MOURANT X OCEAN CULTURE LIFE; SUPPORTING OUR OCEANS
Photography DANNY EVANS
PUBLISHER
BEN DAVIES ben@factory.je
ADVERTISING & SALES
CERI BAKER ceri@factory.je
EDITORIAL
EMMA PALLENT emma@factory.je
ENQUIRIES/SUBMISSION editorial@factory.je
DISTRIBUTION distro@factory.je ACCOUNTS accounts@factory.je
/
It’s all about balance.
Our finance industry and its associated professional service industries are the cogs that drive the engine of Jersey, creating a brilliant living environment for us all. But at what cost? On both a corporate and personal level, many seek to marry our lives behind a desk with an alternative, more fulfilling pastime or activity to provide creative or moral equilibrium.
From a business perspective, the ability to donate some of your profits or share your human capital in pursuit of a worthy or fulfilling goal is the perfect complementary offset to hard, fast shareholder rewards. If it’s something you can get your staff’s enthusiasm and personal interest behind, all the better. Our cover this month highlights the support Mourant has been giving to Ocean Culture Life as a ‘Partner in Purpose’. Part of their support enables the World Ocean Week activities taking place as this magazine hits the streets. Meet some of their team on page 28. ESG* and CSR** are all part and parcel of a good company report. Great programmes like Durrell’s ‘Rewild Carbon’ also make it super easy these days for businesses to tick the offset box without having to hunt too hard.
But what about us, on a personal level? We all seek to find that thing that makes us feel fulfilled and better about our existence. Ideally, you’d have that both inside and outside of work. Many can’t get that fix through their nine-to-five, so whether it’s offsetting your sedentary existence with an Ironman training programme, your spreadsheet squint with sea swimming, or legal wrangling with an artistic sideline, it’s all about balance.
Gallery seeks to reflect the creative, culturally rich content and activity of our islanders. It’s brilliant to be able to feature both those who find fulfilment carving success in the business world and those who follow a passion, hoping that life makes sense further down the line. This month we meet artists, filmmakers, conservationists, tattooists, singers, yogis, photographers, beekeepers and a cross-section of local Genuine Jersey producers. It’s these alternative pursuits and passions that are the yin to the yang of those striving to be the future professional heads of industry. If you can achieve the Tao and combine the two... well, you win –perfect balance. BD
*Environmental, Social and Governance ** Corporate Social Responsibiltiy
LIFE & STYLE IN JERSEY
advertisers or contributors may not be those of the publisher. Unsolicited artwork, manuscripts and copy are accepted by Gallery Magazine, but the publisher cannot be held responsible for any loss or damage. All material, copy and artwork supplied is assumed to be copyright free unless otherwise advised. Contributions for Gallery should be emailed to
Art for Art’s Sake
Natural Selection
Away with the Fairies
Tokyo Story
Butterfly Effect
Mind
Malorey: Remote Worker
Captured: Offset 42 Quicksand
and Birdie’s take on Botanic Kids.
Garton gives the BTS on her new short film.
on defining artistic success.
Meet the artist whose prints are currently exhibited alongside Hiroshige’s originals.
VIP LAUNCH OF JERSEY HERITAGE LIBERATION 80 EXHIBITION
Jersey Museum
1st May
Jersey Museum’s Gallery buzzed with conversation and clinking glasses on the opening night of ‘Life after Liberation: the road to recovery’, launched as part of Jersey Heritage’s Liberation 80 programme. Familiar faces from heritage groups, sponsors Benest & Syvret, and long‑time museum
IF YOU WOULD LIKE YOUR EVENT COVERED, PLEASE CONTACT US ON PAPARAZZI@FACTORY.JE
SUN AWARENESS BREAKFAST
Grand Jersey Hotel & Spa
16th May
Macmillan Jersey’s Sun Awareness Breakfast series offered a refreshing and informative start to the day for attendees throughout May. Held at the Grand Hotel, each session brought together community members,
health professionals, and local organisations to spotlight the importance of sun safety and skin cancer awareness. Guests enjoyed a light breakfast while listening to expert led talks on the risks of sun exposure, practical protection strategies, and early signs of skin changes. The events created a relaxed yet impactful space for learning, with plenty of opportunities for questions and open discussion. Attendees also
supporters mingled over complimentary drinks before being drawn into the exhibition’s narrative of life beyond 9 May 1945. Visitors watched rare colour footage of Liberation Day accompanied by Emily de Gruchy’s immersive soundscape, followed by a varied exhibition of artefacts.
had the chance to connect with Macmillan Jersey’s team and discover more about their support services across the island. The sessions were shaped by community feedback and reflected Macmillan Jersey’s commitment to proactive, accessible health education. With summer on the horizon, the breakfasts served as a timely reminder that small steps can make a big difference in staying sun safe.
SHIFTING SANDS
OPEN EVENING
CCA Galleries International
3rd April
CCA Galleries hosted the buzzing private view of Shifting Sands, a group exhibition showcasing 20 emerging painters from the acclaimed Turps Banana painting school.
Co curated with Jersey based artist Tim Le Breuilly, the show drew a lively crowd of art enthusiasts, fellow artists, and collectors who filled the gallery space with conversation and
curiosity. Guests sipped drinks as they explored a diverse and vibrant collection of works, each piece reflecting a unique voice shaped through Turps’ international correspondence course. The atmosphere was warm and energetic, with paintings sparking thoughtful dialogue and admiration throughout the evening.
IF
BIG IN JAPAN
PREVIEW EVENING
Private & Public Gallery
16th May
Private & Public Gallery was bursting at the seams for the preview of Big in Japan a packed and celebratory evening that drew art lovers from across the island through it’s doors. With drinks flowing and every corner buzzing with conversation, the event marked a lively launch for the new group exhibition co curated by Chris Clifford and Hitoha Corsini Tsuda. The walls
were alive with colour and contrast, showcasing works from celebrated Japanese artists such as Takashi Murakami, Yayoi Kusama and Yoshimoto Nara, alongside globally recognised names like Damien Hirst and a strong roster of contemporary artists including Jason Butler, Emily Allchurch, and Stella Griffiths Lynch.
MAUREEN OSBORNE EXHIBITION
The Colour Rooms
8th May
They’re a passionate bunch at The Colour Rooms. Dawn and her team had put on a grand spread for the Osborne family, who exhibited work from three generations for assembled friends and guests. Many will know Maureen
from her work as an art tutor and her landspaces and floral paintings, in vibrant oils. If you pass Beaumont on your way out west, pop in and take a look.
IF YOU WOULD LIKE YOUR EVENT COVERED, PLEASE CONTACT US ON PAPARAZZI@FACTORY.JE
GOOD VIBRATIONS PRIVATE VIEW
CCA Galleries International
15th May
The private view of Good Vibrations at CCA Galleries International lived up to its name with a lively, colourful evening that drew a crowd of collectors, creatives, and familiar faces from Jersey’s art scene. The vibrant gallery space at 10 Hill Street buzzed with conversation and laughter as guests enjoyed drinks and explored the striking, joy filled works on display. Presented in collaboration with Enter Gallery,
the exhibition features an impressive line up of internationally renowned artists including Grayson Perry, Slim Aarons, Harland Miller, and Michael Craig Martin, alongside local talent like Juliet St John Nicolle. Walls pulsed with colour and playful energy from Marc Quinn’s fingerprint labyrinths to Sara Pope’s hyper glossy lips and Peter Blake’s iconic pop imagery.
GET A DRIP LAUNCH PARTY Align, Lido Medical Centre
17th May
The launch of Get A Drip Jersey at Align drew quite a crowd, with 60+ guests dropping in to see what IV Drip Therapy is all about. Live demonstrations ran throughout the afternoon, with a chance to meet the Align team and Get A Drip’s qualified nurses. The most popular
question? “Which Drip should I try first?” The new IV lounge, located within Align at the Lido Medical Centre, brings Get A Drip’s science backed formulations and medical led wellness approach to Jersey for the very first time.
IF YOU WOULD LIKE YOUR EVENT COVERED, PLEASE CONTACT US ON PAPARAZZI@FACTORY.JE
PABLO’S ‘THANK YOU’ PARTY Horizon South, The Waterfront 18th May
A chic new wine, beer and tapas bar at The Waterfront, where the atmosphere is friendly and casual with a Spanish vibe full of charm, and of course, wonderful food and drink. It’s called Pablos, and it’s got the perfect mix of cozy and stylish. Think cool Spanish inspired decor, and a menu full of mouthwatering tapas. The wine list? Absolute perfection. Whether you’re into bold
reds or crisp whites, they’ve got something that’ll impress. Great for a date, a night out with friends, or just unwinding after a long day. Cheers to that! This fab ‘thank you’ party was thrown by the Owner, Colin Lagadu, and enjoyed by all those who worked so hard over the last few months to make their opening a success.
MEET THE AUTHOR: RACHAEL DYMSKI
The Harbour Gallery 8th May
The Harbour Gallery Jersey hosted a warm and engaging evening with author Rachael Dymski as part of the Liberation 80 celebrations.
Surrounded by local art and an intimate audience, Dymski shared the inspiration behind her debut historical novel *The Women of Jersey Island*, which follows the courageous efforts of three women who join the island’s secret resistance during the German Occupation of 1940. Drawing on her own family’s Jersey roots and interviews with Occupation survivors, Dymski’s reading
IF YOU WOULD LIKE YOUR EVENT COVERED, PLEASE CONTACT US ON PAPARAZZI@FACTORY.JE
GENUINE JERSEY ROYAL POTATO GROWING COMPETITION
St Ouens Parish Hall 16th May
In a dramatic turnaround from last year’s humiliation, Gallery triumphed at this year’s Genuine Jersey Royal Potato Growing Competition, taking home the win with a triumphant 512g of spuds. Hosted in God’s parish at St Ouen’s Parish Hall, the event saw representatives from local media outlets gather to tip out their soil filled buckets in the hopes of unearthing something other than disappointment. Last year, Gallery was left
brought both emotion and authenticity to the event. Guests enjoyed wine, nibbles, and a vibrant Q & A session, where Rachael spoke about the challenges of historical fiction, the importance of memory, and the resilience of islanders during the war. The evening offered a thoughtful reflection on Jersey’s past and a celebration of storytelling’s power to preserve it.
red faced after producing “nothing more than some errant grass,” but this time, the tubers were plentiful. The atmosphere was jovial as competitors examined each other’s yields and compared notes on soil quality, sun exposure and what can only be described as spiritual pleading. As always, the event was a good natured celebration of all things local, rooted in community spirit.
CREATIVE ARTS SHOWCASE
Highlands College
29th May
Highlands College recently hosted its Creative Arts Showcase, celebrating the bold and thought provoking work of its art and media students. The exhibition featured a wide array of student projects designed to challenge perspectives and spark conversation. Friends, family, and staff gathered to admire the creativity on display, enjoying drinks and lively discussion as they explored the showcase. Guests were
invited to vote for their top three favourite pieces, contributing to a friendly, college wide competition. The event was a resounding success and a testament to the talent and hard work of Highlands’ students and staff. A big thank you goes out to all who made the evening possible, and especially to the students for producing such a compelling and diverse collection of work.
Wherever your business or leisure travels take you...
Charge into Summer: How Charge Cards Can Power Your Holiday Adventures
According to Skyscanner’s 2025 Travel Trends Report connect, and indulge, with many budgeting more for flights (25%), accommodation (22%) and car hire (10%) despite economic uncertainties.
The destinations we visit and our reasons for travel evolve, however, one travel essential is keeping pace: the Charge Card. More than just a way to pay, Santander International’s Charge Cards offer savvy travellers flexibility, protection, and perks that align perfectly with all kinds of adventures.
Looking for inspiration for your next trip? Here are five trends to watch this summer.
Book Travel: Follow the storyline
Forget set-jetting, 2025 is shaping up to be the summer of lit travel. Inspired by BookTok and celeb bibliophiles, literature-led adventures are turning heads along with pages. Research by Explore Worldwide reveals not only do 70% of us read more on holidays, 72% of us have visited or would like to visit a destination after reading a novel set there.
Book travel is about meaningful connections to nourish our brains. Santander International’s Silver Card includes comprehensive travel and lifestyle insurance, providing peace of mind for those scenic stays and spontaneous breaks, with no annual fee.
JOMO Travel: Indulge in doing less Gone are the days of the crammed itinerary. This summer is all about JOMO - the joy of missing out. Travellers are seeking slower, softer experiences, such as lazy afternoons in vineyards, long dinners with locals, and quiet countryside retreats.
This is where flexible spending comes in handy. Santander International’s Black World Elite Card comes with premium concierge services for bookings, reservations, and recommendations, plus complimentary global airport lounge access for cardholders and their families making it easier to enjoy luxury with less stress over the bill.
Destination Detours: Discover roads less travelled
Why settle for tourist hotspots when the detour is often more memorable? Think Brussels with Bruges or Breda, Venice plus Verona or Vicenza. Detour travel is about curiosity, spontaneity, and serendipity, exploring lesser-known places to find more authentic experiences.
Unexpected plans often come with unexpected costs. Santander International’s Charge Cards simplify international transactions with multi-currency options in Sterling, Euro, and US Dollar, reducing foreign transaction fees and exchange rate concerns. Compatible with Google Pay and Apple Pay, these cards support seamless, contactless payments wherever you find yourself.
Data Sources:
When planning a physically demanding trip, the right insurance is essential. Santander International’s Black World Elite Card includes extensive travel insurance covering international trips, car rental, winter sports, and medical emergencies.
Rural Upskilling: Holiday with Purpose
Whether it’s a desire to learn something new or to rekindle a past hobby, more travellers are opting for skills-based holidays. Think immersive activities like learning to forage in Scotland, tending vines in Provence, or riding horses in the American West, it’s all part of a growing farm-to-fork, learn-by-doing movement.
Unlike credit cards, Santander International Charge Cards require the full balance to be paid off each month, offering a structured way to control and manage expenses. The Charge Card app allows you to monitor balances and transactions in real time, freeze or unfreeze cards instantly, and access PINs, statements, and digital wallets, from your phone whenever fits your schedule.
Everyone has a different idea of their perfect summer holiday, however, when it comes to the financial tools to make the most of our time off, most of us can agree what is important. Charge Cards bridge the gap between credit and debit cards for people living in Jersey, offering travellers a secure and practical way to manage expenses while enjoying premium benefits.
Accor: 2025 Travel Trends | Limitless Skyscanner: Skyscanner’s UK Travel Trends 2025 | Tourism Insights & Stats Explore!: Worldwide Travel Trends 2025 | Our Annual Report On Where People Go & Why
James Pountney, Chief Executive Officer – Santander International
91
international marathon swimmers were welcomed to Jersey for the Class of 2025’s induction - marking the first time the island has hosted the event.
907
metres of predator-exclusion fencing have been approved to establish a seabird sanctuary for puffins along the coast of Plémont.
£372,000
has been raised for Lily McGarry following life-changing amputation surgeries, thanks to widespread community support.
8
£3m
has been invested in a nationwide advertising campaign to promote Jersey Royal potatoes during their seasonal peak.
under-18 bands took over the Watersplash for this year’s Battle of the Bands, with metal group RIOT claiming victory after entering to “show people what we are made of.”
20
7
marathons in 7 days will be run later this year by teacher James Hadley-Piggin to raise funds in support of neurodiverse islanders.
person communal saunas could soon arrive at the Waterfront in St Helier as part of a new wellness and recovery club proposed by Sauna Society.
316
ferry seats are now available daily between Jersey and Guernsey on a new inter-island service.
9
year-old Rani Olayan-Eva has cut his long hair to help create wigs for children with cancer, with Alfie from KSG donating his time to the project.
650
homes in St Clement are now powered by Jersey’s first solar farm, which has doubled the island’s solar capacity since being switched on.
JUNE 20TH-JULY 30TH
Photography: Danny Evans
ART IN ACTION
Art has always been a way to express what words can’t - whether that’s joy, grief, or something in between. At Kairos Arts, this belief characterises everything they do. The small, local charity offers rich therapeutic arts programmes for people who have experienced trauma, supporting them as they process their emotions and rediscover their sense of self. Through one-to-one sessions with young people, and group workshops with clients of all ages, the Kairos team uses movement, poetry, music, and visual art to create a piece that helps people express and process their emotions.
Their name comes from the ancient Greek word kairos, translating to ‘opportunity,’ ‘season,’ or ‘fitting time.’ It’s an apt title - a moment in time when something of significance occurs; a transforming opportunity, a breakthrough moment, full of hope. While the team members don’t offer clinical diagnoses, they do offer a life-altering opportunity for people to reconnect with themselves and others. “I was blown away by the exploration of self I experienced and how I was able to shift something within me,” one participant shared. Speaking of the welcoming environment, another said, “there are no wrongs or rights - just create what you feel with no judgement.”
In addition to their work on-island, the women at Kairos extend their impact through international outreach. They support vulnerable women who have experienced exploitation by partnering with established charities in Bolivia and India, visiting annually to run therapeutic creative arts programmes and community-building. They also support freedom businesses - organisations that empower women through sustainable income, independence, and a path to dignity via ethical employment and skill development. These ethically made products are purchased and resold in Jersey, and include handmade soaps and saris repurposed into beautiful bags and notebooks.
We reached out to the women who bring care and creativity to Kairos each day, asking them to share the names of the artists who keep their inspiration flowing.
Kairos Arts works in partnership with FREEDA, JDAS, JAAR, Brighter Futures, Macmillan, Hospice, and local schools to provide therapeutic arts workshops. For more information about the work they do visit their website below.
Rae de la Haye Community Outreach Assistant
THE ARTIST I LOVE IS...
Picasso - I love how he broke all the rules while also still being so embedded in them. I also love how he explored many different artistic mediums, such as painting, sculpture and clay.
Jones Therapeutic Arts Practitioner THE ARTIST
Henri Matisse - I love the energy in his work. How he saw colour and pattern in the world around him and brought it to life on the canvas. Matisse makes the viewer rethink the ordinary and the everyday, bringing a new perspective to a way of seeing life. He inspires me to appreciate God’s creative world in all its splendor and colour.
Debbie
I LOVE IS...
Pam Witthoft Operations Director THE ARTIST I LOVE IS... Ed Sheeran.
Suzanne Le Marquand
Therapeutic Arts Practitioner.
THE ARTIST I LOVE IS...
Sarah Stokes - Watercolour artist in Worcester. As I try to master techniques in this medium, I find her workshops and on-line guides tremendously helpful. I love that her finished pieces (mainly animals and birds) look so realistic and that would be my ultimate aim. I have a long way to go!
Helen Higginson Safeguarding Lead.
THE ARTIST I LOVE IS...
David Hockney - He was from Bradford, where I was born.
Gillian Caie
Therapeutic Arts Practitioner
THE ARTIST I LOVE IS...
Claude Monet - I just love his painting style.
Donna Vibert Therapeutic Art Practitioner
THE ARTIST I LOVE IS...
2 Johns - My favorite photographer. A lot of their work is on our walls, which is particularly precious as my son died 9 years ago.
Kelly Eastwood
Therapeutic Art Practitioner
THE ARTIST I LOVE IS...
Salvador Dali - I am particularly drawn to the surrealist movement because it explores the subconscious and the non-verbal realms. This resonates deeply with my interest in emotional expression beyond words. Dali’s work has had a profound influence on me, especially in my love for automatic drawing, as a way to access inner thoughts and feelings without censorship.
Mandy Lawson DA Drop in Facilitator
THE ARTIST I LOVE IS...
Marianne North - Not only the most gifted botanical artist of great precision and detail, she was a huge pioneer for single women in Victorian age, travelling the world unaccompanied, venturing into unknown territory and discovering previously unknown species of plants through her complete commitment and passion for painting.
HIVE MIND HIVE MIND
Shaun Gell
Number of years keeping bees: 5
Where are your hives? St Lawrence
If you weren’t keeping bees what else would you keep?
Coral fish tank
What’s the most unexpected thing you’ve used honey for?
We’ve infused it into soaps and hand cream and won the Pure Beauty Global Awards, competing against 305 international companies.
Damian Murgatroyd
Number of years keeping bees: 2
Where are your hives?
St Peters and St Lawrence
If you weren’t keeping bees what else would you keep?
I’d return to cockatiel breeding.
What’s the most unexpected thing you’ve used honey for?
Honey with turmeric in warm milk relieves congestion.
Number of years keeping bees: None (yet)
Where are your hives? None (yet)
If you weren’t keeping bees what else would you keep? Gardening & Home Ferments
What’s the most unexpected thing you’ve used honey for?
Making mead (honey wine)
Neill Stoddart
Number of years keeping bees: 4
Where are your hives? Les Cotils
If you weren’t keeping bees what else would you keep? Good company
What’s the most unexpected thing you’ve used honey for? It’s delicious drizzled on aged cheddar or blue cheese.
Anyone who’s watched Bee Movie knows that they’re a small species with a mighty impact. The tireless pollinators are at the roots of thriving ecosystems, ensuring the biodiversity of our natural environments is conserved. With habitat loss, climate change, and diseases threatening their survival, SustainaBee has stepped in to give the bees a helping hand.
Tom Arnold
Run by Jersey Honey, SustainaBee is a local project driven towards protecting and preserving Jersey’s bee population. Through supporting responsible, sustainable beekeepers, the aim is to start a collaborative movement that puts conservation efforts first. By inviting local businesses to sponsor hives, SustainaBee brings in a fresh approach to corporate social responsibility. With Bronze, Silver, and Gold tiers of support, companies can directly fund hive
Photography: Danny Evans
Number of years keeping bees: 3
Where are your hives?
St Peters and St Lawrence. If you weren’t keeping bees what else would you keep?
More cannons probably. I currently look after 4 of them as part of the 1781 Jersey Militia.
What’s the most unexpected thing you’ve used honey for? It’s not me personally, but Mum had a horse with a persistent cough lasting months. Apparently she added 2 tablespoons of honey a day mixed with warm water into feed. After a week the cough had gone!
management, contribute to ecological balance, and even get hands-on with workshops and education days. Behind each hive is a beekeeper suiting up, heading out, and caring for the colonies through rain or shine.
We caught up with some of the faces supported by the SustainaBee programme, asking them how they got started, where their hives are based, and what they’d be keeping if not for bees.
Hannah Gell
(Jersey Bee Girl)
Number of years keeping bees: This is my first year and loving it. Where are your hives?
Waterworks Valley
If you weren’t keeping bees what else would you keep? Another dog
What’s the most unexpected thing you’ve used honey for? I love to experiment with different ingredients to produce delicious meals. Honey is so amazing, 100% natural liquid gold.
Toby Kramer
Number of years keeping bees: 1.5
Where are your hives? St. Brelade
If you weren’t keeping bees what else would you keep?
Old milkers - retired dairy cows, to give them a new lease of life!
What’s the most unexpected thing you’ve used honey for?
Pizza - I mix it with Jersey Chilli Kitchen Ghost Pepper Sauce to make a moreish Hot Honey dip.
Emma Voisin
Number of years keeping bees: 2
Where are your hives?
St Brelade and St Lawrence
If you weren’t keeping bees what else would you keep? Alpacas
What’s the most unexpected thing you’ve used honey for? Burnshoney has antibacterial properties.
Mourant: OCL’s Partner in Purpose
World Ocean Week returned to the island this May, hosted by Jersey-headquartered marine charity Ocean Culture Life (OCL) for a fourth year, and supported by Mourant as the charity’s ‘Partner in Purpose’. The week-long programme of events aimed to educate, inform and inspire people of all ages to become ocean ambassadors and future guardians of our seas.
For Mourant, this has been a long-term and impactful relationship, aligning the charity’s objectives alongside the cultural and environmental values of the professional services firm. As OCL’s Partner in Purpose, Mourant has demonstrated its position as a responsible corporate citizen, recognising the importance of giving back to the world and within those communities in which it operates. Mourant is continuously looking towards the future, not only ensuring that its business remains innovative, agile and sustainable, but that it leaves behind a positive lasting legacy.
The annual World Ocean Week series of events and engagement activities are OCL’s flagship initiative, and have grown from a grassroots celebration to a global, communitypowered movement, using the ocean to unite and connect people. The impact and success of the project has been felt by all involved. Leveraging Mourant’s support, OCL has been able to expand its global ocean education and storytelling network, awarding five Ocean Storytelling Grants supporting creative advocacy, and is enjoying significant exposure through awareness, community engagement and media coverage.
Locally, it has connected with over 1,000 students through inperson workshops and reached 30,000 members of the public to events and exhibitions over the last four years. Collectively, OCL has also reached more than 500 people at private and public events, which last year featured NASA astronaut Nicole Stott and this year welcomes the ‘Black Mermaid’, a South African ocean conservationist, social activist, and filmmaker who is the first black female freediving instructor from her country. Following three years of meaningful connections, and
awareness of ocean conservation at local, regional and global levels, OCL this year introduced the theme of ‘Accelerating Impact, asking people what can they do to amplify and spread this important message.
“Thanks to Mourant’s continued belief in our mission, World Ocean Week has become more than just a week of events, it’s a movement that connects communities, businesses, and young people to the ocean through storytelling, education, and action. Mourant’s support is not just seen. It’s felt, in every student’s smile, every story shared, and every wave of change.”
For Mourant, the continued partnership with OCL reinforces the firm’s commitment to environmental sustainability. In 2022, Mourant chose to align with the United Nationals Sustainable Development Goals, one such goal being SDG 14 – Life below the Water. The firm is committed to working alongside local conservation activities and supporting those organisations dedicated to marine conservation.
Lending weight to the message, Mourant has held private events, invited colleagues and industry partners to participate in World Ocean Week and encouraged its team to get involved with volunteering opportunities.
OCL CEO, Tamsin Raine, said: “Thanks to Mourant’s continued belief in our mission, World Ocean Week has become more than just a week of events, it’s a movement that connects communities, businesses, and young people to the ocean through storytelling, education, and action. Mourant’s support is not just seen. It’s felt, in every student’s smile, every story shared, and every wave of change.”
1,000+ students at workshops
30,000+ public footfall
500+ event attendees
4,000 audience on livestream classrooms
43 exhibition boards across 13 locations
500,000 social media impressions
Ben Jones
Associate, Finance and Corporate, Mourant
Ben has been with Mourant for three years, having qualified as a solicitor in Edinburgh in 2022. He advises investment firms, banks and other leading financial institutions on a wide range of local and overseas corporate and financing transactions.
What opportunities exist to socialise with your colleagues outside of work?
Mourant promotes and encourages engagement in local sports events. In my short time at the firm, I have played in padel, table tennis and touch rugby corporate leagues and participated in the Jersey Marathon Relay, Canaccord Cup and Island Walk with colleagues. I think team sports provide an excellent opportunity to build relationships and have a laugh outside of the working environment. In my short time at Mourant, it has allowed me to make close friends in other departments of the firm.
How does Mourant’s partnership with OCL connect with your personal values?
Growing up in Edinburgh’s coastal town of Portobello, the beach was a stone’s throw away. I have many fond memories of life by the sea and similarly in Jersey, the beaches come to life in the summer with so many enjoyable activities in and out of the water. I love surfing and have recently taken up sailing, discovering a real sense of coastal community in Jersey. I have come to appreciate the importance of protecting our oceans through powerful storytelling such as documentaries, photography and writing, and have been humbled by the collective human effort to preserve the planet’s marine life. I was impressed when OCL came to speak to us about the charity’s work and it was inspiring to learn about its mission to empower storytellers to raise awareness of the pressing issues and challenges facing our oceans.
As a company operating across several island jurisdictions with a commitment to environmental sustainability, Mourant’s partnership with OCL is a perfect fit. With so many of our people living and working by the coast, it’s a great initiative which we can all get behind.
What element of World Ocean Week are you most looking forward to?
I am looking forward to increasing my awareness and understanding of the ocean. Hopefully I will make it along to Sunset Bay for the ‘Stories of the Sea’ event and can watch the OCL screenings. I am also planning to attend the Big Ocean Cleanup down at Bouley Bay, alongside the odd sea swim or a bit of surfing!
Mourant: OCL’s Partner in Purpose
Holly Thebault
Senior Associate, Dispute Resolution, Mourant
Holly has worked at Mourant since 2017, initially joining as a paralegal in the Litigation and Dispute Resolution team, before taking the Jersey Law exams and qualifying as a Jersey Solicitor.
How does Mourant’s partnership with Ocean Culture Life connect with your personal values?
I grew up in Jersey and spent a lot of my childhood at the beach. I never really understood what a privilege it was to live so close to such beautiful beaches until I spent time away and then subsequently when I had my daughter in 2024. Protecting the ocean for future generations, and providing an education about it, is something that I am now passionate about. It’s scary to think how future generations might miss out on something so incredible if we don’t learn how to protect and preserve our environment. I am looking forward to attending the Ocean Connection Family Programme, which has a range of interactive workshops, storytelling and hands-on conservation activities, all focused on inspiring families to connect with the ocean.
How does Mourant support you as a new parent returning to work? Naturally, returning to work after having a child is quite a big adjustment. I think Mourant recognises this and understand that your priorities and focus shift during this time. There are excellent opportunities in place for flexible working, and it is definitely a workplace where preferences are listened to and considered. Having such a good team around me has also been a major factor in feeling secure in my return to work and I really am grateful for their support.
How do you think you personally, can make a positive difference to the planet?
I think that the scale of the problem the world is facing is so big that sometimes people feel overwhelmed as to what they can do to make a difference. I’ve learnt that the little things do matter, and it can be as simple as changing your commuting habits by travelling around our island on a bike, buying second hand, reducing food waste and participating in community initiatives.
Abbie Syvret
Sustainability Associate, Mourant Consulting
Abbie joined Mourant Consulting at the beginning of 2025 to support the firm’s transition to a net zero business. She is tasked with building sustainability into everyday business strategy and operations, and working closely with colleagues to raise awareness.
How would you describe the culture at Mourant?
One of Mourant’s core values is being ‘forward-thinking’, so sustainability is a natural feature of how we operate in our future. We’re still early in our sustainability journey, but it’s motivating to be part of a team where new ideas are encouraged, and people genuinely want to make a difference. In a recent survey, 87 per cent of our people said sustainability matters to them, which is a clear sign that our work aligns closely with the values of our team.
How can Mourant make a meaning contribution as a sustainable business?
Through Mourant Consulting we provide sustainability services to clients, creating strategies, conducting assessments and delivering training to help embed sustainability into the way they work. Internally, we’ve made huge progress on our journey to becoming a sustainable business, publishing our first ESG statement in 2024 and completing our first sustainability materiality assessment to identify what matters most to our stakeholders and where we can have the biggest impact. We have continued to deliver on the Mourant Ocean Pledge across offices, with beach cleans, local marine conservation initiatives and partnership with organisations such as Ocean Culture Life and Blue Marine Foundation.
How can you personally make a difference to the planet?
I believe that although small, everyday actions really do add up. Along with travelling more sustainably, I try to make considered choices in the products I buy. Looking at carbon footprints, avoiding fast fashion and generally buying less but better are just a few ways I look to reduce my carbon footprint on the world.
BEAN ABROAD
PETE MALOREY:
REMOTE WORKER
Every life has moments of mundanity, and I’m sure there are times when Pete Malorey eats the same meal on repeat for a week. However, it’s hard not to recognise how wildly unordinary his everyday life is. Conducting marine biology research has taken him far and wide, adopting a lifestyle and encountering species the rest of us could only dream of. From spending stints with the fastest sharks in the ocean, to learning how to perform surgery on critically endangered species, Pete’s life couldn’t be further from your average nine-to-five.
Between extended marine biology projects in Cyprus, Pete spent a lot of time travelling Fiji. It was a place that stole his heart almost immediately: “I instantly fell in love with the people here because they’re super friendly,” he explained, “and of course, it’s Fiji. The ocean here is beautiful.” His time hopping between islands broadened his mindset and outlook on life. “I made lots of friends here,” he said. “It allowed me to see other perspectives on the world.”
It was through speaking to these friends that Pete discovered the focus of his PhD research. A remote community was
struggling with potential fisheries declines and their future livelihoods. “We’d had lots of conversations about fisheries - they were worried that unsustainable fishing methods and climate change were behind the declines.” It was the locals’ need for hands-on research that drew Pete to the project: “I could’ve taken a logistically easier PhD from somewhere less remote,” he reflected. “But I’d so much rather spend four years of my life doing research that is meaningful.” The aim is to find a way to maintain the populations within subsistence fisheries in the area, which locals heavily rely on for food.
Pete’s approach is ecosystem-based, meaning that instead of trying to protect a specific species, he’s monitoring the entire reef. Whilst in the short term this is much more complex, in the long run it will produce the most effective results for the Fijian people. Through collecting tissue samples, scuba diving, analysing reproduction rates and collecting community questionnaires, Pete is gradually figuring out the populations and productivity of the reefs in the area. The aim is to ensure that what’s taken out doesn’t outweigh natural regeneration rates. “It’s all about balancing the needs of people right now, with the needs of future generations,” he said.
Words: Emma Pallent
It’s
The social implications stretch further than balancing intergenerational needs. Around 10% of fishers in Fiji are reportedly female, although the actual figure is likely higher - a hot topic amongst the local community. “There’s a huge movement here revolving around female empowerment, in part, related to fishing,” Pete noted. Women typically rely on the inshore reefs to catch food for their families, which are impacted to a greater extent than the fisheries further out due to their proximity to human settlements.
fair to say that the environment Pete is living in is not for the faint of heart. “There’s very little here,” he explained. “No formal shops, no roads, no cars.” When people want to travel between villages, they either walk, ride horses bareback through the jungle, or pitch in money for fuel to take a small fibreglass boat around the coast.
The reaction to the project among the community has been overwhelmingly positive, even at the initial stages. Pete’s always prioritised collaboration with the Fijian people, seeing this as essential to the long-term success of the project: “It’s been proven time and time again that you have to include the community in the work - it’s pointless and immoral not to.” Before he could start his research, Pete sought approval from the Vanua - a body of chiefs representing the collection of villages across the cluster of islands. “It was obvious I was coming from a genuine perspective of wanting to help the people and the ocean,” Pete recalled, “they respected it, and were quick to give permission.”
It’s a big task to take on alone, and Pete is the only PhD student in the area. “I’d love to bring a masters student with me so that they can collect their own data alongside the project,” Pete explained. “As long as it’s relevant to the local community in some way.” It would open up doors for him in terms of facilitating his research, ensuring he has a partner to keep him safe during dangerous boat trips. “To do it alone would be irresponsible,” Pete said. “I’d never go out that far and for that long without someone with me.”
It’s fair to say that the environment Pete is living in is not for the faint of heart. “There’s very little here,” he explained. “No formal shops, no roads, no cars.” When people want to travel between villages, they either walk, ride horses bareback through the jungle, or pitch in money for fuel to take a small fibreglass boat around the coast. The latter is Pete’s preferred method of transport, to avoid the wrath of the many mosquito species that thrive inland twenty-four seven. “There are different diseases depending on which ones you get bitten by, and I recently just recovered from dengue fever.” Pete laughed: “It was difficult to tell the difference between the effects of the disease and the heatstroke I gave myself out of negligence, but I was bedridden for a week. Dengue fever sucks.”
Amidst the trials, it’s ultimately the support of the Fijian people that keeps Pete going. “It’s a very, very friendly place,” he said, “especially within the iTaukei - the indigenous Fijian - community. The more remote you go, the friendlier the people become.” He told me about a recent trip he took with a friend to visit their mum on one of these remote islands. There wasn’t enough room for three beds inside the house, so she took it upon herself to sleep outside for the six weeks they were there. “It sounds like we put her out,” he laughed, “but she was having none of it. There was no way she was ever going to let us sleep outside.”
It’s the kind of hospitality that characterises the community in which Pete is undertaking his project. “I’ve been to places where they are pretty hostile towards outsiders who want to live there and do research,” he said. “If there’s one message I want to communicate, it’s the overwhelmingly accepting and friendly nature of the people here.”
SKAAPIE
Catherine Ward is a felt designer who creates unique products by hand. She also teaches felting workshops, sharing her passion and skills with others. Her work blends creativity and craftsmanship, bringing wool to life through texture, color, and design in both functional and decorative pieces.
Tell us about your Genuine Jersey Products. I create unique felt products using 100% wool, combining wet felting and needle felting techniques to craft seasonal décor and accessories. My designs are influenced by nature, the changing seasons, and my surroundings. My collection includes flowers, birds, nautical accessories, crowns, wreaths, and playmats. I also take commissions for personalized gifts and baby mobiles, offering custom designs that make each piece special. I particularly enjoy experimenting with dyeing my own felt, blending colors and techniques to create one-ofa-kind products. Every item reflects my passion for craftsmanship and creativity, with a focus on quality and individuality.
What’s new/what’s coming up?
Lately my focus has been on offering creative workshops that bring people together through hands-on experiences in both wet and needle felting crafting sessions. It’s been incredible to see the community grow and connect through crafting which is so beneficial to mental and emotional wellbeing. I’m excited to continue to expand my workshop offerings with seasonal themes and collaborations with other local businesses and charities. Stay tuned for new dates, including ad hoc free taster sessions, as I strongly believe everyone is capable of being creative, and love seeing the profound sense of accomplishment when they create something beautiful. I sell my work at The Trading Point, as well as at Genuine Jersey markets and events throughout the year.
@skaapie_handmade
KATHERINE CADIN
Katherine is a painter with a range of homeware featuring her designs. She has a passion for vibrant colour, pattern and texture. Her work is inspired by the beautiful colours and sea life of the oceans around the world - the Jersey coast in particular.
Tell us about your Genuine Jersey Products. My paintings feature vibrant patterned sea life such as lobsters or crabs but with a quirky colourful twist, such as stripes and dots. My paintings can be as large as a metre squared in size, down to the tiniest of hand painted brooches. All are painted in my little studio in the East of the island. My designs also feature in my homeware range of colourful beach towels, trays, tea towels, mugs, coasters and postcards. There is something for everyone, my aim is to spread some colour and joy in my work, for everyone to enjoy, and to make them smile.
What’s new/what’s coming up?
I am currently working on a new body of paintings for a solo exhibition. In August I will be doing a pop-up exhibition in collaboration with Kat Reed at her Rocque Paper Co shop in Gorey which will be exciting. I also have had my products stocked in three more shops across the island in the past 2 months. It's going to be a busy summer, so watch this space!
@katherinecadinaert
In each edition we feature some of Jersey’s creators and let them share their creative visions and handmade goods with you lot, our island consumers. If you like what you see, check out genuinejersey.com and hunt them down to support our local industries!
DOUGH
Ruby is the face behind Dough Jersey, based in the Central Market. As a small business owner, she wears many hats but her main role is Head Baker. Dough specialise in NYC cookies, but they also make great cakes, brownies and cinnamon buns. Alongside the bakes, they serve Origin coffee, a fantastic coffee roaster who won best coffee in the UK in 2023!
Tell us about your Genuine Jersey Products. We’re so proud to wear the Genuine Jersey badge of honour! Our cookies, brownies and cinnamon buns are made with Jersey Dairy Butter, Jersey Dairy Cream and Happy Hens eggs. Jersey is infamous for its dairy produce and farming, so we think it’s super important to showcase that and celebrate our wonderful island!
What’s new/what’s coming up?
We change our specials every month to follow the seasons - we want to ensure our customers don’t get bored of the flavours and feel excited to find out what’s coming next. We recently did a collab with Bohemia Restaurant and created a stunning hazelnut cookie to run during March - it was such a massive hit that we’re going to do another collab with another business. I’m beyond excited and proud that these incredibly established, fantastic chefs would agree to work with us, it’s such a dream! I can’t say too much more, but watch this space!
@Dough.jsy
GANACHE
Constance and Glen are passionate pastry chefs and chocolatiers, with experience in renowned establishments across the globe. They share their finest creations, refined, high-quality treats crafted with indulgence and joy at their heart. Their signature focus is exceptional chocolate and delicate macarons, blending tradition with creativity.
Tell us about your Genuine Jersey Products.
One of our core values is supporting local farmers on the island. We source fresh dairy for our chocolates and cakes, eggs for our pastry creations, and seasonal fruits for our homemade jams - all from Jersey producers. By supporting us, you’re also helping to sustain local agriculture and small businesses across the island.
What’s new/what’s coming up?
We’re constantly innovating, always challenging ourselves to refine our range and develop new collections. Right now, our ‘Dubai Tablet’ is in the spotlight - but behind the scenes, we’re crafting exciting new creations, from pistachio-inspired treats to marshmallows chocolate bears. Stay tuned for what’s next!
@ganachejersey
Words and Photography: Nyah Whittingham
When Birdie and I had the opportunity to try a new playgroup here in Jersey, I’ll admit, I was a little skeptical. With Birdie being a little older now, I’ve been quite happy to leave my chaotic playgroup days behind - there’s only so many loud, flashing plastic toys in a church hall that one can take. However, when I dove a little deeper into the ‘why’ behind Botanic Kids, I was pleasantly surprised to hear of a more mindful approach to play - one that is scientifically proven to aid little one’s development whilst caring for the environment, honouring the seasons and nurturing an appreciation of nature from a very young age.
With 20 years of primary school teaching under her belt, as well as being mum to three children of her own, Pippa White is now the proud owner of Botanic Kids. Pippa believes that children learn best when they explore their interests at their own pace. Botanic Kids is a safe environment where children can let their creativity run wild with only the best resources - whether it’s homemade play dough or beautifully crafted wooden toys from brands like Grimms, Grapat, Bumbu and more. Everything at Botanic Kids is rooted in a deep understanding of child development.
I was amazed at how well Botanic Kid’s values align with my own. There are so many ways Pippa ensures sustainability, love for our planet and awareness of the life-cycle of toys. Modern day parents are in a position to create more mindful play opportunities that encourage respect for our planet and sustainability. It is no secret that our society has been recklessly over-consuming for far too long, so to see how Pippa runs her workshops was very refreshing.
When we arrived, we were greeted with a calm, prepared area with wooden toys, climbing frames, silks, balls, books and so much more. Birdie made a beeline for the oats traythe messiest of course. We also found some ice blocks and tools with an invitation to excavate the trapped lavender, some play dough, dried flowers and a huge variety of wooden tools and toys. I think I was slightly more in love with the multicoloured stacking pebbles than Birdie wasthey were so tactile and beautifully made!
Everyone got stuck in straight away - with such simple, open-ended toys, their imaginations were in the driver's seat. There was not a single flashy toy in sight. It was amazing to notice that everyone was kept entertained and inspired throughout the entire session. One little boy couldn’t resist ‘swimming’ in the oats - a marvel for the sensory organs and a bonus that the mess wasn’t in his mum’s kitchen!
I couldn’t finish this review without reiterating Pippa’s commitment to sustainability. Her creativity and conscious approach to reducing waste was genuinely inspiring. The oats used in the sensory tray are later repurposed as animal feed. The lavender in the ice and the petals at the playdough station were fresh flowers from the previous week’s sessions. Every toy and material was carefully chosen to avoid unnecessary plastic, support developmental milestones, and extend the lifespan of play resources.
When all the ice had melted, toys were in disarray, and it was time to put our shoes on after a fascination-fuelled session, I asked Birdie, “What was your favourite part?” She replied, “OATS. No no no… ICE. Actually… all of it. I don’t want to go.”
It’s safe to say we will be back!
Botanic Kids is currently based at Château Vermont, just outside of town. From September, however, sessions will take place at Les Creux Country Park. Bookings are made on a termly basis, with different time slots available to suit your family’s needs. Visit www.botanickids.co.uk to book, and follow along on Instagram @botanickids.je to stay updated.
THINKING ABOUT OFFSETTING
ChatGPT vs Stanley Cups
It’s no secret that ChatGPT guzzles a lot of water. Running large AI models such as this one dumps gallons every second, with the data centres that keep it alive needing constant cooling. According to a 2023 study, ChatGPT goes through a standard 500ml water bottle every 10-50 prompts, depending on factors such as location and infrastructure. If we split the difference, this averages out at 500ml per 30 prompts.
Multiply that by the rough public estimate that ChatGPT handles 100 million prompts per day, and you’re looking at a total of around 1.67 million litres every twenty-four hours. To measure this out into something more relatable, the standard Stanley cup has the capacity to hold about 1.18 litres. That means ChatGPT beats even the most devout of TikTok water girls, effectively refilling its Stanley around 1.4 million times a day.
As of 2025, the global polar bear population is estimated to be approximately 26,000, spread across a variety of countries.
Of these, the ones in Alaska are likely to disappear first, due to rapid sea ice loss causing population declines. Average numbers for this country weigh in at around 5,500 - if they all had to pack
Are octopuses aliens?
Sci-fi lovers aren’t alien to the idea that octopuses have been suspected to have extraterrestrial origins. Their genomes are absurdly complex, boasting around 33,000 protein-coding genes - in comparison to humankind’s 20,000. Whilst bigger doesn’t always mean better, this genetic overload supports a whole whirlpool of octopus weirdness. With a highly developed nervous system, autonomous limbs with their own brains, and skin that can change colour and texture with eerie precision, there’s no wonder people have questioned whether this species really originated on earth.
Whilst many vertebrates have protocadherins - essentially the wiring instructions for building a complex brain - octopuses seem to have evolved these independently. The expanded set of genes is relied on for learning and remembering things, and supports sophisticated behaviours such as tool use, problem solving and neural plasticity - the ability to change brain structure based on experience. Just when you think it can’t get any stranger, octopuses have an RNA editing trick - instead of waiting for slow changes in DNA over generations, octopuses can rewrite their RNA on the fly, adapting their nervous systems to different environments and fine-tuning brain function in real time.
their bags and migrate to Durrell Zoo, how big would their enclosure have to be?
Housing this number of polar bears requires slightly more than a few extra enclosures and a giant freezer - it’s likely we’d need an entire Arctic city. The species are inherently solitary and territorial, with wild polar bears laying claim to a range of 19 to 500,000 square kilometres. In captivity, the ethical(-ish) minimum sits at around 1,000 square metres per bear - multiply that by 5,500 and you’re
looking at a chilly compound covering 5.5 square kilometres, about the size of Gibraltar. To put it in local terms, thats 4.5% of Jersey’s landmass, and 39 times bigger than Durrell Zoo itself. In fact, the polar bear zone would sprawl beyond the zoo gates and take up about half of Trinity. You’d also need to keep this entire area cold all year round, demanding industrial-scale refrigeration 24/7. This would absorb around 40 megawatts continuouslyenough to power around 35,000 homes.
Illustration:
Zara Le Cornu @zlc_art
“People often talk about young people ‘finding themselves,’ as though self-discovery is a one-time event”.
Interview: Emma Pallent Photography: Danny Evans
We were interested in writing about a relationship that was undergoing change,” explained Jess Garton, co-writer and actress in Quicksand. The short film, set on the sunlit shores of Jersey, explores the relationship between Cecilia (Deborah Cornelius) and Albert (Clive Mantle) - two characters loosely inspired by her grandparents - and the adaptations they go through while navigating Alzheimer’s together. “We shot in my grandparents’ house, and the film was inspired by the adjustments they made,” she continued. “Both Ted and I wanted to write a short film that would start conversations about dementia and target the stigma that still surrounds it.”
What’s normal for one person experiencing dementia may not be normal for the next, and the Quicksand team prioritised emphasising this. “Everyone has such unique stories with dementia,” Jess explained, stressing the importance of recognising that Quicksand portrays just one of those narratives. “We would never expect this to represent everybody’s experience,” she said. “The main thing was just that it would make people feel and think, and honour people who are experiencing this every day. If it does that, I’ll be happy.”
The film follows Cecilia and Albert as they face a difficult new chapter in their lives. Jess plays the younger version of Cecilia, who appears in fleeting memories intercut throughout the film. These scenes are tinged with amber warmth and depict a youthful, romantic loveconversations on the beach at golden hour, cozy chats
over coffee, whimsical ukulele songs composed across the kitchen counter. The warm, intimate setting and soft costumes enhance the nostalgic tone, capturing a time when life felt easier and more hopeful. “When anybody is young, there’s a kind of zest for life about them,” said Jess, reflecting on the nature of these memories. “The younger versions of the characters convey that love and youthfulness - the idea that they have their whole lifetime ahead of them, with so much to look forward to.”
Quicksand powerfully contrasts idealism with realismthe gap between how we imagine our future and how it actually unfolds. “We all have this romantic idea that you’ll find someone and grow old together,” Jess said. Quicksand explores one possible version of that future, offering a raw portrayal of the challenges it might bring. Cecilia is still deeply in love with Albert - she smiles at him through the garden window, and is moved by his retelling of childhood memories, even if she’s heard them many times before. Yet the film doesn’t shy away from showing the lows: the worry, fatigue, and the disorienting pain of a partner who is present one moment and absent the next.
Quicksand powerfully contrasts idealism with realism - the gap between how we imagine our future and how it actually unfolds.
“Albert is sparky - he has a fun personality,” Jess noted, “and that comes through in moments. We wanted to reflect how dementia changes the nature of their interactions. Albert’s character comes and goes rather than remains constant.” Before dementia, you’re ‘yourself’ all the time. With it, some days are good, others less so. “That’s the nature of it,” Jess explained. “You have times when it feels normal, and times when it doesn’t. That’s part of what we wanted to show - the ebb and flow of their life.”
The set design subtly reflects the shifts Albert and Cecilia experience. Over time, more post-it notes appear in the kitchen, with pictures of the couple labelled and taped around the house. “It’s a very common experience,” Jess said, clearly drawing from personal memories. “It often starts with things like tea - ‘Where are the tea bags?’ or ‘Where’s the coffee?’ You start with these, and as time goes on, they build up.” The evolving home environment - introducing wall handles and a raised chair for Albert - mirrors their efforts to create a space that offers more mental and physical stability.
Depictions of Alzheimer’s usually centre around a present struggle - the disjointed fight of living with a disease. While Quicksand highlights this, what makes the film so moving is its undercurrent of hope. The arrival of professional carers gives Cecilia a small pocket of time for herself - space to rediscover who she is and begin the next chapter of her life. “Cecilia’s older self is going through something quite life-changing,” Jess said. “In a way, she’s lost a part of herself, too. Quicksand is about reclaiming that, and her process of understanding herself better.”
People often talk about young people ‘finding themselves,’ as though self-discovery is a one-time event. Quicksand challenges that notion. “I think there are multiple points in life where you rediscover yourself,” Jess said. “Cecilia is going through one of those moments - much later in life. Despite the circumstances, I think the film ends with a sense of hope.”
Depictions of Alzheimer’s usually centre around a present struggle - the disjointed fight of living with a disease. While Quicksand highlights this, what makes the film so moving is its undercurrent of hope.
Quicksand is supported by ArtHouse Jersey, Music in Action, Soroptimist International Jersey, and numerous people who supported the crowdfunding campaign. It is also in association with Dementia Jersey.
Art Art’sforSake
Experimenting with the boundaries of modern art, in 1989 David Hockney reduced the value of his drawings to nothing by faxing his pictures around the world. The ability to deliver limitless copies to the masses - on thermal paper that would fade with time - suggested that the essence of the work was bound not in its permanence, but in its fleeting nature and wide distribution. A decade later, an old kitchen blind covered in photocopies of those same faxed images was sold for 11,000 pounds to a surrealist gallery of ‘fictional art’. In response, Hockney faxed a fresh set of the drawings directly to them in protest, attempting to invalidate the sale. “The point of the faxes is that they were given away,” he said. “They cannot be sold - how would I be paid?”
This raises a bigger question: who gets to decide what a piece of art is worth? If not the artist, then surely the buyer - but when one man’s Monet is another’s glorified finger painting, can there really be such a thing as intrinsic artistic value? In a similarly subversive act, Banksy famously shredded his painting ‘Girl with Balloon’ as soon as the hammer fell at auction and the piece sold for £1m. Ironically, this destruction only increased the work’s value - renamed ‘Love is in the Bin’, the piece fetched £18.5m three years later. Even flawed prints can become the most prized of a set, precisely because they offer something the others don’t: uniqueness. Is owning art really about the art itself, or is it about owning something no one else can?
These are the kinds of questions that preoccupy Dylan KempsterSmyth, an artist influenced by both the work and ethos of JeanMichel Basquiat. “What defines success as an artist in the modern era?” he asks. “My work isn’t commercial - it’s me. If you like it, you like it. If you don’t, you don’t. I don’t want to create for money’s sake. What’s the true value of my work? If someone is willing to pay thousands, and another only a hundred, who’s right?” He continues to question the link between artistic prestige and financial value. “If a famous art collector bought my work,” he says, “suddenly people would be willing to pay more. But if my friend wanted to buy a painting for sixty pounds, that wouldn’t boost the value of my work at all.” For someone in search of an objective standardsomething constant and beyond influence - the question of value, and by extension success, lingers like an echo without resolution.
Dylan’s frustration with the art world crystallised during his time at Central Saint Martins, where he studied for a year before leaving. “In our very first lecture, they said 90% of your time here will be spent networking, 10% working,” he recalled. “It was crazy - basically saying, go out, party, meet people, exhibit... It gave me a glimpse of just how cruel the art world is. Ninety-nine percent of artists don’t make it. Is that just because they don’t know the right people?”
For an artist disillusioned with the commercial system, the most natural response is to find meaning in the process itself - creating for personal satisfaction rather than financial return. “A good artist depicts the world around them in a way that’s true to them,” Dylan asserted. “For me, success is when I finish a painting and I’m happy with it. That’s rare - I often don’t see the beauty in my work until time passes. Then I can come back to it and appreciate what it is, and the headspace I was in when I made it.”
“In our very first lecture, they said 90% of your time here will be spent networking, 10% working,” he recalled. “It was crazybasically saying, go out, party, meet people, exhibit... It gave me a glimpse of just how cruel the art world is. Ninety-nine percent of artists don’t make it. Is that just because they don’t know the right people?”
This shift in mindset freed Dylan from chasing conventionally ‘marketable’ art. Instead, he began producing work meant to challenge, provoke, or simply please himself. But that, too, came with complications. “The first critique I got at Central Saint Martins was: ‘Be careful what you create,’” he said. “If you aim to make something people won’t find visually appealing, you’re setting yourself up to fail. You might achieve your goal at first, but as soon as people start buying your work, you’ve just gone against your own principles. So then… have I failed?”
There’s also the question of whether placing value solely in the artist’s perspective is enough. While someone might choose to create purely for themselves and keep their work private, the moment art is made public, it becomes a conversation. “I realised I was contradicting myself,” Dylan reflects. “On the one hand, I’m saying I don’t care what the viewer thinks. But if a writer published a book
without considering the reader, it would just be them shouting into the void. There’s no dialogue, no audienceonly themselves.” He pauses, then adds, “It made me feel like I was sabotaging myself by being so single-minded.”
If neither the artist nor the audience alone can assign absolute value, maybe the answer lies somewhere between them. Maybe it’s less about ‘exclusivity’ on either side, and more about connection. An artist puts their perception of the world on display and asks the viewer - do you feel this too? “There are so many expressive painters out thereand I connect with their work beyond words,” Dylan says. “It’s that instant feeling of, ‘holy shit, that’s incredible.’ Like you’re feeling what they felt.” Putting a price on that kind of resonance - in one individual, let alone across a wider group - is a near-impossible task. But calling any version of that connection a failure would certainly be wrong.
Instagram: @dksmyth
MUSIC CAPITAL@ HOUSE
20 JUNE CRYPTIC PRESENTS
ALEX SMOKE & VERONICA
PETUKHOV / CURLEW
An immersive blend of sound and live visuals. Alex Smoke is a musician and composer working across various fields of sound, including electronic production, sound installation and instrumental composition. His work focuses on creating immersive experiences that engage the listener’s consciousness. Veronica Petukhov is an Italo-Ukrainian digital artist and VJ. She specialises in video, digital art and installations and is also one half of the audiovisual duo muto major.
7PM - 10PM TICKETS £15
21 JUNE AWAKE IN THE DREAMTIME BY DUNCAN FORBES & JONATHAN HILL
Awake in the Dreamtime is a new album by Jersey based composer and DJ, Duncan Forbes with internationally acclaimed violinist Jonathan Hill. A blend of beautiful atmospheric electronica combined with analogue sonics, treated piano and live strings. Each track is accompanied by an abstract film created in Jersey by Matthew Le Maistre Smith. This album launch and first ever live screening and listening session of the music and films is designed to be an immersive experience with floor seating, bean bags and deck chairs.
7PM TO 9PM TICKETS £15
This June ArtHouse Jersey are bringing in the speakers and filling their gallery with music with an eclectic mix of underground and ambient club sounds, intimate blues and electronic experimentation! The series features the following four nights:
25 JUNE GILES ROBSON: UP CLOSE WITH THE BLUES
A night with Jersey’s internationally acclaimed blues harmonica legend, Giles Robson plays and sings beautiful, powerful, emotional and timeless blues with a deep groove and laden with intense feeling. Widely considered one of the world’s greatest blues harmonica virtuosos Giles plays in his own accomplished and distinct style that captures audience’s hearts and imaginations with his mixture of superb technique, rhythmic power, tonal control and sensitive emotional expressiveness.
7.30PM TICKETS £25
28 JUNE SHAMICA RUDDOCK & GRACE MACDONALD
A double-bill of two artists making waves across the European electronic / sound scene. London-based Shamica Ruddock presents her live sound work Drum Language, which is an ongoing sonic enquiry exploring Maroon sound cultures and AfricanCaribbean folk drumming practices. Zürich-based Jersey composer Grace MacDonald writes music dedicated to low-resolution memories, fantasy and playful folktronica. Working with hybrid electroacoustic music, her live performances, combine the natural sounds of voice and saxophone with their processed counterpart on a backdrop of a pixelated synth polyphony.
7PM
TICKETS £10
Jersey Summer Exhibition 9
This month sees CCA International host the 9th Jersey Summer Exhibition. The event continues to be a highlight of the cultural calendar and drives the standard of artwork being made by islanders. Having work exhibited at the gallery has helped launch the careers of promising Jersey artists, as well as enforcing that of those already established. We love heading along each year, celebrating our prizewinners and seeing the amazing talent of our Jersey artists.
Summer Prize / RBC Emerging Artist Award
The Summer Prize is a prestigious award conferred by a selection panel, resulting in a solo gallery show for the winning artist. In 2024, we are set to carry forward our partnership with our main sponsor Royal Bank of Canada. This collaboration will feature the awarding of The Summer Exhibition and RBC Emerging Artist Prize, a £1,000 grant specifically aimed at supporting the artistic endeavours of the prize recipient. This initiative is driven by CCA Galleries International’s commitment to bolstering Jersey artists at all career stages.
Gallery Magazine Illustration and Design Prize
Whether it is in print, digital or multimedia formats, the two awards by Gallery magazine will celebrate unique and creative works in the realm of graphic design and illustration. The winning pieces will be those that stand out for their originality and exceptional technical skill. In addition to a £250 prize, the two winning pieces will also be featured in a future issue of this very magazine.
The awards are open to emerging and established artists alike and CCAI encourages applications from artists in every stage of their career. There is always a great cross-section of work; look out for paintings, printmaking, drawings, design, sculpture, film and photography. CCAI also accept applications from artists with links to the island who may be working elsewhere as well as Channel Island artists. This year sees a new award for 2025, focused on our relationship with the ocean. Make sure you head down between the 20th June and the 3oth July.
Rural Landscape Award
Landscapes depicting rural views that have been selected for the Jersey Summer Exhibition are eligible for the Rural Jersey Landscape Award. First and third prize are kindly donated by BCR Law and second by National Trust for Jersey. The Rural award is judged by David Benest (BCR Law), Donna le Marec (National Trust for Jersey), Alasdair Crosby (Rural Magazine) and Tom Parker (CCAI). 1st Prize £600, 2nd Prize A weekend retreat in The National Trust’s Catel Fort, 3rd £150.
Inspired by the Sea award New for 2025!
As an island surrounded by the sea, Jersey’s landscape is made up largely of views of the ocean and it is difficult not to draw some inspiration from these seascapes. This year CCA Galleries International is introducing a prize for artworks inspired by the sea. The award is generously sponsored by Madhatter Surf Shop, who are giving two gift vouchers to use in their St Helier and St Brelade stores. 1st Prize £250, 2nd Prize £100.
Eleanor Nugent’s ‘Desert’
Paige Le Geyt’s ‘Amorphous 25 (Contained)’
Mick Humpage’s ‘Milan’
JUDGES PANEL 2025
Each year CCA Galleries International invites a guest panel of professional artists to join the judging panel for the Jersey Summer Exhibition. These are artists of international acclaim who use their years of experience and knowledge to carefully deliberate the artworks selected for exhibition. This year’s selection panel boasts another remarkable line-up. Joining CCA judges Gillian Duke and Tom Parker will be Wayne Hemingway and Adam Dant. We are honoured to work with Wayne and Adam this year and look forward to their insight.
ADAM DANT
Born in 1967 in Cambridge, Adam Dant studied Fine Art Printmaking at The Royal College of Art, HDK Berlin and MS University, Baroda, India.
He was a recipient of The Rome Scholarship in printmaking in 1993, The Jerwood Drawing prize in 2002 and was appointed by HM UK Parliament as ‘The Official Artist of The 2015 UK General Election’. Dant is also a Regent of The College of Pataphysics, a Freeman of the Worshipful Company of Painter Stainers and sits as an artist on The Royal Mint’s advisory committee.
From his Spitalfields studio by the walls of the City of London he has gained wide renown for his epic narrative ink drawings, maps, and ‘mockuments’ which detail the myths and status of London’s Financial and historic heart as well as chronicling many other arcane events further afield.
Often working in close collaboration with significant institutions Dant has produced commissioned works of art for the opening of Bloomberg’s new Walbrook HQ , Queen Elizabeth ll’s Thames Jubilee pageant, Christie’s 250th anniversary, The Christopher Wren 2023 Tercentenary and the 900th anniversary of St Bartholomew’s Hospital.
As the artist / cartographer in residence for The Critic Magazine, Dant’s resulting volume of ‘Maps of London and Beyond’ has garnered several publishing awards.
Adam Dant’s work is exhibited internationally and is in the collections of Tate Britain, The British Library, The V&A, MOMA New York, Deutsche Bank, UBS, Musee D’Art Contemporain Lyon, His Majesty King Charles lll, The Museum of London and various other public and private collections.
WAYNE HEMINGWAY
Wayne Hemingway is the co-founder of ‘Hemingway Design’, a multi-disciplinary design company which specialises in social design, founded with his wife Gerardine Hemingway.
‘Hemingway Design’ projects cover the full scope of design disciplines: products, regeneration, placemaking, clothing, interiors and brand identity.
Their designers are focused on themes such as place, people and positive social impact. Commitment to these concepts are demonstrated through their acquisition of prestigious awards such as Building Magazine’s Best Housing-Led Regeneration Project.
In addition, ‘Hemingway Design’ has been proud to collaborate and work with organisations such as Shelter, The National Archives, Historic England, The National Portrait Gallery, Southbank Centre, Landsec and TFL (to name a few).
Wayne and Gerardine have worked together since the early 1980’s when they started ‘Red or Dead’ (the fashion designer and manufacturer which won the British Fashion Council’s Street Style award 3 years in a row in 1995, 1996 and 1997).
The 2025 Jersey Summer Exhibition opens on the 20th June at CCA International, Hill Street.
Emily Allchurch
浮世絵 STORY
TOKYO
Even those unfamiliar with Japanese woodblock prints would recognise Hokusai’s The Great Wave off Kanagawa. It’s widely regarded as the most famous composition of the ukiyo-e genreartworks that focus on fleeting beauty and momentary pleasures. Known for their vivid colours and dynamic formations, these artworks typically depict beautiful women, famous actors, and urban pleasures. Hiroshige, considered the last master of the tradition, went against the grain to produce artwork with the same focus as The Great Wave, where the landscape becomes the subject rather than the supporting element.
It was his work that became the basis for Emily Allchurch’s Tokyo Story - a set of twelve prints recently acquired by the British Museum. The collection mirrors Hiroshige’s One Hundred Famous Views of Edo, a renowned series depicting what is now modernday Tokyo. Continuing her established technique of recreating old prints and paintings through a 21st-century lens, Emily meticulously assembled thousands of her own photographs into digital compositions that converse with the originals. Her collages are peppered with aspects of contemporary life, integrating new landmarks into the views depicted by Hiroshige.
By using photography as a medium, Emily’s work tends to evoke a sense of viewing a place frozen in time - similar to a documentary record. Her prints blur the line between illusion and reality, drawing the viewer into believing in the fictitious space she’s created. “People often say that the work looks three-dimensional, as though they could simply step into the scene,” Emily explained. “It makes the work seem very real and tangible.”
Gathering the media that went into Tokyo Story involved an intensive two weeks travelling around Tokyo and Kyoto, as an observer documenting her impressions of a place. Using Hiroshige’s original prints as her guide, she travelled between his chosen scenes on foot, allowing curiosity to guide her as much as her itinerary. Returning home from Japan with around 10,000 photos, she reorganised and digitally combined them in Adobe Photoshop - collating fragments together into a scene where the present is in conversation with the past.
Each artwork presents a different aspect of Japanese culture. Commenting on her work, Emily revealed that Tokyo Story 5: Cherry Blossom (after Hiroshige) “tells a story of good and bad fortune, with the fleeting beauty of a cherry blossom set against a homeless man that has fallen on hard times.” Tokyo Story 8: Temple (after Hiroshige) “juxtaposes the sacred heritage of the temple grounds with the souvenir shops and fairground rides often found within them.”
The eleventh and twelfth prints were created much later and hold particular significance for Emily. “I made them during the coronavirus lockdown,” she said. “Having the ability to revisit my Japanese image library when we were unable to travel brought me huge creative joy.” Tokyo Story 12: Spring Festival (after Hiroshige) depicts giant carp banners set against Mount Fuji, traditionally flown each May in Japan as a celebration of Children’s Day. It’s a striking piece, currently featured alongside Hiroshige’s originals in the British Museum’s summer exhibition.
The master woodblock prints may have provided the framework for Tokyo Story, but Emily’s series doesn’t shy away from depicting an authentic view of modernity. Don’t be surprised by features such as Metro signs, supermarket chains, and LED advertising. “Just as Hiroshige made reference to people, objects and places that had a social relevance to his audience, I included motifs that can be decoded by a contemporary audience,” Emily noted. Rather than produce a “slavish record,” she prioritised working along the same themes and symbols Hiroshige highlighted: changing seasons, bridges, temples, gardens, and views by night. “Tokyo Story posed the challenge of how to respond to a culture very different from my own, where much of the landscape Hiroshige depicted has changed beyond recognition,” Emily explained. What emerges is a set of prints that embodies the modern day, without sacrificing the structures of the past.
Photography:
Tokyo Story 12: Spring Festival (after Hiroshige)
Sam Temple
Words: Emma Pallent Photography: John Liot
Away with the Fairies
If love is a bitch, then unrequited love is a rabid one. Sob stories from adolescence testify to it. There’s nothing worse than being one step away from taking the leap with someone - only to realise they’ve chained themself to the cliff.
For acoustic singer and songwriter Sam Temple, this was a regular occurrence in Brighton. “Honestly,” Sam laughed, “the most common romantic experience I’ve had has been an intense flirtation with men I didn’t realise were joking. Brighton is so open and liberal, and there were several straight men that would be very forward and flirtatious. The hardest part was how totally convincing they were.”
This was a common theme in Sam’s early writing. “Having all the elements of a romantic connection whilst being one degree of separation away from it was difficult, but it led to some cracking tunes” he laughed. “Everyone deserves to experiment with what romance looks like to them but if that isn’t properly communicated, it can result in a lot of mistrust in your own judgement. Not to mention how it affects the selfesteem of a teenager.” Dealing with rejection - after realising you’ve accidentally fallen in love with someone who can’t offer the same thing back - makes it easy to fall into false selfcritique or a feeling of unlovability.
“There’s an element of fantasy that definitely plays a part,” Sam admitted. Growing up in Dagenham, the idea of being in a loving relationship was like watching a TV show. “You’re looking at love through a screen door and beginning to think, ‘Is being asked to prom not on the cards for me?’ or ‘Is this advice I’m giving out to my friends ever going to circle back to a relationship of my own?’”
Over time, Sam began to appreciate the benefits of flying solo. “I’m not sure when the feeling of loneliness turned into solitude for me,” he said, “but I watched so many friends redecorate their personalities with each new relationship, and not really know who they were without one.” Last year marked a pivotal moment for him, as he completely shifted his attention away from seeking a relationship and began to truly value the people around him. “I just got to a point where I realised, ‘Okay, if this never happens for me, and I get to my stunning gothic gravestone having only experienced love platonically, that’s more than enough for me,’” he reflected. It wasn’t a statement of resignation, but of contentmentholding a genuine gratitude for the strong bonds he shared with close friends and family.
Almost immediately after Sam accepted the possibility that he might never experience a romantic relationship, along came a man that had real potential. He’s the muse behind Sam’s latest release Away with the Fairies, which captures the complexity of these emotions in a raw piano ballad. A segment of the lyrics describes this perfectly: “I accepted there was nothing wrong with dying having only loved fraternally. I still feel the same. But I would really like it if you came with me.”
“Experiencing something like this,” Sam reflected, “felt like an emotional defibrillator. Not only am I feeling emotions that seemed fictional for so long, but they came with such ease now that I’m fully aware of who I am and what I’d want from a potential relationship.” His next song, Locked in the Laundry, is about a recent trip with this person, adventuring around
London hostels, stealing moments of privacy. “This song is probably the closest I’ll get to ‘Is somebody gonna match my freak?’” He laughed. “I don’t think hyper-sexual material would work with my style of writing, so this is a much more tender version of that.”
Despite past situations that didn’t go where he thought they would, Sam’s recent experiences in life and romance have been seeping a happier layer into his music.
Despite past situations that didn’t go where he thought they would, Sam’s recent experiences in life and romance have been seeping a happier layer into his music. “Heartbreak and existential crises are such reliable sources for writing, so it’s lovely to have a different well to source from,” he said with a smile. “I’ll always have a love for music that feels a bit sepia and melancholy, but while my life and the connections I’m making feel this vibrant and beautiful, it’d be a shame not to write in full colour.”
Sam is one of the recipients of ArtHouse Jersey’s grant scheme, which supports local artists with their creative endeavours. To stay up to date with his music releases, follow him on Instagram (@5amTemple), Spotify (Sam Temple) or YouTube (@SamTemple), where he’ll be posting music, updates and the occasional picture of something strange he bought from a charity shop.
Corey Ceccarelli is the first artist ever to move to Jersey on a Global Talent Visa. The internationally recognised multidisciplinary artist is committed to weaving art, sustainability, and innovation into one, fueled by the idea that creativity is a universal language. Originally from Canada, his journey has taken him around the world, spending time in Berlin as host to a grassroots arts residency. His recent projects have led him to bring a new sense of life to discarded mannequins - in an attempt to make sustainability a sensation.
ŴässerŴater
Words: Corey Ceccarelli
When you hear the word "sustainability," it’s not always immediately followed by words like "rockstar," "glamour," or "haute couture." But for me, these words belong in the same sentence. They are, in fact, at the heart of my mission: to make sustainability voguish, to elevate environmental consciousness into something trendsetting, transformative, and wildly magnetic.
With a practice rooted in art, fashion, and radical innovation, I am building a universal platform that doesn’t whisper about sustainability, it sings about it, it shouts proudly with rigorous intent. Think high-end fashion meets repurposed materials. Think sculptural installations that hold the gravity of galaxies. Think mannequins reborn as artistic oracles for our age. My mission is to turn ecological urgency into irresistible inspiration.
Nothing is too humble to become iconic, and in my care, discarded items find new purpose and poetry. My mannequin works of art are assembled using discarded materials, pieces once deemed useless, given new life through artistry and purpose. Each mannequin becomes a 3D canvas for meaning, movement, and memory. They speak without speaking. They demand presence.
I don’t just recycle, I resurrect.
There’s something immediate about mannequins. They represent us, our physicality, our vulnerability, our place in the world and cosmos. They are a mirror to our humanity and a portal to our dreams. To work on a 3D structure is to engage with flow, it’s kinetic, alive, responsive, and transformative.
Their impact is multifaceted. When placed in galleries or public spaces, the mannequins confront and captivate. They force the viewer to pause, question, and connect. In photo shoots, they become avatars of emotion, shadows of society, reflections of our collective psyche. Each one holds its own energy, identity, and message, fashioned not just to be seen, but to be felt deeply.
This August, my latest solo exhibition will take over the
Link Gallery, situated next to the Jersey Museum and Jersey Heritage. Running from August 2nd - August 31st, the exhibition is titled ŴässerŴater – L’iEau de Vita, a cross-linguistic homage to the precious element that sustains all life: water.
But this is not just a tribute, it’s a warning, a prayer, a movement. A plea to recognize that water is not a commodity; it is a living, breathing entity essential to our survival and spirituality.
This body of work was born from the tension between reverence and ruin. Between sacred knowing and scientific data. It confronts the insidious presence of foreverchemicals, plastics and unsustainable practices, exploring how they have silently leached into every aspect of our lives, even as our culture continues to embrace their widespread use without pause or reflection.
The pieces in ŴässerŴater are visual symphonies that echo the flow of rivers, the fragility of coral, and the rhythm of rain. They channel mythologies from various cultures, connecting the viewer not only to water as a substance but to water as a spirit, a divine thread that binds us across time and space.
Ultimately through all my work, I want to show that environmentalism need not be dull or draped in guilt. It can be exhilarating. It can be beautiful. It can strut down a runway, pose in front of a lens, or whisper from the curvature of a recycled form.
We need to glamorize sustainability, not in a superficial way, but in a celebratory way, making it magnetic, accessible, and inevitable. Fashion can be activism. Art can be advocacy. Beauty can be revolutionary.
My work amalgamates fashion and activism, aesthetics and advocacy, allowing communities to see themselves as part of a global vision, connected not by consumerism, but by care. Every mannequin, every thread, every glint of material is a call to action and a celebration of possibility. It is culture-shifting at its finest.
More than anything, my practice is about unification. To
The happiest people on Earth do not have the most; they have the most meaning. They have community, nature, animals, freedom, sacred devotion, creative invocation. That’s what I want my art to reflect, a visual language of belonging.
create and not take away, that is the guiding principle. We must create works of art that add to the ecosystem, not strip it bare. We must restore, renew, and rejoice alongside nature and our fellow species, not dominate them.
I believe in using art not just to beautify, but to connect. To reclaim our relationship with the environment. To celebrate the wondrous brilliance of biodiversity and restore our deep-rooted connection with the living world.
The happiest people on Earth do not have the most; they have the most meaning. They have community, nature, animals, freedom, sacred devotion, creative invocation. That’s what I want my art to reflect, a visual language of belonging.
Creation, for me, is never static. Each piece manifests over time, often evolving during the actual process. There’s a spontaneity to it. A sense of being guided by something beyond the conscious mind. I don’t always know what the final form will be, and that’s the magic. It’s a dance between structure and surrender, between craftsmanship and mystery.
That flexibility, the ability to innovate, adapt, and have fun, is part of what makes this work so relevant in today’s uncertain times. It’s not just about preserving the planet; it’s about radically reimagining our place within it. As artists. As visionaries. As stewards. As kin.
As part of my sustainable kelp & seaweed works, I am deeply grateful for my collaboration with Ben and Naomi of Seaweed Food Co. & Guernsey Seaweed. Their mastery in creating sustainable materials from kelp and seaweed has been instrumental in bringing my designs and creations to life. Their contributions are sustainable triumphs, symbols of what forward-thinking, ecologically intelligent partnerships can achieve. Their camaraderie and dedication to environmental stewardship are both humbling and inspiring. I am honored to work alongside such kindred spirits who redefine what "material success" truly means.
For me, this journey is just beginning. My platform will continue to grow, rooted in my desire to voice radically meaningful messages across the globe. My aim? To spread positive and vibrant energy at a constant. To create communities of consciousness. To help us remember what truly matters.
We’ve been indoctrinated to believe that nature exists to be conquered, that her worth lies in what can be extracted, traded, or consumed. But this is not living; it is a slow, silent extinction of our own humanity. I refuse a life reduced to survival. I choose to live, fully, fiercely, and in reverence. And I want us all to live. To truly live, we must unlearn domination and rediscover kinship. We must reimagine how we create, not as exploiters, but as stewards. How we relate, not through control, but through communion. And how we celebrate, not through consumption, but through
awe. This Earth is not a commodity. It is our origin, our mirror, and our only home.
My work doesn’t just challenge the status quo, it remakes it. And in a time where the Earth is crying out for change, my art is an anthem. One of hope, resilience, courage, and radiant beauty. We are not here to conquer the Earth, nor to measure its soul in gold and gain. We are here to remember, to create alongside its breath, to resurrect wonder from what was cast aside, and to weave the ancient rhythm of nature into our modern hands. Sustainability is not survival; it is the poetry of life itself, vibrant, visionary, and endlessly becoming.
ŴässerŴater – L’iEau de Vita August 2–31, 2025 Saturday August 2nd - 1pm-4pm. Link Gallery, Jersey Museum @coreyceccarelli
CAPTURED: OFFSET
Over the next twelve pages we present three galleries from local photographers who have produced bodies of work that compliment our ‘offset’ theme. With consideration for our planet, sustainability and the beauty around us, these inspiring shots invite you share the way they see the world through their lenses.
SUE TROWER
Sue has long had an interest in photography, but it wasn’t until the introduction of digital cameras and processing that she became seriously interested in taking it further. She joined the Jersey Photographic Club, and with their help and guidance, followed the Royal Photographic Federation distinction path, gaining a Fellowship in 2017. Photography has taken Sue to places such as Greenland, Iceland and Oman, enjoying seascape and coastal scenes. Alongside this, she explores architecture, sport, and more creative aspects of the practice, such as Multiple Exposures and Intentional Camera Movement.
@SUETROWERPHOTOGRAPHY
DISKO DIVA “Taken late evening in Greenland, at a time of year when the sun didn’t set. It was magical, and a privilege to witness these beautiful giants.”
POWER PLAY “The awesome power of the sea. A wave hits the sea wall and ricochets back into the next incoming breaker, creating a huge plume of water which barrels down the beach before reforming and repeating.”
MOURIER MIST “The rugged cliffs of the Jersey north coast are softened by the incoming sea mist. A peaceful take on an otherwise wild area.”
DE LECQ WAVES “One of my favourite ways to view the sea is through a top down perspective. I snapped this down at Grève
and was amazed by the textures the water and sand created together.”
GREVE
de Lecq
JAMES POINGDESTRE
James, also known as The Drone Buoy, is a born and bred Jerseyman with a passion for videography. His hobby as a drone videographer grew from seeing people on Instagram show off the places they live and travel to from the sky. Thinking about all the amazing places to see in Jersey, he bought his first drone in 2023, and started sharing his work on Instagram. Since then, he’s taken his drone to the UK, France and Iceland - “to me, there’s no better way to view the planet than from the sky,” he said. “I love sharing these amazing scenes with the world.”
@thedronebuoy
BIRDS
“A flock of seagulls from up high. I love being able to capture unique perspectives of nature which are often unplanned, making every flight different.”
CORMORANTS AT NOIRMONT
“I caught these cormorants sunbathing at Noirmont. They were on a rock inaccessible on foot so I was very lucky to be able to capture them with my drone.”
CAPTURED
JADE CAPALDI
SNOWSTORM “Captured in the middle of a snowstorm in Zermatt, these trees became soft sculptures—almost erased by wind and whiteness. This image holds a sense of stillness and surrender, reminding me how nature can be both harsh and comforting at once. The entire town was out of power for nearly 3 days, due to the amount of snow in April after the winter season ended.”
JADE CAPALDI
Jade Capaldi is an analog photographer born and raised on the island of Jersey. Drawn to the quiet power of nature, she spent her twenties between the mountains and the sea, chasing light, clarity, and stillness. Shooting on film roots her in the present moment and the elements, whether swimming in the surf at Teahupo’o or exploring alpine trails. Her work spans nature, travel, lifestyle, and conscious fashion, guided by a deep connection to place. She is currently preparing a collection of fine art prints—crafted with care and intention, using processes that honour the earth as much as the image.
@JADECAPALDI
VALLERY TREES “Taken on the way to Ticino, this view stopped me. The forest drapes itself in shadow and gold, each ridge revealing another like a secret whispered deeper into the valley. I’m drawn to how nature creates its own compositions—layered, emotional, never still. This image holds warmth and mystery, a sense that something is waiting in the light just beyond the trees.”
ZERMATT, TOWARD TRIFT “Between golden autumn and the first snow, the landscape holds its breath. A quiet moment of seasonal shift, full of stillness and change.”
ZERMATT, SEASONAL SHIFT “This was taken from the valley where I live—one of those views I see daily, yet never the same twice. What caught me here was the quiet collision of seasons during the moonrise: the burnt gold of late autumn, the dusting of first snow, and the cold clarity of the sky. I’m always drawn to natural transitions, and in this frame, they layer together—like time folded into one still moment. Shooting it on film helped preserve that softness, that slowness, that sense of change already underway.”
The Butterfly Effect
Finding My Tattoo Artist
Words: Flo Balderson
Injecting ink into my body isn’t a new experience, but this time, it felt different right from the start. We kicked things off with a concept meeting, which gave me space to ramble and try to articulate the picture I had in my head. Travis was incredibly patient, staying with me through my long-winded descriptions.
At one point, I paused mid-blab to realise he’d already mocked up an entire mood board based on everything I’d said. From there, he sent me three different versions of the design, each photoshopped onto my arm so I could get a clear sense of how it would look. It was such a thoughtful detail and it made me feel completely involved in the creative process.
The majority of my previous tattoos have been impulsive, random holiday decisions. But since moving back to Jersey late last year and turning 26, I felt ready to commit to an artist, someone I could trust, and bounce creative ideas off. We quickly bonded over the therapeutic potential of mushrooms and shared some nerdy, deep-dive chats.
When the day finally came, I arrived at the studio, excited but slightly nervous. There is always a bit of pre-tattoo jitters when you are waiting to see something you’ve imagined come to life in such a permanent way. But I felt calm the moment I walked in. Travis greeted me alongside
his gorgeous dog, Cyrus, and the space instantly put me at ease. Bright and warm, it was the complete opposite of the stereotypical dark, intimidating studios we all grew up with. No stuffed crows here, just a big pink sofa and lots of herbal tea.
The studio really reflects Travis: calm, kind, and chill. His energy carried into the whole session. I even noticed that he uses recyclable paper for his clinical materials instead of the usual disposables. It’s a small detail, but it shows how much thought he puts into everything, not just the art. As we prepped, we looked at a few stencil sizes together. He gently explained how each one would heal and suggested a size without being pushy. He kept reminding me it was my tattoo, and that I needed to feel happy with it.
Once the stencil was in place and we were both happy, we got started. I lay in a comfy position, and we chatted while he worked. His technique was super gentle, and with numbing cream, I barely felt any pain. The two hours flew by. There is a level of trust that you must have with your artist which is like no other, particularly when the tattoo is important to you.
I chose to have a butterfly tattooed, we decided on a paper kite butterfly, also known as a rice paper butterfly. The paper kite represents metamorphosis and freedom from limiting beliefs or emotional burdens, a reminder that transformation can be peaceful and unhurried. It does not always require struggle. That you are free to fly exactly as you are, in all your authentic beauty.
From start to finish, the whole process has been seamless, I’m already planning more pieces at Seven Tides Tattoo Studio. I couldn’t recommend Travis enough, his professionalism, artistry, and energy make him a brilliant tattooist.
@seventidestattoo / seventidestattoo.com
Jacket by Marc Cain Sport
£309.00, Top by Marc Cain Sport £109.00, both from Renaissance Boutique. Sunglasses by CHPO brand £35.00, from Consume store.
Jacket by Marc Cain Sport £309.00, Top by Marc Cain Sport £109.00, both from Renaissance Boutique. Sunglasses by CHPO brand £35.00, from Consume store.
Swimsuit by Calvin Klein £92.00, Pants by Calvin Klein £83.00, both from Voisins. Sunglasses by CHPO brand £35.00, from Consume store. Shoes by Carvela £129.00, from Voisins
Top by L’amitie £90.00, from Manna. Bag by Carvela £53.63, from Voisins. Sunglasses by CHPO brand £30.00, from Consume store. Sneakers by Kurt Geiger £169.00, from Voisins.
Black Dress By Pretty Lavish £68.45, from Voisins. Sunglasses by CHPO brand £35.00, from Consume store. Sneakers by Steve Madden £120.00, from Voisins.
Top by L’amitie £100.00, Shorts by Devotion Twins £115.00, both from Manna. Bag by Kurt Geiger £135.45, from Voisins. Sunglasses by CHPO brand £30.00, from Consume store. Sneakers by Steve Madden £120.00, from Voisins.
In the spirit of
ENZO
Concept, Photography & Styling: Kasia Guzik (The Mania)
Make-up: Betty De Gouveia
Model: Nicole Kemp
(www.asos.com)
Top £48, Shorts £63, Jacket £105, all from TOMMY HILFIGER, Voisins Sunglasses, £237.60, RAY BAN, de Gruchy Trainers, £65, CONVERSE
Jumpsuit £105, Cap £26, both TOMMY HILFIGER, Voisins Necklace £29, MINT VELVET, de Gruchy
Bikini Top £69, Bottom £51, both SEAFOLLY, Voisins Sunglasses £271.80, PRADA, de Gruchy Bangles (Gold & Silver) £39 each, MINT VELVET, de Gruchy Shoes £169, KAREN MILLEN (www.karenmillen.com)
T-shirt, £54, HUGO BOSS, Voisins Denim shirt, £100, ALL SAINTS,Voisins Bracelet £25, Necklace £35, both MINT VELVET, de Gruchy
TREND SPOT - GINGHAM
Gingham is having a major fashion moment right now, emerging as a staple across runways and street style alike. This classic checkered print has been reimagined with fresh colours, oversized patterns, and bold silhouettes, making it feel modern and playful. From picnic-inspired coords to hi tops, gingham is showing up in unexpected ways. Designers are blending nostalgic charm with contemporary flair, appealing to both minimalist and maximalist tastes. It's versatile and effortlessly chic; perfect for summer layering or standout statement pieces. Whether in soft pastels or vibrant hues, gingham is proving it's more than just a retro throwback, it’s a style essential.
EASY BREEZY
We went to see the team at Nautilus on Don Street to check out their beautiful new summer pieces and we were so impressed! Summer fashion is all about feeling breezy and looking effortlessly cool, and this is what Nautilus does best.
Stripes are totally in - think nautical vibes with white and blue, like this short sleeve top by Saint Tropez, £34. Or, check out this khaki and ecru relaxed shirt by Fransa, which at £39, is spot-on.
Clockwise: Cherry gingham puff-sleeve maxi dress, £55, Accessorize. Broderie blue gingham flower hair scrunchie, £9.80, Accessorize. Balmain, baby blue gingham tweed jacket and skirt, £1,399 & £299, Flannels. Damson Madder, Kenny Jeans and Mari Top in Red Gingham, available from Voisins. Ganni, seersucker black gingham shorts, £75, Flannels. Converse, pink gingham All Stars, £85, Schuh.
Light jackets are a must too; how perfect is this one by Luna Lena, £59, pictured with some wardrobe-staple sandy trousers, £49. Ideal for those cooler evenings when the sun dips.
And let’s not forget the ultimate summer must-have: a gorgeous bright cotton dress like this one by Fransa, £59. It's flattering, fresh, and oh-so-easy to style. Pair it with sandals, sunnies, and a tote, and you’re set.
SEASON’S PICKS
DREW & MAY, a hidden gem on St Helier’s high street, is a fashion lover’s dream. This locally owned multi-label hub offers stylish clothing and standout accessories for women, men, and teens, all at accessible prices.
Each piece is carefully selected for its quality, individuality, and wearability. Ash, Caitlin and their friendly team provide personal service and expert styling advice in a relaxed yet polished setting. Whether you’re looking for a statement piece or something special, DREW & MAY delivers affordable fashion with flair.
“WHAT’S HOT
“This season, it’s all about relaxed tailoring, bold accessories, and vibrant colours that bring out your personality. Think easygoing style with a playful twist—pieces that make you feel as good as you look. Fashion should be fun and full of confidence, and that’s exactly what we’re loving right now at DREW & MAY.”
DREW & MAY
55 KING STREET, ST.HELIER
@DREWANDMAY.JSY
CLOCKWISE FROM TOP
Only&Sons Jr Loose Tie Dye Tee - £18.90, Only&Sons Milo Relaxed Fit Graphic Tee - £15.75, JJXX Petra Seersucker Dress - £31.50, Only Madison Fitted High Waisted Wide Leg - £44.10
Caitlin with the JJXX Essie Bomber Jacket £99.75
BOUTIQUE BUZZ
Jess Boutique
SEASON’S PICKS
Jess Clothing Boutique in St Peter’s village is a bright and spacious, vibrant shopping experience thats definitely worth a visit.
Offering wardrobe gems, accessories and gifts, Jess’s passion for retail and creativity is clear as soon as you step inside - the choice is vast, a mix of brands offering carefully selected stock to build and create a ‘year round wardrobe’. Fantastic quality at affordable prices.
The way the store is presented makes shopping so easycolour stories beautifully put together and help always available to those that want it. A super friendly experience, amazing stock and on site parking… be quick!
“WHAT’S HOT
“When asked what’s ‘hot’ I instantly think it’s anything that makes you feel good. Whatever best suits your shape and mood…. Subtle flare jeans, shorter boxy tops. Carrot shape pants and a denim jacket. Mix your fabrics and textures, clash your colours, accessorise with a brooch. And always wear a smile.”
JESS CLOTHING BOUTIQUE
UNIT 2, RUE DE L’EGLISE, ST PETER, JE3 7AG
@JESS_BOUTIQUE_ST_PETERS
CLOCKWISE FROM TOP
Numph denim dress - £104, Alohas rope tie sandal - £135, Eleven Loves Bleu tee - £40, Eleven Loves black bubble skirt - £110.
Jess with the Numph Embroidered Shirt (£70) and Skirt (£80).
SEASON’S PICKS
Unur, in the heart of St Helier, brings the spirit of Mongolia’s vast steppe to Jersey’s luxury retail scene. Jackie’s boutique showcases exquisite cashmere, ethically sourced from nomadic herders and crafted from the world’s finest fibres, paired beautifully with an exclusive range of pearl jewellery.
Guided by her “Modern Nomadic” philosophy, Jackie expertly blends traditional craftsmanship with contemporary style, creating timeless wardrobe essentials. Her commitment to conscious luxury shines through personalised service, fair artisan partnerships, and sustainable practices. For discerning individuals who value authenticity and enduring elegance over fleeting trends, Unur offers investment pieces meant to be treasured.
“WHAT’S HOT
“Customers are loving our core range of organic colours - the natural tones are perfect for all seasons and for pairing with any outfit.
Also, our throws are making people happy - whether snuggling under or wrapping around the shoulders. It’s all about feeling soft, cosy and warm, as well as super-stylish!”
CLOCKWISE FROM TOP Women’s High Neck Woven Cashmere Vest £175. Women’s Cashmere Cape £315. Brown Cashmere Blanket With Dark Stripes £290.50. Women’s Cashmere Calf Length Trousers £245
Jackie holds Women’s Cashmere Wrap Shawl in Natural Tones £275.00
BOUTIQUE BUZZ
Number One Boutique
SEASON’S PICKS
Number One, St Aubin is in the heart of the village. We offer a welcoming service and a diverse collection of Italian fashion designed for women of all ages, available in sizes 6 to 28.
Featuring breathable fabrics like linen, cotton and silk, carefully selected to keep you cool and comfortable throughout the summer.
“WHAT’S HOT
“This season’s favourites include not only classic linen and cotton tops but also bold, vibrant splashes of colourperfect for the summer and flattering for all ages. Crochet tops, denim and embroidered tops are also popular.”
NUMBER ONE BOUTIQUE
CHARING CROSS HOUSE, ST BRELADE, JE3 8AA
@NUMBER1STAUBIN
CLOCKWISE FROM TOP Bright Flower Blouse (12 - 18) £48, Linen Trousers with Belt (one size, 8 - 12) £32, Waistcoat (one size, 10 - 14) £28, Embroidered Bardot Blouse (one size, 10 - 14) £38
Louise with Crochet Top (one size, 10 - 14) £30
CHARITY
BOUTIQUE BUZZ
Hospice Shop East
At the Jersey Hospice Charity Shops, sustainability and style go hand-in-hand! We strive to give preloved items a new home; to bring a little joy to another person’s home or wardrobe.
Our new East shop is open seven days a week and you can find us within Holme Grown in Grouville. We have an extensive selection of clothing – from children’s to men’s and women’s wear, fashion accessories and jewellery, plus homeware, stunning furniture pieces and decorative items, and children’s toys.
Every time you donate to or buy from one of our shops, you’re helping patients and their loved ones live life to the full and build lasting precious memories together. You’re also making a positive environmental choice – reducing waste, lowering carbon emissions, and avoiding contributing to polluting industries.
JERSEY HOSPICE CARE EAST
HOLME GROWN, LA RUE AU LONG, GROUVILLE
@JERSEYHOSPICECARE
01534 487982
SEASON’S PICKS
WHAT’S HOT
“It’s great to find good quality items for a bargain. It’s also nice to give back to the community in this way – both supporting Hospice and the environment! As a nurse working on the In Patient Unit, I see how the money is used to make sure that we can give the best care and support to our patients and their families at the most vulnerable time in their lives.”
CLOCKWISE FROM TOP Skirt, Riana (size 12) - £40, Bag, River Island - £8, Top, Monsoon (size 12) - £7, Boots, Diesel (size 38) - £15.
Tarika with a lovely leopard dress
Relationship and intimacy specialist Maggie Bain - also known as the Bare Naked Coach - has moved to Jersey and joined our Gallery ranks to help local couples repair their relationships. She will be answering questions which she has received from you, hoping to help those with similar problems by drawing on a decade of experience in the field.
Words: Maggie Bain Photography: Oliver Doran
Dear Maggie...
My partner says they love me, but…
So, my question to clients is: “Did it start in the bedroom and ripple outward, or did it start elsewhere and ripple into the bedroom?”
My partner says they love me but never compliments me or shows affection. I want to tell him, but I don’t want to seem needy.
As I read your dilemma, I was reminded of how people view love so differently, particularly in their most intimate relationships. That said, I should clarify that my answer is based on the limited information you’ve shared.
There’s no doubt that hearing “I love you” pulls us in. These three magical words hold us captive, leaving us breathless for more. But words alone often feel hollow—we need actions to show us what love means. Compliments and affection are expressions of feeling; they’re the proof that satisfies our hearts. Without them, words can sound like empty promises. Where I come from, there’s a saying: “Mouth can say anything,” meaning talk is cheap if the mind, heart, and soul aren’t aligned. For “I love you” to feel real, your partner’s sincerity must leave no room for doubt.
In my years of helping individuals and couples with relationship issues, I’ve seen how love is shaped by childhood. Some replicate the role models they grew up with, while others strive to become the affectionate partner they never witnessed. Perhaps your partner grew up with a stoic male figure, leading him to equate emotional restraint with masculinity. Men of few words often argue that providing and being present “should be enough”—they shouldn’t have to spell it out.
Discussing feelings is especially difficult for many men, as boys are often taught to “toughen up” and avoid “acting like a girl.” The result? Partners end up mind-reading, and projecting assumptions onto the relationship due to poor communication. Both sides feel unseen and misunderstood, creating a rift filled with self-doubt, mistrust, and disappointment.
This disconnect creates a ripple effect. Negativity and lethargy spill into friendships, family, and work. Physical health suffers— sleep, eating, anxiety, and other stress-related issues—and the relationship grows dull. Thoughts like “Is this it?” or “I give up” become common, and settling feels inevitable.
Whichever way the ripple flows, it will inevitably have some effect on your sexual intimacy because being able to communicate your needs and wants will draw you closer. Sexual touch, which includes affectionate touch, is the glue that bonds couples. Without this, a distance is created, and the attachment starts to become undone, resulting in feeling like friends or roommates.
From what you’ve shared, my first suggestion is to learn how to really talk with each other. For best results, I’d encourage setting a time and place that works for you both—without outside interference—and with the understanding that this is a conversation about “us.” Creating a confidential space is key to starting a new practice, and with any habit, the more consistent you are, the better you’ll become.
Now, I recognise this sounds easier said than done, but know it’s possible to improve how you relate to each other. In the beginning, it may feel awkward or uncomfortable, or you might meet resistance from your partner. Still, I encourage you to continue. Many relationship issues stem from one or both people not being honest with themselves, let alone their partner, so finding your voice is essential.
If this feels too difficult, I’m here to guide you. Just reach out via the contacts below.
Remember: Your personal happiness is paramount, and in turn, it will enhance your intimate relationship.
For Private Consultation at The Mind & Body Rooms, Charing Cross, St. Helier, or Zoom, message Maggie at maggie@barenakedcoach.com or visit barenakedcoach.com
If you’ve got an anonymous relationship question you’d like to ask Maggie, scan here to send it to us for a future edition >
Q&A
Dr Effie Liakopoulou
Consultant Haematologist at Jersey Haematology
Tell us about you, and your medical background...
Originally from Greece, I have been a doctor since 1991, having studied and worked in pre-eminent institutions in the UK (since 1998), Europe, the USA and the Middle East. I have over 30 years of international experience with knowledge of the landscape in science, medicine, research, regulatory and service developments in Medicine. In 2018 I joined Jersey General Hospital. From 2019 to 2022, I was Associate Medical Director at Health & Community Services. I am a Fellow of the Royal College of Physicians and Surgeons of Glasgow and also a Fellow of the Royal College of Pathologists. I am also an Assistant Professor in Medicine at the University of Washington in the USA.
What is Haematology?
It is the scientific study of blood. As blood is the organ that circulates in our entire body, blood provides information about the condition of other organs and our health in general.
Tell us more about what happens at Jersey Haematology
I set up the clinic nearly 3 years ago, as I felt there was a gap in the Jersey medical environment for a specialist integrated blood advisory business. Under my close supervision, my team provide specialist blood tests, iron infusions and specialist medical treatments, all to international standards, within a caring environment, where empathy with the patient’s needs is paramount. We aim to deliver a highly personalised service where the blood tests we do provide a wealth of health data about the patients current and future well being.
Who would benefit from seeing you?
Anyone who wishes by means of their blood to gain a better understanding of their health or thinks they have a blood related issue – we see GP and other professional referrals as well self-referred members of the public.
How do they get in touch?
You can book an appointment at the clinic between 09001700 Monday to Friday by calling +447797788828 or via email jh-admin@jersey-haematology.je
WEAR SUNSCREEN
Sun’s Out - Time To Protect Your Beautiful Face Sisley | Sunleya Anti-Ageing Facial Sun Care SPF50 £208 | Voisins
Heliocare
Sun exposure is the main cause of premature skin ageing. Repeat that to yourself! This truly wonderful SPF is skincare that doubles as a shield for your skin. Super lightweight, it is the ultimate in luxury when it comes to sun protection. A powerhouse sunscreen that fights signs of ageing, it’s like a mini facial every time you apply it. Total win-win! If you can afford it, then this is the one for you.
| 360 Gel SPF50 £31 | Boots
Your go-to sunscreen for daily protection without the greasy feel. Super lightweight and matte, it’s perfect under makeup. Packed with antioxidants, it shields you from UV rays, blue light, and pollution. Great for oily or acne-prone skin—no breakouts, just glow!
La Roche-Posay | Invisible Fluid SPF50+
£19.99 | Superdrug
Oh my gosh, this sunscreen is a total game-changer! Loved by Dermatologists it genuinely disappears on the skin, no white cast at all. Perfect under makeup and amazing for sensitive skin. Ideal for every single day of the year. Your face will love it!
JERSEY LAW
FAMILY LAW
INDUSTRY EDIT: LAW
FAMILY LAW
This edition’s Agenda special contains updates and advice from Jersey’s legal professionals working in the sector of family law.
A WINNING FAMILY LAW TEAM
Clare Woodhouse joins the esteemed Family Law department at Viberts, where she has joined Rose Colley to lead the largest family law team in Jersey. With Clare’s arrival, the team gains a skilled and compassionate practitioner whose experience complements the firm’s commitment to delivering expert legal guidance in sensitive family matters. This strategic addition reflects Viberts’ continued growth and dedication to providing clients with trusted, high-quality service in all aspects of family law.
Rose Colley has an illustrious 25-year career dedicated to supporting clients and advancing the practice of family law in Jersey. She has retired from the partnership at Viberts but continues to work as a consultant and to continue growing the Vibert’s Family Law team.
How it all began.
After qualifying as an English Solicitor in 1980 I spent the next six years lecturing in housing law in Hackney in Inner London. These were exciting times in London local government and most of my students were graduate social housing managers. I taught the students the law from the basics to the more
complicated specialist areas which was both challenging and interesting.
After the birth of my daughter in 1986 I moved private legal practice and specialised in both housing/ landlord and tenant law as well as family law. I combined my day-today practice with several years as an elected councillor both for the London Borough of Southwark and the Inner London Education Authority. I loved the combination of legal practice and politics.
In 1997 I moved to Jersey and on 6th January 2000 was sworn in as an Advocate. That year I moved to Viberts and until very recently was a partner specialising in family law. There have been many changes in both the law, the procedure, as well as social attitudes
during the last 25 years. The cases I have been involved in have been both varied and at times ground breaking in the development of family law on the Island.
What now?
Having stepped back, I am enjoying a four-day working week. I still appear in court most weeks and my desire to achieve for my clients has not diminished. I am very fortunate to have all three of my children living in Jersey and am proud of them all. I love having more time to spend with them all as well as my three-year-old grandson. I now have time to enjoy my love of travel, lovely food and wine and perhaps one day I will find the time to fulfil my ambition of writing my autobiography!
Clare Woodhouse is an English Solicitor who has worked in family law for the last 22 years. She practiced in England for just over four years before moving to Jersey. With Clare’s arrival, Vibert’s Family Law team continues its commitment to delivering exceptional legal services in all areas of family law, including divorce, child custody, financial settlements, and domestic abuse matters. Clare brings with her a deep understanding of the sensitivities involved in family law cases, as well as a strong record of advocacy and client care and her presence ensures the legacy of the team remains in experienced and capable hands.
Clare, tell us about your career so far.... I did not study law at university and instead did a literature and arts based degree. At the end of my degree I decided to do the Graduate Diploma in Legal Studies to convert my degree into a law degree. After this I trained at a high street firm in a small market town in Norfolk. During my training contract I spent my last year in family law and I was certain then that I had made the correct decision. My first post qualification role was in another high street firm in Norfolk before I moved to Jersey where I was employed at a large Jersey firm for 13 years in their Legal Aid Department undertaking solely Family Law. This role exposed me to a varied caseload including public law children’s work, matrimonial finances and children matters as well as divorces and separations. I moved to another firm in Jersey for four years before joining Viberts.
Why did you choose Family Law?
After experiencing a difficult family background myself I always felt drawn to Family Law. I found that my personal experience helped me to understand the rollercoaster of emotions that clients are experiencing and enabled me to reassure them that whatever the outcome life will move on and it will be okay. It also meant I was well equipped to deal with the more practical solutions that were needed to assist clients to adapt to their “new normal”.
What drew you to Viberts?
Viberts is a well-established and respected law firm. I was aware of their team and impressed by their ability and reputation. I have spent many years working on the other side of Rose. Her knowledge and experience makes her a formidable presence in family law. To have the opportunity to work alongside her, gain from her experience and learn from her every day is a privilege and a wonderful opportunity.
What do I enjoy about the role?
Working as part of a capable, enthusiastic and professional team. They have the passion about family law that reminds me every day why I do the kind of work I do. I have felt inspired by them every single day. Helping them to develop their skills in family law, working with them to hear their views and ideas has been the best part of the role so far. There is so much I am learning from them too and I feel confident that the next generation of family clients are well served.
Biggest challenges in the role?
Giving client’s difficult advice when they are in the midst of a very traumatic time of their lives. My role is to give them guidance and try and help them aside from all the emotion. This can be difficult when people are feeling the strain of changes in their life, often not in a way that they are happy with.
What do you get up to outside of work?
At the moment my main focus is studying for my advocates exams. When I am not studying however, I spend all my time with my lovely two children aged 10 and 12 who do all they can to distract me from my exam stress!
Providing legal support on family matters.
Recognised as the leading Family Law team in Jersey, we are committed to handling issues in an expert way that minimises conflict and stress.
With the right support and advice, you can create a future that’s right for you and your family.
Viberts, with you every step of the way.
Tying the knot?
PRE-NUPTIAL AGREEMENTS TO BE TIGHTENED UP
When you enter into a marriage or civil partnership, you enter into a commitment to spend the rest of your lives together and most don’t think about the possibility of divorce but, should they? Jersey’s family law is set to undergo a major update, hopefully by late 2025. A key part of this reform will be the legal recognition and enforceability of pre-nuptial and postnuptial agreements. These changes will bring Jersey into line with modern international standards, offering couples greater financial security and clarity in the event of divorce (or as it will be under the new law “dissolution”).
What is a pre-nuptial agreement?
A pre-nuptial agreement is a legal contract between two people before a marriage setting out how their assets will be divided if the relationship ends.
Sharing of assets
In a divorce, the starting point is often a 50/50 split of all the matrimonial assets. Many people are unaware that even assets they believe to be personal may be shared, especially if they’ve been mixed into joint accounts or are jointly owned. Once combined, they typically become matrimonial property, regardless of original ownership.
Current Position (before the new law)
Currently, pre-nuptial agreements are not automatically binding in Jersey. The Royal Court may consider them under Article 29 of the Matrimonial Causes (Jersey) Law 1949, particularly if they meet certain fairness standards. Following the principles from the UK case Radmacher v Granatino [2010] UKSC 42, Jersey courts may give weight to agreements if:
WHAT COULD CHANGE IN 2025?
Jersey’s upcoming Draft Marriage and Civil Partnership (Dissolution and Separation) (Jersey) Law 202… will give the Family Court the power to vary pre- and post-nuptial agreements, making the presumption that pre-nups. are legally binding, provided they meet specific safeguards. This is part of broader updates in the new law including no-fault divorce and clean-break financial settlements.
Key Changes
Presumed Enforceability: Agreements will be presumed valid if properly executed.
Fairness Test: Courts can still set aside agreements that are unjust or fail to provide for children.
Requirements for Enforceability
To be binding, an agreement must:
• Be entered into voluntarily
• Include independent legal advice for both parties
Involve full financial disclosure
Be signed well before the wedding (typically 28+ days)
Be fair, not leaving either party (or children) in hardship
Children’s Welfare Comes First
The best interests of children remain the first consideration of the Family Court. The Court may override any agreement that fails to provide adequate support, in line with the Children (Jersey) Law 2002.
Postnuptial Agreements Included
The same rules will apply to post-nuptial agreements - those made after marriage.
Legal Clarity Moving Forward
• Both parties understood the terms
• The agreement was entered into freely There was full financial disclosure They are signed well before the wedding
• Each party received independent legal advice
However, courts retain discretion to disregard such agreements if they are deemed unfair.
Jess Dunning and Juliette Byrne
Jess Dunning and Juliette Byrne are incredibly talented paralegals. They are dynamic and passionate young lawyers developing their careers at the top family law firm in Jersey.
Jamie-Lee Morgan (overleaf)
Jamie-Lee, a Jersey solicitor or Écrivain, is an excellent specialist family lawyer. Jamie-Lee has a strong reputation for ensuring her clients feel supported and empowered while she pursues the best resolutions to complex and emotional situations. She is determined and empathetic which provides clients with a safe place amid the challenges of family law.
For a free 30 minute consultation about any aspect of family law, including pre-nuptial agreements, civil partnerships, contact issues, divorce, separation, finances, relocation, adoption or surrogacy e-mail enquires@ corbettlequesne.com or call 733030.
References are available at www.corbettlequesne.com
Agreements may still be found to be void if there’s evidence of fraud, duress or mistake. The new law, which was recommended by the Jersey Law Commission, takes away the need for one party to blame the other for ending a marriage and allows couples to make joint applications for a dissolution, allows couples to have much more certainty about their future finances. We at Corbett Le Quesne, believe that this new law will benefit everyone planning to marry.
MINDSET THE NON -LINEAR
Danielle Newton, Ben Fraser and Rebecca Mcnulty
When it comes to careers, one size does not
fit all. And the path to qualifying as a lawyer or securing a senior role is no different.
From Ogier’s focus on flexibility and personal development to its embrace of innovation and technology, the firm is committed to giving its people the individual support and opportunities they need to #BeExtraordinary
Whether it’s training programmes or pathways to partnership, Ogier’s development platforms allow its lawyers to track their own progress so they can take control and have a career as unique as they are.
DANIELLE NEWTON
I have been an associate in Ogier’s Corporate team since March, after graduating from the firm’s two-year trainee scheme.
I joined first joined Ogier Global, Ogier’s corporate administration team, as a senior administrator in 2019, working on a variety of real estate and investment funds.
Although I loved the team I was in, working so closely with colleagues on the legal side of the business sparked my interest in pursuing a career in law.
While still in my role as senior administrator, I therefore pursued and completed the Graduate Diploma in Law. With encouragement from legal colleagues and the full support of my director, I then applied for a paralegal role within the Funds legal team and was able to transition seamlessly to the legal side of the business in 2021.
In 2023, having completed the Legal Practice Course, I secured a place on Ogier’s tailored trainee solicitor programme, which allowed me to experience three different seats across the firm. After graduating from that course, I was delighted to accept a permanent position in the Corporate team this March.
Despite the initial apprehension of changing careers after six years in an industry where I felt comfortable, I am absolutely sure I made the right decision to take the plunge. Rather than seeing my initial career as a detour, I am certain this non-linear path provided me with a strong base on which to build my career from now on. I am not only able to transfer skills attained in my previous role, but this experience also offers a unique perspective that helps me ‘walk in the shoes’ of the admin teams we collaborate with on transactions.
I would encourage anyone who wonders if the grass is greener to chat to colleagues and consider a career change – I received nothing but support from Ogier when changing my career trajectory and I am excited to see what the next chapter holds.
BEN FRASER
I came to my current role in Ogier’s in-house legal team, and to a career in law, via a circuitous route.
At university I followed my passion and studied Chinese. Shortly after graduating, I joined a mining company with a presence in Australia and Ghana, but headquartered in Jersey. In that role, I worked in a small team responsible for the commercial side of the business. This included market analysis and business development as well as other tangible aspects such as the organisation of shipping. After several years, I was lucky enough to move to China to work in the Shanghai office, putting my degree to good use.
This experience of forging close relationships and gaining insight into the market convinced me to change tack slightly, and I decided to qualify as a lawyer. I completed the Graduate Diploma in Law and the Legal Practice Course and then commenced my training contract at Ogier. I eventually qualified into the Banking and Finance team, where I worked on a variety of transactions. Experiences of working under pressure and applying organisational skills from my previous careers proved invaluable in this role.
An opening in Ogier’s in-house legal team presented an interesting opportunity: it would allow me to build on the legal skills I had been developing in private practice while making more use of the problem-solving skills and commercial awareness which were fundamental to my previous career. This blend has proved very rewarding.
A non-linear career allows me to offer different perspectives to legal or other issues as they arise – not to mention the many skills I have developed along the way, such as dealing with high value clients. With this mindset, I can be more effective in my everyday role.
REBECCA MCNULTY
I was promoted to Partner in Ogier’s Dispute Resolution team in December 2022.
I studied law at university, undertook the Legal Practice Course and immediately embarked on my training contract with a UK firm. In that sense, my journey to partnership may appear linear, but the reality is that the path has not been an entirely straight one. As a student, I was told to reconsider my chosen profession, as my teachers thought law was not the right choice for me. I was once ‘written off’ for working on a big case in a previous firm because I was a ‘working mum’. If I’m honest, I wasn’t always sure I would ‘make it’. I allowed doubt to creep in, and juggling the demands of work and three little ones sometimes felt almost impossible. There were moments when I stepped away from a career in law altogether and vowed never to return, because at times the juggle felt too much.
Taking that step away and allowing myself to pause and reflect was the best decision I made. It made me realise my passion is a career in law and helping to support and develop others. One of my reasons for deciding to return to practice and pursue the path to partnership was the hope of inspiring at least one other woman to do the same.
As an advocate for the importance of being your authentic self and inspiring the next generation to strive for their goals, I’m so grateful to be at a firm like Ogier. I’m actively involved in our flexible working and open culture and focus on bringing people together through my involvement in Ogier’s DEI Committee, Senior Women Round Table, Ogier Women’s Circles, the Mental Health First Aiders and the Mentoring Hub.
I’m also very proud to have recently won Champion of the Year at the Citywealth Powerwomen Awards, in recognition of my contribution to supporting and championing others and adding to the positive narrative that junior women should not let the fact that they have family and/or other commitments deter them from pursuing their goals and aspirations.
A magnetic source?
Dividing pre-marital assets on divorce
Words : Advocate Chris Hillier, Head of Family Law at Ingram Advocates.
Lawyers can be guilty of inventing confusing and lengthy words, and ‘matrimonialisation’ is one of the newest to enter the family law lexicon. Two recent English cases have highlighted the term, which refers to a Court deciding that pre-acquired or ‘non marital’ assets may (or may not) be brought into the matrimonial ‘pot’ for division upon divorce.
Why is matrimonialisation problematic? For the wealth creators, it feels unfair for a spouse who they say did not play a part in that creation, to benefit from pre-acquired or pre-earned assets. On the other hand, those who felt entitled to a certain award could find more uncertainty in their future and spend it litigating to seek an answer. The English case of Standish v Standish, for which judgment is awaited from the Supreme Court, shows this difficulty.
In Standish, assets were worth more than £130 million. The wife started divorce proceedings in 2020 after her husband transferred £80 million to her for ‘tax planning reasons’ in 2017. It was intended that the wife would settle this into a trust, but this was not done. Initially, the court found that the transfer of the non-marital assets by the husband to the wife did have the effect of ‘matrimonialising’ them, so they could be divided, although unequally. This was because their pre-marital nature was their ‘magnetic source.’ Both the husband and wife appealed to the Court of Appeal, which reduced the order to the wife from £45 million to £25 million… we now await the decision of the Supreme Court!
The wife claimed that she was entitled to a greater share than what was offered by the husband. The Court disagreed, preferring the evidence of the husband. “
Passive investment
A further English case, ST v AR [2025] EWFC 4, considered the way in which substantial amounts of managed, inherited wealth are dealt with when a marriage ends.
Although the husband described himself as a “passive investor” of his family fortune including a property portfolio, the wife contested that with his input, that fortune had increased in value, and this had led to the ‘matrimonialisation’ of the assets, as the increase had taken place during their relationship. The wife claimed that she was entitled to a greater share than what was offered by the husband. The Court disagreed, preferring the evidence of the husband.
Conclusion
Whilst both ST v AR and Standish are ‘big money’ matters, family courts can apply the principles found in them to more ‘everyday’ cases. Previously, pre-acquired assets may have been considered ‘ringfenced’ and deemed to lie outside of the ‘pot’. It is likely that those who hold the greater amount of wealth will still try to rely on this argument, or state that their success was a ‘stellar contribution’ to the parties’ wealth.
As always, there is an important side note for those divorcing in Jersey - it is not English case law which shapes the court’s views. The court will consider each case on its own facts and merits, and in accordance with Jersey’s Matrimonial Causes Law, case law and legal principles.
(This article is not legal advice. For a confidential discussion about family law matters, please contact Chris on 01534 833 888).
Easing the burden
We are focused on supporting you and your family through life’s most delicate situations.
Our team takes pride in being approachable, compassionate, and composed, offering expert guidance in the following areas:
→ Separation → Divorce → Children law → Matrimonial finance
Talk to Advocate Chris Hillier, Head of Family Law, about how we can help transform your situation for the better.
CAREY OLSEN: LEADERS IN LEGAL TRAINING
Carey Olsen has the longest running and most successful SQE Trainee Solicitor Programme in the Channel Islands. Our September 2025 trainee intake includes 12 trainees in Jersey and six in Guernsey—making it the largest cohort across any firm in the Channel Islands, offering a significant peer network and fostering a strong sense of community and shared learning from day one.
KATE ANDREWS
is a partner at Carey Olsen. With strong experience in mentoring junior lawyers, Kate plays a key role in ensuring the Trainee Solicitor Programme develops technical expertise through hands-on experience and exposure to high-quality work across our core practice areas, and reflects the firm’s values of integrity, approachability and exceptional service.
At Carey Olsen, we believe that investing in our people is essential to delivering the highest quality legal services to our clients. Our trainee programme is more than a route to qualification; it’s a long-term investment in talent, potential, and the future of our firm.
We are committed to “growing our own” by providing trainees with meaningful responsibility and tailored support from day one. The programme is built around mentorship, collaboration, and continuous professional growth and is designed to equip future solicitors with the technical skills, commercial understanding, and confidence needed to thrive in their legal careers. This approach allows us to develop lawyers who truly live our culture, values, and standards of excellence.
A strong desire to learn, an ambition to progress, and the ability to work well in a team, are essential to success. Trainees should take steps to understand the structure of, and commercial drivers for, each transaction. Trainees should ask questions to deepen their knowledge. As they gain experience, we hope that trainees shift from being reactive to being proactive— anticipating needs, taking ownership of tasks, and actively contributing to the completion of the transaction.
EMMA DEMPSEY
is an associate at Carey Olsen, having joined the firm in 2022 as a trainee solicitor. She qualified in August 2024 and works within the Corporate Finance team. Emma reflects on the transition to qualified solicitor and offers insights on her journey through the trainee programme with Carey Olsen.
The support I received from my colleagues during the two-year training programme was invaluable. They were approachable and took the time to explain tasks clearly, whilst also encouraging me to think independently. Carey Olsen has some exceptionally knowledgeable lawyers, so it has been great learning from them and developing professionally. The legal secretaries are also a great source of support – a law firm would not function without them!
As a trainee at an offshore law firm, you will be spread across a number of matters at once, so you definitely need to be organised! Using checklists helped me to prioritise tasks and meet deadlines. Diary reminders are also really useful.
My three top tips for those embarking on the training programme in September would be:
• Don’t be afraid to ask questions – trainees aren’t expected to know everything
• Do the basic tasks well to earn the trust of more senior fee earners
• Be willing to learn and help others as you really do get out what you put in
Carey Olsen, a leading Jersey law firm, offers exceptional career opportunities across all legal practice areas and group services functions, including compliance, finance, HR, IT and marketing.
We’re proud to be recognised as an employer of choice, committed to developing and retaining local talent, and to be recognised in the leading legal directories with the highest number of Tier One rankings in Jersey.
We are interested in speaking with motivated individuals from across all career levels who have the drive to reach their full potential and to deliver excellent levels of service to our clients. In return, we provide a platform to demonstrate your capabilities, achieve your aspirations and become part of a leading offshore law firm.
For more details of the opportunities and current vacancies, visit careyolsen.com/careers
Clear direction
When asking a friend’s parent for career advice, he encouraged us to try and stay at a job for at least a year, to demonstrate commitment on our CV. They’re words that might seem alien to an older generation, who viewed a job as a lifelong pursuit rather than a stepping stone to something better.
Tom Matthews and James Douglas, who have worked at Pallot Glass for 40 and 45 years respectively, have experienced every corner of the business and watched its ownership pass through generations. Thanks to the company’s long-standing history and accumulated expertise, they’re well-equipped to fit anything from the largest panes of glass manufactured, down to one the size of a car’s wing mirror.
Both men arrived in Jersey through a chain of chance events. Tom, originally from London, moved to the island because his mother’s sister lived here and started as a sales rep for the company. James, meanwhile, was visiting Jersey for a few weeks before heading to Germany for a job in engineering. “I never made it to Germany,” he joked. “After three weeks at Pallot’s, I started full-time in 1979.” Since then, he’s worked across installation, fabrication, and sales - gaining experience in a wide range of work.
“We’re fortunate to work at a longstanding family company,” said Tom. “Over time, we’ve seen other glazing firms on the island come and go, but Pallot’s has always been solid.” Their careers have taken them around the globe, contributing to major projects such as the Metropole Hotel in London and the Australian embassies in Jakarta and China. “I was privileged,” James reflected. “I’ve gotten to see a bit of the world through our little company here.”
On-island, Pallot Glass has taken on some of the most ambitious architectural projects of their time. When Ron Hickman, inventor of the Black & Decker Workmate, requested the largest panes of glass ever glazed in Europe, Tom and James were up to the challenge. “At the time, what he designed was incredibly futuristic,” Tom said. “It was an avant-garde sort of build. Bigger panes have been done since, but back then, it was extraordinary. Everything had to be specially made.”
The longevity of Tom and James’ careers ultimately speaks to the benefits of working for a tight-knit, stable family company. When they first joined, it wasn’t uncommon for employees to stay for life, with the average tenure sitting around 23 years.
What sets Pallot’s apart from other glazing companies is the equipment and expertise at their disposal. “No other companies on the island can lift the largest panes of glass - but we can,” Tom said. “We’ve got a large crane and many specially trained staff. Unless you go to the UK, you won’t find anyone else who can do what we do.” It’s a capability that comes from decades of staff retention, allowing Pallot’s to take on complex projects with confidence.
The longevity of Tom and James’ careers ultimately speaks to the benefits of working for a tight-knit, stable family company. When they first joined, it wasn’t uncommon for employees to stay for life, with the average tenure sitting around 23 years. “If people are working somewhere for that long,” said Tom, “the company must be doing something right. You’d have to do something pretty serious to get sacked. The first instinct here is always to look after you. Everyone’s a human being - not a number.”
Interview: Emma Pallent
Photography: Danny Evans
ON ANOTHER LEVEL
One of the most well-used expressions in the estate agent lexicon is “location, location, location.” It is, of course, an important element of somewhere you’re looking to put your lounge, bed and kitchen. When you’re talking about a property that offered the ability to explore inside and out with CGI prior to the build, you know you’re at the end of the market that brings another such expression into play: “specification, specification, specification.”
OK, I concede that the six extra syllables make it less of an attractive catchphrase, but it’s very relevant for a home that is set to be built in the eight-figureand-up price range. When Gaudin & Co shared these images with us of a finished Villa Cambray, it was great to see the dream come to life, as the details describe: “A masterpiece of luxury with panoramic views over St Aubin’s Bay.” All three floors of it.
The property really is in an exceptional south-facing position on Mont Cambrai, with panoramic sea views of St Aubin’s Bay. The home has been designed to harness that all-day passage of the sun, with three floors of glassfronted living space, flanked by granite to give it a Jersey feel. The design allows practical use of the plot shape, funneling in natural light.
It seems that ‘artisan’ is the moniker for people who make everything from brownies to cocktails these days, but it takes a particularly attentive craftsman to create the sort of finishes applied at Villa Cambray. The specification of cabinetry and finish gives an air of five-star hotel; that’s the work of a real artisan. The lower ground floor houses the principal living space, which includes the hand-crafted kitchen, fitted with top-of-the-line Gaggenau appliances. It looks the part and is perfect for both everyday living and entertaining. But there’s also a substantial prep kitchen and pantry, providing further space and functionality for culinary excellence, whether for the homeowner who loves to cook, or their private chef.
When a property is built from the ground up, it offers the ability to specify all the desirable household options, and the villa’s living and entertaining spaces are nothing short of spectacular. For the cinephile, there’s a climatecontrolled 12-seater cinema for the ultimate private screening experience. If you’re more into presses than popcorn, then the fully equipped home gym will allow you zero excuses for not having that Instagram fitness influencer physique. For wine connoisseurs, a 1,000-bottle climate-controlled wine room with a dedicated tasting foyer offers the perfect retreat. Yes, 1,000. Hopefully sufficient for most people’s requirements.
If you’re entertaining and things get a little hot in the kitchen(s), the marble of the lower ground floor gives way to the sandstone of the poolside and heated infinity pool. All those lengths will earn you a snack, and to the side of the patio is a dining area and outdoor kitchen, fully equipped with an
The lower ground floor houses the principal living space, which includes the hand-crafted kitchen, fitted with top-of-the-line Gaggenau appliances.
integral BBQ, rotisserie, fridge, and sink. Expansive terraces wrap the house. The upper ground floor is home to four bedroom suites, with those storm-watching views for those at the front, and access to another huge terrace. The ‘first’ floor above is home to the vast master suite, complete with private balcony and the best views in the house—not least because you get to look down at your pool and family having fun below, and the bay beyond.
Externally, the grounds have been kept simple and lowmaintenance. It’s clear that Villa Cambray has been designed with a car enthusiast in mind. Once inside your secure gated parking, it’s time to play with one of the toys that everyone who ever owned a Fisher-Price garage probably secretly wants: a car lift. The lift will allow you to drop your prized Porsche or Panda down to an elaborate underground showroom, so you can admire your metal from your wine tasting area, naturally. A passenger lift serves all levels, ensuring ease of access throughout the home and futureproofing it for mobility—so you won’t have too far to stumble to bed if you finish the bottle.
If you’re looking for an impressive new-build home that has it all, designed for premium living, it might be worth taking a drive up the hill and seeing whether you could see yourself seeing everything from Villa Cambray.
Once inside your secure gated parking, it’s time to play with one of the toys that everyone who ever owned a Fisher Price garage probably secretly wants: a car lift. 5 BEDROOMS 5 BATHROOMS 8493 SQUARE FEET
Questions: Viewing? Call
Blades of Glory
Words: Ceri Milner
Okay, so let’s talk about something that used to be a weekend chore but now feels a bit... futuristic: mowing your lawn. If you’re still pushing a heavy mower around on a hot Saturday afternoon, you need to meet the Kress robot lawnmower. Seriously. These little machines are like the Roombas of the backyard—but smarter, sleeker, and built for grass domination. Kress robot mowers quietly zip around your lawn, trimming the grass with surgical precision while you kick back with a cold drink or, you know, do literally anything else.
One of the coolest things about them? They’re not just mindlessly bouncing around out there. Kress mowers use high-tech navigation to plan their path intelligently, avoiding obstacles and even adjusting how they mow based on your lawn's shape and condition. And if you’ve ever battled uneven ground or steep slopes, no worries—these bots are built for it. Some models can handle slopes up to 40%. The great team from Eastern Garden Machinery will pop over to meet you, and let you know which model of Kress mower you need for your garden, as well as doing all the set up for you.
They're also eco-friendly. Instead of using gas or oil, they’re battery powered and whisper-quiet. Your neighbours probably won’t even notice it’s running—until they start asking why your grass looks perfect all the time.
And yes, they come with an app, because of course they do. You can schedule mowings, check the mower’s progress, or even stop it mid-mission if you need.
Bottom line: if you’re ready to skip the sweaty mowing sessions
FIRE UP THE GRILL BOL D FLAV OU RS
Ex clus ive reci pe s
Whether you’re thinking about extending or renovating your period property or planning a huge development, you might be considering how modern glazing can be incorporated into its traditional build. Structural glass experts, Clear Living tell us more…
OLD MEETS NEW
All of our glazing – even our more contemporary, minimalist designs, can work incredibly well in heritage and listed properties, expertly blending old and new. Glazing can offer just the upgrade you need to elevate your period property and bring it into the 21st century for comfortable modern living.
Homeowners often dismiss modern glazing on the basis it will be rejected by the Local Planners. One of the key principles in listed and heritage building glazing applications is making a clear distinction between old and new. Planners often prefer designs that are obviously modern interpretations rather than those that try to mimic traditional elements.
Here we take a look at some of our recent case studies of glazing applications in period properties.
The leisure complex was constructed at a lower level to the property and the planners favored a glass box link connecting the two buildings and the different floor levels. Sky-Frame sliding doors were installed in the leisure complex to allow uninterrupted views across the garden, bringing the outside in.
Our client wanted to create a garden room, attached to their listed stone property, overlooking their garden and swimming pool. The glass box was routered into the original stonework of the property. This shows the original property virtually untouched with the addition of the modern standalone glass box.
Our client wanted to link their traditional property with a newly constructed modern glass fronted leisure complex.
This traditional country property was renovated to incorporate arch head windows and doors. Slimline metal heritage style windows were installed. This created the original look the clients wanted along with modern, slimline and thermally efficient double glazed windows. The use of metal, over wood, ensures longevity and reduces maintenance.
This beautiful listed farm building was converted into a residential property. The planners were keen to retain the original barn door openings and favored the use of slimline sliding doors to avoid any disruption to the original structure. Sky-Frame sliding doors were installed maximizing the openings with their slim frames whilst retaining the look of the original barn.
Our clients restored a ruinous stone farmhouse and added a single Storey extension to incorporate modern open plan living. One elevation of the extension was constructed of matching stone and we added Sky-Frame corner opening doors. This added a sleek modern contrast to the traditional property effortlessly blending the different elements with the outside.
Our clients were extending their country farmhouse to incorporate an adjacent derelict outbuilding. They wanted to infill the damaged parts of the barn with glass as opposed to rebuilding in stone. Structural glass was used to restore half of the building. Looking at the building you can clearly see the ‘old’ and ‘new’ perfectly married together.
A traditional stone and timber clad barn was converted incorporating elements of structural glass and glazed doors to flood the property with light through the original barn door openings.
This stunning Victorian house was remodeled and extended to incorporate a modernist glazed kitchen extension featuring a stunning corner opening Sky-Frame sliding doors. The new glazed extension was bolted onto the side of the property and stands almost independently to the original house.
Each traditional and listed building glazing project is unique, requiring tailored solutions that align with planning requirements and our clients brief. We always seek to find a careful balance between historical preservation and modern performance. We work closely with architects, planners and conservation officers to ensure that our glazing solutions meet aesthetic, functional, and regulatory criteria. Whether incorporating modern slimline sliding doors, glass box extensions, glass links or heritage style windows and doors, our expertise ensures that each project meets the highest standards of craftsmanship, compliance, and energy efficiency.
Get in touch with Clear Living to discuss your heritage project on 01606 45109 www.clear-living.co.uk
The smartest way from A-B
If you’ve ever zipped past a lime green two-seater and wondered what the deal is, consider this your nudge to get behind the wheel. EVie’s A-B car service has the potential to change how Jersey gets around. Designed for simplicity, sustainability, and serious savings on both fuel and your carbon footprint, these electric two-seaters are the island’s answer to flexible, affordable transport without the environmental hangover.
The cars are operated through the EVie app, where you can unlock vehicles from any of the thirty (and counting) parking zones across the island. Once you’ve reached your destination, simply drop the car off at another zone. No keys, no paperwork, no rental desk. The two-seaters are ideal for solo commuters or lunchtime errand-runners, with enough space in the back for two to three cabin bags.
At less than £7/hour or £21/day with a subscription, it’s far more affordable than a traditional hire car - or even a round-trip taxi to the airport. Even without a subscription, the rates are friendly, sitting at £8.95/hour or £29/day. All fees, insurance, and fuel are included. For those with range anxiety, rest easy: these zippy little pods go up to ninety miles on a charge, and there’s the option to swap out the battery if needed.
You can even pause your booking if you want to explore on foot - no need to race back to the car before the timer runs out. It’s sustainable mobility made smart, with the freedom to move on your own terms.
When transport accounts for over 40% of Jersey’s emissions, finding a sustainable way to commute is more important than ever. EVie’s mission is to deliver just that - without forcing anyone into Lycra or a 7am bus. Their A-B model is designed with busy people in mind: go to a meeting, run errands or hit the beach after work. Regardless, the decision to forgo spending a tenner at Les Jardins car park everyday will be satisfying enough.
And a smart choice for business
While individuals are loving the flexibility, EVie’s new Credit Mobility Platform is where things get really exciting - especially for workplaces.
Think of it as a green travel perk: employers can offer staff pre-loaded EVie credit as a sustainable benefit. Instead of a car allowance or mileage claim, you get actual access to an electric fleet - an ESG campaign easy for LinkedIn-ers to rave about. If you’re a sustainability officer or office manager, consider this your chance to be everyone’s new favourite colleague.
If you’re a working professional looking to lower your footprint without losing convenience - or a business aiming to modernise your mobility - businesses get an extra 25% credit on whatever they commit. Next time you spot one of those lime green cars tucked into a corner of St. Helier, consider the possibility of embracing a smarter way to travel.
We went to Sumas by Evie
There’s nothing worse than going to pick up your car from a rogue car park the next morning, hungover. The trouble is, many pubs or dining spots - like The Dolphin - are a bit of a trek to get to, but totally worth it for the vibes. So, when it came time for a leisurely lunch at Sumas, we opted to take an Evie car and leave it at one of the many parking bays in Gorey.
Starting from our office in town, we had plenty of bays to choose from. After selecting a car, we checked it for any scratches and hopped in - all through the app. The vehicles are automatic, electric, and easy to use. They’re the perfect option for short trips across our tiny nine-by-five island.
When we reached Sumas, we parked in the Long Beach car park, unloaded our things from the back, and went on our merry way. As far as transport goes, it was smooth, efficient, and it felt good to do something sustainable for the environment. Evie cars are here to stay.
evieondemand.com
Tide’s out, vibes in.
When you’re tasked with writing an honest review, you want to complain about at least a few things to avoid leaning into advertorial-like drivel. When Sumas asked us to come down and try out their menu, of course we said yes - who would refuse a leisurely lunch at what Ben describes as “the epitome of Eastie fine dining”? But as anyone familiar with the quality of seafood served at Sumas will know, finding fault with the cuisine or dining experience is incredibly difficult. I found myself desperately inspecting the cleanliness of the veranda in search of something that wasn’t up to scratch.
The atmosphere at Sumas is impeccable. “You feel like you’re winning when you’re on that balcony,” Ben said. “Toby liked it, and he wasn’t even there.” With the backdrop of boats, palm trees, and a literal castle, it’s easy to feel like a king amidst a seafood banquet in the sun. Our absent 10 Minden Street inhabitant was nothing short of forlorn when he realised his client meetings clashed with our reservation. “Any time you miss a day at Sumas is a bad day,” Toby expressed, his voice dripping with melancholy.
Our lunch started excellently with a top-notch selection of drinks. Laura thoroughly enjoyed her Fruit Punch, despite the fact that Paul Dufty - the restaurateur - was considering taking it off the menu. Riddled with indecision over the extensive options, I was close to ordering the same before Paul nudged me towards trying the Cucumber Cooler - a drink composed of lime, cucumber, elderflower, and Harry Howe’s Elixir - with the option to add local Sea Level gin if preferred. The citrus zing didn’t overwhelm the cucumber, and the drink was so delicious it got passed around the table. In an inspired moment of poetic brilliance, Ben claimed it tasted like “a holiday in a place I haven’t been to.” Having acquired an esteemed spot as nothing short of a muse, this mocktail was definitely a highlight.
With the backdrop of boats, palm trees, and a literal castle, it’s easy to feel like a king amidst a seafood banquet in the sun. “ ”
You know the meal is going to be good when you’re already impressed by the table bread. It was homemade with a crispy, salted crust, whilst being soft, light, and airy in the middle. “I always judge a venue, whether I’m paying five or fifty pounds, by what they bring in terms of bread or a side dish to start,” Ben said. “It defines the meal. The quality and speed with which Sumas presented the bread made me putty in their hands from the start.”
To begin, Calley ordered the Hand-Dived Scallops, paired with carrot purée, bacon, and basil. “It was phenomenal,” she said. “The scallops were just like butter to cut into, and had a really fresh and delicious taste. I dream about those scallops.” Laura claimed, “never has a pea velouté been more welcome” than the one presented to her above the coast of Gorey. Ben ordered the Crispy Squid, garnished with lime, saffron aioli, and crunchy salad. His only complaint was that it could have been marginally crispier, to better suit his personal preferences. The Sumas Fried Chicken with hot honey, spring onion, and crème fraîche was succulent, with the perfect sauce-to-substance ratio. The aroma was so good that Ben couldn’t stop himself from giving it a good dose of eye contact.
In hindsight, when ordering mains, three out of four of us probably shouldn’t have chosen the same dish. But in the daze induced by soaking up vitamin D on a leisurely Friday afternoon, reason was thrown to the wind and we
ordered three fillets of the locally caught sea bass with wild abandon. The dish came with Jersey Royals, cauliflower, samphire, and mussels in a curry sauce. “I don’t particularly like mussels,” commented Calley, “but these were in a green Thai sauce and so good. The fish itself honestly could have been swimming earlier that day - it tasted fresh, flaky and juicy.” She added that the skin was delightfully crispy, confirming she would “100% order it again.”
Ben, ordering last and thus pipped at the post with the sea bass, opted for the rib-eye to secure a shred of variety. “As somebody who doesn’t eat a great deal of red meat, I was really into it,” he said. “Ordinarily, when ordering steak, I’d always go rare, but this one came much better done and crispier on the outside. I really enjoyed it. It was salty and indulgent.”
Overall, the service from start to finish was amazing. Calley, after a few glasses of wine, proclaimed: “The tide was out, but the vibes were in.”
I don’t typically order dessert - save for the odd occasion when I’m tempted by a good tiramisu. But considering the quality of the previous courses, and the fact that dessert extended time spent in the sun rather than at the office, we opted to stick around and try a couple. Laura ordered the affogato, and when asked to comment, said: “It’s pretty hard to fuck up coffee and ice cream, but this is exactly as an affogato should be.” Paul recommended we try the lemon tart, complete with clotted cream and raspberry. The fruits perfectly complemented each other, and the break on the bottom layer of pastry could have attracted a smile of approval from Mary Berry herself.
Overall, the service from start to finish was amazing. Calley, after a few glasses of wine, proclaimed: “The tide was out, but the vibes were in.” If nothing else, the quality of the experience can be testified to by the fact that Ben put his child into after-school club last-minute to stay for dessert and soak in the rays a little longer. Finding time and an excuse for a long lunch at Suma’s is definitely a win.
@sumas.restaurant
Our delivery steeds, the eCargo Longtail and the E28.X
On a 9-by-5-mile island where parking and petrol will set you back over £4500 a year, it’s easy to see the benefits of switching to an electric bike. It’s cheaper, you can cycle up hills with minimum effort, and - provided it’s not overly abused as a method of transport to the pub - it keeps you healthier and well less stressed than sitting in a driver’s seat. During the summer months, it’s idyllic, and the right model can carry the weight of a fully grown man on the back.
As it was Gallery’s delivery week, we reached out to Co-Op Bikes to see if we could take a couple of their electric bikes for a test ride. We explained our mission: find a more sustainable way of delivering magazines, without sacrificing too much efficiency. To achieve this, we needed one bike for carrying the load and another for speedy dispatches. They set us up with Estarli’s E28.X and eCargo Longtail L20 - a sleek, low-maintenance e-bike and a versatile electric cargo bike, respectively.
The former is perfect for travelling to work, college or simply to the shops, with a carbon belt drive that offers a smooth, clean, oil-free ride. The automatic 2-speed motor adjusts seamlessly to terrain changes, and a responsive torque sensor ensures intuitive power delivery, enhancing the riding experience. “It just felt really, really easy,” Flo commented. “It almost felt like driving an automatic car. It’s perfect for Jersey, and is a nice balance between feeling the benefits of an electric bike whilst still feeling like you’ve been on a cycle.” Comfort is ensured with a Selle Royal Vivo gel saddle, with handy mudguards for if the weather turns and lights that run off the slim lightweight battery. The puncture-resistant tyres offer durability and grip, and the E28.X is available in crossbar or step-through frames in bronze, pistachio, or midnight blue.
Estarli’s eCargo Longtail L20 is designed for families and urban commuters seeking a sustainable alternative to car travel. It’s impressively priced at £2000 less than the sea of Longtails on the market, without compromising on robust performance and practical features, such as the ability to carry up to 210kg including the rider. It’s powered by a 250W mid-drive motor offering 110 Nm of power, handling hills and heavy loads with ease, delivering up to 120km of smooth, low-maintenance rides. Like the E28.X, the eCargo features puncture-resistant tyres, complete with hydraulic disc brakes and front suspension for added stability and comfort. It also boasts Gates carbon belt drive and Enviolo Infinity gears - there’s even an assisted walk feature capped at 4mph, so if you have to get off the bike and push, the battery can take the burden off you.
Taking the bikes down the Five Mile was a dream, even with the mags loaded in the back. Despite the weight of the vehicle and cargo, pedalling the eCargo was easier than ever, travelling along with little effort involved. Even going uphill felt like pedalling a normal bike along a flat, making this the perfect transport option for a parent looking to get their child to school on time. If you prefer a challenge and want to put in a bit more effort, the bike easily switches between five levels of assistance at the press of a button.
Estarli’s eCargo Longtail L20 is designed for families and urban commuters seeking a sustainable alternative to car travel. It’s impressively priced at £2000 less than the sea of Longtails on the market, without compromising on robust performance and practical features, such as the ability to carry up to 210kg including the rider.
The Estarli E28.X is ideal for solo riders who enjoy the extra push from electric assistance but still want to feel like they’ve been cycling. It’s the perfect vehicle for a one-person commute and will help you dodge rush hour traffic. Flo commented on the ease of the riding experience - from the automatic gears to the fact that it was considerably lighter than your average electric bike. Weighing just 16.9kg, the E28.X features a removable Samsung battery that provides a range of 60–90km and recharges in 3–5 hours. “I liked that you could choose the level of assistance you wanted,” she added. “I could ramp it up to five going up the hills, which were a bit harder on the legs, but drop it down to one or two if I wanted to challenge myself a bit more.”
Within a few hours, we’d covered St Peter’s, the Five Mile, Corbière, St Brelade’s Bay and Portelet - and still had time for a coffee break. By the end of it, we were both converted to the electric bike lifestyle. “It’s actually made me consider life in Jersey without a car,” said Flo. “I’d never really considered cycling as a possibility, because I’ve never been much of a cyclist. Seeing how easy it was and how good it felt has made me think again about how I get around the island - and that maybe an electric bike is my way forward.”
To find out more or take an Estarli on a test drive head up to Coop Bikes, The Barn, Route de L’eglise, St Peter or reach out to the team at Co-Op Bikes om 01534 861851 or email shaun@coopbikes.com coopbikes.com @coop_bikes
Yes, it really is this much fun on an electric bike
Hey, man on the beach, get your Gallery here!
staying centred
Yoga is a bit of a catch-all term; there’s so much variety within the practice that sessions with different instructors can feel poles apart. Some swear by power yoga, while others lean more towards mindfulness. For Naomi Balderson, a Jersey-based instructor, the practice is a spiritual lifeline that acts as a vehicle for inner healing.
Her journey began when she was searching for something to aid her mental health, and it was initially her dad who introduced her to yoga. “We would go together every week,” Naomi said, “and I found it helped my mood so much. Of course, there’s the movement and exercise aspect to it, but more than that - it’s meditation and stillness. You can just shut off for an hour and not think about everything in your life, finding that peace.” The practice became an anchor for Naomi when she was searching for a safe space to unwind.
In the absence of a routine during lockdown, the consistency of yoga deepened her passion, eventually leading her to leave her corporate job and explore teacher training in Bali. “When I booked it, I wasn’t thinking I’m going to become a yoga teacher and start this journey. I just thought - this is going to be a really good break for me.” However, after delving into the discipline and learning more about its roots, Naomi’s mindset changed. “I learned so much about the deeper philosophical understanding of yoga. It’s not just a workout - there’s ancient Indian and Vedic philosophy that goes into it. Going to Bali was a really hard experience - but it was amazing.”
On her return to Jersey, Naomi knew she had to teachnot just to share what she had learned, but to retain it. As her practice deepened, so did her interest in alternative healing. “Another avenue of self-improvement and healing was psychedelics. I’d always rejected traditional medication, as I didn’t see it addressing the root problem or surrounding issues. You can’t give someone with depression antidepressants without looking at their past, their environment, their relationships, their parents. There’s so much that goes into someone’s wellbeing - it’s not just that one symptom, it’s the person as a whole”
For Naomi, leaning into psychedelics became a vital part of her healing journey. “One day I sat with mushrooms,” she said, “and it was the most profound experience of my entire life.” It led her to enrol in the Vital 12-Month Programme by Psychedelics Today - becoming the youngest person ever to complete the course.
“I would never do anything illegal,” assured Naomi, “but I did wonder how I could bring this into my work in Jersey - so I started incorporating integration circles into my work.” These circles are safe, confidential spaces for people to process their experiences - often following psychedelic sessions abroad - with support and empathy. “Aside from yoga, that’s my biggest passion,” said Naomi. “My priority is creating safe spaces for people.”
In addition to the physical and mental benefits of yoga, Naomi prioritises facilitating a space where people can come together to form a community. She is dedicated to building ‘third spaces’ - places outside of home and work where groups can connect and heal together.
While many go to yoga to improve their flexibility and strength - factors that Naomi doesn’t shy away from - those who attend her classes experience more of a meditation. “I think people sometimes shy away from the fact that there is a spiritual component to yoga,” Naomi reflected, “because it feels hard for them to process or access. But so many of us are just, go, go, go, all day, every day… To just have an hour where you’re moving your body and clearing your mind, sitting with yourself and your emotions, is so important.”
In addition to the physical and mental benefits of yoga, Naomi prioritises facilitating a space where people can come together to form a community. She is dedicated to building ‘third spaces’ - places outside of home and work where groups can connect and heal together. “It’s important to have these spaces,” Naomi explained. “There aren’t many places in society anymore where you can go, meet people and make friends. That’s really my goal - to build human connection, without phones, completely sober, doing things that are good for us. When you get down to the core of it, all humans ever really want is love and connection. That’s all we’re here to do.”
Naomi teaches group classes at the studio above HotpodThursdays, 6-7pm. mayura.je
GYM PROFILE
FUNKTION FITNESS spring fitness
Funktion Gym in St. Helier is a well-equipped, functional space for people serious about their training. It’s got everything from free weights and machines to rigs and conditioning gear, so there’s room to train however you like. The atmosphere is focused but relaxed— members are friendly, and the staff are approachable without being pushy. There are group classes if you’re into that, or you can try one of the brilliant trainers who can help you reach your goal. It’s clean, practical, and gets the job done close to where you get your job done; a solid choice if you want a no-nonsense place to train in the heart of town.
SIGNATURE WORKOUT: STRENGTH CLASS
‘Strength Class’ is by far our most popular, highly recommended by those who partake - we deliver what we promise. This 45 minute whole body workout comes with no strings attached - with our ‘no monthly membership’ approach it’s accessible to anyone who wants to workout with us. Using a full range of equipment, we teach clients how to
MEMBERSHIP
TRAINER’S CHOICE: NICK DINGLE SQUAT
move, build strength and achieve the results they want. All we ask is that you make sure to book early - classes fill up quickly! We’ve been listening to our members and are currently undergoing expansion, ensuring that everyone can work out at Funktion, Classes run from 6am to 7:15pm.
With our no monthly membership approach, Our gym is pay as you go for the session that you want to attend, whether it is to join in a class or to have a hour Personal training session with one of our superb Trainers, no hidden fees or long term sign up required. Information can be found at www.funktion.je or follow us on IG - funktionf. If you have any questions, please email us at info@funktion.je or pop into the gym on Castle street, opposite Sand street car park and have a chat with one of our Trainers.
Plank Challenge Jake Huckerby 3 MINS 28SECS
We asked each of our gyms to put forward their best plank pro... here’s how they fared...
Our recommended exercise is a squat. The most simple full body exercise that can be done in different ways so anyone can do it. Working your core and legs especially, it is the best movement
ST BRELADE’S BAY spring fitness
The gym floor is equipped with Technogym cardio equipment, a variety of different resistance machines, free weights and a functional training area. With a private studio for classes and a separate studio for spin classes, hotel residents and members are sure to find what works best for each individual to help keep the motivation in working towards their fitness goals! Equipment can be used solely or with the use of one of our in-house personal trainers and works at a variety of fitness levels from beginners to intermediates.
St Brelade’s Bay Hotel offers an invigorating Aqua Aerobics class as part of its comprehensive fitness program at the health club. This class is designed to provide a low-impact, full-body workout suitable for all fitness levels. Participants engage in various water-based exercises that enhance cardiovascular health, improve muscular strength, and increase flexibility, all while minimizing stress on the joints. The class, that typically takes 45 minutes, is always greatly received due to its fun aspect as well as great music and is a part of the club’s regular schedule.
TRAINER’S CHOICE: HANNAH JACQUES ASSISTED CHIN UPS
Memberships are available for adults, students, and corporate groups, with flexible durations. Every new member receives a complimentary induction session. Each membership includes unlimited access to the gym, swimming pool, classes, on-site parking as well as many other perks that also include complimentary gym towels and Wi-Fi.
We asked each of our gyms to put forward their best plank pro... here’s how they fared...
I recommend this to anyone who wishes to work on their upper body strength, not only the arms and back, but this also hits the core more than you’d realise. This is one of the most simple ways to fire up the entire upper body safely, and notice progression easily - as you simply decrease the weight as you are able to perform more and more reps. I also like to “super set” this exercise with some mat based core exercises in between sets, whilst the dominant upper body muscles are resting (1-2 minutes rest depending on effort level) you can really maximise the core that’s targeted and fire up the abs in between sets. When you next get on the assisted chin you’ll really notice the abs working hard. This can be for beginners as long as there’s no existing upper body neck / shoulder / back issues to be mindful of.
GYM PROFILE
BLOOD FITNESS
Blood Fitness is a premier training facility located in the heart of town, offering three fully equipped floors catering to all fitness levels. With over 500 members, we provide an inclusive space for everything from general fitness to elite-level combat sports. Our gym is known for its high-quality equipment, expert personal trainers, and vibrant community. We also host regular boxing and martial arts events that attract crowds of over 750 people. Whether you’re looking to lose weight, gain strength, or sharpen your fighting skills, Blood Fitness is where hard work meets results.
SIGNATURE WORKOUT: COMBAT SPORTS AND BEYOND
Blood Fitness is a leading destination for combat sports and functional fitness. Our gym hosts five structured Muay Thai classes each week, led by four different coaches — each bringing their own style and expertise. We’ve recently launched Traditional Boxing classes, clearly distinguished from our popular Boxfit sessions. While Boxfit is all about energy, sweat, and fun, Traditional Boxing is focused on teaching the technical side of the sport — real skill development, not just cardio.
Our MMA programme continues to grow, combining wrestling and jiu-jitsu, with coaches who bring real experience to the mats. Beyond combat sports, we cater to all training styles, with packed HIIT, BodyPump, 5:45am Early Riser, Circuit, and Kettlebell classes. Whether you’re looking to fight, get fit, or both — we’ve got you covered. Memberships include flexible payment plans for both Club and Platinum tiers, offering full access to all facilities and classes.
MEMBERSHIP
Blood Fitness offers tiered memberships with full access to three floors of high-quality equipment, fitness, and martial arts training. Gym-only is £56.50/month. Club (£83.50) includes all fitness-based classes. Gold (£103.50) includes martial arts classes. Platinum (£139) includes all classes plus semi-private personal training sessions. Kids Platinum (ages 10–14) is £85/month and includes Strength & Conditioning, Muay Thai, MMA, and Traditional Boxing. We also offer a dedicated Kids Muay Thai Membership at £59/month.
All memberships can be purchased at a discounted annual rate, split into three instalments over 60 days for a 12-month commitment.
TRAINER’S CHOICE:
MICHAEL SMILEK KETTLEBELL CLASS
@BLOODFITNESSJERSEY
For those looking for a full-body challenge, Michael Smilek recommends our Kettlebell Class — a no-nonsense, high-intensity session that tests strength, endurance, and mental grit. Expect a tough combination of compound lifts, explosive movements, and functional strength work that leaves no muscle untouched. It’s a serious workout for those who want to push limits and build real-world fitness. Challenge yourself — this one’s not for the faint-hearted.
PHOTOS
CARL GALLIE
EVENT ORGANISERS.
If you have events coming up, keep us informed and we’ll get someone down to capture your crowd and show everyone what a great time people had in the following edition. Email paparazzi@gallery.je
PHOTOS BY CARL GALLIE
EVENT ORGANISERS.
If you have events coming up, keep us informed and we’ll get someone down to capture your crowd and show everyone what a great time people had in the following edition. Email paparazzi@gallery.je
THE MATRIX
GET TANGLED
Tangled Hair and Beauty Salon—where elegance meets expertise. Our salon delivers premium hair and beauty services, designed to highlight your natural beauty. With a highly skilled, friendly and professional team who promote relaxing ambiance, every visit is a rejuvenating experience. Whether you’re after a flawless haircut, vibrant hair colour, or a personalised manicure, we tailor our services to match your unique style — all at an affordable price. Indulge in luxury and care, because you deserve nothing but the best. Book your appointment today!
Tangled
51 Bath St, St Helier 01534 888393 tangledhairandbeautysalonjsy@hotmail.com
THE BEAUTY HOUSE
Discover our award-winning boutique salon situated in a rural, tranquil location, offering privacy and parking. The salon is praised by clients for its peaceful surroundings, expert beauty practitioners and bespoke beauty formulas. Services include; Microblading for Eyebrows, SemiPermanent Eyeliner, SylfirmX Skin Rejuvenation, Pevonia Skincare, Intimate Hot Waxing, Manicures & Pedicures, Massage and Reflexology.
THE BEAUTY HOUSE
4 Roc Annick, La Rue es Bouefs, St Mary, JE3 3EQ 01534 789000 www.thebeautyhouse.je
G WOOD JOINERY
G Wood Joinery specialises in designing and creating furniture, windows, doors, staircases, fence, decorative panels and kitchens. Also we do 3D kitchen projects. Our team is made up of long-serving highly versatile craftsmen, whose knowledge and enthusiasm help turn your ideas into reality. Our workshop is equipped to deal with projects of varying levels of complexity. We can work with you to match existing mould details, help with architectural renovations or heritage works and deliver custom-designed projects.
G WOOD JOINERY
Shop 1, Hansford Close, La Route de St. Aubin, 07829811184 www.gwoodjoinery.com
CASHMERE AND MORE
Unur offers luxury garments crafted from ethically sourced cashmere and yak wool, directly from Mongolia. Their clothing blends traditional craftsmanship with modern design, creating timeless pieces with a contemporary edge. The collection is perfectly complemented by a curated selection of pearl jewellery, adding subtle elegance to the range. Yak wool, prized for its warmth and sustainability, provides durable and eco-friendly fashion choices. Unur’s commitment to quality and sustainability makes it a distinctive brand for those seeking unique, high-end apparel.
UNUR
33 Queen St, St Helier, JE2 4WD 01534 491574 www.unur.co.uk
DREW & MAY
At DREW & MAY, we’re a locally owned boutique offering stylish, high-quality clothing at prices you’ll love. With a passion for detail and a focus on customer satisfaction, we curate pieces that fit every style and body. Whether you’re dressing up or keeping it casual, we believe fashion should be accessible to everyone—and we’re here to make sure you look and feel your best.
DREW & MAY
55 King Street, St. Helier JE2 4WE @drewandmay.jsy
OH, HI
READING THIS? SO ARE THOUSANDS...
If you are looking for a low-cost marketing communication to reach where digital can’t, you could have this little Matrix entry to promote your venue, product or service. A snazzy photo, a shortdescription and all the details you need to let people get in touch. Reach thousands of readers from £38.50 per month. Get in touch with Gallery on 811100 or email matrix@factory.je.
NUMBER ONE BOUTIQUE
A unique little boutique in the heart of St. Aubin. Number One offer a welcoming service and a diverse collection of Italian fashion, designed for women of all ages and available in sizes 6 to 28. Their range features breathable fabrics such as linen, cotton and silk, carefully selected to keep you cool and comfortable throughout the summer.
NUMBER ONE BOUTIQUE
Charing Cross House, St Brelade, 01534 746855 lfalgate@protonmail.com
BOUTIQUE SHOPPING IN ST PETER
Out of town relaxed shopping experience in St Peter’s village opposite the church. Beautiful clothing brands such as Numph and Eleven Loves to create an all year round wardrobe. Plenty of on site parking. Open 6 days a week, we look forward to welcoming you soon!
JESS CLOTHING BOUTIQUE
Unit 2, Rue de L’Eglise, St Peter, JE3 7AG 07797 818414 www.jess-styles.com @jess_boutique_st_peters
An artisan organic sourdough bakery
quickly gained acclaim after selling out of sourdough within hours on its opening day. Renowned for its world-class sourdough, garlic focaccia, and cinnamon buns, the bakery emphasizes local, sustainable ingredients and offers a warm, community-focused atmosphere.
Dough Rye Me
5 Temple Court
St John’s Village 07700 353354 doughryeme2020@gmail.com
A BAKERY WORTH GOING NORTH FOR!
nestled in St. John’s Village, Jersey. Founded by Pawel Zygiewicz, a former hospital cook turned passionate baker, the micro-bakery
Phase 2 at New Market Yard has launched. Reserve off-plan now and take advantage of exclusive launch incentives.
- Plans available to view - Completion Spring 2026
One Bedroom Apartments from £350,000
Two Bedroom Apartments from £495,000 - Parking available to purchase
