage content.

“When Carousel announced Carousel Cloud, it was easy to realize that the sky’s the limit and we could do a lot more than show our cable channel,” said Becs.

Strategic Expansion

First, two digital displays were installed in the lobby of the McFarland Municipal Center. One showcased the cable channel schedule along with promotions for services and upcoming events, while the other offered a wayfinding experience by displaying a map of the facility and the daily event schedule

within the building.

The displays at the Municipal Center were extremely well-received, prompting the library to implement the same technology. Five screens were set up in the library’s main lobby, children’s section, teen section, adult section, and above the checkout desk.

“The library screens remain lively and active, with a growing volume of rotating content mainly focused on library announcements and special events,” said Becs.

It also enables the library to provide custom, targeted content based on location within the library.

“They have a screen in each of their major age group sections, so they can customize what they put on those screens,” explained Melanie Camellia, communications manager with the Village of McFarland. “If somebody is coming in the door, they’re beelining for the teen section, then they can make sure that it’s information relevant to teenagers and their parents on those screens.”

The Public Safety Center features a display in the lobby that faces the main public entrance. This display frequently highlights important public safety information and details about events taking place in the building that day.

“The goal of digital signage in the Public Safety Center is to represent all departments and present clear information that is easy to absorb,” said Becs. “Carousel makes that very easy because adding, editing, and scheduling content is very straightforward. The fire chief has become an enthusiastic contributor, using Canva tools to create content. Direct integration with Canva makes it simple to bring that content into Carousel Cloud’s CMS.”

It also offers a chance to rapidly disseminate messages when there is an urgent need to do so. “We can put messages up there if there is an emergency, the building is locked down, or if it’s closed for the night or the weekend,” said Camellia.

Staff members across various departments can create content and have been trained to upload 16:9 1080p images. Additionally, the Communications Division can assist in producing content used throughout the network. Carousel Cloud’s userfriendly design allows all stakeholders to easily contribute content to the network, facilitating frequent updates of the signage network without overloading the five communications team members.

Keeping It Seamless

Vizio TVs were used for the displays, with Apple TV devices as media players. Through Carousel Cloud’s Apple TV app, digital signage content is recognized upon reaching the device, ensuring seamless connectivity.

From left, Melanie Camellia and Ben Becs

The Village of McFarland is sharing local information on a digital signage network across three government buildings.

Initially, the Apple TV media players were selected for their convenience, but Camellia did voice some mild concerns regarding technological security, and the Village of McFarland has plans to audit every piece of technology on campus to ensure there are no potential vulnerabilities. “The Apple TVs are on that list to be evaluated, but it doesn’t mean we’ve determined that we need to make a switch,” said Camellia.

Internally, users have raised few complaints and only minor questions, like how to schedule or upload content, while the public has enjoyed engaging with it. “Every time I walk out, you’ll see people coming to pay

their bills or something like that, looking at the TVs,” said Becs. “So that makes you realize it’s working for sure.”

The only issue they encountered was connected to human error, which is common when training individuals who may not be the most tech-savvy. “Sometimes somebody will upload something that’s in a square ratio or something like that, and then it looks weird because it automatically stretches it,” said Becs. “That can be a little bit awkward when you’re walking into the building and you’re like, oh, that happened.” Fortunately, that’s a simple fix when you see the content

on the screen, and Becs noted that it’s becoming less common as everyone grows more comfortable with it.

At present, there are no plans to expand the existing network, but that doesn’t mean the Village of McFarland wouldn’t be open to considering it if necessary. “As it stands right now, I don’t think we’ve identified any pressing needs for additional monitors in specific locations,” said Camellia. “But we’re always checking in with the various departments and would welcome any requests if there was something specific they noticed that we may not notice from where we’re located.”

The digital signage network displays promotions for upcoming events as well as public safety information.

Finding Balance in Cybersecurity

It’s About the Experience, Not the Technology

By Mathew Newfield

People think that cyber risk and cybersecurity are all about technology. But during my more than two decades in the cybersecurity arena—first as a cyber engineer and later as the chief information security officer at a public company and in executive management—I have found that cyber risk and cybersecurity have more to do with people, personalities, and psychology.

Whether you are preparing for the Super Bowl or another live event and/or delivering your product online or via TV, it’s critical to take an end-to-end approach to security. That starts with understanding what experiences people want and need from the content you are offering.

Expectations will vary depending on what you are offering and how people are experiencing it. Some people may be entering your arena. Others may be streaming or watching your event on TV. Certain individuals may be betting on the sporting event for which you are responsible.

Step back and think through all those scenarios, because the people experiencing your product through each of those lenses will be different. The attack vectors in these situations will also vary, as will regulatory requirements and people’s privacy expectations.

Enterprise vs. Stadium Security

It’s critical to understand that you can’t take blanket cybersecurity rules and programs from the enterprise world and shift them to sports or broadcast. There are distinct differences between sports and enterprise environments. One of the biggest differences is on the people side.

In enterprise cybersecurity, you generally can control who enters and exits your environments. You can limit what devices from what locations can access your website and VPN. And for physical security, you can issue badges to help ensure only current employees can enter your facilities and/or leverage geofencing to create virtual boundaries, so you can monitor access to sensitive areas and receive alerts if unauthorized parties breach those physical perimeters.

But you don’t have that level of control with stadium security if you want to open your league and arena experiences to the world. You will need to implement an elevated level of both physical security and cybersecurity beyond what you would need in an

enterprise environment.

Enterprise users are also more tolerant of the impacts of cybersecurity solutions. If an employee on a corporate laptop inside an enterprise facility has to wait an extra three seconds for a website to render, they are not going to file a complaint with the company’s chief information officer, chief information security officer, or IT team. If they did, it would probably elicit laughter. Public users have a different expectation regarding website load times when they are at home compared to being at work, so it is critical that the controls you put in place do not degrade their experience.

However, in sports, if your online experience is even a fraction of a second slower than what appears on the air, you may face a legal problem if you run afoul of sports betting rules. Cybersecurity controls, if implemented incorrectly, can easily add latency and delays to an online experience. Because there is less tolerance in sports for the impacts that cybersecurity controls can create, it is critical to work with consultative partners who are not only cybersecurity experts, but also understand your business and take an end-to-end approach to secure you and your customers and deliver top-notch experiences.

Be Transparent

Many organizations today believe that security by obscurity is a good thing. The thought that if you don’t talk about or expose capabilities within your environment that something bad cannot happen is simply a wild fallacy.

People tend to inherently distrust security, technology, and cameras. If you are not clear about what you’re doing and why, it just takes a few people to post something that puts you on your heels.

It’s best to be transparent about what you’re doing. I’m not suggesting that you give away all your secrets or share your security protocols. But be forthright about your efforts to protect their physical security, credit card transactions, and other aspects of their experience.

Explain in your literature, website, and stadium signs what controls you have in place. For example, you may want to post signs about whether or not you offer free Wi-Fi and how people can connect. That lets people know what is available and discourages them from connecting to unauthorized access points, protecting them in the process.

If you use cameras to allow faster entry into your facility or a more secure environment, let people know that. Calm people’s fears by communicating your policies around their images or information. If you will never use their face for anything other than a particular use case, share those details.

Some visitors may be unwilling to allow you to use their face or their fingerprint, so let people opt into the experience. But remember that many of those same people already use their biometrics to log into their phones. If you offer something that makes opting in worth their while—and put the right information in front of them to make them comfortable—more people will opt in, which will improve their overall experience with your services.

Baked-In Security

My team and I have had the opportunity to work with incredible organizations and venues such as Madison Square Garden, the NFL, the San Francisco Giants, the University of Texas Moody Center, and many others. Given my role, I have visited most of the stadiums across the United States.

GETTYIMAGES

Nobody likes to talk about security, but many sports organizations want to use facial recognition or fingerprint identification or encourage fans to install an app on their phones. I believe fans are willing to do all that if you demonstrate that you take cybersecurity—and your role as the custodian of their personally identifiable information—seriously.

No organization is immune to threats, but by making cybersecurity an integral part of your operations from the very beginning, you can turn it into a competitive advantage. Start by assessing the full spectrum of your audience’s interactions—whether in the stadium, online, or at home—and design solutions that balance security with seamless user experiences. Engage with trusted partners that have the expertise to help you implement robust, transparent, and scalable security measures tailored to your unique environment and budget.

Cybersecurity isn’t just a checkbox, it’s a responsibility that impacts every touchpoint of your brand.

BLUEPRINT F OR SUCCESS

When you prioritize it, you protect your business and enhance the trust and loyalty of your fans and customers.

Don’t wait for a breach to rethink your approach. The time to act is now. Evaluate your risks, build a strategy, and lead with a commitment to security

that sets your organization apart.

Mathew Newfield is the president and chief commercial officer for Diversified, and also serves as a board member and vice chair of the Cybersecurity Maturity Model Certification Accreditation Body.

What HDMI 2.2 Means for Pro AV

New Standard Doubles Data Rate, Enhances Visual Experience

By James Careless

In January, at CES 2025 in Las Vegas, HDMI Forum—a nonprofit run by manufacturers of consumer electronics, PCs, mobile devices, cables, and components—unveiled the new HDMI 2.2 standard. It’s the first new HDMI specification since Version 2.1 was announced in 2017.

In a press release, the organization declared the specification delivers “enhanced options” for the HDMI ecosystem. “New technology enables higher quality options now and in the future for content producers such as TV, movie, and game studios, while enabling multiple distribution platforms,” it continued.

Unlike so many other products released to the

marketplace, HDMI 2.2 truly is “new and improved.”

But what does that mean to the Pro AV industry? What are the top features and how will the new standard deliver better performance for end users? SCN spoke with some industry experts to learn what you can expect from HDMI 2.2, as well as when you can expect it to dominate the market.

Multiple Improvements

“The new HDMI 2.2 specification includes multiple enhancements over previous releases,” said Joe da Silva, Extron’s VP of marketing. “One is that it doubles the maximum data rate to 96 Gbps. This increase facilitates greater color bit depth at higher resolutions, resulting in richer colors and pristine images. Two is that HDMI 2.2 enables support for

requires 64.15 Gbps, which is more than HDMI 2.1 can manage.”

How important is that data rate, which was 48 Gbps in HDMI 2.1? Well, bumping 8K60 4:4:4 up to 10-bit HDR raises the data rate to 80.19 Gbps, da Silva said, which means HDMI 2.2 can still support it. Plus, it can support an environment that requires 10K60 4:4:4 at 8-bit color depth.

But HDMI 2.2’s 96 Gbps data rate isn’t just about 8K or 10K support. “It also enables higher frame rates for 1080p and 4K signals, improving visual quality and providing a better experience,” da Silva added. “This is ideal for esports and its fast-action gaming sequences. HDMI 2.2 also enhances the audio experienced by delivering improved synchronization between audio and video source signals.”

Bryan Phann, ViewSonic’s senior business line manager for LFD–Commercial Digital Displays, agreed that HDMI 2.2 delivers a massive leap forward with increased bandwidth, support for up to 8K at 240Hz and 10K at 120Hz, and the Latency Indication Protocol (LIP), which improves audio and video sync. “These innovations align seamlessly

with ViewSonic’s dedication to pushing technological boundaries,” he said. “As part of our forward-looking strategy, upcoming ViewSonic products will adopt HDMI 2.2, empowering users to experience superior visual clarity, smoother refresh rates, and synchronized audio-visual output. The new Certified Ultra96 cable support will further maximize these gains, ensuring you can unleash the full power of next-generation connectivity.”

Brad Bramy is VP of marketing and operations of HDMI Licensing Administrator, which licenses HDMI technology on behalf of HDMI Forum. He said the new HDMI specification delivers enhanced options for the vast HDMI ecosystem, allowing more advanced solutions to create, distribute, and experience the best end user outcome.

“The new technology enables higher quality options now and in the future for content producers such as TV, movie, and game studios, while enabling multiple distribution platforms,” Bramy told SCN “Higher 96Gbps bandwidth and next-gen HDMI Fixed Rate Link technology provide optimal audio and video for a wide range of device applications. An end user can be assured that their displays support a native video format in the best way possible and can deliver a seamless and reliable experience.”

Positive Impact

The experts agree that HDMI 2.2 is good news for Pro AV. According to da Silva, standards like HDMI benefit the industry because they create a roadmap for implementing new features and innovations.

“Developing the next evolution of product designs to an agreed upon specification brings compatible advancements to the market, including higher resolutions, refresh rates for brighter and more vivid images, and new technology,” he explained. “Users benefit from these enhancements and further interoperability among the widening array of computer, media player, switcher, and display device brands and models, enjoying an ever more enriched visual experience. Backward compatibility is also beneficial to the user by allowing older equipment to continue to function in new and upgraded installations.”

Incorporating HDMI 2.2 into digital displays brings tangible advantages for various Pro AV applications such as digital signage (sharper visuals in retail and corporate spaces), esports (reduced latency and ultra-smooth refresh rates), and professional displays. “These features underscore why ViewSonic is dedicated to leading with HDMI 2.2 in upcoming product lines,” Phann said.

The HDMI 2.2 advancements also “enhance the visual experience, allowing higher refresh rates such as 4K at up to 480Hz, 8K at up to 240Hz, and 10K at 120Hz for signals with 4:2:0 color space,” said da Silva. “This can play a significant role in esports arenas and labs, providing smoother gameplay in a more immersive experience for the gamer and audience alike. The higher resolution and color bit depth ensure even greater details for large digital signage and displays, as well as massive video walls and displays for stadiums, shopping complexes, and similar venues. In the education market, the higher data rates, resolutions, and refresh rates of HDMI 2.2 enhances the depth and details, allowing more to be seen and enjoyed in the widest array of environments.”

And that faster 96Gbps bandwidth improves demanding data-intensive, immersive, and virtual applications such as virtual reality, spatial reality, and light field displays as well as various commercial applications such as large-scale digital signage, medical imaging, and machine vision. “HDMI 2.2 also includes Latency Indication Protocol for improving audio and video synchronization, which is especially beneficial for multiple-hop system configurations such as those with an audio video receiver or soundbar,” Bramy added.

Applies to Everything

The advent of HDMI 2.2 will touch every aspect of the Pro AV (and consumer AV) market. And the new specification applies to “all [new] HDMI devices, including cable, source, sink, and repeater,” Bramy said. “It is part of the HDMI Cable Certification Program, requiring each model length to be tested and certified and display a Certification Label. All cables claiming compliance to the HDMI 2.2 specification are required to print the Ultra96 HDMI Cable name on the cable jacket and display the official Ultra96 HDMI Cable label on the packages.”

“While using Certified Ultra96 cables is crucial, achieving the fullest potential of HDMI 2.2 also requires compatible hardware,” noted Phann. “This is why ViewSonic’s next-generation displays and digital signage solutions will incorporate HDMI 2.2 technology to enable higher resolutions and optimized latency. Future ViewSonic releases, such as the CDE Ultra-Wide Series and advanced interactive flat panels, will explicitly highlight HDMI 2.2 compatibility to streamline purchasing decisions and usage.”

How long will it take HDMI 2.2 to become the dominant Pro AV/consumer AV standard? Bramy expects it will take two years, but Phann is a bit more conservative in his estimate: “Market-wide adoption is expected to grow steadily over the next three to five years,” he said. One thing is certain: HDMI 2.2 is the new gold standard for this technology, so Pro AV integrators and installers should prepare for this new reality accordingly.

From left, Joe da Silva, Bryan Phann, and Brad Bramy

With double the data rate of the previous version, HDMI 2.2 delivers brighter and more vivid imagery.

Cybersecurity and Pro AV Priorities

How to Successfully Navigate Cloud Migration Challenges

By Dave Van Hoy

Anyone who’s dealt with migrating AV infrastructure to the cloud knows it’s not as simple as flipping a switch. It’s a massive shift, and while it offers game-changing flexibility and scalability, it also brings some serious cybersecurity challenges. Moving from a system that’s locked down on-prem and staffcontrolled to the public cloud means your data and systems are suddenly in a much more open environment—and that’s enough to make any security professional’s hair stand on end.

When AV infrastructure transitioned to IP transport, that was the first time we had to think about security differently. Now, with the cloud, it’s a whole new ballgame. You’ve got confidential data and mission-critical systems operating in a potentially public space.

CIOs and CFOs love the cloud because it offers cost efficiencies and the flexibility of OPEX-driven tools. But the security teams? They’re often not as enthusiastic. They’re focused on keeping data safe, and that doesn’t always align with the real-time demands of AV production.

Identifying the Problem

This is also a problem in broadcast, but it’s a much bigger problem in AV and internal production. In broadcast, there is always a risk benefit analysis. Broadcasters must produce content, and they have to be on the air. So, there is an absolute business case to find a sweet spot balance between having restrictive practices and being able to run its core business of actually making media.

In what have traditionally been referred to as corporate environments, that need for compromise isn’t looked at in the same way. If you are a large corporation, your need to produce content from an extreme business case point of view is not the same as somebody who is producing content as the actual product.

If I’m a broadcast call letter TV station, I can say with certainty that if we can’t come to a reasonable perspective on how my cybersecurity practices are going to deploy, then we can’t run that television station, which means it has no income whatsoever. At a big corporation, I don’t have the same business case to take to the cybersecurity people and say,

“Look, if we don’t do this, our company can’t achieve its primary goal.” And that can make it very difficult to come to a working solution.

The result? Delays. Building out a real-time AV infrastructure across the public cloud might only take 90 days, but getting the green light from the security team can easily take another year. Security teams often don’t understand the unique needs of real-time AV systems, and that’s where a lot of the friction can occur.

You’ve also got the question of trust. AV teams need real-time access to systems that security teams might see as vulnerable. This is where early communication becomes critical. Without it, you risk running into barriers that delay or derail projects entirely. Security isn’t just a box to check at the end of a deployment—it must be baked in from the start.

Why Systems Integrators Matter

This is where systems integrators like us come in. We’re the ones who navigate the maze of corporate security requirements while still delivering a system that works for AV.

The first step is always to sit down with the security team and figure out their rules. What are the governance standards? What’s allowed and what’s not? Without those answers upfront, you’re just setting yourself up for wasted time and frustration.

From a best practices point of view, you really want to look at it from the point of view of network performance requirements and security requirements. Work out the conflict between those two things before you start down the real system design process.

One of the first questions we ask clients is: What exactly are you trying to do with the cloud? Is it the best option for this application? And what would the partnership with a cloud vendor look like?

Once you’ve determined the goals that the client has from an a functional point of view, and then looked at that from the client’s security governance point of view, it is incumbent that you advise the client on what will be involved, as well as the potential risks, so they don’t invest money in a project with you that at the far end they can’t realize, because it doesn’t meet the requirements of the company.

Measure Twice,

Cut Once

A lot of the lesser-known issues around this are things like what transport protocols are allowed on the network and what kind of security methodologies are allowed for a VPN? You take that information, look at your design and determine if using those standards will meet the performance requirements for the system you’ve been tasked to build.

Next step is to calculate the upfront costs of a cloud-based system. The good news is that once you’ve run that gauntlet with your client, you have a guidepost of what’s allowed and can work creatively to find where that adoption can be most useful.

Once you understand the client requirements, the first order of business is to understand the security concerns, then evaluate if the cloud is the right way to go. We need to determine if we’re talking about a private cloud inside the client’s data center or server room, or the public cloud in the form of Google, AWS, and Microsoft Azure. You can run the same technology using all. So, the question is, when we say the cloud, do we mean public cloud or software-defined workflows?

Typically, the first thing the folks in charge of cybersecurity with a large corporation will want to know about is the transport of content, how it's protected as it’s distributed, and how are assets stored. Once we answer those questions, we can make location decisions and evaluate those environments so that we mitigate the challenges of moving these workflows into a software defined infrastructure, whether it be on-prem or in the cloud.

The overall key is collaboration. Integrators have to bridge the gap between what the AV team needs and what the security team will allow. That often means a lot of back-and-forth discussions, tweaking designs, and even revisiting fundamental assumptions about the project. It’s not a quick process, but it’s essential to get right.

Balancing Security with Performance

Here’s the thing about cybersecurity: It’s not free. It costs you in performance. You only have so much bandwidth, and every layer of security you add takes a bite out of your bandwidth and compute power.

The more cybersecurity tools deployed, the slower the core application will run. In the AV world, where real-time performance is critical, that tradeoff cannot be ignored.

Take VPNs, for example. They’re great for creating a secure bubble, but they also add latency and are heavy on network resources. When you’re dealing with live production, those extra milliseconds can make a big difference. It’s all about finding the right balance, and that’s where upfront design work becomes so crucial.

This balancing act isn’t just about technology, it’s also about priorities. Security teams prioritize risk mitigation, while AV teams focus on performance. Finding common ground requires a clear understanding of each side’s goals and constraints. It’s not easy, but it’s possible with the right approach.

The Price of Failure

Let’s be honest: Cost is always a factor. Cloud migration isn’t cheap, especially when you factor in the time and effort it takes to get through all the security hurdles. But here’s the good news: Those costs are usually one-time expenses. Once you’ve gone through the process, you’ve got a roadmap for future projects. That said, it’s still our job as integrators to help clients weigh the financial and operational pros and cons upfront.

Cost concerns also tie back to scalability. One of the cloud’s biggest advantages is its ability to scale up or down based on demand. But that scalability comes at a price. Clients need to understand not just the upfront costs, but also the ongoing expenses of running a cloud-based system. That includes everything from storage and bandwidth to licensing fees and support contracts. We’ve seen what happens when this stuff goes wrong. Not long ago, a major failure involving a cloud storage platform made headlines. Bugs in the system weren’t addressed, and when a minor failure occurred, it cascaded into a major disaster. Massive amounts of content that was thought to be stored safely was lost. It was a wake-up call: Redundancy isn’t optional, and you can’t rely on a

single point of failure, even in the cloud.

Another example comes from live production. Imagine a virtual production control room running entirely in the cloud. It’s an elegant solution—until the network goes down. Without a backup plan, the entire production grinds to a halt. These real-world failures underline the importance of planning for the worst-case scenario. Redundancy, failover systems, and robust testing aren’t just nice-to-have, they’re essential.

Looking Ahead

The future of cloud-based AV workflows is exciting. We’re seeing advances in bandwidth and security tools that will make cloud deployments more flexible and secure. We’re going to see new methods of deploying software-defined workflows that will allow us to be more fluid when it comes to what lives on premise and what lives in the cloud.

One of the biggest innovations on the horizon is the ability to dynamically allocate workflows between on-prem and cloud environments. Right now, you have to choose: Do you run your production control room in the cloud or on the

ground? Soon, we’ll have the tools to make that decision on the fly based on the specific needs of a production.

Another area of innovation is hybrid cloud models. These setups allow organizations to combine the best of both worlds: the control and security of on-prem systems with the scalability and flexibility of the cloud. As tools and technologies mature, hybrid models will become more seamless, enabling organizations to optimize their workflows like never before.

Moving AV infrastructure to the cloud isn’t just a technical challenge, it’s a balancing act. You’ve got to consider security, performance, cost, and practicality. And you’ve got to bring the right people—from security teams to integrators—into the process early.

The cloud isn’t a shiny new toy anymore. It’s a mature, deployable technology that can deliver real business value when done right. As we continue to see innovations in this space, I’m optimistic about the future. With the right planning and tools, we can create AV systems that are not only secure but also flexible and efficient.

Dave Van Hoy is the president of Advanced Systems Group, LLC. Contact him at dvh@asgllc.com.

Power to ‘The People’s House’

New Museum Provides Immersive Look into White House History

By Michael Grotticelli

If you’ve ever wanted to visit the Oval Office, rooms of the State Floor, and all that encompasses the nation’s capitol’s most famous residence without obtaining official clearance, now’s your chance.

The White House Historical Association (WHHA) has created a permanent multimedia experience just a block away from 1600 Pennsylvania Ave. It’s a more in-depth tour than most people usually get of the “President’s Palace” and it’s totally free.

The People’s House: A White House Experience is a 33,000-square-foot venue that opened in Fall 2024 and features a variety of replicas and interactive exhibits that go well beyond the president’s office.

Visitors can explore a large-scale White House model, the State Floor in 360-degree immersive projection, a full-scale replica of the Oval Office, and recreations of key White House moments. It also includes compelling stories about the presidents and their families.

Overall, visitors can explore more than 20 rooms filled with digital history spanning more than 200 years. That history also includes the wide range of unheralded individuals that have worked there through numerous administrations who you might not know, such as Dale Haney, who has been at the White House since 1972 as grounds superintendent. It’s all part of the WHHA’s mission, founded by first lady Jacqueline Kennedy in 1961 as a nonprofit, nonpartisan organization to preserve the collections and stories of the Executive Mansion.

The People’s House: A White House Experience is

located on the first three floors of the Mills Building, which was renovated at the beginning of the pandemic. Once the walls and miles of CAT-6 wiring were complete, Virginia-based system integrator Design and Production (D&P) set about implementing a bevy of Panasonic Connect displays and projectors— along with critical products from Chief, Draper, Extron, Logitech, Peerless-AV, QSC, Shure, and others—to make the exhibits come to life.

Limited Space, Maximum Effect

The ambitious educational project was completed by D&P in about 22 months, including design and reconstruction of the remodeled space that now houses the multimedia experience. A key challenge was working with the limited physical space to achieve the desired geometry for the visual displays. Panasonic Connect’s short-throw LCD projectors and 3-DLP projectors (including the 18,000-lumen model used in the Immersive Theater) helped overcome these constraints, allowing them to deliver impactful visuals while maximizing space efficiency.

“The vision for this project was to bring the White House to the people,” said Sue Lepp, SVP, technology systems group manager at D&P. “The venue offers a new, immersive way for the public to explore the White House’s history and legacy for free. It doesn’t

A Panasonic video wall display in a full-scale replica of the Oval Office shows historic and contemporary images.

replace or upgrade an existing project; this is a completely new experience, designed to educate and inspire visitors.”

All the interactive content was designed and produced by Ralph Appelbaum Associates out of New York and Cortina Productions from McLean, VA. Both companies have extensive experience designing and building new multimedia experiences around the world.

According to D&P, each technology choice was tailored to fit the venue’s physical constraints and storytelling needs, creating an engaging and seamless visitor experience. For example, in one section of the space, visitors can hover their hand in front of several large projection walls (supported by Panasonic Connect projectors), and then a window suddenly pops up. Now, they are looking at President

Nixon landing on the South Lawn or perhaps a restoration of a famous object with descriptive text. Radar Touch sensors from Kleader accurately sense a visitor’s gesture anywhere on each wall and cue the computer-generated imagery and text.

As another example, as visitors take a seat behind the Resolute Desk in the Oval Office replica— furnished with reproductions of the art, objects, and furniture that adorn the president’s office—a media column in the center of the room transforms as visitors approach, showing historic and contemporary images. The column provides visitors with a portal to significant moments in the Oval Office. “The Oval Office

Reflective Totem” uses Panasonic 55-VF2HVWB4D displays, ensuring the unmovable (existing) building column was useful for displaying content, while making it appear less intrusive.

Setting the Tone

“This venue is one of a kind, offering a deeply personal connection to the White House’s history,” said D&P’s Lepp. “Visitors can engage with historical artifacts, reenactments, and interactive displays that celebrate the White House as “The People’s House.” Whether it’s dancing in the State Dining Room, exploring historical events, or interacting with the Biden family Bible replica, the experience is unparalleled in its depth and accessibility.”

The main supplier of the AV technology was Panasonic Connect, which provided dozens of 4K LED monitors of various sizes as well as long and short throw 4K laser projectors. For example, in the venue’s Immersive Theater, a Panasonic PT-RQ18KU projector with an ET-D75LE95 ultra-short-throw lens delivers stunning visuals while avoiding visitor shadows. For the State Dining Room, Panasonic PT-REQ10 4K projectors equipped with ultra-short-throw lenses create immersive floor-to-ceiling visuals.

“The ‘People’s House’ experience is so different from a lot of the museums in the area,” said Cynthia Pawlowski, marketing manager for Panasonic Connect’s visual systems business. “It’s fully immersive, and nowadays with the younger generation, that makes it much more impactful. Panasonic was proud to be a partner in this project, which we expect will remain popular for years to come.”

In addition to the Panasonic equipment, LG transparent OLED displays are used in tandem with rear screen projection for each recreated 1/5 scaled model room of the White House interiors. Each five-sided room is transformed historically by the storytelling presented on the OLED displays.

Both the projected and OLED video are delivered by Dell computers—a total of 18 dual output computers,

Panasonic projectors produce immersive floor-to-ceiling visuals in the State Dining Room.

The People’s House: A White House Experience includes a 360-degree immersive look at the State Floor.

Sue Lepp

plus 17 Microsoft Surface Pro Tablets that allow the visitor to engage with sections of the model and its history via interactive touchscreens. These are all tied back via NETGEAR switching to a Dell server to support the interactive experiences.

“These frames included amplifiers, patch bays, switches, and computers or video servers when they were not local to the displays,” Lepp said. “In the majority of cases, we were able to avoid using extenders. With the high quantity of video displays, this was critical to maintaining the overall budget as well.”

Technology Compliments Content

The WHHA is extremely pleased with the results and has been receiving rave reviews of the interactive space. Luke Boorady, managing director of “The People’s House,” said they expect to see 250,000 visitors this year.

“While all of our technology vendors did an exceptional job supplying their respective technologies and getting it all to work together, Panasonic Connect, really stepped up and made our vision a reality,” he said. “This was a Herculean effort to be able to get it all done in 20 months, and to do it in the quality that they did is really, really incredible. Having trusted technology partners allowed us to focus on the storytelling.”

Thanks to an innovative system design, which includes a control room directly tied to his office, Boorady has control over any device in the building without leaving his desk. “If something goes down, the way that D&P implemented it, I can diagnose it from my office and immediately power cycle a monitor, projector, tablet, or whatever I needed to.”

In the end, it’s the subject matter and the highly detailed exhibits that really shine. “I think one of the things that we really focused on from a content

perspective is featuring the people who aren’t always featured in White House history,” Boorady noted. “Those are the are real people who work at the White House, regardless of who’s president or who’s first lady. And they care for that building.

“So we’ve done, I think, a really good job of

weaving those stories throughout the experience. And that’s something that I think people have been taking away, seeing the human aspect of the White House as well. It’s obviously a symbol of American democracy, but it’s also a home. It’s a workplace. It’s a stage. You know, it wears so many different hats.”

Visitors can explore more than 20 rooms offering historical perspectives of the White House.

TECHNOLOGY NEW PRODUCTS

Shure MV7i

Featuring patented technology, the MV7i sets a new standard of versatility and ease-of-use for podcasters, streamers, and musicians who require two channels of recording. The MV7i enables users to directly connect a second XLR microphone or musical instrument (keyboard, guitar, etc.), eliminating the need for an external hardware interface. The microphone includes a built-in combo XLR and 1/4-inch input with 60dB gain and 48V phantom power. Designed to simplify the way creators record audio, the MV7i also offers onboard DSP and MOTIV Mix desktop and MOTIV mobile app integration. Auto Level Mode with SmartGate technology automatically calibrates gain based on proximity, volume, and room dynamics. Plus, it dynamically reduces the volume of a channel when either of the two users falls silent, minimizing crosstalk and guaranteeing that concurrent conversations do not disrupt the separate audio streams.

AVer Information TR535N

A dual-lens, auto-tracking camera designed for enterprise, higher education, and other organizations with similar collaboration needs, the AVer TR535N delivers professional-quality video without the need for a dedicated videographer. It combines a wide-angle lens and 4K PTZ camera to provide a broad field of view while allowing for detailed close-ups. With 30x optical zoom and advanced AI dual lenses, it provides reliable tracking and flexible installation options. Four advanced AI-driven tracking modes offer enhanced mobility and versatile content capture. Shield Zone functionality avoids tracking in selected busy areas, and the camera can manually track an additional presenter via remote control or Web UI, making the TR535N a highly adaptable solution for various video production needs. The TR535N offers dual HDMI, USB, 3G-SDI, IP, and NDI connectivity with low-latency video and PoE++ support for

PrimeTime Lighting Systems Niagara

Designed for cyc walls and greenscreen productions, the new Niagara LED lights provide a downward wash of high-index (95+ CRI) light. The Niagara 20 (pictured) is 27 inches wide, while the Niagara 40 is 54 inches wide. The lights can be

spaced apart for an even wash top to bottom and side to side. The light stays close to the wall, allowing talent to be lit separately. Both models are rated for 50,000 hours, include DMX and a digital display interface, accept 5-pin XLR cables, and are available in tungsten or daylight color temperatures. With a passive cooling design, there is no fan, so the lights make no noise or vibration. All Niagara lights are built to order in Dallas.

PPDS Philips ScreenShare

Designed with DisplayNote for Philips Collaboration Displays, Philips ScreenShare presentation software provides seamless and unrestricted secure wireless content sharing and connected experiences using almost any device on any network—without additional hardware. Philips ScreenShare effortlessly transforms any teaching or meeting space into a fully secure, inclusive, and connected environment. Pre-installed on all new Philips Collaboration BDL3152E and BDL4152E interactive displays, and available for download via PPDS Wave on existing models, Philips ScreenShare embraces BYOD, allowing the presenter (screen controller) and up to 100 participants to simultaneously connect and share content directly on the main display. Content can be saved for connected users to upload via the shared items folder. Other features include whiteboard and annotation functionalities, plus a moderator mode. Philips ScreenShare requires almost no training, with even the least tech-savvy able to easily use and understand the solution.

Middle Atlantic Products

NEXSYS Online UPS

The NEXSYS Online UPS Series is the latest addition to Middle Atlantic’s NEXSYS AV power distribution and backup platform. The NEXSYS Online UPS carries forward the reliability, protection, and control of the platform, now in new options to fit today’s most demanding and sensitive AV systems. Available in 12 configurations, the NEXSYS Online UPS Series offers six or eight outlets with bank or individual outlet control, in 15-amp 1000VA and 1500VA, 20-amp 2000VA, and 30-amp 3000VA models. The Energy Star-certified and U.S. Department of Energycompliant solutions deliver pure sine wave output with an online, double-conversion topology with zero

transfer time, providing the cleanest and most reliable power to connected equipment. Every unit comes assembled and connected right from the factory, saving integrators time during installation. Settings and notifications can be customized via NEXSYS Power Management Software.

Neutrik Group NE8MXR-B-TOP

The NEUTRIK NE8MXR-B-TOP etherCON cable connector carrier adds a new, patented retracting shell feature to the rugged design, IP65 weather resistance, UV light resistance, and corrosion resistance characteristics of the etherCON TOP series. Designed to withstand the most demanding outdoor conditions, it is an ideal choice for audio stage boxes and mixers, LED tiles, lighting fixtures, and both ruggedized and standard network switches. For use with etherCON receptacles, simply slide the shell back up onto the RJ45 receptacle. The shell will click back into place, confirming that the RJ45 is properly positioned for etherCON usage. This retracting feature enables NE8MXR-B-TOP to be used in various rugged and non-rugged applications without any risk of losing front shells, RJ45 alignment guides, or any other etherCON components. The NE8MXR-B-TOP can also be mated to standard, non-rugged RJ45 receptacles.

Audinate Dante Virtual Scorecard Pro

Available as an annual subscription, the Dante Virtual Soundcard Pro (DVS Pro) software solution transforms any PC or Mac into a powerful Dante-enabled device. By utilizing the computer’s standard wired network connection, the software eliminates the need for additional hardware, making it ideal for conference systems, lecture capture, live and studio multitrack recording, and more. Building on the foundation of the trusted Dante platform, DVS Pro expands the possibilities for demanding audio environments with higher channel capacity, integration into virtualized environments, and versatile installation options. It equips users with a comprehensive set of features to address even the most complex audio challenges. Key features include expanded channel capacity at higher sample rates, enhanced device connectivity, virtual machine installation, reliable synchronization for software-driven audio workflows, flexible licensing options, and cross-platform support.

Planar CarbonLight CLI/CLM

Planar has expanded its CarbonLight CLI Series indoor LED video wall displays. Delivering enhanced visual performance and an updated cabinet design, the upgraded line bolsters Planar’s support for applications in rental and staging, on-camera broadcast, in-camera VR and XR, and more. The Planar CarbonLight CLI Series offers improved scan and refresh rates, enhanced grayscale, and upgraded brightness—as well as up to 19% weight savings, enabling faster video wall setup and teardown. A new 500x1,000 cabinet size is available in several pixel pitches. Planar also offers a new 5.9mm pixel pitch model addition to its CarbonLight CLM line of thin and lightweight LED displays. Featuring transparent and non-transparent carbon fiber structure, the Planar CarbonLight CLM Series supports simple or complex hanging or free-standing applications, and accommodates fast front and rear installation and maintenance with Planar CarbonLight bracketry.

d&b audiotechnik CCL System

The new CCL (Compact Cardioid Line Array) System provides broadband directivity control with low-frequency cardioid behavior in a passive design, enabling single channel amplifier operation. It features a revised implementation of a patented d&b design to bring the acclaimed cardioid directivity and electroacoustic performance, formerly only available in d&b SL Series models, to smaller, closer audience areas. At the heart of the system are two 7-inch front-firing drivers, two 5-inch side and rear drivers, and two 1.75-inch high-frequency transducers of a completely new design. This unique approach combines superior low-frequency and broadband directivity control with exceptional high-frequency headroom and minimal distortion. Designed to reduce system infrastructure complexity and cost, the CCL uses less truck space and fewer amplification and cabling resources in mobile applications. In installed scenarios, it dramatically improves the perceived sound quality in both indoor and outdoor venues.

QSC Q-SYS

NV-1-H-WE

The new Q-SYS NV Series NV-1-H-WE is a singlechannel HDMI wall plate encoder designed to deliver network video distribution in spaces where traditional surface-mount enclosures are not ideal. The discreet solution is perfect for flexible and divisible spaces or areas with reconfigurable furniture. The NV Series distributes visually lossless, low-latency video signals of up to 4K60 4:4:4 throughout a Q-SYS system using Q-SYS Shift. As native Q-SYS peripherals driven by the Q-SYS OS, NV Series devices seamlessly integrate into a Q-SYS system, regardless of size or complexity, delivering effortless no-code deployments and automated solutions without additional management or control hardware. The NV-1-H-WE joins the growing Q-SYS NV Series portfolio and allows designers to customize and optimize their systems by mixing and matching endpoints to tailor video distribution solutions based on connectivity requirements, I/O density, and physical form factor.

By Mel Baglio

TWelcome to the New Era

Events Industry Has Been Reshaped by Both Necessity and Opportunity

he events industry has undergone a seismic shift in recent years, redefining how businesses, organizers, and attendees approach gatherings. In 2019, the industry was comfortable with traditional, in-person formats—conferences, expos, and live events where physical presence was a core requirement. Technology, while present, played a supporting role rather than being central to the experience. The labor market in the industry remained stable, with roles and responsibilities evolving at a steady but predictable pace.

Fast forward to 2024, and the industry has been revolutionized by a combination of necessity and opportunity. The pandemic acted as a catalyst, driving rapid adoption of advanced technologies and reshaping expectations for how events are designed and experienced.

This shift has brought with it a heightened demand for skilled labor, particularly in areas like digital production and virtual platform management. Companies embracing trends with technology and making data-driven decisions are redefining what it means to host engaging events. Conversely, those clinging to outdated models are finding themselves unable to compete in an increasingly competitive market.

Make Mine Hybrid

One of the most significant shifts in the events industry has been the rise of hybrid and virtual events. Initially accelerated by the pandemic, these formats have evolved from a temporary solution into a lasting standard for many organizations. Participants can now join from virtually anywhere, eliminating barriers such as travel costs, geographic limitations, or health concerns. This approach has empowered companies to extend their reach beyond local or regional audiences, engage with diverse demographics, and deliver highly personalized experiences tailored to attendees’ preferences.

Moreover, the hybrid model has redefined how event content is consumed and leveraged. Events are no longer confined to a single day or physical location—recordings, digital resources, and interactive elements can be reused, repurposed, and shared across multiple platforms, creating ongoing

value for both businesses and participants.

For example, the virtual concert market alone generated $76.6 billion in revenue in 2024 and is projected to reach a staggering $115 billion by 2031, underscoring the immense potential of virtual engagement. This trend is not slowing down; instead, it is paving the way for a more interconnected and innovative industry. Hybrid events also offer a scalable model for future growth, allowing companies to adjust their strategies based on evolving audience needs and technological advancements.

Ultimately, organizations embracing hybrid formats are doing more than hosting events—they are cultivating global connections. This evolution marks a transformative era for the events industry, where innovation, inclusivity, and scalability are at the forefront.

The People Pipeline

Along with the drive for more technologically complex events, the demand for skilled production teams has intensified. Managing livestreams, multi-platform broadcasting, and interactive tech requires specialized expertise, as these elements have become the backbone of modern event experiences. Successful companies can’t just hire talent; they must invest in training and career development to build a workforce that can adapt to evolving technologies.

This proactive approach ensures employees stay ahead of trends, mastering tools and platforms that keep events innovative and competitive. A strong talent pipeline, combining experienced professionals and new specialists trained in hybrid setups, fosters both success and scalability.

However, the rapid pace of technological change demands continuous learning. Businesses that neglect training or expect ready-made expertise often face challenges, as their teams struggle to keep up with advancing technology. Skills gaps can result in inefficiencies, lower-quality outcomes, and missed opportunities to exceed client expectations.

In contrast, organizations that support and empower their workforce not only close tech gaps but also cultivate loyalty and future readiness. Providing access to ongoing education, certifications, and hands-on experience with emerging tools readies the teams to handle both current demands and future innovations.

Operational Evolution

The need for advancement extends far beyond clientfacing interactions. Behind the scenes, the processes that shape how events are strategized, documented, and executed also require significant modernization.

The adoption of digital tools and centralized platforms are critical for meeting the growing complexity of events. Seamless communication, enhanced collaboration, and improved data-driven decisionmaking are now standard.

Centralized systems allow teams to access real-time information, coordinate across departments, and streamline workflows, ensuring that every detail is accounted for from planning to execution. These tools empower operations staff to respond swiftly to last-minute changes, reducing stress and enhancing overall efficiency.

Organizations that prioritize operational evolution, such as leveraging cloud-based solutions, automating repetitive tasks, and fostering real-time collaboration will position themselves as leaders in the field. These advancements not only reduce inefficiencies but also empower teams to focus on creativity and innovation rather than being bogged down by outdated processes.

Companies that embrace technological advancements position themselves to meet evolving client expectations while simultaneously improving internal efficiency. Beyond the immediate operational benefits, modernizing processes also opens doors to innovation, enabling organizations to experiment with new formats, features, and engagement strategies that keep them ahead of the competition.

The events industry has entered a new era, driven by technological advancements, shifting consumer expectations, and the rapid adoption of hybrid and virtual formats. Once reliant on traditional in-person gatherings, the industry now thrives on the integration of physical and digital experiences, offering unprecedented accessibility and advancement.

This evolution has reshaped not only how events are designed and consumed, but also the skills and infrastructure required to execute them successfully. Companies that embrace innovation, invest in talent development, and modernize their operations are setting the standard for delivering impactful, inclusive, and memorable experiences. Mel Baglio is the manager of customer success at LASSO.

One Box that Checks All the Boxes

Features

• All-in-one 4K/60 switchers with selectable matrix conﬁgurations, scaling, audio DSP plus AEC, audio power ampliﬁer, and control processing

• Integrated DTP3 inputs and outputs

• Supports video resolutions up to 4K/60 with 4:4:4 color sampling

• Conﬁgurable USB audio interface

• Dante® audio networking and AES67 support provides a wide range of expansion capabilities

• Remote powering of DTP3 and DTP transmitters and receivers

• Available with integrated IPCP Pro 360MQ xi control processor

• Available energy efﬁcient Class D ampliﬁer with selectable output power modes

• 100 watts stereo into 4 ohms or 8 ohms

• 200 watts mono into 8 ohms

• 200 watts mono into 70 V or 100 V

• Available with built-in ShareLink® Pro presentation system on select models

DTP3 CrossPoint Matrix Switchers are available in four sizes

DTP3 CrossPoint 642

Conﬁgurable from 6x6 to 8x4

DTP3 CrossPoint 622

Conﬁgurable from 6x4 to 8x2

DTP3 CrossPoint 884

Conﬁgurable from 8x12 to 12x8

DTP3 CrossPoint 662

Conﬁgurable from 6x8 to 8x6