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THE UNIVERSITY OF KANSAS ethanschreib@gmail.com | 913-515-0566 ETHAN SCHREIBER
4-17 POSTER DESIGN 18-31 LAYOUT DESIGN 32-41 ILLUSTRATION 42-47 TYPE DESIGN 48-49 BRANDING 50-51 3D DESIGN
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POSTER DESIGN
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ETHAN SCHREIBER
AMTRAK POSTERS Set of typographic and illustrative posters created for Amtrak’s Ethan Allen Express. These posters focus on the affordability of the line (left) and the architecture and natural beauty present throughout all the cities that the Ethan Allen Express travels through on its route.
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POSTER DESIGN
SKETCHES
DRAFTS
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We must make climate change an urgent priority across America and end the corrupting influence of fossil fuel executives on our politics.
POSTER DESIGN
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ETHAN SCHREIBER
ADVOCACY POSTERS These posters were created for the Sunrise Movement, a radical environmentalist group, with the aim to deter individuals from fossil fuel usage. These posters were hand created with paintbrushes (left) and spray painted stencils (right), then scanned and digitally manipulated.
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We must make climate change an urgent priority across America and end the corrupting influence of fossil fuel executives on our politics.
POSTER DESIGN
SKETCHES
DRAFTS
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ASSET CREATION
VARIATIONS
ETHAN SCHREIBER
Smoke starts rising from the building and is noticed and reported by residents on the block.
After consuming the individual shops and working it’s way toward the center of the building, the flames become visible through windows and doors, confirming to the nearby buildings that the Opera House is actually on fire.
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The sides of the Opera House collapse due to the fire, the southern half of the building seeing the most damage. The collapse crushed the roofs of the two adjoining buildings.
Firefighters arrive and start working on reducing flames, they found, though, that the height of the building was inhibiting to the fight.
The Opera House finishes construction, towering over the rest of the block, and is opened to the public. It is well known in the town and widely used.
POSTER DESIGN
As the fire grew completely out of control, firefighters diverted their attention to the back and sides of the building, confining the destruction to the inside of the building. The new plan was to prevent the fire from spreading.
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The fire is finally put out after roughly 3 hours. After the building is safe to enter, investigation began as to what caused the fire, if it was intentional, and if the building could be salvaged at all.
The Opera House catches fire, the original spark beginning in the building’s harness shop owned by M.C. Hayes.
The front face of the Opera House collapses into the street after an hour of attempting to put out the flames. The collapse of this wall does not injure any fire fighters or civilians.
Almost a decade later, the Opera house was rebuilt by the original builder, William Y. Ripley. It was brought back into use by the community for years to come.
ETHAN SCHREIBER
TIMELINE POSTER
SKETCHES
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With the goal to create and render a non-linear timeline, this poster was designed to explain the tragedy of the 1875 Ripley Opera House Fire. In this poster, each block of body copy explains the time of each event leading up to and during the fire and is placed on the blueprint in the area where the event occurred.
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Smoke starts rising from the building and is noticed and reported by residents on the block.
After consuming the individual shops and working it’s way toward the center of the building, the flames become visible through windows and doors, confirming to the nearby buildings that the Opera House is actually on fire.
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As the fire grew completely out of control, firefighters diverted their attention to the back and sides of the building, confining the destruction to the inside of the building. The new plan was to prevent the fire from spreading.
The fire is finally put out after roughly 3 hours. After the building is safe to enter, investigation began as to what caused the fire, if it was intentional, and if the building could be salvaged at all.
The sides of the Opera House collapse due to the fire, the southern half of the building seeing the most damage. The collapse crushed the roofs of the two adjoining buildings.
The Opera House catches fire, the original spark beginning in the building’s harness shop owned by M.C. Hayes.
Firefighters arrive and start working on reducing flames, they found, though, that the height of the building was inhibiting to the fight.
The front face of the Opera House collapses into the street after an hour of attempting to put out the flames. The collapse of this wall does not injure any fire fighters or civilians.
The Opera House finishes construction, towering over the rest of the block, and is opened to the public. It is well known in the town and widely used.
Almost a decade later, the Opera house was rebuilt by the original builder, William Y. Ripley. It was brought back into use by the community for years to come.
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POSTER DESIGN
RENDERS
DRAFTS
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VARIATIONS
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POSTER DESIGN
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COLLAGE POSTER With the goal of designing a collage that emmulates the European influences on Early American design, this poster was created with typography taken from modern magazines and abstracted to become visual color. The composition itself is a reference to the editorial magazine cover that was popularized during this era.
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POSTER DESIGN
INITIAL SKETCH
FIRST RENDER
PROCESS
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LAYOUT DESIGN
SPENCER MUSEUM OF ART February 16–May 11, 2022
THE EXHIBIT Through the use of bold colors, powerful typography, and unique illustration, Dorothy Waugh captures the essence of the American National Parks System in a collection of posters celebrating architecture and natural beauty.
February 16–May 11, 2022
AN EXHIBIT ON DOROTHY WAUGH
1301 Mississippi St, Lawrence, KS 66045
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Ethan Schreiber 1301 W 24th St, Lawrence, KS 66046
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ABOUT THE ARTIST Educated at the Chicago Art Institute, Waugh was a graphic designer, illustrator, editor, and teacher. She created at least 16 national and state park posters around 1934, amidst the Depression. Later in her career, she taught at the New York School of Fine and Applied Art.
ETHAN SCHREIBER
FRENCH FOLD In a project meant to explore the work of unsung graphic designers of the past, this French Fold mailer advertises an art exhibit on Dorothy Waugh at the Spencer Museum of Art in Lawrence, Kansas. Pulling typographic and illustrative themes from Dorothy Waugh’s original work, this mailer emmulates her body of work while attempting to appeal to a modern audience.
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SPENCER MUSEUM OF ART
THE EXHIBIT Through the use of bold colors, powerful typography, and unique illustration, Dorothy Waugh captures the essence of the American National Parks System in a collection of posters celebrating architecture and natural beauty.
LAYOUT DESIGN
February 16–May 11, 2022
AN EXHIBIT ON DOROTHY WAUGH
1301 Mississippi St, Lawrence, KS 66045
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Ethan Schreiber 1301 W 24th St, Lawrence, KS 66046
February 16–May 11, 2022
ABOUT THE ARTIST Educated at the Chicago Art Institute, Waugh was a graphic designer, illustrator, editor, and teacher. She created at least 16 national and state park posters around 1934, amidst the Depression. Later in her career, she taught at the New York School of Fine and Applied Art.
SKETCHES
AN EXHIBIT ON DOROTHY WAUGH
February 16–May 11, 2022
THE EXHIBIT Through the use of bold colors, powerful typography, and unique illustration, Dorothy Waugh captures the essence of the American National Parks System in a collection of posters celebrating architecture and natural beauty.
ABOUT THE ARTIST Educated at the Chicago Art Institute, Waugh was a graphic designer, illustrator, editor, and teacher. She created at least 16 national and state park posters around 1934, amidst the Depression. Later in her career, she taught at the New York School of Fine and Applied Art.
AN EXHIBIT ON DOROTHY WAUGH
February 16–May 11, 2022
2 The Spencer Museum of Art 1301 Mississippi St, Lawrence, KS 66045
THROUGH THE USE OF bold colors, powerful typography, and unique illustration, Dorothy Waugh captures the essence of the National Parks System in a collection of posters celebrating its architecture and natural beauty.
Educated at the Chicago Art Institute, Waugh spent her career as a graphic designer, illustrator, children’s book editor at Knopf, teacher at Cooper Union and Parsons School of Design. Her father, an agriculture professor was able to use connections to find her a job with the National Park System. Her ‘poster phase’ consisted of at least 16 national and state park posters designed around 1934, ‘National Parks Year’... Amidst the Depression, the National Parks Service posters aimed to remind Americans of the glory of their lands and that the country remained “a place of opportunity”. She taught typography and design at the New York School of Fine and Applied Art. Most of her work is lost to time, with only the National Parks posters having been archived in the Library of Congress.
The Spencer Museum of Art 1301 Mississippi St, Lawrence, KS 66045 ABOUT THE ARTIST
DRAFTS
February 16–May 11, 2022
SPENCER MUSEUM OF ART
1301 Mississippi St, Lawrence, KS 66045
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Ethan Schreiber 1301 W 24th St, Lawrence, KS 66046
SPENCER MUSEUM OF ART
February 16–May 11, 2022
Poster
ETHAN SCHREIBER
The Spencer Museum of Art, 1301 Mississippi St, Lawrence, KS 66045
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LAYOUT DESIGN
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NYT EDITORIAL Using a New York Times article and photos as a base, this editorial layout was created with the intention of developing typesetting skills.
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LAYOUT DESIGN
IDEATION
VARIATIONS
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STYLE GUIDES
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LAYOUT DESIGN
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BOOK COVERS This set of book covers was created using Wolfgang Weingart’s text as a base. The purpose of this project was to see how far typography could be pushed in both small and large directions.
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LAYOUT DESIGN
VARIATIONS
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ILLUSTRATION
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EDITORIAL ART As part of a further exploration into the Sunrise Movement, this editorial illustration was designed based on a New York Times article written about the organization. It depicts a man chopping down a smokestack, as one would a tree. It conceptually represents organizations and institutions abandoning the fossil fuel industry and in turn, slowly breaking down the industry.
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ILLUSTRATION
SKETCHES
DRAFTS
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ILLUSTRATION
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ABSTRACTION These illustrations are part of a larger project focused on the abstraction and symbolism of recognizable objects. This set specifically shows minimal, cultural, pattern, and one line representations of a chicken.
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ILLUSTRATION
SKETCHES
RENDERS
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STORYBOOK This illustration was created to be printed at 3 feet by 3 feet. It was created based on a wide set of illustration styles found in old storybooks. It was created digitally, with handmade textures on top.
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ILLUSTRATION
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TYPE DESIGN
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STARLIGHT This font was devloped as part of a project exploring modular typefaces and how they can be created on a grid. This typeface can be used with or without the added star decoration on the letters.
ABCDEFGHIJKLM NOPQRSTUVWXYZ abcdefghijklm nopqrstuvwxyz
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TYPE DESIGN
SKETCHES
CREATING
TOOLKITS
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TEALEAVES As part of a personal exploration in quickly creating type, this typeface was designed and set in under 3 hours.
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TYPE DESIGN
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EMMA MATHIESON This set of branding elements was created for Kansas City musical artist Emma Mathieson as part of an entire brand overhaul. This included a logo, posters for upcoming concerts, templates for Twitch streaming, album covers, and social media posts.
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BRANDING
EMMA
MATHIESO
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ON
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ETHAN SCHREIBER
MEDIA POSTERS These posters were created as part of a personal project exploring the different ways to create and render 3D models. The posters are based on shows and movies I felt had a strong cutltural impact in recent years. All imagery in these posters were created in Blender, with some type being rendered in 3D, and some being set in InDesign after rendering the image.
2016-2020
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Created by Michael Schur Starring
3D DESIGN
Kristen Bell William Jackson Harper Jameela Jamil D'Arcy Carden Manny Jacinto Ted Danson
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THE UNIVERSITY OF KANSAS ethanschreib@gmail.com | 913-515-0566