Mandala and history lubos belka

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Mandala and History

Mandala and History Bidia Dandarovich Dandaron and Buryat Buddhism

materials from the mid-1970s, which have not been

The book brings an original presentation of unique published in an English-language monograph. The visual analysis works both with historical photographs from Buryatia and Tibet, and with the author’s field

Luboš Bělka

observations and recordings of interviews with participants. The origination of a new form of Buddhism within the traditional Buryat sangha dates

Luboš Bělka (1958)

back to the middle of the 20th century. After World War

Luboš Bělka

Studied Philosophy at the Faculty of Arts and Biology at the Faculty of Science, Masaryk University in Brno in 1984. His work brought him to Buryatia in South-East Siberia in 1992. Here, near Lake Baikal, the religious life of local people went through the period of restoration after the long-term Soviet suppression of Tibetan Buddhism. After return, Luboš Bělka decided to extend his knowledge in the academic study of religions at the School of Oriental and African Studies in London (1994-1995). He regularly traveled to Buryatia and neighboring countries and in 1995 started to work at the Department for the Study of Religions, Faculty of Arts, Masaryk University. Besides his travels to Asia (Buryatia, Mongolia, Tibet – Amdo), he lectured at various universities abroad: Vienna, Bern, Szeged, Bratislava, Burlington (Vermont) or Bloomington (Indiana); in 2004–2005 he was a Fulbright Scholar in the Department of Religion, University of Vermont, Burlington. A selection of books published in Czech: Tibetan Buddhism in Buryatia (2000); Buddhist Eschatology: Shambhala Myth (2004); Buddha and His Depictions (2013); Mandala and History (2014).

MANDALA AND HISTORY

Bidia Dandarovich Dandaron and Buryat Buddhism

II, the so-called first restoration emerges, consisting in the effort to rescue religious life following a decade of reprisals. In the 1930s, all monasteries were closed down, a part of monks were executed, a part imprisoned and the rest had to disrobe. In the mid-1960s, during the period of the first criticism of Stalin’s cult, a small, nevertheless important Buddhist community originated in Ulan-Ude. An unofficial or clandestine micro-sangha formed around Bidia D. Dandaron (1914-1974), a Buryat Buddhist scholar, which existed until 1972, the year of Dandaron’s imprisonment. Subsequently he was sentenced to five years in the gulag. One of his first disciples was A. I. Zheleznov, a painter who painted Vajrabhairava mandala. His innovative way of depiction did not conform to the rooted tradition and the painting exceeded all the standards. The aim of the book is to show by means of the painting the formation of a new religious group, its perception of the outside world and incorporation of such a vision into the mandala. FACULTY OF ARTS MASARYK UNIVERSITY

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