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Olomouc Asian Studies

Halina Zawiszová, ed.
Giorgio Strafella, ed.
Martin Lavička, ed.

Olomouc Asian Studies

Volume 3

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1st edition

This work is licensed under a Creative Commons license: Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0)

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© edited by Halina Zawiszová, Giorgio Strafella, Martin Lavička, 2025

© Palacký University Olomouc, 2025

https://doi.org/10.5507/ff.25.24465821

ISBN 978-80-244-6582-1 (print)

ISBN 978-80-244-6583-8 (online: iPDF)

Kazuyoshi Kawasaka

Ami Kobayashi

Verita Sriratana

Coming out as Everyday Life Activism: “displaying” Gay Father Families in Taiwan 153

Jung Chen

nursery Rhymes, Rituals, and Cultural Trauma: A Connotation of “Chair Maiden” in Taiwan 181

Yu-Yin Hsu and Kuan-Wei Wu

narrating Women’s Bodies and Violence: Testimonies of Sexual Violence Victims in Japan

Chiara Fusari

PART III

BodIES, GEndER, And IdEnTITIES

199

Like Snow Like Mountain: narrating Gender Violence in the Era of #MeToo Activism 225

Daniela Licandro

Becoming-Simulacra: Textualizing Murderous Women in heisei Japan (1989–2019) 251

Fengyuan Zhen

A Lady’s Reckoning: Torture, Eroticism, and Salvation in the noh Play Shikimi Tengu 277

Dunja Jelesijevic

The Body as Lens and Testimony: The Bodily Experience and Cultural Identity in the Song Stories of Traveling to Foreign Lands (960–1279 CE) 301

Li-wen Wang

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BodIES, GEndER, And IdEnTITIES In VISUAL

Archaeology and Onmyōdō: human-Shaped Ritual objects Associated with Purification Rites and Curses

Marianna Lázár

The Shiny Body of the Good Soldier: Identity and the Corporeal in Shen Jingdong’s Art

Giorgio Strafella

Yang Fudong: In Search of the Lost Yin/Yang Balance

Christine Vial Kayser

Stylish and Bold: A Critical Analysis of the Trope of the Modern Girl in Indian Cinema in the Late Colonial Period

Sutanuka Banerjee and Lipika Kankaria

Labor, Marginalization, Taiwanization: Mapping the Embodiment of the Being-Woman in Post-Martial Taiwan Through Wu Mali’s “Stories of Women from hsin-Chuang”

Contributors

Keiko Aiba

Meiji Gakuin University, Japan

aiba@k.meijigakuin.ac.jp

Keiko Aiba is a Professor in the Faculty of International Studies at Meiji Gakuin University, Japan. She received a PhD in sociology from Washington State University. She has explored how femininity is constructed in women’s bodies and whether sports and physical activities have the potential to challenge the ideal female body. Through an ethnographic study of Japanese women pro wrestlers, she published Transformed Bodies and Gender: Experiences of Women Pro Wrestlers in Japan (2017). She currently researches how beauty ideals affect female high school students in Japan.

Roberto Riccardo Alvau

Complutense University of Madrid, Spain robertoalvau@gmail.com

Roberto Alvau is a Sardinian PhD researcher at Complutense University of Madrid. He has collaborated with the Reina Sofia National Museum in Madrid and the Amsterdam Street Art Museum. He specializes in socially engaged, participatory art, and collaborative art, as well as decolonial practices within contemporary Taiwanese art. His current research focuses on the construction of national identity, marginalized voices overlooked by hegemonic narratives, and the role of art as a cohesive device for social inclusion.

Sutanuka Banerjee

National Institute of Technology Durgapur, India sbanerjee.hu@nitdgp.ac.in

Sutanuka Banerjee (PhD, Aalborg University, Denmark) is an Assistant Professor in the Department of Humanities and Social Sciences, National Institute of Technology Durgapur. She has published papers in respected journals including Journal of International Women’s Studies; Asiatic; Sic: Journal of Literature, Culture and Literary Translation; Wagadu: A Journal of Transnational Women’s and Gender

Contributors

Liudmila Bredikhina and Agnès Giard

Studies; Asian Journal of Women’s Studies; Rupkatha: Journal on Interdisciplinary Studies in Humanities; 3L: Southeast Asian Journal of English Language Studies; and Agathos: An International Review of the Humanities and Social Sciences. She has presented several papers in international conferences in India and abroad as well as contributed book chapters in edited volumes by national and international publishers. Her research areas focus on Popular Culture, Gender Studies, and Transnational Feminism.

Liudmila Bredikhina

South East Technological University, Ireland  liudmila.bredikhina@gmail.com

Liudmila Bredikhina is researching virtual male kawaii practices among Japanese metaverse users and babiniku VTubers from a feminist standpoint. Using virtual ethnographic methods and semiotic analysis, she interrogates Japanese men’s discursive practices surrounding cuteness and investigates how they harness the virtual space to perform “other” identities. She also raises questions surrounding the “liberation” aspect of virtual identities and how they intersect with commercial and consumer pressures. In 2022, she received the Prix Genre (Gender Prize) for her research on  babiniku and Japanese traditional theatre. Her recent publications include “Tōjisha no koe o toraeru: ‘Babiniku’ jissensha e no ankēto, intabyū chōsa [Capturing the Voices of Those Involved: Survey and Interview Methods for Studying ‘Babiniku’]” (VTuber gaku, 2024), “Babiniku: what lies behind the virtual performance. Contesting gender norms through technology and Japanese theatre” (Electronic Journal of Contemporary Japanese Studies, 2022), and “Becoming a virtual cutie: Digital cross-dressing in Japan” (Convergence, 2022). As of 2024, she is affiliated with South East Technological University (SETU), but was affiliated with another institution when conducting the research presented in this volume.

Jung Chen

Academia Sinica, Taiwan jungchen1993@gamil.com

Jung Chen is an Assistant Research Fellow at the Institute of Sociology at Academia Sinica. She holds a PhD in Sociology from the University of Cambridge. Her PhD thesis is about Taiwanese gay fathers’ transnational reproduction, with a specific focus on the ways in which their making of relatedness via biotechnologies both destabilize and accommodate normativities. Her next project will look at the reproductive imaginations, family-building, and mobilities of tongzhi couples in Taiwan, mainland China, Hong Kong, and Macao.

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Chiara Fusari

University of Zurich, Switzerland

chiara.fusari@aoi.uzh.ch

Chiara Fusari is a PhD Candidate and a Teaching Assistant at the Department of Japanese Studies of the University of Zurich. Previously she had conducted research on Burakumin with a specific focus on gender issues and wom en’s participation in the liberation movement. Her work is published in the journal  Contemporary Japan. Her doctoral research focuses on sexual violence, social mobilization, and feminism in contemporary Japan.

Agnès Giard

Laboratoire Sophiapol – Université de Paris Nanterre, France aniesu.giard@gmail.com

Agnès Giard is anthropologist, working on the industry of human romantic and sexual surrogates in the context of Japanese national depopulation. Her research tackles the consumption of emotional commodities, such as love dolls, digital boyfriends, or holographic spouses, and the stigma attached to  ohitorisama, i.e., single people held responsible for the falling birthrate. Her last book,  Un désir d’humain: Les love doll au Japon [Yearning for Human: Love Dolls in Japan] (2016), was named by the ICAS (International Convention of Asia Scholars) Book Prize as one of the “five best books published in France in the field of Asian Studies” in 2017. The book relates to “artificial life” systems (dolls for adults) framed within a symbolic system dealing with failure, lack, and loss. She is Associate Researcher at Sophiapol, a laboratory dedicated to the socio-anthropology of emotion and exclusion, at Paris Nanterre University.

Yu-Yin Hsu

Ruhr University Bochum, Germany

Yu-Yin.Hsu@ruhr-uni-bochum.de

Yu-Yin Hsu is currently a Postdoctoral Fellow of Taiwan Research Unit at the Ruhr University Bochum. She received her PhD from the National University of Singapore with the FASS (Faculty of Arts and Social Sciences) Scholarship in Buddhist Studies in 2019, specializing in modern Chinese Buddhism with a focus on its ritual practices and migrant changes across borders.

DOI: 10.5507/ff.25.24465821.02 Contributors

Contributors

Dunja Jelesijevic

Northern Arizona University, USA

Dunja.Jelesijevic@nau.edu

Dunja Jelesijevic earned her PhD in Japanese religion from the University of Illinois at Urbana-Champaign. She was a Japan Foundation Fellow at Nagoya University from 2012 to 2013. Her research interests include premodern Japanese religion, literature, and performance arts, with a specific focus on religious aspects of Noh theater. Her broader interests include East Asian Buddhism and East Asian folk religions, as well as Chinese religion, philosophy, and literature. She has written about and presented on the topics of religion and ritual in a number of Noh plays.

Lipika Kankaria

Independent Scholar, India lipikakankaria@gmail.com

Lipika Kankaria earned her PhD in English from the National Institute of Technology Durgapur and completed her BA and MA in English literature at the University of Calcutta. She has published papers in journals such as Journal of International Women’s Studies; Asiatic; Sic; and Wagadu: A Journal of Transnational Women’s and Gender Studies, and contributed chapters in volumes such as Handbook of Research on Social and Cultural Dynamics in Indian Cinema and (Re)presentations: Problems, Politics and Praxis. Her research focuses on Gender Studies and Popular Culture.

Kazuyoshi Kawasaka

Heinrich Heine University Düsseldorf, Germany kawasaka@hhu.de / kazkawasaka@gmail.com

Kazuyoshi Kawasaka is principal investigator of the Deutsche Forschungsgemeinschaft (DFG)-funded project “Sexual Diversity and Human Rights in 21st Century Japan: LGBTQ+ Activisms and Resistance from a Transnational Perspective” at the Institute for Modern Japanese studies at Heinrich Heine University Düsseldorf. He received his DPhil in Gender Studies (Humanities) at the University of Sussex in 2016. His research focuses on nationalism and queer politics in Japan, the globalization of LGBTQ+ politics, and transnational anti-gender/LGBTQ+ movements. He is a co-editor of Beyond Diversity: Queer Politics, Activism, and Representation in Contemporary Japan (2024) and the author of “Queers and National Anxiety: Discourses on Gender and Sexuality from Anti-Gender Backlash Movements in Japan since the 2000s” in Global Perspectives on Anti-Feminism: Far-Right and Religious Attacks on Equality and Diversity (edited by Stefanie Mayer and Judith Goetz, 2023).

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Contributors

Ami Kobayashi

Heinrich Heine University Düsseldorf, Germany

ami.kobayashi@hhu.de

Ami Kobayashi studied Educational Sciences at the Sophia University in Tokyo and at the Humboldt University of Berlin. In her doctoral thesis The Gait as Political Choreography, she conducted historical and comparative research on political school ceremonies in Germany and Japan (1873–1945). Since 2018, she has worked as a Lecturer at the University of Kaiserslautern-Landau (Faculty of Educational Sciences) and the Heinrich Heine University Düsseldor (Institution for Modern Japanese Studies) in Germany. She published articles related to body, sexuality, and the nation-state in German, English, and Japanese. Her research interests are education transfer, comparative education, the cultural history of pedagogical practices, sexual minorities in schools, Anton. S. Makarenko, and Collective Education.

Martin Lavička

Palacký University Olomouc, Czech Republic

martin.lavicka@upol.cz

Martin Lavička is an Assistant Professor at the Department of Asian Studies at Palacký University Olomouc (UP), where he teaches modern Chinese history, Taiwan history, and Chinese politics. He received his BA in Chinese and Japanese Philology from UP, an MA in International Relations from National Chengchi University in Taiwan, and a PhD in Political Science from UP in 2021. His research focuses on the socio-legal aspects of China’s ethnic policies, religious freedoms, and the rule of law. He is currently a Visiting Research Fellow at the Centre for East and South-East Asian Studies at Lund University with his two-year OP JAC MSCACZ project “CLAW: Chinese Conceptualization of the Rule of Law: Challenges for the International Legal Order.”

Marianna Lázár

Károli Gáspár University of the Reformed Church in Hungary, Hungary lazar.marianna@kre.hu

Marianna Lázár is an Assistant Professor in the Department of Japanese Studies at Károli Gáspár University of the Reformed Church in Hungary. Her work has been published in journals such as  Journal of Ryukoku University,  Annals of Dimitrie Cantemir Christian University , East Asian Studies , and  Orpheus Noster , and in edited volumes, such as  Minzokugaku no shatei  [The Scope of Ethnology] (2022), Encounters with Japan: Japanese Studies in the Visegrad Four Countries (2015), and  Kortárs Japanológia  (2015, 2019, 2022). She specializes in ancient Japanese history with a focus on archaeology and cultural exchange. Her

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Contributors

Liudmila Bredikhina and Agnès Giard

current research is focused on the burial practices of the Kofun period and the archaeology of early Onmyōdō practices. Her doctoral thesis was a study of the development of the Four Gods belief in East Asia, focusing on its cultural-historical, artistic, and ideological development in Japan.

Daniela Licandro

University of Milan, Italy

daniela.licandro@unimi.it

Daniela Licandro obtained her PhD in modern Chinese literature from the University of Chicago. She is currently a Postdoctoral Researcher at the University of Milan in the fields of modern Chinese literature and Chinese language pedagogy. Her research interests include women’s autobiographical practices in modern China, gender studies, realism, modernism, and theories of the body. Her work has appeared in NAN NÜ: Men, Women, and Gender in China; Chinese Literature and Thought Today; and Educazione Linguistica. Language Education (EL.LE). Her recent analysis of Li Lanni’s memoir of mental illness and her research on 1930s Shanghai modernism are forthcoming, respectively, in Altre Modernità [Other Modernities] and Modernism/modernity.

Novidayanti

The Government of Jambi Province, Indonesia novidayanti@gmail.com

Novidayanti has been a public policy analyst and regional development planner for the Development Planning Agency of The Government of Jambi Province, Sumatra, Indonesia since September 2021. After completing her MA in Gender and Development at the Institute of Development Studies (IDS), University of Sussex in 2011, she pursued her doctoral study in Asian and International Studies at the City University of Hong Kong. Her previous work was about the construction of gender identity of waria (Indonesian transgender women) in Malay Muslim society in Jambi Province. This work extends the research of her MA thesis, which discussed how Muslim waria in Indonesia negotiate gender identity. She is currently working on Muslim LBT (lesbian, bisexual, and transgender) migrant worker-related issues in Hong Kong as part of her doctoral research.

Verita Sriratana

Chulalongkorn University, Thailand

Verita.S@chula.ac.th

Verita Sriratana (PhD, University of St Andrews) is Associate Professor of Literary Studies at the Department of English, Faculty of Arts, Chulalongkorn University. She

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is a former Visiting Research Fellow in Human Rights at the Raoul Wallenberg Institute of Human Rights and Humanitarian Law, Lund University. Verita is the winner of the British Association for Slavonic and East European Studies (BASEES) Women’s Forum Prize for “I Burn (Marx’s) Paris: ‘Capital’ Cities, Alienation and Deconstruction in the Works of Bruno Jasieński,” published in Temporalities of Modernism (2022), and author of a research article entitled “‘The Straight and Strong Man’s Burden’: An Analysis of Benevolent Sexism as Misogyny in International Women’s Day Speeches from Leaders of Belarus, Russia and Thailand,” published in Stance: The Thai Feminist Review (2023). She is currently a Research Fellow at the Käte Hamburger Centre for Apocalyptic and Post-Apocalyptic Studies (CAPAS) at Heidelberg University, where she works on a project entitled “Don’t they know it’s not the end of the (patriarchal and heteronormative) world?: Misogyny as (Post)Apocalypse.”

Giorgio Strafella

Palacký University Olomouc, Czech Republic giorgio.strafella@upol.cz

Giorgio Strafella (PhD, University of Nottingham) is an Assistant Professor at the Department of Asian Studies and a researcher at the Sinophone Research Centre, Faculty of Arts, Palacký University Olomouc. He is the author of Intellectual Discourse in Reform Era China (2017). His work has been published in journals such as positions: asia critique; Journal of Contemporary Chinese Art; Asian Studies Review; China Information; Made in China; and Asiatische Studien / Études Asiatiques, and in edited volumes. He is also co-editor, with Daria Berg, of Transforming Book Culture in China, 1600–2016 (2016); China’s Avant-Garde, 1978–2018 (2023); and a special issue of the Journal of Current Chinese Affairs on “China’s New Cultural Entrepreneurs and Creative Industries, 2000–2022” (2024). His current research focuses on art criticism and experimental art in contemporary China.

Christine Vial Kayser

Paris-Sorbonne University and CY Cergy Paris University, France christine.vial-kayser@cyu.fr

Christine Vial Kayser is an art historian and theorist, honorary museum curator, teacher-researcher (HDR), and Associate Researcher at Creops (Paris-Sorbonne University) and Héritages (CY Cergy Paris University). She is president of the AsieSorbonne Association. Her research focuses on contemporary Asian-Western art from a phenomenological perspective.

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Contributors

Liudmila Bredikhina and Agnès Giard

Li-wen Wang

University of Bonn, Germany

Li-wen Wang is a PhD student at the University of Bonn, Germany. Her research interests include pre-modern Chinese novels, maritime history, ocean and island studies, and material culture. Her ongoing dissertation discovers the maritime landscape represented in the Song-Yuan novels within the global historical context.

Kuan-Wei Wu

Ruhr University Bochum, Germany

Kuan-Wei.Wu@ruhr-uni-bochum.de

Kuan-wei Wu is a PhD Candidate at the Faculty of East-Asian Studies, Ruhr-Universität Bochum. He is a reader of intellectual history and cultural history, and he is also fond of novels, essays, and poetry.

Halina Zawiszová

Palacký University Olomouc, Czech Republic halina.zawiszova@upol.cz

Halina Zawiszová is an Assistant Professor at the Department of Asian Studies at Palacký University Olomouc. She is trained in Japanese philology, English philology, and linguistics. Her main research foci revolve around topics related to social interaction, language, emotion, and the construction of social relations and identities. Her recent publications include a monograph On ‘doing friendship’ in and through talk (2018), an edited volume Interests and Power in Language Management (co-edited with Marek Nekula and Tamah Sherman, 2022), and an edited volume Voiced and Voiceless in Asia (co-edited with Martin Lavička, 2023).

Fengyuan Zhen

University of Auckland, New Zealand fzhe587@aucklanduni.ac.nz

Fengyuan Zhen recently completed her PhD in Asian Studies at the University of Auckland. Her doctoral thesis, titled Heisei (1989–2019) Evil Woman: Textualising Murderous Women in Contemporary Japan, investigates the gendered narratives surrounding murders committed by women. Her research focuses on how various textualizations challenge and reshape prevailing discourses on gender and societal issues, including shifts in gender division of labor, consumer culture, and the expanding cyberspace—topics of significant public concern during the Heisei era in Japan.

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Foreword

The Olomouc Asian Studies (OLAS) book series is published by the Department of Asian Studies at Palacký University Olomouc to further expand its outreach initiative in the area of Asian Studies beyond its already well-established international conference, the Annual Conference on Asian Studies (ACAS). Rigorously peer-reviewed and available as open access e-books and print-on-demand books, the edited volumes published in the OLAS series address wide-ranging topics and issues in the field of Asian Studies, while bringing together contributors from around the world.

This is the third volume in the series. It shares key topics with the 16th ACAS, entitled “Bodies, Gender, Identities,” which was held in hybrid form in Olomouc, Czech Republic on November 25–26, 2022. The open call for chapters that we issued after the conference aroused considerable interest. The seventeen chapters that comprise this book were selected based on their subject matter and doubleblind peer review. Six of them constitute expanded and revised versions of papers presented at the conference.

We would like to thank the authors for their generous collaboration and patience along the way. We would also like to express our gratitude to the many anonymous reviewers. Without their unselfish help and dedication to the integrity and excellence of research such a publication could not be produced. Finally, our appreciation is due to the Department of Asian Studies and the Sinophone Research Centre of Palacký University Olomouc whose financial support made the publication of this book possible.

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Mapping Society onto the (Gendered) Body: An Introduction

This chapter introduces the topics and issues addressed in this volume. It shows how the chapters weave together the themes of gender, identity, and the corporeal by examining a variety of lived experiences and cultural expressions in India, Indonesia, Japan, mainland China, Taiwan, and Thailand in historical contexts ranging from antiquity until today. It highlights the contribution of this volume to wider debates on issues such as the performance and construction of gender identities, misogyny and homophobia, biopolitics, and feminist and LGBTQ+ activism, and also how it relates to recent studies and collections on these subjects.

Keywords: gender norms, embodied identities, intersectionality, performativity, activism, violence, biopolitics

This volume brings together seventeen studies that explore societal, cultural, and political phenomena in Asia with a focus on the interrelated topics of the body, gender, and identity. While ambitious in its scope, its aim is not to trace a unitary narrative of these topics in Asian cultures and histories, but rather to cast a wide net on ideas, experiences, and social and cultural manifestations across eras and fields of research. As a result, the volume affords the reader insights into a variety of lived experiences and cultural expressions in India, Indonesia, Japan, mainland China, Taiwan, and Thailand.

Some topics that emerge repeatedly throughout the volume include gender norms and social expectations; the construction and representation of embodied identities; sexuality, morality, and social pressure; forms of defiance and resistance; and explorations of queer experience and intersectionality. Chapters that focus on today’s Asia, in particular, confront issues such as inequality, violence, and discrimination while highlighting the struggle for dignity and fundamental rights that takes shape not only through activism and protest movements, such

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as #MeToo, but also literature and art. Questions related to beauty, pleasure, desire, individual agency, and empowerment in this book foreground debates on embodied subjectivities and power relations as they interrogate the use of bodies and (de)construction of gender. The book approaches these issues from a range of disciplinary perspectives, including anthropology, sociology, gender studies, history, literary studies, and art history.

There is increasing scholarly and societal interest in the themes addressed by the present volume. Issues that pertain to gender equality, queer identities, biopolitics, necropolitics, and sexual and gender-based violence are among the most urgently debated in today’s world, and the studies in this volume confirm that Asia is no exception. Several books published in recent decades have contributed to the study of socio-political and cultural issues related to the human body and gendered identities in Asia across eras and fields of practice. Because of the layered nature of these issues, especially when different Asian societies and traditions are taken into consideration, the edited volume represents a congenial place to think about them in a pluralistic and interdisciplinary way while critically engaging with underlying concepts and theories. One pioneering work in this growing area of research to which the present volume contributes is Bewitching Women, Pious Men: Gender and Body Politics in Southeast Asia (1995a), edited by anthropologists Aihwa Ong and Michael G. Peletz. While more specific in its geographical and disciplinary scope than this book, Ong and Peletz’s volume also collects explorations of a wide range of topics that are often underpinned by issues of power and knowledge, while emphasizing alternative discourses on gender and the body. Drawing mainly on Foucault for their definition of “body politics,” Ong and Peletz posit that “cross-referencing inscriptions of power—that is, the diverse ways society is mapped onto the body and the body is symbolized in society—are mutually dependent upon and entangled in each other” (Ong and Peletz 1995b, 6). In his more recent work, a short monograph titled Gender, Sexuality, and Body Politics in Modern Asia (2007), Peletz offers an ambitious overview of body politics and gender-related issues across the Asian continent, touching upon multiple issues, including gender pluralism, violence, agency, resistance, and transgression.

Recent research on Asian societies and cultures that addresses the intersection of gender and the corporeal has resulted in the publication of volumes that focus on more specific dimensions, such as migration and health. The studies in Gender, Health, and History in Modern East Asia (2017), edited by Angela Ki Che Leung and Izumi Nakayama, offer insights into topics such as fertility, pharmacology and health knowledge, sexual education, and sex change in Japan, Korea, mainland China, Taiwan, and Hong Kong from the mid-nineteenth century onwards. The volume revolves around the concept of biopolitics in relation to gender and sex

Mapping Society onto the (Gendered) Body: An Introduction

during a key period of empire, modernization, and nation-building in the region. The contributions collected in the volume The Asian Migrant’s Body: Emotion, Gender and Sexuality (2020), edited by Michiel Baas, focus on the figure of the Asian migrant in the world rather than Asia per se. They investigate migration as an embodied and gendered experience through case studies from Southeast Asia, the Middle East, Oceania, and North America. In their introduction to the book, Baas and Peidong Yang conceptualize the body of the migrant as a material and physical anchor of their identity, as being socially constructed in discourses as well as in physical encounters, and finally as the site upon which institutions exercise their regulatory power (Baas and Yang 2020, 12).

South Asia is the focus of two recent collections of essays on gender and the corporeal entitled Gender, Sexuality, Decolonization: South Asia in the World Perspective (2021a) and The Gendered Body in South Asia: Negotiation, Resistance, Struggle (2024a). According to its editor Ahonaa Roy (2021b), the first volume aims to challenge the mapping of gender and sexuality theorizations from the Global North onto the Global South by centering gendered, racialized, and marginalized subjectivities in post-colonial and neo-colonial contexts. Studies included in this book explore queer and trans politics alongside broader dynamics of gender and sexuality in South Asia and its diasporas. The contributions in the latter volume, edited by Meenakshi Malhotra, Krishna Menon, and Rachana Johri, discuss everyday embodied experiences, resistance, and feminist activism of women in South Asia as well as their representation in literary and cultural expressions. “[T]he body—especially the woman’s body,” the editors point out, “is enmeshed in questions of identity (individual, social and national), citizenship and cultural location” (Malhotra, Menon, and Johri 2024b, 4).

Finally, numerous monographic works and edited volumes published in the last two decades deal with the topics of embodiment, gender, and identity, looking at specific Asian societies and cultural productions and practices using diverse disciplinary perspectives. These publications include, to mention only a few, Bodies of Evidence: Women, Society, and Detective Fiction in 1990s Japan (2004) by Amanda C. Seaman, Women’s Sexualities and Masculinities in a Globalizing Asia (2007) edited by Saskia E. Wieringa, Evelyn Blackwood, and Abha Bhaiya, Lost Bodies: Prostitution and Masculinity in Chinese Fiction (2010) by Paola Zamperini, Religion, Politics and Gender in Indonesia: Disputing the Muslim Body (2010) by Sonja van Wichelen, Curative Violence: Rehabilitating Disability, Gender, and Sexuality in Modern Korea (2017) by Eunjung Kim, Becoming a Malaysian Trans Man: Gender, Society, Body and Faith (2020) by Joseph N. Goh, Forms of the Body in Contemporary Japanese Society, Literature, and Culture (2020) edited by Irina Holca and Carmen Săpunaru Tămaș, and most recently, Gender, Islam and Sexuality in Contemporary Indonesia (2024) edited by Monika Arnez and Melani

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Mapping Society onto the (Gendered) Body: An Introduction

Budianta. This overview of recent studies points at the vitality of the area of research to which our volume contributes.

The seventeen studies included in this volume are organized into four parts. The following outline will show how multiple threads tie the chapters together.

Part I features four studies that explore the quotidian experience and performance of gendered identities and sexuality in Japan and Indonesia. In their chapter entitled “Virtual Fashion and Identity in Japan: Counterculture in an Age of Global Transparency,” Liudmila Bredikhina and Agnès Giard examine fashion as part of the practice called babiniku, which typically involves male virtual YouTubers who incarnate a stereotypically feminine and cute, computer-generated avatar to create online content, as a form of countercultural action in Japan. Their study considers virtual bodies and fashion as resources that enable the content creators to explore and change themselves, their identity, and enjoy parallel lives, free from prescribed roles and obligations, and self-expression through artificiality in the face of contemporary dominant social expectations concerning sociability and self-presentation. The theme of embodied and negotiated performance of gender in this chapter constitutes one of the recurring themes in this volume.

The second chapter in the book also deals with the theme of construction of bodies as well as gendered social expectations, imagined selves, and empowerment. In her chapter, entitled “Constructing the Ideal Face: The Japanese High School Girls’ Makeup,” Keiko Aiba investigates makeup practices by female high school students in Japan. Situating her research in feminist discourse, Aiba presents and discusses findings from interviews she conducted with female high school students aimed at determining the reasons behind the students’ use of makeup as well as their reasons for not engaging in the makeup practice, which, as the author points out, is largely regarded as a norm, that is, part of social etiquette for adult women in Japan.

The third chapter looks at the self-fashioning and negotiation of gendered identities in a different context of contemporary Asia, namely, present-day Indonesia. In her study entitled “Waria and Marriage in Malay Muslim Society in Indonesia,” Novidayanti examines how the institution and experience of heterosexual marriage is viewed and lived by waria (male-to-female transgender individuals) in Jambi, Sumatra. Based on the author’s interviews with waria and perspectives by Malay scholars on waria’s lives, the chapter provides insights into how Islam and Malay customs and traditions relate to the ways in which waria live and understand heterosexual marriage. As a result, the study sheds new light on discourses and experiences of transgenderism and homosexuality in Malay Muslim society.

Virtual Fashion and Identity in Japan: Counterculture in an Age of Global Transparency  DOI: 10.5507/ff.25.24465821.02

The experiences of LGBTQ+ people and the complex interaction between gender and other socio-cultural identities also represent the focus of the fourth chapter. In their study, entitled “Intersectionality in Japanese Schools: The Experiences and Struggles of LGBTQ+ JET Teachers in Rural Japan,” Kazuyoshi Kawasaka and Ami Kobayashi apply the concept of intersectionality to their analysis of the situation of LGBTQ+ college graduates from overseas who come to Japan to participate in the Japan Exchange and Teaching (JET) Programme as teaching assistants. Exploring the intersectional experiences linked to the participants’ nationality, gender, sexuality, race, ethnicity, and regionality of their work placements, the authors disentangle the complexities of their everyday experiences, pointing out how different factors intertwine with one another and shape the everyday lives of participants as people with marginalized and minority backgrounds living in rural Japan.

Part II of this book focuses on issues such as gendered violence, activism, and rights in Japan, Taiwan, and Thailand. It opens with a chapter by Verita Sriratana entitled “‘Queering Misogyny’ in the Context of Marriage Equality: A Proposed Approach to Understanding and Resisting Necropolitics and Epistemic Violence against Women and LGBTQINA+ Persons in Thailand.” The chapter offers an examination of gender and marriage equality in Thailand through analyses of political, legal, and activist discourses. Sriratana’s findings help to dispel the myth that Thailand represents a “queer h(e)aven,” contrasting officially-endorsed rhetoric with how the legal foundations of gender equality have been eroded and feminist activism demonized. Drawing on the work of Achille Mbembe (2019), Sriratana argues that the 2021 verdict of Thailand’s Constitutional Court on marriage equality enacts the “hermeneutic death” of LGBTQINA+ persons and suggests combining feminist theories and activism with queer theories and activism to deconstruct misogynist discourses and resist epistemic violence against LGBTQINA+ individuals.

The exploration of queer activism advocating for gender and marriage equality continues in Chapter Six, entitled “Coming out as Everyday Life Activism: ‘Displaying’ Gay Father Families in Taiwan,” where Jung Chen explores the question of reproductive rights for Taiwan’s LGBTQ+ community. Even though Taiwan is a global leader in legal protections for LGBTQ+ rights, the community still faces challenges, particularly when it comes to forming families. Chen provides analysis based on participant observation and interviews with gay fathers and prospective fathers, showing how gay men are using their visibility and family formations to promote everyday activism and envision a better future for the gay father community. Not unlike the previous chapter, Chen’s analysis sheds new light onto the legal and social status of queer identities in what is often perceived as one of the most LGBTQ+-friendly countries in Asia.

Liudmila Bredikhina and Agnès Giard DOI: 10.5507/ff.25.24465821.02

10.5507/ff.25.24465821.01

The next chapter also pertains to the issue of how individuals have coped with gender inequality in Taiwan, this time, however, focusing on Taiwanese girls and women in the mid-twentieth century. Entitled “Nursery Rhymes, Rituals, and Cultural Trauma: A Connotation of the ‘Chair Maiden’ in Taiwan,” the chapter by Yu-Yin Hsu and Kuan-Wei Wu explores the custom of Chair Maiden, a child psychic divination ritual practiced in rural Taiwan until the 1970s. Based on their analysis of collected rural stories, rhymes, and ritual practices, the authors argue that this tradition functioned as a way to collectively heal the traumatic encounters experienced by young girls growing up in a patriarchal society.

The second part of the book closes with another chapter that addresses the issue of gendered trauma from a perspective that centers the discourses and practices of women. This chapter, penned by Chiara Fusari and entitled “Body and Violence: Reshaping Narratives on Sexual Violence in Japan,” examines stories of survivors of sexual violence, shedding light on the ways in which they challenge the dominant discourses around the issue of sexual violence in contemporary Japan. Fusari presents the results of her analysis of three case studies of sexual violence victims turned advocates and activists, discussing both the structural silencing of victims, sexual double standards, and rape myths, as well as the subversive potential of sexual violence survivors’ testimonies and the empowerment that they can gain through speaking up and going public with their stories.

Part III and Part IV of this volume connect the societal issues explored in the first two parts with cases from literature, cinema, and visual art, examining cases of cultural engagements with bodies and gendered identities from mainland China, Japan, Taiwan, and India. Dedicated to literature, Part III begins with a study by Daniela Licandro. Her chapter, entitled “ Like Snow Like Mountain : Narrating Gender Violence in the Era of #MeToo Activism,” focuses on a collection of short stories by Zhang Tianyi. Closely aligned especially with the previous chapter by Fusari but also intimately connected to other chapters in the second part of the book that address the topic of gendered violence, Licandro’s chapter shows how Zhang Tianyi explores the experiences of Chinese women who endure harassment and gender-based violence. Zhang’s writings encourage a more nuanced understanding of women’s issues and gendered identities in China and contribute to our understanding of contemporary Chinese literature and ongoing feminist discourse. According to Licandro, Zhang Tianyi’s collection compels us to reconsider the mechanisms of gendered violence in a broader framework of interpretation, allowing for critiques of various forms of oppression.

The next chapter addresses a different type of “gendered” violence and embodied representation by discussing the media-constructed images of murderous wom en in Heisei-era Japan. In her study, entitled “Becoming-Simulacra: Textualizing Murderous Women in Heisei Japan (1989–2019),” Fengyuan Zhen

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